Selected work 24

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NANDAN’S SELECTED WORK

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ARCHITECTURE


ONE PAGERS

ONE PAGERS

ROW RESIDENTIAL FACADE DESIGN

RIVERSCAPE HIGHRISE APARTMENTS

The double height space on the top two floors because of the added plantation, demanded us to design a zig and zag like extension of the slabs. Once we extended the slabs, the simple difference in the lengths of the extensions looked appealing enough to repeat it with the bottom three floors. This simplistic design move helped us develop a minimalistic row housing facade keeping the client’s budget to the minimum. I understood with this project how only following the basic design criteria could help one develop an intricate design language easily. 6

7


ONE PAGERS

ONE PAGERS

RESIDENCE IN VIZAG -NO.1

LEFT: SITE SUPERVISION FOR THE CENTRAL COURTYARD RIGHT: ELEVATION OF THE RESIDENTIAL PROJECT

8

Work with Porject SANAN, a multidisciplinary design studio in India - Role: Architectural & Interior Design, Detail Development and Project Managaement. 9


RESIDENCE -NO.2

RESIDENCE IN VIZAG -N0.2

LEFT: DOUBLE HEIGHT ENTRY IN THE HALL IN THE ENTRANCE RIGHT: ELEVATION OF THE RESIDENTIAL PROJECT

10

Work with Porject SANAN, a multidisciplinary design studio in India - Role: Architectural & Interior Design, Detail Development and Construction Management. 11


RESIDENCE -NO.2

LEFT: TOP DOWN VIEW OF THE LIVING ROOM RIGHT: FIRST FLOOR CORRIDOR LEADING INTO THE TERRACE

RESIDENCE -NO.2

12

13


ONE PAGERS

ONE PAGERS

TANEIRA FOR TATA, INDIA

LEFT: INTERIORS OF TANEIRA, AN ETHNIC INDIAN WEAR STORE BY TATA RIGHT: ELEVATION OF THE STORE AT DUSK

14

Work with Dustudio, Auroville - Role: InteriorDesign/Detail Development and Construction supervision.

15


HYDERABAD RESIDENCE

HYDERABAD RESIDENCE

HYDERABAD RESIDENCE IS ONE OF MY FAVOURITE LARGE SCALE RESIDENCE DESIGN PROJECTS. THE BUIDING’S DESIGN PLAYS WITH WHITE RAMMED EARTH WALLS JUXTAPOSING WITH INTRICATE TRUSS PATTERNS AND ZEN GARDENS.

16

Work with Dustudio, Auroville - Role: Architectural design/Interiors/Site Planning/Presentation Drawings & Construction drawings Development. 17


HYDERABAD RESIDENCE

LEFT: VIEW FROM THE POOL AREA RIGHT: GROUND FLOOR PLAN

HYDERABAD RESIDENCE

18

19


HYDERABAD RESIDENCE

HYDERABAD RESIDENCE

C'

C'

B

C'

B

C'

A B

A B

A

A

UP UP

0.77 [2'-6"] BATHROOM 2.56 [8'-5"] 1.78 [5'-10"]

D3

WARDROBED3

3.49 [11'-6"]

'-11"] 4.83 [15

'-8"] 3.85 [12

'-11"]

4.55 [15']

G

D

1.83 [6'

OURT

D1

LIGHT COURT

D4

W12

W11

+0.75m

-9"]

'-2"]

D2

W10

D2

W11

UTILITY +0.75m

E

'-2"]

W22 D6

W10

-9"] D6

BEDROOM 5

D6

WARDROBE

E

+3.70m

D6

DECK W23

E

DECK W10

E

+3.70m

DECK WARDROBE

+3.70m

COVERED DECK +0.75m

4.29 [14'-1"]

4.00 [13'-2"]

COURTYARD

WARDROBE

B'

COURTYARD UP

B'

A' B'

LEFT: GROUND FLOOR PLAN NTS RIGTH: FIRST FLOOR PLAN NTS

+3.70m

+3.70m

W23

UP

C

DECK

1.14 [3'

