M E L I S S A NI COLE WA LT E R S INTERIOR DESIGN PORTFOLIO
ABOU T ME Thank you for taking the time to view my portfolio! I am a current senior in the School of Interior Design at Anderson University in South Carolina. Growing up in Hartsville, South Carolina, I had very little exposure to the field of interior design. However, creative pursuits such as art and music drew my attention. Whether it was a floor plan for a dream home or new furnishings for a doll house, I was always creating something. By middle school, I had cultivated a love for art and design. In 2007, a calamity brought me closer to realizing what I would choose for my career. My family home was flooded from a burst pipe, and four stressful months of renovating followed. Through this experience, I began to understand the difference an interior designer could have on a client’s life. This was a pivotal point in my decision to pursue interior design. Throughout my journey in the School of Interior Design, I have learned to push myself to approach new tasks with confidence. My design strengths have become evident throughout the various phases of design. Viewing every design as a problem to be solved, space planning has emerged as one of my greatest strengths. With attention to detail, my strengths are seen throughout the design development and construction document phase in all things technical. These skills have been strengthened through the wide range of projects in my commercial design and contract design courses. Upon graduation, I hope to establish myself in the field of interior design as a designer at a commercial firm.
D ESIGN PH IL O S O PHY As an aspiring designer, I believe that there is much more to interior design than just an aesthetically pleasing space. Interior design is not just a means of creating a colorful space with nice furnishings, but a method of creating life changing solutions. Every aspect of design from programming to contract administration is vital as each phase shapes the design. Interiors should be functional, safe, and uplifting because they greatly affect our lives. Each design should be tailored to meet the needs of the client and end user. No matter what typology, a design should be memorable, inventive, and flexible so that is can evolve as its purpose shifts. My goal as a designer is to create innovative design solutions in order to produce beautiful, unique spaces that will enhance the well-being of the end user.
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M E L I SSA N I CO LE WA LT E RS EDUCATION Anderson University 316 Boulevard , Anderson, SC 29621 (2013 - Present) | Expected graduation date: May 2017 | BA in Interior Design | Minor in Business | Cumulative GPA: 3.95
Walters’ Academy Hartsville, SC (2009 - 2013) | Homeschool | High School Diploma | GPA: 4.5
EXPERIENCE INTEC Group Inc. |Intern Interior Designer | Charlotte, NC |(May 2016 - July 2016) Assisted in design development and construction documents using AutoCAD Generated renderings for client presentations Recorded field measurements in existing buildings Observed client meetings with designers, architects, engineers, and general contractors Selected materials and finishes and constructed finish presentations Visiting project sites under construction
Anderson University |Student Worker |(2016 - Present) Assisted Dean of the School of Interior Design Tasks involved administrative work Utilized organizational skills
RECOGNITION Regional Winner | 2016-2017 IDEC Student Design Competition
(2017)
One of three finalists out of all the participating universities and colleges in the Southeast region. To participate in national competition.
1st Runner Up|IIDA Carolinas 2017 Shining Star Scholastic Award
(2017)
1st runner up out of all undergraduate participants in North and South Carolina.
3rd Place Winner |ASID Carolinas 2015-2016 Otto Zenke Student Design Competition
(2016)
3rd place winner out of all universities and colleges in North and South Carolina.
Dean’s List (2013-present)
PARTICIPATION Alpha Chi National College Honor Society (2016-present) Membership limited to the top 10 percent of an institution’s juniors, seniors, and graduate students
ASID Student Member (2013-present)|AU Student Chapter President (2015-2016) |AU Student Chapter Secretary (2016-2017) Participated in volunteer work Supervised fundraising efforts Lead committee efforts to plan events Communicated with Architects, Designers, and Product Representatives
IIDA Student Member (2016-present)
SKILLS Revit 2017
Adobe Illustrator CS6
AutoCAD Architecture 2017
Microsoft | Word, Excel, PowerPoint, Access
SketchUp 2017
Hand Drafting + Rendering
Adobe InDesign CS6
Space Planning
Adobe Photoshop CS6
Presentation Boards
06 26 32 36 40
Commercial Design
Building Systems and Codes
Digital Graphics
Manual Graphics
Creative Works
CONTENTS
08 12 16 18 20 24
BRIC - Senior Thesis
Eulari - City Club
R.E.A.C.H. - IDEC Student Design Competition 2016-2017
Terressence - City Center Hotel
Artedelamiere - ASID Carolinas Otto Zenke Student Design Competition 2015-2016
Shared Spaces - IDEC Student Design Competition 2015-2016
COMMERCIAL DESIGN
BRIC |
SKILLS UTILIZED | SENIOR LEVEL WORK Research, Space Planning, Selecting Materials, Finishes, and Furniture, Revit Architecture 2016, Rendering, Presentation Boards, Branding, Adobe Photoshop CS6, InDesign, + Illustrator
SENIOR THESIS
LOBBY
DESIGN CONCEPT | BRIC is an adaptive design, mixed-use facility housing short term housing for individuals and families displaced by natural disasters along with an area for community involvement. Research involved the psychological effects of traumatic events as well as the obstacles that displaced victims often face. Findings show that community and a strong support system can greatly diminish the negative effects of such disasters on the mental and emotional state of the victim. The inclusive design allows for a safe haven for residents while creating an opportunity to engage the surrounding community. A variety of spaces are designed to encourage social interaction or provide a quiet spot for mental renewal. Located on the second and third floor of an existing building in Dallas, Texas, the design is organized by zones. Inspiration for the forms and graphics used throughout the project was drawn from the resilience and strength of bridges as well as the restorative characteristics of natural cells. A soothing color palette of variations of blue and green targets lowering anxiety, while many natural textures and colors create a warm environment encouraging healing.
