sendai | Thomas Dempster | MusicSpoke by MusicSpoke

s e n d a i f o r

t r e b l e

( S S A )

c h o i r ,

f l u t e ,

c h i m e s ,

a n d

p i a n o

Thomas J Dempster Raleigh, NC

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s e n d a i for treble choir (SSA), flute, chimes, and piano

texts by Ryōkan, Yakamochi, Sami Mansei in memory of the victims of the 2011 Tōhoku and Christchurch earthquakes

Thomas J Dempster Raleigh, NC

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

sendai for SSA choir, chimes (tubular bells), flute, and piano* in memory of the victims of the 2011 Tōhoku and Christchurch earthquakes April 2011 * Raleigh, NC

Sendai is a city and prefecture in northeast Japan most devastated by the March, 2011 earthquake and tsunami. In the Japanese language, Sendai – when not a place name – has a variety of meanings: among them, curiously, are “forever” and “a shipbuilding berth.” These disparate meanings are united in my empathy for the victims of one of the worst natural disasters in recent memory: among me, and the people of Japan, the images of loss will live within my mind for so long as I live, and as the region slowly mends, Sendai will indeed become a place for rebuilding – homes, livelihoods, lives, all in the shadow of grief. The texts are not directly jisei – traditional Japanese poems written by monks and poets at the hour of their death – but the poems do speak of loss, of empathy, and of the ephemeral nature of our life on the planet, though in incredibly subdued and beautiful ways. Texts – with transliterations, verbatim translations, and poetic translations into English by my hand – follow on the next page and are accompanied by an American English pronunciation guide.

* The piano part may be treated as an optional – it is not meant to be showy, and may be excluded if seen fit to do so by the choral director. It is simply harmonic reinforcement and range extension. That said, it should not be treated as a rehearsal aide for the choir; it is its own quiet, simple actor in the work. Additionally, there is an alternate version that does not contain flute.

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Yononaka wa 1 Nani ni tatoen 2 Yamabiko no 3 Kotauru koe no 4 Munashiki ga goto -

This world of ours: To what shall I compare it? It is like a mountain’s echo, A voice resounding and falling away Into a vast emptiness.

Ryōkan, ca. 1800 CE

Tohoto ni mo 6 kimi ga nageku to 7 kikitsureba, ne nomi shi nakayu, 8 apiomopu ware pa -

世間は [the world] 何に例へん [what compares] 山彦の [mountain echo] こたふる聲の [answer falling off voice beyond of] 空しきがごと [into emptiness in similar]

遠普にも [from very distant] 君が嘆くと [your mourning] 聞きつれば [I have heard you] 哭のみし泣かゆ [crying and wailing only] 相思ふ我れは [each other feel like we]

From far away I have heard of your horrible grief: Weeping and wailing endlessly, As I have done as well.

Yakamochi, ca. 760-780 CE

Yononaka no

世間の [this world]

This world of ours

tsune naki koto pa shiruramu o 9 kokoro tsukusuna 10 11 masurawo ni shite

常なきことば [not always in such way] 知るらむを [you understand] 心盡くすな [heart consumed, restore] 大天にして [up to the heavens pick oneself up]

Does not last forever; You know this. Do not let your heart run dry, And restore yourself to strength.

Yakamochi, ca. 760-780 CE

Yononaka o 12 Nani ni tatoemu asabiraki 13

kogiinishi fune no ato naki gotoshi -

世間を [the world] 何に譬へむ [what compares] 朝開き [break of dawn]

This world: What compares to it? It is like a boat,

漕ぎ去にし船の [boat rowing out] 跡なきごとし [tracing nothing as though]

Rowing out at daybreak, Leaving no trace behind.

Sami Mansei, ca. 720 CE

Pronunciation notes (footnotes overleaf): Modern Japanese phonology is not incredibly difficult; for performance purposes, all consonants (except for notes, below) maintain one sound consistently. One prime exception is R: there is no English equivalent, and it is a voiced alveolar flap halfway between L and R in English . An approximation is the RR in the Spanish word burro, though untrilled. The letter F is also problematic: it is best described by the halfway-point between voicing English F and H. Letters B and P – character variations on the letter H – are very soft compared to English and barely aspirated. Consonant clusters in Japanese are extremely rare. Those that appear in this piece are limited to tsu and shi – tsu is pronounced by pronouncing a light “t” before “su” as though saying “hot soot.” Shi is pronounced like the pronoun “she.” Vowels are of the one-letter, one-sound variety (with, again, a few exceptions below) with diphthongs being extremely rare (and not present in this work), and can be regarded thus by speakers of Standard American English: A – between father and aloha E – like beg, but closer to the front of the mouth I – like key or steel, except closer to the front and top of the mouth O – like toll or cobra, and quite rounded U – similar to new, except no rounding at the end; similar to French mousse but slightly more rounded Notes continue:

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The E in “tatoen” should be closer to a schwa in pronunciation; it should also be lightly aspirated.

