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STRINGS
VIOLIN, VIOLA, VIOLONCELLO, AND DOUBLE BASS
t he programs of study for String majors are designed to develop skilled performers in all areas of string technique playing. All students are required to fulfill their e nsemble Requirement as outlined in their course sequence plans and as assigned by the School.
Strings Faculty
Nicholas mann, d epartment chair
Violin l aurie carney eugene drucker ilmar gavilan
Kelly Hall-tompkins
Koichiro Harada chloe Kiffer
Patinka Kopec curtis macomber isaac malkin
Nicholas mann
Viola
Albert markov todd Phillips maria Radicheva lucie Robert
Sylvia Rosenberg
Sheryl Staples mark Steinberg
Xiao Wang
Peter Winograd daniel Avshalomov molly carr
Undergraduate
Bachelor of Music degree program
Diploma program
Audition Requirements
For complete information regarding audition requirements and application information, please contact the o ffice of Admissions.
t here will be a “sophomore continuation jury” at the end of the sophomore year to establish that a student’s progress has been sufficient to ensure completion of the program of study. t his evaluation will determine whether or not the student may continue in that program.
Shmuel Katz
Patinka Kopec isaac malkin
Cello marion Feldman david geber
Wolfram Koessel
Double Bass timothy cobb david grossman
Samuel Rhodes
Karen Ritscher
Julia lichten
Philippe muller
Fred Sherry
Jeremy mccoy orin o’Brien
Pinchas Zukerman Performance Program
Patinka Kopec
Pinchas Zukerman
Repertoire requirements for each year in School and for each instrument are published in the String d epartment Handbook, available from the d epartment chair or on the m Sm String web page.
g raduation Requirements
Graduation Jury
Graduation Recital
All undergraduate String majors must perform their g raduation Jury before the departmental faculty during scheduled g raduation Jury periods in the final year of study. t he program for both the g raduation Jury and the g raduation Recital must include the same works.
— VIOLIN, VIOLA, AND CELLO
*All string players must participate in orchestra every semester until completion of the graduation jury; in addition, a minimum of 6 semesters of chamber music must be completed as assigned by the d ean of instrumental and o rchestral Performance.
*All string players must participate in orchestra every semester until completion of the graduation jury;
Graduate
Master of Music degree program
Postgraduate Diploma program
Audition Requirements
For complete information regarding audition requirements and application information, please contact the o ffice of Admissions.
g raduation Requirements
Graduation Jury Graduation Recital
All graduate String majors must perform their g raduation Jury before the departmental faculty during scheduled g raduation Jury periods in the final year of study. t he program for both the g raduation Jury and the g raduation Recital must include the same works.
Prerequisites
g raduate t heory tH0800, 2883
Aural Skills AS0861-0862
Required Piano RP0121-0122
MASTER OF MUSIC/STRING MAJOR — VIOLIN, VIOLA, AND CELLO ONLY
*All string players must participate in orchestra every semester until completion of the graduation jury; in addition, except for doublebass, a minimum of 4 semesters of chamber music must be completed as assigned by the d ean of instrumental Studies and o rchestra Performance.
MASTER OF MUSIC/STRING MAJOR — DOUBLE BASS ONLY
*All string players must participate in orchestra every semester until completion of the graduation jury.
Professional Studies Certificate Program
For information regarding this program of study, see p. 82.
Doctor Of Musical Arts
See information regarding doctoral studies.
Pinchas Zukerman Performance Program
t he internationally acclaimed violinist and conductor Pinchas Zukerman accepts a limited number of exceptionally gifted violinists and violists as private students at manhattan School of music each year. t his program, under mr. Zukerman’s supervision, is devoted to the artistic and technical development of these talented students.
mr. Zukerman works intensively with each student approximately six times per semester for a total of twelve private lessons throughout the academic year. in addition, weekly lessons are taught to the Zukerman class by Patinka Kopec, who has been personally selected by mr. Zukerman to be his sole teaching associate and the program coordinator.
Applicants from around the world are auditioned either in person or by videotape by mr. Zukerman and m s. Kopec. t he class includes three to ten students, ranging in age from fourteen years old to the young career instrumentalists as well as the traditional conservatory student.
Pinchas Zukerman Performance Program Faculty
Pinchas Zukerman Patinka Kopec
Audition Requirements
For complete information regarding audition requirements and application information, please contact the o ffice of Admissions.
Graduation Requirements
Violin
Graduation Jury
Graduation Recital
Violinists must prepare a full recital program representing three style periods, including a 20th-century work. An unaccompanied work of Bach and a complete concerto with cadenzas (which may be part of the recital program, if so desired) are optional.
Viola
Graduation Jury
Graduation Recital
Violists must prepare a full recital program representing three style periods, including a complete unaccompanied work of Bach and a 20th-century work. A complete standard concerto with cadenzas is required.
