Cello by Music Sales Australia

Woyzeck Cello

Songs and Lyrics by Tom Waits and Kathleen Brennan Based on the Play by George Büchner Original Direction, Design and Visual Concept by Robert Wilson

Woyzeck Prologue I.1 I.2 I.3 I.4 I.5 II.1 II.2 II.3 II.4 II.5 II.6

III.1 III.2 III.3

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.

Ouverture Misery’s the River of the World Misery Ending—Monkey More Murder Skinned Knee Diamond in Your Mind Misery March Overturned Pot (Marie) God’s Away on Business Coney Island Baby Everything Goes to Hell

12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26.

A Good Man (Is Hard to Find) Knife Chase Starvin’ in the Belly (Scene Change) Knife Chase Opera All the World is Green Starvin’ in the Belly of a Whale Coney Island Baby (with Stops) All the World is Green (Inst.) Coney Island Baby (Conc.) Just the Way We Are Shiny Things (Karl) It’s Over Cuba Tom More Murder II Another Man’s Vine

27. 28. 29. 30. 31. 32. 33. 34.

Shiny Things (Inst.) Everything Goes to Hell (Inst.) All the World is Green (Duet) Red Room Woyzeck’s Woe Overturned Pot (Karl) Overturned Pot (Inst.) Misery Reprise

Cello

1. Ouverture Free tempo, gradually building

Tom Waits/Kathleen Brennan (2000)

Piano solo, out of time

# $! % % % & "

#$ &

#$ *

% %

% % %!

% )

#$ % % %

#$ %

B #$ &

* %

#$ *

#$ % # $ "!

" "

! % "

G/D

% %

! % "

( % % % & G

% % ' ) %

% %

% D

% % %

" "

together

% ,%

% % G/D ! % * "

" " D7

% %

$% )

% %

Bass in, still out of sync G

% ,%

G/D

. /

' % % %

% %

more together

% % &

Play, out of sync G

' $%)

( ' % % % %) &

% ,% "!

drumroll & curtain

BASS DRUM & CYMBAL

announcer speaks & starts the band

1111

# 11 11

%2 , %2 1 %2 , %2 1 %2 %2 1 %2 , %2 %2 , %2 %2 , %2

Fm Strong Slow Waltz

%2 , %2 1 %2 , %2 1 %2 %2

2 , %2 %2 , %2 %2 , %2 , %%2 1, %%2 1 %2 , %2 1 %2 %2 ,%2 %2 %2 , %2 %2 1, %%2 1 % ,% 1 % % 1% % 1% ,% % ,% # 11 1 1

%2 , %2 1 %2 , %2 # 1 1 , % 1 % ,% 1 % 11

1 %%2

2 % 1%

,%%2

2 % 1%

2 % ,%

, %%2

%2 1, %%2 ,%

attacca no. 2 Misery's the River

Cello

2 Misery's the River Tom Waits/Kathleen Brennan (2000)

!=72

$ !##! &% '% ( &% '% % ( &% '% % &% '% ( &% '% % ( ) "

## $ &&&& #" %

Cue (Spoken 3x): "Misery's the river of the world . . . ."

VAMP until cue

Dm6

%* ' %* & %* ' %* & %* %* '%* %* %* ' %* %* ' %* %* ' %* & %* ' %* & %* %* '%* %* %* ' %* %* ' %* $ && & " &# Fm

%* ' %* & %* ' %* & %* %* $ & & ' % & % '% & % % &% &&

* ' %* %* ' %* %* ' %* & %* ' %* & %* %* * * % % '%%&% '% % '% & % ' % & % '% & % % &%

$ && & ! &

$ && + && $ && + &&

$ && & , # &

( -- +

+ Accordian

The

$ && & + &

CARNIVAL ANNOUNCER

. +

+ )

* * * * '%%*&%%* '%% ' %% '%% &' %% ! +

. 0 & 0 ) (bird)

rit.

% % , , Fm

. . Cm

, ,

. Fm

+ Cm

% , ,

%* ' %* & %* ' %* & %* %* * %* %* ' %* %* ' %* '% " % % # Fm

%* ' %* & %* ' %* & %* %* * %* %* ' %* %* ' %* %* ' %* & %* ' %* & %* %* * %* %* ' %* %* ' %* '% '% $ && & ! &

$ & & !##! '+ && "

VAMP until cue:

$ && & + &

$ && && $ && & &

$ && & + &

$ && & &

(

+ %

(

( %

(

'+ %

(

( %

(

% % $ && & !## ( ( &"

101

## $ %

)

$ && & % &

"The commencement of the commencement will start immediately"

(

( %

(

## $ %

Cello

3 Misery Ending--Monkey Tacet

Tom Waits/Kathleen Brennan 2000

swung rhythm Dm

## " # # ! %$ $ $ $ & $' $ $ $ $ $ %$ $ $ $ $ $ $ $ $ $ $

God builds a church The de - vil builds a cha - pel like the thist - les that are gro wing'round the

# " # ##

' & %$ $ $ $ $ $ $ $ $ $ $ $ $ & $' $ $ $ $ $ $ $ $ %$

trunk of a tree

# " # ## %$ $ (

All the good in the world you can put in - side athim - ble

break

)

$ $ $ $ $$ $ (

' $ &$

One thing you can say a - bout Man - kind, There's

$ * * %$ %$ $ $ $ $ $ $ %$ $ * $ %$

no - thing kind a - bout man.

# " # ##

and still have roomfor

you and me.

# " # ## $ $ $ $ $

$ $

You can drive out na - ture with a Pitch - fork,

$ $ $ $ $ $

al - ways comes roar - ing back a - gain.

# " # ## $ $ $ $ $ $ $ $ ((

Mis - er - y's the riv - er of the World

( $ $ $$ $ $$$ (

but it

)

Mis - er - y's the riv - er of theWorld

$ $ $ $ $ $ $ $ ((

Mis - er - y's the riv - er of the World

$$ , $$

Cello

4 More Murder NY Tom Waits/Kathleen Brennan 2000

Cello plays top line

cue: Woyzeck points to the Captain

A Play 8 Times & & # !!"! $ % % $ ' ( !!! ' "

( !!! %! "

!! !! $ & & $ ' % % Play 4 Times

% !! !! ' % %

)% ! ! ! % % ! !% +

)% *% ! ! % % ! !'

( !!! % % % % % % !! !! % % ' " arco

# !! $ %& %& $ '

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

% % )% *% !! !! '

( !! % % '

% )% *% ! ! %! ! ! + '

% !! % % )% ! % % ! +

!! !! % % % % % % !!

!! !!", )% % )- !

Play until cue: Captain: Compose yourself, Woyzeck!

% ! !, % % ! !" .!

)% ! !, . ! % % ! !" + .! , !! !! % % % % % % !! !!"

% )% *% ! ! %! ! ! + '

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !!

