Nadia Loveta - Interior Design Portfolio by Nadia Loveta

NADIA EVANIA LOVETA

NADIA EVANIA LOVETA PHONE / 1 415 4817403 EMAIL / nadialoveta@gmail.com

ACADEMY OF ART UNIVERSITY 79 New Montgomery Street, San Francisco, CA 94105 DIRECTOR / Archana Myer & Grover C. Dear Jr. INSTRUCTOR / Chamindri Wijemanne COURSE / IAD Portfolio All research images are from Google.

TYPEFACE / Century Gothic, Roboto SOFTWARE / Adobe CC

PRINTER / Imagink 354 Sansome Street San Francisco, CA 94104

BINDERY / Not Known Yet 354 Sansome Street San Francisco, CA 94104

ABOUT

nadia evania loveta

Nadia Evania Loveta was born and raised in

Photoshop, and Illustrator. She enjoys developing

Indonesia, in a family who owned furniture store.

a concept, creating process sketches, and

Since she was little, she often went along with

especially researching. She loves incorporating

her parents to their client spaces, exhibitions

thoughtful design to reflect each clientâ&#x20AC;&#x2122;s need.

and other inspiring places. With these influences,

She learned about sustainable design when she

Nadia started grow her love of the details of a

studied in the Academy of Art. She fell in love with

space, such as how lighting affects the room

the sustainable design. She believes sustainable

temperature and feeling, texture, appliances and

design help shapes a better future.

finishes create a unique identity to a space. She wish to inspire people through her passion as an

In the future, Nadia would like to start her own

Interior Designer.

business. Nadia always believe that owning a company would be a good source of job

Nadia just finished pursuing her dream as

opportunities for people. She has not dreamt to

interior designer in the Academy of Art University,

be billionaire, but she really wants to help a wide

San Francisco. She now master software such

range people to achieve comfort and happiness

as Revit, 3Ds Max, Adobe InDesign, Adobe

through the space they live in.

01 commercial design

NATIONAL GEOGRAPHIC

commercial design

TASTERY

TA B L E o f

CONTENTS

03 senior living center

INTERLACE

various portfoio

OTHER WORKS

lao tzu “The journey of a thousand miles begins with one step.”

TASTERY commercial design

Ta s t e r y i s a m a r k e t p l a c e l o c a t e d i n 185 Channel Street, San Francisco. The marketplace offer a fresh “farmto-table” fine food experience. The p r o j e c t i s o w n e d b y To n y R i v i e r a .

TASTERY

010

TASTERY PROJECT DESCRIPTION

Tastery is located in 185 Channel Street in San

spaces including AT&T Baseball Park and a fully

Francisco, CA. It is located in the Mission Bay

restored Mission Bay waterfront. Moreover, this

Neighborhood and is undergo a rapid development

area is designed so all facilities could be reach

project. Currently the site is surrounded by a lot

within walking distance. In addition to the two

of apartment and offices such as the headquarter

major lines of MUNI “T” and “N”, this area is also

of Salesforce, Dropbox, Old Navy and Gap. The

intended for pet owners and the cyclists. So far,

location itself is filled with mostly middle to upper

everything shows positive sign of development

class, creating a perfect location for the market’s

and favorable growth. Almost all facilities are

target customer. Mission Bay has a lot of open

already available. The area is highly promising to

public spaces. It has 41 acres of parks and open

be one of the greatest districts in San Francisco.

TASTERY

011

185 Channel Street

Tony Riviera is an entrepreneur and businessman

quality products. The restaurant’s design goal will

that own the Primo Hospitality Group. He currently

carry classic and timeless design but maintain its

owns a lot of restaurants across the United States

friendliness and end-user experience as well. He

such as: Manhattan steak house, Café Primo, gelato,

wants the space and design to reflect the “farm-

The Red Burrito, Tony’s Maroni’s Pizza chain and etc.

to-table” concept which offers a healthier lifestyle.

His vision is to expand his restaurant nationally and

He hopes that through the design, customer would

eventually worldwide. The most recent store of Tony’s

understand and treasure the value of the products.

culinary concept is to make a hybrid of a food market,

Following the rapid increase of the population on

restaurants and bar. The market hall will offer organic,

the Mission Bay, San Francisco, the new market hall

local, and sustainable products that are of the highest

is highly anticipated in the neighborhood.

COMMERCIAL DESIGN // nadia loveta // 2017

012

TASTERY

013

CONCEPT food - synthesis / commercial design

Food-synthesis is derived from the

but it is one that enables a big

words food and photosynthesis.

tree to keep growing. Similarly, by

Photosynthesis itself is the process

selling the organic, fresh, and local

of converting the sunâ&#x20AC;&#x2122;s energy, into

products, the store will continuously

chemical energy that occurs in plants

provide a healthier well-being firstly

and some other organism. For humans,

to an individuals, and then to the

food acts as the sun for plants. It is

community. Moreover, the leaf where

fuel that give us energy to live as a

photosynthesis occurs does not only

human. Plant is the first supplier of

produce for itself, but it also supply

the food chains for the other living

oxygen for all the living things. In

organisms. The plants take the energy

the larger scope this store will also

directly from the sun just like the new

absorb local employee, which benefits

food market that delivers the freshest

the economic growth. The new

food from the purest source as the

market hall will be built base on the

fuel for our bodies. Like our body, in

food-synthesis concept, a process

order to function properly, artificial

that connects the life cycle with its

light will never compare to the purest

surrounding. The storeâ&#x20AC;&#x2122;s design,

sunlight. Organic and local foods are

products and services also strive to

the healthiest option in order for our

the nourishment that promotes the

bodies to function at their best.

well-being of the community.

The micro process of the photosynthesis might be unseen,

COMMERCIAL DESIGN // nadia loveta // 2017

TASTERY

014

BRANDING AND PACKAGING PROJECT DEVELOPMENT

Final logo

This is are logo and the name I created for Tony’s marketplace. Tastery is from the word tasteful and -ry is a word that usually associated with skilled person. So, it means the marketplace is specialized / skilled in a anything that related to taste. It strive to offer the best taste, the freshest ingridents, and the healthiest options for the customer. The logo itself is requested to be in type form. I came up with serif and sans-serif logos and I ended up choosing serif logo due to it’s timelss, clean, and modern look. I underline the “A” in the logo, to show that this marketplace is an A level choice for the customer.

TASTERY

015

Because it is a luxury market, the client

would be used to emphasize the worth of the

asked to design the packaging design.

products. Glass and transparent plastics would

I tried to make it simple since simple

show the inside of the food as the market

suggest luxury and timeless design.

embrace honesty and â&#x20AC;&#x153;farm-to-tableâ&#x20AC;? concept. Rough basket weaving and recycleable bags

The color would range from muted color

and material would be combine with premium

with only two different fonts to keep the

papers to show the hand-made touch but yet a

consistency. Glass and premium materials

very fine foods.

Dried Food Packaging

Honey and Oils

Sparkling Water & Drinks

Reusable Bag

Wine & Alcoholic Beverage

COMMERCIAL DESIGN // nadia loveta // 2017

016

TASTERY

017

BUBBLE DIAGRAM

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018

TASTERY

019

After multiple sketches of trial and error to

SKETCHES

envision the space, I came up with these four

refined sketches. It is still rough, but

convey the idea that of material and basic shapes. Wood, marble, warm lighting would emphasize the high end feels and also enhance the food colors. Different shapes and dynamic placement of object is wished to create a wonderful marketplace experience

COMMERCIAL DESIGN // nadia loveta // 2017

A8.2

Elevation 1 - a

T T A SS TT E R RY

00 21 0

Greenhouse for Special Event

Flowers Fountain

Storage

Basket

Basket Fruits Picking Garden

HVAC

Plant Devider

Bar

Rooftop Seatings Stage or Deck Seating

EL06-1

Workshop/ Showcase

GARDEN STORAGE 235A

Herbs and Vegetables Artficial Grass Seating DN

FURNITURE FINISH PLAN LV. 2

A3.2

LEVEL 2 1/8" = 1'-0"

DRAWN BY CHECKED BY PROJECT

NADIA LOVETA KATIE V. IAD 300 - 01

DESIGN FOR:

TONY RIVIERA DATE

15 DEC 2015 SCALE

1/8" = 1'-0"

IAD 300 - 01

185 CHANNEL STREET SAN FRANCISCO, CA 94158

FLOOR PLAN

Cafe Located nearby main street for easy access

Entrance The entrance by default are a lot and has to be kept this way. The challange is to work around it and create a logical circulations,

Prepared Food The main and biggest section of the market

Restaurants Occupied mostly at night, thus located in the end of the building to provide intimate atmosphere.

Marketplace This market is designed with safety and circulation in mind by placing checkout near the entrance.

Offices Small office for taking care everyday administration.

T T A SS TT E R RY

02 01

1 3 3 1

1 4

COMMERCIAL DESIGN // nadia loveta // 2017

Wine Bar

A0.1

SHEET 2 OF 10

DRAWN BY

CHECKED BY

SCALE

DATE

DESIGN FOR:

PROJECT

1/8" = 1'-0"

15 DEC 2015

TONY RIVIERA

KATIE V IAD 300 - 01

NADIA LOVETA

Unisex ADA Bathroom

Employee Bathroom

Indoor Seating

Checkout

Grocery

Vegetables

Cold Drinks and Deli

Dry Goods

Checkout

Self - Service Food

Fresh Juice

Indoor Seating

CHANNEL STREET

LEVEL 1 - FURNITURE PLAN 1/8" = 1'-0"

FURNITURE FINISH PLAN

4TH STREET

Open Kitchen

Meat and Seafood

Sushi

Fresh Produce

Cheese

Fruits and Seasonal Items

Walk-in Refridgerator

Prepared Food

Unisex ADA Bathroom

185 CHANNEL STREET SAN FRANCISCO, CA 94158

IAD 300 - 01

Office

Cafe and Bakery

furniture plan level 1

MIDTERM

022 TASTERY

cafe

TASTERY

023

COMMERCIAL DESIGN // nadia loveta // 2017

TASTERY

024

tastery

This is a prepared food section, which is the highlight area of the marketplace. Plant and greenery would help to balance the warm atmosphere and to emphasize the fresh food concept.

