Phoenix Cantata | Jay Dougherty | MusicSpoke

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Phoenix Cantata

For SATB Chorus and Piano

Words and Music by Jay Dougherty
Piano Accompaniment by
Justin La

Phoenix Cantata

Words and Music by Jay Dougherty

Piano Accompaniment by Justin La

Phoenix Cantata is a six-movement vocal and piano work that explores the themes of resilience and the transformative power of change. The music and lyrics are the creative work of Dr. Jay Dougherty, while the piano accompaniment is skillfully crafted by Justin La. Drawing inspiration from the mythical symbolism of the phoenix, this cantata narrates the journey through life's challenges and tribulations and explores how we can learn to comprehend, embrace, and grow from them. Although the Phoenix is not explicitly mentioned, the underlying message resonates with the tale of the phoenix: after facing adversity or transformation, we emerge stronger and more beautiful. Each of the 6 movements centers on a flower garden, the gardener's affection for the garden, the looming storm that could devastate it, and the gardener's eventual realization that, even after the storm, the garden remains beautiful and precious.

The cantata starts with "The Beautiful Garden," depicting a serene and flawless flower garden. The gardener deeply values its perfection and earnestly implores it to remain unchanged by the passage of time. Fearing any alteration, the gardener pleads with the garden to always be a source of joy and pride in its pristine form.

In movement 2, "Lightning," the storm arrives, symbolizing the hardships of life. This movement also conjures the palpable thump of a heartbeat, capturing the gardener's anguish as the storm ravages the garden, altering it irreversibly from its former state.

Movement 3, "Despondency" is performed a cappella and makes use of the overtone series and chord clusters to convey the gardener's torment and heartbreak as the garden has now lost its innocence. It is a heartbreaking lament that portrays the gardener's profound sorrow.

"Who Am I?" features a soprano soloist who voices the inner turmoil of a child grappling with their identity in the world. As the child matures and experiences confusion, they yearn for guidance, unknowingly overlooking the unwavering support offered by the gardener. The child becomes tormented by conflicting voices, with peers and the gardener offering disparate advice. While the soloist sings the part of the confused child, the choir represents the cacophony of worldly influences attempting to sway the child towards unwise decisions. Overwhelmed, the child eventually succumbs to these voices from the chorus.

Movement 5, "The Bee," narrates a parable about a bee trapped in the garden. The gardener, driven by love and compassion, seeks to rescue the bee unharmed. However, the bee, unable to comprehend the gardener's intentions, feels threatened and resorts to a threat of its own a painful sting. A battle of communication barriers ensues as the gardener attempts to explain his intentions, but the bee's limited perspective leads to a fateful sting, costing the bee its own life. As the bee's life fades, it questions the gardener, "Why did you do this to me?" and the gardener mourns, "I tried to help you."

The final movement, "Still My Flower, " concludes the cantata by summarizing the unfolding events and shifting the focus to a flower that has weathered the storm in the garden and has emerged transformed, yet whole and beautiful. Although the flower is not the same as before the tempest, it will continue to grow and thrive in its own beautiful way. Like the phoenix that rises from the ashes of death, this flower will emerge from the darkness of life's trials and blossom into a greater beauty. The gardener rejoices that, despite the storm and the threatening thorns, it remains his beloved flower, cherished and loved.

Through its exploration of growth, understanding, and acceptance, Phoenix Cantata explores the universal experiences of adversity and change that we all encounter at various stages of our lives. The phoenix, serving as a symbol of rebirth and renewal, becomes a powerful metaphor for our ability to rise stronger and more resilient from the ashes of hardship.

Dr. Jay Dougherty is the Performing Arts Department Chair and Director of Choral Activities at Drury University in Springfield, MO The piano accompaniment was written by Justin La, Director of Acoustic Theory and Band and Choir Director at Saskatoon Public Schools in Saskatoon, Saskatchewan.

Program note by Jay Dougherty

The accompanying slide show can be found at: www.tinyurl.com/phoenixcantata Slide changes are marked by the § symbol throughout the score

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

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PhoenixCantataMovement3

WordsandMusicbyJAYDOUGHERTY

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©2022byJayDougherty Allrightsreserved Copyingwithoutlegalpurchaseisprohibited

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*Programnotesforpage22

Choir2:

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Choir1:

Cue1:Atthedownbeatofpage22,allpartsbeginquietlywhisperingtheirwordsoverandoverwithanytempoand rhythmtheyindividuallychoose Thetextshouldbespokenconversationally,asiftotemptorentice Thewhispersslowly growlouderwitheachrepeat.

Cue2:Mezzo,Alto,andTenorcontinuetowhisper.SopranoandBassbegintoquietlysingtheirnotesaswritten.Therhythms indicatedaremerelyguidelines Eachindividualsingershouldemployanyrhythmandtempothatfeelsrighttothem Each repeatshouldslowlygrowlouderandlouderuntilthesingersarenearlyyellingtheirpartsinacacophonyofAm6bythe timecue6isgiven

Cue3:Altocontinuestowhisper.MezzoandTenornowbeginsingingwiththesameinstructionsgivenincue2.

Cue4:Altonowbeginssinging,withthesameinstructionsgivenincue2.

Cue5:Soloist2beginssinging"AMightFortress,"atafortedynamic,overthetopofthegrowingchaosandrepeatsuntilcut offonthereleaseofcue6 Notethatthefirstwordofthissolo("A")appearsattheendoftheline,butthesoloshouldstartwith thatpickup

Cue6:ThePrimarySoloistsings"STOP!"drowningoutthechaos Allsingersstopsingingimmediatelyandweareleftwithsilence freely slowroll slowroll

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

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