You Who are also There | Catherine Dalton | MusicSpoke

HSP-115-01 You Who Are Also There / Dalton / SATB with divisi, sop and tenor soloists, a cappella $2.15

You Who Are Also There for SATB choir with divisi, soprano and tenor soloists, a cappella

Text by Hadewijch II

Hickory Street Publishing 路 catherine@catherinedalton.net 路 www.catherinedalton.net

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

All things are too small to hold me, I am so vast In the Infinite I reach for the Uncreated I have touched it, it undoes me wider than wide Everything else is too narrow You know this well, you who are also there Hadewijch II Translated by Jane Hirshfield © 1994 Used with Permission

_____________________________________

Program Notes

Very little is known about Hadewijch II, a Flemish Beguine from the 13th century. Hers are the 13 poems, appearing to be in another hand, which follow the 16 poems by Hadewijch I. According to the translator, Jane Hirshfield, these poems are more “metaphysical and intellectual” and “introduce a new vocabulary of words…which would be drawn upon later by male mystics such as Ruysbroeck and Eckhart.” from Women In Praise of the Sacred by Jane Hirshfield

About the Composer Catherine Dalton specializes in vocal compositions that are inspired by classical, jazz, folk, world music and chant. Her music has been performed by such groups as Vox Femina Los Angeles, Aurora Chorus, Camerata Nova, and the internationally known new music ensemble Zeitgeist, in addition to singers Carrie Henneman-Shaw, Jeffrey Hess and Nicole Warner and numerous choirs across the United States and abroad. catherine@catherinedalton.net www.CatherineDalton.net

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

You Who Are Also There

Duration: 4:10

SATB choir with divisi, soprano and tenor soloists, a cappella

Hadewijch II † Translated by Jane Hirschfield

f Œ bœ

Catherine Dalton

Expansive ( q = 76)

Soprano

4 &4 Ó & 44 Ó

Alto

f 4 b˙ V4

Tenor

f ? 44 b ˙

All

Bass

All

Piano (for rehearsal only)

5

& 44

Ó

? 44 b b ˙˙

All

f Œ bœ

All

? œ

bœ

are

& œœ b b œœ n n œœ 3

? œœ †

b b œœ

œ

too

œœ œœ

things

j bœ bœ

46 ˙

˙

44 Ó

Œ

are too small

œ.

things

œ

are too small

œ bœ œ

œ

are too small

things

œœ ..

œœ b b œœ

œœ

œ

bœ

nœ

too

small

to

œ

3

œ

3

œ

too

œ

3

small 3

small

œœ

small

3

to

œœ

j bœ bœ b œ œœ

3

œœ

b œœ

œœ

me,

,

P 64 œ œ œ œ ˙

,

hold me, hold me,

œœ

46 ˙˙ œ 46 œ

œœ

˙˙ œœ

œœ

44 # œœ

6 4 #˙

œ

˙

œ

to

4 4 #œ

˙

#œ

44 œ

˙

œ

44 œ 4 # œœ 4 # œ

me,

hold

6 4 # # ˙˙˙ 6 4

œœ

me,

˙

to

hold

me,

hold

me,

to

˙˙˙

œœ œ

˙

˙˙

œœœ

˙˙

to

# œœ

4 4

bœ

All

f stagger breathing 44 b ˙ ˙ All

things

All

things

Ó

Œ bœ ˙˙

44 b b ˙˙

# œœ

hold

All

f stagger breathing 4 b˙ ˙ 4

44

˙˙ ˙˙

˙˙

46 œ

œœ

P 6 œ œ œ œ ˙ 4 hold

œœ

œ n œœ

me,

46 # ˙˙

œ

3

P

hold

hold me, hold me,

46 œ

b œœ

to

3

œ

to

œ

to

œ

to

œ

3

to

are too small

Œ bœ ˙˙

bœ

3

to

3

˙

things

are

too

Œ bœ

œ

& œ bœ nœ œ bœ œ

4 Ó 4

œ

are

bœ

˙

œ

3

V œ

˙

œ bœ œ

3

things

j bœ bœ bœ bœ

˙

& œ bœ nœ œ bœ things

œ.

