A la Machaut

Transposed Score

Ă€ La Machaut For Wind Ensemble Written for and commissioned by Joseph Kreines

Andrew Boss 2015

Transposed Score

Instrumentation Piccolo (alternate with flute) Flute 1 + 2 (must be at least 2 players per part) Oboe 1 + 2 Bassoon 1 + 2 * Clarinet in Bb 1, 2, 3 (must be at least 2 players per part) Bass Clarinet Contrabass Clarinet in Bb (if unavailable, use 2nd bass clarinet**) Alto Saxophone 1 + 2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1, 2, 3 Horn in F 1, 2, 3, 4 Trombone 1, 2, 3 (bass trombone optional for 3rd player) Euphonium Tuba String Bass Timpani Percussion 1 – 4 tom-toms, 2 bongos, medium suspended cymbal, crash cymbals Percussion 2 – 2 congas, vibraphone, chimes, tambourine Percussion 3 – marimba, xylophone, tam-tam Percussion 4 – bass drum, snare drum, maracas, crotales, large suspended cymbal

*A contrabassoon part (which would double the contrabass clarinet line in the score) is available upon request. It may be used to replace a contrabass clarinet for performance. If resources are available, both may be used; however, it is strongly preferred that at least one contrawind instrument be used for performance.

** In the case where no contra-wind instruments are unavailable, a 2nd bass clarinet may be used. This case is not preferred, but acceptable. In this case, the player should read from the contrabass clarinet part and play the part down an octave where possible. In passages that are out-of-range for the bass clarinet, player should read from the contrabass clarinet part and treat as a transposition for bass clarinet.

About the piece… A La Machaut integrates thematic material from 3 works of the great Medieval composer Guillaume de Machaut and adds a colorfully modern touch. The piece opens with a slow introduction using melodic and harmonic material from his polyphonic chanson Puis qu’en oubli (“Since I am forgotten”). The upbeat percussion transitions the piece to the main material, quoting the melody of his secular virelai, Douce jame jolie (“Sweet lovely lady”) – beginning in the bassoon and passed around to numerous instruments in a soloistic and variation-like manner throughout the piece. This piece also uses material from the opening measures, the triplum voice, and the cantus firmus from the Kyrie to Machaut’s Messe de Nostre Dame, which are labeled appropriately in the score (not labeled in the parts). A reflective middle section brings back the slow material from the introduction while maintaining the upbeat rhythms introduced earlier in the percussion. A short recapitulation revisits the virelai in several contrasting textures, leading to a climactic variation with shimmering winds, blasting percussion and low brass. A final tutti variation harmonizes the virelai and closes the piece. The horns outline the parallel 5th motion of the #4-5 and #7-1 scale degrees in the last two measures, a cadential signature for many of the Medieval composers. This piece contains strong pedagogical undertones; aside from introducing high-quality music from [nowadays] lesserknown composers to younger players, it allows numerous opportunities for brief discussions about aspects of Medieval music – performance practices, the modes (Dorian), dance forms, the motet, the Mass Ordinary, Medieval instruments, and many other topics that can segue into a rich learning environment. The piece’s level of difficulty is ideal for intermediate and advanced high school wind bands/ensembles. Though intended to be one-per-part (except for flutes and clarinets), the instrumentation for this piece is very flexible, and may also be performed by a large concert band with proportionally-appropriate doublings on each part. For more information about the composer and his music, please visit andrewboss1.com

Written for and commissioned by Joseph Kreines

À La Machaut ANDREW BOSS poco rit.

"Puis qu'en oubli"   q=70 (h=35)   Flute       

Flute 1

flute



      

Oboe 1

 

Oboe 2

 

Bassoon 1

Bassoon 2

p



 

  











   Clarinet in Bb 1     p

Clarinet in Bb 2

   

Clarinet in Bb 3

    

 



Bass Clarinet Contrabass Clarinet in Bb

 

pp

 

  

 

Tenor Saxophone





  Alto Saxophone 1    Alto Saxophone 2

  

 



 



  

 Baritone Saxophone   

mp

 

Trumpet in Bb 3

Horn in F 1+2

Horn in F 3+4

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

 

   













mp



n

pp

p

 

n

p

    

 

  

 



 



  

  









  

mp

  p

 

mp a2

 





p

  

mp





 n





n





p

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  

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 

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



 



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  

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 

 



 pp

p 3.



p

 

 

















p



p

  











 

 

 



















    n   

   

 

        

p



n

crotales - with bow







     

   mp



p

 

 

  

Copyright © 2015 by Andrew Boss. All Rights Reserved

















  



  



p

p



  



  

 

mf

   mf

 

   

mf

 

mf



 



   mp

 

   



  

n

mp

 



     

 

mf

mf

mp





 

mf

p



 

mf





f

p





 

 

              

pp

f

poco rit.  

p



  

mf





 









 

mf

medium suspended cymbal - soft mallets

    











mf

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vibraphone - soft mallets

Percussion 4

p





mf





 

 

mf





 

p





f

n





 

mf

  

 