The word “yamabiko” is troublesome: an irregular pronunciation, the closest approximation is ya*ma*shko.

The first U in “kotauru” should be lightly aspirated.

The first I in “munashiki” should barely be voiced, as in colloquial Japanese this sound may be suppressed. In performance, it should be less nasal than the final I in the word.

In “tohoto,” the H is barely aspirated.

All G’s in Japanese transliteration are like hard American G’s: gas, gutter, gate.

The second I in “kikitsureba” is often suppressed in spoken Japanese; here, it should be less nasal, more rounded, than the first. Also observe rules regarding letters H, B, and P.

All P’s in “apiomopu” should more closely resemble soft B’s.

All syllables are enunciated; some Japanese words (suru, Fukushima) suppress U’s in colloquial speech.

10. The W in “masurawo” is barely pronounced. 11. “Shite” is pronounced “shteh,” making it one syllable. The I is suppressed. 12. As in note #1, the “e” in “tatoemu” should be just lightly aspirated. 13. In performance, the word “kogiinishi” is treated as “kogi ‘nishi;” in pronunciation, there would be little to no differentiation between the first two I’s in the word. 14. See previous comments about pronouncing the letter F. Also, the E at the end of “fune” should be slightly flattened.

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sendai I.

Thomas J Dempster



Hollow q = c 63

Soprano 1

4 & 4 #˙ ˙

#˙ ˙

4 & 4  #˙

˙ #˙

Soprano 2

4 &4

Alto

-

∑

-

∑



#˙ ˙ Yo

-

#˙ ˙

˙ #˙ -

∑

4 & 4 4 & 4

Chimes

# ˙^ 4 #˙ & 4



 #˙

na - ka

∑



? 4  # ˙^ 4 #˙

# ˙^ #˙



^  ## ˙˙

# ˙^ #˙



^  ## ˙˙



#œ œ

U #œ œ

œ bœ

 

#˙

5 4 

∑



& #˙.

Yo -

-

& œ Œ#œ #˙

Yo - no -

∑



#˙.

- Yo -

-

œ Œ#œ #˙



- Yo - no -



#˙.

- Yo -

Fl. 9

Pno.

& &

# œ J‰

? 

∑

- Yo - no -

#œ œ ˙.



# œ Œ J‰Œ

 Œ #œ œ P # œ J‰  

# œ Œ J‰Œ

-

œ Œ#œ #˙

Yo - no - na

˙.

# œ J‰ 

#˙



#˙. - Yo -



# œ Œ J‰Œ

#˙.

-

- Yo

œ Œ#œ #˙



#˙



- Yo - no

#œ œ œ œ œ#˙ Yo - no - na

 Œ #œ œ # œ J‰  

-

œ Œ#œ#˙

# œ Œ J‰Œ

œ œ œ #˙

# œ J‰ 





# œ Œ J‰Œ

∑ 

 Œ # œJ ‰ Œ

1/2 Ped.

*) \ designates a quick portamento downard after pitch has been established

∑

# œ 5 J‰ 4

∑

5 4

∑

Yo - no

5 4

p 

5 4  #œ #˙

b œ . œ Uœ . .~~~ U 5 ≈ 4



∑

œ J

Yo -

∑

#˙

5 4 #˙.

∑

U œ.

∑

^  ## ˙˙



A Quicker q = c 72

∑

#œ œ œ nœ -

∑

#œ œ œ œ -

∑

Piano

na - ka

˙ #˙

Flute

#œ œ œ œ

-

#˙.



œ Œ#œ #˙



Yo - no

44 # ˙

na - ka

44 # ˙ œ #œ Yo - no

na - ka

# œ- œ  Œ # œ œ 44 R ‰.  # œ J‰ 4  ∑ 4 

# œ Œ J ‰ Œ 44

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∑

sendai

& #œ Œ 



U #œ œ

& Nœ Œ  &

Ch.

∑

Pno.

Ch.

Pno.



∑ U



Yo - no





œ ˙

b ˙-

? 