P 6 4 ˙

3

hold

œœ

me,

œœ

# œœ

hold

œ

me,

œ

to

œ

#œ

œ

œœœ

hold

me,

hold

me,

œœ

to

œœ œ

# œœ

© 2015 Catherine Dalton, ASCAP, Hickory Street Publishing from Women in Praise of the Sacred catherine@catherinedalton.net · www.catherinedalton.net Edited by Jane Hirshfield HSP-115-01 Used with permission This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

4

You Who Are Also There - Dalton 8

& # œœ

hold

œœ

# ˙˙

me,

to

& #œ

œ

me,

to

V œ

œ

#˙

hold

? œ

hold

& # # œœœ ?

œœ

me,

˙

to

œœœ

˙˙ ˙

45 # # ˙˙

& 45 Œ 12

V 45 œ b œ

œ

I

am 3

F ? 45 œ b œ3 I

I

& 45 œ Œ ? 45 œ

am

am 3

bœ 3 Œ bœ 3

so

œ

˙˙ . .

Ó

I

Œ œ

am

Œ bœ

3

P 44 #˙. sub.

vast,

P 44 ˙ .

˙.

sub.

P 44 n ˙ .

vast,

œ

œ bœ bœ

œ

œœ œ œ

˙

˙. œ

˙.

œ b œ3

am

so

œ bœ

sub.

vast,

44 # ˙ . # ˙. œ

44

* De-emphasize the licensed "st" in "vast" make the line appear seamless This score is not forto performance. Please visit

. n ˙˙ .

so

nœ

œ œ

œ

˙. œ

5 4

vast,

sub. p 3 ˙. 4

5 4

vast,

œ bœ œ

sub. p 3 n˙. 4

˙˙

43 # # ˙˙ ..

so

œ

œ bœ

Œ

nœ

œ #˙

Œ

#œ

œ #˙

#œ nœ nœ

p n˙.

5 4

vast,

43

œ

p œ

45

˙˙ ..

q = 68 Unhurried

œ #˙

#œ # œ

sub. p 3 4 #˙.

˙.

œ

5 4

vast,

am so

rit.

vast,

œ

œ œ

me,

P 44 # ˙ .

˙.

I

œ

I

am so

œ œ ˙

œ bœ

sub.

I am so

Œ

sub. p 3 #˙. 4

˙ œ œ I

˙.

˙˙ . .

œ ˙

Œ

3

me,

#˙ 45 # ˙

œœ

œ

F

hold

F

& 45 œ b œ

3

hold

# ˙˙

Œ

me,

P 5 #˙ 4

Œ

slightly faster

Œ

˙.

hold

to

œ

me,

P 5 4 #˙

P 5 #˙ 4

me,

A

˙.

hold

˙

œœ

F

P 5 #˙ 4

˙.

45

p œ

vast,*

p

so

vast,

so

n˙.

p

so

vast,

œ

so

vast,*

so

b ˙˙ ..

vast,

so

nœ ˙

Œ

p

p œœ

˙.

Œ

p n b ˙˙ ..

œ

b˙.

vast,*

œ

so

b˙.

vast,

œ

so

œœ # ˙ # ˙

Œ

˙˙ . . n b ˙˙ ... b˙

œœ

˙˙ . . b ˙˙ .. b˙.

œœ

n œœ # ˙˙

Œ

vast,*

p

œœ œ

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p

p œœ p

œœ œ

17

Sop. Solo

& Ó sim.

& ˙.

S

Œ

F œ œ

In the

(stagger breathing)

œ

vast,

so

& ˙. V b ˙˙ ..

sim.

T

22

Ten. Solo

S

P & ˙. P & ˙ .. ˙

vast,

A

P V ˙.

vast,

T

P ? ˙.

vast,

B

vast,

& ˙˙˙ ... ? ˙. ˙.

œ

vast,

˙.

œ

vast,

˙.

œ

vast,

˙.

vast,

so

vast,

so

vast,

œœ

so

b ˙˙ ..

so

œœ

b ˙˙ ..

so

œœ

b ˙˙ ..

so

vast,

œœ

so

œ

b˙.

vast,

œ

so

b˙.

œ

so

b˙.

œ

so

b˙.

vast,

œ

so

œœœ œ

œœ œ œ œ œ b ˙˙ .. b˙.

œœ œœœ

œœ b ˙˙ .. b˙.