D2

W24

M4

+3.70m

+3.70m

UP

BEDROO

D2

CUTOUT BEDROOM 5

7.94 [26

D6

E'

+0.75m

1.74 [5'

7.94 [26

+0.9m

E

W24

M4 LIBRARY

+3.70m

'-5"]

[3'-9"]

D2

BEDROO

W9

CUTOUT

W22

CUTOUT

S 1.14 TORAG

D2

LIBRARY

LIGHT COURT D2

BATHROOM

E'

'-4"]

D2

W25

OM

W9

W22

6.78 [22

+0.75m

G

CUTOUT

BATHRO

D2

W21

D

G

OBE

OM

W20

D

WARDR

W25

BATHRO

D4

W22

3.9

+0.9m

OBE GAME LOUNGE +3.70m CUTOUT

W20

TERRACE GARDEN

DOUBLE HEIGHT

WARDR

W19

TERRACE GARDEN

W27

W26

+3.70m

D1

UP

3.39 [11'-2"]

C

GAME LOUNGE

W21

G

DUCT

DOUBLE HEIGHT

W26

W19

D7

KITCHEN2 [12'-11"]

W27

W18

-8"]

5.12 [16 '-10"]

3.16 [10'-5"]

UP UTILITY

MASTER BEDROOM

+0.9m

W12

H

DUCT LIFT

D'

BATHROOM

'-5"]

-9"]

6.06 [19'-11"]

4.29 [14'-1"]

4.29 [14'-1"]

+0.75m

4.64 [15'-3"]

4.29 [14'-1"]

4.29 [14'-1"]

COVERED DECK

D' G'

LIGHT C

+0.9m

H

LINEN

LIFT

'-4"]

+0.9m

D2

D2 W15

TV LOUNGE

W6

CUTOUT D2

D63.9

KITCHEN2 [12'-11"]

+0.75m

E

D7

1.43 [4'

+0.9m +0.9m 5.44 [17'-11"]

W13

4.00 [13'-2"] 0.72 [2'-4"]

UP

]

+0.9m

W14

LINEN

+3.70m

W17

'-6"]

'-6"]

7.14 [23

5.98 [19'-8"]

]

DINING

D2

1.74 [5'

0.60 [2']

']

OURT PUJA ROOM D2

6.78 [22

COURT

STORAG

UP

W10

LIGHT C

-8"]

+0.9m

0"]

[10'-5"] 1.33 3.16 [4'-4"]

1.23 [4'-1"]

1.20 [3'-11"]

+0.75m

3.03 [10

W14

W15

W18

G'

DECK

D7

3.78 [12

1.28 [4'-2"] D6

4.55 [15']

5.98 [19'-8"] +0.9m

0.60 [2']

+0.9m

D2

W13

3.78 [12

2.90 [9'-7"]

W9

1.36 [4'-6"]

3.39 [11'-2"]

WARDROBE

WINE STORAGE D2

5.34 [17'-7"]

0.40 [1'-4"]

0.72 [2'-4"]

+0.9m

4.64 [15'-3"]

0.40 [1'-4"]

COURT

1.80 [5'-11"]

MASTER BEDROOM D5

m

D

OOM

D6

D5

1.29 [4'-3"]

1.20 [3'-11"]

1.66 [5'-5"]

1.29 [4'-3"]

E'

0.60 [2']

RO U +0.9 OM P

-1"]

4.85 [16']

1.23 [4'-1"] 0.60 [2']

LIVING

1.84 [6'

1.60 [5'-3"]

+0.9m

3.79 [12'-5"] D2

1.20 [3'-11"]

3.20 [10'-6"] 5.34 [17'-7"]

1.36 [4'-6"]

1.28 [4'-2"]

1.95 [6'-5"]

LIGHT COURT

1.33 [4'-4"]