  

mf



 

 

p



f

f

n

 

  

f           

  





2. n

mf











  

f

    f  

mf

 







  



 



  Percussion 1  

Percussion 3

 

 







 



  String Bass     Timpani  

Percussion 2

 



 

mf

 

 



 

mf





 









mf



 



       



mp

 

mf

f

mp





    

 





mf

 









 

f





p



f

mf



  

pp









 





mp





mf

mp





 

p





mf

n

p



p

mf



n



            

p

p







        

  

a2 

 

mf

n





             

  





mf

 

p









p

 





pp

pp



 

 



                

p



  



mf



 

"Puis qu'en oubli"   q=70 (h=35)   Trumpet in Bb 1   Trumpet in Bb 2

 

     

 

 



   

a2

mp



n

mf



 



p



 

mp







 p

  



  





 

p

p

mp

   

 













mp



 



    

      

p

Flute 2



  

  

   

mp

  

   

mf

 

  

f



 

2

A "Douce dame jolie"

9 Meno mosso q=65 (h=32.5)      Fl. 

Fl. 1

Fl. 2









 

 

  

  



a2

pp a2

pp



q=85 With direction  









  

  









  

  

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





Ob. 1





 

 

Ob. 2







 

















 













 

 

 

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 

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

  

 

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

  

 



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



 

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





Bsn. 1

Bsn. 2





 Cl. 1  



 



Cl. 2

       

a2

p

a2



p

 

Cl. 3

a2



 p



       



pp

 



Cb. Cl.







A. Sax. 1

 



  







  









 









 







Tpt. 3







Hn. 1+2





 

Hn. 3+4







Tbn. 1







Tbn. 2





 

Tbn. 3







Euph.





 

Tba.







   Timp. 







S.B..

 Perc. 1 Perc. 2

Perc. 3

Perc. 4



  





















 







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







 

 









    

 

























q=85 With direction  







pp

 

                   

 pp

pp

     

  



 



A "Douce dame jolie" 



























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





 



 

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

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







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





















 



 



























 



 























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



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



























 





 



spritely mf



  









 

                  

 

solo



 

 





 







Meno mosso q=65 (h=32.5)      Tpt. 1  Tpt. 2



pp

 



Bari. Sax.

 

    





T. Sax.



pp

B. Cl.

A. Sax. 2

 



 



 



 bongos - hands                             









 





 

   

mp



congas - hands

        

    

 





mp

    

    

 

mp



pp

    

maracas - tap with finger while holding, very staccato



                     

   

pp



     



pp

  



    



    

B 

solo 17

piccolo



 

    

 Fl. 







Fl. 1













Fl. 2













Ob. 1





















Ob. 2

                  

Bsn. 1

Bsn. 2









 















  

spritely mf



   



f



  









percussion cue - if more resonance is needed





f





p

1.

Cl. 1

 



Cl. 2





Cl. 3





B. Cl.





Cb. Cl.













A. Sax. 1

 











A. Sax. 2













T. Sax.













Bari. Sax.













                                            pp 1.                            pp    











 spritely

solo



f

       

  

B Tpt. 1

 











Tpt. 2













Tpt. 3













Hn. 1+2













Hn. 3+4













Tbn. 1













Tbn. 2













Tbn. 3













Euph.

























Tba.



La Messe de Nostre Dame: Kyrie (cantus firmus) (String Bass, Timpani, Marimba)

 S.B.. 







 Timp. 







Perc. 1

Perc. 2

Perc. 3

Perc. 4

3

               





 

          

   



   

 





 





mf

medium mallets



pointed p



 



  

pizz.











 





 





 

  



    









marimba - medium mallets

mp



 

 





 

 





 





 

 





 

      



 



 







 

 









 



 



      

  



 





 











4

22

 Picc. 



      





  

Bsn. 1



 

 











 

 



B. Cl.

  A. Sax. 1 





Cb. Cl.

    

 

 

 

   







    





   

 















mf







 





 



  



 

  





 

    



     

                   



pp fluttertongue

 

pp

 









 

  

    







    



























 fp









 fp



Tpt. 1

 











Tpt. 2













Tpt. 3













Hn. 1+2













Hn. 3+4



















Tbn. 2



Tbn. 3

Euph.

Tba.











  S.B.. 



  



Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

  







 



pp





mp







  pp

mp



mp

 











 







 



 

   











pp





   





   





p



 



   





   







 



  







   

 

 

  





f

mp





   

 











(shake lightly)





  



  

mf



p

     



  









 



   

fp



   

 

  

   





pp



    

mf

 

  

 





     

fp



fp





   

    



  

fp

   



 

         



 











pp



  

  



Tbn. 1





fp



fp



     







       













   

             pp



Bari. Sax.

   











fluttertongue

                       

1.

   

  

p

f

f



   

mp



 

 

                            





T. Sax.



mf

   



pp 1. fluttertongue

 





       



A. Sax. 2



                          



Cl. 3

   

     

 

Cl. 2



      

pp

 

  

    

 







Ob. 2



  

1. fluttertongue





   

            



  

Ob. 1







Fl. 2

Cl. 1

  



Fl. 1

Bsn. 2





mp

  













  



  





27

 Picc. 