Cue: Woyzeck returns to shaving the Captain

B Play 4 Times 7 Play 2 Times & & ! & & # !!" $ % % $ ' !! !! $ % % $ ' ( !!! ' )% % % % !! !! ' % %)%*% "

!! !! $ %& %& $ '

( !!! arco " % % % % % % !! !! % % '

( !!! %! "

)% % !! !! % ! % +

& & ! # !!" $ % % $ '

Play 4 Times

( !!! ' "

( !!! %! "

Play 2 Times

!! !! '

%)%*% !! + '

!! !! $ %& %& $ '

)% ! ! ! % % ! !% +

, # !!" )%

Play 2 Times

( !!, .! " ! ( !!, . " ! ( !!, . "

)- !

' ' ' '

' !!

!! !! $ %& %& $ ' )%

% ! % % ! )% ! % % ! +

!! !! % % % % % % !!

' !! ' !!

% )% *% !! !! %! +

% ' !!

Play 2 Times

)% *% ! ! % % ! !'

( !!! % % % % % % !! !! % % ' " 14

)% % % , !! !!" .! % )% , . ! % !! %! !! !!" % + .! !! % % % % % % !! !!",

Play 2 Times

% ! ! % % ! !'

!! !!", )% % )- !

Play 2 Times

Play until cue: Captain: Makes me melancholy.

!!"! $ !!"! '

!! !!"! %!

)% % % +

& & $ % % )%

% % %

!! !!"! % % % % % %

!! !!

Cue: play when spotlight on knife comes up after: Woyzeck: Man is also flesh and blood. Play 8 Times Play 4 Times

C & & # !! $ % % $ '

( !! '

!! !! $ & & $ ' % %

% ! ! % % ! !'

( !! %!

% % )% *% !! !! '

)% !! !! % ! % % +

( !! % % % % % % !! !! % % ' arco

# !! $ %& %& $ '

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

)% *% ! ! % % ! !'

( !! % % '

% )% *% !! !! %! + '

% ! % % ! )% !! % % +

!! !! % % % % % % !!

Play until cue (stop after C's line): Captain: Virtue, Woyzeck! Virtue! Woyzeck: Yes, Captain.

!! !!", )% % )- !

% ! !, % % ! !" .!

)% , . ! % !! !!" % + .! , !! !! % % % % % % !! !!"

% )% *% !! !! %! + '

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !! !!

Woyzeck: . . . we'd have to help with the thunder. + WATERPHONE, TRUMPET BLASTS

Cue: blackout

D Play 8 Times & & ! # !!" $ % % $ '

( !!! ' "

( !!! %! "

!! !! $ & & $ ' % % Play 4 Times

% ! ! % % ! !'

)% !! !! % ! % % +

% % )% *% !! !! '

( !!! % % % % % % !! !! % % ' " Arco

# !! $ %& %& $ '

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

)% *% ! ! % % ! !'

( !! % % '

% )% *% !! !! %! + '

% ! % % ! )% !! % % +

!! !! % % % % % % !! Arco

!! !!", )% % )- !

Play until lights up

% ! !, % % ! !" .!

)% , . ! % !! !!" % + Arco .! , !! !! % % % % % % !! !!"

% )% *% !! !! %! + '

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !! !!

Cello

5 Skinned Knee Tacet

Tom Waits/Kathleen Brennan 2000

Cue A: sound effect when Woyzeck raises stick Cue B: sound effect when Woyzeck raises stick Cue C: scream sound effect when Woyzeck drops stick Cue D: play as Woyzeck lifts up long stick, stop on "Quiet!!!"

& & ' ' $$$ $$$ $ $ % $ $ $ $ $ $ % $ $ $ $ $ 7 ppp & ### & # " %! $ $ $ $ $ $ $ $ ( $ 11 & ##& # # $ " $ $ $ $ $ $ ( % $ % Clarinet Solo

# #! "# # !

Cue E: trombone and sax play squeals and glisses after Andres breaks stick. Stop after Woyzeck stops running. Cue F: Play cue D again as Andres moves downstage; fade into next cue

Cue G: play until tree moves Clarinet, Brass

))) "! " #!

))) "

$ $ $ $ $ $ $ $ (

$ $ $ $ $ $ $ $ %

' * $+

$$ $ $ $ $$ $$ $$ $ $ $$ $ $$ $$ ( $ $ $ Cue H: sound effect as tree moves

!! $ %

Cello

6 Diamond in Your Mind Tom Waits/Kathleen Brennan 2000

Tacet (except for middle chorus sing-along)

cue: Woyzeck: It's all quiet, like the world was dead. ANDRES:

' $ %%% !" ' # & & &' & & & & & &! Zer - lel - da

Sam - u - els said she ain't

& &' (!

& & *

ne - ver prayed.

'til

her

$ %%% & & & & & & & & & & & ! ) ! ) ! ) & & &* + & & & &' ) &' * * *

right arm was blown off in a Pink - er - ton raid.

$ %%% & ! & &' &! ) !

"Three - Fing - ered Dave,"

to a wind - mill with

& & & & & & &! & ' ' (! " ' & & && &

Now she's a hund - red and two, drink - ing

' $ %%% ' ' ' & ,! & & & && & & A

They lashed her

Al - ways keep a dia - mond in your mind.

ju - leps in the shade.

' ' & & & & & &' & &* ( ! & ! ) &*

WOYZECK:

Al - ways keep a dia - mond in your mind.

Where

ANDRES: ' ' & % ! ' $ %% & ' & & & & & ' & & & & '& & & & & & & & & * * & * * * &&

ev - er you may wan - der,wher - ev - er you may roam you've got to al - ways keep a dia - mond in your

$ %%%

mind.

' ' + & & & & & (! & & & &

Sis - sy's

& & *

han - ging laun - dry down by the brook.

Pen - field

$ %%% & & & & & ! & & & ! ) ! + & & & & & & ! + & & & &' ) &' * * *

Mor - gan's ta - king more than a look.

F#m

If it weren't for the squawk

C#m

of the rock - er

that's

' &! )! $ %%% & & & &' &! & & & & &* & & & & & &' ! & & & * *

F#m

C#m

F#m

C#m

kept out in the rain, there would be no - thing to com - plain a - bout ex - cept for the trains.

' $ %%% #!! A ' ' ' & ,! $& & & & & & &

Instrumentalists Sing Along:

Al - ways keep

$ %%% ( !

mind.

$ %%% &

' &

$ %%% & al

a dia - mond in your

& & & * *

Wher - ev - er you may wan - der,wher - ev - er you may roam you've got to

& & *

al - ways keep

Al - ways keep

' ' & ' & & & ! & &' & & & & & * * & & A

' & &

a dia - mond in your mind.

&! )

' ' & & & & & &' & &*

ways keep

' & &

dia - mond in

& * a

' & &

' &

your mind.

' &

dia - mond

' !% & !&

ANDRES (last time)

(You've got

' &

your

mind.

to)

Cello

7 Misery March SNARE

" !#

$ !

% #&

( ' ( (( "" ) ) ) ) ) ) ) ) ) *

" #

Tom Waits/Kathleen Brennan 2000

% #&

# !

Play on beats 2 & 4 (Bass plays on beats 1 & 3) Fm

(( ' ( ( ,) ) ) ) ) ) ) ) ) *

,) ) ) ) ) ) ) ) ) *

Snare Drum

( " ( (( # $ # % #& # $ !

