selected works from twenty twelve to
nahyung Kim
architecture and design portfolio
김나형 언어 : 한국어 | 영어
nahyungk93@gmail.com 010 7266 4816
학력
수상 내역
Carnegie Mellon University
Senior Leadership Recognition
Bachelor of Architecture (건축학) Drama (무대디자인) 부전공 2012.08 - 2018.05 DIS Copenhagen 여름학기 건축 설계 교환학생
2017.06 - 2017.07 Portsmouth Abbey School 고등학교
2009.08 - 2012.05
2018.05 School of Architecture Honors 2016.12 National Concrete Masonry Association Competition Honorable Mention 2014.04
Richard M. Gensert Memorial Scholarship Honorable Mention 2015.05
활동 사항
경력 사항
Boom _ CMU School of Drama
CJ ENM 콘서트기획팀
Run Crew _ 2017.03 - 2017.04
인턴 _ 2018.11 - 2018.12 콘서트기획팀 인턴으로 공연 기획 과제 수행. 콘서트 현장, 티켓 운영 보조.
교내 정기 연극 제작팀 / 무대, 조명 디자이너, 무대감독 보조
Alkestis _ CMU School of Drama Run Crew _ 2017.03 - 2017.04
교내 정기 연극 제작팀 / 무대, 조명 디자이너, 무대감독 보조
매니페스토 건축&디자인 랩 학생 인턴 _ 2016.07 - 2016.08 설계팀 보조, 삼성전자 디자인 워크샵 진행 보조, 프로젝트 레퍼런스북 편집. 아리랑TV _ After School Club
소프트웨어
서브 영어 작가 _ 2015.07 - 2016.06 대본 일부 작성 및 한영 번역, 팬 참여 인터뷰 진행, 생방송 중 해외팬 참여자 관리, 연출 회의 참여.
Digital
아리랑TV _ Simply K-Pop
Rhinoceros V-Ray Adobe Photoshop Adobe Illustrator Adobe Indesign Microsoft Office Suite Autocad 2D, 3D Grasshopper 3ds Max Revit
인턴 _ 2015.06 - 2015.07 촬영팀 스코어 담당, 현장 진행 스태프. 정림 건축 실습생 _ 2014.06 - 2014.07 이화여자대학교 마곡 병원 설계팀 보조, 스터디 & 프레젠테이션 모형 제작.
onuun.an issuu.com/nahyung
Ephemeral Theater
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Ny Nordic Plads
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LaGuardia Airport Central Terminal
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Garfield Maker Center
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Bishopsgate Goodsyard Redevelopment
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Sako Lake Bathhouse
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Kaffe Book
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Ocean Trilogy Book Cover
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공연 기획안
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CJ ENM 콘서트기획팀 인턴쉽
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And More . . !
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09
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Theater Venue for Festival d’Avignon
| New Nordic Cuisine Pavilion
Summer Study Abroad Studio
Architecture of Movement
Advanced Construction Studio
| Gensert Memorial Scholarship
Mixed-Use Urban Redevelopment
Elaboration Studio
| NCMA Project Award
Communication Design
Communication Design
Scenic Design + Drawings
Contents
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Ephemeral Theater - Festival d’Avignon Avignon, France Advanced Synthesis Option Studio | Theater Architecture | Spring 2017
The venue is not only an enclosure around the stage but an extension of the drama and festivity. As the new venue for the Festival d’Avignon, the word “festival” was key to its design. Festival d’Avignon is an annual arts festival held in Avignon, France in July. The historical Papal Palace is the most famous venue, but a variety of locations, indoors and outdoors, around the whole city are utilized. Our studio, consisting of multidisciplinary teams of Architecture and
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Drama students, were to conceive alternative designs of a new venue in collaboration with the professional team, led by the French theater designer Jean-Guy Lecat. As a temporary venue, the questioning what differentiates the experience of going to a show at a festival from a regular visit to the theater led to a very minimal concept of a modular box-form venue with movable walls. Mobility allows for flexibility, and thus the venue can be configured freely
ranging from a small black box to an open-air proscenium. The structural details make the venue a blank canvas for the designers and crew, letting the creative directors use the architecture as a part of the world of theater. Entering and leaving this venue will be the start and end of the festival for the audience. The movable walls break the fourth wall and present a oneof-a-kind experience for the festival-goers.