1.80 [5'-11"] D5

PUJA R

+0.9m 4.31 [14'-2"] 5.44 [17'-11"]

+0.75m

1.20 [3'-11"] 6.06 [19'-11"]

1.20 [3'-11"]

W9

+0.75m

']

4.85 [16']

2.90 [9'-7"]

D2

1.20 [3'-11"]

1.95 [6'-5"]

+0.9m

DECK

D2

PANTRY

+3.70m

-1"]

1.43 [4'

TV SEATING WINE STORAGE +0.9m

D7

1.84 [6'

BAR DINING

0.60 [2']

3.79 [12'-5"]

3.66 [12'-1"]

D2

H

3.03 [10

5.12 [16 '-1

3.60 [11'-10"]

+0.9m

UP

ROOM

+0.9m

LIFT

D2

W15

W15

2.38 [7'-10"]

7.14 [23

4.18 [13'-9"]

+0.9m 3.43 [11'-3"] 4.31 [14'-2"]

29 28 27 26 25 24

2.00 [6'-7"]

3.60 [11'-10"]

BAR

W8

LIVING

17 18 19 20 21 22 23

W15

W16

W17

H

'-11"]

6.89 [22'-8"]

2.00 [6'-7"]

3.43 [11'-3"]

LIGHT COURT

1.60 [5'-3"] 8 7 6 5 4 3 2 1

TV LOUNGE

W6

H'

5.76 [18

W15 1.61 [5'-3"]

W15

GARDEN

W14

4.36 [14'-4"]

1.83 [6'

UP

+0.9m

W8

2.38 [7'-10"]

+0.90m

LIFT 9 10 11 12 13 14 15 16

1.80 [5'-11"]

8 7 6 3.50 5 4 [11'-6"] 3 2 1

1.78 [5'-10"] 29 28 27 26 25 24

D4

1.80 [5'-11"]

17 18 19 20 21 22 23

POWDER ROOM

6.89 [22'-8"] COVERED D1 DECK

TV SEATING

D1

1.20 [3'-11"]

2.42 [8']

W7 9 10 11 12 13 14 15 16

0.60 [2']

+0.9m

F F

BATHROOM PANTRY

D2

W16

GARDEN

H'

+0.75m

FOYER

'-11"] +0.9m

HOME OFFICE 1.61 [5'-3"]

W5

W5

DECK

W14

5.76 [18

WAITING AREA

W15

D1

G'

D1

D2

1.66 [5'-5"]

+0.9m

4.18 [13'-9"]

COVERED DECK

D5

D1

4.36 [14'-4"]

+0.90m 2.42 [8']

1.78 [5'-10"]

BEDROOM 3

'-2"]

3.28 [10'-10"]

+0.9m

+0.9m

F

7.94 [26

DECK

+0.75m

FOYER

3.85 [12'-8"]

WAITING AREA

1.20 [3'-11"]

D4

3.50 [11'-6"]

3.20 [10'-6"]

4.55 [15']

4.55 [15']

D1 D2

LINEN STORAGE

1.63 [5'-4"]

H'

W6

3.28 [10'-10"]

HOME OFFICE

2.42 [8'] POWDER ROOM

2.69 [8'-10"]

D2

4.55 [14'-11"]

2.69 [8'-10"]

4.55 [14'-11"]

1.63 [5'-4"]

2.42 [8']

W15

+3.70m

BATHROOM

'-2"]

W1

D2

F

7.94 [26

+0.9m 5.79 [19'-1"]

D2

0.54 [1'-9"]

D6

BEDROOM 3

+3.70m

4.83 [15

W1

3.85 [12'-8"] W5

LINEN STORAGE

BEDROOM 2

3.66 [12'-1"]

W5

4.90 [16'-2"]

5.79 [19'-1"]

0.54 [1'-9"]

E'

F'

W15

5.03 [16'-6"]

2.23 [7'-4"]

4.90 [16'-2"]

+0.9m +0.9m

G'

+3.70m W5

F'