∑

ka wa

5 4 5 4

∑

45 

Yo -

Yo - no

b˙

no -

ka wa

no -

œ b˙ œ ˙

- na - ka wa

∑

Œ  Œ b œ. ‰ Œ J

b ˙

Œ  Œ b œ. ‰ Œ J

b ˙-

∑

b ˙F

Yo - Yo-no -

ka wa

Yo - no -

ka wa

Yo - no -

Œ bœ œ bœ œ œ Œ bœ bœ bœ pYo - no- na

Œ bœ bœ œ œ bœ bœ œ œ ∑

∑

b ˙-

Œ  Œ b œ. ‰ Œ J



b ˙-

Œ  Œ b œ. ‰ Œ J

b ˙-

Œ  Œ b œ. ‰ Œ J



bœ bœ œ bœ œ

œ bœ

bœ œ bœ nœ œ

3 4

- ni ni

bœ œ bœ bœ œ œ

3 b b ˙˙˙ .. 4 I b ˙˙ ... 3 4

œ˙

∑

Na -

Yo - Yo-no

, F œ bœ bœ œ œ 43 b œ

3 4

Œ b ˙˙˙

b˙

∑

, FNa - - - ni ni 43 b œ œ œ œ œ œ

œ ˙



œ˙

∑

, FNa - 43 œ œ b œ

- na - ka wa

∑

C Slower q = c 72

na - ka wa



b˙

Yo - no- na



Yo - Yo-no

∑

œ ˙

∑

b˙



b˙ œ ˙

Yo - Yo-no

∑

& bœ œ œ bœ Œ bœ bœ œ œ œ na

Fl.

& œ bœ œ œ Œ bœ bœ œ bœ œ na

3 4 3 4

∑



#˙



F U



& b˙



∑



5 b˙ œ ˙ 4

-- . U œ . .~ ~ œ . œ # œ . b œ œ œ ~~ œ œ # œ . œ .~~ U 3 J J ≈ ‰ 45 4

#˙



∑



∑

Fl.



3 4

B Almost Rushed q = c 84

- ni ni

to - en

bœ bœ œ œ œ ta

to - en

bœ bœ œ bœ

∑

Lb b b b ˙˙˙˙ .... b˙ .

Œ  Œ b œ. ‰ Œ J



24 U 24 U U 42  2 U 4 

2 4 n˙ f œ.

44 44 44 4 4 4 4

2 J ‰ UŒ 4 4 4 ∑

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2 œ. U 4 4 J‰Œ 4

sendai

4 &4

∑

4 &4

∑

4 &4 & 4 4 & 4

Ch.

∑ p

∑

Ya-ma - biko

œ œœ 3



œ ˙ 3

∑

Ya-ma-biko

∑

œ œ b˙ œ

bœ œ bœ œ œ



Ya-ma - biko

U 5 3 J œ 4 œ .~ ~ ~‰ Œ 4

∑

3 4 

U 5 Œ

∑

3 4 

U 5 Œ

∑

? 4 4

∑

3 4 

U 5 Œ

∑

Œ œ 46 b œ œ œ œ b œ

& ˙. P

E Meno Mosso q = c 88

bœ œ œ œ bœ

œ œ œ

Ko - ta - u - ru

j‰ 6 œ 4 œ œ œ œ bœ œ œ œ œ œ œ bœ

œ œ

S F 54 #˙ ˙ Œ #˙ ˙

S jU 5

ko - e

œ œ ‰ 4 #˙ ˙ Œ #˙ ˙ Ya-ma-biko Ko ta - u - ru Ko ta - u - ru ko - e ko - e F S F F F U 6 5 Œ Œ & 4 4 b œ œ b œ œ b œ œ b œ n œ # ˙ ˙ œ œ œ #˙ ˙ bœ œ œ œ bœ bœ œ bœ bœ œ & œ œœ 3

œ ˙ 3

Ya-ma - biko

Ko - ta - u - ru

ko - e

Œ Œ Œ

ko - e

∑

45 

 # # œœ

˙˙

 # # # œœœ

∑

45 

 # # œœ

˙˙

 # # # œœœ

Pno.

∑

3  UŒ 5 4 4

∑

U 5 3 4  Œ 4

∑

Ya-ma - biko



4 & 4

Pno.

∑

p 3  UŒ 5 4 4 œ œ b˙ œ ˙.

∑

U agitato freely b œ œ ≈ œ œ œ ~~n œ~~ b œ . . U≈ œ œ œ œ œ œ œ œ b œ œ b œ œ5 4 ‰œœ

Fl.

∑

D Calm Energy... q = c 96

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sendai

F Slower q = c 80

4 4

& ˙ ˙. p

ko - e

& ˙ ˙. p

no Mu-na

ko - e

Fl.

∑

Ch.

˙˙ & ˙



? ˙˙˙



Pno.

4 4

4 ˙ 4 ˙ f˙ Œ 44

& 43

Fl.

*) senza misura

3 & 4 b˙.

Ch.

3 & 4

Pno.

