N
WENDY HUDSON & The First Book Festival
ROCK & ROLL On Nantucket
AFRICA
Through an Islander’s Eyes
The Atheneum’s Ballet Star
BENJAMIN MILLEPIED Best-Selling Author
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TED BELL
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Nantucket Magazine June 2012
ARTS&
ENTERTAINMENT Issue
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An Island
WATE R JE WE LS GAL L ERY
RENAISSANCE
Raw Bar ANY TIME, ANY WAY
Editor & Publisher Bruce A. Percelay
Nantucket may just be the most creative spot on the East Coast—per square foot, anyway. From painters to writers, musicians to actors, dancers, photographers, filmmakers, sculptors, even candlestick-makers—there is no shortage of artistic energy pulsing through our community. Our June issue celebrates this extraordinary dimension of Nantucket and gives thanks to those who bring even more beauty to an already beautiful place.
Managing Editor Robert S. Cocuzzo Art Director Paulette Chevalier Head Photographer Nathan Coe Operations Consultant Adrian Wilkins Robert S. Cocuzzo Managing Editor
Contributors Pippin Austin Ted Bell Peter B. Brace Sandy Kohner Jen Laskey Morgan Pile Marjan Shirzad Benjamin Simons Ryder Ziebarth Photographers Lisa Frey Kris Kinsley Hancock Greg Hinson Katie Kaizer Kit Noble Joshua Simpson Alexander Wagner
14 C E N TRE STRE E T N A N TUC K E T, M A 02554 508 228 0825 14 ST A L B A N S GROV E L ON D ON , W 8 5B P +44 207 368 6367
OP ENS FOR T HE SEASON MAY 17TH 2012
Advertising Director Fifi Greenberg Advertising Sales Audrey Wagner
On the forefront of this cultural boom is Wendy Hudson, who graces our cover. Along with running both of the island’s bookstores, co-owning the island’s beloved brewery, and serving as president of the Chamber of Commerce, Wendy introduces Nantucket’s first Book Festival this June, of which N Magazine is a proud sponsor. In celebration of the Festival, we’ve included our first ever piece of fiction with a short story written by New York Times best-selling author, Ted Bell. Famous for his “Alex Hawke” spy thrillers, Bell treats us to a tale of love, betrayal, and murder…all set on Nantucket!
Breakfast Lunch Bar Menu Dinner Sunday Brunch
In preparation for another island festival, we met up with Benjamin Millepied, the artistic director of the Atheneum’s Dance Festival. Most have seen Millepied on the silver screen, dancing alongside his now-wife, Natalie Portman, in The Black Swan, which he choreographed and starred. In addition to telling us about his life “en pointe,” the dance icon lets us in on his plans for this summer’s Festival, taking place July 24th – 28th. On the musical front, we tune into everything from rap to rock, profiling local musicians who are putting their own unique spin on the Nantucket soundscape. We are also pleased to feature a stunning photo essay by photographer Katie Kaizer. A fourth generation Nantucketer, Katie recently spent a month in Uganda photographing for nonprofits that are dramatically improving the lives of women and children in that country. Although faraway from our shores, Katie’s images are perfectly suited for this island paradise, as they lend some perspective on the life we lead as well as the needs of those in the world beyond.
Publisher N. LLC Chairman: Bruce A. Percelay
Nantucket Times 17 North Beach Street Nantucket, MA 02554 508-228-1515
Enjoy local oysters, shrimp, clams and lobster either by the piece or order a feast. Serving 11:30am - 11pm.
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Experience our new à la carte menus, wine specials, ocean breezes and endless views.
We hope this issue inspires you to take up your brush, pen, camera or whatever instrument you prefer, and join in Nantucket’s thriving art scene.
©Copyright 2011 Nantucket Times. Nantucket Times (N Magazine) is published seven times annually from April through December. Reproduction of any part of this publication is prohibited without written permission from the publisher. Editorial submissions may be sent to Editor, Nantucket Times, 17 North Beach Street, Nantucket, MA 02554. We are not responsible for unsolicited editorial or graphic material. Office (508) 228-1515 or fax (508) 228-8012. Signature Printing and Consulting 800 West Cummings Park Suite 3025 Woburn
Robert S. Cocuzzo Managing Editor
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ARTS & ENTERTAINMENT
2012 56 THE NANTUCKET SOUNDSCAPE N’s resident music critic, Morgan Pile, gives a rundown of some of the local musicians you can catch rocking around the ‘Rock’ this summer.
Photo by JOSHUA SIMPSON
25 RAPPER’S DELIGHT From the streets of Jamaica to the cobbled roads of Nantucket, Mark “M.Dwizzy” Dwyer is taking the most unlikely path into hip-hop.
N magazine
29 OF BOOKS & BREW
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Wendy Hudson has made a life on Nantucket through books and beer. Now the longtime islander is bringing about the first Nantucket Book Festival this June.
35 THE BLACK SWAN World-famous ballet dancer, Benjamin Millepied, is the artistic director of the Nantucket Atheneum’s July Dance Festival. Writer Jen Laskey learns his steps to success, with images by Alexander Wagner.
42 AFRICA THROUGH AN ISLANDER’S EYES Nantucketer Katie Kaizer takes us into her recent adventure in Uganda with a breathtaking photo essay.
Kathleen Hay of Kathleen Hay Designs
71 THE WIDOW’S WALK New York Times best-selling author, Ted Bell, treats N to its first piece of fiction with a harrowing tale of love, betrayal, and murder…all set on Nantucket.
66 A NICKEL FOR YOUR THOUGHTS? Artist and sometimes philosopher, Matt Oats, talks about the island’s underground art scene, and gives us some five cents advice.
82 COAST GUARD COURAGE
WHEN THE JOB GETS TOUGH CALL IN MARINE
Author Michael Tougias is a frequent lecturer at the Atheneum and Life Saving Museum. Most recently, his book The Finest Hours has been picked up by Disney execs to be adapted to film.
85 GROWING ORGANICALLY Sustainable Nantucket hosts its sixth annual Farmers Market this summer. Find out who planted the seeds to this fledgling island institution.
88 DAMES OF THE DUMP Meet the island’s mean, green, trash-fighting team out at Madaket.
101 HOME TO THE WHALER, THE PAINTER & THE CANDLESTICK MAKER This Memorial Day, the NHA unveils the newly redesigned Hadwen & Barney Oil & Candle Factory.
June 2012
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When award-winning interior designer Kathleen Hay needed an oversized custom fabricated area rug for a prized client, she turned to Marine Home Center. Weighing nearly 1,200 pounds, no supplier could deliver the product on time and to the site...except Marine. Getting supplies when they’re needed, where they’re needed, enables designers like Kathleen Hay to perform their job to military precision. As one of the island’s top designers, Kathleen Hay says, “Marine Home Center has come to my rescue on numerous occasions and they’re always there by my side.” Whether you’re a major contractor or a do-it-yourselfer, when the job gets tough, Marine Home Center is there to back you up.
WENDY N H& UDSO The First Book
Festival
The Local Maga zine Read World
CK & ROLL RO On Nantucket Through an
AFRICA Islander’s Eyes The Atheneum’s
Ballet Star
wide
BENJAMIN MILLEPIED r
Best-Selling Autho
TED BELL
Nantucket Maga
ARTS&
zine
ENT ENTERTAINM Issue
zine Nantucket Maga
N magazine
In this age of iPads and E-Books, we dedicate our June cover to great printed books (and magazines) and to the woman championing them on island, Wendy Hudson, with an image by Kit Noble (portrait) and Greg Hinson (landscape). Image by NATHAN COE
Kathleen Hay of Kathleen Hay Design
marinehomecenter.com - 134 Orange Street, Nantucket - (508) 228-0900
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June 2012
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GUESTCONTRIBUTORS TED BELL Ted Bell is the New York Times best-selling author of the “Alex Hawke” spy series as well as the young adult adventure books, Nick of Time and The Time Pirate. Bell’s novels are read worldwide, and have been translated into sixteen languages. Most recently, he served as visiting scholar and writer-in-residence at Cambridge University. For this June issue, Ted wrote the short story “The Widow’s Walk” (pg. 71) exclusively for N Magazine, providing N with its first ever piece of original fiction.
ALEXANDER WAGNER After studying photography at the University of Michigan and Oxford University, Alexander Wagner worked under luminaries Annie Leibovitz and Hiro in New York City. Focusing on the ascending talent of music and film, Wagner is best known for uncovering the authentic personalities of his subjects—“the way they live when they are not on stage.” He has shot for V Magazine, Nylon Magazine, Sportswear International, Black Book and Elle UK. Making his N Magazine debut, Wagner photographed ballet star and Nantucket Dance Festival artistic director, Benjamin
“When the people at First Republic say something is going to be done at a certain time, it’s done.” SUSAN PHILLIPS
Retiree/Educator Founder, Susan Phillips Day School
Millepied (pg. 35).
N magazine
ON ACKMAG.COM
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Photographer Katie Kaizer shot thousands of images during her trip to Uganda, some of which are featured exclusively on page 43 in the photo essay, “Africa Through an Islander’s Eyes.” Amazingly, between shooting still images, Katie was also able to record video footage and conducted interviews with many of the women and children she photographed. Check out one of these interviews on www.ACKMAG.com.
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’Nsider news
tidbits
islanders longing for this account to be written more definitively. In particular, Dick Duncan
items of interest
(who later became the book’s managing editor), Susan Beegel (wife of the late UMass Boston Nantucket Field Station co-founder, Wes Tiffney), and island author and historian, Nathaniel Philbrick, all were pulling for Peter to take on the project. As he remembers in an
T
early section of the book, “Having spent three he history of Nantucket has been
told again and again, mused upon
months inside on this subject, I realized that I’d just done a warm-up for such a book. The
by writers from Melville to Philbrick,
enormity of the task scared me enough to start
countless prose dedicated to the
rehearsing reasons to give them for not
“cobblestone streets” and “storied
wanting to do it.”
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harbors” of the island. Yet of all the fascinating pieces of the past,
Fortunately, Peter did do it, and very well at
one chapter of Nantucket history
that. On a subject that could quickly become
seems so enormous and bewildering
dry and dense, he meets the reader on a
that it goes largely untold—that
personal level, inviting him or her to stand
of the island’s natural history. One
on Altar Rock and behold the creation of
local writer, however, has risen to
glacial meltwater from 21,000 years ago.
the challenge, tackling the island’s
So thoroughly researched, Peter’s tour de
47.8 square mile expanse in a book
force leaves few rocks unturned, exploring
to be released this month: Nantucket:
everything from the island’s insects to its
A Natural History written by Peter B.
animals to erosion to marine life to vegetation
Brace, published by Mill Hill Press.
and so on until a stunning portrait of the
Artfully uniting extraordinary homes with extraordinary lives
Grey Lady emerges from the pages. Seven summers ago, Peter contributed 19 of 21 articles to a special publication
In addition to drawing from island
by the Nantucket Independent, entitled
organizations like the Atheneum, the
Our Natural World. The work, which
Nantucket Historical Association, the Maria
took Peter three months to research and
Mitchell Association, and the Egan Maritime
write, caught the attention of a handful of
Institute, and from on- and off-island experts,
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Peter’s primary sources were islanders like fisherman and hunter Doug “Smitty” Smith, ranger for the Nantucket Conservation, Allen Reinhard, and many other locals who offered their expertise to the project. “To be clear, though, I’m merely a gatherer, collator and storyteller,” Peter writes in the preface. “I have recounted anecdotal, factual and
N magazine
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PHOTO BY KIT NOBLE
with interviews of respected authorities on the various topics in this book.” As his second book, Peter has certainly set the bar high for future writing projects. Fortunately for him, the story of Nantucket continues to unfold, ensuring that he will never be short on material.
WRITTEN BY ROBERT S. COCUZZO
BIG BOOK by a BIG MAN
A
speculative island natural history, infused
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sider news
tidbits
items of interest
A TRUE BALIWOOD STORY Nantucket has another breakout filmmaker to add to its credits.