       

 

Fl. 1

  

 

Fl. 2

f



        

Ob. 2

        

Bsn. 1

Bsn. 2

Cl. 1





 

Cl. 3



B. Cl.

 



 

 



 

 









     









 

     







 

  









  







  







 

T. Sax.

mf





mf

Tpt. 2

Tpt. 3

Hn. 1+2

Hn. 3+4





 

 















straight mute

1.



 

   

pp

  











 3.



pp

p p

Tbn. 2









Tbn. 3









Euph.











Tba.



  









p

  S.B..  f

  Timp. 

mp

 



 

                

 



   

       Perc. 4   (shake mf

lightly)



  











  



  











  











   



p

f

   

   

f solo, marc. 



     



f

  

















 



      ff      ff





 



      





  









 

  







   

     







 











  



 

  



 

Forceful    



 

   



 

   



 

   



 

 



 

   



 

 





 





  f     sfz   sfz 

        

          

        

       

f

   

   



f

    



 

   





 

   



  

   





    



 

   





   



  

   



 

f



 

mf

 

 

 



snare drum - snares on



 

        

arco





f

f solo, marc.

 





f



 



f



f

        

  

p

   





f







Perc. 3

p





Perc. 2







Tbn. 1

Perc. 1

C

straight mute









  





mp



    





  f   

straight mute





f

f



 

 



  

mp



  



f







mp



5



mp



   

     







f

  

mf

    

f





mf

   

ff

      f      

   

 

a2

  

  

 



  

A. Sax. 2

Tpt. 1



Forceful    

   

                      pp f                                         f                                  

mf

Bari. Sax.

    





           

A. Sax. 1



mp

Cl. 2

Cb. Cl.

 

  

C











     





Ob. 1



    

ff

  

mf



La Messe de Nostre Dame: Kyrie (opening bars) (Fl.1, Ob.1+2, Bsn. 1+2)



f

        mp

f



         mp

f

6

   Picc.  32



 





Ob. 1







 





Bsn. 1

Bsn. 2

Cl. 1



 





 

     

 



 

 







  







p



 p











  



 











T. Sax.







Bari. Sax.



 

  

 Tpt. 1 

  

   



  

   



  

   

A. Sax. 2

Tpt. 2

Tpt. 3





Hn. 1+2



Tbn. 1



Tbn. 2



Tbn. 3



Euph.



Tba.



 

            

 

  



  





mf







 

 















 



     



   









p

   

bring out

    

mf



breath only - briefly remove mute



    

  



      p    



   

 

 















      

       

 



                 













p

f



breath only - briefly remove mute

p

f



breath only - briefly remove mute

p

















f

  

p









p

f

  

p









p

f

  

a2, breath only

   

p

   

mp

 



modo ord.



modo ord.

































p

p

p

   

  n

pp





mp





pp straight mute, modo ord.







pp

 

euph. cue, modo ord.



 p





pp





mp

pp



mp



pp



      

mp

euph. 2 (if doubling is used)

 









 





 





 

slurs in this piece do not represent bowing marks as much as melodic phrasing



med. sus. cymbal



straight mute, modo ord.

4.



   







p



a2, breath only

straight mute, modo ord.

p









  

   

   

  



           





 



p

   

mp

          

 Perc. 1 

1.

  



Mysterious

           

 











Hn. 3+4



bring out

 

    

p





  

1.





 

p









 







    

 









  



p





 







p 1.





p

  





 





  



 A. Sax. 1 

Timp.

















 

p



B. Cl.



 







Cl. 3

S.B..

Mysterious



 

Cl. 2

Cb. Cl.





   

Fl. 2

Ob. 2



 



Fl. 1

  

n

vibraphone - soft mallets

Perc. 2

Perc. 3

Perc. 4











 

          mp

f

marimba



solo

  

mf





 

 

pp

 

 

 

                          



 



                

crotales - with bow



 

mf

37



 Picc.   

Fl. 1

 

Fl. 2













   







































a2. breath only

 



p

f

p

 



p

f

   

a2. breath only

p

 

Ob. 1





Ob. 2























































Bsn. 1

Bsn. 2



        

Cl. 1

   

Cl. 2

 



 



Cl. 3

B. Cl.

Cb. Cl.



 

  



p

A. Sax. 2

T. Sax.

Bari. Sax.

Tpt. 1

   

 



Tpt. 3

Tbn. 1



pp

Tbn. 2

pp

Tbn. 3

    pp

Euph.

Tba.

S.B..



  



 





 

  











mp





     

     

mp

                         

p

       

mf

                     

 



mf

f

p



 









f

 



p

   



p breath only

p





 



open (tpt. 1, next measure)



 

  







 



open (tpt. 1, next measure)



 

  































 





 

  











  



 





 





















pp

pp a2. breath only





p

f

 









   

  







   



  

p





pp

mp

pp

pp

mp

pp

pp

mp

pp







 











   











pp





  



  





    Timp. 

