EDUCATION
WORK EXPERIENCE
2011 – PRESENT
DAVIS PARTNERSHIP, DENVER, CO
PREPARED REQUEST FOR PROPOSALS PRESENTATION AND MARKETING MATERIALS INCLUDING DESIGN DEVELOPMENT DRAWINGS, DETAILS AND CONSTRUCTION DOCUMENTS INTERACTIVE 3D MODELS FOR CLIENT INTERVIEWS COORDINATED LANDSCAPE ARCHITECTS AND SURVEY PERSONAL IN THE CREATION OF SITE AND BUILDING DESIGN PROPOSALS SUMMER 2010
TRYBA ARCHITECTS, DENVER, CO
PARTICIPATED IN CONCEPT DEVELOPMENT PROCESS PREPARED PRESENTATION AND MARKETING MATERIALS INCLUDING DESIGN DEVELOPMENT DRAWINGS, DETAILS AND CONSTRUCTION DOCUMENTS ORGANIZED AND DEVELOPED REVIT, BIM AND PARAMETRIC MODELS RESEARCHED LOCAL AND NATIONAL ORDINANCE REQUIREMENTS PARTICIPATED IN ON-SITE RECORDING OF DETAILS FOR QUALITY CONTROL SURVEYED AND DOCUMENTED PROJECT PROGRESS ASSISTED IN ARRANGING CLIENT/CONTRACTOR/OWNER MEETINGS SUMMER 2008 UNIVERSITY OF MICHIGAN, TAUBMAN SCHOOL OF ARCHITECTURE MASTER OF ARCHITECTURE CANDIDATE, 2015 3.75 GPA ARIZONA STATE UNIVERSITY COLLEGE OF DESIGN, TEMPE, AZ B.S. ARCHITECTURAL STUDIES, MAY 2012 GRADUATION 3.5 GPA ARCHITECTURE; 3.5 GPA CUMULATIVE REGIS JESUIT HIGH SCHOOL, AURORA, CO GRADUATING CLASS OF 2006 WESTERN STATE COLLEGE, GUNNISON, CO 2007 SPRING SEMESTER, OUTWARD BOUND WILDERNESS LEADERSHIP COURSE, COSTA RICA TO THE KEYS
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COMMERCIAL SALMON FISHERMAN, SITKA, ALASKA
DECKHAND ON F.V. BYNG AND F.V. E.H. RIGGED, OPERATED AND MAINTAINED FISHING GEAR MAINTAINED AND REPAIRED ENGINE AND HYDRAULIC SYSTEMS LANDED, CLEANED AND ICED ALASKAN KING, SILVER AND DOG SALMON JAN 2007- DEC 2008
RESEARCH ASSISTANT TO ASU’S URBAN PLANNING DEPT., PHOENIX, AZ
ASSISTED IN THE RESEARCH AND DEVELOPMENT PROCESS FOR URBAN PLANNING PROJECTS FOR PUBLIC PLACES: “PHOENIX FLOWS”, “CANAL CITIES” AND “FLIP-A-STRIP” CREATED POWER POINT PRESENTATIONS, SITE RENDERINGS AND LOGOS FOR BRANDING CONDUCTED RESEARCH ON EXISTING AND PROPOSED PROJECTS CONDUCTED RESEARCH ON SMALL BUSINESS DEVELOPMENT PLANS WITH A FOCUS ON URBAN RENEWAL AND REDEVELOPMENT
AWARDS - ORGANIZATIONS
VOLUNTEER EXPERIENCE
HINES 2014 URBAN DESIGN COMPETITION, ENTRY, 2014 REALESTATE DEVELOPMENT COMPREHENSIVE PROJECT, BEST PROJECT AWARD, 2014 ARCHITECTURAL DESIGN STUDIO, EXEMPLARARY STUDENT WORK, EXHIBIOTN, 2014 GEORGE DAVIS SCHOLARSHIP, 2011 PAUL H. KLETT MEMORIAL SCHOLARSHIP, 2011 GEORGE CHRISTENSEN TRAVEL SCHOLARSHIP, 2011 DESIGN EXCELLENCE, ASU SCHOOL OF ARCHITECTURE, 2009, 2011 NOMINATED 2010 DEAN’S LIST HONOR ROLL, ARIZONA STATE UNIVERSITY, 2007 EAGLE SCOUT, TROOP 72 BOULDER, COLORADO, 2004 AMERICAN INSTITUTE OF ARCHITECTURE STUDENTS (AIAS) ALPHA RHO CHI PROFESSIONAL ARCHITECTURE FRATERNITY, SATYROS CHAPTER (ASU) PRESIDENT, 2010-2011 PROFESSIONAL DIRECTOR/FUNDRAISING CHAIR, 2011-2012 SIGMA ALPHA LAMBDA HONOR SOCIETY (SAL) NATIONAL SOCIETY OF COLLEGIATE SCHOLARS (NSCS)
