[Nadia aseeva]
table of
Contents
2
Spring 2014 Spring 2012 Fall 2014 Spring 2013
Spring 2013 Spring 2015 Fall 2012 Fall 2013 Fall 2013 Fall 2013 Summer 2012 Summer 2014 Varies
AUSTIN ROLLER RINK ARBORETUM CENTER POINT-BLOCK TOWER UT MICRO FARM SHED URBAN HOUSING HANCOCK STUDENT HOUSING GREEN CENTER BUILDING SKINS LUMINAIRE CARET 6 WALTER PARKS ARCHITECTURE: EDWIN BRANTLEY SMITH + ASSOCIATES: ARTWORK:
BATHROOM REMODEL MARKETING PLANS
PHOTOGRAPHY, PAINTING, DRAWING, MULTIMEDIA
4 14 16 24 26 34 42 46 48 52 58 60 66 3
austin
roller rink year: Spring 2014 // Design VI, Construction IV, Environmental Controls II professor: John Blood collaboration: solo
4
As a starting point of inspiration, I wanted to explore the programs of bowling and skating through the point of view of experience design. The mission of Experience Design is “to persuade, stimulate, inform, envision, entertain, and forecast events, influencing meaning and modifying human behavior.� How can bowling and skating be experienced in a new way? Additionally, I want to increase the amount of social interaction that occurs between and within programs. The design of these new experiences further propels the structure and organization of the space, as well as circulation throughout. The restaurant becomes like a hallway within a museum, transitioning the viewer from pop to de Stijl and to impressionist styles as one chooses a different program to interact with depending on where he or she chooses to sit.
formal dining
rink overlook
bowling
stage + bar
5
As a comprehensive studio, construction methods and techniques were completely integrated into the design and construction of the project. A 3/8” = 1’-0” scale model was build purely demonstrating and studying this system, which here shows operational louvers that would open up above the bowling alley.
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6
The site is located in Austin, Texas at the intersection of Red River and 9th Street. Along the East side of the site runs Waller Creek, making the property within the lines of the 100 -year flood plain. A tunnel was dug underground to create two inlets to control flooding towards Lake Austin, finally making the area along the creek safe for development and usage. The building interacts directly with the creek by opening itself up to its fresh scents, reverberating sounds, and abudance of views.
7
Learning how to size primary, secondary, and tertiary members proved to be difficult for this type of construction system. Glulam can be custom-made to fit specific requirements, thus the calculations had to based off preliminary case studies and completed works. The primary glulam members span 160 feet long and are spaced 16 feet in between. The secondary purlin members are 2 inches by 6 inches nominally and are spaced 4 feet on center. The tertiary roof decking member covers the entirety of the structure, seperated into 3 parts by the operational louvers.
8
9
PLAN | LEVEL 1 1/8” = 1’-0”
PLAN | LEVEL 2 1/8” = 1’-0”
PLAN | LEVEL 3
Since the site runs longer from east to west, it was important to create a public north-south passegeway for pedestrians and visitors. This passageway takes the experiencor from the ground plane of 9th street to the north and guides him forward, past the bar and stage area to the right, to the interior balcony above the bowling. This platform creates unique views, allowing the user to visualize the dynamic nature of the bowling ball as it zooms below his feet. In another play of motion, the bowling ball return is dynamic as well: instead of sending the bowling ball traditionally underneath the floor, an ascent is celebrated through a series of pulleys and gears, similar to what a marble factory or pinball game might look like. This ball is then delivered back to the user in another celebration of movement.
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11
12
With multiple dining options to choose from, the Austin Roller Rink is an ideal candidate for both day and night-time activities, whether they are free to the public or not. A roller derby can be adequately set up in the rink facing the river, while spectators can overlook the brash sport from above. There is storage for derby parts within the ground/river floor right next to the rink.
13
Lady Bird Johnson
arboretum year: Spring 2012 // Design II professor: Robert Mezquiti collaboration: solo
The Texas Arboretum Center is a structure where visitors can learn about the diversity of Texas trees and will serve as a resource for tree identification, field rips, and outdoor classes--to be the centerpiece of tree-related educational events. Serving as an educational and recreational experience for visiotrs, the rogram will have both public and private functions, such as class field trips, family visits, research, art students, and weddint receptions. Embodying the mission of the Lady Bird Johnson Wildflower Center, sustainable use and conservation of nature, through design, water collection is utilzed through sloping throofs and corrseponding basins for water collection. The roof frame vis to be xperienced as one approaches and establishes threshold views.
14
Many artists, writers, and designers absorb the world thorugh ‘notes,’ whether image or text, that are made everyday from their experiences. Often stored in drawers of boxes, these small and rigorous producions rarely see the light of day unelss they become the foundation for a greater work. These notes are artifacts of a daily practice, a habit or repeated actions, to improve one’s own overall performance. Borrowing this aprpoach, this course will make a practice of drawing--a series of explorations rather than singular conclusions--for the semester.
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point-block
t o w e r year: Fall 2014 professor: Michael Benedikt collaboration: solo & group
This studio will focus on the design of hihg-rise residential towers, specifically, tall, small-footprint towers known as “point blocks.” In July 2014, the City of Austin, in its quest for sustainable density, resolved to promote residential point blocks for Austin’s downtown. As in Sao Paulo and Vancouver, point blocks make for apartments that have light on two or three sides, free ground levels for pedestrian life, let sunlight reach streets, allow the development of smaller lots, and offer superior more permeable views for all. Acknowledging the commercial pressures acting on downtown high-rise housing, the current logic of real estate will not dominate. The chosen site is between West 5th Street on the north and the railroad tracks on the south, between Baylor Street in the east and West Lynn on the west. An additional challenge to the program at hand is the issue of vertigo, the spatial disorientation that occurs when Earth or a point of reference has been lost.