2.23 [7'-4"] 3.85 [12 '-8"]

3.20 [10'-6"]4.90 [16'-2"]

3.20 [10'-6"]

COVERED DECK BEDROOM 2 D1

D1

DECK

D6

0.69 [2'-3"]

4.90 [16'-2"]

4.90 [16'-2"]

3.49 [11'-6"]

WARDROBE

W5

0.77 [2'-6"]

4.90 [16'-2"]

F'

+0.9m

D2

W7

+3.70m

5.03 [16'-6"] W5

DECK

W5

0.69 [2'-3"]

COVERED DECK

W6

BATHROOM

D3

4.29 [14'-1"]

F'

2.34 [7'-8"]

2.34 [7'-8"]

W5

2.92 [9'-7"]

2.34 [7'-8"]

2.34 [7'-8"]

WARDROBED3

2.92 [9'-7"]

2.34 [7'-8"]

2.34 [7'-8"]

W5

5.00 [16 '-6"]

1.78 [5'-10"]

5.00 [16 '-6"]

2.56 [8'-5"]

H'

WARDROBE

W5

W5

A' B'

A'

C

Ground floor plan Ground floor plan

C

20

A'

First floor plan First floor plan

21


INTERIOR ARCHITECTURE


ONE PAGERS

ONE PAGERS

WORK WITH PROJECT SANAN

LEFT: A DUPLEX CONTAINER STACK RESIDENE WITH AN OPEN LIVING/ KITCHEN, AND BED & BATH ON THE FIRST FLOOR RIGHT TOP: A CONTEMPORARY FAMILY RESIDENCE RIGHT BOTTOM: WARM AND MINIMAL BEDROOM CREATING A COMPLETELY DIFFERENT WARM AMBIENCE IN THE SAME FAMILY RESIDENCE

24

Work with Porject SANAN, a multidisciplinary design studio I co-founded in India - Role: Architectural & Interior Design, Detail Development and Project Managaement. 25


THE MERCEDES TOMORROW

MERCEDES TOMORROW

BOUTIQUE RETAIL CAFE

MERCEDES EXPERIENCE CENTER POINTING AT THE AMBIENT MEDIA PLATFORMS

Mercedes Benz as a brand has a story to sell and tell its customers - starting from the 300 SL era to its exceptional transition to electric mobility in the recent years. This project is an incubator for Mercedes’ clientale to dip into the car giant’s boutique retail cafe offering a sensual pure Mercedes Benz experience.


MERCEDES TOMORROW

MATERIAL BOARD

MERCEDES TOMORROW

28

Material Strategy: Since the project is a commentary about transition, the different design moves play with the “dual nature” of the materials used. Finished & Unifinished/Raw yet Polished/Natural & Industrial 29


MERCEDES TOMORROW

MERCEDES TOMORROW

TOP LEFT: VIEW OF THE OPEN ENTRY INTO KIOSK-CAFE AND THE MERCEDES EXPERIENCE CENTRE. RIGHT: ACTIVATED OPEN ENTRY WITH A NEW MERCEDES POP-UP RETAIL LAUNCH

BOTTOM LEFT: GROUND FLOOR PLAN SHOWING THE BUILDING’S ORIENTATION WITH THE N CANON DR. AND THE SANTA MONICA BLVD.

30

Considering the LA’s common pop-up culture The Kiosk-Cafe is designed to fully open to the Santa Monica blvd. welcoming in customers, users, and enthusiasts. 31


MERCEDES TOMORROW

MERCEDES TOMORROW

VIEW OF THE MAIN ENTRY FROM THE KIOSK-CAFE’S END OF THE GROUND FLOOR TOP: COMPLETE ROOM VIEW BOTTOM: THE BEDROOM LOUNGE

The KIOSK-CAFE in the ground entrance is mainly inspired by warehouse architecture. Warehouses were the prime congregation spaces for the first Mercedes buyers. Luxury and brown leather from the 300SL classic seats are used in the lounge area and the kiosk chosen is an aluminium extrusion - to imitate a static yet dynamic looking object similar to a Mercedes Benz exterior. 32