2010, AIA JUDGE, NATIONAL ENGINEERS WEEK FUTURE CITIES DESIGN COMPETITION, PHOENIX, AZ 2010, ALPHA RHO CHI SERVICE PROJECT INFRASTRUCTURE REPAIR AND MAINTENANCE, TUBA, AZ
HOPI
INDIAN
RESERVATION,
2009, VOLUNTEER AMBASSADOR, GREENBUILD CONFERENCE, PHOENIX, AZ 2008, PARK AND TRAIL PARK, LIGNUMVITAE KEY, FL
MAINTENANCE,
LIGNUMVITAE
KEY
BOTANICAL
STATE
2008, SCHOOL MAINTENANCE, PIERNAS BLANCAS, COSTA RICA
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RESUME/C.V.
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PERSONAL WORK
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UNDERGRADUATE URBAN FARM BARIO COMMUNITY CENTER TREE HOUSE - MULTI FAMILY HOUSING HAYDEN MILL - WELLNESS CENTER PROFESSIONAL WORK CAESAR CHAVES GSA HEAD QUARTERS HEALTHCARE
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20 - 31 32 - 45 46 - 57 58 - 69 70 - 89 90 - 93
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personal work.
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TEMPE URBAN FARM
Fall, 2009. ALA 290. Site Planning and Program Strategy
The project creatively integrates an agriculturally based program into the urban environment of Tempe. The site serves as a functioning farm, education center, public gardens recreational area and Farmers Market. The design is loose; allowing the site to be a dynamic phenomena, constantly changing to accommodate a variety of events and activities. The site was designed using a grid system constructed from historic agricultural geometries. The built elements on the site are characterized by a rectilinear geometry, which contrasts with the organic nature of their immediate context. The primary challenge, with regard to the design, was creating a strategy to unite the six acre site.
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CONTEXT The site is well connected to its urban surroundings. A number of canals and greenways lie within the immediate surroundings as well as a number of bustling commuter corridors. North of the site there is an animal preserve, and to the south, ASU Tempe main campus. The site is located on the path of a future green belt set to link downtown Tempe with downtown Phoenix four miles to the west. Agriculture has been an important part of Tempe’s history and is still actively practiced on the outskirts of the city.
Hohokuk Expressway
Grand Canal
Loop 202
ASU
Popago Park Preserve
Salt River/ Tempe Lake
Scottsdale Greenway
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ORGANIC
Rice Terraces, Philippines 2000+ years old
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INFLUENCED
Rural Farmland, England 700 years old
CONQUERED
Versailles, France 250 years Old
CONTROLLED
Acre Plots, Kansas 80 years old
ENGINEERED
Alfalfa Fields, San Tan, Arizona 30 years old
Vestigial geometries on the site are evident, evidenve of prior uses. An elevated rail bed arcs across the corner, a vague grid system from when the site was used as a temporary parking lot.