DMPUIJOH BDDFTTPSJFT XJOF DIFFTF IPNF HJGUT
IMAGE BY NATHAN COE
and his wife Blair came to Bali much like
and John Stanton in her off time, and saving
on South Water Street and an energetic
Kristen, as backpackers. Some ten years later,
every cent she earned behind the bar. Some
blond will be shaking up your margaritas.
they were running a sizeable company with
months later, she returned to Bali with Holly
Kristen Kellogg washed ashore four summers
Schilling, complete with the worldâ&#x20AC;&#x2122;s largest
Kay Trickel of Sapphire Productions, and
ago, and like many who have fallen hard for the
commercial bamboo structure. The Big Tree
fulfilled her promise to Big Tree Farms.
Lady in Grey, she hasnâ&#x20AC;&#x2122;t been able to leaveâ&#x20AC;&#x201D;
story has since been picked up by CNN, the
at least not entirely. Over the last three winters,
Financial Times, and the New York Times.
After weeks of filming through unpredictable
Kristen set her sails to the Southern Hemisphere,
But before all that national attention,
Balinese weather and unforeseen pitfalls, Kristen
chasing adventures down to Australia, New
Kristen Kellogg was on the scene.
had the material to create her documentary, editing it herself. She submitted an abridged
Zealand and Indonesia. It was during an eco-stay
version of the film to environmental film
batch of coconut milk chocolate,â&#x20AC;? Kristen
festivals and food festivals around the country,
â&#x20AC;&#x153;Something changed me in Bali,â&#x20AC;? Kristen says.
says. â&#x20AC;&#x153;He was so captivating, passionate, and
and will show it on island at Galley Beach
â&#x20AC;&#x153;I didnâ&#x20AC;&#x2122;t want to just go and be a bartender, or
energetic. After showing me around, I said to
Restaurant on Tuesday June 19th. The film has
go off exploring. I wanted to do something that
him, â&#x20AC;&#x2DC;You know what? I am going to come
also opened doors for her in the world of
related to the local culture. I wanted to give
back, and I am going to make a film on you.
television, where she is waiting to hear about
back.â&#x20AC;? This led Kristen to writing, directing
I donâ&#x20AC;&#x2122;t have the resources now and I donâ&#x20AC;&#x2122;t
a possible position as a producer, and will be
and editing her first documentary. The film
have the time, but I am going to go home and
hosting a Web-based show on Nantucket called
tells the story of Big Tree Farms, a vertically
learn everything I can, and come back and do
â&#x20AC;&#x153;The Balancing Ackâ&#x20AC;&#x2122;t.â&#x20AC;? On a broader level,
integrated food company in Bali owned and
it.â&#x20AC;&#x2122;â&#x20AC;? True to her word, Kristen returned to the
Kristenâ&#x20AC;&#x2122;s project exemplifies the power of
operated by two charismatic Americans named
island and set her mind on making the film a
an idea and the determination to
N magazine
22
Ben Ripple and Frederick Schilling. Ripple
reality, assisting local filmmakers Dan Driscoll
execute it.
&BTZ 4USFFU XXX DVSSFOU7JOUBHF DPN 'JOE VT PO 'BDFCPPL 'JOE VT PO GPS OFXT EFBMT
N magazine
â&#x20AC;&#x153;I met Ben as they were making their first
in Bali, however, that inspiration struck.
Written by ROBERT S. COCUZZO
S
addle up to the bar at Corazon del Mar
23
N magazine
WRITTEN BY ROBERT S. COCUZZO PHOTOGRAPHY BY KIT NOBLE
24
CORAZONNANTUCKET.COM
three restaurants. three styles. one welcoming island atmosphere. angela + seth raynor
NANTUCKET’S HOTTEST EMCEE HAS A STORY TO TELL & HE’S NOT KEEPING IT UNDER WRAPS
S
ixteen hundred miles away and a
swagger, and the capacity to weave rhymes
Hocus Pocus Productions, M. Dwizzy
world apart, Jamaica is never far
effortlessly and on command. But the difference-
is dropping his first album this June,
from Dwyer’s mind, or his lyrics for
maker might be his industriousness. Dwyer is
entitled “Shottaz Paradise.” He hopes to
that matter. “I feel it’s my duty to tell Jamaica’s
a maestro of his own image and brand, Young
then make the island circuit, performing
story to the world,” he says, “and bring a new
n’ Fresh Entertainment, and has cultivated
at the Bamboo, Muse and Box. “[Boston-
Caribbean flavor to hip-hop.” This story,
a substantial fan base through social media
based rapper] Sam Adams got a big chunk
however, is not the carefree, “Three Little
like Facebook and Twitter. The Internet is
of his fan base from doing shows at the
Birds” version of Jamaica, but one of poverty,
blanketed with M. Dwizzy music videos and
Bamboo, where college kids embraced him
police brutality, and killings. A number of
interviews produced by Scott Capizzo of
and spread his music,” Dwyer says. What
Dwyer’s boyhood friends were shot and killed by corrupt police, and these hardships from the streets of Montego Bay haunt his lyrics.
distinguishes
SO WHILE SAM ADAMS PRODUCES TRACKS LIKE “I HATE COLLEGE,” M.DWIZZY DRAWS FROM A LIFE WHERE GOING TO COLLEGE WAS A DREAM, IN THIS CASE A DREAM COME TRUE.
Take “Remember
M. Dwizzy from growingly popular rappers like Sam Adams is that Dwyer actually has something to say, a story to tell. Many
Days” from Dwyer’s upcoming album: “I
Surfside Productions. “Time waits for no
of rap’s greats earned fame and ultimate
remember days I didn’t have no money, walk
man,” he says, “so if I want a career in music,
immortality not solely by their rhyming
around pockets empty, a sad cause, nothing
then I have to do it now.”
ability, but by distilling the trials of their
funny…I remember days that I didn’t have no
lives into potent, impactful lyrics. Their
light, searching round the house for candles
In March, M.Dwizzy performed at the
music speaks to their community, while also
just to see at night...I remember days I didn’t
qualifiers of the “Global Battle of the Bands,
revealing a side of America to a broader
have water, seen parents carrying buckets with
Hard Rock Rising,” and came in second—
audience. So while Sam Adams produces
their sons and daughters.”
a noteworthy feat considering that the
tracks like “I Hate College,” M.Dwizzy
competition tends to favor rock and roll outfits.
draws from a life where going to college was
By all appearances, Dwyer has what it takes
With the help of local producers Vic Ferrantella
a dream, in this case a dream come true.
to make a name for himself in hip-hop: style,
of Garden Rock Studios and Jared Gonsalves of
“A RAPPER CAN COME FROM ANYWHERE,” says local hip-hop hopeful, Mark Dwyer. “You just need to be talented and have a fan base behind you.” Dwyer is testing this theory in perhaps the most unlikely place to produce a rapper. The 24-year-old Jamaican, who goes by “M. Dwizzy” when on the mike, came to Nantucket with his family when he was 15. Back in Jamaica, Dwyer ran around Montego Bay in a rap crew, competing in pick-up rap battles with his friends and chanting lyrics of his hip-hop heroes. “I heard music everywhere I went,” he says. Yet it wasn’t until moving to the States that Mark Dwyer became M. Dwizzy, and he began producing rhymes of his own. “Growing up in Jamaica made me aware of poverty, and moving to America has given me a shot at a better life for myself and my family,” he says. After finishing high school on Nantucket, Dwyer studied at Monroe Community
26
helped their lacrosse team to a number-one ranking. Now back on the island, Dywer says, “Nantucket is my home away from home. I love how peaceful it is. It’s a great place to write an album.” The young man is polite, gracious, and genuine, traits that can often get lost in the egocentric swirl of the music industry.
N magazine
N magazine
College in Rochester, NY and then went on to Stevenson College, where he
27
f BOOKS
Nantucket has a storied literary culture indeed, and the time has come to celebrate and share it. This year, we draw upon the amazing people and places of our island to create a multi-day cultural event celebrating the rich literary resources of Nantucket’s past, present and future.
&BREW WRITTEN BY ROBERT S. COCUZZO
PHOTOGRAPHY BY KIT NOBLE
How one woman turned pale ale and paperbacks into two celebrated institutions on Nantucket. In the summer of 1988, Wendy Hudson was working at the
GANTOS
KURLANSKY
BELLUCK
PHILBRICK
GREENLAW
HILDERBRAND
SOUTHGATE
Bartlett’s Farm flower truck on Main Street. Her boyfriend,
DUBUS
Randy, was living on a boat in the harbor, and as she describes,
2012 FESTIVAL AUTHORS
“we were two groovy hippies, young and having fun.” Wendy discovered Nantucket as so many before her, by sail. Each
Josephine Angelini Natalie Bakopoulos Blue Balliett Pam Belluck Megan Mayhew Bergman Nichole Bernier Andre Dubus III Kate Feiffer Jack Gantos Lisa Genova Linda Greenlaw Elin Hilderbrand Mark Kurlansky J. R. Moehringer Gerard O'Neill Tom Perrotta Nathaniel Philbrick Kitty Pilgrim
For tickets & information visit
island aboard their 48-foot yawl, the Leonid. Then a philosophy major at Smith College, Wendy was quickly finding “the good Read more!
www.nantucketbookfestival.org
life” she so often mused about, here on Nantucket. N magazine
Martha Southgate Courtney Sullivan Nancy Thayer ... and many more!
summer, her family enjoyed making the 30-mile tack to the
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Some twenty years later, Wendy Hudson eases into a smile as she recounts her life on the island. “Beer and books—it’s all very straightforward and simple,” she sums up, “there’s no mystery about it.” Wendy and Randy went on to marry, and the two co-founded Cisco Brewers. “We cobbled together used equipment and started brewing in Dean and Melissa Long’s backyard,” she remembers. “Everyone joked that we were making moonshine.” Today, with the help of Dean and Melissa and partner Jay Harman, Cisco beers are sipped all over the country. About the time Cisco’s first kegs were being tapped, Wendy got a part-time job at Nantucket Bookworks. The cozy book nook on 25 Broad Street had long been a favorite haunt of hers, so it was no big surprise when she ended up owning it in 2000. Today, many look to Wendy as Nantucket’s official book lady. She drives around in a brilliant orange Mini that was once the vehicle for Penguin Publishing’s 25th Anniversary cross-country literacy campaign, its dashboard signed in metallic Sharpie by a gaggle of authors, its license plate reading: GOREAD. Most recently, Wendy extended her influence over the island’s literary landscape by taking control of Bookworks’ only local competitor, Mitchell’s Book Corner on Main Street. “I am really excited because Bookworks and Mitchell’s have always had such different personalities, but they also overlap a lot. So going forward, we can have them overlap a little less,” she explains. “We need to solidify our base of support and not split it up on Nantucket.” Wendy has grand plans for Mitchell’s, particularly its second floor, which she intends on using as a community space for book clubs, children’s programs, and theater troupes. “There are all these creative people and all these artistic angles to the business that I hope we can play up,” she says. “It isn’t just about me. It certainly is not a monopoly. It’s more a co-op.” Interestingly enough, Wendy is not anti-tablet, -Kindle, or -iPad, as one might think a bookseller would be. In fact, she admits to being a “tech-junkie,” owning a network of computers and a collection of first edition digital readers. Nevertheless, Wendy believes physical books will defy the onslaught of glossy tech readers, because, as she argues, “E-Books do not give you pride of ownership. You can’t share them and they don’t look good on your shelf.” She adds, “There is still pleasure in a real book, and I think as the publishing world goes forward, it will be paying more attention to physical books.” However, for those who do enjoy reading Melville on the iPad, not to worry: Wendy offers selections of Google e-Books at her stores as well. And as if there wasn’t enough on her plate, the mother-of-two-teens serves as president of the Chamber of Commerce executive board. All her efforts, whether with the bookstores, the brewery, or the Chamber, are to keep Nantucket vibrant and growing both economically and culturally. On the cultural front, Wendy launches Nantucket’s first Book Festival this month. With the help of locals like Meghan Valero, Dick Burns, Mary Haft, Leslie Bresette, Fifi Greenberg,
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Wendy Hudson introduces the Festival at a moment perhaps never more fitting or necessary. As she puts it, “What better time to remind people of the importance of good books than now, as all the media is hyping the death of the bookstore and physical books? It’s really alive and well, and we are going to bolster it.” Inspiration for the Festival came out of last fall’s three-day mind marathon, the Nantucket Project. “I just felt such a huge burst of energy,” she says, “and thought we have to do this more often, bring these great authors and share great thinkers with as many people as possible.”