1.5 mil.
2005 2011 2016
People evacuated due to Hurricane Katrina
2,967
Homes destroyed in Texas due to wildfires
8,000 8
People displaced due to flooding in the Houston region
Build R es to r e Inspire C o nnect
LOCATION | The design is proposed to be located in Dallas, Texas. This location is ideal because it is not directly in an area at high risk for natural disasters, but is near areas often devastated by disasters. The city of Dallas offers several attractions, cultural and historical sites, and a variety of restaurants and shops. The building to be re-purposed is located at 4300 North Central Expressway, in North Dallas, Texas. Built in 1963, the building has undergone several renovations since it originally opened. Currently, the 25,000 square foot, 4 story building, is separated into multiple office suites.
TYPICAL MILLWORK ELEVATION
BUSINESS CENTER ELEVATION
The Garden Alcove provides a quiet nook for residents to read and relax. The vertical garden features irrigated trays that allow for herbs to be grown that can be used in the resident’s meals. The biophilic feature may reduce stress and help create a soothing environment. The BAUX Acoustic Wall Tile feature offers a stylish acoustic solution for the corridor.
CORRIDOR
LOUNGE
BRIC |
SKILLS UTILIZED | SENIOR LEVEL WORK Research, Space Planning, Selecting Materials, Finishes, and Furniture, Revit Architecture 2016, Rendering, Presentation Boards, Branding, Adobe Photoshop CS6, InDesign, + Illustrator
SENIOR THESIS
GROUP FITNESS
COMMUNITY LIVING
C1
T1
C2
STUDY
C2
T1
C2
C11 DN
GYM
C2
204
C11
C8
T1
C7
205 S1
STUDY
UP
203
C10
C10
C10
C9OFFICE
224
206
C1 PHONE BOOTH
C3
T1
C7
C8
202
222
C2
T1
C8
RESOURCE CENTER
200
C2
207 C8
LOBBY
223
225
C9
OFFICE
C8
RESTROOM RESTROOM GROUP FITNESS
C9
C8
COUNSELING
208
OFFICE 201 C8 C9
C1
T1
S2
C7
C4 C4 C4
C4 C4 PLAY
T9 C13
AREA
226
S2
S2
221
T5
S1
ENT1
S1
C2
C2
C6
C6
C6
C6
C6
C6
C6
C6
T6
T6
T6
C2
C2
C3
C12
C12 BUSINESS
C12
C12
C12
C12
C12
C12
C3 C3
T1
C1
209
C11 C11
211 REF
C1
CENTER
MEN'S RESTROOM
C2
C2
C11
210
219
220
T5
WOMEN'S RESTROOM
TOUCHDOWN
T2
S2 T5S2
C11
ENT2
MEDIA LOUNGE
C8
S3
LOUNGE
C11
S2
C13C13 C4
T2
S2
S2
C13 T9
C4
S2
S2
T5 S2
C4
S2
STORAGE
MAIN.
218
212
SECOND LEVEL FURNITURE PLAN
CONFERENCE ROOM
C3
C3
C3
C3
C3
C3
C3
The second floor is the main level of the facility and features amenities, a quiet zone with work areas, and a multipurpose zone for community.
