Tetelestai

Transposed Score

Τετέλεσται A Symphony for Wind Ensemble Written for and dedicated to Jerry Junkin and the University of Texas Wind Ensemble In Loving Memory of Vincent R. DiNino

ANDREW BOSS 2014 Graded 6 by the Florida Bandmasters Association Music List

Transposed Score

Instrumentation Piccolo/Flute 4 Flutes (doubled Fl.1, 2) 2 Oboes 2 Bassoons Contrabassoon + 6 Clarinets in Bb (doubled Cl.1, 2, 3) Bass Clarinet in Bb Contrabass Clarinet in Bb

Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone 4 Trumpets in C (Bb trumpet parts are available) 4 Horns 4 Trombones (1 bass) Euphonium Tuba Contrabass (string bass)

Harp + (doubling encouraged +) Piano/Celesta (if a celesta is unavailable, perform the celesta part on the piano in the appropriate transposed octave) Organ (Finale only; optional but encouraged)* Timpani Percussion 1 – snare drum III +, 2 bongos, 4 tom-toms, large suspended cymbal (share with 2), medium suspended cymbal I, crash cymbals Percussion 2 – bass drum I, large suspended cymbal (share with 1), Percussion 3 – snare drum II, congas, small tam-tam, glockenspiel, chimes, anvil + Percussion 4 – triangle, large suspended cymbal, log drum**, tambourine, marimba, xylophone, vibraphone, bass drum II + Percussion 5 – 4 temple blocks, snare drum I, tam-tam***, crotales (2 octaves), medium suspended cymbal II *An optional antiphonal brass choir (3 horns, 3 trumpets) is provided for performance in the case that an organ is unavailable. This brass choir is to be placed around the auditorium in order to maximize spatial effects. If the resources are available, both the organ and brass choir may be used in performance. This work may also be performed effectively without either option. **If unavailable, the log drum may be substituted for an auxiliary un-pitched percussion instrument, such as a gourd drum. ***the tam-tam part does indicate the use of both a superball and a chain (not simultaneously) at various portions in the piece. Though encouraged, in the case that a superball is unavailable, it may be substituted with a tam-tam roll with normal mallets. Instruments marked or with this symbol (+) to its right are optional, though encouraged. This is to permit some flexibility of instrumentation in order to accommodate ensembles with limited instrumentation who desire to perform this piece or one of its movements. The 1st or 2nd movements to this work may be programmed separately in any given concert.

Program Notes Tetelestai – Greek for “It is finished” – is supposedly the last word that Yahashua, the man Christians praise as Jesus Christ, spoke among the people of Jerusalem before his death. The nature of this word – in the perfect indicative mood of its verbal form teleō –suggests having completed an action that is both irreversible and infinite. Within the context Yahashua used, it meant that he perfectly fulfilled the demands of the Mosaic Law on behalf of his people, and that he took the punishment his people deserved and placed it onto his own shoulders by his death. The biblical account of the resurrection adds a rich meaning to the word tetelestai, that which not even death can undo what has been completed. Throughout this symphony, I attempted to capture images of how I interpret these series of biblical events. This is not a programmatic work because I am not retelling the story of this account. Rather, I am portraying images based on how this story makes me feel. The main body of the 1st movement portrays images of betrayal, despair, suffering, and death – which are how I interpret the crucifixion. This movement begins and ends with a linear theme in the horn representing a promise waiting to be fulfilled, which returns later in the piece. The 2nd movement portrays images of conflict between two opposing forces, such as life vs. death or dark vs. light. This is how I interpret the war between heaven and sin since “in the beginning” up through Yahashua’s death. The 3rd movement is subdivided into two separate sections; it begins with a short Interlude, followed by the Finale. The Finale begins in a reflective mood and slowly intensifies toward a climactic conclusion that portrays images of victory and rebirth – which is how I interpret the resurrection. Because the music of this symphony portrays images rather than adhering to a strict narrative, it allows for a different interpretation of these images from each listener as he or she engages in a unique aural experience as the music unfolds. The listener brings forth their own life experiences and beliefs as to how they relate to the music that they are hearing, and how each listener relates to these images is based on their experiences or beliefs – whether it is suffering through the loss of a dear friend or loved one, relating to the images associated in the 1st movement; personal obstacles or battles, relating to the 2nd movement; or a personal rebirth and reawakening, relating to the Finale. This work was written for and dedicated to Jerry Junkin and performed by the University of Texas wind ensemble in November 23, 2014. It was written in loving memory of the death of the beloved Vincent R. DiNino, whose immense contributions will never be forgotten. A small en memoriam was also incorporated as a passing theme in the 3rd movement to my dear friend Dmitry Volkov, a brilliant young cellist who recently died at 26 of heart failure.