Wine Bar

A0.1

SHEET 2 OF 10

DRAWN BY

CHECKED BY

SCALE

DATE

DESIGN FOR:

PROJECT

1/8" = 1'-0"

15 DEC 2015

TONY RIVIERA

KATIE V IAD 300 - 01

NADIA LOVETA

Unisex ADA Bathroom

Employee Bathroom

Indoor Seating

Checkout

Grocery

Vegetables

Cold Drinks and Deli

Dry Goods

Checkout

Self - Service Food

Fresh Juice

Indoor Seating

CHANNEL STREET

LEVEL 1 - FURNITURE PLAN 1/8" = 1'-0"

FURNITURE FINISH PLAN

4TH STREET

Open Kitchen

Meat and Seafood

Sushi

Fresh Produce

Cheese

Fruits and Seasonal Items

Walk-in Refridgerator

Prepared Food

Unisex ADA Bathroom

185 CHANNEL STREET SAN FRANCISCO, CA 94158

IAD 300 - 01

Office

Cafe and Bakery

furniture plan level 1

MIDTERM

TASTERY 025

COMMERCIAL DESIGN // nadia loveta // 2017

026

TASTERY

Wine Bar

A0.1

SHEET 2 OF 10

DRAWN BY

SCALE

DATE

DESIGN FOR:

PROJECT

CHECKED BY

1/8" = 1'-0"

15 DEC 2015

TONY RIVIERA

KATIE V IAD 300 - 01

NADIA LOVETA

Unisex ADA Bathroom

Employee Bathroom

Indoor Seating

Checkout

Grocery

Vegetables

Cold Drinks and Deli

Dry Goods

Checkout

Self - Service Food

Fresh Juice

Indoor Seating

CHANNEL STREET

LEVEL 1 - FURNITURE PLAN 1/8" = 1'-0"

FURNITURE FINISH PLAN

4TH STREET

Open Kitchen

Meat and Seafood

Sushi

Fresh Produce

Cheese

Fruits and Seasonal Items

Walk-in Refridgerator

Prepared Food

Unisex ADA Bathroom

185 CHANNEL STREET SAN FRANCISCO, CA 94158

IAD 300 - 01

Office

Cafe and Bakery

furniture plan level 1

MIDTERM

TASTERY 027

prepared food

This is the self-serviced

prepared food. It is in a u-shape

which is to avoid any conflict

in circulation. The food counter

area is covered with wood to

enhance luxury.

COMMERCIAL DESIGN // nadia loveta // 2017

028

TASTERY

4TH STREET

Wine Bar

A0.1 SHEET 2 OF 10

DRAWN BY CHECKED BY

SCALE

DATE

DESIGN FOR:

PROJECT

1/8" = 1'-0"

15 DEC 2015

TONY RIVIERA

KATIE V IAD 300 - 01

NADIA LOVETA

Unisex ADA Bathroom

LEVEL 1 - FURNITURE PLAN 1/8" = 1'-0"

Open Kitchen

Meat and Seafood

Sushi

Fresh Produce

Cheese

Fruits and Seasonal Items

Walk-in Refridgerator

Prepared Food

Unisex ADA Bathroom

185 CHANNEL STREET SAN FRANCISCO, CA 94158

IAD 300 - 01

Office

Cafe and Bakery

be displayed here.

FURNITURE FINISH PLAN

Employee Bathroom

Indoor Seating

Checkout

Grocery

Vegetables

Cold Drinks and Deli

Dry Goods

Checkout

Self - Service Food

Fresh Juice

Indoor Seating

CHANNEL STREET

furniture plan level 1

MIDTERM

TASTERY 029

market

This is the market, where fresh

fruit, dirnks, juices, and variety

of organic & exotic produts will

COMMERCIAL DESIGN // nadia loveta // 2017

030

TASTERY

SHEET 2 OF 10

A0.1 SCALE

DATE

DESIGN FOR:

PROJECT

CHECKED BY

DRAWN BY

LEVEL 1 - FURNITURE PLAN 1/8" = 1'-0"

Wine Bar

1/8" = 1'-0"

15 DEC 2015

TONY RIVIERA

KATIE V IAD 300 - 01

NADIA LOVETA

Unisex ADA Bathroom

Employee Bathroom

Indoor Seating

Checkout

Grocery

Vegetables

Cold Drinks and Deli

Dry Goods

Checkout

Self - Service Food

Fresh Juice

Indoor Seating

CHANNEL STREET

Open Kitchen

Meat and Seafood

Sushi

Fresh Produce

Cheese

Fruits and Seasonal Items

Walk-in Refridgerator

Prepared Food

Unisex ADA Bathroom

185 CHANNEL STREET SAN FRANCISCO, CA 94158

IAD 300 - 01

Office

Cafe and Bakery

furniture plan level 1

security benefits while also

FURNITURE FINISH PLAN

4TH STREET

MIDTERM

TASTERY 031

checkout

The checkout stations are

strategically located near the

entrance and exit. It perform

create a logical circulations

COMMERCIAL DESIGN // nadia loveta // 2017

SHEET 2 OF 10

A0.1

FURNITURE FINISH PLAN

SCALE

DATE

DESIGN FOR:

PROJECT

CHECKED BY

DRAWN BY

LEVEL 1 - FURNITURE PLAN 1/8" = 1'-0"

Wine Bar

1/8" = 1'-0"

15 DEC 2015

TONY RIVIERA

KATIE V IAD 300 - 01

NADIA LOVETA

Unisex ADA Bathroom

Employee Bathroom

Indoor Seating

Checkout

Grocery

Vegetables

Cold Drinks and Deli

Dry Goods

Checkout

Self - Service Food

Fresh Juice

Indoor Seating

CHANNEL STREET

Open Kitchen

Meat and Seafood

Sushi

Fresh Produce

Cheese

Fruits and Seasonal Items

Walk-in Refridgerator

Prepared Food

Unisex ADA Bathroom

185 CHANNEL STREET SAN FRANCISCO, CA 94158

IAD 300 - 01

Office

Cafe and Bakery

furniture plan level 1

during diner time and to provide

4TH STREET

MIDTERM

032 TASTERY

restaurant

This is restaurant and open

kitchen area. It is located in

th e end part of the building

because it mostly occupied

an intimate atmosphere.

TASTERY

033

COMMERCIAL DESIGN // nadia loveta // 2017

034

TASTERY

035

MATERIAL & FURNITURE CUSTOM FURNITURE

COMMERCIAL DESIGN // nadia loveta // 2017

036

TASTERY

037

arthur ashe “Success is a journey, not a destination. The doing is often more important than the outcome.”

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC commercial design

The National Geographic Society wishes to develop a mixed-use building that will house their West Coast office headquarters as well as a retail space for visitors, a public exhibit space for art/ photography/ educational exhibits, and a cafe.

TASTERY

040

NATIONAL GEOGRAPHIC PROJECT DESCRIPTION

“We believe in the power of SCIENCE to answer questions. We believe in t h e p o w e r o f E X P LO R AT I O N t o d i s cover new possibilities. We believe in the power of STORYTELLING to create deeper connections.”

National Geographic is one of the most well-known

this finding with a bigger range of audiences. After

scientific and educational organization. National

9 months, the organization publish a magazine.

Geographic is a non-profit organization which was

It was unsuccessful until, Grosvenor become

begin in 1888, Washington DC. This organization

the editor of National Geographic. The key of his

scope is including geography, archeology, natural

success is changing long and technical article and

science, environmental and historical conservation

shorten in with accompanied of photographs. This

and study of world culture and history education.

changes boost the circulation of the magazine from

National Geographic was founded by diverse group

1,000 to 2 million. Since then, National Geographic

and in a time where people become more fascinated

has always been known to tell story the way that

by the world around them. It was the time when

it is easily to understand. They don’t produce

travel still a luxury and the discovery is known

intimidating thick text-book and instead having a

limited to the some instances and the wealthy.

lot of quality photography, videos, TV shows and

Therefore, National Geographic is built to showcase

accurate infographic. All of those were pack in a

TASTERY

041

way that would interest the audience.

Since the third edition of the magazine, National

Since the organization founded, it has been

Geographic has used a strong rectangular yellow

sponsoring many groundbreaking scientists and

logo in its magazine up until now. Its color is well

explorers and share their story to the world. Up

recognize as the brand identity and hold deep value

until now, National Geographic has fund more than

to the company because it is used since the very

12,000 scientist, researcher, and conservationist

beginning of the organization. National Geographic

whose work making a tangible difference in the

logo is a yellow rectangular which mean sun that

world. Those journey for a better knowledge and

shines everywhere in the world and the universe. The

protecting the worldâ&#x20AC;&#x2122;s culture and environment is all

rectangle represent a photo frame which was used to

recorded and shared through National Geographic

show scientific information through their publishing. I

Magazine, NatGeo television channel, digital product,

also represent a door to visit science, nature, history,

exhibitions, web and social media, and other partner

culture and reality.

of National Geographic.

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

042

SI T E A N A L Y S I S Address

: 34 Graham Street, SF CA 94129

Neighborhood

: Presidio Heights

Parcels (Block/Lot)

: 1300/001

Building Area

: 6600 s.f.