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DE-MATERIALIZING THE BLACK BOX
SECTIONAL DIAGRAM Flexible program. TOP back of house preparing for performance BOTTOM before & during performance FOH
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BOH
AUDIENCE
STAGE
SKETCHES TOP Early development sketch BOTTOM Masterplan concept based on the historic icons, Papal Palace, Train Station, and city plaza, connecting the past, present, and the future of Avignon.
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BIFOLD
SWING
WALL OPERATION SEQUENCE
SMALL THRUST 131 SEATS
LARGE END 231 SEATS
LARGE ARENA 226 SEATS
PROSCENIUM 366 SEATS
PLANS Possible seating / stage configurations
Timber members connec to steel box truss colu with steel knife pl
Timber waffle-grid roof using edge cross lap joinery reinforced with cruciform steel plates
Timber waffle-grid roof using edge cross lap joinery reinforced with cruciform steel plates
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ROOF STRUCTURE
Timber members connected to steel box truss column with steel knife plates
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Ny Nordisk Plads Copenhagen, Denmark DIS Summer Architecture Design Studio | July 2017 Ny Nordisk Plads (New Nordic Plaza) aims to be the new generation core of New Nordic Cuisine, which suggests new cooking methods for traditional ingredients. New Nordic Cuisine boom has hit its peak with chefs and producers finding ways to make the cuisine accessible to everyone. Copenhagen’s culture is distinguished by its food and water. People and architecture freely occupy both the water and the natural environment around it. The existing Langelinie Pavilion and the adjacent Kastellet fortress park have strong connection to Copenhagen’s history but are physically detached from the
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city center. The design objective is to extend the city center to the site, reconnecting it to the modern food and daily lives of the Danes. The plaza is essentially a reflection of the cityscape, and its architecture stemming from traditional building types, becoming a cohesive addition to the city. The programs form a village around the harbour square that can be used diversely by the chefs and the public. Also, the new pavilion is the new home for Poul Henningsen’s Artichoke Lamp that was designed specifically for the original Langelinie. All elements of the plaza act as visual and physical attraction points to the restaurant-goers and the public.
PUBLIC PLAZA
PLAZA ACCESS
FOOD TRUCK EVENTS
GARDEN & OUTDOOR KITCHEN
USAGE DIAGRAM
The harbour square can be used in many ways for arranged events and by general public, creating an inviting atmosphere.
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SITE DIAGRAM
The plaza creates a connection to the city by referring to the standard courtyard style organization.
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6
7
5
4
8
5 3 2
1
1. BAR / CAFE 2. RESTAURANT 3. KITCHEN 4. FOOD LAB 5. OUTDOOR GARDEN 6. TERRACE KITCHEN 7. GREENHOUSE 8. HARBOUR PLAZA
PLAN
E-W SECTION
N-S SECTION
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LaGuardia Airport Central Terminal Advanced Synthesis Options Studio | Architecture of Movement | Fall 2017 East Elmhurst, Queens, NYC, NY, U.S. Interior Urbanism - “Airport worthy of the city and state of New York” serves 1/2 of each adjacent Airport is an extension of perceived in surface vs. volume, ‘holdrooms + concessions its city. Redevelopment of where grid, street frontage, and kiosks’ group. The linear structural system and daylight LGA Central Terminal aims to objects coexist. Applied to the conditions differing in respect recreate the urban environment concourse, spatial definition is of NYC which is identified by established with intangible and to the skylights emphasize the distinction between circulation its man-made orthogonal grid tangible architecture, guiding (street) and holdroom (frontage), system. Organic forms disrupt the flow, action, and programs. giving travelers the impression the pattern at which iconic The regular masses of being in the city of New York. spatial conditions emerge, such become gate holdrooms and as Broadway, Times Square, and scattered pocket parks. With this urban fabric, NYC is
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the residual irregular volumes, systems cores. Two modules form a pair, of which one core
CONCEPT SKETCHES Juxtaposing object/volume and surface/background, recreating the urban environment within architectural envelope.
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3RD FLOOR PLAN 1. Connection to terminal 2. Airline lounge 3. Concourse on lower level 2
3
* FILL COLOR CODE Private
2
Public
CONCOURSE LEVEL PLAN 1. Gate holdroom 2. Service core (HVAC etc.) 3. Concessions 4. Loading bridge
4 2
1 3
1
SERVICE LEVEL (1ST FLOOR) PLAN
1. Airline offices 2. Service rooms 3. Ground support vehicle driveway
3
2
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SITE PLAN
ROOF Solar thermal collectors for increased efficiency
AIRLINE LOUNGE MEZZANINE
CONCOURSE LEVEL 2
Ventilation ducts and diffusers located on walls for supply and exhaust for holdrooms and concessions. Cooling and heating distributed from units on the floor.
