Marset usa 2013 14 (reduced version) by MUSEO

P. II MARSET 2012 â&#x20AC;&#x201D; 2013

Marset stands for well-designed light. The outcome of a constant concern to explore the most subtle nuances while demonstrating the finest lighting effects. We create unmatchable ambiances around the world, thanks to the collaboration of an international team of designers. We asked them for a snapshot of the light form that inspires them.

FABIEN DUMAS

Hamburg, Germany, 1961

Fort de France, Martinique, 1976

DANIEL LÓPEZ

“The only light which floods the Polynesian island of my childhood – so rich, so abundant, so ubiquitous” FRANCESC RIFÉ Sant Sadurní d’Anoia, Spain, 1969

“The image of half light, be it natural or artificial. The dark side of the light always has a special allure for me”

Santa Coloma de Gramanet, Spain, 1980

“Sunlight permeating a pool of spring water making its way through ferns and droplets of water. Amazing!”

JOAN GASPAR Barcelona, Spain, 1966

“I find the beams from lighthouses inspiring; due to their symbolism, their functionality, and their architectural fusion. Lighthouses serve as

DESIGNERS

“The reminiscent play of light and shade inside the Umbracle in Barcelona, a building intended to create shadowy niches; it is the perfect place to take shelter from the heat and the sun”

P. V

P. IV

CHRISTOPHE MATHIEU

Lleida, Spain, 1930

“The 60’s. Formentera. Sunset in Ses Salines. The smoke of plants from Afghanistan. As if by a miracle, the salt becomes a kaleidoscope of colour. Atheist? Agnostic? No: pantheist! Light, the origin of life, is sacred” MASHALLAH DESIGN Hande Akçayli, Istanbul, Turkey, 1974 Murat Koçyigit, Kiel, Germany, 1974

“We are inspired by the light of the films while telling a story”

Osnabrueck, Germany, 1977

“My favorite light appears when the sun is low in the sky; in those few seconds when the colours and the contrasts are intensified. What is light without a shadow?” XAVIER MAÑOSA Barcelona, Spain, 1981

“The light of the first hour of the evening in summer as it sneaks into our studio through the four skylights and the partly-covered hole in the ceiling. It creates five moving spotlights, which seem to be searching something amongst the unfinished bits and pieces there”

DESIGNERS

LLUÍS PORQUERAS

MATHIAS HAHN

P. VII

P. VI

reference points for sailors and are often found in spectacular surroundings, which in many cases are inhospitable”

B 172 · Beta C 182 · Cala IP65 64 · Cala P 150 · Continua D 20 · Discocó 146 · Discocó A 50 · Discocó C E 174 · Espejito, espejito... F 68 · Funiculí

l 190 · Lab 124 · Ledcompass, RSC 128 · Ledpipe, C, RSC 114 · Ledtube 120 · Ledtube R m 170 · Manhattan 166 · Manhattan T5 16 · Maranga 48 · Maranga C 100 · Maranga M, S 76 · Maranga P 38. Mercer 30, 40 104 · Mercer, M, Mini 156 · Mercer A 58 · Mercer C 164 · Moma n 216 · Neón de luz O 44 · Olav 60 · Olav P

P 54 · Plaff-on! 8 · Pleat Box 90 · Polo S 42 · S2 134 · Scantling A 84 · Scantling P 96 · Scantling S 140 · Scene 162 · Silo A 32 · Soho 52 · Soho C 212 · Soho IP44 T 2 · Tam Tam, Mini 136 · Tam Tam A 200 · Txl

Alphabetical Index

A 220 · Atlas

P. IX

Alphabetical Index

P. XI

P. X

index by sections

1 — 45

SUSPENSION LAMPS

2 Tam Tam

8 Pleat Box

20 Discocó

16 Maranga

32 Soho

38 Mercer

42 S2

44 Olav

46 — 61

CEILING LAMPS

48 Maranga

50 Discocó

52 Soho

54 Plaff-on!

58 Mercer

60 Olav

61 — 87

FLOOR LAMPS

64 Cala

68 Funiculí

76 Maranga

82 Scantling

88 — 111

TABLE LAMPS

90 Polo

96 Scantling

100 Maranga

104 Mercer

112— 179

WALL LAMPS

114 Ledtube

166 Manhattan T5

120 Ledtube R

170 Manhattan

124 Ledcompass

172 Beta

128 Ledpipe

136 Tam Tam

140 Scene

152 Continua

146 Discocó

156 Mercer

174 Espejito, espejito...

214 —227

180 — 213

OUTDOOR LAMPS

134 Scantling

182 Cala

190 Lab

200 TXL

212 Soho

ARCHITECTURAL

216 Neón de Luz

220 Atlas

162 Silo

164 Moma

P. XII

Coordination & content Isabel Valle, Javier Marset

credits

Graphic design & ART DIRECTION Folch Studio cover ilLustration Max Dalton Photographers Alexis Taulé, Coke Bartrina, Juan Gregorio, LStudio, Miguel Fernández, Miquel Ribot, Marc Hernández Printing Agpograf Printed in Spain February 2013

Marset thanks all the people and entities that have lent us their environment or their house to illustrate this catalogue.

suspension LAMps

TAM TAM

Fabien Dumas, 2011

P. 3

P. 2

TAM TAM

Suspension

It’s a juicy bunch of grapes, Nick Mason’s drums from Pink Floyd, the constellation of Perseus… There are so many examples that could be used to describe the tam tam; a new lamp concept that celebrates repetitiveness by focusing on the archetypal lampshade. Multiple light sources orientated in different directions, geometrically arranged to invoke a feeling of organized chaos. The tam tam is suitable for any space as its various positions and colors can be used to create vast, multi-colored ceilings, unique each time.

5x E12 13W CFL T2

9x E26 60W TYPE A

White (Ral 1013)

S o bSuspension re m e s a / Ta b l e

5x E12 40W TYPE G

Orange (Ral 2000) Tam Tam 5

Grey brown (Ral 7013)

13x E26 18W CFL TYPE A

Green (Ral 6025)

13x E26 60W TYPE A

Sand (Ral 7032)

Tam Tam5

Tam TamMini

8 ft 10.2”

ø1 3.7

” 3.7 ø1

13.6”

11.5 ft

Tam Tam3

”

8.6

”

ø 13.7”

ø19.7”

33.5”

40.1”

25.9”

ø19.7”

22.6”

41.1”

Tam Tam 1 ø50

Tam Tam 1 ø35

7.9”

Black electrical cord

11.8”

Suspension

9x E26 18W CFL TYPE A

ø 13.8”

ø 19.7”

Range p.136

Dry locations only

MAR ANG A TAM TAM

TAM TAM

Tam Tam Mini

Tam Tam 3 Black (Ral 9011)

P. 55 P.

P. 4

A large central shade in lacquered aluminum, to which are attached various satellite shades, which can be rotated through 360º. An opalescent, methacrylate diffuser over the open end softens the light. Available with 3 or 5 satellite shades, each of which can be in white, black, orange, brown, green or sand.