… about the composer The music of Andrew Boss is widely acclaimed for expressing its creative voice, offering captivated listeners “something that has never been heard before.” (Florida Music Teachers Association). His musical language is encapsulated in a “fundamentally tonal, often vividly spiced language”(Baltimore Sun). Dr. Boss has enjoyed many performances by the nation’s leading ensembles. The premiere of his first symphony, Tetelestai (2014), by the University of Texas (UT) Wind Ensemble under Jerry Junkin was an enormous success. It shortly followed with its College Band Directors National Association premiere in February 2016 at the Southern Division Conference in Charleston by the Kennesaw State Wind Ensemble under Dave Kehler as well as its Australian National Band and Orchestra Conference premiere in September 2016 by the Sydney Conservatory Wind Ensemble under John Lynch. Additional notable performances of this work include Redlands Wind Ensemble (Eddie Smith), Brooklyn Wind Symphony (Jeff Ball), Northwestern Symphonic Wind Ensemble (Mallory Thompson), Eastman Wind Symphony (Kevin Holzman), and University of Central Florida (John Carmichael). Dr. Boss completed his Doctorate of Musical Arts in Composition at the University of Texas at Austin as the 2013-14 Recruitment Fellow under the tutelage of Dan Welcher, Donald Grantham, and Russell Pinkston. For more information, please visit www.andrewboss1.com.

Written for and dedicated to Jerry Junkin and the University of Texas Wind Ensemble for their Fall 2014 season In loving memory of Vincent R. DiNino

Τετέλεσται 1. Homage

Adagio Pastorale q=60

Piccolo

        p

Oboe 1 + 2

Bassoon 1 + 2

Contrabassoon

Clarinet in Bb 1

 

 

 

p



 



  

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ppp

 

ppp





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

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

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

 

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

n



 



     





  Trumpet in C 1 + 2  



 





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

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Trombone 1 + 2 Trombone 3 + Bass Trombone Euphonium Tuba

Contrabass

Piano

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 

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    

 

 

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  

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 



 

       f           

 



mp

     



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  



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  

   

pizz.

 

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



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p

large suspended cymbal

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







 

1. solo

3      

 

       

 

mp



 

 

      





 

      

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

     







mp

mp

 

mp

    

   











pp







 

 



   



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      f               f   

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 large. sys. cym.   





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 

   

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(scrape, very fast)

   

 







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  

      f crotales   Percussion 5   

vibraphone - medium mallets



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



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

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f

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soft mallets

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3

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mp



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3



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

4 muted tom-toms; with sticks





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pp

    

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

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pp



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

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  Percussion 1  

Percussion 4

p









f





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Percussion 3





n







f





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

anvil



  



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n



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(scrape, very fast)



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   

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

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Percussion 2



ppp

 

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Timpani

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

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       

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







mp



Harp

 

3



   







Horn in F 3 + 4







mp





 Baritone Saxophone   

 







   





 

 



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mp



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p

 







 



 





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

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



    











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





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













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Horn in F 1 + 2



  

mp

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 

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n





1. solo







 





     



Trumpet in C 3 + 4

 

 





p

   



Tenor Saxophone

p



  

sim.





n



p a2



Contrabass Clarinet in Bb

 

 

sim.







 



 

p a2





Alto Saxophone

  





 







 







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Bass Clarinet in Bb

  





 





 

Soprano Saxophone





    p

n





a2 stagger breathe, if necessary

Clarinet in Bb 3





  

p

Clarinet in Bb 2



stagger breathe, if necessary

a2

Flute 2



p stagger breathe, if necessary

a2

Flute 1



ANDREW BOSS

      p3

 

f anvil

f

vibraphone

 crotales       f

f

Copyright © 7/24/2014 by Andrew Boss. All Rights Reserved



 



 

A 2

    Picc.   11



p

    

 

   

 

 



a2

Fl. 1

p

a2

Fl. 2

Ob. 1 + 2



n

  

poco rit. 



   

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  



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

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

    

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Cl. 2

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p

Cl. 3

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p

B. Cl.

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n

    

     

n

  Sop. Sax.     

 

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

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





a2



a2



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

 

              

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

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

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

a2

p

p

         p   p

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

   Bari. Sax.   

 

   



        

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









  C Tpt. 1 + 2    

C Tpt. 3 + 4

 

Hn. 1 + 2

 

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.

Tba.

pp

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mf

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

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     mp

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n

     

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f

   Timp.  

3



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





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

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3

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large. sys. cym.

 

p





 p

arco

 p





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

   p



  

 



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 

      

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       

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

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 

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

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





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  

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



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    







 





 



p



  

 

   



p

p



 

       

 

     

    





         

 









     

a2 (cup mute)



   

     



  

    



1.





    

  

p



   



3.