œ œ œ œœœ

œœ b ˙ .. b ˙˙ .

œœ œœœ

˙˙ . . b ˙˙ .. b˙.

œœ œœœ

vast,

œœ ˙˙ .. so vast, P œ ˙. P œ ˙.

b ˙˙ ..

In the

P œ

P so

œœ so P œ

so

vast,

œ œœ

˙˙ .. ˙.

œ œœ

vast,

˙. ˙.

vast,

œ œ œ

F Œ œ œ œ œ œ œ ˙

P œ

œ œ

œ

so

P œ ˙.

so

˙.

Ó

so

œ

vast,

œœœ

P

˙.

œ

so

∑

V

˙.

cre - a - ted

vast,

so

& ˙˙ .. ? b ˙˙ ... b˙

œ

-

so

œœ

vast,

˙.

for the Un

∑

œ œ ˙

vast,

(stagger breathing)

? b˙.

reach

j œ

so

sim. (stagger breathing)

B

In - fi - nite I

œ œ œ.

œ

vast,

so

vast,

œ œ

œ ˙

so

œ

vast,

œ

vast,

sim. (stagger breathing)

A

5

You Who Are Also There - Dalton

so

œ œ œ

œ

In - fi - nite I reach

˙.

sim.

vast,

œ

vast,

œ

œ J ˙

œ œ œ.

for the Un - cre - a

˙.

˙ -

vast,

so

vast,

˙

ted

˙.

œ

so

sim.

œ

so

˙.

œ

Ó œ

vast,

so

œœ ˙˙ ..

˙˙ ..

œœ

so

˙˙ ..

vast,

œœ

so

˙˙ ..

vast,

so

vast,

so

˙.

œ

so

˙.

vast,

œ

so

˙.

vast,

œ

so

˙.

vast,

œ

so

œ

˙.

œ

˙.

œ

so

˙.

vast,

œ

so

œ œœ

˙˙ .. ˙˙ ..

œ œœ

vast, sim.

˙.

vast,

˙˙ .. ˙. œ œ œ œ ˙ ˙. ˙.

so

vast,

so

vast,

œ œœ

˙˙ .. ˙. œ ˙. ˙.

œ œœ

˙˙ ˙˙

œ œ

œ œ œ.

œ œ

j œ

˙. ˙.

œ

œ œ

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˙. ˙.

œœ

œ œ

6

F vast, div. w œ ˙.

28 vast,

vast,

A

so

& ˙˙ ..

so

V ˙.

vast,

B

?

so

& ˙˙˙ ...

œœ œ

vast,

? ˙. ˙.

&‰

F w

sim.

œ I

w˙ . ww w

œ

&Œ Vœ

touched

? œ

œ

‰ œ

it,

?Œ & ‰

œ œ

have touched

œ

I

˙. 43 œ

œ

. 34 Œ ‰

bœ

sim.

œ

‰

¿

œ

œ œœ

I

œ

it,

œ

it,

44 w

¿

44 Œ

have touched

œœ

œ œœ

it,

œœ

44 w w 44 w Œ

a few altos whisper

œ

p ¿ I

œœ

œ

have touched

œ

¿

whispered

¿

have touched

œ

œœ

it,

˙ ¿ it,

œ

˙˙ .

P urgently Œ œ œ œ

it un - does

I

it un - does

have touched

œ

it,

˙. Œ

bœ

œ

˙.

I have

˙.

it un - does

œ

œ œ ∑

P urgently Œ œ œ œ

p bœ œ

∑

˙.

œ

it,

˙

44 w

have touched

I

‰

sim.

œ

p œ

have touched

œ

˙.

‰

44 w

it,

‰

it,

3 4 Œ

vast,

œ œ

˙

p a few tenors whisper bœ œ œ œ

43 ‰

vast,

œ

touched

3 4 Œ

F w

so

˙.

32 (unis.)

I have

vast,

œ

p a few second sopranos whisper

vast,

F œœ w

vast,

T

p ˙ œ œ 43 œ . B

so

& ˙ ..

S

You Who Are Also There - Dalton

œ œ œ œ œ œ

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œ œ

œ

43

œ

43

œ

43

me,

Œ

43

œ œ

43

Œ

43

7

You Who Are Also There - Dalton

F

3 & 4 ˙. 35

‰ œ œ œ 3 F ‰ œ œ œ 3

it un - does

3 & 4 ˙.