Watch the video

P. 7

P. 6

TAM TAM

In the tam tam mini, the central shade is available in black or white, and the satellite shades can be combined in black, white, orange, brown, green or sand.

Suspension

In the tam tam3 and tam tam5, each shade can be personalized in any of the following colors: black, white, orange, brown, green or sand.

Tam Tam Mini

PLEAT BOX

Xavier Mañosa & Mashallah, 2011

P. 9

P. 8

PLEAT BOX

Suspension

The idea behind the pleat box is a sophisticated combination between a digitally designed crease in a piece of cloth and a silhouette that is applied to a ceramic base. The outer part of the lamp is offered in white ceramic, brown, black, terracotta, and grey– the direct result of recycling different enamels. The brilliant white enamel interior creates a glittering effect, which enhances light quality. An additional gold application on the inside generates an extremely warm light. The pleat box has emerged through the first-ever collaboration between Xavier Mañosa, a master ceramicist from Barcelona, and the Mashallah design studio in Berlin with Marset.

Pleat Box 24

E26 60W TYPE A

PLEAT BOX

Pleat Box 47 White-white

P. 11

E26 60W TYPE A

White-gold

E26 18W CFL TYPE 2

Grey-white

2x G9 Bipin T4 60W

E26 18W CFL TYPE 2 Mini G9 Bipin T4 60W

Grey-gold Pleat Box 36

Terracotta-white

Pleat Box 13

E12 40W TYPE G16.5

Black-white

E12 13W CFL Microtwist

E26 60W TYPE A E26 18W CFL TYPE 2 Mini

G9 Bipin T4 60W

Black-gold

Suspension

Terracotta-gold

G9 Bipin T4 60W

Brown-white Brown-gold

ø5.1”

10.24”

6.3”

Pleat Box 13

ø5.1”

7.09”

6.6 ft

ø5.1”

10.24”

Pleat Box 24

ø5.1”

6.6 ft

Pleat Box 36

6.6 ft

Pleat Box 47

ø8.27”

ø13.39”

ø4.53”

ø14.17”

ø5.12”

ø14.17”

ø17.32”

ø9.25”

P. 10

Ceramic diffuser. Available in white, brown, black, terracotta and grey with the inner part in white or gold.

Translucent electrical cord

Watch the video

Dry locations only

The pleat box is a sophisticated combination between a digitallydesigned crease in a piece of cloth, the silhouette of which is applied to a ceramic base.

P. 12

P. 13

PLEAT BOX

Suspension

P. 14

P. 15

PLEAT BOX

Suspension

MARANGA

Christophe Mathieu, 2012

P. 17

P. 16

MARANGA

Suspension

maranga is the name of a fruit, an imaginary fruit: exquisite, tempting, succulent. It reinterprets Scandinavian style in the essence of the shape and rational use of lighting to generate a warm, comfortable atmosphere. The shade is made up of 32 slice-like pieces that fit together to allow portions of light to escape. This interaction of light and dark generate an effect which is rich in shades and prevents glare; while an opening at the bottom fitted with a diffuser gives direct light down.

MARANGA

3x E26 20W CFL T4

2x E12 60W TYPE G16.5

3x E26 100W TYPE A

2x E12 CFL 13W micro-mini twist

Suspension

ø4.3” 1.4” 6.6 ft

1.4”

ø4.3”

4.5”

6.6 ft

Suspension

Maranga 32

Maranga 50

6.3”

MARANGA

Maranga 32

Maranga 50 White

P. 19

P. 18

Shade made up of 32 polycarbonate sections, all attached to an upper chromed metal cover. Underneath there is a transparent polycarbonate diffuser with a prismatic engraving.

ø12.6”

ø19.7”

Translucent electrical cord

The maranga collection is available in two diameters - 12” and 19”. Watch the video

Range p.76

p.100

p.48

Dry locations only

DISCOCÓ

Christophe Mathieu, 2008

P. 21

P. 20

DISCOCÓ

Suspension

Exuberant and attractive, the discocó family of fixtures offers an interaction of evocative, highly effective lighting. The thirty-five ABS disks lacquered in white vibrantly reflect the internal light source. On the outside, this reflection varies depending on the angle of the light simultaneouly providing direct illumination from its underside. The chromed sphere to which the metal bars holding the disks in place provides a new effect of glittering reflections. The discocó family is available in white, turquoise blue, sand and chocolate, and a new color: black gold.

Discocó 53

Discocó 132 6x E26 Globe CFL 23W

White

E26 Globe CFL 23W E26 A21 150W

Discocó 88 3x E26 Globe CFL 23W

Turquoise (Ral 6034) Black-gold

DISCOCÓ

Sand (Ral 7032) Chocolate (Ral 8017)

P. 23

P. 22

35 White opaque disks made in moulded ABS. Chromed sphere.

Discocó 35

3x E26 A19 100W

E12 A19 CFL 11W E12 G16.5 60W Suspension

Suspension

Discocó 35

42.24”

26.77”

16.73”

11.02”

6.6 ft

9.8 ft

Discocó 53

6.6 ft

Discocó 88

11.5 ft

Discocó 132

ø13.86”

ø20.87”

ø34.65”

ø52.05”

Translucent electrical cord

Watch the video

Range p.50

p.146

Dry locations only

P. 25

P. 24

DISCOCÓ

Available in a new color: Black-gold.

Suspension

P. 26

P. 27

DISCOCÓ

Suspension

P. 28

P. 29

DISCOCÓ

Suspension

P. 30

P. 31

DISCOCÓ

Suspension

SOHO

Joan Gaspar, 2010

P. 33

P. 32

SOHO

Suspension

soho is presented as a statement; in recognition of the merit of the lamps traditionally used in markets, taverns and cafeterias. After studying different volumes, proportions, and materials; new uses and lighting effects have emerged. Through the use of rotary molded polyethylene, large sizes can be obtained. With a diameter of 44â&#x20AC;? it is designed for large spaces, while the 22â&#x20AC;? model is ideal for lighting a dining table. A diffuser produces an excellent, evenly distributed light. In the translucent white version, the whole structure emits ambient light. An outdoor model is available for illuminating porches, gardens and terraces or open-air dining areas.

Soho 112 8x T5 HO Mini Bipin 24W

White (Ral 9003)

Soho 57 C-T5 2Gx13 22W+40W Electronic ballast 120V 60Hz

Black (Ral 9005)

SOHO

Electronic ballast 120V 60Hz

Stone grey (Ral 7039)

P. 35

P. 34

Shade in rotary moulded polyethylene. Methacrylate opal diffuser.