Violinists and violists accepted into the Pinchas Zukerman Performance Program have the following options as a course of study:
1. Students with an earned high school diploma are eligible to enter the following m Sm programs: a. Bachelor of m usic degree program b. d iploma program
2. Students with an earned Bachelor of music or equivalent undergraduate degree are eligible to enter the following m Sm programs: a. master of music degree program b. Postgraduate d iploma program c. Professional Studies c ertificate Program d. d octor of musical Arts degree program
For Course Sequence Plans for all undergraduate and graduate degree and diploma programs, see Strings.
BACHELOR OF MUSIC/STRING MAJOR — ZUKERMAN PROGRAM
Master of Music/String Major–Zukerman Program, please see Master of Music/Violin, Viola Major for requirements p. 74
Professional Studies Certificate Program
For information regarding this program of study, see p. 82.
Doctor Of Musical Arts
See information regarding doctoral studies.
Voice
t he mSm programs of study for Voice majors are designed to develop technically-skilled musicianship, encourage the development of unique and autonomous artistry, and prepare students to successfully participate in and contribute towards the future of a vibrant performing arts industry.
VOCAL ARTS FACULTY AND ARTISTIC-TEACHING STAFF
c arleen g raham, d ean of Vocal Arts
Voice Faculty edith Bers
Harolyn Blackwell
Shirley close mary dunleavy mignon dunn
Ruth golden c ynthia Hoffmann marlena Kleinman malas
Opera Theatre Staff
Kristen Kemp, Head of music Staff travis Bloom
Jeremy chan miriam charney
Jeanne-minette cilliers chun-Wei Kang
Jackson mcKinnon catherine malfitano
James morris christòpheren Nomura
Sidney outlaw
Joan Patenaude-Yarnell dimitri Pittas
Ashley Putnam mark Schnaible djordje Nesic gordon ostrowski
A. Scott Parry
Shane Schag evgenia truksha
Guest conductors and stage directors will be announced with the 2023-24 season
Collaborative Piano (Vocal) & Chamber Music
Raymond Beegle miriam charney myra Huang thomas l ausmann
Kenneth merrill thomas muraco
Undergraduate
Bachelor of Music degree program
Diploma program
Audition Requirements
For complete information regarding audition requirements and application information, please contact the o ffice of Admissions.
mark Pakman
Choral Activities
Bryan Wagorn malcolm merriweather tammy Huynh
Acting, Movement, Wellness c. Alexander mamie duncan- gibbs
Yehuda Hyman
Justin John moniz
A. Scott Parry
Diction, Vocal Literature & Style
miriam charney
Jeanne-minette cilliers
Kathryn l aBouff glenn morton
Nils Neubert
Kenneth merrill thomas muraco mark Pakman elsa Quéron Bernard
Paul Sperry cristina Stanescu
Performance & Performance Techniques Classes
Jonathan Beyer miriam charney mary dunleavy mignon dunn c ynthia Hoffmann catherine malfitano timothy mcdevitt malcolm merriweather
Ashley Putnam
g raduation Requirements
Graduation Jury
Graduation Recital
All undergraduate voice majors must perform a g raduation Jury and a g raduation Recital during their final year of study. t he program must be approved by the student’s teacher and the d ean of Vocal Arts. t he recital program must consist of approximately 45-50 minutes of music (not including entrances, bows or 10-minute intermission). A thoughtfully curated program must include art songs in a variety of styles, periods and languages (e nglish, French, g erman, italian). At least one selection must be by an underrepresented creator (composer/poet or librettist). o nly one operatic aria may be included. t he program must be performed from memory. t he graduation jury will be scheduled during jury week by the o ffice of the Registrar.
For more specific information about recital repertoire and underrepresented composers see the Vocal Arts Handbook.
Graduate
Master of Music degree program
Postgraduate Diploma program
Audition Requirements
For complete information regarding audition requirements and application information, please contact the o ffice of Admissions.
g raduation Requirements
Graduation Jury
Graduation Recital master of music voice majors must perform a g raduation Jury and a g raduation Recital during one of their two final semesters of study. t he program must be approved by student’s current Voice teacher and the d ean of Vocal Arts. t he recital
MASTER OF MUSIC/VOICE MAJOR
program must consist of 45-55 minutes of music (not including entrances, bows or brief intermission).
A thoughtfully curated program must include art songs or chamber music in a variety of classical styles, periods and languages (e nglish, French, g erman, italian). At least one selection must be by an underrepresented creator (composer/poet or librettist). o nly one operatic aria may be included. t he program must be performed from memory. For more specific information about recital repertoire and underrepresented composers see the Vocal Arts Handbook.