Parcel Area

: 13,915 s.f.

Zoning

: P - Public

Occupancy Code

: A-3

Stories

: 2 stories

Setbacks

: Height: 40 feet

NATIONAL GEOGRAPHIC

043

Highest Sun of Year:

Middle Sun of Year:

Lowest Sun of Year:

June 22

March 2

Jan 2

The sun shines mostly in the south side of

Francisco has Daylight saving time which starts

the building. Throughout the year, January

from March 11th and ends on November 4th.

will have the least daylight and the amount of

The earliest sunrise is at 5:47am on June 15 and

light increases to its peak on the mid June. The

the latest sunset is at8:36pm on June 26. The

daylight would then continue to decrease and

latest sunrise is at 7:37am on November 3 and

will reach its lowest at around December. San

the earliest sunset is at 4:51pm on December 9.

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

044

Population

Occupational Employment

Education Statiscits

Household Income

NATIONAL GEOGRAPHIC

045

SITE CLIMATES & DEMOGRAPHIC CUSTOM FURNITURE

Over the course of the year typical wind speeds vary from 0 mph to 24 mph(calm to fresh breeze), rarely exceeding 31 mph (high wind). The highest average wind speed of 14 mph (moderate breeze) occurs around June 11, at which time the average daily maximum wind speed is 24 mph (fresh breeze). The lowest average wind speed of 7 mph (light breeze) occurs around January 11, at which time the average daily maximum wind speed is 13 mph (moderate breeze). Wind Directions Over the Entire Year The relative humidity typically ranges from 49% (comfortable) to 94% (very humid) over the course of the year, rarely dropping below 27% (dry) and reaching as high as 100% (very humid). The air is driest around October 7, at which time the relative humidity drops below 61% (mildly humid) three days out of four; it is most humid around January 4, exceeding 91% (very humid) three days out of four.

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

046

Mexico became independent of Spain. The Presidio received even less support from Mexico. Residents of Alta California, which include the Presidio, debated separating entirely from Mexico.

Spanish Captain Juan Bautista de Anza led 193 soldiers, women, and children on a trek from present day Tubac, Arizona, to San Francisco Bay.

1776

1821 The Presidio was a simple fort made of adobe, brush and wood. It often was damaged by earthquakes or heavy rains. In 1783, its company was only 33 men. Presidio soldiersâ&#x20AC;&#x2122; duties were to support Mission Dolores by controlling Indian workers in the Mission, and also farming, ranching, and hunting in order to supply themselves and their families. Support from Spanish authorities in Mexico was very limited.

1848 The U.S. Army occupied the Presidio. The Presidio began a long era directing operations to control and protect Native Americans as headquarters for scattered Army units on the West Coast.

1961

NATIONAL GEOGRAPHIC

The Presidio sent its few remaining units to war for the last time in Desert Storm, the First Gulf War. The role of Sixth Army was management of training and coordinating deployment of National Guard and Reserve units in the Western U.S. for Desert Storm.

1973 The Presidio filled a supporting role during the Vietnam War. Antiwar demonstrations took place at the Presidioâ&#x20AC;&#x2122;s gates.

1991

047

Park becomes privatized through congressional action.

1994

1996

Sixth Army was inactivated. The Presidio was transferred to the National Park Service.

HISTORY

of the sites

COMMERCIAL DESIGN // nadia loveta // 2017

048

NATIONAL GEOGRAPHIC

049

This is are the rough development sketch of the area.

SKETCHES

The color will be dominated by yellow, neutral color and some of natural greenery. It will use modern furniture and geometric shapes and also layers of pattern and material to show the concept in the design.

COMMERCIAL DESIGN // nadia loveta // 2017

050

NATIONAL GEOGRAPHIC

CONCEPT 60 FRAME RATE PER SECOND

D EFINITION

“the number of frames of an animation which are displayed every second, measured in frames per second (fps). The higher the frame rate, the smoother the animation will appear. In the current industry, to produce high quality video, 60 frame per second are the standard rates” -dictionary.com

ABOU T

Within 1 second it take 60 frames each to produce a high quality videos. Many people take what they have for granted. But, in each content and stories of National Geographic there are a lot of research, presistence, hardwork, and sacrifice of many to deliver an accurate and interesting content. There are sixties stories in each content. This New National Geographic HQ will be designed with the inspiration from those who are essential and contributing to viability of National Geography.

IMPLE MENTATI ON I N D ESIGN

The 60 frame rate per second will be implemented by using layers of shapes and pattern. Repetition to show harmony and material difference to show differsity in each “frames” of individual. In some section of the area, there will be a display or special display to highlight the story of the team behind National Geographic.

NATIONAL GEOGRAPHIC

051

COMMERCIAL DESIGN // nadia loveta // 2017

052

NATIONAL GEOGRAPHIC

053

BLOCK DIAGRAM

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

054

120’-0”

BUILDING CODE F l o o r P l an A nalysis

NATIONAL GEOGRAPHIC

055

48’-0”

102’-3”

Clearances: Doormat,

Exit Discharge

Maximum Travel Distance

Corridor, Door Swing

Exit Access

Dead End Corridors

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

056

Retail 105

TELECOM

STAIR A UP

ELEV

Janitor Closet 106

Exhibition 104

Lobby 100

Bathroom 108

Bathroom 107

Loading Dock

Cafe

103

101

STAIR B

Kitchen 102

Level 1 - Exit Diagram 1" = 10'-0" 0'

2.5'

10'

20'

30'

BUILDING CODE E xi t D i a gr am

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

Exit Diagram Level 1 Scale Date Checked by Drawn by

1" = 10'-0" December 2016

A7.5

Author Checker

SHEET

OF 10

NATIONAL GEOGRAPHIC

Break Room

057

Entertainment Room

213

214

Conference Room 215

TELCOM

REF.

STAIR A

Copy/ Print

Controller Office

ELEV

211

210

Reception Area 200

Senior Web Editor Office

Bathroom

209

202

Bathroom 201

Art Director Office 208

OPEN TO BELLOW

Open Office Marketing Director Office

203

207

Senior Editor Office

Regional Manager Office

206

204

Meeting Room

205

STAIR B

Level 2 - Exit Diagram 1" = 10'-0" 1/4"=1'-0" 0'

2.5'

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

10'

20'

30'

Exit Diagram Level 2 Scale Date Checked by

1" = 10'-0" 1/4"=1'-0" December 2016 Author

A06.5

18 OF 21 Drawn CO MbyM E R C I A L DChecker E S I G N / /SHEET na dia loveta // 2017

NATIONAL GEOGRAPHIC

058

EXIT

105

TELECOM

ELEV

ELEC PANEL

STAIR A UP

106

104

MAIN ENTRANCE

107 108

101

103

---

STAIR B

102

REF.

ENTRANCE

EXIT

Level 1 - Furniture Plan 1" = 10'-0" 0'

2.5'

FLOOR NATIONAL PLAN GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129 F u rn i t u re F inish Plan

10'

20'

30'

Furniture Plan Level 1 Scale Date Checked by Drawn by

1" = 10'-0" December 2016

A4.1

Author Checker

SHEET

OF 10

NATIONAL GEOGRAPHIC

059

67' - 11" 23' - 1"

22' - 0"

22' - 10"

LIVING WALL

212

213

16' - 3"

22' - 6"

REF.

SWING CHAIR 214

210

STAIR A

ELEV

12' - 10"

211

15' - 7"

13' - 10"

TELECOM

8' - 4"

ELEC PANEL

200

202

209

24' - 5"

12' - 8"

201

OPEN TO BELLOW

23' - 2" 208

13' - 11"

27' - 3"

207 203

206

205

11' - 6"

91' - 1"

8' - 0"

204

STAIR B

18' - 10"

17' - 6"

16' - 4"

15' - 2"

Level 2 - Furniture Plan 1 1" = 10'-0"

2.5'

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

10'

20'

30'

Furniture Plan Level 2 Scale Date Checked by Drawn by

1" = 10'-0" December 2016

A4.2

Author Checker

SHEET

OF 10

COMMERCIAL DESIGN // nadia loveta // 2017

060

NATIONAL GEOGRAPHIC

061 NATIONAL GEOGRAPHIC

lobby

The lobby is one of the largest

area in the first floor because it

need to accomodate the entrance of four different space function:

office, exhibition, cafe, and store.

EXHIBITION DISPLAY

104

EXHIBITION DISPLAY

107

STAIR B

EXHIBITION DISPLAY

103

EXHIBITION DISPLAY

SYMBOL

F18

ITEM CODE

Level 1 - Furniture Plan 1" = 10'-0" 1/4"=1'-0" FURNITURE LEGEND

F19 F20 F21 F14

ELEC PANEL

EXIT

106

STAIR A

108

F23

F22

F23

F22 F23

F23

34 GRAHAM STREET, SAN FRANCISCO CA 94129

F22

Drawn by

Checked by

Date

Scale

105

F18

F20 F20

F18

F20

F21

F20

F18

F23

F18

F21

30'

F23

F18

F21

F20

F22

ATRIUM ABOVE

RECEPTION DESK

20'

Checker

Author

As1/4"=1'-0" indicated December 2016

Furniture Plan Level 1

102

F19

OPEN SEATING F18

F14

F23

10'

F23

F22

F23

REF.