C1
T1
209A
C3
C1
C1
T1
C1
GARDEN ALCOVE 213
T7.1TYP. @16
STORAGE 217A
Amenities
KITCHEN
MULTIPURPOSE SPACE
Work/Study
214
217 C9.1 TYP. @ 32 C9.1 TYP. @ 36 T7 TYP. @12 T4
T4
T4
T4
C10 TYP. @ 32
MULTIPURPOSE SPACE 215
T4
Community/ Multipurpose
10
T4
T4
T4
COMMUNITY KITCHEN/DINING C6
C6
C6
C6
216 C12
STORAGE
T8
T8
T8
C12
C12
C12
215A
C12
C12
SUITE
B3
B2
Room
B3
C9.1
C9.1
B3
307C C9.1
C9.1
ROOM
C9.1
B2
ROOM
ROOM
C9.1
307D
ROOM C9.1
B2
B2
B2
ROOM
C9.1307F
307E
ROOM 307G
C1
T1
DN
C9.1
UP
ROOM C9.1
T5
BATH
SUITE
S1
T5
C5 C5
T3
C5
BATH
C5
307I
C5
ROOM 307H
T5
C9.1
302
B2
LAUNDRY BATH C9.1
306I
ROOM
C5
SUITE T5
C5
T3
C5 C5
C5
T5
306H
B2
C5
306 S1
BATH 306A
Room C9.1 306B
S1
C5
Room C9.1
Room 306G C9.1
B2
306F
Room
C9.1
Room C9.1
306E C9.1
B2
306D
B3 B2
Room 306C
C9.1 B2
C9.1
B2
302F C9.1
B3
T4 C5
C6
C5
C6
BATH
DW
C9.1
303F
C9.1
Room
C9.1
302H
303C
C9.1
Room 303D
C6
C9.1
303B
303E
C6
S1
SUITE
THIRD LEVEL FURNITURE PLAN
C5
The residential floor located on the third level is divided into zones for men, women, and families/couples. These zones are broken down into smaller home-like suites. Each suite has a shared living, kitchen, and dining area.
S2
S2
C5 T3 C5 C5 C5 C5
S2
T2
S2
T1
S2
C9.1
S1
C9.1 B3
C9.1
Room 305C
Room
Men
Room
C5
C9.1
Room
BATH
304B
304A
T5 B2
C9.1
SUITE
C5
T3 C5
S1
S1
304
C5
T5
SUITE 305
T5
C5 C5
BATH
S1
S1 T5
B3
B3
305E
T3
C5 C5
C5
304G
B1
Room
C9.1
305F C9.1
C5
BATH
Room 305G
C9.1
C9.1
B2
305A
C5
304D
304C
C9.1
Room C5
Room
Room
C9.1
B3
305B
305D
C9.1
C1 B1
C9.1
Families/ Couples
Room 303A
T5
C1
B1
Women
T1
C1
B3
T5
303
C1
S2
B2
Room
BATH
C6
C5
B2
B2
BATH
T4 C5
Room
C9.1
B3
301
C5
C5 T3 C5 C5
302G
C6
C9.1
C5
BATH
301A
COMMUNITY LIVING
C5
C9.1
B2
Room
T5
S1
SUITE C5
B3
B2
302E C5
307
307A
C9.1
302D
300
S1
C9.1
Room
302A
LOBBY S1
302C
C1
B3
307B
C9.1
Room
302B
C9.1
C9.1
B1 B3
Room 304F
Room C9.1
304E C9.1
EULARI |
SKILLS UTILIZED | SENIOR LEVEL WORK
CITY CLUB
Research, Space Planning, Selecting Materials, Finishes, and Furniture, Revit Architecture 2016, Rendering, Presentation Boards, Branding, Adobe Photoshop CS6, InDesign, + Illustrator, Microsoft PowerPoint Presentation
RECEPTION
DESIGN CONCEPT | M. Walters Design Group has been commissioned to design the interiors of the Eulari City Club, a club for international business men and women. Located on the penthouse level of One Bligh in the Central Business District of Sydney, Australia, the 16,000 square foot club provides a place for influential business members to meet within a global city. Spaces to be designed include the reception area, presidential dining room, bar, lounge, private lounge, members’ suite, and members’ apartment. Inspired by the Aboriginal culture as well as the global nature of the city of Sydney, Eulari will be designed to blend luxury with natural influences, such as organic forms and an earthy color palette. Textured metals and woven materials are used throughout the club to connect the idea of honesty of materials and craft. Throughout the space, lighting is used to draw guests through the space and to accent focal points. The glass façade of the building provides a spectacular view of the city of Sydney as well as natural light into the club.
BRANDING | The form of the Eulari logo was inspired by the organic forms found in Aboriginal art and in nature. A subliminal letter “e” represents the city club’s name. The brand was incorporated into the place setting, dinnerware, and menu covers.
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PLACE SETTING
MENU COVER
BRANDING | The name “Eulari” is a conglomeration of the word “Lari” meaning “root” in an Aboriginal language and “eu”, taken from the Latin root word meaning “good/well”. The name of the club is meant to make the connection of the roots of Australia and reference the Aboriginal culture that inspired the design of the city club.