 

    

    

  

p



         





3



     

2.



p







     

  

 p



1. cup mute

3. cup mute





    

 



p





p



       

pp

  Perc. 1  

p

 



  

p







1. cup mute

























       

p

 





pizz.



pp

 

        f  Pno.          Hp.    

















































































    

 



 





















   







































































f

(scrape, very fast)

anvil

Perc. 3

1. solo

3



Cb.

Perc. 2

n

n



    

 





mf



p

a2



    

 

 



pp

 p

       

   

T. Sax.

a2

   

p

p 2.

a2

n

mf



  





       

 

 

     

           

 

pp





    

A. Sax.

1.











flute



  

      



     p   p

   

n





pp

n

















      



p









n





    



  

A tempo, with feeling

n



     Cl. 1  

Cb. Cl.



 

Bsn. 1 + 2

Cbsn.



f

       f crotales   Perc. 5     vibraphone

Perc. 4

11

f

  









* slurs in contrabass always provided only for melodic shaping; never intended for bowing



23

B

poco rit. A tempo

 Fl.      

  

      

   







     

  







      

   

         

1.          

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.







   

       p

Cb. Cl.

Sop. Sax.

 



T. Sax.

Bari. Sax.





 











C Tpt. 3 + 4

Hn. 1 + 2



Tbn. 1 + 2



 



   







   p

  





     



















 











 





  







     





          p

   

 



 















             p

pp 3. cup mute



pp

  



 





  

 



1.

 











  p











  

 

p

 







Euph.









       



       p



  



   





 































 Timp.   Perc. 1 



 

















Pno.

Hp.

Perc. 2

Perc. 3

Perc. 4

Perc. 5



    23













pp

 

large sus. cym.

   

pp

 

    

       p





       B.D.

  

  

p

 

p

















  





   

  

   p



mf

mf

mf

 marc.        mf

 



 





mf

mf

mf













































 























































  

  

  

  

mf

  

mf

















      f  

     f

 



med. sus. cym.

    

  n





mf

     chimes.



p

mf

    

vibraphone

mp







   f





marc.

mf

   



a2

     

 





 



marc.



marc.           

      

 

   

mf

senza sord.



marc.     

mf

   

 

mf

    





senza sord.





      marc. 

     





mf

a2, senza sord.

p



marc.         











p



t-tam

  



p



mf

 



mf

marc.      

p





mf



p



Cb.



             





   

a2







a2 marc.

mf

p







mf

              



     

       

p

a2







marc.





a2, senza sord.

p



mf

mf

      p



       











 

mf



p

  

  

   

marc.

marc.      









  

  mf







  





marc.

mf

 



   p



 

    

p









marc.   

 

marc.

 







 

         







a2

 

 





Tba.

   

3

       

                



p

p

p



         

   

    

 

1.











p







                 











marc.   



mf

   

 

mf



  a2  

a2







 

            p

p









mf

p

a2

Tbn. 3 + B. Tbn.



 

  

p



  





p

a2

        

        





 

p

p



a2

p

1.









 







       





 









   

 



















   p

          

Hn. 3 + 4



  

  

 C Tpt. 1 + 2 



p



   

   







A. Sax.

 





 

    

B. Cl.



  

  

   



Cl. 3



p

      Cl. 1  Cl. 2





mf

C Fl.

  

f

 

Fl. 1

f

f

  

     a2       



mp

3

mp

3

f



                   f mp           Cbsn.     f

    Cl. 1   3

f

mp

          

mp

3 3

            

   f



f

Cb. Cl.

Sop. Sax.

3

f

3



f

     C Tpt. 1 + 2   3

3

        a2

mf

3

mf

f

Cb.

Pno.

            f 3          3 f 3        

Hp.

Perc. 3

   3

ff





ff

 



38

p







 







p

 p



 





1.



3.

mp

 







  







mf

 n































 



 



 



 











 









n

n

mf

n



pp

n

mf

pp

n

mf







mf

   







n







n

n 1. solo



3

   

     

mp



3

 

























n

      

p



 p

p

























 



     













  













  











 





 



 































 

 





 









      

  





pp



     pp 

 

  

 

















  











 





  f

  muted t-toms;sticks

 



p3





  f







 





 







 f

(scrape, very fast)



anvil

vibraphone



 

f

t-tam

crotales



f







  



large. sus. cym





 

     



 

   f



 

















mp



p

 



p

   n

 





n

mf

 



1.

 

mf



 

        



 

 

 



   

n

1.         

p

 

  





   



p





2.            3.           

















p



n

         1.





 

mf











   











 



p









 



 

mp

 

1.        





mp





n

 

  





   

 

n



p







 

 

    

n



mp

   









  

 



   

n







n



 



    

















 



p

 

 

large sus. cym.





