Returning to the Root (Guigen) | Joshua Rist | MusicSpoke

Page 1

Returning to the Root (Guigen) Music by Joshua Rist Performance Notes by Dr. Adam Con This piece incorporates elements of Tai Chi Chuan and Qigong practice into the choral setting. The Qigong meditative practice called the Six Healing Sounds begins and ends the work. The melodic text is part one of poem number 16 from the 4th century B.C. Classical Chinese text, Tao Te Ching (Book of the Way of Virtue). The Six Healing Sounds (Liu Zi Jue) is a Qigong breathing technique in which there are six ways to exhale improving health and promoting healing and longevity. The earliest notation of Liu Zi Jue appears in a book called, On Caring for the Health of the Mind and Prolonging the Life Span written by Tao Hongjing. It dates back in history to the Northern and Southern dynasties (420-589). In traditional Chinese Medicine (TCM), each of the sounds corresponds to the six major functions of the body to help regulate the flow of qi and bring vitality. The six healing sound movements were added in the Ming Dynasty (1386-1644). Sī

pronounced ‘s’

(Lungs: holds despair, sadness, depression; open to let in courage)

pronounced ‘shu’ with rounded “oo” lips

(Liver: holds anger; open to let in generosity)

Chui

pronounced ‘chway’

(Kidneys: hold fear; open to let in calmness)

pronounced ‘huh’

(Heart: holds impatience; open to let in love joy and happiness)

pronounced ‘who’

(Spleen/Pancreas: holds worry and anxiety; open to let in fairness, openness, trust)

pronounced ‘she’

(Triple Burner – upper, middle, lower cavities circulating qi and fluids)

Text Translation: zhì xū jí,

(Juh shu gee)

Seek to attain a perfect emptiness,

shŏu jìng dŭ,

(shaow, jeeng, doo)

Remain patient and sincere,

wàn wù bìng zuò,

(wahn, woo, beeng, jooaw)

Every living thing is rising as one,

wú yĭ guān fù.

(woo, yee, gwan, foo)

Through this we observe the return to the root.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


Commissioned by Dr. Adam Jonathan Con for the 2016 Unitarian Universalist Musicians Network Annual Conference

Returning to the Root (Guigen) Dedicated with gratitude to Adam Con

Text by Lao Tzu, excerpted from the Tao Te Ching XVI

  SOPRANO    

 

Largo con rubato q = 30

ALTO

   

TENOR

     

BASS

   

Violoncello

   

   

          

        

mp

                

p lightly accent each note, like drops of water

(Liver)

                

    

inhale

Xū mp

Xū mp

  



       

 

 

Optional: In measures 2-14, cellist may improvise short, expressive phrases using the C minor pentatonic scale to contribute to meditative space.

inhale

*Chuī

 

(Kidney)

inhale

exhale

inhale

 

inhale



Chuī

(Heart)

*Hē

Chuī

    

inhale mp

 

exhale

  

inhale

* Sī

 

                

  exhale    7

(Lungs)

Largo con rubato q = 30

   

Piano

 

Music by Joshua Rist

 

                                    Chuī

 

      Hē

                                    Copyright © Joshua Rist 2017

 

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

             

 


  exhale    13

        

   

3

Adagio con rubato q = 50

 

inhale

 (Triple Burner)      Hū

(Spleen)

 

 

      Hū  

Hū      



 

 Xī

                 

mp

(n) mp

                 

(n)

 mp                    

(n)

 



 

* Hū

 

rit.

* Xī

mp

                  

(n)

Adagio con rubato q = 50

a tempo           rit.                                                               

  

   

19

  

     

a tempo           

              mp

   

rit.

    

  

zhi xu mp

ji

              zhi xu mp

ji

               zhi xu

ji

  

    

 

                  

colla voce

                shou jing du. wan wu bing zuo, wu yi guan fu. mf

                shou jing du. wan wu bing zuo, wu yi guan fu. 

mp

mf

shou jing du. wan

    shou jing du. wan

  

 

wu

bing

zuo,

yi guan fu.

wu

bing

  

zuo,

   

yi guan fu.

   a tempo            rit.                                     mp legato                          continue to use sustain pedal harmonically  a tempo                   mp legato

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


4

       24

  

wu bing zuo,

     

mf

    

wu bing zuo,

zhi xu

     zhi

shou jing du

       shou jing du

  

wan wu

bing

  

wan wu

bing

 



  

wan wu

bing

 xu

ji

    

zhi xu

xu

zhi

ji

      

mf

    



 f     

29

ji

  

ji

       ji f

      f

shou jing du. wan

 

   shou jing du. wan

ji

wu

bing

  

wu bing zuo,

wu

bing

  

     

zuo, wu yi guan

    

zuo, wu yi guan

    

wu yi guan

zuo,

zuo,

  

zhi xu

  

zhi xu

  

fu.

fu.

   

shou jing du. wan

zhi xu

  

    

   

 guan

wu bing zuo,

guan

fu.

guan

fu

    wu yi

   

  

wu bing zuo,

 

  

wu yi

zhi xu

fu.

 

                         

 

 

fu.

   

wu yi guan

 

fu.

   

wu yi guan

                                                                                 

  f    



wu yi guan

zuo,

ji

zuo,

    

 guan

   

  

shou jing du. wan

wu bing zuo,

guan

                      f

       

 

  

 

  

 

  

  

 





  

  

  

 

     

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

   


     33

fu.





jing

du

    fu.

shou jing du

  

shou jing du

fu.

wan wu

  

wan wu

   

     fu.     

  

   

  

  

wan wu



jing

du

  

wan wu

bing

zuo,

 bing

38

  



     

    

                

 

Tempo rubato

 

 

p

bing

bing

 

   

 

 

  

 

 

  

 

Xū p

 

p

  

Tempo rubato

       

p

 

Chuī

Chuī

Chuī

Chuī

  



  

 

guan

fu.

mp

  

 

wu yi mp

guan

wu yi

guan

 

 

 

fu.

fu.

          

 

 

 

  

  

  

   

 

 

  

 

   

 

  

  

 

  

 

(Heart)

(Triple Burner)

 

     

fu.

mp



*

mp

  

zuo,

 

p

  

(Kidney)

zuo,

 

guan

wu yi

 

(Liver)

zuo,

   wu yi

 

                                                              

      

5

mp



(Spleen)

 

   

 

  

 

*Measure 40; ad lib piano and cello lines in similar style to accompany singers and gently fill the space during their breaths. Observe the conductor for the cue for the final phrase. Cello tacit at cadence.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


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