Robertson, Troy
The Beatitudes - SATB and Piano
MS91061
Troy D. Robertson
The Beatitudes
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$2.50
2
The Beatitudes was commissioned by the Festival Singers of Florida in honor of Dr. Kevin Fenton, their founder and artistic director, on the occasion of the choir's tenth anniversary in 2018. The composer, Dr. Troy D. Robertson, is an alumnus of the group. Dr. Fenton's passion for excellence in the choral arts cannot be oversated. The impact of his vision that by simply singing together we can bring peace throughout the world is ever expanding. He is an inspiration to everyone privileged to know him and he is truly a voice for peace. Ron Hatley Board of Directors Liaison Festival Singers of Florida
A note from the composer: The Beatitudes are among the best known verses of the Bible. When I first considered the text as a possible subject for this piece I was at a loss as to what my approach might be. As I read the verses again and again, however, I thought about how these words must have sounded to the first ears on which they fell. I thought about my friend Kevin Fenton and Festival Singers of Florida, and I began to see a possibility. *** The opening "crow" of the piano, quiet and in the distance, is meant to set us in the proper frame of mind. That is to say, we already know the whole story, how it ends, and we know it from several sources. We are not the heroes of the story. Given that, the Beatitudes, far from a list of comforting assurances, are an indictment and an admonition: The lowly and weak will have their share of heaven. The rest of us have our warning - woe to us! After the opening crow the piano paints a backdrop of idyll (either "the mount" or "the plain," depending on the Gospel). Into the midst of this peaceful repose the singers offer strange ideas: "Rich are the poor... fortunate are you who hunger... blessed are you who weep..." These odd words of comfort change to words of conviction: "Woe to you who are rich... you who are full... you who laugh now..." In the final moments of the piece Jesus (despairingly?) asks, 2,000 years hence, "Why do you call me Lord and yet do not the things I say?" In the coda that follows, the choir meditates on the more difficult, and therefore the most radical, of these sayings. My hope is that this piece will challenge singers (and perhaps the audience) to hear these familiar words with new ears, to hear them as the strange and radical ideas they are. Troy D. Robertson
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The Beatitudes The words of Jesus from the Gospels of Matthew, Mark, Luke, and John
Piano
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3
Written for Festival Singers of Florida and their conductor, Kevin Fenton, in honor of 10 years of music and friendship
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Troy D. Robertson
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Copyright © 2017
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∑
NOTICE: The unauthorized copying of the whole or any part of this publication is illegal.
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brilliant, rich sound, expressive
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Rich are you mp tutti
who are poor,
for
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∑
œœœ ˙˙˙ ™™™ œ ˙™ œ ˙™
3 ° bb & bœ œ œ œ™ œj b˙
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Bless - ed are you who weep
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you will know joy! rit. mf
rit. mf , - - - >˙™ œ œ œ 43
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Bless - ed are you who weep
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mf
you will know joy!
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6
° bb cresc. & œ œ˙
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45
Bless - ed are,
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meek.
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the
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who
˙
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cresc.
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mer - ci - ful.
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j œ j ™ j Œ™ j œ j j œ j j œ œ œ œ˙j œ œ œœ ™ œ œ œ œ œ˙œ œ œ œ œ˙œ œ œ œ ˙ ˙ œ œ œ œ œ œ œ ∑
∑
∑
cresc.
∑
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∑
° bb ˙˙ & 59
œœ
hun
-
b &b ˙
hun
b &b œ™ ‹ Bless
-
mf
¢
mf
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ger.
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heart.
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mf
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œ
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who
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those
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mf
œ
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are
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of
heart.
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mf
œ
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° bb ˙˙ ™™ & 66
b &b ˙™
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ger.
- ed are
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7
b &b ˙™ ‹ ? bb ˙™
{
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the
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b>œ œ b˙ Bless - ed are
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œ
the
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œ
peace - mak - ers.
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bœ
bœ
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œ
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∑
∑
˙˙ ™™
∑
∑
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∑
∑
peace - mak - ers.
œ œ
œ
peace - mak - ers.