Core
N.I.C
In Scope
(Reception) The reception area features a back-painted glass wall with the club’s branding. The reception desk features back lit, translucent quartz. A small gallery area in the space is dedicated to displaying Aboriginal art. (Presidential Dining) The Presidential Dining room offers a beautiful view of Sydney’s skyline. Custom pendant lighting creates a focal point over the custom, double pedestal table. (Lounge) The Lounge offers a variety of seating arrangements to accommodate members. Built-in banquet seating is featured on either side of a floor to ceiling living wall. Providing a more private seating area, the central area is sectioned off by acrylic panels.
OPEN TO BELOW
OPEN TO BELOW
KEY PLAN
LOUNGE
PRESIDENTIAL DINING
EULARI | CITY CLUB
BAR
MEMBER’S SUITE
RESTAURANT N.I.C.
PRIVATE DINING N.I.C.
PRIVATE DINING
LOUNGE KITCHEN N.I.C.
N.I.C.
MEMBER’S APT
PRIVATE DINING
PRIVATE BOOTH
N.I.C.
BAR PRIVATE LOUNGE
PRESIDENTIAL DINING PRIVATE DINING COAT
RECEPTION MEMBER’S SUITE
N.I.C.
OFFICE N.I.C.
OFFICE N.I.C.
OFFICE N.I.C.
PRIVATE LOBBY
14
RENDERED FURNITURE PLAN
(Bar) The bar is located between the Reception and Lounge. The bar features undercounter lighting to accent the veining of the solid surface. Above the bar, a dropped gypsum board ceiling mimics the undulating shape of the bar. Lighting is used to draw attention to the space. (Members’ Suite) The Members’ Suite features a spectacular view of the city skyline in the living area. A custom entertainment center becomes the anchor of the room with the decorative wood veneer wall feature behind it. The living area also features a small kitchenette and work area.
MEMBER’S SUITE
RESTAURANT 11
PRIVATE DINING 10
WOMENS' MENS' RESTROOMRESTROOM 13
PRIVATE DINING
ø
14
" -0
MEMBER'S APT.
GWB on Mtl. Stud 9' - 0" A.F.F.
KITCHEN
9
' 13
12
GWB on Mtl. Stud 9' - 0" A.F.F.
18
LIQ. STR.
PRIVATE DINING
7
8 GWB on Mtl. Stud 8' - 6" A.F.F.
GWB on Mtl. Stud 13' - 0" A.F.F.
5' - 10 5' - 9"
GWB on Mtl. Stud 10' - 0" A.F.F. 1/2" COVE CEILING 13'-0" A.F.F.
GWB on Mtl. Stud 9' - 0" A.F.F.
GWB on Mtl. Stud 8' - 7" A.F.F.
LIQ. STR.
GWB on Mtl. Stud 9' - 0" A.F.F.
RECEPTION PRIVATE BOOTH 3
LOUNGE 16
2 GWB on Mtl. Stud 10'-0" A.F.F.
BAR 15
CORRIDOR
PRIVATE LOUNGE
GWB on Mtl. Stud 9' - 0" A.F.F.
17
COAT CLST. PRIVATE DINING 4 5 PRESIDENT'S DINING
BULKHEAD @ 8'-0" A.F.F.
MEMBER'S SUITE GWB on Mtl. Stud 9' - 0" A.F.F.
6
OFFICE
GWB on Mtl. Stud 9' - 0" A.F.F.
20
LIFT LOBBY
OFFICE
1
21
OFFICE 22
PRIVATE LOBBY 23
REFLECTED CEILING PLAN
GWB on Mtl. Stud 9' - 0" A.F.F.
GWB on Mtl. Stud 9' - 0" A.F.F.
19
R.E.A.C.H.|
SKILLS UTILIZED |SENIOR LEVEL WORK - TEAM COMPETITION PROJECT Research, Space Planning, Selecting FF&E, Revit, Digital Renderings, Presentation Boards, Adobe Photoshop CS6, Adobe Illustrator, Collaboration
IDEC STUDENT DESIGN COMPETITION 2016-2017 | REGIONAL FINALIST
LOBBY
DESIGN CONCEPT | R.E.A.C.H. Learning Center has been designed to promote education and service-learning efforts in the Amazon Rainforest. Inspired by the natural beauty and depth of the Amazon rainforest, this facility provides an immersive educational experience for service-learning participants and Miami-Dade community members. The main goals of the multi-purpose facility is to provide a space for learning and collaboration while promoting conservation efforts focusing on sustainable farming and reforestation. Technology has been used as an integral part of the design to enhance the level of engagement of visitors through the use of virtual reality technology, interactive screens, and furniture that can accommodate technology. To meet the needs of the educational facility, two classrooms have been designed to encourage collaborative thinking and learning. A hands-on learning area provides a space for participants to practice reforestation techniques on a small scale. Sustainable finishes and materials have been utilized to promote environmentally conscious efforts both in the community and globally. Overall, the design will create a space in which users can gather, collaborate, and learn about reforestation, sustainable farming, and preservation while promoting service learning to be applied in the Amazon Basin. BUBBLE DIAGRAM
R.E.A.C.H. | ~Restorative,Ecological, Agricultural,Conservation, Harvest~ The identity of this learning center is focused around the idea that conservation, service learning, reforestation, and sustainability are all “within reach� and should be sought after.