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and Marsha Egan, authors like Nat Philbrick and Elin Hilderbrand, and philanthropists like Wendy Schmidt—
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This inclusivity may prove to be a defining element of Wendyâ&#x20AC;&#x2122;s Festival. Unlike the Wine Festival, Film Festival or even the Nantucket Project, the Book Festival seeks a casual, grass-roots appeal, with largely free admission or tickets otherwise moderately priced. â&#x20AC;&#x153;I wanted to do the Festival in a way that I would enjoy attending, so I keep picturing a beach picnic party and authors in bars,â&#x20AC;? Wendy describes. â&#x20AC;&#x153;We are not going to be super uptight about it
$ EUHDWK RI IUHVK DLU
or off-putting.â&#x20AC;? In this way, the Festival harks back to Wendyâ&#x20AC;&#x2122;s earlier days as a fun-loving college kid, working on a flower truck, sleeping on a boat, brewing beer in her backyard. Down the road, Wendy hopes the Book Festival will grow to offer writing programs, seminars with agents and publishers, and the â&#x20AC;&#x153;many other different angles of the business that people are interested in.â&#x20AC;? Not to be forgotten, there will always be childrenâ&#x20AC;&#x2122;s programming, which Wendy is most passionate about. Beyond the books and beer, Wendy Hudson joins a cadre of locals who are steering Nantucket towards a more creative, culturally rich future. Regardless of how history chooses to remember these contemporary movers and shakers, Nantucket will surely be the better for their work. Moreover, Wendy exemplifies the oft-forgotten ethos: Do what you love and the rest will follow.
Dujardin Design transcends mere â&#x20AC;&#x153;designâ&#x20AC;? enriching life for over 25 years through ingenuity
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and creativity.
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The
BLACK SWAN of Nantucket’s Dance Festival
WRITTEN BY JEN LASKEY PHOTOGRAPHY BY ALEXANDER WAGNER
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AT JUST 35 YEARS OLD, Benjamin Millepied has already long been known as a rising star and visionary in the dance world. In 2010, his talents reached an even larger audience when he choreographed and starred (with
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his now-wife, Natalie Portman) in the film Black Swan. Here on
that Showcases your Style.
Nantucket, Benjamin has made a name for himself as the Artistic Director for the Atheneum’s celebrated Nantucket Dance Festival, which takes place July 24th-28th.
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JEFFREY ALLEN
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B
orn in Bordeaux, France, Benjamin
began dancing when he was eight years old, training with his mother who had been a professional modern dancer. After
a few years, Benjamin says, it got to the point
The Atheneum is also fortunate to have a dancer and choreographer
This year, Benjamin is excited about showcasing the work of
of Benjamin’s caliber at the creative helm. Executive Director
legendary choreographers like Antony Tudor, Twyla Tharp
where he was the only boy in his mother’s dance classes,
Molly Anderson is quick to praise his dedication: “Over the
and Frederick Ashton. “We’ll be presenting styles of dance that
so it was time to move on. When he was 13, Benjamin was
past three years, Benjamin has brought us his extraordinarily
haven’t necessarily been seen before on the island,” he says.
accepted into the Conservatoire National de Lyon, where he
creative vision coupled with his amazing ties to the best dancers,
studied classical ballet. At 16, he fulfilled his dream of
choreographers, musicians and designers in the world.” She is
When Benjamin is not focused on the Nantucket Dance Festival,
moving to New York City to attend the School
confident that his fourth year in the role will yield another
he is busy conceiving, choreographing, and bringing a number
of American Ballet, the official school of
brilliant and fresh program.
of other projects to fruition. In the past year, he wrapped up
the New York City Ballet (NYCB),
performances with the
where he was mentored by Jerome
One of the aspects of
NYCB, directed five
Robbins. In 2001, he became a
Benjamin’s work that
short films set to new
Principal Dancer with the NYCB,
Molly admires most
violin works by Philip
a position he held for ten years,
is the rich and varied
Glass, choreographed
recently retiring in October of 2011
experience he offers
two world premieres—
to focus on his own choreography
the Nantucket
Hands On A Hard Body
and other projects.
audience: “No matter
and a new ballet for the
what their individual
NYCB—and a 3D
Benjamin took over the artistic
dance background
animated feature for
direction of the Nantucket
might be, Benjamin
Quad Films. He has
Dance Festival in 2008 from
weaves together
also performed with
Ethan Stiefel, a friend and
choreography,
the Ballet de Geneve
fellow principal dancer of the
performers and music
at the Los Angeles
NYCB. Benjamin considers
into a startling,
Dorothy Chandler
his collaboration with the
unified whole.” She
Benjamin leading student dancers at the Atheneum’s Dance Festival
Pavillion, and is
Atheneum to be quite
also points out that
exceptional, saying that “the
Benjamin builds his programs with selections that speak to each
a new series of short films that are being produced by the online
fact that the festival exists—
other— artistically, visually and musically: “It is fascinating to look
network Danceon. Most recently, he announced a new venture
and that the Atheneum
and listen for these extraordinary interrelationships—patterns and
in collaboration with the Los Angeles Music Center: L.A.
decided to use dance
creativity— that Benjamin achieves on our Festival stage.”
Dance Project.
organization
Benjamin programs the Nantucket Dance Festival with an eye
In his “spare” time, Benjamin also pursues a number of other
is special.”
toward deepening the audience’s understanding of ballet. He
interests. “I do all kinds of things from cooking and gardening
selects a range of pieces from the classical and contemporary
to reading and watching films. Lately, I’ve also been seeing a lot
realms. “Little by little,” he says, “I’ve been trying to educate the
of art and reading about art.” On top of all of this, he and Natalie
audience with different works that are relevant to the history of
Portman tied the knot earlier this year, and the couple welcomed
the ballet tradition as well as contemporary works that help move
a new baby, Aleph, into their lives. “Having a child has made
the art form forward. We’ve done everything from Marius Petipa
me grow up quickly,” says Benjamin. “It gave me a new breath.
and William Forsythe to Chris Wheeldon to Ratmansky to my
It’s such a strong experience, a rush of emotions. It has had a
work.” Last year, Benjamin was thrilled to present the world
profound impact on me. It’s definitely been the most powerful
premiere of a ballet by Justin Peck of the NYCB that the Festival
event in my life.”
currently working on
to benefit the
commissioned. The piece, 7 (for Seven), was performed by seven dancers from the NYCB to Shostakovich’s Piano Quintet in N magazine
G Minor, opus 57. N magazine
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W
hen it comes to his own
choreography, Benjamin starts
with the music. He believes that
picking the right score is a personal
believes that Cosi nata Teria (performed last year for NYCB) was one of his strongest pieces even though it was a dark work and musically difficult for most audiences. He has also decided
choice: “All choreographers have their own taste
to include Merce Cunningham’s Winterbranch
and way to decide what gives them the most drive
in L.A. Project’s first season, explaining that it
and imagination to make a ballet.”
was literally a scandal when it first premiered because of the difficult score. “People ran out,”
Benjamin seeks out music with good rhythms,
says Benjamin. “And that’s what I’m putting on
though he says that his tastes “really vary from
for my first program!”
things that are way older to new scores.” As for themes, he is mainly interested in human
But critics often praise Benjamin’s convictions.
relationships and how you can use the stage to
In last year’s Nantucket Dance Festival program
have fun, exploring different ideas of patterns,
notes, Joseph Carmen commended Benjamin’s
groupings, duos or trios, and how you can create
“particular wisdom for knowing how to both
sculptural images to music. “That’s really what
please and challenge an audience.” However, this
I’m after currently,” he says. Benjamin admits
year Benjamin wants to infuse the Nantucket Dance
that he sometimes chooses—and commissions—
Festival with a heightened sense of summer fun,
scores that are not necessarily easy on the ears—
so he went for a pleasing—and unchallenging—
music “that can make it challenging for some
program. As he says, “I don’t know that anyone
people to even begin to love a dance.” But this
will walk out of the theater not having enjoyed
doesn’t hold him back. For example, Benjamin
the works they’ll be seeing this year.”
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“LITTLE BY LITTLE, I’VE BEEN TRYING TO EDUCATE THE AUDIENCE WITH DIFFERENT WORKS THAT ARE RELEVANT TO THE HISTORY OF THE BALLET TRADITION AS WELL AS CONTEMPORARY WORKS THAT HELP MOVE THE ART FORM FORWARD.”
For more information about the 2012 Nantucket Dance Festival, visit www.nantucketatheneum.org.
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Boarding House
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Opening Night
nantucket
Donald Dallaire & Melissa Murphy
Kate Bermann, Steve Bowler & Denise Badders Tom Heiser Skye MacNeil
Jerry & Suzanne Daub
Angela Raynor & Wendy Schmidt at The Pearl
Kit Noble, Dan Markley & Jonathan Anastos
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Chuck Campbell, John Dugan, Evita Caune. Yolanda Fernandez-Grant, Wendi Murrell & Keely Smith
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Denis Toner, Sara Boyce & Andy Malcomb
Michael & Nancy Peacock
Spencer Heydt & Kelly Hulme
Stephen Marcaurelle & Liam Mackey Photos by LISA FREY
AFRICA EYES Through an Islander’s
PHOTOGRAPHER KATIE KAIZER IS A NANTUCKETER IN THE TRUEST SENSE. Her link to the island traces back through her maternal
their story… they were so happy,” she says, holding back
bloodline to her great-grandmother. Yet unlike many
tears. “They wanted to share their story.” Katie’s story in
historic Nantucket women, who often stayed behind while
Uganda is a hard one to tell—that is to say, it’s hard to do
the men went off in search of adventures afar, Katie is most
it justice. Taken by an experience so powerful that words,
definitely not landlocked when it comes to exploring the
even her own, can only lend a fraction of understanding,
world. “I think as Nantucketers we should travel whenever
she kept insisting during our interview: “You’ll have to see
possible,” she says, “and bring back new ideas, new insights
it in the photos.” Indeed, Katie’s images are breathtaking,
and new inspiration to the island.”
capturing a scene so foreign, yet also familiar. The photos transcend their subjects and echo universal truths: the love
Katie spent the month of March in Uganda, volunteering
of a mother, the innocence of a child, the pride of work, the
her photography to small organizations that are dramatically
strength of community. In them you also see the courage of
changing the lives of women and children who have been
an artist, pushing far beyond her comfort zone for the sake
devastated by decades of violence, disease, and poverty.
of her craft, and for the benefit of those who perhaps could
“I was trying to give these women a platform, a way to tell
never be more deserving.
“I was grateful to Lumunu Helen for sharing her story with me. She works long days in the quarry, and is the toughest woman I have ever met. Her late husband owned part of the quarry, and when he died she continued to work there. She is a single mother with ten children.” — Katie Kaizer
Twenty years ago, civil wars drove the Acholi people from their land in Northern Uganda. Many of them settled just outside of Kampala City, where they found work crushing aggregate stone. Through vocational training and loans from Project Have Hope, many women have been able to get out of the stone quarry—but there are still some who continue to work there.
Lalam Cecilia started her business selling charcoal after receiving a loan from Project Have Hope. She supports her children and grandchildren with the business, and is in the middle of building her own brick house in the Acholi Quarter.
“Part of the magic of traveling is being open to opportunities that come your way. So it was that I met
“At the end of my trip, I printed out a stack of 4x6 photos for the women. Some didn’t own photos
Renate Sluiseman of Arise and Shine Uganda by chance on a local bus. Based two hours north of
of themselves and others did not own any photos at all...they were overjoyed. That’s really what
Kampala in Jinja City, Arise and Shine Uganda runs a children’s care home (above) and a school in the
photography is about for me: to make photos that can help people and bring them happiness.