œ œœ œœ œ œœ œ œ œ œ œ œ œ œ œ œ œ œœ œœ œ œ œ œ œ œœ œ œœ œ œ œ œ œ œ œ œ bœ œ œ nœ œ œ œ œ œ œœ œœœœœ bœ bœ œ œ œ œ œ œ œ œ œ bœ bœ œ œœ œœœ œœ
œ œ bœ œ & b œ œœ œœ œœ ? bb
œ
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8
° bb & bœ œ œ 73
Bless - ed
are
b & b bœ œ œ Bless - ed
¢
are
b & b bœ œ œ ‹ Bless - ed are ? bb bœ œ œ
{
Bless - ed
are
˙ those
˙ those
˙
bœ œ >œ bœ œ œ œ who are per - se - cut - ed
> œ œ œ œ bœ œ œ
those
who are per - se - cut - ed
those
who are per - se - cut - ed
˙
for
˙
œ œ >œ œ bœ œ œ
for
˙˙™™ ˙™
œ
˙™
œœ œœ
œœ
˙˙
for
right - eous - ness,
for
right - eous - ness.
œ bœ œ
˙
˙˙™™
œ œ
right - eous - ness,
bœ
˙
œœ
right - eous ness,
bœ
who are per - se - cut - ed
bœ œ >œ bœ œ œ œ
œ b œœ œ
bœœ
˙
œ
œœ
˙
œ œ
œ
for
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for
right - eous - ness,
œ bœ
bœ
œ
b œœ œbœ œbœ œœ œbœ œ bœ b œœœ œ bœœ œœ œ b œœœ œ bœœ œœ œ œœ b œ œœ œœ œ œœ œ œ œ œ œ œ œ œ œ b & œ œ œ bœ œ œ œœ œ ? bb bœbœ œ œ bœbœ œ œ bœ bœ œ œ bœbœ œ œ œ œ bœ œ œ bœ œ œ bœ bœ bœ bœ
° bb & 80
b &b
¢
∑ ∑
b & b ˙™ ‹ ? bb<b>˙ ™
{
∑ ∑
∑
œ >œ >
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But
∑
mp cresc.
But woe, mp cresc.
b>˙ ™
∑
Œ
woe,
∑ b>˙ ™ But
bœ bœbœ œ
bœ bœbœ œ
˙™
>˙
but
∑
but
Ó
œ ˙™
˙
woe,
˙™
˙™
woe,
but
woe,
but
Ϫ
but,
˙˙ ™™
œ ˙˙ ™™
but
˙™
Ϫ
Œ ˙˙ >
Œ ˙ >
˙™
mp cresc.
rit.
woe,
woe,
but
mp cresc.
bœ œ œ œ œ nœ œ b œœ œ œ nœ & b œœ œ œ œ œ bœœ bœ œ œ œ bb œœ ? bb œ œ bœ bœ
˙™ Œ
Œ œ œœ ˙˙ ™ ™ > >
woe,
but woe,
˙™ woe,
œ œ œ œ œ œ œ œ œ
œ œ œ rit. œ œ œ œ œ œ
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
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Ϫ
Ϫ
a tempo
-™ ˙˙™
88 ° bb œ n˙˙& œ
b & b >˙˙ ™™
woe,
b n˙ &b ˙ ‹ woe, >˙ ? bb ¢
{
woe,
f cresc.
woe,
woe! f cresc.
b-˙ ™
b ˙˙
œœ -œœ œ- œœ bœ
Woe,
woe
to
-˙™
˙
woe! f cresc.
-™ ˙˙™
Woe,
-˙ ™ ˙™
woe
>œ
woe!
˙- ™
Woe,
-˙ ™
woe
but
woe!
Woe,
woe
>œ œ but
œnœb œ œ >œ b & b œ bœ œ ? bb œ ™ œ™
-˙ ™ ˙™
f cresc.
˙
˙˙ ™™
∑
b &b ˙™
˙™
∑
full!
full!
b & b ˙™ ‹ full!
?b ¢ b ˙™
full!
b j & b œœ œ œj œ œ ? bb œ ™ ™ œ™ œ
˙™ ˙™
mp
˙
You
mp
˙
You
∑ ∑
mp
˙
rich!
Woe
™ -˙
˙
œœ œœ- œœ- bœœto
you who are
œ b-œ -œ œ -
rich!
Woe
to
you who are
to
you who are
rich!
Woe
to
you who are
to
you who are
œ -œ œ œ-
to
œ
you who are
˙™
˙˙
˙™
˙
rich!
Woe
œœ œ- œ- œœ œ- œ œ-
œœ œ œ œ œ bœ œ œ œ œ œ œ œœ œœ œœ œœ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ ™ bœ ™™ œ ™ bœ
˙™
who laugh
Ϫ Ϫ
Ϫ
˙™
Ϫ Ϫ Ϫ
œ ™ bœ ™™ œ ™ bœ
decresc.