1ST FLOOR
Mechanical room below each core houses solar storage tank, heat pump, ERV, and water storage tank.
HEADHOUSE
Heat pumps are connected to a closed loop system with a central heat exchanger that is connected to the Headhouse.
SERVICE CORE DETAIL
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LEFT Gate holdroom and concessions unit BOTTOM Inside concourse from central lobby towards gates
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Garfield Maker Center Advanced Construction Studio | Richard M. Gensert Memorial Scholarship | Spring 2015 Pittsburgh, PA, U.S. Collaboration : Kris Li Located in the growing neighborhood of Garfield in Pittsburgh, the Maker Center intends to foster creation, fabrication, and education. Professional makers and people of various backgrounds are encouraged to come to the Maker Center which includes fabrication studios, machine rooms, and classrooms. The architecture provides the grounds for generating serendipitous encounters for creators and their creative ideas. Not only restricted to the interior of the building, it also enables the interaction between the center and its
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neighborhood, invigorating its context. These design goals were achieved with the concept of intersecting circulation axes, by using large-scale box trusses as the main means of guiding the users around the center. Perforated metal screens on the facade and movable canopy on the rooftop allow for dynamic manipulation of natural light creating appropriate atmospheres in the respective programmatic spaces. The transparency of the circulation axes also invigorates the growth of the neighborhood to become more lively and active.
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2 4
3RD FLOOR PLAN
1
1. Library 2. Classrooms 3. Offices 4. Outdoor classroom with canopy
3
2ND FLOOR PLAN 1
2
3
1. Studio / Working stations 2. Classrooms
1ST FLOOR PLAN
1
1. Open studio 2. 3D printing machines 3. Machine rooms 4. Reception / Lobby
4
2
1
BASEMENT PLAN 2
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1. Cafe 2. Outdoor seating
SITE PLAN
MODEL
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E-W SECTION
EAST ELEVATION 1st floor box truss serves as the main entrance. All three circulation axes is seen from the street front.
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Bishopsgate Goodsyard Redevelopment Advanced Synthesis Options Studio | Multiplied Grounds | Fall 2016 Bishopsgate Goodsyard, Shoreditch, London, U.K. Collaboration : Gary Li, Noopur Suckhlecha, Charmaine Yau Located at the meeting point of Shoreditch, Tower of Hamlets, and Hackney in London, redevelopment of Bishopsgate Goodsyard can be the solution to the city’s housing crisis and gentrification. Our priority was to create a bridge that also fits into London’s preexisting urban fabric. N/S and E/W paths were carved in addition to existing roads, from which programs
were distributed according to land use of the context. The three N/S streets mimic the activity of London bringing in different experiences into the site. Each of the four blocks has a mixed-use building creating a courtyard typology, providing both public and private spaces from within the historic arches to the top of the podium. The Oriel Gateway leads to Block A and the Bishopsgate
Plaza integrated with the arch ruins. Blocks B, C, D each has four public spaces: ground level retail, pedestrian path above the arches, and courtyard on the podium. The integration of ground level and elevated mixed-use programs brings together the commercial, residential, and public space of Bishopsgate Goodsyard and extends Central London to its further neighborhoods.
PEDESTRIAN RETAIL ACTIVITY ON ARCH LEVEL
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EXISTING CONDITIONS
EXTENSION OF URBAN GRID
BUILDING ORGANIZATION
OVERALL BUILDING ORGANIZATION
TOWNHOUSE APARTMENT CO-LIVING MAKER HOUSING CO-WORKING CLASS A MEDIA LABS CONFERENCE CENTER RETAIL SOCIAL INFRASTRUCTURE
TOWNHOUSE APARTMENT CO-LIVING MAKER HOUSING CO-WORKING CLASS A MEDIA LABS CONFERENCE CENTER RETAIL SOCIAL INFRASTRUCTURE
PROGRAM DISTRIBUTION N/S streets break down the program into blocks characterized by the context. The west is mostly commercial, the east is more residential.