? 3 4

shi - ki

5 4

∑



go -

Œ 44  œ n˙ ˙ ˙

Mu - na - shi - ki

#˙ ˙ ˙ ˙ œ œ nw w

∑

4 4

4 ˙ ˙ bœ 4 b˙ ˙

Mu - na - shi - ki

5 4 #w w Œ



Œ 44 ˙

& 43 j ‰ Œ œ

∑

& 43 œj ‰ Œ

no Mu-na

∑

4 Œ 5 4 œ œ œ 4 #˙ ˙ Œ #˙

& ˙ ˙. 42

∑

4 Œ 5 4 œ œœ 4 ˙ ˙ Œ ˙

ko - e

5 4

∑

 -

Œ 44 4 4

b˙



5 4

∑

4 4



5 4

∑

4  4

∑

b˙

- go -



j‰ Œ œ ˙



b˙

- go



∑

j‰ Œ œ.

b˙



j‰ Œ œ.



3 4

∑



3 4

j‰ Œ œ ˙

b˙

3 4

∑



3 4 3 4 3 4



3 j‰ Œ 4 œ.

∑

4 4

bœ œ

‰

b œ œ œ œ ~~~~~ 3

b˙.

n œ ~~~~~

b˙.

bœ œ œ œ

bœ œ œ nœ

b˙.

œ œ ~~~ ~~~

b˙.

∑

*) Flute not synchronized with chimes. Notes tied to "nothing" should be decrescendos al niente

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∑

4 4

sendai

4 &4

II.

4 &4

Empty q = c 72

∑

4 & 4 4 & 4

Ch.

∑

4 & 4 bw ? 4 4

∑

& ˙

& œ &

Ch.

ge - ku

5 4

# ˙˙ ..

5 4

∑

5 4 # ˙˙ ..

∑

4 4

∑  

#œ nœ. b˙. -

2 4

∑

3 4

∑

3 4

∑

b˙.

44 œ

5 4

∑

3 4

∑

bœ œ œ.bœ œ.

3 4

∑

b˙

2 4

∑

5 4

∑

3 4

∑

4 4

∑

2 4

∑

5 4

∑

3 4

∑

bœ œ œ. bœ œ. ne

b˙.

∑ ∑

F b œ œ œ œ b œ b œ œ œ 44 n œ œ # œ b œ n œ œ œ b œ œ œ 43 ‰ 43

Pshi

na - ka - yu,

yu, 3

yu,

b œ œ 43 b œ œ œ œ œ œ 44 œ # œ œ n œ b œ n œ œ 43

shi

44 b ˙ .

b˙.

# œ n œ .n œ

œ #œ. #œ nœ. #œ 44

∑

j œ ‰

ne no - mi

∑

4 4

5 4

∑

2 4

∑

œ ‰ 44 œ # œ . # œ n œ . œ J

bœ bœ œ. œ œ. mi

∑

bœ bœ œ.œ œ. 4 ˙ 4

œ. #œ J ‰

ge - ku

4 4

∑

ne no - mi

bœ œ. bœ

& ˙.

ki - mi ga na

5 4

j F b œ œ . b œ n œ œ . . ≈ n˙ &

Fl.

^ 2 œj ‰ Œ 5 4 4

5f 4 4 b˙ œ œ œ 4 ˙ ˙ ki - mi ga na

∑

no - mi

∑ ∑

Pno.

2 ^ 5 4 b œJ ‰ Œ 4

5 4 4 b˙ œ bœ œ 4 b˙ ˙

4 5 4 2 ^^ 5 3 & 4 b ˙ œ œ b ˙ œ . ‰ 4 b ˙ œ œ n œ 4 ˙ ˙˙ 4 œjœ ‰ Œ 4 b ˙ œœj ˙ 4 œj b œœj ˙ J To - ho - to ni mo ki - mi ga na - ge - ku to ki - ki - tsu re - ba,

Fl.

∑

Tense q = c 80

bœ œ

shi

‰

nœ

na - ka - yu,

nœ #œ œ

bœ œ œ bœ œ œ

na - ka - yu,

43 ˙

nœ

œ œ #œ bœ nœ œ œ bœ œ œ

#œ

3 4 œ

44 œ

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yu,

#œ

œ 43

sendai

3 &4

∑

3 &4

∑

3 &4

Empty q = c 72

4˙ 4 p

4 4˙ p

4 4˙

∑

& 43

Fl.

& 43 ˙ ˙˙ 72 & 43

Ch.

Pno.

? 43 ˙˙ III.

œ œ œ œ œ mo

b˙

∑

P poco marcato

bœ.