Prerequisites
g raduate t heory tH0800, 2883
Aural Skills AS0881-0882
Required Piano RP0121-0122
*c an be taken either semester of the 2nd year; cannot count toward elective or ensemble credit
**Students can participate in up to two (2) ensembles per semester, as assigned by the d ean of Vocal Arts
Opera Theatre At Msm
o pera is not a major, but rather a significant feature of the vocal performance experience at mSm . manhattan School of music opera productions have been praised as a, “significant contribution to operatic life in New York city”, and numerous performances have been released as commercial recordings. A variety of opportunities are available through ensemble casting performance-based courses.
G Raduate
g raduate students develop their artistry under the guidance of eminent artist-teachers while gaining exposure before New York city audiences through a variety of productions each year that include: two fully-staged productions with orchestra in NeidorffKarpati Hall; two chamber opera productions; fall semester opera scenes programs and opera workshop class; spring semester o pera in c oncert with the m Sm Symphony o rchestra; and music workshops for new works in development.
Undergraduate
Juniors and Seniors participate in a fall opera scenes program that develop important artistic and collaborative skills. in the spring semester they are cast in one of two productions in t he Riverside t heatre or in g reenfield Hall. 1st & 2nd year students participate in performance classes that focus on interpretive and collaborative skills.
in the fall they present performances during Friends & Family weekend and in the spring, concerts of opera scenes and ensembles.
Professional Studies Certificate Program
See information regarding this program of study.
Professional Performance Diploma
See information regarding this program of study.
Doctor Of Musical Arts
See information regarding doctoral studies.
Woodwinds
FLUTE, OBOE, CLARINET, SAXOPHONE, AND BASSOON
t he programs of study for Woodwind majors are designed to develop skilled performers who are familiar with the standard solo, ensemble, and orchestral literature for their instruments. Students must demonstrate a high degree of professional competence, and appropriate stylistic approaches to the literature of various historical periods. All students are required to fulfill their e nsemble Requirement as outlined in their course sequence plans and as assigned by the School.
Woodwinds Faculty
l inda chesis, d epartment chair
Flute linda chesis
Valerie coleman marya martin
Oboe
Robert Botti
Sherry Sylar
Stephen taylor michael Parloff
Robert l angevin
Clarinet
Alan R. Kay charles Neidich
Saxophone
Paul cohen
Bassoon monica ellis evan epifanio
UNDERGRADUATE Bachelor of Music degree program Diploma program
Audition Requirements
For complete information regarding audition requirements and application information, please contact the o ffice of Admissions.
t here will be a “sophomore continuation jury” at the end of the sophomore year to establish that a student’s progress has been sufficient to ensure completion of the program of study. t his david Krakauer
Pascual martinez-Forteza
Kim l askowski
William Short evaluation will determine whether or not the student may continue in that program. Repertoire will be determined by the teacher.
Repertoire for juries in non-graduating years will be determined by the teacher and the student.
g raduation Requirement
Graduation Jury
Graduation Recital
All undergraduate Woodwind majors must perform their g raduation Jury before the departmental faculty during their final year of study.
BACHELOR OF MUSIC/WOODWIND MAJOR — FLUTE, OBOE, CLARINET, AND BASSOON
**All woodwind players must participate in large ensembles for 8 semesters as assigned by the d ean of instrumental Studies and o rchestral Performance; in addition, 4 semesters of chamber music must be completed as assigned by the d ean of instrumental Studies and o rchestral Performance.
**All woodwind players must participate in large ensembles for 8 semesters as assigned by the e nsembles o ffice; in addition, 4 semesters of chamber music must be completed as assigned by the e nsembles o ffice.
Graduate
Master of Music degree program
Postgraduate Diploma program
Audition Requirements
For complete information regarding audition requirements and application information, please contact the o ffice of Admissions.
g raduation Requirements
Graduation Jury Graduation Recital
All graduate Woodwind majors must perform their g raduation Jury before the departmental faculty during their final year of study as determined by the department chair.
Prerequisites
g raduate t heory tH0800, 2883
Aural Skills AS0861-0862
Required Piano RP0121-0122
MASTER OF MUSIC/WOODWIND MAJOR FLUTE, OBOE, CLARINET, AND BASSOON
**All woodwind players must participate in large ensembles for 4 semesters as assigned by the e nsembles o ffice; in addition, 4 semesters of chamber music must be completed as assigned by the e nsembles o ffice.
***Saxophone majors are required to participate in the repertoire and performance class each semester enrolled, thus requiring these students to register for additional credits each semester.
MASTER OF MUSIC/WOODWIND MAJOR CLASSICAL SAXOPHONE ONLY
**All woodwind players must participate in large ensembles for 4 semesters as assigned by the e nsembles o ffice; in addition, 4 semesters of chamber music must be completed as assigned by the e nsembles o ffice.
***Saxophone majors are required to participate in the repertoire and performance class each semester enrolled, thus requiring these students to register for additional credits each semester.
Professional Studies Certificate Program
See information regarding this program of study.
Doctor Of Musical Arts
See information regarding doctoral studies.