))) ) ) ) ) ) ) *

$ % & # # !

" ""

crossfade into Overturned Pot

Cello

8 Overturned Pot (Marie) Tom Waits/Kathleen Brennan 2000

Cello doubles melody

### ! " !

### "

MARIE

A/E E7/G# A

$ %

No - thing's ev - er

### $ $ $ $ "

A/E

die

C#7 C#7/F F#m

A/E E7/G# A # # "# $ $ $ $

No - thing's ev - er

yours to

keep.

$ $! $ $ &

A/E E7/G#

be - fore

you wake,

C#7 C#7/F F#m

$ %

(humming)

A/E E7/G#

C#7 C#7/F F#m

$ %

it seems,

A/E

$ $ $ $

E7sus

$ $ %

A/E

don't you cry;

A/E

$ $ $ $

climb the

lad - der

+ Waterphone (as Woyzeck enters)

### $ $ $ $ "

### "

A/E

die

$ $! $ $ &

A/E E7/G#

be - fore

A/E E7/G# A

$ $ $ $

No - thing's ev - er

you wake,

C#7 C#7/F F#m

$ %

it seems.

$ $ %

A/E

don't you cry;

A/E

$ $ %

Close your eyes,

$ $ %

A/E

Close your eyes,

E7sus E7

sleep.

$ $! $ $ &

A/E E7/G#

don't you weep.

E7sus E7

$ $

your dreams.

$ $! $ $ &

A/E E7/G#

don't you weep.

E7sus

spoken: Is that you, Franz?

$ $ '

Cue: Woyzeck: I've got to go. continue playing underneath scene change (until door slam/cue for "God's Away")

B Toy Piano & Cello, playing severely out of tune 25 A/E E7/G# A C#7 C#7/F F#m D A/E ### $ % $ % $ $ $ " $ $ $ ### "

A/E E7/G#

### $ $ $ $ "

### "

A/E

A/E E7/G# A

$ $ $ $

### $ $ $ $ "

A/E

C#7 C#7/F F#m

$ $! $ $ &

A/E E7/G#

C#7 C#7/F F#m

$ %

$ $! $ $ &

A/E E7/G#

E7sus

A/E

$ $ $ $ $ $ %

A/E

$ $ %

A/E

$ $ %

E7sus E7

$ $! $ $ &

A/E E7/G#

E7sus E7

$ $ % $ $! $ $ &

A/E E7/G#

Cello

9 God's Away On Business Tom Waits/Kathleen Brennan 2000

!#! # " "#! $ # !##! "! %

stop on 2nd doorslam (waterphone continues)

## $ %

cue: doorslam

B cue: W: But the call of Nature, Doctor. 3 Dm !# " # "# $ # !## #% &% "% % % % ' # % " Bac % # " +

C !# "# ( !# te( "#

## $ %

stop on "Couldn't hold it in!" (waterphone continues)

## $ %

" ## %

cue: Doctors: Woyzeck philosophizes! stop after Cello and Doctors improvise on "bacteria" theme"God's away on business."

%# - %#

' )% )ri% +

* *a!

## $ %

$ ## $

D 8 Dm ! " # "## $ !## #" % 10

cue: W: ". . . dissolve like spider webs!" Play 2x

, %

## $ % % a ## $ %

DOCTORS

There's

" # % % % % % % % % % . %' % % % % % % % % % % % % . %' one - eyed man in the po - ker pit. They're dig - ging up the dead with a shov - el and a pick. The $# % % % #% &% % % % #% &% % % % #% &% % % % #% &%

" # % % % . %' % % % . %' % % % % % % % % % % % % sun went down, the moon wept blood, a blood - y jack of dia - monds and a plague and a flood. $ # % #% &% % #% &% % #% &% % #% &% %% %% % % %%

"# $#

/ % % Dm

% %

There's a

% #% &%

% % B¨

% #% &% Dm

B¨

% % % % % % % % % . %'

leak, there's a leak, in the boil - er - room,

% -

B¨

% - % -

the

" # %# %' %# %' ( , % %% % % % % % % - %% % % % poor, the lame, the blind; Who are the ones that are left in charge? Kil - lers, Thieves, and $# % - % - % - % - % - % % - % - % - % -

B¨

"# (

% % % - % % % - % % % % % % - % % - - % %

$ Whores?- - God's a- way, - God's a- way, - God's a - way on business,- busi ness!- ,There's a #% % % % % % % % % % % % % % % % 33

B¨

, " # % % % % % % % % % . %' %# %' %# %' ( there's a leak in the boil - er - room, the Poor, the Lame, the Blind; $ leak, % % - % #% % - % % - % B¨

"# % % % % % % % % % are the ones that are left in charge? $ #Who % - % % - % -

"# % % % $ #God's a - way, % % %

God's

! ' " # "## ( % # )% *

% % %

ri - a!

% % %

a - way

% % % /

% (

Kil - lers, Thieves, andWhores?

- %

busi - ness,

% % Dm

% %

% - % -

busi - ness,

% %

, - % ( % # )%' * Bac - te

ri - a!

God's a - way,

% % %

% % % -

God's

, -

% % % -

% %

God's

Cello tacet to next cue

a - way

B¨

%%% %

% % %

"# % % % $ #God's a - way, % % %

a - way,

% % %

busi - ness!

(

Bac

, - % ## $ % Bac

E "# $ 65

cue: Woyzeck: "Yes, sir." Dm

B¨

There's a leak, there's a leak in the boil - er - room,

# /

% -

% - % -

B¨

"# % % % God's a - way, $# % % %

"# % % % God's a - way, $# % % % ! ' " # "## ( % # )% *

$ # !## "

B¨

. ' ' ' % % % % % % % % % % % % %# % %# % (

"# % % % % % % % % % Who are the ones that are left in charge? $# % - % % - % -

God's

a - way

% % % Dm

God's

a - way

% % % /

te ri - a! improvise on bacteria theme

% -

B¨

% - % Dm

% (

Kil - lers, Thieves, andWhores?

- %

% % %

% -

%%% %

% % %

the Poor, the Lame, the Blind;

% %

busi - ness,

% % % %

% - % -

busi - ness,

% %

, - % ( % # )%' * Bac - te

ri - a!

God's a - way,

% % %

% % % -

God's

% % % -

a - way,

% % % %

busi - ness!

(

Bac

$ , - % ## % Bac

## $ %

cue: Doctors: " . . . immortal."

1 1 # 0 0 "

percussion hits

" # %#

Poor,

B¨

. ' % % % % % % % % % % % %

There's a leak, there's a leak in the boil - er - room, improvise on bacteria theme to the end

' % %#

' %

the Lame,

the

B¨

"# %

left

B¨

(

the

Blind;

Who

% % %

are

the ones

% %

that are

B¨

% % %

charge?

Kil - lers,

Thieves, and

(

Whores?

# MALE DOCTOR

"# % % % God's a - way,

1 0 - -

DOCTORS

% % % -

God's a - way,

% % % %

God's a - way on

% %

busi - ness,

% % % -

God's a - way,

101

"# % % % God's

% % % %

a - way,

God's

a - way

% %

busi - ness,

% # )%'

(

Bac - te

ri -

Dm A7 Dm

105

"# *

- % (

Bac - te

% # )%' *

Dm A7 Dm

ri - a!