∑

P legato

∑

tsu

œ. Œ. bœ.

tsu

œ. Œ. -

& 98 & 98

b˙.

p pesante

Yo-no-na - ka no

9 8

∑

cresc.

tsu

∑

‰bœ bœ bœ œ œ œ œ J

ne na - ki

‰ ‰ ‰ j ‰ j j j j bœ œ œ œ œ. bœ œ œ œ œ. bœ œ œ œ œ. bœ œ œ œ œ. bœ œ œ œ œ. Yo-no-na - ka no

‰b œ b œ b œ œ œ œ œ b ˙ . J tsu

9 8

∑

j‰ Œ œ

∑

& 98

? 98

œ œ

pi - o

9 8

∑

j‰ Œ œ

∑

Pno.

∑

Yo-no-na - ka no

Fl.

pi - o

œ œ œ œ œ

∑

Aggrieved q. = c 53

9 &8 ‰

œ œ

∑

& 98

∑

pi - o

œ œ œ œ œ

∑

œ œ

Yo - no - na - ka no

tsu

‰

ne na - ki

œ. -

j bœ œ œ œ œ. Yo - no - na - ka no

∑

‰ bœ bœ bœ œ œ Œ.

∑

œ.

˙.

œ.

b˙.

œ.

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˙.

œ.

sendai

b œ b œ œ œ œ œ Fœ œ b œ b œ œ œ b œ . ‰ b œ & J

œ bœ bœ œ œ bœ j 12 j œ bœ 8 œ Œ

tsu

j & bœ bœ œ

ne na - ki

& ‰

j œ œ.

tsu

Fj ko

j œ œ œ bœ œ 2

na - ki

bœ œ œ

Yo - no - na - ka no

bœ & ‰ bœ bœ œ œ Œ.

j bœ bœ ko -

& 98

∑

& 98

∑

F 9 ‰ j &8 bœ œ œ œ œ. & 98

Fl.

& 98

Ch.

‰

j œ œ bœ. - to

∑ ∑ ‰

j bœ œ œ œ œ.

j œ œ.

œ.

bœ.

œ Œ J

Œ.

bœ bœ œ œ œ Œ J J ∑

œ.

∑

42 42

∑

? 98

∑

shi - ru - ra - mu

12 8

Anguished q = 60

tsu-ku-su -

ko- ko- ro

tsu-ku-su -

b œ . . ƒ ƒ

44 b b ˙˙˙ 44

b˙ b ˙-

b œ . .

tsu-ku-su -

≈

˙ ˙ ˙˙˙ ˙ ˙-

≈ 43

∑

œ bœ. J

ko- ko- ro

44 b ˙ b˙

∑

2 12 ‰ 98 8 bœ œ œ bœ bœ œ. œ

44 b œ œ œ œ œ œ 43

∑

Yo - no - na - ka no

44 ƒb œ œ œ œ œ œ 43

∑

j j ‰ 9 œ œ œ œ. œ 8

ko- ko- ro

12 8 bœ

ƒ 44 œ œ œ œ œ œ 43

Yo-no- na - ka no

bœ

ru - ra - mu o

bœ œ œ

bœ.

Yo - no - na - ka no

Yo-no- na - ka no

∑

j œ bœ œ bœ bœ

shi

& 98

Pno.

bœ

bœ bœ œ œ œ J JŒ

œ œ bœ bœ œ œ bœ.

Fl.

9 8

.

Œ.

- na

œ bœ. J

j œ bœ. - na

b œ

ko - ko - ro

42 b œ b œ œ 44 f ko - ko3 - ro 3

42 b œ œ œ 44

bœ œ œ b œ- b œ- œ2 44 J ‰ 4

- na

b ˙˙ ..

42 b œ œ œ 44

ko - ko - ro

∑

b ˙43 b b ˙˙

∑

b˙ b ˙-

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4 bœ œ œ œ œ ‰bœ &4

œ. ‰

4 & 4 bœ œ œ œ œ ‰ œ

5 œ . ‰ œ b œ 4 b œ . œj œ ˙

tsu - ku - su

& 44

Fl.

bœ.

& 44 b b ˙˙

Ch.

b œJ

j b œœ .. œœ ˙˙ U b b b œœœ ... œœœ ˙˙˙ J

tsu - ku - su

45 b b b ˙˙˙˙ 45

U U 9 Œ

tsu - ku - su

3 4 b˙

tsu - ku - su

b˙

∑

(Solo)

∑

j & ‰#œ œ œ œ œ.

‰ # œ œ œ œj œ .

Œ.

100

& #œ. P

tsu

#œ. tsu

100

Fl.

& . (√) 100 & . 100

Ch.

Pno.

∑

& .

Yo-no- na - ka no

œ.

Œ.