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SITE ANALYSIS Methods of Site Discovery & Investigation
Charcoal rubbings were a helpful medium for capturing textures and patterns
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the site is quiet, a low roar from the freeways bordering the site is audible - the relative silence is broken when an airplane passes overhead. the ground is hard in places and packed as hard as granite in others - pebbles beneath my feet grind as I slide my feet across the flat packed dirt ground - a small dead bush at my feet tells a futile tale of a doomed fight to cling to life in this desolate environment as I reach down to brush my hand over its dry twig-like branches, it crumbles away - there are tire tracks making concentric rings in the hard ground, the free shapes they leave in the earth contradict their rugged surroundings - again the silence is broken as a lightrail train sounds its horn - the stark interior of the site comes to an abrupt end marked by a loose berm of soil, behind it trees and bushes seem to be established along a type of drainage area - the canal, the water is a welcome sight. a cool breeze stirs the stale hot air around me. I am reminded how valuable water is in this climate - behind a thin ribbon of vegetation a road follows the canal’s edge. it is perfectly graded. signs of human activity are scattered in the texture of the rough ground. mountain bike tires, footprints, a dog’s paw prints. - a dense development of condominiums at the site’s eastern edge stand like a great wall of stucco.
night:day, winter:summer
site boundries, vegetation, concrete, canal, asphalt, stucco, buildings, sky
production model PRODUCTION MODEL Community, Grower Co-Op/Food Share
crop donations
produce from the farm
is produced...
work is done by...
food goes...
on-site demontstration farm
employees
community food share system*
orchards and production zones
volunteers
the homes and familiies of plot growers
plot growers
*
Will be the culmination of a cooperative effort amongst all Phoenix area growers. It will operate much like a Farmer’s Market the site functioning as a central point of distribution. The program will provide a marketing and distribution resource to area farmers while providing an educational benefit to the community.
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com
Existing site geometry
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Evolving agricultural patterns 2000 BCE - Present
Hohokum Canal Network, Salt River, AZ, 2000 BCE
Hohokum Canal Network Overlay - forming the central axis of the site plan
histroric farming patterns - guided by water source
Abstract sketch, “weaving geometries�
Radial and gridded patterns provide scale
The site is organized by a series of historical and culturally inspired geometries.
SITE DEVELOPMENT Agriculture.
Preserved vegetation
The design of the site is influenced by a series of geometries overlaid and manipulated to produce a grid system that informs the programmatic elements of the design. Each layer of the grid network represents an abstracted pattern that has arisen in man’s approach toward a “controlled” landscape. The final grid pattern represents a historical chronology of landscape geometries. The geometries are extracted form aerial photographs of an array of locations – varying in age, geographic region and cultural contexts, these pattern serve to represent a cross section of man’s affect on his natural landscape.
Community Plots/Gathering Areas
Constructed Forms Based on Developed Geometry
Circulation
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resevoir already being utilized in adjacent areas north of the site. The pond is home to a school of tilapia which play a vital role in the breaking down of organic material generated by the site. The fish in turn produce fertilizer which is used on the site.
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green belt This swath serves several purposes within the program of the Site. It functions as a pedestrian link between the existing corridors at the north and south ends of the farm. The space created by the implied geometry also functions as a visual anchor, aligning visual anchors on the site in a logical symmetry.
jogging trail Functions as a recreational loop for hikers and joggers. Provides an educational “nature” loop. The trail winds through a collection of preserved and native landscape elements.
date palm grove This area functions as both a Date Palm grove as well as a plaza. The trees are spaced evenly along a grid allowing for free movement within the interrior.
central corridor The central corridor follows the path of the Rio Salado basin.
production zones The farm layout is adapted to the guiding geometry, as a result several distinctly different “zones” that cater to diverse plant needs. Generally, the Production “zones”.
orange groves Offer an aromatic element within the site, grounding it as a “place” and appealing to the olfactory senses of its visitors.
education gardens
community gardens
These gardens are maintained by staff members but serve as public education tools.
The community gardens are leased annualy to individuals and families as a means to generate revenue. The plot owner is then entitled to all of his or her own produce generated during the growing season.
Main site access, vehicle/pedestrian follow the overlaid Rio Salado geometry. -Rio Salado is the primary source of water, sustenence for the Phoenix area. The river is used as a metaphor, guiding visitors through the site.
Landscape is layered and arranged to provide shelter to visitors.