 





mf

 



 

 





 

 





 





 



 



n

   



 

 

f





 





 

       



p







  





 

 



  

mf

3      

3

ff

Perc. 5

 

 





           

     

3

Perc. 4

mf

 

 Timp.   Perc. 1  Perc. 2

f

 



 



 





n

p

1.

3.           



p



mp

mf

f

Tba.

 





n

                 p mp              

         

 

Euph.



   mp

        

f

Tbn. 3 + B. Tbn.

 

 



      

p

       

3

3

  

Tbn. 1 + 2

 

p



           

         T. Sax.     f 3         Bari. Sax.  

Hn. 3 + 4

 

 



     

  



mp

f

Hn. 1 + 2

 



       

p



mp

    

f        

C Tpt. 3 + 4



 

  

f

     

f

  

   

mp

      

 

A. Sax.



p

    a2         

3

 

B. Cl.





A tempo

mp

         

Cl. 3

  

p

mp

Bsn. 1 + 2

Cl. 2



            

3

poco rit.



3              

  

Ob. 1 + 2



3

 

3

3

  

 

3

    

Fl. 2

A tempo

poco rit.

  

38

4

   

 3



 









triangle





p



 

D 49

  Fl.  

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

 



Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

 

    

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.

Tba.









Pno.

Hp.

p

mp

n

1.   





n

 



1.

mp









mp



         





pp

3





           pp







  

mp



n



















 









pp

pp



 p







 

     













mp

p

3

1.



 mf



1.



























 





 

































 



dolce

f







3

p

      3. dolce

 



mf



   3

mp





a2

n

p

 





 











 













 

















 















 









B. Tbn. pp













 













































    



 





























  







 

 

      

 





49

 

 

     

f



mp

mp



 



     f crotales   

vibraphone

f





mp





  

celesta















 

 

gliss.

3



anvil



 

3.



gliss.

 



mp

         

  n

3

 

soft yarn mallets





pp

n



mp



 f



 



mp





3



  

3



     mp

mf

                



3

3





to celesta

       

 





f   

3



 





  

mp







pp



p



 



pp

 







3

mp

f

































3 dampen on beat 3



mp



vibraphone- soft mallets

 

n

3



p

3

  



3













dolce



dolce



       



pp



 

        





5

6

5



mp



3

      





     

     

 



3

mf







  





a2



dolce

 

 

  





mf



6







5



1.



7               

 1. dolce

1. 





 



5

   

mf



5

5

     



5

1.









1.

n

     





  

 Perc. 4    Perc. 5











  Perc. 1  

Perc. 3

 

  





   Timp.  

Perc. 2

1.



pp

pp

Cb.



pp

  3     C Tpt. 1 + 2   

Hn. 1 + 2











  





 

 Bari. Sax.   

C Tpt. 3 + 4



     

  Cl. 1    Cl. 2





     

  

 





  

  

1.





Fl. 2

  





Fl. 1



poco rit. Pushing forward q=69



  





 

 

crotales- with bass bow





mp

 







pp

 

mp

 

3

       mp





 mp

 

6

  

58

  Fl.  

Fl. 1

 







dolce

f a2 dolce









 ff





f

Ob. 1 + 2



Bsn. 1 + 2



 





 

B. Cl.





Cb. Cl.





 

T. Sax.







 



  





 









 

Hn. 3 + 4

Tbn. 1 + 2



Tbn. 3 + B. Tbn.



Euph.



Tba.















3



3 



 

3











 







3   3







 

Perc. 5





  58

3

3

    

 

3



mf









































      



  

   

   

 

 

   

 

       

pp

 























 3

 p

3

   











     3

 



mp































    

mp

    









   



























pp



   3

 p       p 







   

3

  pp







   





3

p

mf







        









3



   







 3             

   







6





3

   





mf







1.

        3

   

 





3                                          6 5 7 f    Timp.     Perc. 1 

n

 p 





p

3





p



3

   





  

1.





      



Hp.



  

 

 

p

    





large sus. cym.  



a2





 3 

3

 





  

           

  





   















 

3

pp

 

      

3





 



3

pp

  



mp

p











3

p





p





3

    

Perc. 4

   p

5

3



 

3

pp

Perc. 3



5



         

3



3

   

  3    

 p  









2.











Hn. 1 + 2

Perc. 2

 1.





   

3



p

dim.

ff

1.

Cel.

 

3

7





C Tpt. 3 + 4

6



  

A. Sax.

6

mp

  

   

    

p

 

3

p



 

ff

3

 

p

 





5





                                          mp                                         

Cl. 3

Cb.





f

 

Cl. 2

C Tpt. 1 + 2





a2 dolce

 Cl. 1  



mp





3









3

ff

Bari. Sax.





6 7 6 5                                            mp         

Fl. 2

Sop. Sax.



ff

5

Cbsn.











   p



 t-tam











p

E A tempo, sneaky

poco rit.

