18 minute read
EVENTS
REYKJAVÍK PRIDE
AUGUST 2 - 7 Since its first outing in 1999, Reykjavík Pride has grown from strength to strength. After a two-year hiatus it’s back and ready to paint the town red, (+ orange, yellow, green, blue, and the other one). Downright celebratory fun is guaranteed for all ages, shapes and sizes. There’s a brainy bit too, with a program of talks and workshops fearlessly engaging with hot button topics, issues and history facing the LGTBQ+ community. All roads lead to the parade on Saturday by Hallgrímskirkja Church and departing at 2.
ALDOUS HARDING
AUGUST 15 Musical chameleon Aldous Harding returns to Iceland following the releases of her fourth Album, Warm Chris. The Kiwi singer/songwriter is difficult to pigeonhole, with a sound that veers from catchy pop tunes to a more melancholic introspective folky sound. ‘Pilot’ a track from 2019’s Designer deals with the zeitgeisty anxiety of selecting a tattoo; ‘I get so anxious I need a tattoo, Something binding, that hides me. But when the time comes to design it, It opens up like height under a pilot’. Right? Harding plays Hljómahöll, Keflavík, August 15. H. Hawkline in support.
REYKJAVÍK JAZZ FESTIVAL
AUGUST 13 - 19 The 2022 edition of Reykjavík Jazz week presents a week of jazz, blues, fusion and improvised music. Artists from Iceland’s thriving Jazz scene are joined by musicians from across Europe and the U.S. The Festival is the second longest running music festival in Iceland having been held annually for more than 30 years.
This year the total number of events will go up to almost 40 and some 200 artists will perform. Venues range from small and intimate bars to the very latest state of the art spaces at Harpa to cavernous acoustic trance inducing church interiors. Check out the website for a detailed program. August 13-19.
CULTURE NIGHT
AUGUST 20 The capital’s museums, galleries and all manner of cultural spaces throw their doors open for Reykjavík culture night. The evening rounds off with a bang as all eyes turn to the heavens by Arnarhóll to witness Iceland’s biggest annual pyrotechnics display. As the smoke clears the night is still young and the town is all abuzz with profound critical analysis and Art historical debate well into the small hours. Fireworks starts at 23:00.
ICELANDIC SAGAS - GREATEST HITS
Looking for new insights and life advice? Icelandic Sagas offer a nuanced and sophisticated guide to modern dilemmas, viking style. How to get your wife to stop killing your neighbor’s slaves, what to do when someone calls you a horse-ass-eater and how to sue your brother in-law for not living up to your sister’s romantic expectations. Icelandic Saga’s - Greatest hits is a 75 minute theatrical comedy roller coaster ride through the 40 Icelandic Sagas. You’ll not hear a word of a lie or exaggeration. The saga’s have been lovingly passed down the generations and preserved on calf-skin manuscripts and are the crown jewels of Icelandic culture. Hear relatable stories of ordinary vikings, facing ordinary viking problems. Move over Oprah.
LUNCHTIME AT THE MUSEUM
Every Friday through August lunchtime talks are held at the Reykjavik Art Museum’s Hafnarhús gallery to accompany the museum’s major retrospective exhibition of native son and Pop-Art Maestro Erro. ‘The Power of Images’ is an overview of the artist’s colourful and energetic journey across several media. Following a major retrospective of Erro’s work at the Museum of Contemporary Art in Lyon in 2015 this is the most comprehensive collection of the artist’s work to be presented in Iceland. Free entrance with a museum ticket and for holders of Annual Pass/Culture Pass.
SIGURJÓN ÓLAFSSON MUSEUM
A Mural without a Wall
A poster and sculpture exhibition relating the story of Sigurjón Ólafsson’s monumental relief Stacking Saltfish, which was originally supposed to decorate the house of the Fish Industry in Reykjavík. In the end, the relief became a free-standing wall in the vicinity of the College of Navigation in Reykjavík. New research revealed severe deterioration in the relief, suggesting that previous repair-work was unsuccessful.
REYKJAVIK ART MUSEUM ÁSMUNDARSAFN
Rósa Gísladóttir and Ásmundur Sveinsson: Spatial Infractions
Ásmundur Sveinsson (1893-1982) pioneered sculpture in Iceland and introduced novel ideas to his compatriots in the 20th century. During this exhibition, contemporary sculptor Rósa Gísladóttir presents her own art in a conversation with the work of Ásmundur Sveinsson. The exhibition aims to offer new insight into Ásmundur’s heritage along with introducing new works by Rósa Gísladóttir to viewers.
AURORA REYKJAVÍK
Catch the Aurora Borealis All Year Round
There is perhaps nothing more magical than witnessing the beauty of a northern lights display. However, those unpredictable, ever dancing lights don’t always show up on cue – and fade away during the summer months. So, it is with
Aurora Reykjavík Spatial Infractions
great joy that we welcome Aurora Reykjavík – The Northern Lights Centre, where the northern lights are always on display.