Kimbuye Village (previous page). With Sluiseman’s help, I was able to photograph Arise and Shine
Photography does not stop at knowing how to operate a camera, it’s about pushing yourself to do
Uganda’s efforts, traveling two hours by local bus then an hour and a half by motorcycle on dirt tracks
projects that can make a difference and broaden your perspective. The photography I did for Project
to reach the school in the Kibuye Village.
Have Hope and Arise and Shine Uganda is now being used for fundraising campaigns and
This photo above will always be a special to me. It was a calm afternoon when I visited the children’s care home. After being bathed and fed, these two girls seemed so peaceful and happy when
to create more visual awareness.” — Katie Kaizer
they laid down for their afternoon nap. For many of these children, common acts of caregiving were absent from their lives before reaching this children’s care home run by Arise and Shine Uganda.” — Katie Kaizer For more information on Project Have Hope and Arise and Shine Uganda visit their respective websites www.projecthavehope.org and www.ariseandshineug.org
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C TORY BURCH PATENT LEATHER E-TABLET CASE $225 Addison Craig 13 Centre Street 508-228-1899 addisoncraig.com
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30th Anniversary Fundraiser for the Childrenâ&#x20AC;&#x2122;s House Hosted by American Seasons
Swimwear
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Jeanne Miller & Myron Medford
8 Orange Street
Ronnie Elwell, Janet Schulte & Bruce Perry
Photography provided by Zofia & Co.
Redefining the Seascape of New England Cuisine This premier restaurant and oyster bar offers casually elegant cuisine in the visually stunning waterfront setting of Nantucket harbor. Guests will enjoy fresh, innovative seafood and an expansive oyster selection complemented by two sleek bars that feature an extensive wine and champagne list and inspired cocktails. ONE STRAIGHT WHARF | 508.228.9CRU (9278) | INFO@CRUNANTUCKET.COM |
Nichole Marks Olbres & Jason Olbres
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30th Anniversary Fundraiser for the Childrenâ&#x20AC;&#x2122;s House Hosted by American Seasons
Myron Medford & Joern Tittel
Tess Anderson, Brian Sullivan & Dawn Holdgate
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Janet Flanagan, Penza Calarco, Mickey Perry , Eve Maskell, Steph McGrath & Amanda Torchia
Laura Tedeschi, Keely Irwin, Tess Anderson & Julie Gammil
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Latoya Edmondson & Byron Edwards Photos by LISA FREY
TH E
N ANTUCKET
SOUNDSCAPE WRITTEN BY MORGAN PILE
PHOTOGRAPHY BY JOSHUA SIMPSON
Not long ago, Nantucket was a frequent stop of touring headliners like Jimmy Buffett and Dave Matthews. Today’s acts, by contrast, typically wash ashore with little music of their own, earning their bread and butter by performing famous covers. This is not to say that Nantucket itself isn’t producing its own original music. On the contrary, local talents like The Shingles and the Gypsy Band draw crowds performing songs written and arranged by them. For those looking to go local with their summer listening, here’s an earful of the current lineup.
BEACHHEAD The newest original act on the scene,
such as singer Marco Sanseverino’s strong,
BeachHead possesses the refreshing energy
Bradley Nowell-esque vocals. Though the
of a group of friends bent on having a great
group recoils when asked to define their
time. The band’s five members met years
music, one word they often return to is
ago at Nantucket’s underground beach venue, known in local circles as “The Shack.”
I think of all my friends hanging out,
Scattered jam sessions built the boys’
listening to good music and feeling positive
musical camaraderie, leading them to fuse
about everything,” Sanseverino says.
progressive rock with elements of funk and
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“It’s a communal spirit. We’re all just trying to have fun while playing music.”
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pop. Tracks showcase individual talents,
(Top) MIGUEL MERCEDES, AL LUDERER & JONAH MCKINNON (Bottom) MARCO SANSEVERINO AND BEN BRIERE
“positivity.” “When I think of BeachHead,
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THE BROTHERHOOD OF THIEVES As their name suggests, The Brotherhood
the band’s dexterity to its members’ diverse
of Thieves owes much of their success
musical tastes. “Each person has his own
to Nantucket. The summer home for this
heroes,” he says. “Those different points
five-piece rock outfit from Hartford, CT,
of view flow beautifully together to drive
“Nantucket allows for us to work, save
our sound.”
money, surf, rehearse, and play shows,” says Thieves’ frontman, Jacob Wardwell. “We
The four original Thieves met while
really could not ask for a better situation.”
studying Jazz at the Hartt School of Music in Connecticut. The enterprise began as the
The Brotherhood updates the 90s indie-rock
brainchild of singer/guitarist, Jacob Wardwell,
tradition with a captivating nuanced sound.
and drummer, Tim Jangl, as they made the
Key to its appeal is the band’s ability to blur
rounds as a campus party band. With the
genre lines without losing its substance and
felicitous addition of guitarist Nick Cole and
edge. At times, tracks from both their 2009
bassist Jack Reynolds, the group rounded
EP, “Have At...” and the more recent, “On
out its sound and set its trajectory. Since
Love and Self Loathing,” demonstrate jazz,
2008, the foursome has been striving hard to
reggae, techno and even hardcore influences.
broaden and enhance their sound, exhibited especially in their decision to bring in Mike
Consistent throughout, however, is an indie-rock vibe gained by singer Jacob Wardwell’s masculine, ever 90s-style vocal
Antoinetti on the keys for their latest album, “In Between Seasons,” which will be available for purchase this summer.
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performance. Guitarist, Nick Cole, credits
MIKE ANTOINETTI, JACK REYNOLDS, JACOB WARDWELL, NICK COLE & TIM JANGL (Top)
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BURNT TUNA What’s it like to play music at a packed
puts it, “We always find our way back.” The
Classics on heavy rotation during these
venue in your hometown? Just ask Burnt
seamlessness of these transitions, Leske
formative years include artists like
Tuna, the Nantucket music scene’s resident
says, is due to “the deep connection” the
Sublime, Jimmy Hendrix, Led Zeppelin,
hometown heroes. This trio of island-raised
three group members have earned over years
String Cheese, Slightly Stoopid and Phish.
musicians spends summers captivating
of collaboration. Lifelong friends, the
The influences clearly provide the bedrock
audiences with their unique brand of bluesy,
musicians spent much of their collective
for Tuna’s songwriting, with tracks like
reggae-rock. Their
sound melds
adolescence bent over instruments in
well-crafted originals
with improv
their parents’ basements, building up the
a classic combination of reggae and vibey
Clemons is a quiet, but powerful talent. Her
jam sessions that are
executed so
symbiotic skills that would eventually give
blues. They offer their own spin, however,
unique, smoky, sometimes raspy vocals
way to their own unified sound.
with the addition of synthetic elements. The
and artful lyricism cut to the heart with
resulting effort, the band has dubbed “trippy
unabashed, emotional honesty. Take the
reggae,” a term that seems tailor-made
much loved “Toronto Song,” a gutsy ballad
adroitly that they scripted. As leader
sound almost singer Colin Leske
“Frontline” and “Turn Me Around” invoking
for the live-music-loving summer crowd.
JESS CLEMONS Vermont-born singer-songwriter Jess
of desperation and intermittent gratefulness, set in an airport terminal. Its story stretches in many directions but centers around the loneliness of life on the road. Like many of her lyrics, these seem to have been mined from personal experience. If there is one thing to know about Clemons, it’s that she doesn’t sit still. She’s spent much of her adult life running stripes across North America, slowly exposing her music to one room at a time. Clemons first caught the “gigging bug” while a student at Acadia University in Nova Scotia, where the folk band Barefoot invited her on tour. She says the experience “opened [her] eyes to the thought of traveling and playing music for a living.” Soon she was heading up her own band, with which she recorded her first CDs and opened for some major Canadian acts. When the band split, an undeterred Clemons took off on her own, touring solo alongside other bands throughout the US and Canada. It is an experience she has relished. “I love to travel,” she says. “I love the outdoors, and I love meeting people. If I can make a decent living traveling with my music for a while, and connect with people through it in beautiful places, I’ll be a happy girl.” Luckily, Clemons has a spot for Nantucket high on her list of beautiful places. A member of the summer community for the past three years, she performs regularly
60DRUMMER ADAM GOODWIN AND BASSIST OWEN WEB WITH THEIR CATCH, GUITARIST/LEAD SINGER, COLIN LESKE.
Millie’s.
JESS CLEMONS AT PUMPKIN POND FARM
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at venues like Jetties, the Starlight, and
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YOU SCREAM I SCREAM “You Scream I Scream is a philosophy as much as it is a band name,” explains frontman, Floyd Kellogg. The name represents the “two parts of the music: fun and whimsical— but also dark.” This Yin-Yang, oil-and-water vibe, while at times perplexing, proves integral to the trio’s startling charisma. The tension emerges in a dark grunge-infused sound with irreverent, often sarcastic lyrics. Perhaps it takes seeing them live to truly understand: You Scream I Scream doesn’t laugh at its own jokes. But to focus strictly on the band’s humor is to do it a serious disservice; their real strength lies in their diversity and depth of sound. The album “Bug in the Light” features twelve tracks that range from the quiet ballad of “Keep ‘em Laughing,” to the paired down pop song, “Dog,” to the aptly named, “Rock’n Out.” The common link is a dark and gritty vibe that Kellogg describes as “electro grunge garage pop,” fortified by his baritone and baseheavy arrangements. Think Talking Heads meets The National. The prominent bass highlights one of the most differentiating elements of You Scream’s talent, what Kellogg calls the “fingerprint of the band”: The absence of guitar. This omission forces Kellogg and band members Audrey Sterk (drums) and Omer Shemish (keys) to find creative ways to infiltrate guitar sounds like playing chords through building melody from the base. “It’s a challenge,” explains Kellogg, “but we’re pulling it off.” He is right about that — You Scream’s next album is case in point. Laying ironic lyricism over truly complex, often surprising rock arrangements, the group manages to hang on to their yin-yang
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philosophy while exhibiting a new level of maturity.
FRONTMAN, FLOYD KELLOGG
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POTENTIAL HAMMOCK In their two and a half years of performing, Potential Hammock has earned the title of the island’s hardest working band. This fact is rather ironic when considering their easy-going, surf-rock sound. With a quirky and comedic sensibility and expansive guitar riffs, the trio achieves summertime in a sound wave, their ballads enjoyed best in sandals and trunks, maybe a Corona in hand. Frontman Sunny Wood calls listeners to cede daily concerns and ponder the more important things in life, such as waves and weather. True to beach-boy form, surfing is king for these islanders. Potential Hammock is part Zen, part rock and roll.
but is quick to point out they probably sound more like the Cramps or Agent Orange. Not to be overlooked, however, is the influence of blues on much of their first album, “Home Honey I’m Hi,” which tones down their punk-ska edge. Pigeon-holing Potential Hammock into a specific genre is impossible; their sound is original and ever evolving, which is good news for this ambitious group, who hopes their fun music will carry to shores afar and surf communities around the globe.