      Fl.  65







Fl. 1



Fl. 2



Ob. 1 + 2

Bsn. 1 + 2



Cbsn.





 Cl. 1 



Cl. 3



B. Cl.

Sop. Sax.



C Tpt. 1 + 2

  

 



n

    

















         







1. espress.

     

 

            

 





p

























 

 a2

pp

 



  

pp

   

  a2

   





 

pp

   

pp





pp

 



 

          p

 



                

p

3

pp

     













           

 



              

p espress.

p

 

    



























    

















a2

    







































 

n

       n

n

n





















Euph.

























Tba.





 

Cb.      to piano             3 mp Cel.     3      Hp.          

Perc. 2 Perc. 3

Perc. 4

Perc.5





 

B.D.

p

  

65



mf



 

 

 



 



  p









































































pp

 

   

   

   

   B.D.



  

























p

 



mp





sfp





  



sfp



 









     pp



sfp







a2



 





sfp





 



 

 





























 

B.D.

 

mp



 

vibraphone- medium mallets

 mp

crotales- with bass bow









p

mp





 



sfp



mp





mp

p

Tbn. 3 + B. Tbn.

mp

sfp





 

mp



pp





sfp



 

      



sfp

 

3



 Timp.   Perc. 1 



mp

 

p

mp



  





sfp

             

Tbn. 1 + 2



 



3



mp







sfp





   



mp



espress.

   



sfp



p

espress.



sfp

p

   





 

espress.





espress.

 



  



    

   



 

   

mp



             

espress.



sfp

espress.

 



mp

sfp



espress.





sfp

3



mp



  

3     

   



  





sfp

3





n



 

p

a2

7



a2 espress.

















3

  3        



With feeling





n



p













pp

 















  



a2





 



 p

 

n

n

a2

Hn. 3 + 4



3



Hn. 1 + 2

  

  

 





n





C Tpt. 3 + 4

 

n





    

3

 



n

3      



T. Sax.

Bari. Sax.

   

 



n

 

 

A. Sax.



3

3      3 

   

Cl. 2

Cb. Cl.





n

3

   

 





















F 77

8 Fl.

Fl. 1

  

 



        3

    



3

3



  

 

    

 



    

piccolo

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

   

Cl. 3

B. Cl.

Cb. Cl.

T. Sax.

mp



3

3

3



     mp





    

 



3

   





   









 

3

    

  













mf

3

Tbn. 1 + 2

 



 

Tbn. 3 + B. Tbn.

 



mf

3

 

      3

mf

   

    

3

mp

    3.

mp

Tba.

Cb.

Cel.

Hp.

Timp.

Perc. 1

   

 

mf

    3









 

 

mf

   

  

Perc. 3



    77





  





pp





   



6

6

ff





6









   

 

     

 

 





6



6

ff



  





mp

 

a2

f

 



  



f

 



  



 

f

 

 

















  

 

 

 







3

mf

 

    

6



   6

6

   

 

7                   7

7

 









     mf      mp     















3



mf

 

 







 

 

 mf

3

     3



5

5



3

3

5

                              



 

5

5 5

ff



  

small t-tam

n









  

ff



     



6







6

6







6

6







6

6







6







6

6





p

ff









ff



 



                                



 



 



 



   



   



 



    





3











   



   



5

5

ff

                             

    

    

p





  

 

6

 

  

mf



   



3

mp

      

3         

   

mp

6

ff





Perc. 5



  

Perc. 2

Perc. 4







mf

Euph.

6

6

   

mf

1.

 



3

      

mp



       



3

  







mp

Hn. 3 + 4



      



3

  

 



mf

3



 

mf

mf

    

   

mf

 

   

 

       







5

5

 6                                         



3





  

3

mf



  3

mf

   

3

  

mp



3



 

mf   

3



 

3

   



3            3

ff



mf





a2

        

ff

a2         

mf

3

  

   

   

3

 

   3

mf

  

 



mf



    

  C Tpt. 1 + 2 

Hn. 1 + 2



  

Bari. Sax.

C Tpt. 3 + 4

3

3                      3

 Sop. Sax.  A. Sax.



         3

     

  Cl. 1  Cl. 2

   

3







a2

mf

    





  





      3

3





gliss.

poco rit. A tempo, unleashing

84

 Picc.  Fl. 1

Fl. 2

Ob. 1 + 2

  

     

 







      







 

      Bsn. 1 + 2               f      Cbsn.          f      Cl. 1       Cl. 2  Cl. 3







          

f

       Sop. Sax.      A. Sax.         T. Sax.   

  

      C Tpt. 1 + 2   f

mf

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.

  







    

 





f

mf











f



Perc. 3



Perc. 4



Perc. 5

 

ff





                  







1.