F23

F22

F23

F23 F22

101

F23

2.5'

DINING CHAIR

DINING TABLE

CHAIR

COFFEE TABLE 3

LOUNGE CHAIR 3

RECEPTION DESK

LOUNGE CURVE SEATING

ITEM DESCRIPTION

ELEV

NATIONAL GEOGRAPHIC HQ

F23

F22

TELECOM

MAIN ENTRANCE

SHEET 05 OF 21

A03.1

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

062

MATERIAL & FURNITURE S ELECTIONS

NATIONAL GEOGRAPHIC

063

COMMERCIAL DESIGN // nadia loveta // 2017

064

NATIONAL GEOGRAPHIC

CONSTRUCTION DOCUMENT COVER SHEET SITE PLAN FLOOR PLAN LEVEL 1

NATIONAL GEOGRAPHIC

065

67' - 11" 22' - 0"

22' - 0"

EXIT

ANZA AVENUE

4' - 10"

22' - 0"

18' - 5"

Retail 105

8' - 2"

516 SF

3' - 0"

STAIR A

Lobby

5' - 0"

104

100 1056 SF

2071 SF

PRESIDIO MAIN POST PARKING LOT

A08.1

1 3

21' - 3"

THE MAIN POST

CANBY STREET

24' - 5"

13' - 10"

75 SF

Exhibition

99' - 6"

SUBJECT PROPERTY

ANZA AVENUE

GRAHAM ST

73' - 0"

EXHIBITION DISPLAY

106

Elevation 1 - A A.2

Janitor Closet 15' - 7"

KEYES AVENUE

ELEC PANEL

ELEV

BAPTISE YOGA SAN FRANCISCO

1' - 9"

OWEN ST

TELECOM

GRAHAM ST

16' - 1"

22' - 0"

24' - 5"

22' - 0"

THE MAIN POST

24' - 3"

KEYES AVENUE

THE SAN FRANCISCO FILM CENTRE

MAIN ENTRANCE

Bathroom 24' - 5"

107 EXHIBITION DISPLAY

Bathroom

FALL EQUINOX

40'

80'

22' - 2"

OTHER BUILDING

GREEN AREAS

PAVEMENT

NATIONAL GEOGRAPHIC HQ

PROPERTY LINES

Date Checked by Drawn by

As indicated December 2016

A01.1

Author Checker

SHEET 02 OF 21

24' - 5"

Kitchen

2 Elevation 2-A

8' - 8"

Floor Area: 6600 S.F Gross Sprinklered

A08.1

102 186 SF

REF. 25' - 8"

EXIT

23' - 1"

4 ENTRANCE

Level 1 1" = 10'-0" 1/4"=1'-0" 0'

Site Plan Scale

STAIR B

19' - 1"

SUBJECT PROPERTY

16' - 10"

588 SF

240'

SITE PLAN

WINTER SOLISTICE

34 GRAHAM STREET, SAN FRANCISCO CA 94129

160'

8' - 10"

Site Plan 1" = 80'-0"

SUMMER SOLISTICE

12' - 1" 101

400 SF

24' - 2"

9' - 5"

THE MAIN POST

SPRING EQUINOX

2' - 0"

STEEL COLUMNS W/GYP.

Cafe

103

4' - 11"

9' - 10"

Loading Dock 17' - 7"

CAMP+KING

10' - 3"

ANZA AVENUE

THE BAY SCHOOL OF SAN FRANCISCO

GRAHAM ST

KAYES AVENUE

23' - 7"

ATRIUM ABOVE

108

2.5'

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

10'

20'

30'

Floor Plan Level 1 Scale Date Checked by Drawn by

1/4"=1'-0" 1" = 10'-0" December 2016

A02.1

SZ/AW NEL

SHEET 03 OF 21

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

CONSTRUCTION DOCUMENT

67' - 11" 22' - 0"

22' - 0"

FLOOR PLAN LEVEL 2

213 398 SF

214

215 400 SF

8' - 2"

ELEC PANEL REF.

STAIR A

15' - 4"

7' - 11"

Copy/ Print 9' - 10"

Controller Office 210 185 SF

211

ELEV

FURNITURE PLAN LEVEL 2

Conference Room

446 SF 18' - 5"

4' - 9"

TELCOM

35' - 7"

FURNITURE PLAN LEVEL 1

Entertainment Room

A08.2

24' - 8"

16' - 3"

1 Elevation 6-A

Break Room

Janitor Closet

Reception Area 200

212

25' - 9"

16' - 4"

14' - 4"

Senior Web Editor Office 209

Bathroom 202

199 SF

14' - 10"

13' - 8"

7' - 3"

39 SF

23' - 3"

Art Director Office

Bathroom

208

201

22' - 6"

5' - 2"

199 SF

Open Office 203 1539 SF

Marketing Director Office

A08.2

Elevation 5-A

OPEN TO BELLOW

207

30' - 1" A08.2

Senior Editor Office 206

A08.2

4 Elevation 4-A 4' - 4"

184 SF

Regional Manager Office

STAIR B

18' - 10"

48' - 11"

183 SF

Elevation 3-A

91' - 1"

423 SF

27' - 3"

066

Meeting Room

204

205

367 SF

33' - 10"

15' - 2"

Level 2 1 1" = 10'-0" 1/4"=1'-0" 0'

2.5'

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

10'

20'

30'

Floor Plan Level 2 Scale Date Checked by Drawn by

1" = 10'-0" 1/4"=1'-0" December 2016

A02.2

SW/ AW NEL

SHEET 04 OF 21

NATIONAL GEOGRAPHIC

067

EXIT

EXHIBITION DISPLAY

214

STAIR A F18

F18

106

F18

F21 F20

EXHIBITION DISPLAY

REF.

F20

F18

SWING CHAIR

215

213

ELEV

ELEC PANEL

LIVING WALL

104

TELECOM

105

STAIR A

F20 F21

ELEC PANEL

F20 F18 F20

ELEV

OPEN SEATING F18

F20

RECEPTION DESK

F21

200

F18

F19

F14

EXHIBITION DISPLAY

F18

RECEPTION DESK

201

MAIN ENTRANCE

F14

107 108

202

209

ATRIUM ABOVE

EXHIBITION DISPLAY

208

F23

103

F23

F22 F23

F23

F22

F22 F23

F23

F22

OPEN TO BELOW

F23 F22

F22 F23

F23 F23

F23

F22

F23

203

F22 F23

F23

101

F23

207

F23 F22

102

STAIR B

F23

206

F23

204

REF.

Level 1 - Furniture Plan 1" = 10'-0" 1/4"=1'-0"

UP N 0'

2.5'

10'

20'

STAIR B

30'

FURNITURE LEGEND SYMBOL

ITEM CODE

ITEM DESCRIPTION

F18

LOUNGE CURVE SEATING

F19

RECEPTION DESK

F20

LOUNGE CHAIR 3

F21

COFFEE TABLE 3

F14

CHAIR

F22

DINING TABLE

F23

DINING CHAIR

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

Level 2 - Furniture Plan 1" = 10'-0" 1/4"=1'-0"

2.5'

10'

20'

30'

*FURNITURE LEGEND REFER TO SHEET A03.3

Furniture Plan Level 1 Scale Date Checked by Drawn by

As1/4"=1'-0" indicated December 2016

A03.1

Author Checker

SHEET 05 OF 21

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

Furniture Plan Level 2 Scale Date Checked by Drawn by

1" = 10'-0" 1/4"=1'-0" December 2016

A03.2

Author Checker

SHEET 06 OF 21

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

CONSTRUCTION DOCUMENT

POWER/ELECTRICAL LEGENDS

WALL MOUNTED DUPLEX WITH POWER OUTLET

24' - 3"

GFIC

DETAILED FURNITURE PLAN - LOBBY

WALL MOUNTED DUPLEX WITH POWER OUTLET WITH GROUND FAULT INTERUPTER CIRCUIT (GFIC) WALL MOUNTED QUADRUPEX POWER OUTLET

GFIC

WALL MOUNTED QUADRUPEX POWER OUTLET WITH GROUND FAULT INTERUPTER CIRCUIT (GFIC) FLOOR MOUNTED DUPLEX POWER OUTLET FLOOR MOUNTED FOURPLEX POWER OUTLET

DETAILED FURNITURE PLAN OF LEVEL 2 A

WALL MOUNTED COMBINATION PHONE/ DATA OUTLET

STAIR A ESP

ELEV

10' - 2"

OPEN SEATING

F18

F21

SYMBOL

F20

F18

FURNITURE LEGEND

F20

ITEM CODE

ITEM DESCRIPTION

F18

LOUNGE CURVE SEATING

5' - 0"

F18

ELECTRICAL SERVICE PANEL

F18

9' - 0"

DETAILED FURNITURE PLAN OF LEVEL 2 B

F21

F18 F20

9' - 11"

F20 M2

F21

1' - 4"

F18

F19

5' - 6"

F20

F18

RECEPTION

F20

LOUNGE CHAIR 3

F21

COFFEE TABLE 3 CHAIR

F22

DINING TABLE

F23

DINING CHAIR

ITEM CODE

ITEM DESCRIPTION

MAIN ENTRANCE

F14

F19

F14

75' - 1"

ATRIUM ABOVE

RECEPTION DESK

FINISH LEGEND SYMBOL

W1 F23

F23

F22 F23

F23

W1 F23

F22

FLOORING - CARPET

FLOORING - WOOD 1

FLOORING - CONCRETE

F23 F22

5' - 0"

F23

17' - 0"

F23

F23 F22

5' - 2"

F23

F23 F22 F23

REF.

6' - 8"

F23

3' - 6"

102

AT 48" AFF

GFIC

*NOT INCLUDED IN THE DETAIL AREA

8' - 0"

068

PLAN CUT VIEW

Level 1 - Furniture Plan Detail of Lobby 1/8" = 1'-0" 3/8"=1'-0"

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

DETAIL FURNITURE PLAN LEVEL 1 - LOBBY Scale Date Checked by Drawn by

3/8"=1'-0" As indicated December 2016

A03.3

Author Checker

SHEET 07 OF 21

NATIONAL GEOGRAPHIC

F13 F16 F17

F17

F16

069

F13

F16

F17

F13

213

F13

215 M 3

F13 F1

F13

STAIR A

REF.