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Corridor Rendering
Built Aesthetic Diagram
SITE DEVELOPMENT The structures gain their forms and aesthetic language from vernacular agricultural implements. Barns, nepa-huts, silos, barn doors, etc. They are distributed along a central mall intended to frame views on the site upon arrival as well as establish a centralized location for accomodating events. As one aproaches from the north, they decend into the the site via a series of stepped terraces. Once at grade, palms in the adjacent groves, flanking the mall, create shade and condition the outdoor spaces. The hardscape features are intentionally human scaled to create feelings of comfort and security, and to contrast the vehicle dominated landscapes that surround the farm. These spaces are intended to be peaceful, flexible and tactile. In some cases the structures themselves should seem to disappear into the landscape as thresholds of inside and outside spaces are dissolved and their programs spill into the outdoors.
1/2. CLASSROOM, STORAGE, TOILET 3. COMMUNITY GATHERING SPACE 4. OFFICE SPACE AND STORAGE 5. OFFICE SPACE 6. EDUCATION GATHERING 7. STORAGE
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Roof Planes at Sunrise
Gathering Space
GATHERING SPACE
Office and Storage
OFFICES ADMIN
Classrooms and Restrooms
CLASSROOMS/TOILET
Gathering Space
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BARRIO CULTURAL CENTER Spring, 2010, Parametric Modeling
The project is focused on a historical and cultural senseitivity of place. The site chosen is a vacant lot in Tuscon’s Bario neighborhood and has played a significant role in the development of the city and the southwest as a whole. The programming centers around community service and cultural celebration. Parametric modeling is used in realizing the architectural aspirations of the design.
`1900
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Barrio Neighborhood, Tuscon, AZ
CHARACTER
“... It means Free Zone, and in earlier times was allowed to remain without legal restraints or the presence of a policeman. Here, the Mescalian could imbibe his fill, and either male or female could, in peaceful intoxication, sleep on the sidewalk or in the middle of the streets, with all their ancient rights respected. Fandangoes, monte, chicken fights, broils, and all the amusements of the lower class [citizens] were, in this quarter, indulged in without restraint.� -City Directory, 1881
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HISTORY The Bario neighborhood in Tucson was one of the first settlements in the regions. Thoughout history the neighborhood has undergone significant changes as populations moved and Tuscon grew. The area sits in relative disrepair although recent redevolopment interests have sparked redevolopment - mainly remodels of old homes and businesses. During the later part of the 20th c. the neighborhood became neglected and many of
1919
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1948
the origional structures fell into disrepair. Unfortunately due to the predominant use of adobe most damaged structures were not able to be salvaged. It is our goal to embrace this neighborhood and celebrate its colorful past. We hope to provide a design solution that is thoughtful and considerate while breathing new life into the area.
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TUSCON Historical Society, U of A Dept. of Urban Planning
SITE ANALYSIS
Above: Historical Photographs Top: Major Streets, corridors Bottom Right: walking radius Bottom Left: major land uses
Because of the Sites unique location much of my innitial work on the project was research. The City of Tuscon as well as the University of Arizona Dept. of Urban Planning were instrumental in providing the material nessicary to begin understanding the 120 plus year history of the Bario. Fire insurance maps, produced ever five years or so illustrated a gradual decline in the neighborhood residency and later the vanishing of structures due to lack of upkeep. Photos taken at the turn of the century show a dirt road with adobe buildings set just of the street - a unique strategy for maximizing private courtyard space.
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General Massing and Site Planning Historic Practice
T
he project grew from a manipulation of the unique architectural identity of the Barrio. This is a melding of construction techniques and cultural influences that has evolved over the life of the Barrio. A courtyard strategy was deconstructed to reinforce programming relationships and loosely define interior space, while maintaining an open unobstructed courtyard space that provides a venue for a variety of programs. I studied traditional methods of construction and planning in an effort to create an appropriate aesthetic vocabulary for this sensitive site. Centuries old practices of brick and mud, courtyard planning, and solar orientation drove the initial design work.
South Facing Courtyard, Casa Bonita.
Building Massing, Courtyard.
Street Edge Study
EAST WEST 1 Courtyard Space
The goal was to achichieve a dynamic dialogue with the street edge, much like many of the older structures in the area. As you walk down some of the streets in the area, you catch glimpses - through an open door, window, a hole in a fence, of the world beyond the street edge. A shared courtyard.