     

mf

 

ff



 

      

 84

 f

 



  





ff

ff 3

     



 







               



f



ff

 

t-tam

  ff

 

               

















      









  

   

       



          

      



   



     









               

                   







  



  



     



      





 











ff









 









  



  













 



  





 



   





1.

   





  



3.

   



   

   

 



                           

         

 

   f            

3

  



f

       



 a2 3           f







   



   



f

   



    



      

   













vibraphone



      



   f

S.D.



 

     

pp

mp

   

 

 

pp



f





   





mf

    mf      pp







chimes

 

 

 

 med.. sus. cym



3

f





3



 

 

3



      





 

 



f





f

   



 



 



     





   







3

       





 

f



ff

 

a2



   



      



t-toms- yarn mallets



      

   f                                          



  

 

 

      





 

 

f



 

        



   

9

 

        

  

  

  

    

         

    

   



          







            



 

   

 

             

  



       

    

  



  



 

   



  









  

 



3

3  





3



  









              

              

                            3 f 3   1.           3 f ff 3   3.             ff 3 f  a2                  a2               3                      ff 3 f mf   3       3.              ff   f 3                 3 f









3



 



 

f

 

  



chimes



 



 

          



  3        ff  f     mf



 

mf

piano



ff



        ff









   

       

ff 3

n



      

  

 



       

.







          

mf

 

    Timp.    mf large sus. cym     Perc. 1  Perc. 2

ff

gliss





       

 

  

a2               

   3           ff         f

s. glis

Hp.







      

3

    ff     ff  ff



       



       

 

     





 s. glis









         



.







       

       





gliss

Pno.

          

 mf                             ff 3  f             

      f   Cb. 

Tba.

 

   

 

 

  

.

C Tpt. 3 + 4

  

          



glis s

Bari. Sax.

  





     3  a2         3   ff 3             ff          

               f Cb. Cl.                   B. Cl.

  

    mp

 

 





G 10

95

rit.

  Picc.      

Fl. 1

  

Fl. 2

   

Bsn. 1 + 2

Cbsn.



  













 

  



  Cl. 1   

 

  

  

Cl. 2

   

  3       B. Cl.       Cb. Cl.     

T. Sax.

Bari. Sax.

  

  



     

3

3

3

    3 3

           3

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

Euph.

Tba.

Cb.

Pno.

          

     

    f  3 3     f 3  3      3

              

3

3

 non. cresc.      non. cresc.     3             3 f

 











      Timp.  

Perc. 3

Perc. 4

Perc.5

 

  

95

         

  



    

   





ff

ff

 

   

 

 

 

 

pp

pp

   



  



ff

ff

 



ff

bells up            fff bells up   a2   

ff

   3

t-tam

 

pp

   





      

 











 



 

 

   

mf

 



  

    





  

       



                          

  

                   

            

            



 



 

   



    

   

   



 

     

     

    

     

    

     

   

 





 

  

 

 

    

 



   

    



   

 

   

     



      



 

 



sfp



sfp



sfp



sfp



sfp

 

sfp

 sfp

 

sfp



sfp



sfp



sfp



sfp





sfp

                      

   

sfp

 

   

 



 



  

     



sfp

  sfp

   



sfp

 



  

sfp



 

  

 

         

         

    

  

   

   



  

        





 

   











 



 



   

n

n

   

 



fff







  

 

 

 



 









 

     

 

  





 



  



















 

   

f



ff







  























mf

mp







 

S.D.

 

f



med. susp. cym



    f



 sfp

 sfp

 

sfp



sfp



sfp

 

sfp

   

  

ff

   



  



      



mf





 

 

     



mf

  



fff

 





  

 

fff

 

    

  

 

  

fff

    



  

 



   





  a2          

ff

 

            

 

fff

f

3







 



   





fff

 

p

 

fff

ff

 

 



ff







ff









          





ff

         





a2

 

large. sus. cym

      

       

 





  













B.D.

 

 



ff

  







             





  Perc. 1  



 

ff

Hp.

Perc. 2





f

  



ff





3

3

ff

    

             f



 1. no trill      ff

3

f

Hn. 1 + 2



ff

f           

  C Tpt. 1 + 2   

C Tpt. 3 + 4





        

3

A. Sax.

ff

a2, trill

Cl. 3

Sop. Sax.



    ff 3               3   ff        ff    

  

Ob. 1 + 2

A tempo, with strong affection



 

B.D.



  sfp  

pp

 

pp

Cadenza 102

 Picc.  

Fl. 1

gradually slow down trill   

 staggerbreathe if needed

      p   gradually slow down trills, a2         

fff

staggerbreathe if needed







Ob. 1 + 2



Bsn. 1 + 2

Cbsn.





 Cl. 1  

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.