112

"# % % % God's a - way,

% % % -

God's a - way,

% % % %

God's a - way on

% %

% % % -

busi - ness,

God's a - way,

117

"# % % % God's

a - way,

% % % %

God's

a - way

% %

busi - ness,

busi - ness!

Cello

10 Coney Island Baby $! # "

Fragile

% %

(! (!

$ # %

$ pizz. % %

& $%' ( & $%'

(

+ (!

& % ) & % )

% G

(! % *

pizz. (coda only)

! " (!

To Coda

+ G/D

( ! " % %#

* % % ""

! " (!

% % "" % % % %,% ( %

G/D

" D7

& % % % & %% % % % & $%' % ) %

$" % % # " % % ,% % (

1x: +Cello 2x: +Sax, B Cl

# (!

% % & $%' (

&% % * % ( )

# (! $

Tom Waits/Kathleen Brennan 2000

# (

G/B

& % % % %

D7/C

(

D.S. al Coda

(whistle melody)

% *

Cello

11 Everything Goes To Hell Latin Feel

# !#! # " # "#!

Tom Waits/Kathleen Brennan 2000

VAMP under dialogue until Marie sings

( ## !##! '' '' '' '' '' '' '' '' # "! Cm

)

## $ ' ' % Why be $ # # ) %

# "# # ' ' ' ' ' * ' ' + 3

sweet, why be care - ful, why be kind?

( # '' '' '' '' '' '' '' '' ## 9

* ', ' ' ' ' ' ' -' ' +

A man has on - ly one thing on his mind.

-'' '' '' '' '' '' '' ''

)

MARIE

* ', ' '

Why ask po

)

3 ## ' ' , # * " ' ' ' ' ' -' + & * ' ' ' ' ' ' ' ' ' + & ' '

lite - ly? Why go light - ly? Why say"please?" They on - ly want to get you on yourknees. There are

( # ' ' ' ' ' '' ' # # ' ' ' ' ' '' '

'' '' '' '' '' '' '' ''

)

G7 . # # " #' ' ' ' ' ' -' ' + few things that I nev - er couldbe - lieve: ( ## -'' '' '' '' '' '' '' '' #

. '# A

, '

)

# " # # ' ' ' ' ' * ', ' ' ' ' ' ( ## #

# "# #

mer - chant when he swears,

)

a thief who says he'll pay,

)

' ' ' ' '

wo - man when she weeps,

* , ' a

'' '' '' '' '' '' '' ''

* ', ' ' ' ' ' * , ' a

'' '' '' '' '' '' '' ''

law - yer when he cares,

)

* , / ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' -' ' snake when he's sleep- ing, a drunk-ard when he prays. I don't be lieve you go to heav-en whenyou're ' ' '' ' ' ' ' ( # '' '' '' '' '' '' '' '' ## ) -' ' ' ' ' ' ' '

# "# # +

good.

( ## #

'' ' ' ' +

Ev - ry - thing goes to hell,

)

G7+

)

0000

)

C#m

way.

0000 '' '' '' '' '' '' '' ''

C#m G#7 DRUM MAJOR 0 3 0 " 0 0 % & ' ' ' ' ' ' * ' ' + * ', ' ' ' ' ' ' ' ' ' 0' Laiss - ez faire, mon a - mour, c'est la vie. Shall I re - turn to shore or swim back out to ( 0000 '' '' '' '' '' '' '' '' ) ) 0'' '' '' '' '' '' '' ''

0000 "

( 0000 0000 "

F#m

* ', ' ' ' ' ' ' ' * 0' + & ' ' ' ' ' ' ' + ' ' ''

sea? The world don't care what a sol - dier does in town.

0000 "

)

/' ' ' ' ' ' ' ' ' 0'

'' '' '' '' '' '' '' '' '

0'' '' '' '' '' '' ''

G#7+ G#7

'' ' ' ' +

Ev - ry - thing goes to hell,

'' '' '' '' '' ''

a - ny

)

! #"## & % '

!# '' '' '' '' '' '' '' '' #"# way.

I don't be - lieve you go to heav - en when you're good.

( 0000 '' ''

It's all hang - ing in the win - dows by the

G#7

pound.

'' '' '' '' '' '' '' ''

)

( 0000

C#m

)

VAMP under dialogue until D. M. sings

$ * ', ' ' ## %

DRUM MAJOR

I on - ly

)

% " # ' ' ' ' ' ' * ' ' + * ', ' ' ' ' ' ' ' ' 0' ' + 3

want to hear you purr and hear you moan. There is a - noth - er man who brings the mon - ey home.

( '' '' '' '' '' '' '' '' #

)

0'' '' '' '' '' '' '' ''

)

## $ %

MARIE

, "# * 1 1 1 1 1 * 1 1 1 &

I don't want dish-es

in the sink.

( # '' '' '' '' '' '' '' ''

)

1 1 1 1 1 1 1 1 1

Please don't tell me what you feel or what you

'' '' '' '' '' '' '' ''

MARIE & DRUM MAJOR A7

. . Dm " # 1 & & ' ' ' ' ' ' ' ' 0 ' ' + ' # ', ' ' ' ' ' * ',

(

think.

There are few things that I ne - ver could be lieve: a

0'' '' '' '' '' '' '' ''

)

" # ' ' ' ' ' * ', ' ' ' ' ' (

mer - chant when he swears,

)

a thief who says he'll pay,

* ', ' ' ' ' ' * , ' a

' ' ' ' ' ' ' ' ' ' ' ' ' ' ' '

'' '' '' '' '' '' '' ''

)

wo - man when she weeps,

law - yer when he cares,

)

" # ' ' ' ' ' * ', ' ' ' ' ' /' ' ' ' ' ' ' ' ' 0 '

snake when he's sleep - ing, a drunk - ard when he prays. I don't be - lieve you go to heav - en when you're

( # '' '' '' '' '' '' '''' 58

"# + % (#

good.

)

### # !## # " #"

'' ' ' ' +

Ev - ry - thing goes to hell,

)

A7+ A7

Dm A7 Dm

+ +

' '' way.

a - ny -

Instrumental Solo

E¨m

B¨7

0'' '' '' '' '' '' ''

)

ad lib on this rhythm: ( # # # !## '# ' & ' & ### " ' ' & 2

)

B¨7

Dm A7 Dm

'''

Dm A7 Dm

& ###### '

' ' ' & ' ' ' & ' ' ' & ###### $

E¨m

## $ %

Cluster

$ ,& ' ' # & & # # ' ' ' %

ad lib on this rhythm:

'' & % '' )

Cello

12 A Good Man (Is Hard To Find) Tom Waits/Kathleen Brennan 2000

Cello plays only on Chorus and Coda (melody), sul ponticello and molto vibrato

!=100

$ # ! "# !