Perc. 2











mp



pp

    

 

 

  

 Perc. 1



   





 

p

  







  



 

   



mf

   



          

 

mf

Hn. 3+4





a2

p



 







breath only

 

Hn. 1+2



pp

                     mf             

                                      

   

  

      

  

  



      

mf

Tpt. 2

  

 



        

   

p

      A. Sax. 1     



7





















  

  



     











  



 





 













 

mp

mp



  



bongos - yarn mallets

 

pp

        

 pp

 

       

                            p





                                                                           p mf                 Perc. 4      Perc. 3

mf

mf

8

43

qu'en oubli" D "Puis Transcendant

  Fl.  

 espress.

   

Fl. 1

pp

modo ord.

modo ord.

 espress.   

Fl. 2

pp

  

Ob. 1

espress.

pp

  

espress.

 Bsn. 2  

espress.

Bsn. 1

 

 



 



                              mp

 

mp



p





mf

B. Cl.



 









 Cb. Cl.   

A. Sax. 1

espress.



       

A. Sax. 2

  

T. Sax.

espress.

modo ord.

   Bari. Sax.     mp





 



  















  



 



 

 

    

   





   

           





mp

  



 



 





  



 



 

          

                  

 





          

  



 

    



  



 



 





  













  



 

   





     modo ord.                               mp                                    mp

"Puis qu'en oubli" Transcendant espress.     Tpt. 1  

mp









mf



mp







mp

espress.  

    





 

 











                              

     

n

   

   







 

mp

a2             

   

 

                              



mf







 

mp

a2

Cl. 3

 

mp                                                mf    

                          

Cl. 2

 

 



p

  Cl. 1      

   

mf



  

Ob. 2

flute

  



      

mp

       

            mp

    

D

pp espress.

  

Tpt. 2

 

Tpt. 3

pp



  

Timp.

Perc. 1

Perc. 2



  



 



 







  



 



 

mp

espress.





p

mp

 

 







 







mp

    







  





  





mp



mp















mp

n











p

 

   



                  p

 



              mp



espress.

   

espress. soft mallets

  

mp



mp

  

  n



 

4 tom-toms

p



             

                    large. suspended cymbal     Perc. 4      Perc. 3

n

 

mp



    

   

    

p

   

mf

   





 



















































  



 

  







               p



n

 espress.

 





mp



   



 

   





pp

Euph.





  

pp espress.

Tbn. 3

S.B..

p

pp espress.

Tbn. 2

Tba.

modo ord.

espress.

espress.

Tbn. 1

 

modo ord.

  

Hn. 3+4









mp



 

Hn. 1+2



          

          

     















 



 

 

       



   

     mp

 



 





       

 

                

 



 

           Fl.   49

Fl. 1

Fl. 2

   

 

   



pp

 

Ob. 1

Ob. 2

Bsn. 1

Bsn. 2



pp

  

 p



Cb. Cl.

  

  

Tpt. 1

 n



     

T. Sax.

Bari. Sax.





     A. Sax. 1   A. Sax. 2

     



 

   

pp

  

Tpt. 2

open

    

 

Tba.

S.B..

Timp.

Perc. 2

 











   













             

   





   

            

        



 



          





   

 



mf

   







mf





 





   



 





   





 

  



   







   



 









   









   











    

 

 



   



   



 



mf



 



mf

    





mf







  

 





mf

   



   



mf

 





             

     mf                                                                                             



                               

mf



   



  





   

mf

 



   

 

  

  

  





   

 







   









 

   



 

   



  

p

  

p



 

              B.D

 Perc. 4    

mp





mf

 

 

mp

Perc. 3

    



        Perc. 1





  

   

p

 



  

pp

Euph.

 



    

 

mf

  

 



 

 

p

 

9

   

pp

Tbn. 3



                                  

 

pp

Tbn. 2





          



          

                                  

p

  

Tbn. 1



   

 

mf

p

  

Hn. 3+4

  

  

pp

Hn. 1+2

 

 

  

pp

Tpt. 3

mf

                                                

            mf   

B. Cl.

                            

mf

 

p

     

Cl. 3

 



mf                                  

       

  





 

    

  Cl. 1    Cl. 2

  

      

  







    



 

     



p

p n

mp

large. susp. cym.



mf

 

  

mp





  

 

 

   

mf

 

mf                      

n





                    

 

    p

mf

  



 





                            

mf

     mp

     

p



       





 

  

 

     

    







 







                                    









   

10

   Fl.       Fl. 1   



    

 

54

Fl. 2



 

Bsn. 1



 





     ff

 

 





   





f





  







ff





f

 

Cl. 3

    

B. Cl.

Cb. Cl.