16
17
F
F
DR
W
F
DW
DW
DW
non-vertigo unit
DW
vertigo unit
DR
W F
DR
F
W
DW
DW
F
DR
W
W
DR
F
DW
F
DW
DW
F
DW
DR
DR
W
W
DR
W
F
DW
DW
2 Bed/2 Bath Lower
18
F
DW
F
DW
F
2 Bed/2 Bath Upper
DR
W
F
DR
DR
W
DR
W
F
W
DR
W
DR
W
DW
F
DW
DR
W
DR
W
1 Bed/1 Bath Lower
1 Bed/1 Bath Upper
Community Floor
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20
21
22
23
design-build
UTMICROFARM year: Spring 2013 professor: Francisco Gomes collaboration: entire class
Architecture students from the University of Texas have the opportunity to learn hands on through a design-build project for the non-profit UT Micro Farm. UT Micro Farm is a start-up project by students at the University of Texas at Austin, utilizing a portion of the ‘Green Funds’ from the university. The site of the UT Micro Farm is a blank lot on the East Side of Austin with two slab on grade foundations left on it. The Micro Farm was in need of a shed for storing tools and a shade structure to sell produce within and host smalls events. The 2013 Construction II class at the University of Texas at Austin School of Architecture were given the task of taking three kit of parts sheds that were generously donated by Backyard Buildings and making them into a shade structure and tool shed. With the project being on University of Texas property there was a strong limit to the amount of modification allowed to the sheds, but the students have been able to get hands on experience with the concepts of construction they are learning in the classroom. This experience can then be used later in the profession to make more informed design decisions. 24
22.15
117.97
121.00
72.63
44.38
20.50
44.75 70.25
20.50
72.00
71.25
122.00
179.29
173.15
136.88
142.15
46.50
46.25
24.00
24.00
31.00
70.25
24.00 89.50
34.46
31.50
49.25
40.64
3.50
119.62
44.46
121.00
120.30
GROUND FLOOR PLAN
ROOF PLAN
ROOF FRAMING PLAN
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urban
housing
A
year: Spring 2013
B
C
D
E
5
6 7
8
professor: Charles diPiazza collaboration: varies
The two primary goals of Design IV are to introduce urban design as an important design discipline and to integrate the material in ARC 328 History of Architecture Survey III to begin a sophisticated consciousness of the way in which history, theory, and ideology affect and inspire design. The semester’s work consists of two projects. The first focuses on the scale of the city and on issues of planning and urban design and the way in which they impact building design. The second project is culturally and sociologically based and deals with the way in which human experience, politics, and ideology shape architecture.
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2 1
34
F
G
10 1 0
11 11 12 12
9
N.T.S.
Site Area A: Intervention Area 1:
702,418 sq. ft. 40,950 sq. ft.
[16 acres | 6.5 hectares] [0.9 acres | 0.4 hectares]
Site Area B: Intervention Area 2: Intervention Area 3: Intervention Area 4:
1,032,191 sq. ft. 67,356 sq. ft. 48,716 sq. ft. 53,116 sq. ft.
[23.7 acres | 9.6 hectares] [1.5 acres | 0.6 hectares] [1.1 acres | 0.4 hectares] [1.2 acres | 0.5 hectares]
Site Area C: Intervention Area 5:
469,161 sq. ft. 48,234 sq. ft.
[10.7 acres | 4.3 hectares] [1.1 acres | 0.4 hectares]
Site Area D: Intervention Area 6: Intervention Area 7:
652,016 sq. ft. 73,977 sq. ft. 43,916 sq. ft.
[14.9 acres | 6.1 hectares] [1.7 acres | 0.7 hectares] [0.9 acres | 0.4 hectares]
Site Area E: Intervention Area 8: Intervention Area 9:
747,970 sq. ft. 69,165 sq. ft. 53,716 sq. ft.
[17.1 acres | 6.9 hectares] [1.6 acres | 0.6 hectares] [1.2 acres | 0.5 hectares]
Site Area F: Intervention Area 10:
413,646 sq. ft. 52,513 sq. ft.
[9.5 acres | 3.8 hectares] [1.2 acres | 0.5 hectares]
Site Area G: Intervention Area 11: Intervention Area 12:
1,032,191 sq. ft. [23.7 acres | 9.6 hectares] 104,071 sq. ft. [2.4 acres | 0.9 hectares] 43,829 sq. ft. [0.9 acres | 0.4 hectares]
Our urban strategy is centered around developing an alternate route of transportation for biker and pedestrians that doesn’t disrupt the current automobile flow on North Lamar. Therefore, these regulations should be enforced: Green Ribbon • must have minimum one sidewalk and two bike lanes throughout • total sidewalk width must be minimum 8’ wide • bike lanes must be 5’ wide (1 on each side) • sidewalks will be crushed granite (gravel) • bike lanes will be paved concrete • where green ribbon crosses streets, there will be concrete • the pavement of each green ribbon/street intersection will be brick (if not already existing, stoplights must be provided at intersections) Street Front • 12’ minimum setback (sidewalk will occupy setback) • Shade device provision (trees, awning, etc.)