B¨

# !# & & # & & " "#

lit a wood - en al ways long - dead

(2.) (3.) F

# "# & & & &

bro - ken ev - ry sev - en - teen mem - bers his

B¨

words far out

in from to

# "# $

# "# %

match; play soldier

rule; black war,

good Cm

strang

$ -

ers

it in

all burn down. my head. from the frame;

& the how scare

hard

are from all

but why to for - get and nothing

& , to

& & & 3

sleep in

I've It's No one re

& & There's no How Go

all the the

bare. pew, crows. MARIE sings, MARGRET hums

down. red. name.

& #&

trees far off

& & $

& & % Bb7

& & #& &

the wind; the gutter, the meadows,

man

# "# $

B¨

Life's mean as a need - le, I'll al - ways re - mem - ber It does no - thing but rain here,

I've wrecked it all and twen - ty - nine no one re-mem - bers his

B¨7

& & & &

Bb BANJO

I let russian rou - lette looks out

# "# $

MARIE 1.

B¨

Cm/G

( )&* &

Care? you. grow.

To Coda (Third Time)

should I a - bout will G7

find. F7

bed.

&# On

$ My

& , -

Bb7

#$ "#

# "# &

rite words

rite

#$ # "

co - lor

Cm/G

#"#

$ man

find

# "# -

Cm/G

bye,"

stran

hard

$ -

and

fa - vo

I A

& , to

& & & 3

Bb7

rite words

## $ %

sleep in

* &

gers

and

2nd Verse to MARIMBA 3rd Verse to DRUMS

bed.

#"#

& ,

Bb7

good

red.

# "# $

MARGRET 2. MARIE 3.

39"

"Good - bye"

Cm/G

& ,

are

fa - vo

* $ &

rite

are

co - lor,

& , "good -

& my

11 A Good Man (Is Hard To Find)

# "# &

fa - vo 57

# "# &

red.

rite

$ #$

co - lor,

$ $

fa - vo

##$$

rite

co - lor

Cello

13 Knife Chase Tom Waits/Kathleen Brennan 2000

cue: Marie: "Look, the Angel of Sleep . . ."

A " !## ! # $# # #$# # # # # # # % "! " # # # %

" # # # %

" # # #

tacet

)

$# # %

$# # # $# ) #

# (# & ' % #

$# # % #

# $# # $# # #

# # $ # # # $# #

+ Tpt w/ Harmon mute

$# # # %

# # $ # # # $# #

stop after: Marie: "What am I - a whore?"

)

## $ %

/ # .#

## $ %

# # # # $# $# # # *! #

cue: Woyzeck: "See you tonight, Marie."

B TOY PIANO / !# ! # # # # , "# ! # $# -# # .

## + # / ! .

Cello BANJO

#! " # #!

14 Starvin In The Belly Inst. (under scene change) Tom Waits/Kathleen Brennan 2000 $

&& && && &&

&& % (

)

&& && && &&

& & &

Cello

' # ! arco # # ! && && && && ## !## # " )

' ## ## && && && && #" 9

# "# # *

' ## && && && && # 13

& &

&& && && && %

Dm7b5

& &

)

& %

&& && && &&

' # && && && && ##

&& && && &&

# "# # *

'# & & & & ## & & & &

)

# "# # )

& &

& & & & & & & &

& & && && & &

Dm7b5

& & & & & & & &

(

& & && && & &

& &

& & & & +& & & &

& &

& & & & +& & & &

## $

## %

Placeholder for 15 Knife Chase Opera

Cello

16 All The World's Green Tom Waits/Kathleen Brennan 2000 Cello plays broken chords, pizz., on beats 2, 3, &4 (Bass plays tonic and dominant on beats 1 & 3)

cue: Doctor: "Facial muscles rigid, tense, occasionally twitching. Posture tense."

## ! " !

# "#

' ' ' ' ' '

)

when you be - came my wife. oh the things that sum - mer brings.

# " # & '( ' ' ' '

## & ( " ' ' ' ' ' ) $ A7

## "

)

kings. green.

## " ) D

green.

# "#

)

green.

& ( ' ' ' ' '

Gmaj

the sea for.

( ' ' ' ' ' %

F#7

& ( ( ' ' ' ' ' ' ' '# ' ' ' ' ' ' You turn kings into beg - gars and beg - gars in - to The dew will set - tle on our grave when all the world is

' # '* ' ' ' ' ) ' ' G

& '( '# '( ' # '( A7

and all

the world is

' ' ' ' ' ' ' ' ' ' & '( '# '( ' # ( ' ' ' G

Let's pre - tend we can bring back the old days a - gain,

( ' )

I risked it all a - gainst It's a love you'd kill

Let's pre - tend that you owe me no - thing

F#7

Ma - rie, you are the wide blue sky. He is balancing a dia - mond

And men do fool - ish things. on a blade of grass.

Gmaj

% & ( '# ' ' '

life. green.

fell in - to the o - cean moon is yel - low sil - ver,

)

to have a bet - ter And all the world is

F#7

( % & ( !## '# ' ' )# '" ' '

## $ %

' '

2. When the

and all

the world

Cello

17 Starvin In The Belly Of A Whale # !# ! # " # "# !

Tom Waits/Kathleen Brennan 2000 Cm

' # !## ! && && && && # #" ! 5

# "# # )

whit

' ## && && && && # 9

# "# # *

fid

* -

dle

' ## && && && && # 13

' # && && && && ## Eb

# "# # *

mis

* -

take

'# & & & & ## & & & &

& &

Time's a

&& && && && %

that

& it

breaks

& &

and the

&& && && &&

all

&& && && && ) rid

&& && && &&

Dm7b5

& & & & & & & &

day

&& && && &&

tled,

# "# # )

plays

& & && && & &

Earth

&& && && &&

day

& & & & & & & &

long.

Your life

&& % (

dle,

(

& & && && & &

## $ %

& &

man's a

&& && && &&

on.

& &

When the

& & & & +& & & & & %

)

Dm7b5

& & &

)

## $ %

quakes,

& &

life's

&& && && &&

& & & & +& & & &

# "# # *

Who

' ## #

& &

& & & , - & & & & & &

gives a

good god damn?

mean

' ## && && && && #

# "# # & & & & man must test

his

' ## && && && && # # !# # " # "#

You'll ne - ver get out

# "# # )

& &

ing;

don't go

met - tle

There's no

(

& %

dream

&& && && &&

ing.

&& && && &&

! ! & %

(

. ! *

! & % !

(

crook - ed old

&& && && &&

Starvin' in the belly of a whale!

' # !## && && && && # #"

& &

. & & ! & & +&

&& & ( &

& & %

a - live.

)

&& && && &&

world.

## $ %

&& && && && ## $ %

Cello

18 Coney Island Baby (with Stops)

Play

Tom Waits/Kathleen Brennan 2000

cue: Woyzeck: "You are beautiful."

A $! # "% % 5

% & %

& ' ( % % % ' ( % % % %

% % ! $%( +

% & ' % ' % % % % % % * % %

# )

Play

B $

pause after A, then continue D7

# % %

% % +! G

% &

% % +

cue: Woyzeck:

C "It stinks enough to smoke the angels out of heaven." G D7 G $ Woyzeck: # % % % & % % % & ' %( % % % ' %( % Ev - ery night tacet

she

comes

to take me out

with her,

$% # D

I'm the rich - est

% %

pearl,

# %

stars

she's the

man

( %

% % %! spin on

make their

)

the town.

wish - es

% % % & % %

She's the rose,

% %

When I'm

Marie:

my world.