Aurora Reykjavík’s pull and ace up its sleeve is its fantastic 4k timelapse film of the Aurora Borealis.
Aurora Reykjavík’s latest additions are virtual reality goggles featuring the world’s first 360° movie of aurora displays entirely shot in Iceland. If you can’t catch the northern lights yourself, this utterly realistic experience is definitely the next best option to witness the beauty of this truly amazing phenomenon.
Capturing the northern lights with your own camera can be challenging, but at Aurora Reykjavík, you receive instruction by the experts: bring your camera and try the right settings at the Northern Lights Photo Simulator.
In the exhibition, you will find an entertaining selfie booth – have fun looking all fabulous under the northern lights!
For more information, see www.aurorareykjavik.is.
HOME OF AN ARTIST
A Window in Reykjavík – Ásgrímur Jónsson’s house
The exhibition A Window in Reykjavík comprises a selection of works by Ásgrímur Jónsson. The common feature of these works is that they relate to the artist’s surroundings in Reykjavík.
Ásgrímur Jónsson (1876–1958) is one of the pioneers in the history of Icelandic art; he was the first Icelandic painter to make a career in art. The view from the window of Vinaminni, where he first lived on his return to Iceland, became a favourite motif for him, with its vista of Reykjavík Harbour and Mt. Esja across the bay. Watercolour was an appropriate medium for capturing the quality of the light over the waters of Skerjafjörður and the houses on Laufásvegur. Ásgrímur’s life and oeuvre span a long period of Iceland’s history – a time when the old rural society was starting to decline and Reykjavík was growing from a town into a city. Many of Ásgrímur’s paintings from Reykjavík, painted in the first half of the 20th century, depict a peaceful little town where houses cluster along the ocean shore; yet they also show economic activity, such as workmen building roads as the new urban society evolves.
Dieter Roth Ásgrímur Jónsson
NATIONAL GALLERY OF ICELAND
Jewellery by Dieter Roth
Dieter Roth (1930—1998) was a pioneer who respected no boundaries: a thinker, trailblazer, poet, musician, filmmaker and visual artist. A less well-known aspect of his career is that he also made an impression with his creation of innovative jewellery, starting in Iceland in the late 1950s. The first pieces of jewellery designed by Roth were made in collaboration with his wife, artist Sigríður Björnsdóttir, at the kitchen table in their home; but before long, they were offered better facilities in the atelier of goldsmith Halldór Sigurðsson at Skólavörðustígur 2 in central Reykjavik.
Roth‘s jewellery, generally composed of screws, bolts and other mechanical parts, could be assembled in various different ways, and reconfigured. His jewellery-making was characterised by the same approach as his art: he made use of materials that were generally dismissed as waste or refuse, which he transformed. No two objects are alike; Dieter Roth was familiar with the qualities of the material and worked directly with it. In the 1960s, Roth embarked on a collaboration with Swiss goldsmith Hans Langenbacher; the two men had first met at the atelier of goldsmith Jón Sigmundsson in Reykjavík in 1958, and had been impressed by each other‘s methods, use of materials, and skill.
Margrét H. Blöndal: Ode to Join
Margrét H. Blöndal’s exhibition Ode to Join comprises drawings made with oil and powdered pigments, plus three-dimensional pieces created directly onto the exhibition venue as a response to the space. Movement arises from partitions to be installed in the space, the placement of the works and the relationship between them.
Ingunn Fjóla Ingþórsdóttir’s installation The Only Constant is Change bears an element of familiarity as the artist revisits and combines components from former works in a new manner. The multifaceted piece conforms to its own inner operating system, on one hand, and the presence of guests, on the other, disguising the starting point of motion.
Some New Works
In keeping with the National Gallery’s remit as an archive, repository and collector of Icelandic Art, the Gallery’s latest show, Some New Works does exactly what it says on the tin, showcasing recent acquisitions alongside the museum’s extensive collection. The best place to get an overall snapshot of Iceland’s visual art history, the Gallery’s permanent collection contains works dating from the 16th century to the present day. It’s expanding collection, with newer works showcased here illustrate the Galleries commitment to it’s statutory role in collecting work reflecting movements in Icelandic and international art.
REYKJAVIK ART MUSEUM KJARVALSSTAÐIR
Faces from Clouds - Jóhannes S. Kjarval’s portraits
Throughout his entire career, Kjarval created portraits, and this extensive exhibition features oil paintings of known people from all eras, watercolour portraits of Italian people from 1920, a selection of ink and india ink drawings from 1928-1930, sanguine portraits of friends and family, and lesser known portraits from the artist’s later years.