Suspension

Soho 112

Soho 57

ø4.3”

ø44.33”

ø22.44”

23.9”

6.6 ft

12.01” 6.6 ft

ø4.3”

Black electrical cord Soho 112 RGB LED available

Range p.52

p.212

Dry locations only

P. 36

P. 37

SOHO

Suspension

MERCER

Joan Gaspar & Javier M. Borrรกs, 2005

P. 39

P. 38

MERCER

Suspension

mercer is a beautiful and elegant lamp. The fusion of different materials achieves a spectacular result due to its pure cotton pleated shade floating in a transparent blown glass structure. This lamp is available in three finishes: In the first, the natural cotton pleated shade produces a direct and diffused light; the second with a black pleated cotton shade which is more sober and sophisticated, sends light directly through the top and bottom; and the third new finish is the most minimal with a pearl white shade.

2x E26 A19 100W

E26 A19 100W

Natural

2x E26 T4 CFL 20W

E26 T4 CFL 15W

Pearl White

MERCER

Mercer 30

Mercer 44 Black

P. 41

P. 40

Cotton shade that floats inside a transparent blown glass structure. Mercer 44 includes an opal glass diffuser in the bottom part.

Suspension

Mercer 30

7.79”

6.6 ft

Mercer 44

11.41”

ø11.81”

ø17.32”

Black electrical cord

Range p.58

p.104

p.156

Dry locations only

P. 43

P. 42

Joan Gaspar, 2003

Suspension

This pendant lamp in opalescent glass is based on a simple clean shape for use in domestic surroundings and open areas. A clasp system facilitates the height adjustment of the light. Translucent polycarbonate structure. Opal blown glass shade. A clip adapts the lenght of the wire. E26 75W A19

White

E26 T3 15W CFL

9.8 ft

Separating hook

14.5”

White electrical cord

ø6.2”

Dry locations only

P. 45

P. 44

OLAV

Cristian Díez, 1999

Suspension

olav is a simple and geometric lamp that brings to mind a Scandinavian design where the reflection of light occurs through the top section. Through the cylindrical shape of the opal blown glass a direct and diffused light is generated, which gives an excellent treatment of light. This is why both models, suspended and ceiling, achieve the goal of illuminating with a soft light. Opal blown glass shade over a translucent polycarbonate structure. On the upper part, silver grey metallic diffuser. Silver grey-white

E26 A19 100W E26 T3 CFL 20W

Olav

7.8”

9.8 ft

ø5.9”

Range p.60

White electrical cord

Dry locations only

ceiling lAMps

P. 49

P. 48

Christophe Mathieu, 2012

MARANGA

Watch the video

Ceiling

Shade made up of 32 polycarbonate sections, all attached. Underneath there is a transparent polycarbonate diffuser with a prismatic engraving. White

Maranga C

2x E26 60W TYPE A 19 2x E26 13W CFL T2

ø5.12”

6.3”

maranga is the name of a fruit, an imaginary fruit: exquisite, tempting, succulent. It reinterprets Scandinavian style in the essence of the shape and rational use of lighting to generate a warm, comfortable atmosphere. The shade is made up of 32 slice-like pieces that fit together to allow portions of light to escape. This interaction of light and dark generate an effect which is rich in shades and prevents glare, while an opening at the bottom fitted with a diffuser gives direct light down.

ø19.7”

Range p.76

p.100

p.16

Dry locations only

P. 51

P. 50

Christophe Mathieu, 2009

DISCOCÓ

Ceiling

Opaque disks made in moulded ABS. Chromed semi-sphere. Discocó C 88 3x E26 Globe CFL 23W

White

3x E26 A19 100W

Turquoise (Ral 6034)

Discocó C 88 ø12.4”

Chocolate (Ral 8017) 21.46”

Discocó C 53

Sand (Ral 7032)

E26 Globe CFL 23W

Black-gold

E26 A21 150W

ø34.65”

Discocó C 53 ø7.5” 13.39”

This lamp consists in a series of white lacquered disks that float around a chromed semi-sphere. These disks act as layers that shield the light source simultaneously redirecting and reflecting the light onto the underlying disks. These combined factors results in a distinct and unique light that fills and enriches space.

ø20.87”

Range p.20

p.146

Dry locations only

Watch the video

P. 53

P. 52

SOHO

Joan Gaspar, 2010

Shade in rotary moulded polyethylene. Methacrylate opal diffuser. Soho C 112 White (Ral 9003)

8x T5 HO Mini Bipin 24W Electronic ballast 120V 60Hz

Stone grey (Ral 7039) Black (Ral 9005)

Soho C 57 C-T5 2Gx13 22W+40W Electronic ballast 120V 60Hz

Soho C 112

Soho C 57 ø4.7”

14.33”

7.28”

ø7.8”

ø22.44”

ø44.33”

Range p.32 & p.212

Dry locations only

Ceiling

soho is presented as a statement; in recognition of the merit of the lamps traditionally used in markets, taverns and cafeterias. After studying different volumes, proportions, and materials; new uses and lighting effects have emerged. Through the use of rotary molded polyethylene, large sizes can be obtained. With a diameter of 44” it is designed for large spaces, while the 22” model is ideal for lighting a dining table. A diffuser produces an excellent, evenly distributed light. In the translucent white version, the whole structure emits ambient light.

PLAFF-ON!

Joan Gaspar, 2010

P. 55

P. 54

PLAFF-ON!

Ceiling

The informal tone of its name matches its intention to offer an alternative to this category of lighting fixtures. A ceiling lamp whose beauty lies in its simplicity and clarity, offers multiple lighting effects due to its unique design. The structure around the white blown diffuser is set slightly apart from the ceiling, and filters the light upwards creating a glowing halo. An aluminum ring, also white on the inside acts as a reflector creating a new halo that surrounds the shade with direct light. Available in three diameters, it can also be used as a wall fixture.

Plaff-on! 20

Plaff-on! 50 4x E26 A19 60W

Black

PLAFF-ON!

Structure

2x G9 Bipin T4 60W

4x E26 T4 CFL 20W

Silver grey Diffuser

P. 57

P. 56

Ring made of lacquered aluminum which supports an opal blown glass shade.

Plaff-on! 33 2x E26 T4 CFL 20W

White

Ceiling

2x E26 A19 60W 2x G24 q3/T4 26W Electronic ballast 120V 60Hz

Plaff-on! 50

Plaff-on! 33

Plaff-on! 20 3.9”

4.65”

6”

4.3”

5.43”

ADA

6.7”

2.48”

2.95”

3.54”

ø7.8”

ø13”

ø19.7”

Dry locations only

P. 59

P. 58

Javier M. Borrás & Joan Gaspar, 2010

MERCER

Ceiling

Cotton shade that floats inside a transparent blown glass structure. 2x E26 T4 CFL 20W

Natural

ø5.51”

Pearl white

6”

6.93”

The ceiling model of the mercer lamp joins this family of lighting fixtures that stand out for their subtle reversal of roles: The cloth shade is inside a structure of transparent blown glass. The glass delicately protects the shade in natural/black pleated cotton or in a sophisticated pearl white fabric, at the same time as producing additional reflections. The aim of this lamp is to give the ceiling of a room a delicate warm glow while providing generous light.