Yo-no- na - ka no

#œ. tsu

∑

œ.

∑

œ.

#œ. œ.

. . .

Œ.

∑

43 b b b ˙˙˙˙ b ˙43

#œ

j œ œ.

tsu - ne na

#œ. nœ.

#œ.

#œ #œ. œ #œ

Ptsu

12 8

œ.

Œ.

#˙. ˙.

Œ. like a cracked bell

j œ œ

no - na

Œ.

#˙.

Œ.

œœœ

Œ.

œ# œ œ -

j j œ œ œ

œ œ# œ -

œ.

12 8 #œ #œ œ œ œ œ #œ œ œ œ. #œ. ko

œ.

j j œ œ œ

#œ . œ . 12 8 #œ œ ‰ œ œ ‰

12 8 12 8

#œ.

√

98 # ˙ .

#œ.

.

∑

Œ.

12 # œ 8

∑ .

∑

#œ #œ œ œ œ œ œ. ki

∑

#œ 12 8 #œ œ

Yo - no - na - ka no

U 9 Œ

∑

j œ œ.

tsu - ne na

∑

U 9 n˙. Œ

Solo

‰ #œ œ œ

∑

U 9F Œ 8 #˙.

b ˙˙

L 100

8 8

f U

˙˙˙ ˙-

∑

œœœ œ-

U ˙

Yo-no-na - ka no

3 4

j ‰#œ œ œ œ œ.

Yo-no-na - ka no

U U 9 Œ

b˙ b œ . œ- œ J

U b b b œœœ ... œœœ ˙˙˙ J

˙b˙

? 44 b b ˙˙

ko - ko

bœ. ‰ 

b b ˙˙

˙& 44 b ˙

Pno.

œ- n œ . J

5 ‰ œ . b œ œ 4 b œ . œj œ ˙

b b ˙˙

ko - ko

4 & 4 œ bœ œ œ œ ‰ œ tsu - ku - su

5 4 b œ . œJ œ ˙

K p U U j 3 9 4 n˙ Œ 8 ‰#œ œ œ œ œ.

sendai

semplice

12 8 #œ

œ #œ

#œ.

œ # œ œ. ‰ œ œ # œ. ‰ ∑ ∑

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# œ# œ œ

104

(Solo)

œœœ

& #œ

104

j œ œ

no - na

#œ.

ko -

- ne

na -

- to

#œ

& ‰.

#œ #œ œ ‰.

#œ œ ‰. # œ & # œ. -

Ah -

106

tsu -

& #œ #œ ko -

#œ

shi

106

Fl.

#œ #œ ‰

œ œ œ ‰.

œ œ œ œ œ - to

j œ œ

j œ ˙.

ru - ra

œœœ œ‰

œ œ #œ

. œ œ #œ ‰ œ. - Ah

- ki

œ œ

# ˙˙ .. œ

#œ

#œ #œ

- to

j œ œ

œ œ œ œ ‰ nœ

j œ ˙. o

#œ

œ œ #œ œ.

‰.

- ki

‰

nœ œ

œ œ #œ

#œ œ œ œ œ œ ‰ #œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ

œ œ ‰ œ œ ‰ # œœ œ ‰ œ œ n ‰œ œ œ ‰ #œ œ œ . . J J

#œ #œ

œ œ œ œ œ œ œ œ œ œ

ru - ra

#œ

j œ œ

# # œœ

#œ ‰ -

shi

ru - ra

#œ #œ ‰

œ œ ‰

œœ ‰

≈

#œ

œ œ‰

#œ #œ

#œ œ #œ

#œ #œ #œ #œ

Ah -

#œ œ œ

œ œ #œ œ

œœ ‰

nœ. #œ

j œ ˙.

.

#˙. .

#œ

‰.

na -

œ #œ œ ‰.

œœ .# œ œ

ru - ra

shi

‰.

shi

œ œ

œ œœ #œ.

#œ

œ œ œ ‰.

- ne

#œ

# ˙˙ ..

∑

106

Pno.

œ œ œ #œ ‰

& &

- Ah -

#œ

shi

œ #œ œ ‰.

na -

ko -

. œœ .# œ œ ‰ -

- ne

- ki

j j œ œ #œ

- Ah -

#œ ‰. # # œœ . œ -

#œ #œ

œ.

. œ œœ‰ #œ. -

#œ #œ œ ‰.

∑

106

Ch.

f -

Div.

œ # œ œ. ‰ œ œ # œ. ‰

#œ. œ #œ

106

‰.

tsu -

#œ . œ . & #œ œ ‰ œ œ ‰

(Solo)

œ.

104

Pno.