F ‰ œ

?3 4

3

it un - does

∑

& 43 ˙˙ .. ? 43

& 44 œ 39

œ ? 44 œ

œ œ

œ3 œ œ ‰

∑

3

œ

3

œ œ

3

œ

3

wid - er

& 44 œœ

4 œ œ œ œ œ ˙ 4

3

œœ œœ 3

œ

3

œ

than, wid - er

œ

3

œ

than, wid - er

œ

3

than, wid - er

œ

3

than, wid - er

œ œ œœ

œœ œœ

3

œœ œœ 3

it un - does

f

me

it un - does

f 3 4 œ

me

f 3 œ 4

me

3

œ œ œœ

me

œ œ

˙˙

œ than

wide,

œ

43 ˙ .

œ

˙. 43

than

œ

than

œœ œœ

wide,

34 ˙ .

wide,

˙. 43 ˙˙ .. ˙. 34 ˙ .

, F œ 45 œ ˙˙

,

F

wid - er

45 œ

˙

wid - er

, F œ ˙ 45 , Fœ ˙ 45

wid - er

œ 45 œœ œ 54 œ

˙˙˙ ˙˙

than,

4 4

œ

˙

4 4

than,

œœ

˙˙

43 ˙˙ ..

˙

43 œ œ œ

˙

than

˙

than,

˙˙ ˙ ˙˙

œ

than, wid - er

œœ

œ 43

œ

43 œœ œ

3

˙. 43 ˙ .

œ

˙

wid - er

˙ ˙

œœ

than,

4 4

wid - er

3 4 ‰ œ œ œ œ ˙ 4

44 œ œ œ œœ œ œœ œ œ 44

˙

wid - er

3

it un - does

œ

wid - er

3

it un - does

3

wid - er

? 44 œ

œ me,

‰ œ œ œ

wid - er

V 44 œ

3 4 œ

∑

wid - er

& 44 œ

œ

4 œ 4 œ œ œ œ ˙

me,

œ

4 œ œ œ œ ˙ 4 œ

me,

it un - does

3 ˙. V4

œ

f 3 4 œ

3

˙˙ ˙

œ

œ than,

œ

4 4 44 44

˙˙ ..

44

wid - er

œ

than

˙.

44

43 œ œ œ

œ

˙.

44

43 ˙ .

˙.

44

43 ˙˙ ..

˙˙ ..

44

wide

wid - er

than

wide

wide,

œ œ œ 34 œ˙ . œ œ

œœ

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˙˙ .. ˙.

44

8

You Who Are Also There - Dalton

p 3 P 3 4 &4 œ œ œ œ œ œ œ œ ˙ C

Floating (q = 80)

π 4 &4 w

Ev - ery - thing else is

too

nar - row

& 44 œ

œ

3

w ? 44 ww

49

& œ œ ˙ nar - row

P V œ œ ˙ nar - row

?

œ

3

∑

œ

ww w

3

niente

œ

is

too

œ

Ev - ery - thing else

w

œ œ3 œ œ œ3 œ

œ

(stagger breathing)

Ev - ery - thing else

is

too

∑ 3

œ

∑

œœ

3

œœœ œœœ œœœ œœœ œœ

œœ

p œ œ3 œ œ œ3 œ Ev - ery - thing else is

too

Ev - ery - thing else is

too

∑ œœœ œœœ œœœ œœœ œœœ œœœ 3

∑

Ev - ery - thing else

3

is

too

œœw œœ

œ œ3 œ œ œ œ

˙

3

p 3 œ œ œ

wid - er than

˙˙

Ev - ery - thing else

w

3

œ

˙

œ

˙

nar - row

is

too

œ

nar - row

˙

wide, 3

œœœ œœœ œœœ œœœ œœ w

œ œ3 œ

wid - er than 3

œ œ œ

œ

w

Ev - ery - thing else

œ

3

∑

œ œ œ œ œ œ

˙

3

œ œ œ œ œ œ

œ œ œ ˙

nar - row

Ó

3

œœ œœ ˙˙

3

too

(stagger breathing)

sim.

nar - row

too

3

Ev - ery - thing else is

3

Ó 3

∑

œœ

3

nar - row

œ œ œ ˙

3

sim.

nar - row

∑

3

Ev - ery - thing else

œœ

˙

œ œ œ œ œ œ

∑

& œœœ œœœ ˙˙˙ ?