A. Sax. 1

           

A. Sax. 2



       

   

Tpt. 2

   

Tpt. 3

 

Hn. 1+2

 

Hn. 3+4

Tbn. 1

Tbn. 2

 



f



f

 







Perc. 3





f



 



f

f

 





f

  

 



 

 

      n

  

f

f



 



  

 

f

f



  f

 

  f  



     



p

   

mf

      mf f



 



         

            

  

crotales - modo ord., not too tinny



 



   

p



 



   

 

           f



 

             



mf

  

  



   

 





   



        f

mf











  





  





   



  

  



   



    mf     mf



   









   



  

f



   





 



n

     











 





 



  



  





             mf



    



   





 



















 

f



    



  



          

p



    

        

   









   







   









p







f

mp

  

  

 

                 mp  p                   

  



        



                           



           







           





f









n

3











         

    

  



  



f

 

 





     

     





f

Perc. 4



 

                        f mf                  mf f   

3

   

 



  



 

   

  



f



   

                 

3                    f                             

 



    

     



  Perc. 1   Perc. 2

 



mf







  

   S.B..   Timp.

E





  



ff

 

    

Euph.

 

        

Tbn. 3

Tba.

      

ff



3

     



f

  

 

f

f



 



                      T. Sax.     f                           Bari. Sax.        Tpt. 1  



ff

ff



ff

ff

  



3

       

ff

 

 

f

         

 



           



3



                        



               

 





                             Cl. 1    Cl. 2

 

 

 

f

 

f





   





          

ff

f



     



                     

   

Ob. 2

Bsn. 2

 

   

Ob. 1

  

E

 

 

  

p



    



 

59

  Fl.   

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Bsn. 1

 

 

  mp



  

mp

  



  



  



  Bsn. 2   Cl. 1

                  f         f        f

 mf

Cl. 3

B. Cl.

Cb. Cl.

A. Sax. 1

T. Sax.

Bari. Sax.

Tpt. 1

Tbn. 1

Tbn. 3

Tba.

S.B..

  

  



  

  

f

 

  

 

 3 

 

 



 



 

p

 mp

mp

mp

       











     

mp





      



  



  



 

f

 

mp

f

mf

  

mf

  



 

  



  

mf

   



   

mp

  









mp



 

     3     

mf





       



mp

t-toms

   

           

        



       mf

n



 

   

  

 





mp







p

 





 



 

 











 





  













       



    



     

 

 

   

 

 

p

   p

  

 

pp





     n  

   p



n

  

  

p

   



 



p

  





n



mp



mp

 



  



                            

        





  

 

 

             mf   

n

   







   

mf

mp

   

  













mp

 

pp

      





 

mf

    



pp

mf

  





mf

mf

pp





   

    



  





 

  p    

  



 



  



mf

mp





  

 

 



 



 



             

mf

     mf



  

3

      



                      



                    

mf

      





mf



  



                             mf                        

   

 

f

   

mp

    Perc. 1   

Perc. 4



n

p



f

  







                              



p

Perc. 3









   Timp.  

Perc. 2



  



                        

p

Euph.







    

p

Tbn. 2



3

f

p

Hn. 3+4



 

n



p

Hn. 1+2

   



  

                                  

p

Tpt. 3



f

p

Tpt. 2



 

 

                             

mp

A. Sax. 2

  

 

              11   

 

mp

Cl. 2

 

          

                             f      

mp





f

mp



    

 

   

                     3          

  

 

 

  

  

  

 

p

 

 

p





*Fl.1 - preferred to be played by 1st chair only, but may be doubled if necessary for a fuller sound

F

12

"Douce dame jolie" Delicate 64   Picc.  solo *                Fl. 1  mf



Fl. 2

Ob. 1

Ob. 2

Bsn. 2

Cl. 1

















  

p



B. Cl.



Cb. Cl.



A. Sax. 1

 

 

pp

p

  

T. Sax.

p

p 1.













  

 



   

pp



ff





       







        

 







   

   



ff



ff





       

         

 

                





















































 

   



   

  

   

 







  



























p





  



Tbn. 3



Euph.

 

 



pp







 



Ostentatious                                



solo, exuberant



solo, exuberant

ff

Hn. 3+4

S.B..







Hn. 1+2









     pp 

Tba.





                



p



Tbn. 2



pp



ff

        







Tbn. 1



1.

   





  





a2.

      

   

 

Tpt. 3



ff

   







Tpt. 2

 



pp

p





dame jolie" F "Douce Delicate Tpt. 1

   

 





A. Sax. 2



 



 

Cl. 3

                       



 

Ostentatious   piccolo   





    

Cl. 2

Bari. Sax.

mp



 







Bsn. 1





La Messe de Nostre Dame: Kyrie (cantus firmus, fragmented) (winds, Tba, S.B., percussion)

  

pp









                  

ff solo, exuberant

  

























ff



 

pp

     

 

        

















   

pp



        

             















































  



  



pp

pp



    f



pizz.













  

ff



          

 



       







  







     

 Timp. 

























Perc. 2

















Perc. 3











Perc. 1

Perc. 4





   pp



 





  



  



medium mallets

f

   

xylophone

  





   mf



    

   



 

    

  

  





  

f S.D. rim shot



71      Picc. 



    



Fl. 1



Fl. 2

    

Ob. 1

Bsn. 1

Bsn. 2





       





 

1.

p







Ob. 2



G Mysterious

           

           

  



p



    



            

    



           

      

bring out 1.