EAST WEST 2 36
Performance Space
Texture, Form, Light and Rythm
NORTH SOUTH 1 Education - Classrooms, Studios
NORTH SOUTH 2 Administration, Gallery
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Utililizing
a “cross referential” geometry, I was able to maintain calculated view corridors to within the courtyard space from the street. This allows for playful dialogue between the building its users and the passerby - feeling connected was key. This strategy was also useful in organizing the programming on the site and activating the courtyard space. Each programming element shares a direct and intentional connection with each other. Art Studios are across from the gallery, classrooms are oriented toward the Southeast to take advantage on morning light, the library is “transparent” allowing a view of the interior, tempered by the library.
Bottom:Process Sketch, View, Light, perimeter Top: Site configuration
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Connecting interior spaces with the street and neighborhood without sacrificing security or privacy.
Throughout this project I was searching for ways to connect the building to it neighbors. I wanted the building to have a dynamic expression, one that would constantly change affect and be affected. The folded structure of the roof allows light to pass freely through the building. During the day the cleats reflect a soft indirect light into the interior, at night light spills out from the building expressing itself geometrically in the buildings elevation. I utilized a number of parametric modeling tools to experiment with various options, ultimately choosing this classic origami form for its ability to diffuse light and its structural characteristics.
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PROGRAMING AND CIRCULATUION
Site Circulation and Access
Programming
Roof Plan
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Courtyard, looking into the classrooms and studio spaces.
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Light is used to illuminate the street edge offering security and creating the illusion of a floating mass, resting on the sidewalk
The lowered courtyard provides seating opportunities and mitigates high summer temperatures
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PIONEER MEMORIAL CEMETERY Fall, 2009. ALA 294. Historical Reflection
The Pioneer Memorial Cemetery lies in a neglected area of downtown, however it holds some of the most important pieces of the city’s history. The cemetery itself is over 100 years old and has been largely ignored for the past fifty years. The ground is bare earth punctuated by weathered memorials to the past. The historic significance of this cemetery is paramount. I intend to draw direct and literal connections between the lives of he individuals buried on the site and their contributions to the establishment and development of the Phoenix Valley. The fact that many of the people buried in the cemetery have played significant roles in the development of the original state government and other fraternal and social organizations - constituting the back bone of a developing Phoenix - should be clearly defined within the design of the site. Their contributions should be celebrated within the context of the city of Phoenix and its enduring history.
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Google Earth imagery
Concept imagery: Phoenix taking root, growing and thriving. A reflection on the lives of those who came before.
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SITE ANALYSIS RIGHT: Site location was analyzed for reasons of access, linkage potential and general oportunities and constraints. BELOW: The site was meticulously surveyed, recording the location and information of every grave marker, site feature, plant and topographic variation. Google Earth imagery
Site Relationship
Grave markers were numbered and coordinated with a spreadsheet containing relevant information, name, date of birth and death, occupation etc.
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CONCEPT DEVELOPMENT
Reflection Space
Radial Geometry Expressed in Surface Treatments
A variety of scaled spaces care created in the viods of site elements
Site analysis - PLACE
Site analysis - TIME Plotting the number of deaths over timerevealedtrendsillustratingthe cemetery’s use 1877 - 1910.
1. The geometry of the plot was combined and simplified 2. This geometry was mirrired to reveal a for representing the swell and decline of use. 3. Geometric forms were applied to a grid system and distriburted based on month of death. 4. the resulting geometry represents the event of death over time with regard to the cemetery.
Corridors and seating created by hardscape elements
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Using the country of origin or each of the deceased, discovered during my research, I plotted a tangetial path directly to their respective cities of birth, originating at the cemetery. I created an algorithm that calculated the relative angle of trajectory from the point of origin - a determined point on the site.
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LEFT: the ten countries of origin BOTTOM RIGHT: the diagramatic geometry produced by the algorithm BOTTOM RIGHT: a screen shot taken of the algorithm showing the various formulas employed.
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SITE DESIGN Convergence
Site walls distributed along the gridded geometry Hardscape organization is manipulated to establish experiential connections to the past, illuminating the lives of the deceased.
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Radial geometry is expressed in the ground plane and is carried vertically by a wall at the north of the site. The radial pattern culminates in the reflection space - a dead end corridor framed by concrete walls that frame the sky. The gridded geometry is layed across the interior spaces and projected vertically in the form of solid walls that guide circulation. These walls are penetrated by the radial geometry creating void sight lines that link the reflection space with the north wall.