)

to dream - land.

( # % % & ' % % % % ' %* % % % ! $% +

Play

she's the

% %

All the

( $%

her

eyes.

cue: Marie: "As the day is long and the world is old, lots of people can stand on one spot."

D $

WOYZECK

# % % % & %% Ev - ery night tacet

& ' ( % %% ' ( % % % %

she comes

to take me out

( # % % & ' % % % % ' %* % % % ! $% +

with her,

I'm the rich - est

man

)

% %

to dream - land.

)

the town.

When I'm

MARIE & WOYZECK G

% % % & % %

She's the rose,

she's the

$% ( ! % %! ( % & & & & % % % % & % & % % ' + % % $ % # % % % D

pearl, she's the spin on

my world.

All the stars make theirwish - es on

accel.

G G7 C G/D $ & Play % % "" % % % %,% % + % % "! % + #

She's my

# +! prin

Co - ney Is land

& % % +! %

ba - by, she's my

cess

in a

red

She's the moon

$& % % "% % # % % ,% % + " G

She's my

Co - ney Is - land

Co - ney

Em + % % & %

dress.

savagely, screaming

ba - by,

% +! G

Is - land girl.

% %

She's a

% % D7/C +

G/B

in the mist

me.

G/D

Co - ney

Is - land

% % !% + "

she's my

her eyes.

blackout; attacca no. 19

Cello

19 All The World's Green (Instrumental) Cello plays broken chords, pizz., on beats 2, 3, &4 (Bass plays tonic and dominant on beats 1 & 3)

cue: play on lights up, continue under dialogue, through black out, and stop at next lights up

# " # !!

! % % "## $ $# $ $ & # $ $ Bm

## " ( $% $ $ $ $

Gmaj

## "

$# $ $

F#7

% $ $ $ $ $ )

## ' "

## "

# "#

& &

) )

$ $

F#7

( % $ $ $ $ $

& Bm

% $ $ $ $ $ $

$ $ $ $ $ & *

) ( % $

F#7

$ $ $#

$$ $ $ $ $

( % $ $ $ $ $

Gmaj

F#7

$# $% &

# " # ( $% $ $ $ $

Tom Waits/Kathleen Brennan 2000

( $% $#

% $ $#

% $

$ $ $ $ $ $ $ $ $ $ ( $% $# $% $ # % $ $ $ 3 G

) 2.

## $ %

Cello

20 Coney Island Baby (Conclusion) cue: play several moments after lights up; Woyzeck speaks lyrics D7

$! # "% %

Ev - ery night tacet to m. 6

# %

)

dream - land.

$ # +

town.

she

Play

comes

( %

take me out

% & ' % ' % % % % % % * % % G

% % % & She's the rose,

I'm the rich - est

% % % & she's the pearl,

% % %

When I'm with her,

)

Tom Waits/Kathleen Brennan 2000

( %

% % ! $%(

man

% % % % %! she's the spin on

the

( % my

spoken: I saw him, Marie.

Cello

21 Just The Way We Are Tacet

!# ! # "# "

# '

just

# '

just

' ' )

the way

( ' '

the way

' )

are.

( '

& ')

Don't

!# "#

are.

was a young sol - dier named Dice was a young fel - low named Cass F

Cause it's

# ' ' ' ' ' ' '#

& ' ' ## $% '

# ' ' ' ' '' '

just

Tom Waits/Kathleen Brennan 2000

( ' '

the way

try

boys, it's

( ' '

change

' '

'cause it's

( $ ' ## %

There There F

% ' '

' ' ' ' ' '# C

who re - marked"They say big - a - my's nice. whose bullocks was made out of brass.

' '

( '

are,

( ' '

' ' )

ev - er

( ' '# C

& ' ' E - ven Whenthey C

' ' ' ' ' ' ' ' *#

two are a bore; I pre - fer three or four for the plu - ral of spouse, it is spice. tink - led to - gether, they played "Stor - my Weather" and light -ning shot out of his ass!

Spoken (Andres): A worried young man from 'stanbul discovered red spots on his tool. Said the doctor, a cynic, "Get out of my clinic! Just wipe of the lipstick, you fool!"

# ' '

Cause it's

# '

just

' ' )

ev - er

try

( ' '# C

( ' '

the way

( '

change

are,

( ' '

boys, it's

just

' ' '

'cause it's just

' ' )

the way

( ' '

the way

' )

& ' )

are.

( '

Don't

are.

Cello

22 Shiny Things (Karl)

! ## # ! $ " # !

! ## "# # &

! ## # ) " #

Bbm

find crows, thing

( ## " ##

! ## ) "# #

tine; know, eyes;

( ## # " #

& he is to

* &+ & &

Eb7

!# & "#

finds just turn

& &

* & & & +

& &

)

* &+

best. ar. Though

& &

, * & & &

Bbm

Eb7

)

the shi - ny to shi - ny ly shi - ny

& &

Ab 1.2.

)

things. things.

)

Some - how they'll You're like the the on - ly

)

& &

' &

* &+ & &

)

his nest, they're ol' moon. The to - night. But

Bbm

Eb7

)

* & && &

a sil - ver twine, you're dressed to go, is to be king

)

' &

in big here

)

Ab7

The crows all bring You'll al -ways cling to be your on

that shine a li a - round,

a shi - ny dime, 'cause if it glows, I want that shines

Play Verse 2 only

things a crow puts me a - lone you I'm not dan - cing Play Verses 2 & 3 only

al - ways things light you cast things are bound

( ## # & " #

The

( ## # ! $ " # !

!# "# &

KARL

Tom Waits/Kathleen Brennan 2000

from a val - en you guessed, I here in your

& & ## $ % Ab 3.

Leave Well

% &

## $ %

thing.

Cello

23 It's Over $ %$ &$ %$ &$ $ %$ $ $ %$ $ %$ $ %$ &$ %$ &$ $ %$ $ $ %$ $ %$

Tom Waits/Kathleen Brennan 2000

#! " 5

' ""

(

)

+ %$,

MARGRET

$$ pizz. You $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ #" $ $ $ $ %$ $ $ $ $ %$ $ " 9

$ $ &$ $ $ $ $ * * + $ $! $ $ $ $ $ , , $

$ %$

must have brought the bad wea - ther with you. arco

# *

Thesky's the col - or

$ * $

* $ *

$! %$ $ &$ ! ' $ $ $ $ $ $ $ $ $ $ $ $ , ,

# *

left me

$ * is$

a feath - er

$ * $

on an

All you

* $ * $ * + $,

* $ * $

$ $ $ $ $ $%$ $ $ $ ! * ! $ $! $, $ $ $ $ , ,

# *

al - ways me

when - ev - er there's trou - ble.

$ * %$

' $!

$ * $

* $ *

It's

* $ $

Theworld does no - thing but turn.