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MEN’S RESTROOM
BEDROOM
TOUCHDOWN
BATH
FAMILY RESTROOM
WOMEN’S RESTROOM
KITCHEN
HANDS-ON LEARNING
DINING FLEX CLASSROOM VENDING
SHELTER
LIVING DIRECTOR’S OFFICE
MECH/ ELECT. LOBBY
RENDERED FURNITURE PLAN
Featured on the right is an alternative furniture arrangement option for the flex classroom. This layout would be ideal for larger gatherings, such as an orientation training session.
(Lobby) The lobby provides an interactive area where visitors can learn about R.E.A.C.H and conservation efforts while waiting for classes to begin. Inspired by the natural beauty of the Amazon Rainforest, the lobby features pecky cypress wood trusses and an aluminum sculptural feature behind the custom reception desk.
TOUCHDOWN AREA
FLEX CLASSROOM
TERRESSENCE|
SKILLS UTILIZED | JUNIOR LEVEL WORK
Research, Space Planning, Selecting Materials, Finishes, and Furniture, Revit Architecture 2016, Digital Renderings, Presentation Boards, Adobe Photoshop + InDesign
CITY CENTER HOTEL - SEATTLE, WASHINGTON
RESTAURANT
DESIGN CONCEPT | M. Walters Design Group has been commissioned to design the amenities of a city center hotel in Seattle, Washington. The design will include the lobby, lounge, restaurant and kitchen, restrooms, boutique, gym, conference rooms, and a private lounge. Incorporating a blend of modern forms with natural materials, the design of the hotel will reflect the relationship of the city of Seattle to its natural surroundings. Both luxury and sustainability are key design features. The hotel will offer a place for business people to stay for meetings, but will also be a relaxing environment. In addition to providing a luxurious place of residence for travelers, the in-house restaurant offers an additional means of income.
0' - 11" 0' - 11"
0' - 6" 0' - 5" 0' - 4"
0' - 11 1/2"
4' - 0 1/4"
0' - 1"
0' - 2"
CUSTOM LIGHT FIXTURE
3' - 5 1/2"
18
4' - 0 1/2" 4' - 8"
LOBBY
The space is separated based on function. The east side of the first level features the lounge, bar, and restaurant. The conference room and business center is located on the west side of the building. The second floor features a private lounge and guest rooms.
RENDERED FURNITURE PLAN The rugged, natural beauty of the mountains set behind the city scape of Seattle inspired the blend of materials and finishes. A mix of textures add interest to the space. Complementary variations of navy and orange in combination with several metal finishes create a warm and inviting environment.
BAR
CONFERENCE ROOM
ARTDELAMIERE|
SKILLS UTILIZED |JUNIOR LEVEL WORK - COMPETITION PROJECT Research, Space Planning, Selecting FF&E, AutoCAD 2015, Hand Rendering, Presentation Boards, Adobe Photoshop CS6
ASID CAROLINAS “OTTO ZENKE” DESIGN COMPETITION 2015-2016 |3RD PLACE
ENTRY
DESIGN CONCEPT | Interior Initiative has recognized the growing trend of sustainability and the effect it will have on the future of the design community. This company is based out of New York, and plans to open a satellite showroom on the outskirts of Charlotte, NC. The new showroom, Artdelamiere, will focus on energy and lighting as an avenue of sustainable design. The showroom will focus on six displays including: lighting applications, lamp types, light fixtures, controls, architectural walls, and a gallery. Clients and designers will be able to walk through the space to be inspired by the products and be informed by the processes displayed. The upstairs of the showroom will be divided into a residential and office space. The showroom is open to enhance accessibility and ease of circulation, with architectural walls to distinguish the display areas. PROCESS SKETCHES
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BUILDING SECTION
DISPLAYS | 1) Lighting Applications/Lounge - showcases the effect lighting has on a space. The main focal point of this display is the cove ceiling with hidden LED lights. 2) Gallery - The second display will showcase art from local artists. Like space, art is effected greatly by lighting. 3) Tech Lighting Displays - Low-voltage pendants, ADA wall mount, and LED fixtures are a few of the types of lighting fixtures displayed. 4) Lamp Types - Differences in lamp types are demonstrated in this area. Information includes color temperature and CRI. 5) Controls - Lighting controls can reduce energy consumption, create an adaptable environment, and give a consumer control of the space they are in. Wireless controls are also showcased in this display for clients to test out the controls that effect the showroom. 6) Architectural Walls- natural light is an important consideration in every design. Architectural wall systems can provide a variety of solutions for a space. By incorporating such a system into a design, light can be borrowed from another space in order to bring light into even a very centralized design.