Ev - ery - thing else is

w

œ œ œ œ œ œ 3

3

niente

w

π ?4 w 4

3

too

(stagger breathing)

sim.

P œ œ œ œ œ œ œ œ ˙

p

Ev - ery - thing else is

niente

w

π 4 V4 w

P ,p 3 3 œ œ œ œ œ œ œ œ ˙

œœ

œœw œœ ˙

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˙˙

œ œ3 œ

P & œ 54

S1

-

Ev

S2

œ œ œ œ œ J

& œ œ

3

ery - thing else is

œ

& œ œ

3

else

œ

Ev - ery - thing

T

B

œ œ3

V

else

œ

Ev - ery - thing

else

? w

wide,

& œœœœ œœœ œ œœœœ œ 3

? w

F œ

58

S1

S2

&

P & œ

Ev

P & œ

3

cresc.

œ

-

cresc.

œ

3

B1

V

too

j œ

œœ œœ 3

ery - thing else

œ

else

3

œ

is

too

˙

F œ œ J

else

œ J

is

cresc.

wide,

& œœœ

œœ œ œœœ œ

j œœœ œ j œ œ

j œ

Ev

œ

˙

œ

˙˙

œ œ

Ó

œ

œ 3

else

œ

œ œ3

œ

œœ œ œ

nar - row

3

œ

else

œ

Ev - ery - thing

else

w

wide,

œ œ œœ œ œœœ œœœ œœ w

Ev sim.

œ

˙

nar

œ -

œ

3

œ -

row

œ

nar - row,

œ œ œ 3

wid - er than

œ

3

œ

œ œ

is

œ œ

is

j œœ œ

œœ

too

3

too

j œ

œœ œœ 3

œ œ œJ œ

ery - thing else

œ

else

œ

˙

Ev - ery - thing

œ œ œ

3

Ev - ery - thing sim.

œ œ J

3

œ

too

˙

3

nar - row

too

œ

Ev - ery - thing

nar - row

œ J

ery - thing else is

œ œ

œ

˙ œ

œœw œœ œ œ ˙˙

F ˙

3

wid - er than

œ.

-

Ev - ery - thing

˙

F w

œ œ œ œ œ J 3

œ œ

w

F ˙

wide,

B2

nar - row

F 3 œ œ œ œ

is

Ev - ery - thing, ev - ery - thing

P ?w

œ J

œ

Ó

œ˙ œ

cresc.

P cresc. œ œ œ

P ?w

is

œ

nar - row nar - row

œ œ

j œœ œ

œœ

too

3

œ œ œJ œ

Ev - ery - thing

T

œ œ

is

œ

You Who Are Also There - Dalton

œ

3

Ev - ery - thing

A

too

˙

Ev - ery - thing

A

œ J

3

sim.

œ

is

œ J

too

œ œ

3

is too

else

œ œ J

Ev - ery - thing, ev - ery - thing

w

sim.

wide,

w

œ J

is

œ

wide,

Ó

nar - row

w œ

œ

˙

nar - row nar - row

œ˙ œ

œ

˙ œ

nar - row

˙

œ

œ 3

wid - er than

œœw œœ œ œ ˙˙

˙˙

œ œ

Ó

œ œ

nar - row

w

œ. too

˙

œ

œœ œ œ

nar - row

˙

sim.

œ

9

3

˙

œ œ J

nar

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row

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wid - er than

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3

10

62

&

œ

F & œ œ œ Ev

-

F

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is

too

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3

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else

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too

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π & œ 66

S

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3

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3

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else

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wide

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nar

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42 ˙ 42 ˙ ˙ 42

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3

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j œœ

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3

œœ

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œ œœ œ J 3

P bell-like 44 w -

œ

D moving forward (q = 92)

P ˙-

You,

44 Ó

bell-like

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44 Ó

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P44 Œ ˙ .