F4 F13

F13

OPEN TO BELOW

F1 F1

203

F2 F1 F4

RECEPTION DESK

F14

F1 F7

F2 F2

200 F12

F15

F4 M3

F12

F2 F1

201

209

204 F2

F10

F1 W3 F12

F12

A 1

DETAIL FURNITURE PLAN LEVEL 2 - A 1/8" = 1'-0" 3/8"=1'-0"

ITEM CODE

ITEM DESCRIPTION

OFFICE CHAIR

SEATING

F10

SMALL COFEE TABLE

F6 F1

F4 F1

DETAIL FURNITURE PLAN LEVEL 2 - B 1/8" = 1'-0" 3/8"=1'-0"

SYMBOL

CONFERENCE TABLE

F12

LOUNGE CHAIR 2

F13

CONFERENCE ROOM SEATING

F14

CHAIR

F15

RECEPTION DESK 2

F16

CUSTOM SEMI PRIVATE SEATINGS

PLAN CUT VIEW

FINISH LEGEND

TEKNION WORKSTATION SYSTEM

F11

F17

FURNITURE LEGEND

FURNITURE LEGEND SYMBOL

STAIR B

SYMBOL

ITEM CODE

ITEM DESCRIPTION

FLOORING - CARPET

FLOORING - WOOD

FLOORING - CARPET 4

FLOORING - CARPET 5

ITEM CODE

ITEM DESCRIPTION

OFFICE

SEATIN

CIRCULAR AREA RUG

TEKNION WORKSTATION SYSTEM

SMALL CONFERENCE TABLE

SMALL CONFERENCE CHAIR

LOUNGE CHAIR

COFFEE TABLE

TEKNION WORKSTAION PRIVATE

PLAN CUT VIEW

FINISH LEGEND SYMBOL

ITEM CODE

ITEM DESCRIPTION

FLOORING - CARPET

FLOORING - WOOD

FLOORING - CARPET 4

FLOORING - WOOD 4

SWING CHAIR

*NOT INCLUDED IN THE DETAIL AREA

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

DETAIL FURNITURE PLAN LEVEL 2 - A Scale Date Checked by Drawn by

3/8"=1'-0" As indicated December 2016

*NOT INCLUDED IN THE DETAIL AREA

A03.4

34 GRAHAM STREET, SAN FRANCISCO CA 94129

Author Checker

NATIONAL GEOGRAPHIC HQ

SHEET 08 OF 21

DETAIL FURNITURE PLAN LEVEL 2 - B Scale Date Checked by Drawn by

3/8"=1'-0" As indicated December 2016

A03.5

NEL Checker

SHEET 09 OF 21

COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

CONSTRUCTION 2' - 1"

6' - 4"

2' - 0"

10' - 6"

5' - 3"

12' - 9"

17' - 10" 24' - 10"

215

SWING CHAIR

9' - 3"

STAIR A 2' - 10"

GFIC

ELEC PANEL 1' - 8"

22' - 6"

AT 48" AFF

GFIC

3' - 8"

2' - 11" 1' - 5"

ELEV

AT 48" AFF

8' - 4"

213

TELECOM

REF.

5' - 5"

RECEPTION DESK

AT 48" AFF

200

4' - 0" 11' - 8"

5' - 0"

201

6' - 3"

5' - 0"

9' - 3"

202

209

GFIC

3' - 0"

6' - 6"

REFLECTED CEILING PLAN 1

LIVING WALL 4' - 1"

3' - 10"

POWER SIGNAL PLAN 2B

6' - 0"

214

2' - 4"

POWER SIGNAL PLAN 2A

5' - 10"

4' - 2"

DOCUMENT

5' - 4"

070

GFIC

A 1

Level 2 - Power Signal Plan Level 2 - A 1/8" = 1'-0" 3/8"=1'-0"

ELECTRICAL/REFLECTED CEILING PLAN NOTES 1. ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

PLAN CUT VIEW

2. ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE INSTALLED ACCORDING TO THE MANUFACTUERS RECOMONDATIONS. 3. ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN ACCORDANCE WITH ALL NEW LIGHTING/ELECTRICAL ITEMS. PROPER POWER LEVELS SHALL BE PROVIDED.

POWER/ELECTRICAL LEGENDS

4. CONTRACTOR TO NOTIFY OWNER PRIOR TO INSTALLING BOXES FOR ALL RECESSED/SURFACE MOUNTED FIXTURES SWITCHES, POWER/ DATA/

WALL MOUNTED DUPLEX WITH POWER OUTLET

PHONE OUTLETS. ALL LOCATIONS TO BE VERIFIED AND DETERMINED IN FEILD BY A "WALKTHROUGH" WITH OWNER AND ARCHITECT.

GFIC

5. OUTLETS IN KITCHEN, TOILET ROOMS, AND ANY OTHER "WET" AREA SHALL

6. STYLE OF SWITCHES/OUTLETS TO BE COORDINATED WITH, AND

GFIC

APPROVED BY OWNER AND ARCHITECT.

- WALL - MOUNT ALL SWITCHES AT 48" TO CENTERLINE A.F.F., U.O.N. ON DRAWINGS. - WALL - MOUNT ALL POWER/DATA/PHONE OUTLETS/ JACKS AT 18" TO CENTERLINE A.F.F., U.O.N. ON DRAWINGS. - WALL - MOUNT ALL SWITCHES/ OUTLETS ABOVE COUNTERS AT 42" TO CENTERLINE A.F.F., U.O.N. ON DRAWINGS.

WITH CALIFORNIA TITLE 24 REQUIREMENTS.

FLOOR MOUNTED FOURPLEX POWER OUTLET WALL MOUNTED COMBINATION PHONE/ DATA OUTLET ESP

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

WALL MOUNTED QUADRUPEX POWER OUTLET WITH GROUND FAULT INTERUPTER CIRCUIT (GFIC) FLOOR MOUNTED DUPLEX POWER OUTLET

7. ALL DIMENSIONS ARE TO FINISH SURFACE, U.O.N.:

8. ALL NEW LIGHTING/ELECTRICAL INSTALATIONS TO BE IN ACCORDANCE

WALL MOUNTED DUPLEX WITH POWER OUTLET WITH GROUND FAULT INTERUPTER CIRCUIT (GFIC) WALL MOUNTED QUADRUPEX POWER OUTLET

HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

ELECTRICAL SERVICE PANEL

Power/ Signal Plan Level 2 - A Scale Date Checked by Drawn by

3/8"=1'-0" 1/8" = 1'-0" December 2016

A04.1

Author Checker

SHEET 10 OF 21

NATIONAL GEOGRAPHIC

209

071

SEAMLESS ACCOUSTICAL PANEL - GYP. BD. AT 11'-6" A.F.F. THROUGHOUT LV. 2 U.O.N.

209

11' - 6"

S/A

11' - 6"

GYP. BD. CONTINOUS DROPPED CEILING AT 10'-6" A.F.F.

S/A

6' - 1" 2' - 3"

S/A

8' - 0"

GYP. BD. 6" STEPS RISE

2' - 0" E

S/A

4' - 3" 7' - 6"

5' - 2"

6' - 6"

204

10' - 3"

8' - 5"

P S/A

3' - 5"

7' - 6"

4' - 3"

6' - 0"

2' - 0"

10' - 6"

13' - 0"

13' - 3"

204

FE 12' - 0"

1' - 4"

206

2' - 0"

8' - 5"

1' - 2"

S/A

3' - 5"

8' - 0"

11' - 7"

10' - 6"

13' - 0"

8' - 10"

4' - 6" 23' - 6"

6' - 1"

3' - 5"

6' - 0"

9' - 4"

WOOD PANELS CEILING AT 11'-6" A.F.F.

207

13' - 3" 6' - 0"

2' - 0"

E 1' - 4"

206

12' - 0"

WOOD PANELS CEILING AT 11'-6" A.F.F.

OPEN TO BELOW

11' - 7"

10' - 3"

3' - 5"

6' - 0"

2' - 3"

3' - 5"

6' - 0"

9' - 4"

1' - 2"

207

11' - 0"

8' - 10"

4' - 6" 23' - 6" 11' - 0"

6' - 0"

OPEN TO BELOW

6' - 0"

P P

S/A

5' - 2"

6' - 6"

3' - 5"

Level 2 - Power Signal Plan Level 2 - B 1/8" = 1'-0" 3/8"=1'-0"

P S/A

ELECTRICAL/REFLECTED CEILING PLAN NOTES PLAN CUT VIEW

ACCORDANCE WITH ALL NEW LIGHTING/ELECTRICAL ITEMS. PROPER

POWER/ELECTRICAL LEGENDS

POWER/ELECTRICAL LEGENDS N

4. CONTRACTOR TO NOTIFY OWNER PRIOR TO INSTALLING BOXES FOR ALL

RECESSED/SURFACE MOUNTED FIXTURES SWITCHES, POWER/ DATA/ PHONE OUTLETS. ALL LOCATIONS TO BE VERIFIED AND DETERMINED IN

GFIC

5. OUTLETS IN KITCHEN, TOILET ROOMS, AND ANY OTHER "WET" AREA SHALL HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

Level 1 1" = 10'-0" PHONE OUTLETS. ALL1/4"=1'-0" LOCATIONS TO BE VERIFIED AND DETERMINED IN 1

WALL MOUNTED DUPLEX WITH POWER OUTLET

RECESSED/SURFACE MOUNTED FIXTURES SWITCHES, POWER/ DATA/

WALL MOUNTED DUPLEX WITH POWER OUTLET WITH GROUND FAULT INTERUPTER CIRCUIT (GFIC)

FEILD BY A "WALKTHROUGH" WITH OWNER AND ARCHITECT.