CONNECTING MOVEMENT SITES
PROPOSED MASSING
CONSEQUENTIAL MOVEMENT
250’
500’
Other Regulations • Points of access from North Lamar and the back of the site (engage neighborhood) • Minimum of 10% public space (on green ribbon) • Building height max 64’ • If green space exceeds 20% of site footprint, the building height may be increased to an 80’ maximum. • Every site must include a minimum of 50% residential program. • There is no minimum percentage in terms of commercial programs. • At least 25% of commercial allocation must be reserved for local businesses. • Each site must provide enough parking (as stipulated by assignment) for its residences on site. Parking for commercial units will be concentrated in a central garage location. • Only car sharing and handicapped spaces will be provided on the surface level of the site. Other spaces must be placed elsewhere. • 70% of rainwater hitting the roof of the building must be filtered on site and used to water green space. • There must be one designated display of public art per site. • Each residential unit must have access to natural light. • Consider 10 minute walking radius = ½ mile = 2640’ at 3 mph
NORTH LAMAR | Alex, Becca, Nadia, Pearlene, Ricardo
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THIRD FLOOR PLAN
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In dealing with the daunting issue of ever-changing modes of infrastructure and urban development, one must first turn to the more global issue at hand: the mounting worldwide energy crisis. The Great Plains could be positioned to become the new Persian Gulf of an alternative-energy world. They are the locus of hundreds of millions of acres of relatively fertile land, ideal for growing environmentally acceptable forms of biofuels. Additionally or alternatively, they could, with wind farms and solar power, be critical producers of extraordinarily promising new alternative-energy sources. Managing and maintaining those systems would, in turn, provide thousands of new jobs. The use of all this renewable energy could be funneled towards building a rail line that connects San Antonio, Houston, and Dalls/Fort Worth—referred to as the “Texas Triangle” by Rockefeller in Century of the City: No Time to Lose. He mentions that “by 2050 about 35 million people, or 70 percent of the population of Texas, will live in the metropolitan areas that compose the Texas Triangle. Three of the nation’s 10 largest cities are in the triangle, including Houston, which has a port that handles more foreign tonnage than any other in the United States.” This can create a lot of potential problems for heavy traffic, as well as the necessity to remedy it. We are also responsible for the common good of the world: achieving carbon neutrality should be a first priority. As Ron Sims describes in “Embracing Science; Preventing a Diminished Future,” “experts believe that entire cities — including Alexandria, Mumbai, Shanghai, and Lagos — will be indefensible without a 40 to 60 percent drop in worldwide greenhouse gas emissions.” King County is now committed to 80 percent cO2 reduction by 2050 and will be implementing a worldwide cap-and-trade system. As we implement changes in Austin, we must ensure that we maintain carbon neutrality.
FLOOR_3
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GROUND FLOOR PLAN
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Imagining a compact Austin where—in the ideal circumstance—everything one needs is within walking or biking distance may be difficult to achieve due to several issues. In order to achieve density, our corridors must first be reshaped. However, current and past frombased codes and height zoning restrictions prevent this from being possible. Next, parking must be managed better so as to keep cars off the street where pedestrians are walking and to reduce the amount of traffic present overall. City planners expect 2% population growth for North Central Austin. By that assumption, our population will double in about 35 years. Most people make from 4 to 5 trips per day, so if the population of our 6 North Central Austin neighborhoods doubles by 30,000 residents, trips taken per day will increase by 135,000. If all of those are car trips, we’re in big trouble. In most cases, the amount of parking space as required by zoning laws per specific building program will take up a greater square footage than the building itself, making the lot completely auto-centric. Additionally, there are certain programs that are restricted in sharing parking lots, like schools and churches. Not only do they function during different times of day and days of the week, but they are often times empty during off hours. This inefficient use of parking highly detracts from pedestrian and city life, as well as the ability to create dense areas of living. Parking along major arterial streets should be taken off the street and transformed into patios and sidewalk cafes to create a desirable destination for the pedestrian.
The midtown area we are dealing with around Lamar is different from downtown, and has different redevelopment problems. The streets are “river basin” like, with heavy traffic directed to the arterial streets instead of being diffused in the “grid-like” system downtown employs. The destinations are spread out instead of being concentrated, and only become increasingly spread out as we reach into the suburbs. The typical midtown block size ranges from 5 to 20 acres of fenced in, unwalkable land, whereas in downtown the blocks are only 2 acres of highly walkable land. Finally and perhaps most importantly, the open space in midtown areas consists of private yards and big parks that one must drive to because they are so far, instead of being close to where pedestrians live as in downtown. 32
TYPICAL UNIT
F
FIRST FLOOR
33
83
hancock student
housing
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year: Spring 2015
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professor: Martin Haettasch
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collaboration: Alexandra Juarez
Located at 2619 Medical Arts Drive, this student housing development engages the surrounding community. Facing the west is a public bar full of amenities: cafe, multi-purpose hall, and gym. As a way to give back to the surrounding community, belonging to the roof of each program is a public, landscaped terrace that anyone can access and enjoy.
Engineering Teaching Center Frank Denius Fields Pavillion $
Architectural Engineering Student Services Building
'1
Kuehne Physics Mathematics Astronomy Library
Stadium
The residential bar provides privacy to its residents by becoming an elevated street. The wooden floor decking collects run-off rain water through the gaps, which in turn feeds the vine wall, which provides shades to the residents. By keeping the bar narrow, light is able to come in through both east and west facades--also allowing for the Venturi effect when windows are open.
Thompson Conference Center
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Tower
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The formal move of stepping gives both bars views onto the beautiful surrounding campus with views of the tower and stadium. In between, a canyon is created and activated through various modes of circulation: stairs, ramps, bridges. In this comprehensive studio, all project docuents were created in Revit.