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Wood sources bands like Led Zeppelin and Pink
Floyd as influences,
SUNNY WOOD, RAPHAEL TERRELL, & MICHAEL HAJJAR PLAYING FOR A PACKED KIDDIE-CROWD AT THE SKATE PARK
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A
NICKEL FOR YOUR THOUGHTS? WRITTEN BY ROBERT S. COCUZZO
PHOTOGRAPHY BY KIT NOBLE
MATT OATES’ PROPERTY IS NOT HARD TO FIND. IT’S ACTUALLY HARD TO MISS. JUST AFTER TAKING THE CORNER WHERE SOMERSET LANE MEETS HUMMOCK POND ROAD, BROKEN SURFBOARDS, SPINNING BIKE WHEELS, AND DEFUNCT COMPUTER MONITORS PROTRUDE FROM THE ROADSIDE LANDSCAPE. At a drive-by glance, the display seems a cross
They’re little glass tubes.” I nod, wondering
between a hoarder’s paradise and an HDC
where this is going. “I started collecting them,
nightmare. CDs are mounted on a fence alongside
mostly for the original artwork on the boxes.
saucers and dinner plates. Old crutches, painted
I soon discovered that there is an entire world
red and yellow, emerge from the ground
out there that collects vacuum tubes. And
with mannequin legs and suspended toasters.
you would never know about it, unless you
Everything about the property is provocative,
were looking for them,” he says. “There is a
not the least of which is a sign reading Advice 5¢.
planet of crazy people out there that knows
If you can’t tell already, Matt Oates is not your
everything about every vacuum tube that has
typical Nantucket artist. Better yet, there’s really
ever been produced. But you would never
nothing at all typical about Matt.
know them, unless you collected vacuum
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“Do you know what a vacuum tube is?” he
from his eye, and drives his point home:
questions me. I ponder for a moment and hazard
“Nantucket is the same way. There is an art
a guess that I already know is too obvious to
world going on here, but because it’s not being
be correct, “The tube you plug into a vacuum?”
shown in the galleries, because it’s not being
“Nope,” he says. “Before they had silicon chips,
talked about, people don’t know it exists.”
they had vacuum tubes in the back of televisions.
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tubes.” He pauses, brushes a blond curl away
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M
att’s appearance vaguely resembles his artwork: Tight blond curls shooting out from a weathered cap, freckles and a big, animated smile. Whether you know it or not, you’ve probably seen some of Matt’s work, what he tells me is “Recycled Art.”
He has an elaborate installation titled “Dreaming Impossible Things” at NISDA where he serves as a guest instructor. He built and tends to over 500 birdhouses throughout the island. And, of course, he has a spread of interesting assemblages in front of his house on Hummock Pond Road. “It’s a little different. It’s just something different,” Matt says of his work. “I think a lot of the attention I get is because it’s different. Not because people like it or hate it.” But today, I’m not here to talk about Matt’s artwork, or at least not his recycled art.
“THERE IS AN ART WORLD GOING ON HERE, BUT BECAUSE IT’S NOT BEING SHOWN IN THE GALLERIES, BECAUSE IT’S NOT BEING TALKED ABOUT, PEOPLE DON’T KNOW IT EXISTS.”
I’m wondering about that sign in front of his house soliciting advice for five cents. The whole concept, Matt tells me, originated as he was tinkering away in his workshop, half-watching Charlie Brown’s Christmas. He was tired and in need of a vacation, but couldn’t quite afford one. So instead, he was looking for a fun project to occupy his time. Then it hit him: “That scene came on with Lucy and she’s got the stand ‘Psychiatric Help 5¢,’” Matt recounts excitedly. “I looked at it and I thought, I’m doing that.” Matt rushed to the dump, picked up a table and a chair and an umbrella and made the sign, changing it to Advice 5¢. He set up the stand without telling anyone, and sat down for
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makeshift stand and considered his advice
Broader still, the project is a commentary on
interesting and stop,” he recalls. “Hundreds
giving days done. Yet to his surprise, people
the Nantucket art scene, the one that exists
of people stopped. Hundreds. The fourth day
continued to approach him on the street in
behind the oil landscapes. Since the 1960s,
the cops came; they wanted to know why there
search of his unqualified wisdom. So the
the island has been a haven to artists that fall
was a traffic jam!” Matt grins as he continues,
following weekend, the doctor was in
outside the norm, and that community still
“Families with little kids would come, and they
once again.
flourishes. “There are a lot of people on this
would be playing in the driveway as they waited
island that do amazingly cool, funky stuff,
their turn. There was a line down the street,
The broader stroke of Matt’s living arts
but they don’t put it out in front of their house
down the street, I’m not kidding you.” For ten
project was its commentary on today’s
because they’re afraid,” Matt says. “They’re
days, Matt hosted young and old at his roadside
communication, or lack thereof. In a world of
afraid of their neighbors, the town. They’re
stand, fielding questions from the silly to the
texting and Tweeting, good old conversation
afraid because it isn’t an oil painting.” So
serious. “I had to keep pointing at the sign to
seems to be left as a last resort, an almost
what’s Matt’s advice for Nantucket? Perhaps
remind people it’s five cents advice…I can’t
antiquated form of communication. Matt,
it’s to be more open. However, until that time
tell you if you should get married or not,” Matt
who until recently went without a cell phone
when galleries show this brand of work, you
jokes. “A little girl asked me if there is such a
or computer, saw his project invoking the
can always check it out at Matt’s place. And
thing as reincarnation, would it be good to be
most human impulse of conversation. “Most
although his advice stand no longer stands, his
reborn again? This is a seven-year-old girl! I’m
of the people that stopped did it because it
advice remains an affordable five cents.
like ‘My advice is to forget about all that until
was fun,” he says. “But also I think people
you’re older!’” After ten days, Matt closed his
saw it as an opportunity…It’s almost like people had nobody to talk to.”
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what would become a living arts project meets social experiment.
“I figured a couple of people would think it’s
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The
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WALK A ‘Blackford Blaine’ Short Story WRITTEN BY TED BELL
IT HAD BEEN COLD the previous evening, unseasonably cold, even for late November. The chill wind howled and shrieked around the massive grey-shingled Nantucket ‘cottages’, those stately ‘Grey Ladies’, perched high atop the Eastern dunes overlooking the
If it is time for you to take money management
Atlantic. Whistling down the massive bricked chimneys and round the window sashes, the
to a higher level, contact us for references and
frozen blasts clawed at the shutters, as insistent and noisy as angry banshees seeking entry
a description of our services.
and perhaps heinous revenge. Charlotte Whidby, tall, handsome, and of a certain age, stood shivering atop the mansion’s Widow’s Walk. Standing fast against the blow, her eyes were
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Such foul weather. That cold sea air, that bottomless chill that lies deep within the cloistered heart of ghost stories.
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focused in the middle distance, twixt the heaving blue ocean and the icy pinprick stars above.
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R
team, sugar.” “You talk funny.” “Thanks. I
that have been jumbled, not all the pieces
PASSING ANOTHER MIRROR above her
gazed out the window. Edgar’s long blue
Many a hopeful whaler’s goodwife had stood where she stood now,
get paid by the word. You ever read Mark
seemed to have come from the same box. In
silvery vanity, she deliberately paused and
Bentley ghosted down the twisting drive, en
a lonely soul praying for her husband’s safe return after years in the deadly
Twain?” “No. Who wrote it?” He smiled at
the bedroom, a solitary tear gathered in the
studied her face, the cheekbones holding on
route to the Nantucket Golf Club. His Sunday
Pacific whaling grounds. But Charlotte wasn’t praying for her husband.
her, eased the main and punched a button.
corner of an eye, spilled, and made a slow
despite the vicious vicissitudes of time and
morning foursome. Golf. She had nothing
She was praying for her lover. Blackford Blaine’s lovely old schooner,
Bose cockpit speakers started streaming
trek down Charlotte’s cheek. She swiped it
abuse. “Johnnie B. doesn’t help, you know,
against it, really, except for the ways in which
Sinatra, loud. St. Francis healed all wounds,
away angrily and touched the fingertip to
dollface,” she said to the reflection. “Makes
it made some people dress. And couldn’t
even minor blackboard scratches like the
her tongue. Salty, like the sea itself. Bitter-
mama all puffy and grey. Foolish woman,
they go on about it at dinner parties? “Y’see,
ones in his head. Women.
sweet. Her life in a nutshell in other words.
stop the booze.” She turned away from herself
Charlotte, there I was lying three, your hubby
She grabbed the sterling hand mirror from
and regarded the silk-tufted headboard of
had gotten on in two, so I knew I had to chip
aising the binoculars to her eyes once more, she scanned the horizon.
Narcissus, was en route from Northeast Harbor, Maine. His ship’s
radio voice message had been brief and plain-spoken, nevertheless it had thrilled her to the bone.
“Ahoy, Charlotte, your captain speaking. Making damn good time, too, a fresh blow out of the east. You might glimpse the old girl fairly close inshore, entering the harbor nigh on midnight. Seeya manana, kid.”
SHUDDERING WITH COLD and some
it within—” “Save me,” she sighed, pushing
nameless dread, Charlotte descended the
back from the breakfast table. Rising to her
steep staircase and took to her bed, seeking solace from storms both within and without at the bottom of a bottle of Johnnie Walker Blue. At some point she must have drifted
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off, forgetting to undress or even draw the
Her once glamorous face once the face of a hundred magazine covers on both sides of the Atlantic.
feet and, grabbing the New York Times, she retired to the library to while away the day with the crossword puzzle. DINNER COULDN’T COME soon enough.
draperies. She lay there upon her starlit
her bedside table, peeking at her two-day
her canopied bed, the faded pink and white
What did they talk about? Children. Money
bed all night long, tossed about by
old black eye, once purple, now turning a
toile covering the walls behind it, the rosy
usually, Edgar was obsessed with the stuff. For
merciless tempests. Thus, the following
particularly hideous shade of green. He’d
glow of the silk-shaded silver sconces
years, she’d defended every damn dime sent to
morning brought no great rush to arise. Not
smacked her good, all right. Maybe the
mounted. Just a pretty set, she thought, casting
her beloved daughter by a previous marriage.
trusting her pale blue eyes to the light, she
weekend before make-up could conceal
her eyes around the room. The whole damn
Someone once joked that Edgar didn’t just
lay abed in her silk sleep mask, steeling
her husband’s latest love tap. Good God.
thing. An exquisitely decorous set bereft of
want to win the pot, he was never happy unless
herself for the sound of her husband of
Her once glamorous face once the face of a
actors, a plot, or even a goddam audience.
everyone else left the table empty handed. It
thirty years approaching her door. Ah, yes,
hundred magazine covers on both sides of
“I coulda been a contendah, Charlie,” she snarled
was more than greed, she’d decided. It was
on his way now, leather slippers slap-
the Atlantic. Her body—oh, dear God, the
slapping on the hardwood floors. Next, his
sheer power of it then—wielded mercilessly
hoary and unamusing rap-rap-a-rap-rap
as she bit and chewed and clawed her way
upon her chamber door. Her voice, a deep
to the very summits of those twin Everests
whiskey timbre tinged with smoke, said it
called Broadway and New York. Now, tired
all. Go away. But “Yes, darling, what is it?” is
bones besieged by gravity, Charlotte pushed
what she said. He cracked the door and stuck
the silk coverlet aside, and slid her perfectly
his great balding and chiseled head inside.
painted toes into a pair of pearly satin
In a loud stage whisper: “Hey, you. Wanna
slippers. She padded across the faded
play doctor?” Putting her forefinger to her
Aubusson and flung the tall French doors
temple she said, “Perhaps later, dear. I have
wide with a vengeance. Sparkling sunlight
an awful head.” Somebody shoot me. He
and crystalline air flooded the room, the
had other women. She didn’t hate them.
rolling ocean beyond a lovely hue of deep-
BLACKIE LOOKED ALOFT. A keen-eyed sailor, he could spot the least trace of luff in his
She pitied them. “Poor wookums. No biggie.
est blue. She sang. “Oh—you—wonderful
mainsail. He nudged the helm off the wind a few degrees, stuck a Camel in his mouth and
See you at breakfast, babe. I asked Cook
girl, What a wonderful girl you are—All—
cupped his sea-chapped hands round the Zippo he’d carried since the war. “Blackie?” the blonde
for pickled herring on Portuguese bread,
your—wonderful words, They thrill me
stowaway said over the wind. Bundled inside his old foul-weather gear, she was curled up in the
sour cream and gherkins and a pitcher of
through and through—” George M. Cohan.
cockpit under thermal blankets. She was cute, all right, but had that way of getting on your nerves
Bloodys. What the hell, Sunday morning,
“The Little Millionaire”. Mummy had taken
that some women do. Fingernails on the blackboard type of thing. Earlier, he’d radioed his
right? Let’s live a little.” “How utterly
her to see a revival on Broadway when she
at her reflection over her shoulder. “Hell, I
absolutely psychotic. Still, she soldiered on,
captain to fly the King Air over from Hyannis. Pick up a certain blonde headed back to Northeast
marvelous,” she said, stifling a gag. “I’ll put
was just a girl. Little Charlotte’s own eyes
was a contender…and maybe I still am…”
minding her manners and pretending to pay
tomorrow morning. Brandy here would be wheels-up out of ACK at first light. He took a drag,
on my face and be right down.” He headed
had been brimming with tears at the
looked at her and said, “What’s on your mind, pumpkin?” “How much longer? I’m cold.” “Go
for the broad staircase, his grin a thin crack
sensuous, heavy fragrance of paint and
BREAKFAST WAS HELL, naturally.
rolled by. Let us not to the marriage of true
below, baby. Nice and warm.” “I get seasick down there.” Blackie inhaled and flicked the butt
in a granite face only a stonecutter with
powder, the footlights, the sheer magic and
Later, as Eduardo hovered about the dining
minds admit impediment, somebody said. So
overboard. “You told me back in Maine you’re were a sailor.” “Not on sailboats. On yachts.”
a jackhammer could love. Each fragment
loveliness of it all.
room removing the dishes, she sat back and
hard to keep that faux sweet smile in place, her
“This is a yacht.” “Yeah, right. I meant the kind with no sails.” “A stinkpot? I don’t play for that
was sharp enough, yet like jigsaw puzzles
attention to the blessed union as the years
dinner face, but she managed it one more time. Edgar didn’t eat, he gobbled.