T. Sax.



fff

staggerbreathe if needed  

fff

fff

 



fff



fff

 C Tpt. 1 + 2 

 



 

Hn. 1 + 2

Hn. 3 + 4









fff

 

fff

 

fff

 

fff

   

fff

Tbn. 1 + 2



 

fff

Euph.



 

fff

Tbn. 3 + B. Tbn.

 

Tba.



Cb.

 

Cel.



Perc. 1

Perc. 2

Perc. 3

Perc. 4



 

     



 

 

g



dim.



. liss



ff





 

dim.



  



 

3

 

 

6

3



s. glis



anvil

ff



play more or less proportionally as notated within the bar. This passage is not intended to be strictly counted

 



3

ff



 











 



 

 

Perc. 5



102





ff









p

3

   3

  

   p

  



p

n





 

 

   

pp

  

 

   

 

3

      

3

  



  p



p

  







 



 























 















 



 















 



 













 



 













 



 













 



 



 

    

crotales- play around these notes; gradually slow down while descending



 

     

 



ff ff



 

 



 

 



 

ff

circular glisses

 





 

3 5

mp

 

5 5

 

legato



 

ff legato







 

play more or less proportionally as notated within the bar. This passage is not intended to be strictly counted

 



 

5





Timp.

celesta

p

 

play more or less proportionally as notated within the bar. This passage is not intended to be strictly counted

5



Hp.

fff





 

fff



 



 

fff

 

 

pp

 

 





1. molto espress.

 





 

  

 

fff



 



p

           mp p  







gradually slow down trills, a2

 

 

C Tpt. 3 + 4

mp

fff

 

solo, molto espress.

          

 



 

  

gradually slow down trills, a2

fff



pp

 

fff



  

 

 staggerbreathe if needed 



A. Sax.

fff

fff





fff

 

 

 Sop. Sax. 

Bari. Sax.

 

11

 1. molto espress.

mp p      gradually slow down trills, a2          p mp  

fff staggerbreathe if needed

Fl. 2



     

 

    

B.D.

p

n

  

 



  

 





Chimes

p

 

pp

 

crotales - with bass bow



H

12

poco rit.

105

  Picc.   Fl. 1





      

 

mp

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

 

    

 

mf

  

mf

  

  

mp

 



 

mp



    



3

 



 





p



  Cl. 1        Cl. 2

 

1.

 



p





  

 

mp

1.



 

 

       

 



p



mf

 

  mp



   

 

3



   





 









 

 Cb. Cl.   









  







 







A. Sax.

T. Sax.

 











 





 



 

p





     





3

   



p

p





    

 



1.

 



1.



  



 

p

 

  













 













 















 







 









 







 









 



  





 

    

 



  









 

  









   







 

    

 

 

  



 

n

p

     mf

  

   

     p





  













 









 











 







  





 











 

 





        













p



 Perc. 4    

105

n

p

    

mf

 

  

 

  

 

 

mf

  



p

  



med. sus. cym.

  

  

 



3

3







3

 







3

p





 



 











 



p

p





3     



    



p

     

3



     p

3





Perc. 5

1.



         mp

    

3



  Perc. 1   

Perc. 3







Perc. 2

p

 

 

Timp.



 



Hp.

     





Cel.

 

mp









Cb.







Tba.

p

 

  

Euph.

 





Tbn. 3 + B. Tbn.

           

        



    



Tbn. 1 + 2







Hn. 3 + 4



 



Hn. 1 + 2





 

C Tpt. 3 + 4





 Bari. Sax.    C Tpt. 1 + 2





 



Sop. Sax.

   

 



B. Cl.



 

 

Cl. 3



mp

3

    

 

A tempo

 

3

I poco rit.

113

Picc.

  

Fl. 1



 

Fl. 2

 

  

solo, molto espress.

 

Ob. 1 + 2

1.

mp molto espress.

     

Bsn. 1 + 2

 



 

    



 







 

  

   

  

   



p

  

p



   

f





 



Cl. 3



  

 



       3

B. Cl.

   Cb. Cl.    Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

 



mp

 Cl. 1   Cl. 2



3







mp







 







 

      p



 



p

   

mp

mp



        p  

mp



p

 



mp

 



mp

 







 



mp Cbsn.

     

   



   













 



 

pp



mp

  





  

Hn. 1 + 2

Hn. 3 + 4

 

Tbn. 1 + 2

Tbn. 3 + B. Tbn.

1.



3.



pp







      

Tba.

Cb.

Cel.

Hp.

Timp.

  3    

Perc. 2

Perc. 3

Perc. 4

Perc. 5



mp



 



 mp

 

 

p



p

p

 

 

 

 











 









 









  

 

n

 

 

  

n B.D.

 

n



p      

 

 







1.