Mercer C

2x E26 A19 60W

Black

ø17.32”

Range p.38

p.104

p.156

Dry locations only

P. 61

P. 60

Cristian Díez, 1999

OLAV

Ceiling

Opal blown glass shade over a translucent polycarbonate structure. On the upper part, silver grey metallic diffuser. Olav P

E26 A19 100W E26 T3 CFL 20W

ø5.9”

5.9”

Silver grey-white

7.8”

The ceiling mounted olav along with its pendant model is a lamp that emulates a Scandinavian design, where the reflection of light occurs through the top. The cylindrical shape of the opal blown glass generates both a direct and diffused light. olav above all is functional but does not neglect the basic premises of design: an excellent treatment of light.

ø 5.9”

Range p.44

Dry locations only

floor lAMps

CALA

Joan Gaspar, 2012

P. 65

P. 64

CALA

Floor

Everybody likes a warm comfortable light. This is exactly what the new cala lamp achieves with the combination of its light but resistant oak wood structure, inspired by the classic artist’s easel and its pearl-white polyester shade. It is available in three diameters – 70, 65 and 55”. Beside a sofa or an armchair is the ideal place for the smallest model, whereas the other two models have been conceived as general lighting in more open spaces. The cala collection is also available in an outdoor model.

Shade Pearl white

3x E26 20W CFL T4

CALA

Structure Oak

P. 67

P. 66

Varnished oak structure. White polyester shade, made of a PVC-PET laminated film. Methacrylate diffuser.

Floor

Cala P180

Cala P165

Cala P140

ø27.5”

13.7”

ø25.3”

17.3”

16.3”

Range p.182

9.4” 55.1”

64.9”

70.6”

12.6”

ø22.4”

16.5”

Dry locations only

FUNICULÍ

Lluís Porqueras, 1979 / 2012

P. 69

P. 68

FUNICULÍ

Floor

funiculí is the new edition of a lamp designed in 1979. Lluís Porqueras has always sought absolute simplicity in his designs, doing away with everything superfluous to leave the essence of the useful simple object. The name funiculí comes from the concept of a ”funicular” action moving up and down. The mechanism for raising and lowering the lamp utilizes a pair of clips which make the height of the shade adaptable to any user’s needs. The shade itself can be rotated 360˚ to point the beam of light wherever it is required. The base of funiculí is covered in rubber on the bottom to avoid the cold contact between the metal and the floor while adding stability to the lamp.

E26 20W CFL T4

White (Ral 9001)

E26 100W TYPE A

FUNICULÍ

Moss grey (Ral 7022)

P. 71

P. 70

Base and stem in lacquered iron. Shade made of lacquered aluminum. Black rubber which wraps the outline base up.

Black (Ral 9005) Red (Ral 3024) Beige (Ral 1000)

Floor

Funiculí

53.15”

ø7.25”

ø9.76”

Black electrical cord

Watch the video

Dry locations only

P. 72

P. 73

FUNICULÍ

Floor

FUNICULÍ

Over time, I realized that I was a very bad businessman. Fortunately, Marset took an interest in what we were doing at Vapor and much of our catalogue became part of their collection. Moreover, my former colleague Joan Gaspar, a good friend of mine, became the creative manager at Marset. Now, 30 years later, Marset has decided to re-release Funiculí. We have all had the ubiquitous desk light with a flexible arm. It was a rounded object, with a very simple shade covering the typical Edison light bulb. It occurred to me to free this shade and give it more features and mobility. I added a curved stem and clips to allow it to be raised and lowered. Hence the name Funiculí, from the “funicular” action of going up and down, like the funicular railways of Tibidabo or Montjuïc in Barcelona. I have always believed that the light in a room must also go with shadow, that there should be contrasts with the points of light. This is what creates well-being, calm; your home must be a refuge from the aggressive outdoors in the city. Lights are lit for several hours a day, and the rest of the time they must maintain a certain discretion so that they do not bother you when they are off, and only become noticeable when they are on... like glow worms. Fashion does not interest me, and I have never made fashionable lights because they soon go out of fashion. I have always made lamps I liked. Lluís Porqueras

Floor

In the late 70’s, I had a lamp firm, Vapor. The things it made were very simple: Although the industrial process included 25 operations, the end result was one of absolute simplicity; what interested me was pruning, pruning and pruning again to leave nothing but the essence of a useful, simple object.

P. 75

P. 74

The story behind Funiculí

MARANGA

Christophe Mathieu, 2012

P. 77

P. 76

MARANGA

Floor

maranga is the name of a fruit, an imaginary fruit: exquisite, tempting, succulent. It reinterprets Scandinavian style in the essentiality of its shape and its rational use of lighting to generate a warm, comfortable atmosphere. The shade is made up of 32 slice-like pieces which fit together to allow chinks of light to escape. This interplay of light and dark generates an effect which is rich in shades of light and prevents glare, while an opening at the bottom fitted with a diffuser gives out direct light downwards.

MARANGA

3x E26 TYPE A 100W

White

P. 79

P. 78

Shade made up of 32 polycarbonate sections, all attached to an upper chromed metal cover. Underneath there is a transparent polycarbonate diffuser with a prismatic engraving. The base and the stem are in lacquered metal. 3x E26 CFL 20W T4

Floor

Maranga P170

Maranga P130

ø19.7”

51.6”

67.3”

ø19.7”

ø13.8”

Black electrical cord

Watch the video

Range p.100

p.16

p.48

Dry locations only

P. 80

P. 81

MARANGA

Floor

SCANTLING

Mathias Hahn, 2010

P. 83

P. 82

SCANTLING

Floor

A combination of basic geometric shapes with the use of wood and metal give this family of lamps a homely appearance, simultaneously maintain a clearly defined personality. All of the movements of the rotating shade use arms and hinges, and its technical precision denotes that springs or counterweights are not necessary in order to maintain the selected position. scantling is a term used to define the size that a piece of wood or stone is measured and cut, derived from the name of an old unit of measurement. The interaction of the different elements used in its design gives this lamp an archetypal, almost graphic appearance.

Shade

Stone grey-oak

Stone grey

White-oak

White

Floor

Scantling P73

E26 T3 CFL 20W

Scantling P40

28.82”

7.68”

7.85”

15.75”

ø4.53”

53.62”

47.72”

ø3.74”

ø11.22”

ø9.45”

Black electrical cord

Watch the video

Range p.96

p.134

SCANTLING

Structure

P. 85

P. 84

Lacquered iron stem and base. Solid oak arm supports a lacquered aluminum shade. The switch is built into the diffuser.