$ $ $ $ $. $ ! + $ $ $ $! /$, , , ring, it fell off my fin - ger. I guess I'll nev - er learn. $ $ $ # * * * * $ * $ * $

of lead.

)

un - made bed.

* $ *

* $ $

And the

* $ * $

)

*! (

$ $ But it's

$! ' $ $ $ $ $ $ o - ver,it's o - ver,it's

# * $ 29

* $

G7 $ $ $ $!

sto - ry ends

# * $ G7

* $

* . $

nail gets ham - mered

" ' #!!

ver.

be - fore it be - gins.

* $

# * $ *

$ $ + * , ,

I'm get - ting dressed in the dark.

* %$

* $

al - ways con - fess

$ $ $ $! $ ) ,

down.

And it's o

ver,

$ $ $ $! $ , )

VAMP under scene until Margret sings +Waterphone

(

* $ * $

ev- ry - one's sins.

* $

$ E7

let

go.

(

)

$ ,

The

* /$

E7#5

. $

Our

C7 F7 Bb7 Eb7 Ab7 Db^ $ $ $ $ $ $ ! /$ $ $ $ /$ $! /$ $ $ $ /$ $ ! , , ,

' $ $ $, /$

$ $ $ $ $ $ -

0 0

+ $, $ $ /$

!! $ %

$$ pizz. So don't go and $ $ $ $ $ $ $ $ $ " $ $ $ $ $ $ # !! $ $ $ $%$ $ $ $ $ %$ $ !! $ # % 42

/$ $ $ &$ /$ $ %$ $ $ * * $ $ $ $ $ $ $ $ $ * * $ $ make a big deal out of

# *

$ * %$

arco

no - thing.

Well,it's just a storm on a dime.

$ * $

* $

And I've

* $ * $

$ ' $ $ $ $ $ $ $ $ * 3

$ $$ $ $ $

+ $!

)

al - ways found that there's no - thing that mo - ney can't buy. $ $ $ # * $ * $ * $ * $ * * * * 50

$ $ $ $ $ $ %$ $ $ $! * * + $ $ $ $ $ $ ,

# * 54

al - read - y gone to the place I'm go - ing.

$ *

' * $ $ # *

$ * $

* $ * $

for say - ing

* $ *

)

* $ * $ * $ $

1 $ * $ )

and it's

no - thing at all...

1 )

3 $ $ $ $ * $ $ $ $ $ /$ -

And there's some - thing to be said

There's no place left to fall.

I've

)

/$ $ $ 3

# *

&$ $ $ * + $ $! $ $ $ $ 0 $$$$ $ $ , , 3

ver, it's o - ver it's o

* $

ver.

It's done, for - got - ten andthrough.

* $ * $

* %$ *

* $ * $

Dm G7 C7 F7 Bb7 Eb7 Ab7 Db^ "! $ $ $! $ $ $ $ ! $ /$ $ $ $ $ /$ ! /$ $ $ $ /$ 2 * + $ , ' #! , ,

No - one cares what it's all for, you'll be bur - ied in the clothes that you ne - ver wore,

# "!! * $ * $ #

' $

keep

# *

$ /$ *

$ your

let

go.

0 0

+ $. $ $ $ by

suit - case

E7#5

' #

* $ * $

the door.

* $

It's

(

( $3 $3

Last time ad lib on cue:

(

* /$

$ $

ver,

$ , )

( )

(

!! $ % !! $ %

Cello +Cuba Tom Tape Play Twice

24 Cuba Tom (Monkey Scene Change)

Tom Waits/Kathleen Brennan 2000

"! $ !

E¨m

" $

E¨m

B¨7

A¨m

B¨7

E¨m

## ! "

Cello

25 More Murder II A ! # !!" $ ( !!! ' "

cue: Woyzeck: "Always the same, the same, the same . . . ." stop after Andres: "Let them dance."

arco

( !!! %! "

& %

& % )%

% +

Tom Waits/Kathleen Brennan 2000

cue: Andres: "Drink some schnapps . . ."

B stop after Drum Major enters & & !! !! $ % % $ ' !! !! '

arco

!! !! % !

% +

!! !! !!

Cello

26 Another Man's Vine # $ $ !## ! % $$ ""

# $$ $ !## % $"

# $$ $ % $

# $$ % $$

# $$ $ % $

Tom Waits/Kathleen Brennan 2000

Db7

## $ %

! Fm

Db7

2. Fm

Db7

# $$ % $$ # $$ $ % $

# $$ % $$

Db7

# $$ $ % $ # $$ $ % $

1. Fm

Db7

## $ %

D.S. al & Coda

## $ %

Db7

" Fm

Fm rit.

# $$ $ % $ # $$ $ % $

Db7

Db(#11)

Db7

(

Cello

27 Shiny Things (Instrumental)

cue: Lights up, continue underneath scene until Karl: "If I had you, did I want you?"; attacca no. 28

! ## # ! $ " # !

( # #! $ " ## !

arco

!# #&

## & "

( ## # & " #

! ## # * " # 7

+ &, & &

Bbm

Eb7

( ## & & & " ## ! ## # * " # 10

( ## % " ##

+ & & & ,

! ## "# # & 4

Tom Waits/Kathleen Brennan 2000

Ab7

+ &,

& &

% #& *

Bbm

' &

& )

& &

+ &, & &

* *

Bbm

Eb7

+ & & & ,

+ & & & &

% & *

Eb7

& &

## $ ## %

Cello

28 Everything Goes To Hell Tom Waits/Kathleen Brennan 2000

Latin Feel

Cm cue: Karl: "Mirror, mirror . . ."

"#! # #!

" ## !## % && && && % && && && #" ' ' Cm

" # % &* & & % &* & & # # )& & & & & &

" # % &* & & % &* & & ## & & & & & &

" ## % #

& )& '

& &

* * % )&& && && % && && &&

% && && && % && && && ' '

( Cm

(

& & '

&& && ' '

&& && && &&

% && && && % && && && ' '

( %

(

" # % &* & & % &* & & ## & & & &&&

& &

(

( ( ( (

## $ %

Cello

29 All The World's Green (Duet) Cello plays broken chords, pizz., on beats 2, 3, &4 (Bass plays tonic and dominant on beats 1 & 3)

Tom Waits/Kathleen Brennan 2000

## ! " !

F#7

Gmaj

Winter's moving in

## "

F#7

beg - gars

## ( * "

and all

&! ( ( ( ( ( ( (

old days a - gain,

the world A7

and all

WOYZECK

) ( *

( (

is green. D

the world

is green.

beg - gars

) (

and

( ( 3( ( +

that you owe me

# ) " # ( ( ( ( ' () (! ( ( ! ) * (

the wide blue sky.

Let's pre - tend

' () (! () ( !

no - thing

) ( ( ( ( ( & F#7

kings.

the sea

You turn kings in - to

that it's ever been

in - to

a - gainst

) ( *

It is colder than I remember

( ( ( ( (

Now the shadows are getting longer

Ma - rie, you are

And men do fool - ish things.

o - cean

F#7

I risked it all

the

We lay down in a shady grove

& ' ) (! ( ( (

life.