Kristinn G. Harðarson Stitches and threads
Stitches and Threads is an exhibition of works by contemporary Icelandic artists who embroider or make use of the needle and thread as a tool in their art. They either look to the past to work with the heritage of the craftsmanship and its tradition, or employ the needle as a tool in progressive experiments with other media. The exhibition includes new and recent works by a varied group of artists, both representatives of the younger generation and artists who have made their mark on the Icelandic art scene. Jóhannes S. Kjarval
THE NATIONAL MUSEUM OF ICELAND
The National Museum of Iceland’s permanent exhibition, Making of a Nation – Heritage and History in Iceland, is intended to provide insight into the history of the Icelandic nation from the settlement to the present day. The aim is to cast light on the Icelanders’ past by placing the cultural heritage preserved by the National Museum in a historical context, guided by the question: what makes a nation? The exhibition includes about 2,000 objects dating from the Settlement Age to the present, as well as about 1,000 photographs from the 20th century. The exhibition is conceived as a journey through time: it begins with the ship in which mediaeval settlers crossed the ocean to their new home, and it ends in a modern airport, the Icelanders’ gateway to the world.
In the shadow
Women pioneers of photography take centre stage in an exhibition in the National Museum’s photography room. The exhibition highlights ten women photographers in Denmark, Iceland, and the Faroe Islands in the latter half of the 19th century. The exhibition title has a double meaning. The women stood behind the camera and out of the spotlight, but also in the shadow of their male contemporaries. Sometimes, their work was even attributed to their husbands.
Saga of Hofstaðir, Unearthing the Past in North Iceland
At Hofstaðir, in the district of Lake Mývatn, north Iceland, extensive archaeological excavations have been carried out over the past three decades. The site includes remains from the Viking Age to the 20th century. A huge Viking-Age structure was excavated: a hall or longhouse where people gathered on social occasions, with other smaller buildings around it. The hall is one of the largest structures ever excavated in Iceland. In addition, a churchyard was excavated at Hofstaðir, which is one of the oldest churchyards unearthed in Iceland. Whole families were laid to rest in the cemetery, and their bones yield evidence about their lives. The face of one of the women buried at Hofstaðir has been reconstructed using DNA technology, and a drawing of her is included in the exhibition.
From mire to metal
In the past, iron smelting from bog iron was performed in Iceland. The use of metallurgical furnaces called bloomeries were used to smelt iron throughout the Middle Ages. Thereafter the practice steadily declined until it was completely abandoned in the 17th or 18th century. The knowledge of this Making of a Nation
ancient craftmanship has since been forgotten to time, leaving numerous questions about the bloomery process unanswered.
For a long time, scientists have attempted to answer questions about bloomery in Iceland. How was bog iron processed? How were bloomery furnaces constructed, isolated, and ignited? What quality of iron could be produced from Icelandic bog iron?
The exhibition From mire to metal explores bloomery research in Iceland. Bloomery experiments were carried out at Eiríksstaðir, successfully smelting iron for the first time from Icelandic bogs in centuries
ÁRBÆR OPEN AIR MUSEUM
Árbær was an established farm well into the 20th century, and the museum opened there in 1957. Árbær is now an open-air museum with more than 20 buildings which form a town square, a village and a farm. Most of the buildings have been relocated from central Reykjavik.Árbær Open Air Museum tries to give a sense of the architecture and way of life and lifestyles of the past in Reykjavík and during summer visitors can see domestic animals. There are many exhibitions and events held at the Museum, which highlight specific periods in Reykjavik’s history. These include craft days, vintage car displays, Christmas exhibitions and much more. There is something for everyone at Árbær Open Air Museum.
Karólína the Weaver
Karólína Guðmundsdóttir (1897-1981) learned weaving in Copenhagen, and for several decades she ran a weaving atelier on Ásvallagata in Reykjavík.
She wove upholstery and curtain fabrics for public bodies, businesses and homes, where the colours and textures harmonised with their surroundings. Her embroidery fabrics were used in school pupils‘ needlework projects for many years, and embroidered wall-hangings and cushions from Karólína‘s atelier adorned many Icelandic homes. She was thus an influence upon Icelanders‘ home furnishings and taste. In addition, her work led people to recognise the fine qualities of Icelandic wool and changed attitudes to crafts and needlework.
Consumption - Reykjavík in the 20th century
The exhibition aims to show the huge and rapid changes that took place in consumption patterns in Reykjavík during the 20th century – to explore the factors that affected consumption, and how technical advances, government actions, wars, and events in Iceland and abroad influenced the daily life of the people of Reykjavík.
EINAR JÓNSSON MUSEUM
This is a museum in the heart of Reykjavík that houses the work of Iceland’s first sculptor Einar Jónsson. The museum contains close to 300 artworks spanning a 60-year career: carvings from the artist’s youth, sculpture, paintings and drawings. A beautiful tree-clad garden adorned with 26 bronze casts of the artist’s works is located behind the museum. The task of the museum is to collect, preserve and display the work of Einar as well as to conduct research on his life and art.