+90’ +30’ +10’
1’-0” = 1/16”
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green
Building year: Fall 2012 professor: Judy Birdsong collaboration: solo
42
03 8' - 0"
02 0' - 0"
01 -8' - 0"
West
03 8' - 0"
03 8' - 0"
02 0' - 0"
02 0' - 0"
01 -8' - 0"
01 -8' - 0"
43
1/8" = 1'-0" 1
2 1. 01
44
03
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The Austin Green Center is a pivotal location for public education and work, located on South Congress in Austin, Texas. It holds a library, a gallery, an auditorium, a cafe, and community rooms. Additionally, there are many opportunities for the public to learn about sustainability through interaction and recycle programs.
LECTURE HALL CIRCULATION
Through an intersection of two rectangular pods, an entry threshold is created to invite the visitor inn. These intersections provide a public green roof, allow for ascent above the surrounding buildings and consequently great views towards the downtown capital. As the user enters the building, surprises are slowly unveiled as most of the public is carved out of the ground, while the more private gallery and classroom areas sit stereotomically on top.
45
building
s k i n s year: Fall 2013 // construction III professor: Uli Dangel collaboration: Susan Ellington
The objective of the semester project was to gain a better understanding of the envelope and its functions, as well as to achieve insight into the concept of detailing and assembly. The building studied was The Crystal, by shmidt hammer lassen architects, located in Denmark, built digitally in Rhino and Rendered in 3DS Max.
46
1
2 3 4 5 6
7 8 9 10
1. Roof construction/gutter 2. Glass roof, 13% slope 3. Top edge facade, silicone join/Facade structure, following the facade slope 4. Steel bracket 5. Insulated facade panel 6. Insulated facade panel/Inner facade insulated panel at brackets 7. Horizontal profile 8. Blinds 9. Steel profile 10. Fixed glare control 11. Air-intake opening 12. Steel substructure of roof 13. Inner bracket 14. Steel panel 15. Horizontal steel profile 16. Insulation: carrying profile, support, maintenance grill, inner bracket, canted metal sheet with integrated rail for glare control lamellas 17. Blinds wheel: facade illumiation, bracket
12
11 13
PLAN | 1:750
FLOOR 5
14
15
16
17
10
NADIA ASEEVA | SUSAN ELLINGTON THE CRYSTAL | SCHMIDT HAMMER LASSEN PROJECT PART I DRAWINGS
SECTION | 1/2” = 1’-0”
FLOOR 5
ELEVATION | 1:750
47
anti-heckler
l a m p year: Fall 2013 // Environmental Controls I professor: Keith Simon collaboration: Jovita Ezeokafar, Nicki Vance
In an attempt to provide oneself privacy while in the midst of semi-public space, the anti-heckler lamp was born. The following criteria were met: • portable table top lighting • adequate task lighting for school work • reduced visibility from the street • minimal contribution to light pollution • white light to keep user awake • small coverage/surface area
The resulting design is a small, portable, and adjustable luminaire. It provides adequate tast lighting. It is inconspicuous with a small coverage area to shield the balcony worker from unwanted night-time heckling.
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FALSE COLOR IMAGE
DESIGN INTENT
2.66
2.27
0.368 4.76 0.49
$
1.14 650
existing fixture
2.17 1.25
3.34 0.256
0.177 0.911
1.04
0.599
cd/sq.m
The luminaire is meant for a streetcorner balcony 51ft2, one floor above the street. The only existing lighting for the balcony is a ceiling mounted fixture consisting of a 60w incandescent bulb with a frosted glass luminaire protected by steel ribs. The bulb provides dull, diffuse, orange-tinged light reminiscent of half dead streetlights. The balcony is often used as an extension of the workspace in this apartment. The current lighting is inadequate for tasks like reading and writing. In addition to failing to meet workspace needs, due to their location, the bulb and luminaire distribute enough light to be conspicious from the street. It attracts heckling and unwanted attention.
cd/sq.m 0.08
0.21
0.55
1.4
3.8
9.9
26
68 49
CANDLEPOWER DISTRIBUTION
340
350 10
330
0
10
20 30
9
320
40
8 7
310
50
6 300
4
290
5.75in
2
6in 9in
260
100
250
110
340
350
230 330 320
2.375in
220 210
310
50
90
0
240
7.5in
80
1 270
5.75in
70
3
280
7.5in
60
5
300Front
200
to Back
0 12 11 10 9 8 1907 6
10
120
20 30
130 40 140
150 180
170
160
50
cd/sq.m on 60 degree
ANTI-HECKLER BALCONY LAMP DESIGNERS: Jovita Ezeokafor + Nicki Vance + Nadia Aseeva 340
350
330 320 310 300 290 280 270
0 12 11 10 9 8 7 6 5 4 3 2 1 0
10
The anti-heckler balcony lamp is the perfect solution for your balcony this semester! It features a beautiful, adjustable pattern to control light intensity needed for different tasks; from a nice focal glow for parties and relaxation, to a brighter, yet inconspicous light for studying late into the night. With two removable cyclindrical pieces that snap into a simple track mounted on a wooden base, the luminaire is perfectly portable, and will never be left behind on moving day.