 



















 



 







 

pp

B. Cl.











 

Cb. Cl.



































A. Sax. 2

T. Sax.

Bari. Sax.

                   Tpt. 1           

Tpt. 2









Tbn. 1





Tbn. 2



Hn. 1+2

Hn. 3+4



Tbn. 3



Euph.

Tba.

S.B..

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4





  



     



 

pp

   

pp

 



G Mysterious  



    



 

p



 

n 3. 

mp

n

mp

 







 





 



straight mute







n









n

  





 

       

 







     

 p

  

















 









  

 



n

mf

 

 mf

 











mf

    



 

    



mp

mp

mp





mp

  



p

f

  

  

 

  

p

  

n



n



n



  



  



    

n











    

 



pp arco

 





 

 









  







 

     

    

n



mp





 

pp

   

 

  















n

   











   

n



 





   



n





straight mute



med. sys. cm.





straight mute

 





mp









    









 





mp



   



     

pp

 









    







 





           

     

                           

p







pp

           









p



                                      

p

 

  

                               



    

  







        

                

Tpt. 3

         

pp



mp

 

                                    









   

    

 



   







 A. Sax. 1 

    

   

 



Cl. 3

mp

  













bring out 1.

   

   



mp





   



Cl. 2



 

  

 

Cl. 1



    

    

1.







13



mp

                         



 



14

77



 Picc.  

Fl. 1



  



Ob. 1



Ob. 2

Bsn. 1

Bsn. 2



    



   

Fl. 2







   

   mp





   

























 







 

 





pp

       Cl. 1 



mp

      

  

          











   



  

H Ascending

   

mf











 



 



 



  









 

mp



mf

pp

Cb. Cl.   



A. Sax. 1



     



 





  



 















mp

         

 

T. Sax.

Bari. Sax.



  

                

A. Sax. 2













  



















































Tpt. 2

    







 

Tpt. 3

   



















Tbn. 2

   

Tbn. 3



Euph.

Tba.

S.B..

Timp.



mp



Perc. 2

Perc. 3

Perc. 4

   



n

mp

   





 



 



















   mp

 



 

 



 

 

a2



  

 







 

  



















 

pp



 



pp

pp

p

  p



p

  





 

pp



 

mp





pp



 

   





mp

 



pp

 

 



 

 

 

 

  







































  







 



 



 



mp

   

 



 





               

large susp. cym.

  n



   

mp



pp





 





   









  



  



 



 

    







pp Perc. 1

mp



  



mp

n 3. 

   

H Ascending





mp







 





Tbn. 1

mp

 

 





   





 



mp

          

 



Hn. 3+4



 



 





  Tpt. 1    

Hn. 1+2

mf

a2   mp  

mp

pp

    





 

                                                 

Cl. 3

 







   

B. Cl.

mp

 



Cl. 2



         

                                                         



p

p

83



 Picc. 

     

Fl. 1

mp

Fl. 2

Ob. 1

Ob. 2

Bsn. 2



mp

Cl. 3

Cb. Cl.

  



     



   

 







mf 1.

                 













mf



mp



mp



mp



 









p











 



p















mp



  



 

     mf













         







           







 

 





 



 











 



 











 



 

  

Tbn. 3



p

open



 

 









 



 



 

 

1.





 





 





 



mp





mf

mp

 

 

       

mp

 



3.

 

p

   



  



mp



 

Euph.

mp

open

 

 

Tbn. 2







Tbn. 1

Perc. 4

 



Hn. 3+4

Perc. 3





Hn. 1+2

Perc. 2













 



  



mp



 



 



  



 



 







p

mp





mp

mp

 





































      















 

mp

      

      

 

      





 









Tpt. 3

Perc. 1

 

   

     

mp



mp







Tpt. 2

Timp.

 





   



 

T. Sax.

S.B..

    



mp







mf





  

 

mp

 





         

mp



Tba.



  



 

Tpt. 1



 

 A. Sax. 1 

Bari. Sax.

 

                                      mp mf     a2           



A. Sax. 2



 



 

   















mp



                            





B. Cl.





           Cl. 1  Cl. 2









 

Bsn. 1





15

                

         

    

         











 





16

88

 Picc.  Fl. 1

Fl. 2

Ob. 1



 

  





Bsn. 1



Bsn. 2



  

 

Cl. 3

 

Cb. Cl.



A. Sax. 1

  

A. Sax. 2



T. Sax.









   

     

  f

 

 





f





 

 











      



 

   



large susp. cym.

  n

    



  f   f 



f









 

 

 















mf



     



  

 

 

 

 

 

 

       

    

 

  



  

 

 

   

  







  











           

  











           

   

f

 

 

f

      

         





 

   

 







 

    

  

        

   

  



  

 

         

 

   

        

 

  

 

  

  

 

 

 



  

 

  

 







      

     f                       f



 f 

f



          

 

f

 

 

  

  

f







f





f

 

 

soft mallets

bongos - hard yarn mallets

f

mf

 





 





 

          





     

  

                          

f







       









f

 

open





 f 













 

 

 

   

f





 



                            



Tba.