42 ˙˙˙

44 w

˙ 42 ˙

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wid - er than

You,

43 43 43 43

You,

. ˙ . 44 Ó Œ This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. 3

row

˙

nar - row

˙w œœ

œw w

˙

wide

& œœ

is too

-

nar - row,

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3

pw

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too

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3

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3

j œ œ

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wide,

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nar

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3

ery - thing else

p j œ œ œ œ œ œ

You Who Are Also There - Dalton

˙

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43 43

11

You Who Are Also There - Dalton

3 & 4 ˙- . 70

& 43

you,

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you,

3 ˙. V4

, F 3 6 4 œ œ œ ˙ ,

˙

F 3 Œ œ œ œ ˙

you

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you,

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F

˙

? 3 ˙. 4

6 4 Œ

& 43 ˙˙ ..

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f ˙ 4 &4 f 4 &4 ˙

you

f V 44 ˙ f ? 44 ˙

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3

Sop. Solo

œ

who are

œ

œ ˙ .

al - so

œ ˙.

al - so

œ ˙.

you

who are

al - so,

you

who are

al - so

4 ˙ & 4 ˙ ? 44 ˙˙

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œ

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˙˙ .. ˙˙ ..

, ,

Sp

4 4 w 44

F

6 4 Ó

Sp

you,

w

F

you,

Sp 4 w 4

6 4 œ

You know this well,

broadly

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œ

F broadly 3 6 œ œ œ 4

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you,

46 Œ

44 ww

46 œ

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3

4 4

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˙.

4 4

‰ œ

œ

j œœ œœ

˙.

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floating

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œ

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45 ˙˙ 45

w

Ten. Solo

P w

44

˙. ˙.

44

˙.

˙ P floating

you who are

al - so

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œ

45 ˙

˙.

5 4 ˙˙˙

˙. ˙˙ ..

˙˙

p

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ww

p there pU [

w

there

p ww 44 U pthere p 44 U w

there

œ˙ œ 45 ˙

3

œ

œ˙˙ . .

44

˙.

You know this well,

44 ww

4 4

œ

You know this well,

who are al - so

ww

F broadly ‰ œj œ ˙ œ

You know this well,

46 Ó

you

œ ww

F broadly ‰ œ œ ˙ J œ

a tempo (q = 80)

you,

3

˙. ? 43 ˙ .

74

Œ

3

,

˙

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

4 4

U w

ww

U w w 44 ww

44 44

More Music by Catherine Dalton Choral boundless joy (Dalton) | SATB choir and narrator Come from Far, Come from Near (Dalton) | SATB a cappella Dancing in the Street (Dalton) | SATB a cappella | TTBB a cappella Everything Is As It Should Be (Dalton) | SATB, soprano soloist and piano From the State of Emptiness (Dalton) | SATB, sus. cymbal, frame drum | SSAA, sus. cymbal, frame drum, cello Fly with Me (Dalton) | SSA, piano I Know a Woman (Dalton) | SATB choir, soprano soloist My Box (Lauren Dalton) | SA, piano O My Friends What Can You Tell Me of Love (Mirabai, trans. by Hirshfield) | SATB choir with optional hand drum, finger cymbals/windchimes and tambourine One Mind, One Heart (Lee Her/Kristen Maier) | SATB, piano, claves, small gong, hand drum Out Beyond Ideas (I’ll Meet You There) (Rumi, trans. by Barks, O’Shaughnessy) | SAB/SATB choir and piano She Rises (Dalton) | SSAA double choir, a cappella Sweet Radiant Mystery (Dalton) | Four part chant for equal or mixed voices and piano or handbells The Flute of the Infinite (Kabîr, trans. by Tagore) | SATB a cappella, optional flute, hand drum The Path You Walk Upon (Dalton) | SATB, piano, violin | SSA, piano, violin | SA, piano Today will be warm: A Story Cloth in Sound (Kao Kalia Yang) | SATB, Tibetan hand chimes, djembe, hand-chimes You Who Are Also There (Hadewijch II, trans. by Hirshfield) | SATB divisi, a cappella

Solo Voice Fly with Me (Dalton) | Solo voice, piano Magnolia Trees (Vikram Seth) | Solo voice, piano Siana (Dalton) | Solo voice Silent Tears (Dalton) | Solo voice, piano Turning into April (Ann Bushnell) | Solo voice, piano Hickory Street Publishing · catherine@catherinedalton.net · www.CatherineDalton.net

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

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