GFIC

APPROVED BY OWNER AND ARCHITECT.

NATIONAL GEOGRAPHIC HQ

FIRE EXTINGUISHER

WITH CALIFORNIA TITLE 24 REQUIREMENTS. H STROBE & HORN

Power/ Signal Plan Level 2 - B

Date Checked by Drawn by

WALL MOUNTED QUADRUPEX POWER OUTLET

3/8"=1'-0" 1/8" = 1'-0" December 2016

A04.2

Author Checker

WALL MOUNTED QUADRUPEX POWER OUTLET

SKYLIGHT WITH GROUND FAULT INTERUPTER SINGLE CIRCUIT SWITCH (GFIC) SMOKE DETECTOR

S/A

SPRINKLER

LIGHTING WITH EMERGENCY BACK-UP POWER SOURCE

8. ALL NEW LIGHTING/ELECTRICAL INSTALATIONS TO BE IN ACCORDANCE E

ELECTRICAL SERVICE PANEL

Scale

WALL MOUNTED DUPLEX WITH POWER OUTLET 10'GROUND FAULT INTERUPTER 20' 30' WITH CIRCUIT (GFIC)

GFIC

UPLIGHT STRIP

D ONUNDERLIGHT STIRP CEILING MOUNTED PENDANT - WALL - MOUNT ALL SWITCHES AT 48" TO CENTERLINE A.F.F., U.O.N. DRAWINGS. P - WALL - MOUNT ALL POWER/DATA/PHONE OUTLETS/ JACKS AT 18" TO CENTERLINE A.F.F., U.O.N. DRAWINGS. WALLON MOUNTED LIGHT EXIT SIGNAGE - WALL - MOUNT ALL SWITCHES/ OUTLETS ABOVE COUNTERS AT 42" TO CENTERLINE A.F.F., U.O.N. ON DRAWINGS.

WALL MOUNTED COMBINATION PHONE/ DATA OUTLET

ESP

7. ALL DIMENSIONS ARE TO FINISH SURFACE, U.O.N.:

FLOOR MOUNTED FOURPLEX POWER OUTLET

8. ALL NEW LIGHTING/ELECTRICAL INSTALATIONS TO BE IN ACCORDANCE

2.5'

6. STYLE OF SWITCHES/OUTLETS TO BE COORDINATED WITH, AND

FLOOR MOUNTED DUPLEX POWER OUTLET

REFLECTED CEILING LEGENDS

HAVE GROUND FAULT INTERRUPTOR CIRCUITS (GFIC).

WALL MOUNTED QUADRUPEX POWER OUTLET WITH GROUND FAULT INTERUPTER CIRCUIT (GFIC)

RECESSED LIGHT

7. ALL DIMENSIONS ARE TO FINISH SURFACE, U.O.N.:

WALL MOUNTED DUPLEX WITH POWER OUTLET

5. OUTLETS IN KITCHEN, TOILET ROOMS, AND ANY OTHER "WET" AREA SHALL

WALL MOUNTED QUADRUPEX POWER OUTLET

6. STYLE OF SWITCHES/OUTLETS TO BE COORDINATED WITH, AND

34 GRAHAM STREET, SAN FRANCISCO CA 94129

POWER LEVELS SHALL BE PROVIDED.

4. CONTRACTOR TO NOTIFY OWNER PRIOR TO INSTALLING BOXES FOR ALL

SHEET 11 OF 21

S/A

ACCORDING TO THE MANUFACTUERS RECOMONDATIONS. 3. ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN

ACCORDANCE WITH ALL NEW LIGHTING/ELECTRICAL ITEMS. PROPER

WITH CALIFORNIA TITLE 24 REQUIREMENTS.

2. ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE INSTALLED

ACCORDING TO THE MANUFACTUERS RECOMONDATIONS. 3. ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN

APPROVED BY OWNER AND ARCHITECT.

S/A

1. ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

2. ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE INSTALLED

FEILD BY A "WALKTHROUGH" WITH OWNER AND ARCHITECT.

ELECTRICAL/REFLECTED CEILING PLAN NOTES

PLAN CUT VIEW

1. ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED.

POWER LEVELS SHALL BE PROVIDED.

ESP

SWITCH WITH DIMMER

FLOOR MOUNTED FOURPLEX POWER OUTLET

THREE-WAY SWITCH

WALL MOUNTED COMBINATION PHONE/ DATA OUTLET

SWITCH WITH 3 SECURITY OCCUPANCY SENSOR CAMERA ELECTRICAL SERVICE PANEL

NATIONAL GEOGRAPHIC GEOGRAPHIC HQ HQ NATIONAL 34 GRAHAM STREET, SAN FRANCISCO CA 94129 34 GRAHAM STREET, SAN FRANCISCO CA 94129

FLOOR MOUNTED DUPLEX POWER OUTLET

Reflected Ceiling Plan Level 1 Power/ Signal Plan Level 2 - B Scale 1/4"=1'-0" 1" = 10'-0" Scale Date 3/8"=1'-0" 1/8" = 2016 1'-0" December Date Checked by DecemberAuthor 2016

A05.1 A04.2

Drawn byby Checked

Checker Author

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COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

072

CONSTRUCTION DOCUMENT REFLECTED CEILING PLAN 2

DROPPED CEILING AT 10'-6" PAINTED YELLOW

SEAMLESS ACCOUSTICAL PANEL - GYP. BD. AT 11'-6" A.F.F. THROUGHOUT LV. 2 U.O.N.

FE S/A SKYLIGHT

S/A

GYP. BD. CONTINOUS DROPPED CEILING AT 10'-6" A.F.F.

S/A P

S/A

RECESSED LIGHT STRIP

S/A

E GYP. BD. CEILING. AT 11'-0" A.F.F.

WOOD PANELS CEILING AT 11'-6" A.F.F.

WOOD DROPPED CEILING. AT 8'-0" A.F.F.

S/A

FE DROPPED CEILING AT 10'-6" PAINTED YELLOW

S/A S/A

FE S/A

S/A

SEAMLESS GYP. BD. CEILING. AT 8'-0" A.F.F.

S/A

SEE FIRST FLOOR RCP P

P P P

CONTINUOUS DROPPED CEILING. AT 11'-6" A.F.F.

P S/A

FE S/A

S/A

S/A S/A

S/A

GYP. BD. CONTINOUS DROPPED CEILING AT 10'-6" A.F.F.

Level 2 1" = 10'-0" 1/4"=1'-0"

REFLECTED CEILING LEGENDS RECESSED LIGHT

WALL MOUNTED LIGHT

STROBE & HORN

UPLIGHT STRIP D

CEILING MOUNTED PENDANT

FIRE EXTINGUISHER

2.5'

UNDERLIGHT STIRP EXIT SIGNAGE

EMERGENCY LIGHTING WITH BACK-UP POWER SOURCE

10'

20'

SKYLIGHT S/A

30'

SINGLE SWITCH

SMOKE DETECTOR SPRINKLER SECURITY CAMERA

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

WOOD PANELS CEILING AT 11'-6" A.F.F.

SWITCH WITH DIMMER

THREE-WAY SWITCH

SWITCH WITH OCCUPANCY SENSOR

Reflected Ceiling Plan Level 2 Scale Date Checked by Drawn by

1" = 10'-0" 1/4"=1'-0" December 2016

A05.2

Author Checker

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NATIONAL GEOGRAPHIC

073

CONSTRUCTION DOCUMENT

ELEV

BATHROOM PLAN & ELEVATION 2

3' - 0"

3' - 1"

3' - 0"

5' - 0"

A06.3 1

A06.3

4' - 0"

6' - 11"

6' - 2"

4 3

10' - 3"

3' - 0"

Bathroom

3' - 0"

4' - 6"

A06.3 5

201

5' - 0"

202

5' - 7"

3' - 0"

Bathroom 4' - 2"

4' - 0"

9' - 2"

5' - 2"

7' - 7"

Level 2 - Bathroom Enlarged 1/4" = 1'-0" 3/8"=1'-0"

white paint

white paint 8' - 0"

wood trim

3' - 6"

1' - 6"

3' - 5" 1' - 6"

2' - 3"

2' - 10"

wood trim

0' - 4"

column

Level 2 14' - 2"

Women BR - East 7 1/4" = 1'-0"

Women BR Stall - West 6 1/4" = 1'-0"

Level 2 14' - 2"

white paint

3' - 0"

rubber base

Level 2 14' - 2"

Women BR Stall - South 1/4" = 1'-0"

4' - 11"

3' - 5" 1' - 6"

3' - 0"

0' - 4"

8' - 0"

wood trim

3' - 0"

Level 2 14' - 2"

Men BR - East 1/4" = 1'-0"

Men BR - South 1/4" = 1'-0"

Level 2 14' - 2" 1

2' - 10"

2' - 3"

wood trim 3' - 7"

white paint

8' - 0"

6' - 8"

8' - 0"

3' - 0"

mirror

Level 2 14' - 2"

Men BR - West 1/4" = 1'-0"

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

Bathroom Enlarged Scale Date Checked by Drawn by

1/4"=1'-0" 1/4" = 1'-0" December 2016

A06.3

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COMMERCIAL DESIGN // nadia loveta // 2017

NATIONAL GEOGRAPHIC

CONSTRUCTION

9' - 1"

7' - 4"

ELEVATIONS SHEET 1

11' - 6"

1' - 9"

DOCUMENT

Elevation 1 - A 1 3/16" = 1'-0" 1/2"=1'-0"

Level 1 0' - 0"

Level 1 - Lobby North - A

Level 1 0' - 0" Elevation 1 - A.2 3/16" = 1'-0" 1/2"=1'-0"

Level 1 - Lobby North - B

2' - 6"

9' - 0" 6' - 0"

DETAILS SHEET

3' - 0"

ELEVATIONS SHEET 2

11' - 6"

074

Level 1 0' - 0" 2

Elevation 2-A 3/16" = 1'-0" 1/2"=1'-0"

Level 1 - Cafe East

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

Interior Elevations Scale Date Checked by Drawn by

3/16" = 1'-0" December 2016

A08.1

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NATIONAL GEOGRAPHIC

075

CEILING FURRING SECTION

EXISTING CEILING

PRIMARY CHANNEL

5/8" GYPSUM BOARD TYPE X

RODE SUSPENSION HANGER WITH ADJUSTABLE

3 5/8" STEEL STUD 24" O.C. MAX.