## ' ) " ( ( ( ( (

in - to

' ) ( ( ( ( (

wife.

fell

Gmaj

With the yellow buds of May

to have a bet - ter

) ( ( *!

(! ) ( ( (

## ' ) ( ( " ( ( (

Call back yesterday

when you be - came my

WOYZECK

# " # ' () ( ( ( (

MARIE (spoken Em over Woyzeck): Let me lie about it all.

3 ( ( ( ( ( (

( (

Let's pre - tend we can bring back the /A

/D MARIE

& ' ) ,,,,,, ,( The

29 All The World's Green (Duet)

,, (! " , , ,, ( (

Ebm

face for - gives

' () ( ( ( (

Abm

Db7

( ( *! +

the mir - ror.

Cbmaj

Bb7

The ques - tion begs the

,,, , (! , " , ( (

Ebm

' () ( ( ( ( ' () *

an - swer:

Cbmaj

, ) " , ,,,, ' ( ( ( ( ( (

Db7

, " , ,,,, %

Bb7

, " , ,,,, *

green.

, " , ,,,, *

green.

Bb7

( ( (! ' ' () ( ( ( ( And all the world is

Gb ( ( ( ( ( * & ( ( (! + 3 Cb

Let's pre - tend

( (

May - be

We'll go where it's al - ways spring.

The band is play - ing our song a - gain

can you for - give me, some how?

( ( ( ( ' () ( ( ( ( ( + o - ver

plow.

Bb7

Abm

when our sto - ry's

The worm for - gives the

, ) " , ,,,, ' ( ( ( ( ( ( ! () *

that you owe me

no - thing,

Ebm

green.

' ( ( ! (+ (! ( + + Db7

and all

the world

Gb Db7 ( ( ( ( ( ( ( ( ( ( ' ( ( ! ( (! ) & + ( ( ( + 3 Cb

Let's pre - tend wecan bring back the old days a - gain,

WOYZECK

-( (

When the

(! ( (

moon is

and all

the world is

) ( ( *!

yel - low

sil - ver,

29 All The World's Green (Duet)

## "

( ( ( ( ( (

Gmaj

oh the things that sum - mer brings.

# "#' ) ( ( ( ( (

F#7

And all the world is

## " &

( ( ( (

on a blade of

## "

all

the

## ( * "

no - thing

world is

bal - anc - ing a

and

F#7

( ( (!

The dew will set - tle

( (

Let's pre - tend

) ( *

the world

) ( (!

all

the world

) (

our grave when

( ( ( ( + 3

that you owe me

is green.

for.

dia - mond

' ) ( ( ( ( (

' () (! () ( !

old days a - gain,

Gmaj

and all

kill

)* (

( ( ( ( ( ( ( ( &

green.

# " # ( ( ( ( ' () (!

( (

grass.

F#7

( ( ( ( (

( ( ( (

It's a love you'd

green.

F#7

( (

( ( ( ( ( ( 3

Let's pre - tend we can bring back the

) ( *

is green.

Cello

30 Red Room !

The Murder

+Waterphone random Tpt and Sax wails

# $$""" $"

# " $" $$ ""

# " " ""

Attacca "Woyzeck's Woe"

Cello

31 Woyzeck's Woe +Cello (doubling melody) PIANO

# ! # " #!

# "# # '

Eb Bb7 Eb

The

# " # # '(

morn.

& %!

fav - orite thing you've worn.

$ $ $ $

and

(Cello)

won't Ab

$ (

Bb7

The

& (

Bb7

& $ $ %

a - gainst your skin that's pale as bone;

Bb7 Eb

$ $ $ $

$ $ $

Eb & %

rib - bon round your neck,

song,

$ $ $ $

# & # " #(

Tom Waits/Kathleen Brennan 2000

$ $ $ $ $

band

play -ing our

)

home,

'til Eb

( (

Cello

32 Overturned Pot (Karl) Cello doubles melody Tom Waits/Kathleen Brennan 2000

KARL

# " # # !!

Eb/Bb Bb7/D Eb

$ %

Sun

No - thing's ev - er

Eb/Bb

# "# # $ $ $ $ If

die

$ $ $ $

No - thing's ev - er

Eb/Bb

# $ $ $ # " # $ If

die

$ $ $ $

No - thing's ev - er

G7/B Cm

yours to

Eb/BbBb7/D

keep.

& $ $! $ $

Eb/Bb

Close your eyes,

Eb/Bb

$ $ %

it seems,

you wake,

$ %

it seems.

Eb/Bb

$ $ $ $

climb the

lad - der

Eb/Bb

$ $ %

com - ing back.

Bb7sus Bb7

Eb/Bb Bb7/D

don't

Bb7sus Bb7

$ $

your dreams.

Eb/Bb Bb7/D

& $ $! $ $

Bb7sus Bb7

Close your eyes,

you weep.

don't

$ $ %

sleep.

& $ $! $ $

don't you cry;

Eb/Bb

$ $ %

Dad - dy's nev - er

$ %

Bb7sus Bb7

$ $ $ $

G7/B Cm

G7 G7/Cb Cm

Eb/Bb

don't you cry;

& $ $! $ $

you wake,

Eb/BbBb7/D

be - fore

Eb/Bb Bb7/D Eb

# "# #

be - fore

Eb/Bb Bb7/D Eb

# "# #

moon is cracked;

$ %

red;

Eb/Bb Bb7/D Eb

# "# #

G7 G7/B Cm

you weep.

EÂ¨

$ %

sleep.

Cello

33 Overturned Pot Instrumental Tom Waits/Kathleen Brennan 2000

Play underneath Margret's monologue; at " . . . golden flies stuck up there, like the shrike sticks 'em on the blackthorn" attacca no. 34 Misery Reprise

$&$$$ " ## ! $ $ $ ( $ ' $ % $ $ # $ $$ $$$ ! # $ $ $ $ $ $ $ $$ $ $$$ "# &' $ ## $ $ $ % $ $ # $ $$ $$$ $ $ $ $ $ $ $$ $$ $$

$ $$ $ $$ $ " ## $ $ #$ $ $ $ $

) $! $

$ $ $

$ $$ $

$ $ $ $$ $& $$$ $ " ## %$ $ $ #$ $ $ # $ $ $ ' $$ $$$$$ $$ $ $

"# ## $

" ## %$ #

$ $ $ #$ $

) $ *

$ & $ $ $ ' $ $ $

$ $ $ $ $ $

Cello

34 Misery Reprise Tom Waits/Kathleen Brennan (2000)

MARGRET & CHORUS

!#! " "# # # # # # # # # %$$ Fm

# # # # # # # # %$$

Mis - er - y's the riv - er of the world.

$ " # # # # # # # # $

Mis - er - y's the riv - er of the world.

" # # # # # # # # %$$

Mis - er - y's the riv - er of the world.

## $ %

continue to repeat as Chorus and Leads enter slowly and create tableau

$ # # # # # # # # $

Mis - er - y's the riv - er of the world.

# # # # # # # # %$$

Mis - er - y's the riv - er of the world.

( ' MARGRET, spoken: "Misery's the river of the world!"