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the fact that his life was one many might
“WHAT ARE YOU wearing, you silly fool?”
to clear, Edgar sat back and placed both hands on his signature
disapprove of. The fact was, he actually
Charlotte said. “It’s freezing out here. Even
before the fire. Charlotte was wearing her
beachball belly. “Eduardo?” he growled, turning the word into a
cared deeply for these women and they
my mink is soaking wet from the fog.” Blackie
mink and little else, Blackie, a faded maroon
all cared deeply for him. Lonely, most of
looked as if he’d forgotten what he was
velvet smoking gown from Turnbull’s in
worst sin in the world was to be abusive to poor souls who could not defend themselves.
them, unhappy certainly, and always glad
wearing. “Winter whites?” “Sorry?” She eyed
London. She stared into the flames, a
“Si, Senor?” “Tell cook that lamb was underdone and she better get her ass in gear or she’s
to see his 130-foot, black-hulled schooner
him up and down. White flannel trousers, a
troubled look on her face. “Cigarette, kid?”
outta here. Capisce?” “Si, Senor. Besame cula. Mucho,” he said straight-faced. He shot her a
sail into port. Lunching one blue sum-
white tennis sweater over a white open-necked
he said, flipping open his gunmetal case,
furtive look and hurried out to the kitchen and ‘Cook’ as Edgar deigned to call Illuminada de
mer’s day at Bailey’s Beach in Newport
polo shirt that set off his magnificent tan, and
“Penny for your thoughts.” “I’d adore one,”
los Reyes. Lumi was a lovely little woman, a splendid cook from Santo Domingo, the beloved
with chums, she’d heard Blackie’s name
a white cashmere blazer. Not to mention a
she said, extracting it just as his Zippo was
wife of thirty years to Eduardo. Over the years, she had watched the proud and dignified
bandied about. “You know him, don’t
scuffed pair of white bucks on his feet, no
coming up. “What’s wrong, baby? Tell
houseman grow to hate Edgar almost as much as she did herself. Perhaps more. Edgar turned
you, Charlotte, dear?” someone said. “You
socks of course. “Winter whites, darling,”
daddy.” “Blackie, I’m sorry. I can’t live this
to Charlotte as he levitated his girth from the table. “What’d he say? Why can’t these people
were both boldfaced once on Page Six, I
Blackie said, grinning with those big white
way. I simply can’t stand to share you with all
speak English?” Charlotte coughed into her napkin, hiding her chuckle. “What, darling?”
believe.” “Why, why, no, I don’t.”
sparklers. “One always strives to stay one step
those other women anymore. The sad truth is
ahead of current fashions. Just you watch, dear
I’m head over heels and I don’t know what
reminds them of Errol Flynn only better
Charlotte. Next year, white will be winter’s
the hell to do about it.” “What do you want
looking.” She’d smiled at that. It was
must have hue. Betcha.” She laughed. The
to do, Charlotte?” he said, suddenly serious.
SHE FOLLOWED HIM into the cherry paneled library where a fire crackled in the stone
true. Blackie, despite his dashing good
one thing that saved Blackie Blaine was that
hearth. This was their nightly post-prandial ritual. She perched on the long sofa while he
looks and somewhat outré lifestyle, was
he had absolutely no idea how devastatingly
already got one husband. Isn’t that pushing
hen the trial was finally over, and Eduardo slid into the dining room
sentence laced with menace. And then she waited for it. In her view, the
“You heard me. Hell’d he say?” “He said he’s terribly sorry.” “Damn well ought to be sorry.
“Well, honey, you should. People say he
Worthless.”
atop a high dune with his long legs wide apart,
a true gent in every sense. More than any
attractive he was, nor how charming. He could
it?” “I loathe Edgar. You know that. I’ve
and light a plump ‘stogie’. Next stop, the Wall Street Journal, the only literature he ever read.
his arms crossed over his broad chest, gazing
man, Blackford Blaine understood women
have any woman he wanted, and did, and she
decided it’s over. I’m—I’m leaving him…
He’d literally hide behind it to discourage discourse, not that she bloody wanted any. Tonight,
out to sea. Clearly, he hadn’t seen her
down to the bone. Knew not just what
was one of the fortunate few. And therein, lay
listen, Blackie. I’ve got a proposal.”
she herself went straight to the drinks table, saying, “Go sit down and relax, darling. I’ll pour
approach. She circled around behind the dune
they wanted, but what they needed.
you a big fat double. You’ve had a tough day.” “Shot three birdies on the back nine, babe.
to surprise him. She was ten feet from the
Nothing tough about that.” “Here you go, Killer,” she said, handing him a tumbler full of
top when she heard his deep voice. Blackford
MAINE, NEWPORT, NANTUCKET, the
Blaine, not bothering to turn around, said,
Vineyard, the Hamptons, Savannah, Hobe
Over the years, she had watched the proud and dignified houseman grow to hate Edgar almost as much as she did herself. Perhaps more.
Sound, Palm Beach, and every other posh
He’d gone through life at full sail, not giving a hoot in hell what others thought and he’d lived his life by one very simple but powerful rule: Never, ever, intentionally hurt another human being.
isn’t it?” “Lovely night for what, Blackie, you
port along the Eastern seaboard, all were
old hound,” she said, closing the distance. He
among the Narcissus’s annual ports of
turned and opened his arms, grinning his big
call. And Blackie had a girl in every port;
white grin, and she fell into his embrace,
all of them most generous in their
pressing her frozen cheek against the warmth
appreciation of the attention, affections,
of that broad chest, feeling his strong arms
and his many kindnesses over the years.
encircle her, making her feel safe like he
This generosity was usually expressed
the problem. “Oh, Blackie, darling,” she said,
“You’ve already proposed.” “No, no, not that
bourbon. Moments later, as expected, the ‘Wall’ went up between them. She remained on the
always did. Safe and warm and…happy. Oh,
through discreet but lavish gifts of private
squeezing him tightly, “I do love you so. And
kind of proposal. A business proposal. Now,
divan gazing at the sea beyond the windows, sipping her drink. Plenty of moon and starlight,
God. Yes, happy, that was the only word for
jewelry from currents and exes. Blackie
I’ve been longing for you, positively aching.”
don’t interrupt me until I’m finished. Just
but a grey fogbank was advancing from the far horizon.
it. Charlotte didn’t kid herself. She knew full
ended up selling nearly all of it to
well she was only one of Blackford Blaine’s
Tiffany, Winston, or Van Cleef. One had
into a dry martini.” “Where are you staying?
marry me and continue the lifestyle you lead
HALF AN hour later she drained her sherry and got to her feet. “Darling, I think I’ll go for a
women, knew it and had accepted it years ago.
to pay one’s way, after all. Blackie saw
Let’s hurry.” “That ramshackle guest house
without having to—what’s the word—earn
stroll before the fog rolls in. It’s lovely out, you should come.” No response, then a muffled
They all had, every one of them, and why not?
no problem with his way of life, though
back there, among the dunes. They call it
it. I will give you one million a year, after
grunt. “Is that a ‘no’?” Another “mmmpfh”. “All righty, then,” she said gaily, “I’ll take my
No secrets, no drama, just romance, short and
he knew many people could and probably
chances alone. I shan’t be long. Unless of course I run into some devastatingly attractive man,
sweet. But she’d always felt special in his eyes,
did. Once asked by a flirty little Vogue
duPont estate?” “Yep. Pal of mine, Mike
will—“ Blackie got to his feet, a dark aspect
that is. In that event, I’ll not return till dawn. TTFN,” she added, knowing full well he would
even though Blackie’s Girls had much in
reporter what he did for a living, he’d said,
McCarty from Palm Beach, owns it now.
to his chiseled profile.“I think we should go.
not know this was textual for “Ta-ta-for-now!” She left him behind his newspaper and strode
common. Rich, of a certain age, unhappily
I get a discount.” “Sounds like a band playing.”
Get dressed. I’ll walk you home. Fog’s rolling
out into the main hall. A row of coats hung along the wall. Choosing a long black mink with
married, widowed or divorced, beautiful, well
Playboy of the Western world.” He’d gone
a hood, she was out the door in a heartbeat. At the end of the flagstone walk she took off
educated (he didn’t suffer fools, or anyone else
through life at full sail, not giving a hoot
Regular Jay Gatsby that boy.” “Take me there.
her shoes and went tripping down to the sea. The sand was gleaming white, soft and sugary
who crossed him, gladly) and, finally, discreet.
in hell what others thought and he’d lived
To Bachelor’s Gulch. Take me now.” “I’d be
beneath her feet. It was cold and damp but her long, voluminous fur coat kept her cozy along
One thing kept her sane: She was pretty damn
his life by one very simple but powerful
delighted, darling. All those steamy love
the water’s edge, keeping her distance a few feet above the shore break. A wave caught her by
sure he loved her best. No, she wasn’t sure;
rule: Never, ever, intentionally hurt
letters are tough on a lonely sailor at sea.”
surprise, liquid ice stinging her toes and ankles, but she was so happy she barely felt it.
she was positive. No secrets lay between her
another human being. And, to his
Because she felt him. Felt him long before she saw him. A ghostly figure in white, standing
and her long-time lover. Blackie never hid
knowledge anyway, he never had.
“Kid, believe it or not, you’re talking to the
“Hell, let’s get you out of that wet mink and
‘Bachelor’s Gulch’.” “The one on the old
“Yeah, he’s having a fancy soiree on the lawn.
shut up and listen. The way I see it, you can
taxes, to spend as you wish. In addition, I
in.” “But, darling, I haven’t told you about—“ “You’ve said quite enough. I’ll be waiting outside.”