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BLOCK B
BLOCK A
9 7
5
8
1. PRINCIPAL PLAZA 2. URBAN CONNECTOR 3. BISHOPSGATE PLAZA 4. SHOREDITCH HIGH ST. STATION 5. LIFTED COURTYARD 6. UPPER PODIUM 7. BRAITHEWATHE ST. 8. CYGNET-GREY EAGLE ST.
2 1
SITE PLAN
BLOCK B SECTION
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BLOCK D
6
4 3
BLOCK C
AIR DISTRIBUTION DUCTWORK
PHOTOVOLTAIC PANELS
SOLAR TUBES EMBEDDED INTO FACADE
GREEN ROOF
WATER TO AIR HEAT EXCHANGER GREYWATER FILTRATION SOLAR HOT WATER RAINWATER COLLECTION CISTERN
GEO-EXCHANGE LOOP
267,268 kWh
149,853 kWh
ENERGY REQUIRED
ENERGY PRODUCED
SYSTEMS INTEGRATION Blocks B, C, D utilize the central district plant above the train track cap on Block A with geo-exchange loop & water-to-air exchange system.
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URBAN ACTIVITY DIAGRAM TOP Braithewathe St. BOTTOM Cygnet-Grey Eagle St.
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VIEW OF BISHOPSGATE PLAZA FROM APARTMENT
VIEW OF BISHOPSGATE GOODSYARD
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Saco Lake Bathhouse Elaboration Studio | February 2013 | National Concrete Masonry Association Project Award Saco Lake, White Mountain National Forest, NH, U.S. Collaboration: Aileena Gray Bathhouse and accommodation for hikers Hiking up the rough White Mountain, the hiker encounters the bathhouse, located to the north of Saco Lake. The bathhouse further submerges the hiker into the journey by providing a serene place for self-absorption. The bathhouse is not a destination to be reached after the hike, but it is just a part of the forest and soil. The experience of meandering though the woods with only nature as companion continues
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inside the bathhouse until one reaches the tranquil bath waters. The competition required using concrete masonry units, and combined with wood, light, and water, the architecture replicates the experience of hiking. The CMU units make up the walls that invite the users to engage physically with the architecture, as if they are still outside among the trees. Hikers become one with nature with architecture as the medium.
CIRCULATION DIAGRAM CMU walls guide the circulation that mimics the forest, meandering through the bathhouse.
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SITE PLAN
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1
2 3 2
4
PLAN 1. Lockers 2. Changing room / W.C. 3. Baths 4. Sleeping quarters / kitchen
E-W SECTION The bathhouse follows the profile of the landscape to not disturb the mountain.
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Kaffe Communication Design Fundamentals March 2018 KAFFE (Danish for coffee) is a travel journal + coffee guide of a few of my favorite cafes in Copenhagen, Denmark. The watercolor illustrations of different types of coffee that I recommend at each cafe adds a personal touch, hinting at the mood of the various spaces.
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KAFFE gives a Scandinavian magazine-like vibe, staying within a straightforward and clean overarching grid with selective information. While the book has a minimalist feel, each set of photographs is uniquely dynamic so that the next page would be unpredictable.
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Ocean Trilogy Communication Design Fundamentals March 2018 Three fictions about adventures on the ocean are brought together by their covers. The mood of the novels are visualized by the different colors and conditions of the waves.
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The illustration within the waves portray the relationship between the animal-and-man pair of each story. The three fictions are Life of Pi, Moby Dick, and The Old Man and the Sea.
LIFE LIFE LIFE OFOF OF PI PI PI
LIFE LIFE LIFE OFOF OF PI PI PI Yann Martel Yann Martel Yann Martel
You must take You must You take must lifelife take life way it way comes at youat you thethe way it the comes itatcomes you and make best it. of it. and make and thethe make best of theof it.best
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GIRLS’ GIRLS’ GIRLS’ NIGHT NIGHT NIGHT OUT OUT OUT 1
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3
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공연 제안서
콘서트 기획 1팀 인턴 김나형
2018. 12. 20
차세대 솔로 퀸들의 “걸케미” 매 회 색다른 걸크러쉬 조합을 선사하는 콜라보 콘서트 그녀들의 이야기와 함께하는 파티로의 초대!
Let’s Have a Girls’ Night Out!