KEY PLAN
KITCHEN ELEVATION
DESIGN OFFICE ELEVATION
ARTDELAMIERE| ASID CAROLINAS “OTTO ZENKE” DESIGN COMPETITION 2015-2016 |3RD PLACE
COMPETITION PRESENTATION BOARDS First Level Notes 1) Custom display to hold product literature. 2) Custom, under lit staff station. 3) Lounge area doubles as a waiting area; lighting applications are displayed 4) Steelcase Via walls define individual areas of the showroom. 5) Wall mount lighting fixtures line the wall. 6) Millwork to showcase light fixtures; touch screen with virtual catalog. 7) 5’0” turning diameter 8) Millwork to store supplies. 9) Millwork to display various lamp types 10) 5’0” turning diameter 11) Millwork to display various controls on either side. 12) Via wall with integrated technology; touch screen with virtual catalog and lighting controls. 13) 5’0” turning diameter 14) Wrapped panel system to dampen noise from printer. 15) Seated-height table with swivel arm monitor.
22
RENDERED FIRST LEVEL PLAN
Second Level Notes 16) Interactive whiteboard with a tackup surface adjacent for use during design meetings. 17) 28 lineal feet of 12” deep shelving; 12 lineal feet of drawer storage 18) 72” x 30” work surface with 12 lineal feet of 12” deep shelving 19) 5’0” turning diameter for ADA accessibility. 20) Recycling and waste receptacle 21) 17 lineal feet of kitchen countertop workspace 22) Millwork to conceal television and storage 23) 5’0” turning diameter for ADA accessibility. 24) Master has private access to the covered porch. 25) Millwork with 8 lineal feet of hanging clothing storage and shelving with bench underneath. 26) Plumbing chase within 12 feet of exterior wall.
RENDERED SECOND LEVEL PLAN
SHARED SPACES| IDEC DESIGN COMPETITION 2015-2016
SKILLS UTILIZED |JUNIOR LEVEL WORK - TEAM PROJECT Research, Space Planning, Selecting FF&E, AutoCAD, Presentation Boards, Adobe Photoshop CS6, Collaboration
LOUNGE
DESIGN CONCEPT |
Shared Spaces, a mixed use facility combining education on community issues with integrated design training, will be located on the first two levels of the historic, Hirbour Tower in Springfield, Massachusetts. The community focused center will provide support and resources to those affected by substance abuse in the community. Placed near the campus of Springfield College, Shared Spaces will bring together the surrounding community to be educated and inspired. Current and future design students will collaborate in one environment in the form of a vertical studio. Spaces in the vertical studio include: a community greet space, a community learn space a meeting area, a lounge/ coffee bar, and restrooms on the first floor. On the second floor, a studio, a meeting area, faculty offices, a team space/ lounge, restrooms, and storage will be included. The intent of the space is for students to strive to stay connected with the community by working with local organizations and design professionals to provide design solutions that inform and educate its residents. For visitors, the space gives guests the opportunity to connect with the community and learn more about the issue of substance abuse. In addition, it will be a gathering spot for meetings and resources. COMMUNITY GREET
COMMUNITY LEARN
RESTROOM
LOUNGE
LOBBY
LEARN
STAIRS
MEETING
VESTIBULE
FIRST FLOOR
COMMUNITY MEET
WORK/COLLABORATION
24
GROUP MEETING
MEETING
STUDIO
RESTROOM
STAIRS
FACULTY OFFICE SECOND FLOOR
STUDIO SKETCH
Level 2:
RENDERED SECOND LEVEL PLAN
8) Steelcase low-profile raised flooring allows flexibility in electrical wiring and data systems. 9) Steelcase adjustable work surfaces allow studio users to control their individual workspace. 10) Screens are located on both ends of the room to allow for teleconferencing and presentations. 11) JumpSeat units provide extra seating in the meeting space. 12) Storage is located on both sides of the room. 13) The custom storage unit provides countertop space for a printer and room for storage of paper and supplies 14) A Media:scape table allows teams to collaborate and provides technology for use. 15) Built in cabinets and desk provides workspace for multiple faculty. 16) Storage is provided for supplies
Level 1:
1) The custom reception desk slopes from 42” to 36” for accessibility. Features Artisan Varia Ecoresin (3Form). 2) JumpSeat wall mounted seats provide optional seating in the lobby area. 3) A coffee bar area is incorporated into the lounge to provide an area for refreshments. Recycling inserts are hidden underneath the countertop. 4) Architectural walls have multitouch screens incorporated for engaging learning opportunities. 5) Await benches provide seating for community users and integrated electrical outlets. 6) JumpSeat wall mounted seats are space-saving solution for the meeting space. 7) Media:scape table with attached totem provides access to technology in the meeting space.