11' - 6"

6' - 0"

3 5/8" GLASS FIBER INSULATION

Level 2 14' - 2"

Elevation 5-A 3/16" = 1'-0" 1/2"=1'-0"

EXISTING FLOOR

3' - 0"

3' - 1"

5/8" GYPSUM BOARD TYPE X

Level 2 - Open Office North

Level 2 14' - 2" 4

Elevation 4-A 3/16" = 1'-0" 1/2"=1'-0"

STEEL TRACK MECHANICALLY FASTEN GYPSUM BOARD

Level 2 - Open Office East

1/4" FLEXIBLE SEALANT

BASWAPHON FINE COAT

BASWAPHON ADHESIVE

BASWAPHON BASE

BASWAPHON PRE−COATED SUPPORTING PANEL (ACCOUSTICAL PANEL)

1 HOUR RATED PARTITION TO CARPET DECK

SCALE 3" = 1’− 0"

ISOMETRIC ACCOUSTICAL CEILING SYSTEM

SCALE 3" = 1’− 0"

1" QUARTZ COUNTERTOP 1" QUARTZ

1' - 3"

2" BLACK RUBBER GROMET

0' - 4"

1" WOOD VENEER

0' - 3" 0' - 4"

1' - 6"

1' - 3"

15" LED UNDERCOUNTER LED STRIP

4" WHITE GLOSS FINISHED WOOD TOE KICK 2"x4" WOOD STUDS

2' - 10"

5/8" BOARD VENEER DOVETAL BOX CONSTRUTION

3' - 2"

Level 2 - Regional Manager Office North

UNIVERSAL DESIGN

0' - 4"

0' - 6"

PUSH TO OPEN RAILING

0' - 10"

Elevation 3-A 3/16" = 1'-0" 1/2"=1'-0"

VERTICAL WOOD PANEL

1" VERTICAL WOOD

0' - 4"

2' - 2"

2' - 10"

Level 2 14' - 2"

QUARTZ

1" QUARTZ PANELS

7' - 0"

3' - 0"

0' - 4"

CUSTOM RECEPTION DESK − SECTION VIEW

3' - 6"

2' - 0"

4" WHITE GLOSS FINISHED WOOD TOE KICK

SCALE 1" = 1’− 0"

CUSTOM RECEPTION DESK − FRONT VIEW

SCALE 3/4" = 1’− 0"

11' - 6"

Plywood Panels

7' - 0"

Pendant Light

Power Outlet for pendant light

Pedestal table for easy access in and out with adjustable height.

1.5" Custom wood panels

Level 2 - Entertainment Room West

Front of base angles back to provide room for heels.

Dacron 1/2" High Density Latex Foam Rubber Cushion 1.5" Custom plywood panels

3.5" Foam Cushion 0° 10

3' - 4"

Elevation 6-A 3/16" = 1'-0" 1/2"=1'-0"

1" High Density Latex Foam Rubber Cushion

0° 10

Power Outlet on the wall

Angled 12 degree table’s foot to support optimum lumbar position.

Flame−proof Upholstery Fabric

Optimum lumbar support curve (10 inches radius)

1.5" Custom plywood panels 2"x4" Wood Studs

Seats slopes back. 1' - 6"

Wood Base

CUSTOM BANQUETTE − ERGONOMIC DETAIL

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

Interior Elevations 2 Scale Date Checked by Drawn by

3/16" = 1'-0" December 2016

A08.2

Author Checker

SHEET

OF 21

SCALE 1/2" = 1’− 0"

CUSTOM BANQUETTE − SECTION DETAIL

NATIONAL GEOGRAPHIC HQ 34 GRAHAM STREET, SAN FRANCISCO CA 94129

SCALE 3" = 1’− 0"

Details Scale Date Checked by Drawn by

As indicated December 2016

A09.1

Author Checker

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COMMERCIAL DESIGN // nadia loveta // 2017

076

NATIONAL GEOGRAPHIC

077

rick warren “Transformation is a process, and as life happens there are tons of ups and downs. It’s a journey of discovery - there are moments on mountaintops and moments in deep valleys of despair.”

COMMERCIAL DESIGN // nadia loveta // 2017

INTERLACE senior center

INTERLACE

080

CONCEPT INTERLACE

D EFIN ITION

It requires two or more elements to interlace to each other to create a relationship. A lot of sweetest memories in life involving some kind of connections. Either it was when your parents first touch you when you were born, the experience of holding hand on a first date, first kiss, or even the first time oneâ&#x20AC;&#x2122;s heart interlacing with a favorite destination. I would like to create a senior center where the atmosphere resemble all the brightest memory in seniorâ&#x20AC;&#x2122;s life. The place which embraces them with care and passion. The place where there is strong community bound and heartfelt atmosphere.

ABOU T

The design aesthetic would involve things to be interlace to each other, by using contrast materials and 2 different elements such as indoor and outdoor spaces. The floor plan would be an overlaping of two square which resembeles connections and community. In between, there is indoor outdoor space to create a maximum daylighting and biophilia design. The indoor area in between the building also represent the vertical interlacing; a spiritual bound of the center. The place that are carefully designed with rounded corner and furniture, and aging in place in mind.

IMPLE MENTATI ON I N D ESIGN

The atmosphere would be using warm color pallete to resemble the warmth from knitted sweater and strong as the root interlace to its soil. The place where each moments would interlace a new greatest living experience and ultimately a place to be called as a home.

INTERLACE

081

COMMERCIAL DESIGN // nadia loveta // 2017

082

NEIGHRBORHOOD MAP

INTERLACE

083

P UB L I C TR A N S P O RT

E NTE RTA I N M E NT

MUNI E, F

Exploratorium

Battery & Broadway

Embarcadero Center

Sansome & Vallejo

Battery & Jackson

R E S TAUR A NTS

B A N K S & P O S T O FFICES

Waterfront Resto & Cafe

07 Subway

Bank of America

18 Chase

08 Coqueta

19 UPS

GROCERIES

G Y M & H E A LTH SERVICES

Safeway

Chirag PharmaD

Ferry Plaza

Empower Gym

Planet Fitness

American Shared Hospital

Concentra Urgent Care

PA R K S & SC H O O LS 11

S. G. Walton Square

Ferry Park

Pioneer Park

J.Y.Chin Elementry

COMMERCIAL DESIGN // nadia loveta // 2017

INTERLACE

084

BULDING ANALYSIS

Summer Solstice

Summer Solstice Summer Solstice

Spring Equinox

Spring Equinox Spring Equinox

Fall Equinox

Winter Solstice

Fall Equinox

Winter Solstice Winter Solstice

EntranceEntrance and Exit and Exit

Entrance and Exit

Columns Columns Shaft

Shaft

Columns

Shaft Vertical Circulations Vertical Circulations Vertical Circulations

Entrance and Exit Entrance and Exit Columns Columns Entrance and Exit Structural Wall Structural Wall Columns Vertical Circulations Vertical Circulations Plumbing Structural Wall Plumbing Plenum Vertical Circulations Plenum Shaft

Shaft

Plumbing Plenum Shaft

Entrance and Exit Columns Entrance and Exit StructuralColumns Wall

Structural Wall Vertical Circulations

Entrance and Exit

PlumbingVertical Circulations

Columns

Telecom Plumbing

Structural Wall

Mechanical Room Telecom

Vertical Circulations

Mechanical Room

Plumbing Telecom Mechanical Room

INTERLACE

085

BUILDING ANALYSIS SPACE ALOCATIONS

level 1 Telecom Room MechanIcal Room Janitor Closet & Recyling Room Vertical Circulations Pablic Bathroom Dining and Kitchen Lobby Gym Library Staffâ&#x20AC;&#x2122;s Office

level 2 Bedroom Private Bathroom Common Room Recyling Room & Laundry Vertical Cicrculations

level 3 Garden Outdoor Gym Vertical Circulations Outdroos Seating

COMMERCIAL DESIGN // nadia loveta // 2017

086

INTERLACE

BUBBLE DIAGRAM

087

Here are a few bubble diagrams to show the process of space planning. I change the layout a few times, since the space is a little tight. Senior center means extra careful details and planning needed. Here, I provide a bigger circulations and easy to understand space plan.