THE SETTLEMENT EXHIBITION
The Settlement Exhibition
An open excavation where Viking ruins meet multimedia technology. Just below ground in downtown Reykjavík, this open excavation uncovers the city’s Viking Age history. Discovered during building work in 2001, these archaeological remains turned out to be the earliest evidence of human settlement in the city, with some dating to before AD 872. Careful excavation revealed a 10th-century hall or longhouse, which is now preserved in its original location as the focal point of the exhibition. Interactive technology immerses you in the world of the Reykjavík farm at the time of the first settlers, including information on how Viking Age buildings were constructed and what life was like in the hall. The Settlement Exhibition is part of Reykjavík City Museum
Árbær Open Air Museum
Einar Jónsson Museum
AÐALSTRÆTI 10
Aðalstræti ...and the story continues
Family-friendly and informative exhibition about the development of Reykjavík, from farm to city.
This new display is a direct continuation of The Settlement Exhibition, representing Reykjavík’s history from settlement to the present day. Visitors get an insight into the complex history and culture of Reykjavík through the development of house construction and planning with a stop at the oldest house in the city centre, Aðalstræti 10.
The admission is valid to both Aðalstræti 10 and The Settlement Exhibition in Aðalstræti 16.
REYKJAVIK MUSEUM OF PHOTOGRAPHY
Ester Jóhannesdóttir Light Space– Shadow space
Photography becomes easier and more accessible, and opposites become clearer as the darkness retreats with increased natural light.
The action of photographing or forming light has many manifestations. In the exhibition Light Space– Shadow Space, natural light is photographed inside building interiors as well as outside in the twilight. That way, abstract forms and shadows become clearer in the specific frame of the picture plane, still lyricism is never far away.
Ester Jóhannesdóttir graduated with MFA from the University of Leeds in 2010 and has been creating art for more than thirty years. Jessica Auer – Landvörður
Since 2016 Jessica Auer has been documenting the impact of mass tourism on Icelandic landscape and society.
Working between Canada and her studio in Iceland, Jessica‘s travels between these countries coincided with the tourism boom and as such, she navigated the gap between being a foreigner and a local. She saw both sides of the tourist gaze and sought to share this experience through photography and video.
When travel came to a standstill during the pandemic, Jessica’s work took a significant turn, reflecting on the value systems of this boom and bust industry. Her most recent photographs turn their attention towards landscape conservation and the efforts to protect areas vulnerable to exploitation during the uncertainty of a global pandemic.
Throughout these last years, Jessica has travelled around the country with a large format view camera, capturing portraits of park rangers, wardens and other people who occupy this environment.
Jessica Auer Erró
REYKJAVIK ART MUSEUM HAFNARHÚS
Erró: The Power of Images
Erró is one of the few Icelandic artists who has gained a foothold in the international art scene. The Power of Images is a comprehensive overview of the artist’s colourful career that has made use of various media in the visual arts. Within it you will find everything from performances, video works, graphics, multiples and collages, to larger works in public spaces and paintings of all scales. All have helped to earn his place in the art history of Europe. Here presented is the most extensive exhibition that has been realised of the artist’s works in Iceland. The exhibition The Power of Images reflects Erró’s remarkable career and is based upon the artist’s donation of his art to the City of Reykjavík. It is installed across Reykjavík Art Museum – Hafnarhús, with more than 300 artworks of various kinds, as well as, photographs and other information about the artist exhibited.
Fish • Lamb • Whale • Icelandic cuisine with a twist Icelandic music and nightlife Mix with the locals ...and all the Icelandic beers in one awsome place!
INGÓLFSSTRÆTI 1A 101 REYKJAVÍK
www.islenskibarinn.is postur@islenskibarinn.is sími: 517 6767
THE ICELANDIC PUNK MUSEUM
The Icelandic Punk Museum is located at Bankastræti 0, an underground location that served as public toilets from 1930 to 2006. The museum honours the music and the spirit that has shaped musicians and bands to this day; people who dared to be different. Objects, photographs, videos, posters, etc. from roughly 1978 to 1992 are on display with texts in Icelandic and English, and the main music from the period is available to guests.
HOUSE OF COLLECTIONS
National Treasures
The National Gallery of Iceland’s collection contains over eleven thousand works. In the exhibition Treasures of a Nation, a selection of works from the collection displays the evolution of art in Iceland from the early nineteenth century to our times. Punk Museum
House of Collections
Welcome to Jómfrúin, the home of Danish smørrebrød in Reykjavik. It all began in 1888 with Oscars Davidsen’s highly praised smørrebrød restaurant in Copenhagen. An unbroken tradition of quality and Danish culinary culture for the past 100 years. Enjoy!