RENDERED FIRST LEVEL PLAN
Substance abuse is commonly connected to mental illnesses such as depression, social anxiety, and PTSD. Research has shown that contrasting, brilliant colors such as blues and oranges, will instantly uplift a person’s mood. The color scheme will incorporate cooler colors and horizontal patterns in more intimate spaces to make visitors feel safe, secure, and relaxed, while warmer tones energize social zones.
BUILDIN
24 26
Heart of Greenville - Sculptural Foundation
Johnston Hall Renovation
NG SYSTEMS AND CODES
HEART OF GREENVILLE
|
SKILLS UTILIZED | JUNIOR LEVEL WORK Codes Research, Hand Drafting, Hand Rendering, Model Building, Presentation Boards, Verbal Presentation in Greenville to “Art in the Public� committee member.
SCULPTURAL FOUNDATION | GREENVILLE, SC
SITE PLAN
DESIGN CONCEPT | The city of Greenville has commissioned a new sculpture to commemorate the connected history of the Reedy river and the city of Greenville. The sculpture is to be located near the Peace Center. The scope of the project includes a concept, detailed drawings illustrating the installation of the new sculpture, and a scaled model to demonstrate the dimensionality of the sculpture. The proposed sculpture embodies influences of the once thriving textile mills, surrounding nature, and the Reedy river itself. Steel rebar emerges from a concrete base becoming less structured as they progress vertically. This represents the transition of the river becoming the heart of Greenville as it brings people with different backgrounds and stories together to create a unique culture. The organic shape of the steel rebar is meant to imitate the movement of the river, roots or branches of a tree, and threads being woven together.
DETAIL SECTION CUT
28
PERSPECTIVE
SECTION
MODEL
PLAN
JOHNSTON HALL RENOVATION ANDERSON, SOUTH CAROLINA
|
SKILLS UTILIZED | JUNIOR LEVEL WORK Space Planning, AutoCAD 2015, Construction Documents, Presentation Boards, Adobe Photoshop CS6
DESIGN CONCEPT | The School of Interior Design at Anderson University has commissioned for the design of an addition to Johnston Hall. To provide space for the expansion of the program, the redesign will include four offices, a lecture hall, two studios, a work room, restroom, and resource library on the first floor. The new second floor will include a student lounge, flex space, gallery, CAD Lab, and storage. The exterior of the addition blends contemporary influences with the existing Greek revival style of Johnston Hall through the use of brick, concrete, storefront windows, and classical columns. An exit will be on the east side of the addition, and will connect to a sidewalk. Ultimately, the goal of the addition is to create a space that will positively influence the education of the School of Interior Design students.
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WEST ELEVATION
SECOND LEVEL PLAN
THE ADDITION | In the addition to the back of Johnston Hall, store front windows allow natural light to filter into the space. This studio space is designed to be used by students while classes take place in the other studio and lecture hall. An area is provided for presentation boards to be constructed. The second floor of the addition features a student lounge and a flex space. Nana walls open onto a covered balcony allowing for the spaces function to adapt for different events.
FIRST LEVEL PLAN
AutoCAD Architecture
BUILDING SECTION
EAST ELEVATION
WALL SECTION
D IG ITAL G RA P H I C S
DIGITAL GRAPHICS| SKETCHUP, AUTOCAD ARCHITECTURE, REVIT, PHOTOSHOP, INDESIGN
RENDERED FURNITURE PLAN COMPLETED DURING INTERNSHIP - PHOTOSHOP
LIGHT FIXTURE DESIGN - REVIT
RESTAURANT N.I.C. PRIVATE DINING N.I.C. LOUNGE
PRIVATE DINING N.I.C.
DESIGN CONCEPT
MEMBERS’ APT.
KITCHEN N.I.C.
M. Walters Design Group has been commissioned to design the interiors of the Eulari City Club, a club for international business men and women. Located on the penthouse level of One Bligh in the Central Business District of Sydney, Australia, the 16,000 square foot club provides a place for influential business members to meet within a global city. Spaces to be designed include the reception area, presidential dining room, bar, lounge, private lounge, members’ suite, and members’ apartment.
PRIVATE DINING N.I.C.