20 30 40 50 60 70 80 90
260
100
250
110
240
120 230
130 220
140 210
150 200
Left to Right
190
180
170
160
cd/sq.m on degree
PHYSICAL DESCRIPTION overall dimensions: 7.5” x 7.5” x 9” weight: 3.6 lbs materials: wood + plexiglass USES ONE STANDARD LAMP Type: CFL 14 W Voltage: 120 V Color: soft white Base: E26 Efficacy: 64.29 lumens/watt Estimated cost per year (based on 3hrs/day, $0.11/kWh): $1.67 Life (based on 3 hrs/day): 9.1 years Color Temperature: 2700 Kelvin 51
original module
aggregated column
parametric design
caret 6 year: Fall 2013 professor: Kory Bieg collaboration: individual + studio + partner Design in Excellence award winner
Caret 6 is a digitally fabriacted installation and modular exhibition system designed to house the prototypes and winning entry for the 2013 Tex-Fab Skin Competition. The project started out as a competition among the entire studio to create as many differnt system using stacking and weaving techniques. The intent of the design was to form a modular system that could become volumetric to house the competition prototypes as well as surfaces that 2D graphics could be displayed on to showcase work.
field transformation
module types unfolded modules
2 short side
1 short side 1 beveled side
After two rounds of design charrettes, the final diamond-inspired assembly system was chosen to continue by the studio and faculty members to become Caret 6. The initial module consisted of a diamond shape and four wings that in different shapes created different aggregation patterns. Through trial and error, it was discovered that 6 diamond modules with some supporting diamonds could create a freestanding column base, and thus Caret 6 was born. 52
2 beveled sides
folded
aggregated
53
35'
70’ 54
west section
south section
13â&#x20AC;&#x2122;
East section
Using 3 columns to define the enclosed space, catenary arches were used to create the main ribs between the columns and to define the surface of the final assembly, the use of catenary arches ensured that the final product is completely free-standing. Uisng point grids that were projected onto the catenary vaulting surface, the diamond shapes were manually infilled in plan view to ensure that all edges of the diamons aligned in the same veritcal plane in plan view--the scale of the diamonds was randomly generated. The importance of the diamond edges being aligned in plan view is apparent when the edges were extruded downward, guaranteeing that all diamonds shared edges with their adjacencies. The floor surface was generated using the same technique of a point grid with manual infill.
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logo
posters t-shirts
infill to rib connection
kickstarter
The School of Architecture at the University of Texas at Austin is hosting an exhibition as part of TEX-FAB 5 SKIN: Digital Assemblies beginning January 2014. We are 17 students led by Assistant Professor Kory Bieg designing and building an installation to showcase the SKIN Design Competition. In the spirit of digital fabrication, we generated a project using parametric tessellations that simulate a three dimensional experience.
rib to rib connection
blog
The vaulting system is made from Alpolic, an aluminum and plastic composite material used to clad exteriors and here to establish structural stability to the vaulting system, generously donated by Mitsubishi. The floor section and diamond infill pieces are made from white and opaque plastics respectively, since they do not need the additional support. Once the final pieces were cut by CNC router, the studio focused on assembly processes and an instruction manual including an efficient numbering system to differentiate all the individual pieces from one another. Lighting strategies (sub-group with Kevin Keating) were tested through 3DS Max and V-ray, to give an idea to Kickstarter supporters of what their donations will be going to. Marketing through Kickstarter and various publications helped us achieve the funds needed to make this installation a success. 56
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EA
L T H OF
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M C OM
NI A
internship
GI
O
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IR
N
architec ture
WALTER G. PARKS, JR. Lic. No. 007463
location: Richmond, Virginia TPO FLAT FASCIA
CORRUGATED METAL SIDING
DOWNSPOUT
PRE-FIN BOX GUTTER
Proposed Roof Bearing
+37'-1"
8'-0" x 5'-0"
2'-0" x 5'-0"
8'-1 1/2"
PATCH ALL VOIDS LEFT BY MEP REMOVAL W/ BRICK TO MATCH EXISTING
ALUMINUM STOREFRONT PAINT AND SEAL TILE COPING
EXISTING top of parapet
4'-0" x 5'-0"
EXISTING Roof Deck
+28'-6"
EXISTING Second Floor
+15'-3"
REPAINT BRICK (TYP) PAINT #1 REMOVE EXISTING MASONRY IN OPENING. REPAIR, SCRAPE, SAND, MAKE OPERABLE, AND SEAL ALL EXISTING METAL WINDOWS BEHIND MASONRY. PAINT BLACK & REGLAZE WITH CLEAR GLASS (TYP) EXISTING BRICK ARCHES PAINT #2 (?)