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“Marry you.” “Me? C’mon, Charlotte. You’ve
poured drinks, bourbon for him, sherry for her. Then he’d plop down in the leather armchair
“Good evening, Charlotte. Lovely night for it,
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LATER, THEY SAT on the hooked rug
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T
HE FOG HAD rolled in, swirling in filaments and
to kiss his ass.” “Charlotte, everyone on this island knows you
tendrils around them as they neared their destination. They
and Edgar fought like cats and dogs. How many times have the police
hadn’t spoken a word since leaving the guest house. As they
been to your house?” “Yes, he abused me!”“That’s one motive.”
climbed the final dune before Charlotte’s cottage she said, “Oh, Blackie, I’ve hurt you somehow. I’m so sorry.” “If
“What’s the other?” “Your recent business proposition.” “But—but nobody knows about that.” “I do.” “Oh, Blackie. That’s between you
you don’t know how, sorry doesn’t work,” he said as they reached the
and me—oh, darling don’t be like this. I love you.“ “Listen to me
top. “Oh, my God, Blackie, look!” The large house was barely visible
carefully, Charlotte. I’m not for sale. You obviously see me like a lot
in the thick fog. But there were flashing blue lights everywhere on the
of people do. The cheapest kind of bum, a guy who takes advantage
property, haloed in the gathering sea mist. “It must be Edgar,” she said,
of wealthy women just to satisfy his lust for the lush life. But I’m
looking frightened. “He’s been having—heart problems. I must go.
not that kind of man, Charlotte. I don’t take advantage of anyone,
But promise me you’ll meet me tomorrow. That little crab shack over
much less women. You know that, and you know I don’t have any
in Wauwinet. Promise me. Please, no matter how angry you are with
secrets. Now, you tell me the truth. Did you poison your husband last
me now.” “Go see about your husband, Charlotte,” he said, turning to
night? Before you came to meet me?” She stared at him in shock, her
descend the dune for the walk back home.
thoughts suddenly kaleidoscopic. “Blackie, I—I…” “If you didn’t do it, then you’ve got nothing to worry about.” He stood up,
SHE DIDN’T THINK he’d come. Two martinis, considering a third.
expressionless, save the faint, mirthless echo of a smile in the corners
Getting up to leave she saw his tall frame silhouetted black against the
of his mouth. “Blackie! Don’t leave me to the wolves! I did it for
red sky filling the doorway. He strode toward her, a rolled newspaper
you, darling! I want us to be together and—“ “The crew’s getting
in his hand, pulled out a chair and sat down. “Hello, Charlotte. I’m so
Narcissus ready for a sunset departure. I’m leaving this beautiful little
sorry to hear about Edgar. You’ve seen the evening edition I imagine.”
island far astern, and I probably won’t be back. So I’ll say
“No. I haven’t seen a thing. I’ve been walking the beach all day long.
good-bye, Charlotte. And good luck.” He turned and started for the
I—I walked all the way here.” “Widow’s walk. Here. You’d better read
door. Halfway there, he paused and looked back at her. “One last thing.
this.” He handed her the Inquirer & Mirror. “The police suspect
My pal Mike McCarty called. Seems the cops are canvassing the
foul play. In the course of the autopsy, the ME found traces of a
neighborhood. See if anyone saw anything unusual out on the beach
supposedly untraceable poison in his blood. Oleander. It missed the
last night between the hours of nine and ten. Mike told them he got
Medical Examiner’s first screen, but not the second. Down at the
tired of his noisy party and strolled down to the beach for a cigar and
bottom you’ll read that you are considered a person of interest.” “Me!
a little peace. Said he saw a couple up on that dune. You and
Outrageous. How can they possibly suspect me?” “They always suspect
me.” “And?” “Detective wants to talk. Going there now, before
the spouse first, Charlotte. Always.” “Blackie, you have to believe me.
heading back to the boat.” “Oh, God, Blackie. What are you going
I didn’t do it.” “Then who did?” “Eduardo. Our houseman. He hated
to do?” “You should know this by now, Charlotte. I’m lousy at
Edgar with a passion. He could have easily put something in his
keeping secrets.”
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“The Widow’s Walk” is the second installment of Ted Bell’s ‘Blackford Blaine’ series. The first installment, “The Pirate of Palm Beach,” appeared in an anthology edited by Nelson DeMille, entitled The Rich and the Dead.
Author, TED BELL
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food. They had words last night. I’ll swear to it. He actually told Edgar
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COURAGE of the Guard
He was captivated by the tenacity and sheer
One of the Coast Guard lifeboats— only
bravery of the Nantucket and Cape Cod Coast
36-feet long and already carrying four crew
“It must have been an agonizing decision for
Guard as they attempted a rescue in one of the
members—eventually picked up thirty- two
Captain Naab, ” says Tougias, “but a very
most violent storms of the 1950s. “The word
men off the stern of the Pendleton, somehow
heroic one. He had two crews to consider: his
squeezing them aboard and then ferrying them
own and the Fort Mercer. Bravery in the face
them,” he says. “The concept of bravery,
to safety. “The fact that these ‘Coasties’
of this kind of decision-making takes on a
coupled with split decision-making, against
physically responded to such a seemingly
new meaning.”
tremendously negative odds, by seemingly
hopeless call was a miracle in itself. But they
ordinary people, inches from death’s grip, is
were ‘just doing their job,’” says Tougias. The
If all goes to plan, audiences will be able to
simply fascinating.”
movie will most likely focus on Guardsman
experience a re-enactment of this bravery on
Bernie Webber, the 24-year-old crew member
the silver screen in the next couple years. Un-
A movie version of The Finest Hours is
from Chatham who successfully saved those
til that time, however, it is captured vividly in
currently in the works in Hollywood, headed
32 men off the Pendleton, as 6o-foot seas
the prose of this, Tougias’ 18th book: He was
up by Dorothy Afiero, the co-producer of the
raged around him.
entering some of the most treacherous
‘hero’ simply isn’t big enough to describe
WRITTEN BY RYDER ZIEBARTH
was forced to pull back and wait for daylight.
Academy Award-winning film, The Fighter.
waters on the East Coast: the shifting labyrinth
With some of the filming planned to take
For their part, Nantucket’s Coast Guard sent
of shoals between Nantucket and the elbow of
place around Cape Cod, the movie’s tentative
out a 36-foot lifeboat, The Yakutat, to try
Cape Cod. The tides play havoc in the
release is for 2013-14. “It is still kind of hard
and save the Fort Mercer. The lifeboat was
shallows here, as
for me to get my head around all this,” says
skippered by Ralph Ormsby, and carried three
water moves back
Tougias, “but I think what caught Dorothy’s
crewmen: Alfred Roy, Donald Pitts, and John
and forth between
eye is the simple fact that audiences crave
Dunn. Later, a cutter commanded by Captain
Nantucket Sound
an inspirational story about overcoming
Joseph Nabb made it to the Fort Mercer’s bow.
and the open ocean,
tremendous obstacles. To me, The Finest Hours
The crew tried floating life rafts to the sinking
creating rip currents
exemplifies the very definition of hero.”
tanker, but when the men jumped from the
of churning, sand
Mercer’s deck and missed the rafts, they found
filled seas that can
The U.S. Coast Guard, both on Nantucket and
themselves too hypothermic to crawl into
be frightening even
the Cape, made numerous attempts to rescue
them. Four of the oil tanker’s crewmen died
on a calm day.
the crew of the Pendleton and the Mercer.
during this rescue attempt, and the Yakutat
MICHEAL TOUGIAS is a frequent lecturer at the Atheneum and Life Saving Museum
W
ith winds at 70 knots and seas at 60 feet, eighty-four
crewmembers of two World War II oil tankers, the
Pendleton and the Fort Mercer, prayed for a miracle in
the early morning hours of February 18, 1952. Just aft of their bridges, the 10,000 ton T2 tankers had their steel hulls ripped apart by the relentless pounding of icy water and gale-force winds, their
dismembered carcasses barely afloat, drifting further and further into survivors clung to the remaining wreckage of the Pendleton, hoping their mayday reached the Coast Guard before they were lost to the depths. Later, the Mercer, also in two pieces, floated away with more men shivering violently against the wind and snow. The reporting of this fateful voyage resulted in The Finest Hours, The True Story of N magazine
the U.S. Coast Guard’s Most Daring Sea Rescue, written by Michael
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Tougias and Casey Sherman. Hailing from Plymouth, Massachusetts, Tougias began research on this once little known account in 2002, completing the project in 2009.
IMAGES COURTESY OF USCG HISTORIAN’S OFFICE
the abysmal blackness of the North Atlantic. Thirty-three terrified
THE PENDLETON
THE PENDLETON SURVIVORS
GROWING ORGANICALLY C Sustainable
RENOVATE · BUILD · LIVE 508.325.4060 - ackman02584@yahoo.com - www.mainstreetack.com
Nantucket’s
Farmers Market WRITTEN BY PETER B.BRACE
In its sixth season, the Nantucket Farmers & Artisans Market at the intersection of Cambridge and North Union streets is the reason local growers, jewelry makers, weavers, beekeepers, soap makers and other artisans are thriving on Nantucket. Bringing their organic, locally grown produce and handmade crafts to this downtown location every Saturday from June 15th to October 15th is invaluable hands-on marketing for their year-
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round businesses.
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T
he market has served as a springboard for local
in town,” said Whelan, “and gave
artisans such as Liliana Dougan whose
the town and the people a sense
“Nantucket Pasta Goddess” gluten-free pasta
of what it’s like to have a market
is now in 43 stores in six states, and
downtown. And people liked it and that was where we got
craftspeople such as Jeanne Van Etten and
the energy and approval from the town to move forward
weaver Karen Sheppard, who are earning a living from
with having it on the street.” That year, the market spent
their creations. Lower profile island growers, including
about three weeks at this crucial location and then secured
Nantucket Mushrooms, Hummock Pond Farm and
a permit from the town to move to its current location
Pumpkin Pond Farm, are gaining notoriety through the
between the post office and the Starlight Café.
ELIZABETH MURPHY
market, helping them compete with the island’s two largest farms, Bartlett’s and Moors End.
Since then, its growth has been, well, organic, increasing almost every year from just nine vendors in 2007 to 65 in
“In terms of success as a program, I don’t think that can be
2010 and then 53 in 2011. This summer will be the second
overstated because it’s doing exactly what we wanted it
season of the mid-week growers-only market held next to
to do,” says Michelle Whelan, executive director of
Glidden’s Island Seafood on Pleasant Street on Tuesdays
Sustainable Nantucket, which sponsors the market. “It’s
3:30-6:30. A limited number of artisans will join the
giving our new, beginner growers a platform to get
growers this summer.
connected to the community to raise their profile, it’s giving our established growers an additional place where they can
The hope, in Whelan’s words, is that Sustainable
be seen and remind people of their presence and where their
Nantucket cultivates a self-reliant, locally-based food
farm stands are, and it’s given our artisans the chance to be
system and healthy local economy. Starting this summer,
entrepreneurs and be a part of our cottage industry.”
islanders will be able to readily identify the fruits of these
Paintings by CHRIS BOURBEAU
labors through Sustainable Nantucket’s newly launched Germination of this market happened inside of former
Nantucket Grown Brand. Island growers who meet
Nantucketer Heather Leisher-Coffin and island grower
Sustainable’s standards can use the logo to promote their
Wendy Fereshetian in 2005. It sprouted from their
produce as Nantucket Grown. Restaurants sourcing
thoughts on local sustainable practices and how at the
certain amounts of local produce on their menus can do
time there was no place to buy local organic produce on
the same thing with window stickers and advertising
a regular basis. This pair saw the market as a venue
bearing the Nantucket Grown logo.
where smaller farmers, home gardeners, craftspeople, bee keepers, and poultry and livestock farmers could
“So, the market has been successful in a number of ways,
gather for a weekly confab of shoptalk and to share
but it also provides what we call a third place—a place
their products with the community.
outside of work and home for people to gather, so it’s a rejuvenator of a sense of community,” said Whelan.
In helping this pair with their farmers market idea,
JEN KARBERG
“I think that’s a really important thing for a community
Sustainable Nantucket saw an opportunity to expand
such as ours to have on a consistent basis.”
its Buy Local program by introducing Nantucketers to
*Join Sustainable Nantucket on July 21st for its annual Farm Fresh Feast Fundraiser at Bartlett’s Farm, where, a locally sourced gourmet meal will be served under an open sky.
organic produce and island-made crafts as well as to the concept of sustainability through locally grown food and small businesses. The market’s first season ran August 11 to early October 2007 at the Nantucket New School, but Whelan says they got their big break in 2008 when the N magazine
Dreamland Theater allowed the market to set up at the
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Easy Street end of its property. “That gave us our foothold MICHELLE WHELAN, Sustainable Nantucket Executive Director
PHOTO BY NATHAN COE JEANNIE VAN ETTEN
PATTY, NETTIE, CAROL, LORI & CATHY
DAMES
DUMP of the
WRITTEN BY PIPPIN AUSTIN
PHOTOGRAPHY BY KATIE KAIZER
SOME CALL IT THE LANDFILL, OTHERS THE RECYCLING FACILITY, but for most of us, in pick-ups and minivans loaded up with mandatory transparent bags on a Sunday morning with a cup ‘o Joe, it will always and forever be: The Dump. And the women who run the place—Patty, Nettie, Cathy, Laurie, and Carol—are its gatekeepers. Their gentle mantra: Household on the right, mixed on the left. Cardboard and cans down there. “I call it La Dump-ay,” year-rounder Geoffrey Morrell explains. “These women offer guidance and take abuse with a spirit that makes me want to come here even when I don’t have the trash to bother.” For others, going to the dump may feel like going to the dentist,
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but it is a job that has to be done.