  

   

p

 



p

   1.

p



p



pp

   

  





 

p













 



   



p





 



p

ppp

n

p

ppp

n

  























 





 











n

n





















 





 













 















 







  





2.



p

 4.  



p

 



  



 

 

 n

   n



p

 



  

  



p

n





  



 



 

n

1.solo

n







































piano

  



f



 

  



 























 p















 

 















muted t-toms; sticks

 

large. sys. cym.

 

t-tam







  p

mp







  







 

        





3

f



mp



n



  







mp

   



 

n

pp



   

     

  



  





   



 

mp

   

p

 







a2 stagger breathe if necessary

n



 









  

p

 

n

 













p

  







n

 



  

  





  



 

pp

a2 stagger breathe if necessary

  

 







   









p

1.

 

    

p

  

1.



a2

no cresc.

  

 

 

stagger breathe if necessary



13

no cresc.

1.







n



p

A tempo

  



113





 







 

  

 



   

       

mp

med. sus. cym.

Perc. 1



 

  

p



 3

Euph.

mp



  

 

p





   

no cresc.

  

   

   

1.

  



 

p

 



      p 



 

 C Tpt. 1 + 2  C Tpt. 3 + 4

  

p

 

rit.





 

q=54

  (scrape, very fast)



 anvil  f



f



 











    



 











   



vibraphone

f

crotales

f



p3



14

123

 Picc.  

Fl. 1





Ob. 1 + 2

Bsn. 1 + 2







 

Fl. 2

Cbsn.















 





p











p





 

 



 





1.  

 







     





  

 

    



 

 



p

p











p



 



 



 



Cl. 2

















Cl. 3

 

 



Cb. Cl.

Sop. Sax.



 



 

























 



 









 

 

 

p

 



mf

 



1.

n







p



  n



n

 



 







mf

n

mf

    

























 



 







 







3

 



  



3



Tbn. 1 + 2







 

Tbn. 3 + B. Tbn.







Euph.





 

Tba.





 































pp





 



 



pp











 















 







 















 











 





















 







 



 



 















    



  

 

chimes

 



p





      







 

 

   3



 

pp 3















3

  

   

pp



mf





pp

mf

pp

mf

    





3.



pp



pp





mf



mf

  

       



 

   

   





   

     

  



mp

   



   



  





  

   



   

  



  

large. sys. cym.



(scrape, very fast)

f

anvil

f









 



 



vibraphone













crotales





123

  







   



f



  



   

   

  

1.

pp



n



f    















   

n







n

   

    



 



Perc. 5

n





Perc. 4

mf

n



     





Perc. 3

  



 

  





mf

                

     





Perc. 2

mf





1.





n





Perc. 1



p







 



 

Hn. 3 + 4

Timp.





p







Hp.









Hn. 1 + 2

Pno.

1.



C Tpt. 3 + 4

Cb.

 

 

T. Sax.

C Tpt. 1 + 2







A. Sax.

Bari. Sax.





B. Cl.





  



p





   



 







1.



 









 

Cl. 1

Attaca subito

f

f

15

II. Toccata Allegro Fugato q=150

Picc.

° 4 &4

4œ &4 ‰ Œ

Fl. 1

4 &4

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

¢

4 &4 4 &4

Cl. 3

4 &4

B. Cl.

Sop. Sax.

4 ¢& 4 ° 4 &4

4 &4

Alto Sax.

4 &4

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

4 ¢& 4 ° 4 &4

4 &4

C Tpt. 3 + 4

4 &4

Hn. 3 + 4

? 44

Tbn. 1 + 2

? 44

Tbn. 3 + B. Tbn. Euph.

Cb.

¢

? 44 ? 44

{

? 44

4 &4

Pno.

Hp.

Timp.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó ∑

4 &4 œ‰ Œ

Hn. 1 + 2

Tba.

? 44

° 4 &4

Cl. 2

Cb. Cl.

œ 4 & 4 œ ‰‰ Œ B 44 œœ ‰ Œ ‰

∑

Ó

**strum bass strings throughout entire note value; no fingernail

4 O O / 4 ~æ æ æ æ may also be used 4 **soft mallets ∑ ∑ &4 n

{

? 44

°? 4 ¢ 4

mp

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

° 4 œj Ó / 4œ œJ mp harder yarn mallets 2 bongos

Perc. 1

~– æ

∑

Œ

4 t-toms

j œ œ œœ‰ œ œ Œ Ó J

∑

Perc. 4

j œ œ œœ‰ œœ ‰ œœ J J

∑

∑

∑

∑

4 / 4

∑

∑

∑

∑

∑

4 / 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

4 Perc. 5 ¢ / 4 w æ

t-tam, with superball

n

˙ æ

˙ æ

mp

w– æ

Ó

bring out

ëO—

Ó

Ó

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large. sys. cym.

mp

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medium mallets

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mp

congas (with hands)

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triangle

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temple blocks

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