Reflection Space Lighting Study, examining the interaction of light and the viods in the walls, the floor and ceiling.
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North/South Site Section
East/West Site Section
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Street corner, Signage Windows and main entrance
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Angled north wall from street
Prominade, an experiential link to the past
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Artistic rendering showing the city emerging from beyond the walls of the cemetery, growing up around it
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View out - Into the garden from the reflection space
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com
MULTI FAMLY HOUSING Fall, 2010, Tree House
In order to cause the city to “implode� one must begin to consider what is causing its tremendous growth. Upon investigation, it is discovered that a vast majority of new development occurring at the desert edge is to fill a demand for FAMILY housing; families with children, cars and a commute. The goal of TREEHOUSE is to create a desirable community within the city that fosters strong ties to the notions of place (neighborhoods, culture and arts) Homes that breathe with the city and echo the sounds of urban life. These are living spaces that will grow with a family and adapt as their needs change; high quality spaces characterized by flexibility and will develop a distinct identity. These spaces offer a gradient of spatial experiences that change over the course of a day, and throughout the seasons.
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Weather and Solar Exposure
Residential
Bus lines
Commercial
Light Rail
Parks/Public
Free Shuttle
Adjacent Land Use
Transportation
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com Views From Site
TYPICAL UNIT UNIT TYPE 1 1400SF
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N
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level 4
BUILDING SHELL
UNIT TYPES
SHEAR WALLS
CIRCULATION CORES
level 1
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level 2
level 3
ROOF PATIO PRIVATE/SLEEPING
PASSIVE AIR CIRCULATION
ACTIVE CONDITIONING SYSTEMS
CIRCULATION CORE
GROUND LEVEL
LIVING SPACE
Site Layout
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UNIT TYPE 1
Due to the high density on the site, maintaining privacy within the units was a primary concern when considering unit strategy. The unit types are staggered in plan and section the result is a mass/ void relationship that allows for an offset in spatial functions across the courtyard space. The trees in the courtyard are deciduous – losing their leaves in the winter. This allows for a mitigated privacy barrier between units and manages the southern exposure.
UNIT TYPE 2
UNIT TYPE 3
Units are arranged in a staggered pattern to ensure that the spatial programs of each unit do not align, providing privacy.
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Interior spatial models - used in the design process to determinelivability,lighting,circulationand materiality
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com
TEMPE MILL WELLNESS CENTER Spring, 2012. ALA 540. Community
The Hayden mill is one of Tempe’s oldest and most prominant landmarks. The city has grown up around the former mill and for decades had relied on it to provide jobs food and goods to the community. The structure stands vacant - a reminder of the agricultural roots of the Phoenix valley and the prosperiety it has brought. The project aims to re establish the iconic structure as a hub of nourishment for the community. Establishing real, experiential connections to the history of place and providing services to it’s community.
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Standing at the base of the silos Hayden Mill, Tempe AZ
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CONNECTION
BRIDGE
PEDESTRIAN LINK
HIKING TRAILS
70 igor hercegovac christian solorio
CASE STUDIES Escelante Community Center Escelante Community Center The Escalante Community Center serves the community
The Escelante Community the by introducing education andcenter recreationserves programs to community introducing education and toddlers,by youth, teens and seniors recreation programs to toddlers, youth and teens.
Tempe Multi-Generational Center: North North Tempe Multi Generational Center: The center is a unique mix of public, private, and commu-
The center is a unique mix of public, private the nity based organizations. Through these partnerships center provides based neighborhood and community services and community organizations. across the age continuum fromthe preschool to older adult. Through these partnerships center provides neighborhood and community services across the age continuum from preschool to older adult. Westside Multigenerational Center
Westside Multi generational Center:
Offers the City of Tempe's Adapted Recreation Program, Dennis J. Cahill Senior Center, a senior activity center with a
The center that support variety ofprovides activities to facilities choose from. Seven public computers, Anprograms Adult Fitness Center area at withpromoting a 4 stack multi-gym, outreach geared an ab/lower back machine, bikes and treadmills, healthy life styles and serves residents ofFour all classrooms available for public use to non-profit organizaages.tions – facility reservation requests, Three pre-school rooms used by Head Start programs, WellCare Clinic, Boys & Girls Club Ladmo Branch
Westside
Tempe North
Escelante
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PROGRAMMING DEVELOPMENT
Rise
Ride
In order to develop an effective programming strategy, studies were conducted examining the accessibility of the site, services offered on the site, and experiential (intangible) qualities of the area. 72
Prepare
Perform
Reect Reect
Return
SITE EXPLORATION
Morning
Evening Desert textures Characterized by rough organic shapes compiled in an aggregation of varying color and texture.