Dry locations only

P. 86

P. 87

SCANTLING

Floor

table lAMps

POLO

Joan Gaspar, 2013

P. 91

P. 90

POLO

Table

The fluidity of its movements and its total stability make this flexible fitting a light source that can be moved around the table, hardly taking up space. This articulated lamp features LED technology enabling the light to be directed accurately without burning yourself if you touch the shade. Its fully mobile structure is made of injection-molded aluminum with a joint and arm built into a single piece. The switch with its wheel system is located on the top of the head.

POLO

LED 6W 500lm (included )

Black White

Table

Polo

3.9”

13.7”

17.3”

ø1.7”

ø 7”

3.7”

ø1.9”

Wall bracket

Clamp 3.3”

3.5”

4.1”

Table bracket

4.5”

Base

P. 93

P. 92

Body and diffuser in lacquered aluminum. A switch is incorporated into the diffuser.

ø7”

Black electrical cord

Watch the video

Dry locations only

P. 94

P. 95

POLO

Table

SCANTLING

Mathias Hahn, 2010

P. 97

P. 96

SCANTLING

Table

A combination of basic geometric shapes with the use of wood and metal give this family of lamps a homely appearance, while simultaneously maintaining a clearly defined personality. All of the movements of the rotating shade use arms and hinges, and its technical precision denotes that springs or counterweights are not necessary in order to maintain the selected position. scantling is a term used to define the size that a piece of wood or stone is measured and cut, derived from the name of an old unit of measurement. The interaction of the different elements used in its design gives this lamp an archetypal, almost graphic appearance.

Shade

Stone grey-oak

Stone grey

White-oak

White

E26 T3 CFL 20W

SCANTLING

Structure

scantling is a term used to define the size that a piece of wood or stone is measured and cut, derived from the name of an old unit of measurement.

P. 99

P. 98

Lacquered iron stem and base. Solid oak arm supports a lacquered aluminum shade. The switch is built into the diffuser.

Table

Scantling S

7.68”

15.75”

23.31”

ø3.74”

ø8.27”

Black electrical cord

Watch the video

Range p.82

p.134

Dry locations only

MARANGA

Christophe Mathieu, 2012

P. 101

P. 100

MARANGA

Table

maranga is the name of a fruit, an imaginary fruit: exquisite, tempting, succulent. It reinterprets Scandinavian style in the essence of the shape and rational use of lighting to generate a warm, comfortable atmosphere. The shade is made up of 32 slice-like pieces that fit together to allow portions of light to escape. This interaction of light and dark generate an effect which is rich in shades and prevents glare, while an opening at the bottom fitted with a diffuser gives direct light down.

Maranga S

3x E26 100W TYPE A

2x E12 60W TYPE G16.5

3x E26 20W CFL T4

2x E12 CFL 13W micro-mini twist

MARANGA

Maranga M White

P. 103

P. 102

Table

Maranga M

Maranga S

ø19.7”

28”

19.7”

ø12.6”

ø9”

ø13.8”

Black electrical cord

Watch the video

Range p.76

p.16

p.48

Dry locations only

MERCER

Javier M. Borrรกs & Joan Gaspar, 2006

P. 105

P. 104

MERCER

Table

Mercer

Mercer Mini

dimmer

E12 G16.5 40W

E26 A21 150W

Black

E12 A19 11W CFL

E26 A21 CFL DIM 15W

Pearl white Mercer M

MERCER

Natural

P. 107

P. 106

Cotton shade that floats inside a transparent blown glass structure. Opal diffuser disk on the upper part.

dimmer

E26 A19 100W

Mercer

Mercer M

Table

E26 A21 CFL DIM 15W

Mercer Mini

ø14.8”

ø11.3”

ø9.4”

ø7.3”

9.8”

16.1”

20.8”

ø7

ø4.4”

Black electrical cord

Range p.38

p.156

p.58

Dry locations only

P. 109

P. 108

The blown glass that gives shape to the lamp is produced as one piece.

MERCER

Table

P. 111

P. 110

MERCER

Table

The mercer collection is now available in a new color: Pearl white.

wall lAMps

LEDTUBE

Daniel Lรณpez, 2009

P. 115

P. 114

LEDTUBE

Wall Lamps

ledtube is an orientable wall lamp that incorporates 3W 2700ยบK led technology and a 24ยบ lens that directs sharp beam of light. It combines cylindrical shapes made of injected aluminum and a frontal part made of transparent polycarbonate. Due to its architectural and functional design, the ledtube can be installed vertically or horizontally and it is suitable as a bedside lamp.

White Black

Wall Lamps

Ledtube 1.54”

6.06” 2.16”

5.9”

6.69”

2”

2.68” Range of positions

2.05”

Range p.120

LEDTUBE

LED 3W 700mA 95lm (included)

Aluminum

Light comes on automatically when ledtube is opened and goes off when closed.

P. 117

P. 116

Injected aluminum structure and a frontal piece of transparent polycarbonate. Incorporated press button to switch on or off when opening or closing the wall lamp.

Dry locations only

P. 118

P. 119

LEDTUBE

Wall Lamps

LEDTUBE R

Daniel López, 2012

P. 121

P. 120

LEDTUBE R

Wall Lamps

A new surface-mounted version of the ledtube retains the led technology of its predecessor now in a round casing. The orientable wall lamp is easy to use as the light comes on automatically when the ledtube is opened out, and goes off when it is closed. The 180-degree rotation makes it ideal for installing on any bed head.

LED 3W 700mA 95lm (included)

White Black

Wall Lamps

Ledtube R ø2.7”

1.3”

Ledtube R left

LEDTUBE R

Aluminum

Incorporated press button to switch on or off when opening or closing the wall lamp.

P. 123

P. 122

Injected aluminum structure and a frontal piece of transparent polycarbonate. Incorporated press button to switch on or off when opening or closing the wall lamp.

Ledtube R right

Dry locations only

LEDCOMPASS

Joan Gaspar, 2012

P. 125

P. 124

LEDCOMPASS

Wall Lamps

This orientable system of led reading lights is based on a compass-type joint, which allows light to easily point in any direction. Inspired by the ventilation nozzles on airliners, the ledcompass collection is easy and intuitive to handle, as its led technology enables users to aim the light without burning themselves. Clean and discreet in its lines, ledcompass is designed to function as a reading light or a light fitting in shelf units and corners which are to be highlighted. ledcompass is available as a recessed or surface mounted wall lamp: in white, aluminum, or black.

Silver grey

P. 127

LED 3W 700mA 95lm (included) LEDCOMPASS

LEDCOMPASS

White Black

4.1”

3.8”

3.4” 5.9”

Wall Lamps

Ledcompass RSC

Ledcompass

3.6”

P. 126

Injected aluminum structure. A joint with a compass system allows a 360º orientation of the LED beam of light. Built-in switch.