BAR PRIVATE BOOTH
The name “Eulari” is a conglomeration of the word “Lari” meaning “root” in an Aboriginal language and “eu”, taken from the Latin root word meaning “good/well”. The name of the club is meant to draw attention to the roots of Australia and reference the Aboriginal culture that inspired the design of the city club. The Aboriginal culture, while only making up a small percentage of Australia’s population, has a strong presence in the art scene. There are several galleries in Sydney that display Aboriginal artwork, both older works and contemporary works.
PRESIDENTIAL DINING
PRIVATE LOUNGE
CORRIDOR
PRIVATE DINING COAT N.I.C.
MEMBERS’ SUITE
Inspired by the Aboriginal culture as well as the global nature of the city of Sydney, Eulari will be designed to blend luxury with natural influences, such as organic forms and an earthy color palette. Textured metals and woven materials are used throughout the club to connect the idea of honesty of materials and craft. Throughout the space, lighting is used to draw guests through the space and to accent focal points. The glass façade of the building provides a spectacular view of the city of Sydney as well as natural light into the club.
OPEN TO BELOW
BRANDING
PRESIDENTIAL DINING PERSPECTIVe (above) The Presidential Dining room offers a beautiful view of Sydney’s skyline. Custom pendant lighting creates a focal point over the custom, double pedestal table.
RENDERED FURNITURE PLAN SCALE: 1/16”=1’-0”
(below) The reception area features a back painted wall with the club’s branding and a reception desk featuring back lit, translucent quartz. The space also features a gallery area displaying Aboriginal art.
C6
S2
C4
P2
C7
P1
S3
T1
C3
FINISHES
RECEPTION PERSPECTIVE
EULARI CITY CLUB
ID 452: PROJECT #2 - MELISSA WALTERS - FALL 2016
PT2
PT1
VNR1
TL3
SS5
TL2
WC3
CPT1
TL5
SS2
SS4
BAR PERSPECTIVE
1
PRESENTATION BOARD - INDESIGN
34
SHELVING FOR GLASS STORAGE 11' - 0"
8' - 1"
1' - 1"
2' - 0"
8' - 1"
M. WALTERS DESIGN GROUP
UNDERCOUNTER REFRIGERATOR
31' - 9 1/2" 1' - 10 1/2"
6' - 11 1/2"
4' - 4"
18' - 5"
4' - 3"
EULARI - CITY CLUB SYDNEY, NEW SOUTH WALES, AUSTRALIA
CLR.
BAR 2 ELEVATION
3 A-7
TWO BEER TAP DISPENSER
1
3/4" PLYWOOD RIBS 12" O.C.
ENLARGED PLAN 1/2" = 1'-0"
SS2
DRAINBOARD REMOTE SODA DISPENSER
DRINK DISPENSER
A-7
FOUR COMPARTMENT SINK
BOTTLE COOLER
SS2
BOTTLE DISPLAY
COCKTAIL STATION WITH ICE BIN
SS2 STEEL SUPPORT 3
LED LIGHTING STRIP
A-7
SS2 3/4" PLYWOOD SUBSTRATE PAINT GRADE SHELF TO BE ADJUSTABLE SS2
SS4 OVER 3/4" PLYWOOD RIBS
3' - 5"
2' - 7"
0' - 1"
SS4
1' - 7"
0' - 6 1/2"
2
BAR ELEVATION 1/2" = 1'-0"
3
BAR SECTION 1" = 1'-0"
PLAM-2
EULARI CITY CLUB
Date Drawn by Checked by
A-7
CONSTRUCTION DOCUMENT - REVIT
Scale
ID452 - PROJ. 2 12.02.16 MNW EB
As indicated
STUDENT HOUSING RENDERING - SKETCHUP + PHOTOSHOP
FRAME DESIGN - AUTOCAD + SKETCHUP
12/10/2016 7:21:53 PM
ENLARGED PLAN, ELEV. & SECTION
Project number
MANU AL GR AP H IC S
UTILIZED |Hand Rendering, Hand Drafting, Sketching MANUAL GRAPHICS|SKILLS
BUNGALOW EXTERIOR ELEVATION - HAND RENDERING
38
RESIDENTIAL RENOVATION BATHROOM ELEVATION - HAND DRAFTING
CHAIR PROJECT - HAND RENDERING
RESIDENTIAL RENOVATION - HAND RENDERING
HISTORIC SITE VISIT - GRAPHITE SKETCH
CR EA T I VE W O RKS
CREATIVE WORKS|
“SERENITY” WATERCOLOR
FLOWER STUDY COLORED PENCIL
42
ACRYLIC
“ANTIQUITY”
“SHADOWS”
PASTELS
GRAPHITE
“IN SIGHT” ACRYLIC
GRAPHITE
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MELISSA.WALTERS117@GMAIL.COM
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