Color/Light As the day passes through it solar cycles the desert landscape is illuminated and comes alive in dancing color shadow and contrast
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Materials were selected that reflect and reinforce the design intent - driven by scale, tactility and historic relevance.
MATERIAL STUDIES
Tactile Surfaces the interior of the space is finished in rough #2 Douglas fir. This creates a warm, tactile experience, emphasizing the contrast in sensation between the outsode and inside experience.
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Visually directing surface A course white plaster/cement is used in all exterior surfeces to create a visual barrier or framwork for experiencing the transitions in light quality and meteriological phenomina throughout the day.
Focus The experience of the moment is about the sky. It is creating a space that is bound by the sky; as a ceiling, as bathing coat of color on the structure itself, as an illuminating source of energy and reflection.
Framing exposure from within the site reinforces the connection of sky and earth, enhancing the solar dynamics and overall experience.
EXPOSURE STUDIES
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VISUAL LANGUAGE Structural geometries were inspired by the existing structure and surrounding elements that date to a similar historic period in order to illuminate the visual language of this period and it’s modern influence.
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wellness
igor hercegovac christian solorio mark knutson
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wellness
igor hercegovac christian solorio mark knutson
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Specific areas of the site were chosen for perscribed interventions, aiming to enhance the experience of the site.
INTERVENTIONS
Hiking/Jogging Trail
Stairs/Entry/Gathrering Space
Community/Education Garden
Shade Structures/Planting
Water Feature/Circulation Spine
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BODY KITCHEN WEIGHT GYM MISC. STUDIO SPACE CAFE SKY COURTYARD OFICE
SPIRIT MIND LIBRARY CLASSROOMS DEMO. KITCHEN OFFICES/MEETING SPACES RESEARCH CENTER COMMUNITY OUTREACH/COUNCILING LOUNGE/OBSERVATION
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RECEPTION GALLERY SPACE HISTORY CENTER/MUSEUM
Welness: Mind, Body, Spirit
Structural Connections
Material
Environmental Connections
Structure
Community Connections
Mathematical Rythm
Green Belt Connection: Tempe Transit > Tempe Beach Woven Geometries
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com
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STUDIOS COURTYARD STUDIOS WATER RECEPTION CAFE’ KITCHEN OFFICE SPACE EXISTING STRUCTURE
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STUDIOS COURTYARD PATIO LOCKER ROOMS RECEPTION GYM STAIR TOWER BRIDGE EXISTING STRUCTURE
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com
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studio space elevator lobby cafe fitness center
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com ,
,
Cesar E. Chavez Memorial Building
Design Solar Sculpture Custom shape rack mounted PV panels with integral gutter system along leading edge and spaced to provide access from the garage rooftop
Steel purlins with high performance coating
Steel Pipe Riser sub-structure
Tension cable truss system to hold PV racks
Extension of concrete columns to provide base supporting structure
Steel pipe outriggers to hold tension in truss system
Tension cables return to main garage structure to “close the forces�
Design - 35
Solar access study on June 21
Parametric application in the design of a solar sculpture, constructed 2011, Denver CO. TRYBA Architects, Denver CO
88 Solar access study on December 21
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Sensitive but unclassified property of the United States Government for official use only. Do not remove this notice. Properly destroy or return documents when no longer needed.
Lobby Renderings constructed 2011, Denver CO. TRYBA Architects, Denver CO
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Mark Knutson, M.Arch I Applicant - F.13 marksknutson@gmail.com
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MARK KNUTSON M.ARCH I APPLICANT - FALL 2013 MARKSKNUTSON@GMAIL.COM