104

Fl.

j j œ œ œ ka

œ œ# œ

& #œ #œ œ œ œ œ #œ œ œ œ. tsu -

œ# œ œ

sendai

œ. œ œ

œ œ

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#œ œ

sendai

& ‰

108

(Solo)

108

#œ #œ

#œ ‰ # # œœ -

shi

& #œ #œ f

shi

#œ

shi

108

Fl.

108

Ch.

108

Pno.

#œ. f

‰

M Piu Mosso q. = c 63

œ œ‰ œ œ œ œ œ œ‰ œ œ ‰ ‰

œ œ ‰œ œ œ ‰ # œœ œ ‰ œ œ n ‰œ œ œ ‰ #œ œ . . J J -

ru - ra

ru - ra -

j œ œ

ru - ra

≈ #œ

œ.

- mu

≈ œ

nœ.

ko - ko - ro

≈

#œ

#œ #œ #œ

ƒ like weeping bells

Œ. Œ.

œ œ

12 8

∑

rall. # ˙ . UŒ . 12 8 na

˙.

U 12 Œ.

tsu - ku - su

# œ- . # œ- . œ- .

# œ- . # œ . œ- .

tsu - ku - su

9 8 9 8

∑

9 8

∑

9 8

∑

# ˙- .

∑ ∑ ∑

U 12 9 Œ. 8 # œœ .. # œœ .. œœ .. 8 # œœ .. # œœ .. œœ .. # # ˙˙ .. ko - ko - ro

ko - ko - ro

œ.

tsu - ku - su

Œ . œ . # œ . œ . 98 œ . # œ . œ .

œ.

œ œ #œ œ

∑

#œ. #œ. œ. 9 #œ. œ. œ. Œ. 8 ƒ like weeping bells

j j #œ œ #œ

9 8

Unis. like weeping bells

j œ œ

#œ œ #œ œ #œ œ #œ

#œ

j œ œ œ œ œ œ œ œ œ

nœ.

#œ

#˙. #œ

∑

(Solo ends)

∑

˙. ƒ# ˙- . # ˙˙ .. #˙. ƒ

# ˙- . # # ˙˙˙ ...

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Œ.

12 8

12 ˙ . 8 12 8 12 8

∑

˙. ∑ ∑

sendai 113

(Solo)

∑

5 4

Calm e = c 150 (q.=c 50)

∑

& .

.

& .

.

5 4 ‰

5 4

113

& .

113

Fl.

& ˙.

113

Ch.

U .

5 4

∑

5 4

∑

˙. .

5 4

∑

Div.

5 4

& .

113

Pno.

.

5 4

œœ ..

œœ œœ œœ œœ œœ œœ ma-su - ra -wo ni shite

semplice

œœ

‰ ‰

j ‰ œ #œ œ œ œ œ #œ œ.

∑

Solo

ooh

œœ #maœœ -suœœ - raœœ -woœœ niœœ shite

‰ ‰

∑

œœ Nmaœœ - suœœ - raœœ -woœœ niœœ shite

‰ ‰

Œ.

œœ #maœœ -suœœ - raœœ -woœœ niœœ shite

‰

∑

#œ nœ œ #œ œ œ ‰ #œ œ #œ

∑

Œ ∑

Œ.

# œœ

œœ

Œ.

∑

œœ ..

œœ

Œ ∑

Œ.

# œœ

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œœ

Œ ∑

Œ.

sendai

œ œ œ œ j œ. #œ & ‰ œ #œ

118

(Solo)

ooh

∑

&‰

œœ Nmaœœ - suœœ - raœœ - woœœ niœœ shite

& œ.

118

Fl.

& œœ ..

118

Pno.

118

? œœ ..

Œ.

œœ

Œ.

œœ

‰

j ‰ œ #œ œ œ œ œ #œ

Œ.

#œ

œœ

‰

# œœ

‰

shite

‰ #œ œ #œ nœ œ #œ œ œ #œ

# œœ ..

œœ œœ

Div.

#maœœ -suœœ - raœœ - woœœ niœœ

# œœ ..

ooh

Œ.

j œ œ œ œ œ ‰

- su - ra - wo ni

shite

- su - ra - wo ni

shite

œ.

Œ.

# œœœœ ....

œœœ œ

Œ.

œ. œ.

Œ.

j œ œ œ œ

‰

ma - su - ra - wo ni

shite

‰

ma - su - ra - wo ni

œœ

#œ

j œœ œœ œœ œœ œœ ‰ # # œœ

œœ Nmaœœ - suœœ - raœœ - woœœ niœœ shite

œ.