REPAINT STEEL BEAM PAINT #2
REMOVE EXISTING MASONRY IN OPENING. REPAIR, SCRAPE, SAND, MAKE OPERABLE, AND SEAL ALL EXISTING METAL WINDOWS BEHIND MASONRY. PAINT BLACK & REGLAZE WITH CLEAR GLASS (TYP)
SEAL AND REPAINT SILLS PAINT #2
First Floor Mezzanine
EXISTING First Floor NEW MASONRY OPENING NEW DOOR BEYOND
ALUMINUM STOREFRONT WINDOWS WITH INSULATED GLASS AND METAL PANELS BELOW 3' -0"
PAINT STEEL FRAME PAINT # 2
REPAIR AND REPATCH MASONRY
PAINT ALL SIDES OF BUILDING INCLUDING SIDE NOT SHOWN
2 A.304
TPO FLAT
CORRUGATED METAL SIDING
RAMCAT ALLEY ELEVATION PROPOSED 1/8" =
DOWNSPOUT
ALUMINUM FASCIA
6'-0" x 5'-0"
6'-0" x 5'-0"
4'-0" x 5'-0"
4'-0" x 5'-0"
EXISTING top of parapet
6'-0" x 5'-0"
Proposed Roof Bearing
REVISIONS TAG DATE
8'-1 1/2"
+37'-1"
PATCH ALL VOIDS LEFT BY MEP REMOVAL W/ BRICK TO MATCH EXISTING
ALUMINUM STOREFRONT PAINT AND SEAL TILE COPING 3'-0" x 5'-0"
1'-0"
15'-3"
13'-3"
5 1/2"
2'-8 1/2"
Proposed Floor REPAIR, SCRAPE, SAND, MAKE OPERABLE, AND SEAL ALL EXISTING METAL WINDOWS. PAINT BLACK & REGLAZE WITH CLEAR GLASS
Richmond, VA
firm: Walter Parks Architecture
111 W. Marshall Street
year: Summer 2012
RICHMOND DAIRY CO GARAGE
AR CH I T ECT
ag
2'-8 1/2"
REPAIR, SCRAPE, SAND, MAKE OPERABLE, AND SEAL ALL EXISTING METAL WINDOWS. PAINT BLACK & REGLAZE WITH CLEAR GLASS
EXISTING Roof Deck
06/06/08
+
5 1/2"
Proposed Floor
DAMAGED BRICK TO BE REPAIRED
REMOVE EXISTING MASONRY IN OPENING. REPAIR, SCRAPE, SAND, MAKE OPERABLE, AND SEAL ALL EXISTING METAL WINDOWS BEHIND MASON PAINT BLACK & REGLAZE WITH CLEAR GLASS (TYP)
REPAINT BRICK (TYP) PAINT #1 PATCH VOIDS IN BRICK FROM REMOVAL OF OVERHEAD DOOR (TYP)
EXISTING Second Floor
PAINT STEEL FRAME PAINT # 2
+
walter PARKS ARCHITECT
REMOVE EXISTING MASONRY IN OPENING. REPAIR, SCRAPE, SAND, MAKE OPERABLE, AND SEAL ALL EXISTING METAL WINDOWS BEHIND MASONRY. PAINT BLACK & REGLAZE WITH CLEAR GLASS (TYP)
313 N. ADAMS STREET RICHMOND, VIRGINIA 23220 t: 644-4761 / f: 644-4763
First Floor Mezzanine
SEAL AND REPAINT SILLS PAINT #2
PROJECT #: 07.67
EXISTING First Floor REPAIR & REPAINT EXISTING STEEL BUMPERS PAINT #2 PAINT ALL SIDES OF BUILDING INCLUDING SIDE NOT SHOWN
ALUMINUM STOREFRONT WINDOWS WITH INSULATED GLASS AND METAL PANELS BELOW 3' -0"
ALUMINUM STOREFRONT WINDOWS REMOVE EXISTING MASONRY IN OPENING. WITH INSULATED GLASS REPAIR, SCRAPE, SAND, MAKE OPERABLE, AND SEAL ALL EXISTING METAL WINDOWS BEHIND MASONRY. AND METAL PANELS BELOW 3' -0" PAINT BLACK & REGLAZE WITH CLEAR GLASS (TYP)
PROPOSED ELEVATIONS
1 A.304
58
DATE: 3/24/08 DATE: 4/17/08
ALUMINUM STOREFRONT DOOR WITH INSULATED GLASS AND METAL PANELS BELOW 3' -0"
N. JEFFERSON ELEVATION PROPOSED 1/8" =
1'-0"
A.304
REMOVE ALL RADIATORS, RADIATOR COVERS AND RADIATOR PIPES IF ACCESSIBLE. PATCH ALL FLOORS WITH FLOORING TO MARCH SPECIES, THICKNESS AND COLOR AS ADJACENT FLOOR. REPAIR PLASTER WALLS IF NECESSARY.
BREAKFAST ROOM
PROVIDE FOAM INSULATION @ ATTIC SPACE PER EARTHCRAFT REQUIREMENTS
SUN ROOM
INSTALL SHEETROCK ON ALL WALLS
REFINISH WOOD FLOORS
DW
KITCHEN
EXISTING SINK & UPPER CABINETS
INSTALL BASE TRIM @ ALL WALLS
BEDROOM
NEW 42" WALL W/WOOD CAP @ STAIR
WD MW
DINING ROOM PROVIDE 2 CABLE & ETHERNET OUTLET
NEW RECESSED LIGHT DW
BEDROOM
SIDE BY SIDE WASHER/DRYER
SHELVING ABOVE
INSTALL RECESSED DOWNLIGHTS
NEW RECESSED LIGHT PAINT ALL TRIM, SHELVING, & WALLS
TILE SURROUND
SCRAPE/REMOVE ALL WALLPAPER @ ALL WALLS. REPAIR WALLS IF NECESSARY, REPAINT.
CL.
BUILT IN SHELVES NEW SHOWER & TUB FAUCETS @ TUB NEW CURVED SHOWER ROD NEW TILE SURROUND @ TUB REFINISH CAST IRON TUB & CHANGE COLOR TO WHITE
F
REPAIR/REFURNISH FLOORS WHERE NECESSARY. TOUCH UP PAINT AT WALLS & CEILINGS & TRIM.
NEW FAUCET, EXISTING SINK
RECESSED DOWNLIGHT
POWDER ROOM
CLOSET
NEW SHOWER GLASS SHOWER DOORS BATH
NEW FLOOR TILE
BATH
NEW DUAL FLUSH TOILET
NEW RECESSED LIGHTING
NEW DUAL FLUSH TOILET
NEW VANITY/SINK
NEW DUAL FLUSH TOILET TROUGH SINK WITH DOUBLE FAUCETS
LIVING ROOM CLOSET BUILT IN SHELVES
RECESSED WALL WASHER
W-I CLOSET FLORIDA ROOM
RECESSED DOWNLIGHT
NEW RECESSED LIGHTING
MASTER BEDROOM
FOYER PATCH/REPAIR/PAINT CEILING IF REQUIRED TO MODIFY PLUMBING ABOVE. CEILING REPAIR SHOULD NOT BE VISIBLE.