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89
I
love my job!” says Nettie Nottingham,
so good about straightening out what the
on Cliff Road. But the Scale also offers
who dumped nursing 15 years ago to
‘sneaks’ do.” The meaning of “sneaks” is
unexpected treasures. Laurie turns to a
work at the dump because, “I find this
obvious: Recycling scofflaws. She liberally
functional 42 inch flat screen T.V. inside
sort of trash much easier than blood
calculates that fifty percent of dump custom-
her booth. A large collection of discarded
and guts!” She’s standing at the Sort
ers are sneaks, and some habits die hard. Very
appliances waits on the curb besides the scale.
Station, where household trash is
few bags of household trash don’t contain at
There are no guarantees of treasures, but no
separated. Behind her a massive conveyer belt
least one plastic or glass item that “acciden-
price tags either. “I am so going to work
churns an infinite river of plastic bottles,
tally” finds its way inside.
with you if you’re looking for a functional
crumpled cardboard, cat food and tuna tins.
appliance,” she explains with a grin, “and
Even a couple of old truck tires are waiting
Past Nettie’s sorting and crushing warehouse
for free!” Peering out the window of her tiny
for her to pluck and toss into the recycle bins,
is a small booth referred to as “the Scale.”
house at an enormous commercial hauler
the green destination that had been ignored by
Standing inside, fifty-one-year-old, blue-eyed
entering the scale, she jots down the weight
its previous owner. Pointing down at the floor,
blonde Laurie Clabaugh says she regularly
then waves the driver through. “Everyone
a dense layer of odiferous mush, she explains,
has to wage a P.R. campaign to justify dump
knows the line: One man’s trash is another
fees above and beyond basic household
man’s treasure. Not everyone who comes
cartons, eggshells— it all gets turned into
recyclables. It’s an inflationary reality, part
here gets that point.”
compost.” She picks up the seat and
of the cost of building the Nantucket dream.
“That’s the point. Paper, cotton balls, milk
“Lots of people say, ‘But, I pay taxes, why do
Inside the sorting shed, Nettie and Laurie admit
head, “What part of the word ‘recycle’ don’t
I have to pay to use the dump?’” The short
to an advantage of working behind the scenes.
people understand?”
answer is C&D: Construction and Demolition. Bottles and cans rarely complain. It’s Cathy,
handlebars of a kid’s tricycle, shaking her
Nettie admits to the occasional bad day: “A little while ago someone dumped a five gallon plastic container of... something unmentionable.” She holds her nose, and grimaces at the memory, “But I feel
Everything that goes into those ubiquitous
Patty, and Carol, however, who make up the
green dumpsters that sprout next to each
public face of the dump. They patrol the loading
building project has a price, and it ain’t cheap. dock, the windblown oasis where all household/ At $3.25 per 20 pounds, minus truck weight,
glass/ cardboard/ plastic/tin or batteries are
this can add up to a hefty bill for the new
hopefully tossed into separate bins, in theory.
homeowner doing even a modest teardown
PHOTO BY NATHAN COE
PHOTO BY NATHAN COE
Carol Driscoll is in charge of the Take-It-Or-Leave-It building, the Filenes Basement of the landfill boasting an eclectic depository of cast-off furniture, clothes, books, shoes, appliances and amazingly diverse brick-a-brac too good or too expensive to toss into the C&D pile. For many islanders, a side trip to what’s become affectionately known as “The Madaket Mall” is like the cookie after eating your spinach. Carol is standing with local picker Mark Palmer. He holds up a hand-written love letter, framed in gold leaf, an ancient paean to some long-forgotten romance. “It’s so human to find this in the trash heap,” he laughs. “Hey, nice frame for free.” At high noon, as the big white gates are being latched for the day, Cathy opens the door of her warming hut and retrieves a package of Ritz crackers. On cue, two seagulls instantly swoop in, and eat directly from her hand. They have names, Peg and Charlie, and are as regular as the big rig drivers who each day ferry the tons of refuse that nobody wants. Peg is one-legged. Charlie is blind. Cathy smiles, and reaches for a broom. It’s been a long day, but tomorrow it all begins again.
B
ut there is theory, and then there are the
Sneaks. “Tut-tut-tut,” Cathy calls out to a guy poised to chuck his clear plastic bag into household. “Is that plumbing in there, Hon?”
“Um….thanks. Uh, I forgot,” the man sheepishly
apologizes, stooping to untie his bag, revealing the telltale glint of copper. Cathy watches him separate his trash. The man is cooperative and genuinely contrite. But in their fifteen years of working the frontlines, the trio have been attacked and insulted, and generally demeaned just for doing their job. Cathy was once even hit on the head with a piece of iron pipe she ferreted out of a household bag. Working at the dump can also have its privileges and unexpected pleasures. “One day a man came to me asking where to put his ice box. I assumed Freon to be the issue,” says fifteen-year veteran Patty Hill. “After a long discussion it became clear he was talking about an early 20th-century antique that held a block
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of ice. I hooked him up with an antique dealer. Later he
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handed me a $200 dollar tip.”
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Home to
THE WHALER, THE PAINTER & THE CANDLESTICK-MAKER
WRITTEN BY MARJAN SHIRZAD & BENJAMIN SIMONS
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THIS MEMORIAL DAY,
The Whaling Museum takes on a whole new look as the NHA unveils a re-envisioning of the Hadwen & Barney Oil & Candle Factory, complete with long-hidden art and artifacts from the NHA’s revered Fair Street collection.
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The NHA’s early Fair Street Museum, circa 1900, served as inspiration for the new Hadwen & Barney Oil & Candle Factory exhibit at the Whaling Museum.
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During the post-whaling era of the 1870s–1910s, many artists were drawn to Nantucket for its antiquated charm and picturesque vistas. As we make our way around the factory, we linger before works by legendary island painter and teacher Frank Swift Chase, as well as whimsical pieces by Tony Sarg, noted for his larger-than-life balloons, long featured in the Macy’s Thanksgiving Day Parade. This area of the factory reminds us that as early as the 1870s, Nantucket began to reinvent itself as a holiday destination and mecca for artists. Visiting artists, some with Nantucket roots, created impressive landscapes that captured the spirit of the place. They shared a fascination with the island’s physical beauty, its local characters and customs, and the relics of Nantucket’s whaling past, forming a vital holiday community among
the remains of shanties, boathouses, disused waterfront wharves, and neglected homes and mansions. Today, the redesigned Hadwen & Barney Oil & Candle Factory
T
showcases the vibrancy of these distinct he Hadwen & Barney Oil & Candle Factory was once
Making our way across the factory catwalks, our eyes feast upon
eras in Nantucket’s colorful past, from
owned by local whale-oil merchants William Hadwen and
countless objects that tell the tale of daily life on the island. A fleet of
global whaling capital to sleepy island
Nathaniel Barney. Commanding over half of the surrounding
ship models provides an imaginative glimpse of a once-teeming harbor,
outpost to buzzing summer playground.
block, it contributed to an astonishing Nantucket industry,
the gateway to distant ports explored by Nantucket whalers. Our gaze
which, at its peak, produced more than 300,000 pounds of spermaceti
turns to the newly created 11’ x 16’ compass rose of Nantucket, a hand-
candles annually. For the summer of 2012, the Nantucket Historical
drawn oversized map created by NHA 1800 House coordinator and
Association brings this vital corner of the island back to life through a
artist Mary Emery, whose detailed penwork appears in private residences
complete re-envisioning of this historic space, at once demystifying
and commercial locations across the island, including the exquisite bar
the oil and candle factory process and refashioning the factory to
at Oran Mor restaurant. Emery’s newest work, specially commissioned
highlight rare artifacts gleaned from over two hundred years of
for the exhibit, conjures the four corners of the navigated globe and
Nantucket arts and culture.
marks key nineteenth-century ports and destinations that at the time were as familiar to the whalemen as their own spit of sand back home.
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whale-oil press, is newly illuminated through commissioned
A wall of arresting portraits brings us face-to-face with illustrious
illustrations and original exhibits. A reinvention of the factory’s
Nantucketers who confronted some of the island’s greatest challenges and
upper levels showcases hidden treasures, turning the space into an
events through time, from school desegregation and woman suffrage to
artifact-rich depository reminiscent of secret island attics of yore,
the almost complete destruction of Nantucket Town by the Great Fire of
harking back to the spirit of the NHA’s revered Fair Street Rooms,
1846. One of the highlights of this new exhibit, hidden from public view
the original exhibition space. Now gathered together for the first time
for the past thirty years, is a massive iron door from the vault of the
in many years, these artifacts from Nantucket’s vaults create a rich,
Manufacturers & Mechanics Bank at the corner of Federal and Main
multi-dimensional portrait of the island’s culture, reflecting its
Streets—the door a lone survivor of the dreadful night when all of
transformation from whale port to art colony over the centuries.
downtown Nantucket burned. Antique hotel and restaurant signs remind us of days gone by—Western Union Telegraph, Sea Cliff Inn, North Shore
Entering the factory, a gleaming black and gold quarterboard beckons
Restaurant, Oriental Bazaar, Miriam Coffin T-House—transporting us to
us from the shadow of the 46-foot sperm whale skeleton to the
mythic establishments that once dotted the landscape.
exposed brick edifice that once housed the main operation.
Top Right: THE OLD MILL Anne Ramsdell Congdon (1873–1958) oil on canvas, 1940 Middle left: THE RAINBOW FLEET Frank Swift Chase (1886–1958) oil on board, 1930s Bottom left and right: JIM CORBETT’S BOAT watercolor on paper 1922 BON TON FISH MARKET oil on canvas, 1927 by Tony Sarg (1880–1942)
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This oil and candle factory campus, with its imposing two-story
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Daffodil Festival
Nantucket Island
24
Hours ted
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Credit ca
Elisabeth English, Robert Sarkisian, Nathan & Seve Coe & Mark Norris
Noah Ferguson
a MUST SEE for the oenophile
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Wealth Planning You Can Build On Marti Marache First Vice President Financial Advisor Thomas Markey Senior Vice President Financial Advisor
Tiffany Page
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Carol Kinsley & Katrina Hancock
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To discover more about wealth planning you can buildon, please call today. Morgan Stanley Smith Barney LLC, its affiliates and Morgan Stanley Smith Barney Financial Advisors do not provide tax or legal advice. This material was not intended or written to be used for the purpose of avoiding tax penalties that may be imposed on the taxpayer. Clients should consult their tax advisor for matters involving taxation and tax planning and their attorney for matters involving trust and estate planning and other legal matters.
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NY CS 6936201 WP001 11/11 CRC394591
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Nantucket Restaurant Week 2012
WE’RE AT THE AIRPORT – WE’LL MEET THE BOAT!
June 4th through 10th
508-228-1227 | 800-228-1227 15 South Water Street Nantucket, MA wmill508@aol.com 508-‐228-‐8011 | www.seadognantucket.com www.nantucketautorental.com
Fall
September 24th through 30th
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Nantucket Restaurant week is Supported by N Magazine, The Inquirer & Mirror, reMain Nantucket, Bartlett’s Farm & The Nantucket Culinary Arts Foundation
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Junior Chef Sunday September 30th
Ride the Wave during Restaurant week for special Promotions
www.nantucketrestaurantweek.com
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N Magazine ADVERTISING DIRECTORY
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