Perc. 4

     



f



 



Perc. 3



 



 

f





Perc. 2







Euph.

Perc. 1

 



Tbn. 2

Timp.



  



S.B..

  

 

 

  mf f         f ff          ff a2                       



Tbn. 1





ff

 

ff





Tbn. 3









Hn. 3+4

  

  



ff



 



Hn. 1+2

ff

    



  Tpt. 1 

Tpt. 3



 

 

 

    ff



   Bari. Sax. 

Tpt. 2

 



        

Cl. 2

B. Cl.

        f  a2            

 





    



Ob. 2

Cl. 1











  





        

       





                                     tam-tam       

 

p



      

* Picc. and Cl.1 lines do not have to be exactly together

I With Power q=95

* 92                              Picc. 



Fl. 1



Fl. 2



Ob. 1



Ob. 2

Bsn. 1



Bsn. 2







     

Cb. Cl.

A. Sax. 1





  

Tpt. 1

     fff







           

 

         

 f



      

 

 

 

 

 

 

 



 



Perc. 1

Perc. 2 Perc. 3 Perc. 4

 



  

  











 



              





 

 ff 











   

   

   

ff

   ff ***

   ff     ff 





  ff    ff 



 

t-toms

    

ff

  

  

B.D - medium mallets

ff

ff











    





     



















  





       











  

marc.

ff marc.  ff marc.



ff marc. ff marc.



ff marc.



ff



         

                                                   

                

























ff

*** if bass trombone is used, Tbn.3 is encouraged to play lower pitches

        

 

 ff



     



****

ff

                                      







            ff

ff

ff



La Messe de Nostre Dame: Kyrie (saxophones, horns)

 



    









      

 

ff



   







  

  













ff

   



          

  

     ff   





  

ff

marc. ff



                    

  





  

  





  

 



 

       



 

as fast as possible

 



ff





ff



ff



ff



   ff    

 





I With Power q=95







ff

ff

Tbn. 3







  

      



ff



  



  



Tbn. 2

Timp.

   



 

   S.B.. 





 





 

ff

ff







ff

 

Tba.



  







 

Tbn. 1

Euph.

  

f



 

Hn. 3+4





         

Hn. 1+2

  

f **

         

   



  

          

  

Tpt. 3





   

Tpt. 2

f **

a2 **

a2



   





             f 7 6  a2   **   f             a2 ** 

  



T. Sax.



 

*             



 

 

         



  

A. Sax. 2

Bari. Sax.

 

               

B. Cl.

a2 **

 **     

   

Cl. 3



f  a2 **    

   Cl. 1  Cl. 2

f 7  

 

17

**

6

fff



** players play any pitch in concert D Dorian around given registers very fast; they may use scales or arpeggios. They should play freely and out-of-sync from the conductor's pulse or other players, staggerbreathing when necessary. Players continue in this manner until conductor cues given rehearsal number



         chimes



ff f



  

**** horns may raise their bells if more sound is needed

18

1

100

Players resume counting at m.108 when conductor cues this rehearsal number. All players (except Cl.1 and B.Cl.) should gradually play more in-sync to conductor's pulse. Picc, Fl.1, and Cl.2 improvisations should begin to gradually resemble their subsequent written pitches. This cue is provided only to the instruments with the aleatoric gestures

 Picc.   Fl. 1





Fl. 2



 beat 3



marc.

  

Ob. 1

ff (play as written) marc.

Cl. 1







  





 





 







Bsn. 1

Bsn. 2



  

Ob. 2



 



  

 





  

  







 







ff (play as written)



 





   beat 3

   

Cl. 2







marc.



ff

mf (play as written, a2)

 

Cl. 3

  

B. Cl.

Cb. Cl.





 

 

            

  A. Sax. 1 





  



 













 







A. Sax. 2

T. Sax.



Bari. Sax.



    

 





 



 



 

 



     

  

       

 

  

  

 

  



 





 

   



   

  

 











(play as written)





 



 











  











 



ff







  





ff





marc.

 Tpt. 1 



























































  





marc.

 

 

  

ff





marc.



 

  

  

 



Tpt. 2

Tpt. 3

  

Hn. 1+2

 

Hn. 3+4



Tbn. 1

 



 

Tbn. 2

 



 

Tbn. 3





Euph.

 







Tba.

S.B..

Timp.





  



           

Perc. 1



 



      

            











  





 







 



 

 



 



































 





Perc. 3

 





 

          

        

 

  



              

  

    



       

 

 

 

        

 

 

 

Perc. 4



                                           

Perc. 2





f

  

          

 



 



     

 



        



 



                       

  

    

    



 





  

  



       



  

  

  

    

     















mf

   

ff















 





















    





 

      



p







  



 mp

ff marc.

 

      

       









f



  



mf

        





ff marc.