NEW BUILT IN SHELVING IN CLOSET
W/C
MASTER BATH PROVIDE 2 CABLE & ETHERNET OUTLETS.
WALK-UP ATTIC FIRST FLOOR SCALE: 1/4" =
SCALE: 1/4" =
SECOND FLOOR 1'-0"
4313 Monument Avenue Richmond, Virginia project #: 12.23 date: 6/11/12
SCALE: 1/4" =
1'-0"
1'-0"
FIRST, SECOND, AND WALK-UP ATTIC FLOOR PLAN
313 N. Adams Street Richmond, VA 23220 t 804.644.4761 f 804.644.4763
walterPARKS
A R C H I T E C T
59
architec ture
internship year: Summer 2014
6'-7 1/4"
DETENTION AREA
59'-4 3/4"
Storage 65 sf
Suite 106 1,242 rsf Suite 104 1,242 rsf
23'-4 3/4"
30'-0" 18'-0"
7'-7 1/4"
Suite 108 2,126 rsf
18'-0"
location: Dallas, Texas
NORTH COIT ROAD
firm: edwin brantley smith + associates
67'-0"
67'-0"
29'-4"
Suite 100 2,221 rsf 70'-0"
Suite 101 1,064 rsf 18'-0"
57'-0"
70'-0"
57'-0"
Suite 102 2,590 rsf
57'-0"
36'-8"
67'-0"
Suite 103 2,120 rsf
Outdoor Dining Area
36'-9"
PARKING FOR 65 CARS
EAST PROSPER TRAIL
SITE PLAN
60
B
SOUTH ELEVATION 8’
16’
32’
61
N 45째30'00" E 331.34' Property line
21 patio
3 PINECREEK
100'-0"
patio
60'-0"
FUTURE 2311 ONE STORY OFFICE BUILDING 14,400 GSF 13
240'-0"
13
24
27
17
20
20
20
20
20
20
18
patio
161'-5"
S 43째30'00" E
2225 ONE STORY OFFICE BUILDING
330'-9"
S 43째44'00" E
2 PINECREEK 1 PINECREEK 2335 ONE STORY OFFICE BUILDING 29,378 GSF
371.5'
382.80'
33,041 GSF
new courtyard
200'-1"
Site Specifics Total Site Area: 220,641.77 square ft 5.065 acres Parking for 273 cars
Parking required: Office: 1/333 s.f. 76,819/333 = 231 spaces required
PP PP
patio
20 patio
Parking provided: 273 = spaces provided parking ratio: 3.6/1000 s.f.
Property line
PP BURBANK STREET
Viceroy Regal, LP 2718 Fairmount Street Dallas, Texas 75201
New Site Plan
0' 5' 10' true north
62
edwin brantley smith + associates
Pinecreek Park Redevelopment
August 1, 2014 plan north
20'
40'
architecture
planning
interior design
21
STEPS
STEPS STOREFRONT
STOREFRONT 5'-10 1/2"
STOREFRONT
52'-0" LANDSCAPING
ENTRY
3 PINECREEK 13
LOADING
OVERHEAD DOOR
59'-11"
AC TOWER
SUITE 105 5,700 SF
LANDSCAPING
STOREFRONT
13
DN
16'-10"
7'-5"
w
m
24
STEPS
20'-5"
w
7'-5"
m
ENTRY
27
RAMP
RAMP
17
STOREFRONT
59'-4"
AC TOWER
SUITE 104 5,454 SF
LANDSCAPING
20
20
20
20
20
20
LOADING
OVERHEAD DOOR
18
LANDSCAPING
STEPS
90'-8"
LANDSCAPING
ENTRY
location of public toliets optional
LOADING
OVERHEAD DOOR
59'-4"
AC TOWER
SUITE 103 5,454 SF
1 PINECREEK LANDSCAPING
STOREFRONT
Suite 2000 6800 s.f.
2 PINECREEK
Suite 4000 7400 s.f.
16'-10"
7'-5"
w
m
STEPS
20'-5"
7'-5"
w
m
DN
ENTRY LANDSCAPING
STOREFRONT
59'-4"
AC TOWER
SUITE 102 5,454 SF
exit corridor option of no public toilets LOADING
OVERHEAD DOOR
LANDSCAPING
90'-8"
20'-5"
w
7'-5"
m 16'-10"
LANDSCAPING
ENTRY
location of public toilets optional electrical room around existing service
LANDSCAPING
STOREFRONT
5'-10 1/2"
SPKLR
ELEC 38'-8"
Suite 3000 7400 s.f.
Suite 1000 6800 s.f.
LOADING
OVERHEAD DOOR
59'-11"
AC TOWER
SUITE 101 5,550 SF
Parking for 273 cars
STOREFRONT
sprinkler room around existing riser
Building Specifics
52'-0"
20
Building Area: 1 Pinecreek: 2 Pinecreek: 3 Pinecreek: total:
Viceroy Regal, LP 2718 Fairmount Street Dallas, Texas 75201
New Multi-Tenant Floor Plan
edwin brantley smith + associates
Pinecreek Park Redevelopment 0' 5' 10'
August 1, 2014 true north
33,041 g.s.f. 29,378 g.s.f. 14,400 g.s.f. 76,819 g.s.f.