œ œ

‰

j œœ œœ œœ œœ

#maœœ -suœœ - raœœ - woœœ niœœ

shite

œœ

‰

shite

‰ #œ œ #œ nœ œ #œ œ œ #œ

# # # œœœœ .... #œ. #œ.

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œœœ œ œ œ

Œ.

sendai

j œ œ œ œ #œ & ‰ œ #œ

122

(Solo)

ooh

& nœ

122

& n # œœ

& ‰ &

shite

su - ra - wo ni

œœ

j œœ œœ œœ œœ

Pno.

œœœ œ

? #œ. #œ.

œ œ

IV. S1

12 & 8 .

Distant e = c 132

& 12 8 . & 12 8 12 & 8

128

Œ.

p sempre

‰

U U (Solo ends) œ ‰ 3 ∑

shite

j œœ œœ œœ œœ

œœ

shite

œœ

# # # œœœœ ....

œœœ œ

œ. œ.

‰

Œ. Œ. . U

∑

12 8 12 8

∑

12 8

3 4

∑

12 8

3 4 ˙. p

3 4

Œ.

Yo-no - na - ka

∑

3 4

Œ.

Œ. Œ. œ œ œ œ œ. œ. œ œ œ œ œ. œ. J J J J Yo-no - na - ka

∑

shite

œ œ

12 8

∑

U U 3 ‰

su - ra - wo ni



U p sempre

U U ‰ 3

#maœœ - suœœ - raœœ - woœœ niœœ

˙. #˙.

∑

j œ œœ œ

ma - su - ra-wo

# # œœ

U U 3 œ ‰

# œ n œ œ # œ Uœ ‰ #œ œ

Œ.

Œ. Œ. .

˙.

Œ. Œ. . U

‰

˙.

12 8

∑

12 8

∑

12 8

Div. p 9 ‰ œ œ œœ œjœ œœ ‰ 12 8 8

∑

˙.

a - sa - bi - ra - ki

j9‰ j ‰ 12 œ œ # œœ œœ 8 # œœ œœ œœ œœ œœ 8 Div.

pta - to - e - mu

(Unis.)

a - sa - bi - ra - ki

j 98 ‰ j ‰ 12 j j j j j j j ‰‰ 8 œ œ œ œ œ . œ . œ œ œ œ œ . œ . œ œ œ œ œ . œ . œ œ # œœ œœ œœ œœ œœ # œœ œœ œœ œœ œœ

Yo-no - na - ka

Fl.

‰



& # œœœœ ....

128

œœ

‰

#œ

shite

& #˙.

122

shite

Nmaœœ - suœœ - raœœ - woœœ niœœ

122

Ch.

œ ‰

su - ra - wo ni

œ.

122

Fl.

j œ œ œ œ

œ.

∑

Yo-no - na - ka

∑

Yo-no - na - ka

Div.

Na-ni

ta - to - e - mu

a - sa - bi - ra - ki

- - j 9 12 j # œ ‰ ‰ œ œ # œ- œ- 8 ‰ œ- œ- œ œJ œ ‰ 8 - œ- œ- p

∑

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sendai

12 & 8 ˙.

˙.

133

Pko

gii

12 & 8 œ œ œ #œ œ #œ œ œ œ œ œ œ ˙. ko

‰ œ œ # œœ œ œœ œœ œœ œœ 68 # œœ œœ œœ œœ # œ . œ . # œ . œ . J J J J J

12 & 8 # œ œj œ œ

shi

j j œœ œ œ œœ

Fl.

12 & 8

#œ œ #œ œ.

œ.

12 & 8

133

Ch.

∑

ko- gii - ni - shi

‰ #œ œ

œ J

fu - ne

œ ∑

œ J

œ œ J

6 8

#˙.

6 8

∑

6 8

∑

& #œ.

œ.

& œ.

œ.

& œ. œ.

# œœ ..

& ˙.

shi

138

& ?

go -

a - to na - ki

? 12 8

138

Pno.

a - to na - ki

∑

Ch.

6 8

shi

fu - ne

∑

shi

a - to na - ki

∑

138

12 & 8

133

Pno.

œ œ œ

j j 6 œ œj œ œj œ . œ . #œ œ œ œ 8 fu - ne

- to

6 j ‰ j j j j Œ. j 8 # œœ œœ œœ œœ # œœ .. œœ # œ œ œœ œ œœ œœ œœ œœ

ko - gii - ni - shi ko - gii - ni - shi

133

ko- gii - ni - shi

go -

˙.

Œ.

˙.

˙˙ ..

œ.

#œ.

U ˙.

œœ .. # œœ ..

œ Œ Œ. J

˙.

#˙. U ˙.

œ. œ.

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- to -

∑

œ.

#˙. œ.

œ.

#œ.

œ.

#œ.