공연 기획안 CJ ENM 콘서트기획팀 인턴쉽 December 2018
‘Girls’ Night Out’은 최근 가요계에서 솔로 파워를 보여주고 있는 여성 아티스트들의 콜라보레이션 콘서트 시리즈입니다. 매 회 색다른 테마와 출연진의 조합으로 그들의 이야기와 음악이 함께 하는 파티 같은 공연입니다. 그 동안 보기 힘들었던 합동 무대 등 새로운 컨텐츠를
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관객에게 선보일 수 있음은 물론, 다양한 켐페인과도 함께 하는 독보적인 공연 시리즈로 발전 하는 효과를 기대할 수 있습니다. CJ ENM 콘서트기획팀 인턴쉽 중 진행한 개인 프로젝트로, 공연의 컨셉부터 라인업, 마케팅과 부가 이벤트까지 기획하였습니다.
1.
기획 배경
아티스트 분석
2. 공연
컨셉
공연 소개
4 Nights, 8 Girls 매 회 다른 테마로 선보이는 여성 솔로 아티스트 컬래버레이션 시리즈
솔로 무대 뿐만 아니라 그동안 볼 수 없었던 합동, 커버 무대까지!
2. 공연
NIGHT NIGHT NIGHT 1, 2, 3, 4
...
새로운 퍼포먼스와 이야기로 채우는 친구들과의 파티 같은 뮤직 토크 콘서트
컨셉
라인업 & 회차별 구성
NIGHT 1 열대야의 무더위를 날리는 댄스 파티
나의 롤모델
NIGHT 3 잠 못 드는 여름 밤 감성 파티
그룹에서 SOLO로
청하 X 선미
NIGHT 2 느낌 있는 여름 밤, GROOVE 파티
신흥 음원 여신
수란 X 헤이즈
솔라 X 정은지
NIGHT 4 선선한 여름 밤, 음색에 빠져드는 힐링 파티
2. 공연
컨셉
출연진 프로필
오디션 스타
이수현 X 백아연
백아연 “청아한 보이스의 역주행 아이콘”
이수현 “매력적인 음색의 천재 남매 듀오”
데뷔 2012 방송 2011 SBS K팝스타 시즌1 대표곡 이럴거면 그러지말지, 쏘쏘 수상 2015 MMA 발라드 부문 2017 서울가요대상 발라드상 외
데뷔 2014 악동뮤지션 방송 2013 SBS K팝스타 시즌2 대표곡 200%, Re-Bye, Dinosaur, 소리 수상 2015 한국대중음악상 최우수 팝 음반상 2016 MMA TOP 10 외
정은지
솔라
“단독 콘서트 성료, 솔로 파워 입증”
“믿고 듣는 마마무의 메인 보컬”
데뷔 2011 에이핑크 대표곡 하늘바라기, 너란 봄, 어떤가요 수상 2016 MMA 뮤직스타일상 발라드 여자 부문 2017 MMA 올해의 포크/블루스상 외
데뷔 2014 마마무 대표곡 음오아예, 너나 해, 그리움만 쌓이네 수상 2017 서울가요대상 본상 2018 MAMA 인기 보컬 아티스트상 외
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Typography Poster Communication Design Fundamentals February 2018 The characteristics that make up Times New Roman: the crispness and sharp serif are emphasized by the high contrast colors of the poster that bring the focus to the white solid lines.
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Its use as a body copy typeface is explained by the layout which draws the eyes towards the bottom lines which are written in one of the smallest sizes of the font.
Scenic Design Minor Collaboration Project | Intrduction to Scenic Design Spring 2017 Scenic design for Ghosts was a solo project. The out-of-scale windows are as though the house is a jail for Helen, the protagonist. The furniture and flowers showcase the femininity that is requested of her.
Chair
So fa
3'-6"
3'-0"
2'-6"
2'-0"
1'-6"
Lamp
1'-0"
Iceberg
0'-6"
As a team of director, dramaturg, scenic, sound, media, and lighting designers, we designed a hypothetical production of the play Skin of Our Teeth. The objective was to portray the play’s distopia a using furniture pieces to create changing scenes.
1'-0"
0'-6"
0'-6"
1'-0"
1'-6"
2'-0"
2'-6"
N
3'-0"
3'-6"
GROUND PLAN
V2
SCALE 1’=1/4”
The Skin of Our Teeth
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DRAWINGS
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LEFT RIGHT
Conte Pencil
DRAWINGS LEFT RIGHT
Watercolor Pencil
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