˙™
∑
now.
œ
˙™
˙™
˙™
∑
œ
˙™
˙™
˙™
∑
˙™
∑
who laugh
You mp
who laugh
You
who laugh
˙
˙˙
you who are
œœ -œ œ- œ-
˙˙
˙- ™ ˙™
to
bœ œ œ bœ œ œ ‰bœœ œœ œœ œœ œ œ œ œœ œ œ œ bœœ œœ œœœ œ J f cresc. œ™ œ™ j œ™ œ™ œ™ œ™ œ™ œ >œ ™ œ ™ œ> œ™
96
{
bœ b-œ -œ œ -
a tempo
° bb ˙ ™ & ˙™
you who are
9
œ
j j j œœ œ œj œ œœ œ œj œ œœ œ œj œ œ mp œ œ œ™ œ™ œ™ œ ™ œ ˙ œ™
˙™ j œœ œ j œ œ œ œ ˙
now.
now.
˙™ now.
j œœ œ j œ œ œ œ ˙
j œœ œ j œ œ œ œ ˙
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j œ œ œj œ œ œ ˙ œ
10
° bb & œ œ œ 104
gently
You have re -
b &b œ œ œ
You have re -
˙˙ ™™
˙˙
ceived
˙˙ ™™
ceived
b œ ˙™ &b œ œ œ ˙™ ‹ You have re - ceived
?bœ œ œ ¢ b
{
You have re -
˙™
œœ
˙™
˙˙
œœ your
con
œ
˙
˙
œ̇ ™ ˙
your
˙˙
con
-
-
your
con
œœ
˙˙
ceived
your
con
-
œœ
˙˙ ™™
œ
˙™
œ
˙™
so - la
so - la
œœ ˙˙
˙˙
˙™
˙˙
so - la
œœ -
˙™ ˙™
so - la
° bb & b &b
∑ ∑
∑ ∑
∑
slowly, with frustrated intensity mp
∑
j -œ ™ œ œ œ œ œ
˙™
j -œ™ œ œ œ œ œœ
˙˙ ™™
Why do you call me Lord mp
Why do you call me Lord
¢
b &b ‹ ? bb
{
∑ ∑
∑ ∑
∑ ∑
Why do you call me Lord mp
-œ ™ j œ™ œ œ œ œ œ
˙™ ˙™
Why do you call me Lord
b j j j &b œ œ j j j œ œ œ œ œ œœ œ œ œœ œ œ œ œœ ? bb
-œ ™ j œ œ œ œ œ
mp
œ ˙
œ ˙
œ ˙
˙™
˙™
˙™
-
tion.
-
tion.
˙™
˙™
-
tion.
-
tion.
˙™ ˙™
œ œ œ œ œ œ œœ œ œJ œ œ œ œ œJ œ œ œ œ j œ œ œ j œ œ œ j œ b œ œ œœ œ œœ œ œœ &b œ œ œ J J J J J non cresc. œ œ œ œ ˙ ˙ ? bb ˙ ˙ ˙ ˙ œ œ
112
˙™
˙™ ˙™
j œj œ j œ œ œ œ œœ œ œj œ œ p rall. e dim. ˙ ˙ œ œ
diminuendo
-œ -œ -œ -˙ œ ˙ œ œ ˙
and yet do not diminuendo
the things I
say?
œ œ œ -œ -œ -œ -˙˙ œœ ˙˙ œœ œœ ˙˙
and yet do not
the things I
say?
diminuendo
-œ -œ -œ -˙ œ ˙ œ œ ˙
and yet do not diminuendo
the things I
and yet do not
the things I
say?
-œ -œ œ ˙ œ ˙ œ œ ˙ - -
say?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
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11
q = 120
122 " ° bb Ó & ˙™
" Œ b &b ˙™ ˙™
mp sempre decresc.
œ
Do
{
∑
? bb
∑
good
œ
œ
Love your
∑
e - ne - mies.
∑
∑ q = 120
j œœ
mp
˙™
who hate
{
you.
œ œ
Love your
j œ œ
of the
?bœ ˙ ¢ b
so shine,
œ
who hate
œœ ˙
j j œ œ œ œœ
you.
mp sempre decresc.
œ
œ
˙™
p
œ
˙™
œ œ
world.
You are
œ
Let your light
œ ˙ so shine,
œ
the
Ϫ
œ œ
Love your
j œœ
light
of the
œ
world.