1.3”

5.3” 4.3”

2.3”

4.7” 3.9” 2.7”

Inspired by the ventilation nozzles on airliners. Dry locations only

ADA

LEDPIPE

Joan Gaspar, 2005

P. 129

P. 128

LEDPIPE

Wall Lamps

Suitable as a bedside reading light, one of its principal characteristics is its versatility, based on its movable arm and swivel head. Optimum light is produced for use as a focus of direct illumination, without being overwhelming. The ledpipe wall light is available in three different versions: with a long arm, as a surface wall lamp or a built-in.

P. 131

LED 3W 700mA 95lm (included)

Silver grey

LEDPIPE

White Black

Ledpipe RSC

Ledpipe C

5.51”

1.18”

3.9”

6.5”

3.7”

1.5”

4.72”

3.7”

5.31”

4.5”

3.7”

2.16”

1.18”

1.97”

2.76”

18.6”

2.76”

Wall Lamps

Ledpipe

4.33”

P. 130

Structure and arm of painted metal. Injected aluminum diffuser with stainless steel lid.

2.16”

Dry locations only

P. 132

P. 133

LEDPIPE

Wall Lamps

SCANTLING

Mathias Hahn, 2010

Lacquered iron structure. Solid oak arm supports a lacquered aluminum shade. The switch is built into the plaque on the wall. Shade

Stone grey-oak

Stone grey

White-oak

White

E26 T3 CFL 20W

Scantling A 10.55”

ø5.31”

” 7.68

4” ø3.7

Range p.82

p.96

Watch the video

Dry locations only

Wall Lamps

Structure

P. 135

P. 134

SCANTLING

TAM TAM

Fabien Dumas, 2012

P. 137

P. 136

TAM TAM

Versatile and cheerful, tam tam a invites you to play with colors: Black, white, orange, brown, green or sand, with the base plate always in white.

Wall Lamps

Here they are, the new members of the tam tam family: A wall sconce with one or two shades that can rotate 360ยบ. Versatile and cheerful, they invite you to play with colors: Black, white, orange, brown, green, or sand, with the base plate always in white. They fit your environment, spreading light wherever you want. The singleshade model is suitable for use as a bedside lamp, featuring a switch at the bottom, while the two-shade model invites you to install it in corridors or just to light up spaces. They may be tiny but they are just as mighty as their big brothers. They are smart, attractive, and will bring a smile to your face.

Shade

Base

Tam Tam A E12 13W CFL T2

White (Ral 1013)

E12 40W TYPE G

White (Ral 1013) Orange (Ral 2000)

Tam Tam A2

Grey brown (Ral 7013)

2x E12 13W CFL T2

Sand (Ral 7032)

2x E12 40W TYPE G

Tam Tam A2

ø13.7”

6.7”

ø8.6”

Tam Tam A

ø8.6”

9.6”

ø8.6”

10.3”

9.05”

16.7”

9.45”

Watch the video

Range p.2

Dry locations only

Wall Lamps

Green (Ral 6025)

TAM TAM

Black

P. 139

P. 138

White lacquered metal plate. Shade made of lacquered aluminum with an opalescent methacrylate diffuser over the open end.

P. 141

P. 140

SCENE

Joan Gaspar, 2012

Wall Lamps

A wall lamp that provides indirect light, scene lights up the wall in a neutral discreet manner combining functionality and comfort. As if it were a lit stage of a small theater, scene features an opening at the front which creates a halo of light to stage this theatrical effect. Made from injection-molded aluminum, it is available in black, white or silk grey, with fluorescence source.

Scene has been adapted to the UL certification with a bigger wall back plate.

White (Ral 9003) Silk grey (Ral 7044)

P. 143

G24 q3 T4 26W Electronic ballast 120V 50/60Hz SCENE

SCENE

Black (Ral 9005)

Wall Lamps

Scene

3.9”

3.4”

11.3”

3.9”

7”

2”

P. 142

Structure in injection-moulded aluminum.

Dry locations only

ADA

P. 144

P. 145

SCENE

Wall Lamps

DISCOCÓ A

Christophe Mathieu, 2012

P. 147

P. 146

DISCOCÓ

Wall Lamps

Attractive and decorative, discocó has become a resounding success, with one foot in Scandinavian design and the other in Mediterranean style. Its complex simplicity and evocative play of light and shade make this lamp ideal to illuminate and enrich a setting. The collection is expanded with this new wall model: Available in white, chocolate, turquoise blue, sand, and black gold.

2x E12 11W CFL TYPE A

White

P. 149

P. 148

Opaque disks made in moulded ABS. Chromed semi-sphere. 2x E12 60W TYPE G16.5

Sand

DISCOCÓ A

Chocolate Turquoise Black-gold

Wall Lamps

Wall Lamps 10.8”

4.4”

Discocó A

9.3”

14.9”

Watch the video

Range p.20

p.50

Dry locations only

CONTINUA

Christophe Mathieu, 2010

P. 151

P. 150

CONTINUA

The system makes it possible to personalize the film and combine it with any type of wall finish (colors, wallpaper, wood or fabric).

Wall Lamps

Conceived as a modular system for producing strips of light, continua is designed to be included in any surrounding as a descorative resource. The frontal profile of transparent polycarbonate makes it possible to slot in an exchangeable film made of translucent materials or an opaque black finish, which generates indirect light. It is possible to personalize the film and combine it with any type of wall finish (colors, wallpaper, wood, or fabric). It can be installed as isolated modules or in continuous strips to illuminate corridors, headboards, etc. Its multifaceted design also allows it to be used as a base for illuminated signs or as bathroom lighting. When used for lighting headboards, a led reading lamp can also be included.

Continua 150 (59”)

Transparent-chrome

Continua 90 (34.6”)

T5 HO Mini Bipin 80W

Diffuser

Continua 120 (47.2”)

White linen

T5 HO Mini Bipin 39W Continua 60 (23.6”)

T5 HO Mini Bipin 54W

Tobacco

CONTINUA

Structure

P. 153

P. 152

Extruded anodized aluminum structure. A polycarbonate diffuser allows exchanging of films of different texture. Chromed aluminum side over.

T5 HO Mini Bipin 24W Wall Lamps

Black

Continua ø4.7”

3.62”

A 4.8”

3.3”

Wall Lamps

Natural pleated cotton

23.6” 34.6” 47.2”

59”

Continua + Ledtube

Joint kit

Suitable for damp locations

ADA

This system makes it possible to connect modules of different lengths to create a line of continuous lighting.

P. 155

P. 154

CONTINUA

When used as lighting for headboards, an led reading lamp can be included.