20'
40'
architecture
planning
interior design
plan north
63
top of structure ±18'-2" top of window ±15'-4"
top of door 7'-4" finished floor ±0'-0" (458.18') grade level -4'-0"
north elevation
top of structure ±19'-10"
existing brick cladding
existing windows
top of window ±15'-4"
finished floor ±0'-0" (458.18') grade level varies
east elevation
top of roof ±20'-11 12" top of structure ±18'-8"
aluminum storefront system existing with 1" insulated windows glass
existing brick cladding
top of window ±10'-5 1 4" finished floor ±0'-0" (458.18') grade level ±-4'-0"
south elevation
new cable handrail system existing brick cladding
new aluminum storefront system with 1" insulated glass
top of roof ±19'-10" top of structure ±18'-8" top of window ±15'-4"
finished floor ±0'-0" (458.18') grade level varies
west elevation
Viceroy Regal, LP 2718 Fairmount Street Dallas, Texas 75201
New Elevations - 2 Pinecreek
0' 2' 4'
August 1, 2014 true north
64
edwin brantley smith + associates
Pinecreek Park Redevelopment
plan north
8'
16'
architecture
planning
interior design
Viceroy Regal, LP 2718 Fairmount Street Dallas, Texas 75201
West Elevation July 14, 2014
edwin brantley smith + associates
2 Pinecreek Redevelopment 0' 2' 4'
8'
16'
architecture
planning
interior design
65
photography
fine arts
66
67
handiwork
fine arts
multimedia: prismacolor and watercolor on stamp embossed posterboard multimedia: oil on canvas, gears multimedia: charcoal on posterboard, dried glue marks
68
watercolor watercolor
multimedia: watercolor and ink
prismacolor pencils on canvas paper
69
wood joint
visual
communications
70
tone drawing
71
dataanalysis year: Fall 2012 instructors: Michael Beaman + Marla Smith collaboration: solo
The focus of Visual Communications III is an exploration/engagement in digital methodologies in the design process. These will include 3D modeling, 2D Documentation, Digital Outputing, Data Integration and Digital Workflows. Such an engagement will foster an ongoing evaluation of the conceptual and practical impact of technology on architectural and interior design thinking. The course places increased emphasis on Data and Geometric Modeling and integrates these methods with the students prior experience working with graphic and imaging software. The aim is to provide students with a foundation in digital design technologies, its relationship to the larger workflow in the digital realm, along with setting up opportunities for working with various modes of output, including drawings (vector-based documents), renderings (raster images) and physical models (constructed both manually and digitally). The course will also provide an introduction to principles behind Parametrics, Building Information Modeling and Digital Manufacturing.
72
2
unit 2-4
unit 3-4
unit 4-4
unit 2-5
unit 3-5
unit 4-5
unit 2-6
unit 3-6
unit 4-6
R
G
B
Decomposition RGB Analysis
73
74
education 2011 - 2016 University of Texas | Austin 3 / 5 years complete Professional Bachelor of Architecture 2008 - 2013 Austin Community College | Austin GPA: 4.0 non-degree program 2007- 2011 McNeil High School | Austin GPA: 4.8 concentration: fine arts
WORK Summer 2014 edwin brantley smith + associates intern: worked mostly in AutoCAD to dimension plans and elevations, rendered with Adobe Illustrator and Adobe Photoshop, and drewv construction documents (portfolio and hours available) May 2011 -- Halina European Skin Care Day Spa & Salon May 2013 receptionist: appointment booking, customer service, some management, some accounting, advertising/marketing: create flyers, price lists, ads/brochures for specials Summer 2012 Walter Parks Architecture intern: designed residential kitchen layout and master bathroom plans and interiors, worked mostly in ArchiCAD to dimension plans and elevations, helped create a permit and worked with construction documents (portfolio and hours available), preliminary sizing and layout
Honors Fall 2013 Design Excellence Award For the jury, the distinction of design excellence was defined as an ability to synthesize and communicate ideas, development, aesthetics, and experience successfully. Fall 2011 Commended Student in the National Merit Scholarship Among top 50,000 of 1.5 million students who entered the 2011 National Merit Program by Program taking the 2009 PSAT/NMSQT Fall 2011 Scholastic Art and Writing Awards Gold Key award for art portfolio (highest level of achievement on the regional level); 1 of less than 50,000 from 165,000 to advance to nationals
extracurricular Fall 2011 - AIAS Austin present member Fall 2012 - Austin Swing Syndicate present member Fall 2011 - UTSOA mentor program present Help incoming freshman and sophomore students with any challenges that architecture school may bring, guide and advise
Summer 2011 Old School Grill hostess: organize guest seating, answer phone, open door, maintain overall organization
Skills Digital media proficient in Microsoft Office, Adobe suite, Rhino, Revit, ArchiCAD, AutoCAD, V-ray, 3DS Max, some Grasshopper, Google Sketchup, Fireworks 3, html, and webcoding Production techinques model-making, laser cutting, rendering with V-Ray, CNC routing, 3D printing, publication design, digital + analog drawing Russian language first language; can speak, read, and write fluently French language studied for 9 years; can speak, read, and write Art talented at painting, drawing, and photography; knowledgeable of principles and elements of artistic composition, advanced in numerous competitions Communication skills great at networking, can talk to anyone; can effectively present an idea to a group of people; worked in hospitality for 3 years GIS basic knowledge of how to download, read, and use GIS data for analysis Deed analysis basic knowledge of how to read/analyze real estate deeds 75
[ thank you ] Nadejda Aseeva nadia_aseeva@yahoo.com (512)538-5734