 

 

fff

J

beat 3

              Picc.   108



              7

(play as written)

Fl. 2



Ob. 1



 

    

Ob. 2

Bsn. 1

Bsn. 2

(play as written, a2)



 

 

          

 





7

6





    A. Sax. 1 

   

 

 

 



  







Cb. Cl.



A. Sax. 2



T. Sax.



sfp

sfp



sfp



         



        

        

       



 



             



 

Hn. 1+2

sfp

Hn. 3+4

sfp

Tbn. 1



Tbn. 2

 





 



sfp

 









 

      ff 1.      ff    ff







 



    

fff

  

 

 

p





 

 



        

 

p

f

ff

f

 

mf



ff





     Perc. 4   ff

 





ff

          





      S.D. - snares on

f

 

              

          

                       

  

   

                         

        



           

        



         



               



mp

mp

           mp        

    

     



 



 

 

      



  

        











 



   









  







mp

          

      

  



mp

      





   

 

              



mp         

   

    

     

gliss



      

   



  



   



         

xylophone Perc. 3



 tambourine

  

        



     

     

                 

     

  

          

       

ff blend in with bass instruments

  

 



       

                      

       





ff

      

   

        



  

        

            

   

       

ff



       

   

        ff



 

   

La Messe de Nostre Dame: Kyrie (Christe; triplum line) (saxophones)

ff

ff



       

      

 med. sus. cymbal

ff

      

ff

  



        



sfp

f

f



J





sfp         Timp.  



ff

ff

sfp

  

ff







 

 a2      

sfp

 S.B..  



ff





sfp

 

Euph.



sfp

 

Tbn. 3

  

  

          ff         

 

sfp



     

ff         



 

  

ff

ff



 

  

         

       



sfp

 

Tpt. 3



ff

ff

  



ff

       



sfp

  

Tpt. 2

Perc. 2

        







Perc. 1



ff

(play as written, a2)

 

B. Cl.

Tba.

             

ff

6

Tpt. 1

                       

ff

                      a2           Cl. 1   (play as written, a2) 7   a2   6             Cl. 2           7  7                 Cl. 3            

Bari. Sax.

        

              7

         19

              

ff

                 a2                         7 (play as written, a2) 6 ff            a2                               

Fl. 1

        





                          

20

113

 Picc.  

Fl. 1



Fl. 2



Ob. 1



Ob. 2





Cl. 3



 

 

 







            







 

     

    Cb. Cl.     B. Cl.

 

   

         

Tpt. 3

Hn. 1+2





    mp

Hn. 3+4

 

 

mp



Tbn. 1



Tbn. 2

 



 



Tbn. 3

     Tba.    

Euph.

S.B..

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

  



 

 

 

 





 

  

     













 

 

    

 









 

    

















f



f



          

    



   

ff



 





 









     f     f  f

f

  

f

f

 

   

 

        

  



 

  





 

 

 

     



ff

  

ff











   



 















    





   





















         



p





p





p



  

ff





  





mp

 

 



f





 

  





  

 







 

  

 





 

 

 

   

 







           

                                                            

    





 



  

 







 



  





 

 

f

f

      f

      

  

     







     



 

f

ff





 

   ff     ff  

























   

  f

  



 





    f

  

 











 



     

  



mp

mp

    



          ff    



 

 









  





 

 



 



  

 





ff





        



      



mp







   



  

 



    



     

mp







 

                     ff                                   ff        



           

  

f



 

       







 

  

ff





 





  

       

p

   



      

           











f



 

   





  



 



mp

p







   



f



f

 



                 

   



 

   

                             







  







f









  

                    



    mp ff                               

     





        



                                







 

   

           

 



        f  1.        f        

 

   







 









 



 

         

    







 

       







                  

 



 

     

 

 

f

    

     



f

 

  







 

 

    

Tpt. 2





                    Bari. Sax.    





             

T. Sax.







             

  







              A. Sax. 1            A. Sax. 2   

Tpt. 1

   

   



   

  

          

        





      

 



            Cl. 1       Cl. 2 

Bsn. 2



 

        



     

Bsn. 1







  



 

     

  

       

118

  Picc.    

Fl. 1

 

Fl. 2

 

Ob. 1

          

 



 



 



 



                     3 3 3 3  3 3   a2                   3 3 3 3  3 3   a2                    3 3 3 3 3 3              





     

Ob. 2

   

Bsn. 1

3



3

3

 

sfp





 

sfp

                 fff                    fff                 fff          

                   f sfp   6    6                    Cl. 1           6  6   6                   Cl. 2                 (a2 trill) 6          Cl. 3     

Cb. Cl.



     sfp       

T. Sax.

Bari. Sax.

Tpt. 1

                        

Hn. 1+2

Hn. 3+4

Tbn. 1

Tbn. 2

Tbn. 3

f

     



  

 

      ff                 



     

mp

  

mp

mp

       mp       mp

 

sfp

S.B..



  





  Perc. 1   Perc. 2

Perc. 3

      

  Perc. 4    



f



   

fff

fff

     