Wall Lamps

MERCER

Javier M. Borrรกs & Joan Gaspar, 2009

P. 157

P. 156

MERCER

Wall Lamps

mercer is a fusion of different materials achieving a spectacular result, as its raw cotton pleated shade floats in a transparent blown glass structure. The result is a diffused and delicate light that mixes with the sparkling blown glass lamp. The inner diffuser is available in natural or black cotton ribbons, and in a new modern and minimalistic finish in pearl white.

Structure

Shade Natural Black

E12 G16.5 60W E12 A14 CFL 7W

Pearl white

MERCER

Chrome

Wall Lamps

4.7”

6.06”

Mercer A

3.9”

9.57”

ø7.87”

Range p.38

P. 159

P. 158

Chromed iron structure. Cotton shade that floats inside a transparent blown glass structure. Opal diffuser disc on the upper part.

p.104

p.58

Dry locations only

P. 160

P. 161

MERCER

Wall Lamps

P. 163

P. 162

SILO

Cristian Díez, 1996

Wall Lamps

Remininscing the 50s, the silo wall lamp raises from a minimal metal structure of chrome metal and a cylindrical diffuser made of opal glass with a high lighting efficiency. Its geometrical and discreet shape emits a diffused and pure light of great quality. Chromed metallic structure. Diffuser of blown opal glass. Structure

Shade

Chrome

White

E26 A19 Frosted 100W E26 T3 CFL 20W

10.6”

Silo A

ø6”

7”

Dry locations only

P. 165

P. 164

MOMA

Christophe Mathieu , 1999

Wall Lamps

The design of the moma wall lamp is lucidly architectural, sober, and functional. With a vertical or horizontal installation, moma is specially projected to light up elements that need direct and uniform light. Made of cast aluminum, it is available in a silver grey finish. Base, arm and diffuser in injected aluminum. 3x LED 3W (included)

Silver grey

Moma 16”

6.7”

1.2”

10.8”

2.2”

Range of positions

Dry locations only

MANHATTAN T5

Joan Gaspar, 2005

P. 167

P. 166

MANHATTAN T5

Wall Lamps

The main virtue of this wall lamp, suitable for bathroom, is the rationality of its design and its ornamental free look. It has been equipped internally with a silk-screened polycarbonate film to complement the high quality of the t5 fluorescent light source. The shape makes the lamp suitable for vertical or horizontal installation.

Structure

Diffuser White

Manhattan T5 63.5 (25”)

Manhattan T5 123.5 (48.62”)

T5 HO Mini Bipin 24W Electronic ballast 120V 60Hz

MANHATTAN T5

Chrome

P. 169

P. 168

Chromed aluminum structure. Diffuser made of silk-screened polycarbonate. T5 HO Mini Bipin 54W Electronic ballast 120V 60Hz

Manhattan T5 93.5 (36.81”) T5 HO Mini Bipin 39W Electronic ballast 120V 60Hz

Wall Lamps

Manhattan T5 ø4.5”

A 3”

25” 36.81” A

2.6”

48.62”

The Manhattan T5 collection is particularly suitable for use in bathroom.

Suitable for damp locations

ADA

P. 171

P. 170

MANHATTAN

Joan Gaspar, 1996

Wall Lamps

manhattan combines a rectangular metal structure with a curved opal glass, which creates a light with a certain minimalist style and basic geometric shapes that is perfect for series. This lamp is very versatile as it adapts to any space. It is specially recommended for areas of high circulation. Structure of silver grey painted metal, matte chromed frame. Diffuser of engraved and glossy curved opal glass. Structure

Diffuser

Matte chrome

Manhattan 25 (10.2”)

White

Manhattan 50 (19.6”)

2x E26 A19 40W

2x 2 x E26 A19 40W Opal

2x E26 T4 CFL 15W

Manhattan 40 (15.3”)

Manhattan 50 PL (19.6”)

2x E26 A19 40W

2G11 T5 36W

2x E26 T2 1/2 LILIPUT CFL 13W

Manhattan 40

Manhattan 50 / 50 PL

4”

4.7”

4”

19.6”

4.7”

15.3”

10.2”

Manhattan 25

Electronic ballast 120V 60Hz

4.7”

Suitable for damp locations

4”

ADA

P. 173

P. 172

BETA

Marset Team, 1996

Wall Lamps

This wall lamp is exceptionally practical. With a minimalist look, its pure halo lights without being too overbearing. At the same time its design assimilates perfectly into a surrounding environment. The screen-printed glass of the diffuser provides an intense quality of light with the aid of the halogen bulb inside. Chromed iron structure. Arms in zamac. Diffuser made of screen-printed glass. Structure

Diffuser

Chrome

White

R7s T3 4.68’’ RSC 100W

Matte chrome

Beta 2

1.6”

ø4.7”

4.3”

14.2”

Dry locations only

ESPEJITO, ESPEJITO...

Joan Gaspar, 2005

P. 175

P. 174

ESPEJITO, ESPEJITO...

Wall Lamps

A magnifying mirror with built-in light and approved for use in bathrooms. It can be positioned at any angle, thanks to an integral ball and socket joint. The light from its diffuser, a white opal glass globe subtly illuminates the perimeter of the mirror creating a warm, pleasant atmosphere.

G9 Bipin T4 60W

ESPEJITO, ESPEJITO...

ø4.53”

Espejito, espejito...

8.4”

Wall Lamps

ø6.7”

ESPEJITO, ESPEJITO...

White

P. 177

P. 176

Opal glass diffuser. Magnifying mirror (x5) surrounded by a translucent polycarbonate frame.

7.3”

Built-in switch

Suitable for damp locations

P. 178

P. 179

ESPEJITO, ESPEJITO...

Wall Lamps

outdoor lAMps

Joan Gaspar, 2012

CALA IP65

IP65

P. 183

P. 182

CALA

Outdoor

Creating a warm comfortable indoor atmosphere in an outdoor space the cala, a highly decorative light structure draws on the simplicity of metal cafĂŠ tables or the painterâ&#x20AC;&#x2122;s trestle. The rotary molded polyethylene shade is enclosed in a zipped Textilene sleeve, which filters the light and gives it a texture rich in nuances. It is available in suspension, table, and floor models.

Structure

Shade White

Dark iroko

Brown

Cala S IP65

ø4.3”

ø20.8”

9.4”

16.5”

Cala Susp. IP65

55.1”

9.4”

11.6”

6.6 ft

23.6”

181”

16.5” ø20.8”

ø20.8”

Black electrical cord

Range

Suitable for wet locations

Outdoor

Cala 140 IP65

2x E26 18W CFL T4

CALA IP65

Grey

p.64

P. 185

P. 184

Structure in painted iron or iroko wood. A rotary moulded polyethylene shade is enclosed in a zipped textilene sleeve.

P. 186

P. 187

CALA IP65

Outdoor

P. 189

P. 188

CALA IP65

Outdoor

A highly decorative light with a structure which draws on the simplicity of metal cafĂŠ tables or the classic painterâ&#x20AC;&#x2122;s trestle.