COMMERCIAL DESIGN // nadia loveta // 2017

INTERLACE

088

OCCUPANCY CAPAC Level

Program Lobby Dining Room Kitchen Community Room Library/ Reading Room

LV 1

Exercise room Staff Offices Public restrooms

occupancy analysis

Janitor's Closet, Storage and Recycling Room Telecom Closet Mechanical Room Common Area (2nd Floor) Kitchen Laundry and Recylcing Room

ADJACENCY MATRIX

Nurse's office Studio 1

LEGEND adjecent nearby not related not adjacent

Bathroom 1 Studio 2 Bathroom 2 LV 2

Studio 3 Bathroom 3 Studio 4 Bathroom 4 Studio 5 Bathroom 5 Studio 6 Bathroom 6 Studio 7 Bathroom 7 Studio 8 Bathroom 8 Total Program Circulation Total Building Area

INTERLACE

089

CITY Square Footage

Occupancy Type

Occupancy Load Factor

Occupant

735

Business Area

100

510

Unconcentrated (tables and chairs)

273

Kitchen

200

787

Concentrated (chairs only - not fixed)

112

300

Library/ Reading Room

300

Exercise Room

110

Business Area

100

274

Bathroom

171

Accessory storage areas, mechanical equipment room

300

Accessory storage areas, mechanical equipment room

300

Accessory storage areas, mechanical equipment room

300

131

Unconcentrated (tables & chairs)

201

Kitchen

200

Accessory storage areas, mechanical equipment room

300

87.84

Business Area

100

352

Residential

200

Bathroom

100

250

Residential

200

Bathroom

100

231

Residential

200

100

Bathroom

100

243

Residential

200

108

Bathroom

100

421

Residential

200

115

Bathroom

100

292

Residential

200

103

Bathroom

100

340

Residential

200

108

Bathroom

100

271

Residential

200

Bathroom

100

7202.84 1080.426 8283.266 COMMERCIAL DESIGN // nadia loveta // 2017

INTERLACE

090

SUSTAINABLE GOALS

INDOOR AIR QUALITY

LOCATIONS

• •

•

Using Minimum VOC products Using non tozic and Cradle to Cradle certified materials

• •

near diverse amenities suhc as restaurant, entertainment, grocery and many more.

•

near strategic public transport

Maximize the air circulations Using toxic filter plants accross the interior WATER MANAGEMENT

DAYLIGHTING

• •

Using greywater system Using a low flow water fixture

Access to daylight in any rooms Using Heat gain to reduce heating loads.

ENERGY MANAGEMENT

• •

Using energy star appliance using energy efficient lights

INTERLACE

091

LEED GOALS LEED

LOCATION AND TRANSPORTATION (LT) LEED FOR NEIGHBORHOOD DEVELOPMENT LOCATION

Possible points

Points Achieved

(8-16)

N/A

HIGH-PRIORITY SITE

(1-2)

SURROUNDING DENSITY AND DIVERSE USES

(1-2)

ACCESS TO QUALITY TRANSIT

(1-5)

SENSITIVE LAND PROTECTION

BICYCLE FACILITIES

REDUCED PARKING FOOTPRINT

N/A

(15-29)

N/A 11

GREEN VEHICLES

TOTAL

Criteria Previously Developed Area Brownfield More than 8 points of Diverse Used Yes Yes

SUSTAINABLE SITES (SS) Possible points

Points Achieved

CONSTRUCTION ACTIVITY POLLUTION PREVENTION

Prerequisite

ENVIRONMENTAL SITE ASSESSMENT (only for Schools & Healthcare)

Prerequisite

SITE ASSESSMENT SITE DEVELOPMENTâ&#x20AC;&#x201D;PROTECT OR RESTORE HABITAT

(1-2)

OPEN SPACE

v 1

RAINWATER MANAGEMENT

(2-3)

HEAT ISLAND REDUCTION

(1-2)

LIGHT POLLUTION REDUCTION

v NN v

SITE MASTER PLAN (only for school)

N/A

TENANT DESIGN AND CONSTRUCTION GUIDELINES (only Core & Shell)

N/A

PLACES OF RESPITE (only for Healthcare)

DIRECT EXTERIOR ACCESS (only for Healthcare)

N/A

(15-29)

JOINT USE OF FACILITIES (only for school)

TOTAL

Criteria

COMMERCIAL DESIGN // nadia loveta // 2017

092

INTERLACE

sketches: lobby

INTERLACE

093

sketches: indoor outdoor area

COMMERCIAL DESIGN // nadia loveta // 2017

INTERLACE

094

4 3

INTERLACE

095

FLOOR PLAN - LEVEL 1

Concierge

2 3

Kitchen and Dining

Outdoor Garden

Lobby

Gym

Bathroom

Small Office

Library

Maintenance Room

COMMERCIAL DESIGN // nadia loveta // 2017

INTERLACE

096

2 1

INTERLACE

097

FLOOR PLAN - LEVEL 1

Studio

Nurse Office

Bathroom

Laundry and Trash

Common Area

Elevator

COMMERCIAL DESIGN // nadia loveta // 2017

INTERLACE

098

concierge

MECH

TELECOM BATHROOM

JANITOR CLOSET & RECYCLING ROOM

EXCERCISE ROOM ELEVATOR

STORAGE

DINING AREA

SEATING AREA

STAFF'S OFFICE

KITCHEN

LOBBY

Level 1 1/8" = 1'-0"

LIBRARY AND COMPUTER ROOM

COMMUNITY AREA N

7/18/2016 1:12:07 PM

ENTRANCE

INTERLACE

099

COMMERCIAL DESIGN // nadia loveta // 2017

INTERLACE

0100

Th is lo b by sp a c e is w e ave d w ith rich in te rla c in g p a tte rn th at a re w e lc o ming and

lobby

w a rm fo r a g re a t first im p re ssio n . It is using all ro u n d e d m a te ria l a n d a lso n e a r by the nature fe e lin g fro m th e in d o o r o u td o o r space v iew.

INTERLACE

MECH

0101

TELECOM BATHROOM

JANITOR CLOSET & RECYCLING ROOM

EXCERCISE ROOM ELEVATOR

STORAGE

DINING AREA

SEATING AREA

STAFF'S OFFICE

KITCHEN

LOBBY

Level 1 1/8" = 1'-0"

LIBRARY AND COMPUTER ROOM

COMMUNITY AREA N

7/18/2016 1:12:07 PM

ENTRANCE

COMMERCIAL DESIGN // nadia loveta // 2017

0102

INTERLACE

0103

indoor outdoor

MECH

TELECOM BATHROOM

JANITOR CLOSET & RECYCLING ROOM

EXCERCISE ROOM ELEVATOR

STORAGE

DINING AREA

SEATING AREA

STAFF'S OFFICE

KITCHEN

LOBBY

Level 1 1/8" = 1'-0"

LIBRARY AND COMPUTER ROOM

COMMUNITY AREA N

7/18/2016 1:12:07 PM

ENTRANCE

COMMERCIAL DESIGN // nadia loveta // 2017

0104

INTERLACE

0105

studio

NURSE' OFFICE COMMON AREA

LAUNDRY & RECYCLING AREA

Level 2 1/8" = 1'-0"

7/18/2016 1:11:59 PM

OPEN TO BELLOW

COMMERCIAL DESIGN // nadia loveta // 2017

0106

INTERLACE

0107

MATERIAL & FURNITURE SELECTIONS

COMMERCIAL DESIGN // nadia loveta // 2017

OTHER WORKS web design, laser cutting, etc.

OTHER WORKS

0110

Site Plan & Sun Analysis Tools: Marker, Revit Design by Nadia Loveta & Moegi Hara

OTHER WORKS

0111

OTHER WORKS // nadia loveta // 2017

OTHER WORKS

0112

Reflected Ceiling Plan - Rooftop Tools: Hand Drafting Design by Nadia Loveta & Moegi Hara

OTHER WORKS

0113

Rooftop Rendering Tools: Marker Design by Nadia Loveta & Moegi Hara

OTHER WORKS // nadia loveta // 2017

0114

OTHER WORKS

0115

Floor Plan Tools: Marker Design by Nadia Loveta & Moegi Hara

OTHER WORKS // nadia loveta // 2017

0116

OTHER WORKS

0117

INTERIORV RENDERING Medium: Watercolor Line Drawing by Stephan Hoffpauir

OTHER WORKS // nadia loveta // 2017

OTHER WORKS

0118

EXTERIOR RENDERING Medium: Watercolor Line Drawing by Stephan Hoffpauir

OTHER WORKS

0119

OTHER WORKS // nadia loveta // 2017

OTHER WORKS

0120

Floor Plan Medium: Watercolor Line Drawing by Stephan Hoffpauir

OTHER WORKS

0121

Furniture Rendering Medium: Colored Pencil Line Drawing by Stephan Hoffpauir

OTHER WORKS // nadia loveta // 2017

OTHER WORKS

0122

WEB DESIGN Medium: Adobe Photoshop, HTML, CSS, Javascript Mockup by http://be.net/tranmautritam

OTHER WORKS

0123

OTHER WORKS // nadia loveta // 2017

S OTHER WORKS

0124

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INTERLACE

0126

THANK you If I look back, there are a lot of people who contribute towards this achievement of my Bachelor of Fine Arts in Interior Design. First of all, I would like to thank God who makes all my journey possible. He is there thourgh my hardship and happiness. I would like to thank you to my family who given me unconditional love and support so I could achieve this precious achievement in live. I would also like to express my deepest gratitude, to my beloved instructor Chamindri Wijemanne, Kathleen Valkuchack, Agustin Sanders, Michael Sammet, Olga Zhovreboff, Ricardo Marmolejo, Marta Wendlinger, Stephen Hoffpauir, Archibald Woo, and Pamela Tang. and many more that has taught me their knowledge with passion and love. Thanks to their support, I could achieve my dream to be an interior designer. All of my achievement will not be possible without your help. Once, again I would like to sincerly thank everyone for being a great influence and support through my journey to the porffesional industry.

INTERLACE

0127

COMMERCIAL DESIGN // nadia loveta // 2017

N A D I A E VA N I A LOV E TA in t erior designe r n a dia lovet a @ gm ai l .c o m 4 15 481 7403 n a dia lovet a . com