The guest rooms are located in the third, and the fourth floors. Furniture here brings in the contrast in experience from the Left to right - from the classic Louis Poulson pieces to the contmeporary furniture and fixtures. 33


BIOPHILIA AND MIMICRY IN WORKSPACE

BIOPHILIA AND MIMICRY IN WORKSPACE

BIOPHILIA AND BIOMIMICRY IN WORKSPACE

LEFT: A PERSON STANDING IN THE GROUND FLOOR LOOKING AT INFLATED NOISE REDUCING PUFFER AT THE TOP RIGHT : VIEW SHOWING THE FRIST FLOOR OPEN WORKSPACE FACING THE PUFFER FROM A DIFFERENT HEIGHT

34

The space is encompassed with arches imitating stalactites, adding a sense of balance to the space’s massive volume - formed by multiple double and triple height pouches. 35


BIOPHILIA AND MIMICRY IN WORKSPACE

LEFT & RIGHT: CONTEXT AND MODEL STUDY OF THE LEAF LIKE CANOPY CROWN

BIOPHILIA AND MIMICRY IN WORKSPACE

36

37


ALLBIRDS FLAGSHIP RETAIL HYDERABAD, INDIA

STORE ENTRANCE

38

ALLBIRDS

The first-ever Allbirds Indian store. This store was designed keeping in mind three things: 1. Enlightening people about the brand better 2. Create a space facilitating helping form new communities 3. Create a new hub in south-eastern Asia and become the face of the new side of the brand 39


ALLBIRDS

MATERIAL BOARD - 1. RECYCLED PLASTIC PANELS 2. BAUX ACOUSTIC PANEL 3. JAIPUR SANDSTONE 4. TRL FABRIC 5. MALAI-BACTERIAL CELLULOSE 6. RATTAN 7. TRANSLUCENT STONE VENEER 8. WOOL

ALLBIRDS

40

Allbirds’ material strategy for their products throws light at words COMFORT and EARTH. The material, color, and spatial strategies of this brick-and-mortar store represent the same, derived from an option of sustainable, earthy materials. 41


ALLBIRDS

ALLBIRDS

A VASE-LIKE CENTRAL POD IS A SHOE DISPLAY THAT BRINGS A TACTICLE SOFTNESS TO THE SPACE

LEFT: STORE ELEVATION MIMICING THEIR SIGNATURE DESIGN SILHOUETTE

42

43


ONE PAGER

VITRA, NEW YORK PROJECT MANAGEMENT & STOREFRONT DESIGN

LEFT: STOREFRONT DESIGN AND EXECUTION COORDINATION FOR VITRA NYC RIGHT: AIRPORT LAYOUTS FOR JFK AIRPORT IN NEW YORK AND TORONTO PEARSON AIRPORT

ONE PAGER

THREE SEAT LINEAR SET

CURVED SET

HAL TABLE & CHAIR SET

As a project manager at Vitra, I worked on over 15 high end spaces from companies like Apple, Kvadrat, and residential projects - proposed a 300 seat SoftWait system configurations with Hal table and chairs, as a part of the Toronto Pearson Airport’s interior planning proposal.


THE END

THE END

I KNOW NOTHING, BUT TO CURATE AND LEARN NEW THINGS, TO GENUINELY COLLABORATE WITH PEOPLE, AND TO DESIGN FOREVER!

I found myself to be a better person, handed with a magnifying lens to see this world, after joining architecture school. Running behind the joy of developing meaningful spaces, I taught myself to appreciate the last details and the invisble processes, that construct the end product. I have kept myself open to the world of possibilities, styles, and necessities. My genuine work ethic goal is to have a rigor of a Michelin star chef’s, in a design studio. Hi, I am Nandan Pemmaraju, and I dedicate my life to learning things that lead to designing spaces, furniture, and objects!


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