LAB

Francesc RifĂŠ, 2012

P. 191

P. 190

LAB

Outdoor

Sober, architectural, functional; lab is a wall lamp for outdoor use, either blending into a space or standing out on its own due to the variation in materials of the front panel: stone, iroko wood, and lacquered aluminum in white, black or grey; this lab lighting system can take a leading role if the material of the front panel is different from the wall. While it works on its own, it has enough personality to create multiple lighting compositions and it also has the option of featuring signage.

Structure

Lab 1

Lid White

LED 3W 700mA 95lm

Grey

(included)

Black

Black Lab 2

Light iroko

2x LED 3W 700mA 95lm

Stone

(included)

Outdoor

Dark iroko

LAB

White

Lab 2

4.9”

Lab 1

4.9”

3.1”

P. 193

P. 192

Structure made of injected aluminum with frontal lids in metal, wood or stone, to be chosen.

4.9”

3.1”

Suitable for wet locations

ADA

P. 194

P. 195

LAB

Outdoor

P. 197

P. 196

LAB

Outdoor

lab is a wall lamp for outdoor use which either blends into a space or stands out in it, thanks to the different materials which can be used in the front panel: Stone, iroko wood and lacquered aluminum in white, black or grey.

P. 198

P. 199

LAB

Outdoor

TXL

Joan Gaspar, 2007

P. 201

P. 200

TXL

Outdoor

Designed to illuminate gardens and terraces, txl emits an extremely warm light, much like an indoor lamp. Tough and inspiring, the floor model sits on a slate base which supports a voluminous shade made in fiber glass coating with plastic material. The pendant model stands out for its lightness and is suitable for illuminating outdoor tables.

P. 202

Cast iron base with slate, and metallic stem, both with stainless cataphoresis treatment. Shade made of textilene ribbons. Diffuser in white acid etched glass.

P. 203

TXL

Structure

TXL

Shade

Grey

TXL Susp.70 / TXL 205

White

2x E26 T3 CFL 23W

Outdoor

TXL Susp.58 / TXL 170 3x E12 T2 CFL 11W

TXL Susp. 70

TXL Susp. 58

TXL 205

TXL 170

ø27.56”

14”

66.93”

ø22.83”

80.31”

ø27.56”

14”

6.6 ft

181”

17.9”

6.6 ft

17.9”

ø22.83” 181”

Black electrical cord

Suitable for wet locations

P. 204

P. 205

TXL

Outdoor

P. 206

P. 207

TXL

Outdoor

P. 208

P. 209

TXL

Outdoor

P. 210

P. 211

TXL

Outdoor

P. 213

P. 212

SOHO

Joan Gaspar, 2010

Outdoor

Shade in rotary moulded polyethylene. Methacrylate opal diffuser. Soho 112 IP44

Soho 57 IP44

8x T5 HO Mini Bipin 24W

C-T5 2Gx13 22W+40W

White (Ral 9003) Stone grey (Ral 7039)

Electronic ballast 120V 60Hz

Soho 57 IP44

Soho 112 IP44

Black (Ral 9005)

ø4.3”

6.6 ft

12.01” 6.6 ft ø22.44”

23.9”

Outdoor

soho is presented as a statement, in recognition of the merit of the lamps traditionally used in markets, taverns and cafeterias. After studying different volumes, proportions, and materials, new uses and lighting effects have emerged. Through the use of rotary molded polyethylene, large sizes can be attained. With a diameter of 44”, soho can be used in large sapces while the 22” model is ideal for lighting a dining table. A methacrylate diffuser produces an evenly distributed light. In the translucent white finish, the whole structure emits ambient light. This outdoor model is suitable for illuminating porches, gardens, terraces, and open-air dining areas.

ø44.33”

Black electrical cord

Range p.32

p.52

Suitable for wet locations

soho is suitable for illuminating porches, gardens and terraces or open-air dining areas.

architectural lighting

P. 217

P. 216

NEÓN DE LUZ

Joan Gaspar, 2004

Architectural

Modular system of fluorescent lamping in a polycarbonate profile with an inner reflector in aluminum, and silver grey end caps. Chromed zamac brackets. Reactance box in white polycarbonate. Neón de Luz NL - A 49”/

Neón de Luz NL - A 37.2” Aluminum

NL - S < 1,5m 49”

T5 HO Mini Bipin 39W Electronic ballast 120V 60Hz

T5 HO Mini Bipin 54W Electronic ballast 120V 60Hz

Neón de Luz NL - S < 1,5m 49”

Neón de Luz NL - A

ø4.7” 37.2”/49.2” 15.75”

ø4.7”

5.7”

4.1 ft

2.3”

1.58”

Architectural

néon de luz marks an inflexion point in the conventional fluorescent systems as it abandons the indifference that distinguishes fluorescent lighting. With the addition of chrome brackets to a transparent polycarbonate structure, a new model is presented with an inner aluminum reflector and silver grey end caps, available with a high efficient fluorescence T5. néon de luz is a very versatile lamp recommended for places that require continuous lighting due to its low consumption.

15.75” 49.2”

Translucent electrical cord

Dry locations only

Following UL certification, neón de luz is presented with an inner reflector in aluminum and silver grey end caps.

P. 218

P. 219

NEÓN DE LUZ

Architectural

ATLAS

Joan Gaspar, 2000

P. 221

P. 220

ATLAS

Architectural

atlas transforms a common bulb into a spotlight, with an emphasis created on its outline. From a bare starting point, the bulb is dressed with a transparent suit that gives the lamp the added benefit of lightness. atlas is a directional spotlight made of transparent polycarbonate and a polyamide base. There are three models: suspended, wall and ceiling. It can be grouped in 2 or 3 unit bases.

P. 223

P. 222

Transparent polycarbonate shade that envelopes the light source. Stainless steel and teflon joint. Base made of white polyamide. E26 PAR30 75W

Transparent

ATLAS

ATLAS ø4”

6.7”

9.8”

9.8 ft

1”

ø4”

Base 3

9.84”

ø4.3” 4.9”

4.9”

Base 2

6.7”

ø4.3”

14.76”

Translucent electrical cord

Dry locations only

Architectural

Atlas Susp.

Atlas

P. 224

P. 225

ATLAS

Architectural

P. 227

P. 226

The canopy can be installed partially recessed. ATLAS

ATLAS

Architectural

www.marsetusa.com

Marset Iluminaci贸n S.A.

Marset USA 20 West 22nd Street - Suite 912 New York, NY 10010 T +1 646 727 4250 F +1 646 304 6959 marsetusa@marset.com

Factory & Headquarters Alfonso XII 429-431 08918 Badalona (Spain) T +34 934 600 107 F +34 934 601 089 info@marset.com

Barcelona Showroom Santal贸 56 Interior 08021 Barcelona (Spain) T +34 932 005 726 press@marset.com