˙
Let your light
so
shine,
œ œ
˙™
œ œ œ
up
Ϫ
light
all
you
œ œ
Love your
j œœ
of the
œ œ œ Let your light
have.
œœ˙
e - ne mies.
˙™
world.
œ ˙ so shine,
œ
œ
You
are
the
œ
œ
œ
Let your light
j j œ œ œj œ œ œ œœ
˙™
˙™
to those
˙™
˙™ œ
œ
good
e - ne mies.
mp sempre decresc.
j œ œ
Ϫ
œœ˙
j j j j œ œ œ œ œ œ œœ œœ
Œ
˙™
e - ne mies.
the
∑
Give
œœ˙
œ œ
are
˙™
Ó
œ
œ
Do
Œ
j j œ œ œ œ œ
˙™
Ó
˙™
˙™
∑
129
b &b œ™ ‹ light
œ
You
° bb & œ œ œ b &b Œ
to those
œ
mp sempre decresc.
" b &b ˙™ ‹ " ? bb ˙™ ¢ b &b
j œ œ
Ϫ
˙™
Ó
˙™
Give
Œ
˙™ œ œ
œ
œ
Ϫ
light
p
œ œ
Give up
j œœ
You are
the
of the
œ œ
œ
œ ˙
Give up
all
you have.
b j j j j j j j &b œ œ j œ œ œ j œ œ œ j œ œ œ j œ œ œ j œ œ œ j œ œ œ j œ œ œ œœ œœ œœ œœ œœ œœ ? bb ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
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12
° bb & œ œ œ 136
b &b
up
all
˙™
you
œ œ œ
all
b &b ˙™ ‹ world.
you
have.
˙™ p
all
œ
all
œ
œ
up
œ ˙
you
œ
Love
Give
Give up
?bœ œ œ ¢ b
{
Œ
œ œ
p
Give up
˙™
have.
pp
Ó
have.
œ œ
all
˙™
you
œ ˙
œ œ
œ
œ ˙
you have.
Give up
all
you have.
œ
have.
œ œ
one
œ
˙™
˙™
a - noth - er.
Œ
˙™
pp
œ
œ
œ œ
Love one
pp
œ œ
œ
œ ˙
˙™
œ œ
œ
œ ˙
œ œ
Love one pp
Love one
a - noth - er.
a - noth - er.
œ
a - noth - er.
Love one
œ
a -
b & b œj œ j œ œj œ j œ œj œ j œ œj œ j œ œj œ j œ œj œ j œ œj œ j œ œœ p œœ œœ œœ œœ œœ œœ ? bb ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
° bb Ó & 143
b &b
œ
Love
˙™
b &b œ œ œ ‹ Love one a
?b ¢ b œ ˙
{
noth - er.
œ œ
one
Œ
œ
˙™
œ
œ œ
a - noth - er.
œ
Love one
œ ˙
- noth - er.
œ œ
Love one
œ
Ó
˙™
Œ
˙™
œ œ
a - noth - er.
œ
˙™ œ œ
˙™
œ œ
œ
œ ˙
˙™
œ œ
œ
œ ˙
œ œ
a - noth - er.
Love one
œ
œ
a - noth - er.
a - noth - er.
Love one
œ
œ œ
one
˙™
œ ˙
œ
œ
Love
Love one
a - noth - er.
a - noth - er.
Love one
Love one
œ
œ
a -
œ ˙
a - noth - er.
b j j j j j j j &b œ œ j œ œ œ j œ œ œ j œ œ œ j œ œ œ j œ œ œ j œ œ œ j œ œœ œœ œ œ pp œ œ œœ œœ œœ ? bb ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™
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13
° bb & ˙™ 150
b &b
˙™
˙™
˙™
b &b œ ˙ ‹ noth - er.
?b ¢ b œ
{
œ
Love one
b & b œj œ ? bb ˙™
˙™
œ
˙™
˙™
˙™
˙™
œ
˙™
˙™
a - noth - er.
j œ œj œ œœ ˙™
∑
∑
U ∑
al niente
∑
∑
U ∑
al niente
∑
∑
U ∑
al niente
∑
∑
U ∑
˙™
˙™ ˙
al niente
j œ œj œ j œ œj œ j œ œj œ j œ œj œ j œ œœ œœ œœ œœ œœ ˙™
˙™
rallantando
˙™
˙™
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U ∑
U ∑
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
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