TRISROTA HEALTH AND WELLNESS RETREAT CONTEXTUALIZING INTERIORS SEMESTER 9
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
CONTENTS Roll No: UI3516
01 EXPLORE 02 SYNTHESIZE 03 ANALYSE 04 APPLY
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
EXERCISE 1 EXPLORE
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Explore
Exercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Map
Mandapa, a Ritz-Carlton Reserve LOCATION: UBUD, BALI ARCHITECT: Jeffrey Wilkes
Roll No: UI3516 Roll No: UI3516
Name: Natasha Taunk Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Explore
Exercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Mapping
Ex
ROOM PREFERENCE Mandapa, a Ritz-Carlton Reserve, achieves something rare—it feels pristine yet ancient. The Mandapa, or a shrine is a sacred place for devotoees to rest their body, mind and soul. Built inside the lush, peaceful valley of the mighty Ayung River, the reserve provides a luxurious holistic experience and the guests will feel an unmatched sense of rejuvenation. The room has a dark character, unlike the many hotel rooms that one finds in Bali. Yet, it feels fresh due to the presence of big windows , the greenery coming in and the pops of colour added by traditional balinese fabrics, pantings as well as artifacts. Waking up to the beautiful view of the river or the rice paddy fields, relaxing in outdoor pools as well as showers- the reserve helps one to connect and sync with nature. It feels like a perfect getaway to leave the hustle-bustle behind and relax in the lap of nature.
CONNECTING TO CONTEXT Reference Image
Situated amongst the rice paddy fields, the reserve tries to provide an authentic Balinese experience to the guests. Sandwiched between 35 suites nestled into the hillside and 25 pool villas down in the valley are the rice terraces and the temple, just like a balinese village. Mandapa is fully connected to the life and culture of the island. The architecture does ample of justice to the beautiful nature, with traditional balinese stonework, natural wood, carvings and minimalistic Balinese interior. The place boasts of luxury while keeping the traditional aspects of Balinese culture in mind.
ARCHITECT’S STYLE At DesignWilkes, the prinicpal architect, Jeffrey Wilkes, practices the concept of blending cosmopolitan influences with tradition. Every element of design is naturally inspired and sustainably sourced to create the final experience. With Ritz Carlton, the architect was able to achieve the same by taking inspiration from the site context and implementing it during the designing process. Render Image
Roll No: UI3516 Roll No: UI3516
Name: Natasha Taunk Name: Natasha Taunk
Description
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Ro
Explore
xercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Mapping
Description
DESIGNER’S INTENT Mandapa has been designed to feel like a Balinese village and the property really does have a very strong sense of place. Every single design decision was based on four mantras Striking, Intimate, Magical and Enlightening. The villas are tucked away in private gardens and the suites are stacked in imposing multi-storey buildings that overlook the rest of the resort. The designer wanted Mandapa to look aged, to have a feel that it has been there forever and at the same time, also disappear so that the nature is the main show. The verdant landscaping conceals most of the buildings and adds to the privacy of the property. Enhanced with the traditional yet contemporary Balinese interiors, all the elements were naturally inspired and sustainably sourced.
Reference Image
MATCHING BRAND IDENTITY Ritz-Carlton’s Reserve portfolio is known for offering extremely high-end accommodations with an emphasis on design and sensitivity to location. One of only a few Ritz-Carlton Reserves in the world, here the label denotes somewhere truly special and distinct to that destination. The label and the property owner developer have lavished every space with love and spared no expense in creating somewhere extraordinary.
Render Image
oll No: UI3516 Roll No: UI3516
Name: Natasha Taunk Name: Natasha Taunk
Description
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Explore
Exercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Mapping
Perceptive Unraveling
12380
3140
12380
3140
The architecture is traditional Balinese. The villa is not created as a single huge building, but rather a collection of numerous structures within walled enclosure each with a special functions such as front open pavilion to receive guests, a lily pond, main bedroom, a closet room, a bathroom with separate sinks, dresser space, bathtub, an enclosed WC as well as indoor and O tdoor shower spaces.
6695 2080
2575
2070 1070
205
205
1940
385
Local flora is used to create a beautiful personal jungle around an invitingly blue pool. A covered deck surrounded by traditional balinese pillars allows to take partial shelter without closing it off or separating the spaces. The villa also boasts an openable living lounge room so that the holiday never has to end.
2305
1365
5465
DN
SWIMMING POOL
2385
1445
385
3140
1560
1475
1070
BEDROOM
1620
INTERIOR DECK
Jeffrey Wilkes is behind the decor and even the lowest-category rooms are magnificent, with dark, dark woods and rich textiles. Designwilkes has shown painstaking attention to every texture and fitting. Ceiling basketry, gold-speckled glass, highest- uality ikats, and specially commissioned Javanese chairs give the uarters a regal uality. It took local artists two years just to hand-paint the gallery-worthy ceiling-to-floor murals in every bedroom. Bathrooms have freestanding tubs-for-two with raised leather headrests either end. This isn’t a place that invites relaxation, it insists upon it.
12510
1265
1445
2905
DRESSING AREA
2020
3020
2980
3020
E
990
4290
1655
2020
15650
11580
1360
1355
1830
INDOOR SHOWER
OUTDOOR SHOWER
685
1270
1070
565
620
1945
1530
430
WASHROOM (DRY AREA)
4060
5310
7200
DN
2905
LOUNGE
5610
WATER BODY
325
TOILET
685 1945
2790
1945 1525
E
640
UP
1575 2215
3005
PORCH
2465 6880
EXTUALIZING INTERIORS
Roll No: UI3516
Roll No: UI3516
4565
2125
3640
MANDAPA- A RITZ CARLTON RESERVE, UBUD, BALI
Name: Natasha Taunk
Name: Natasha Taunk
Detailed lan
5765
RIVER VIEW VILLA PLAN
Perceptive Unraveling
NATASHA TAUNK | UI3516
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor:
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Explore
Exercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Mapping
IXT RES AND ACCESSO-
RNISHING
RNIT RE
FORM
Exploded Axo
Roll No: UI3516 Roll No: UI3516
Name: Natasha Taunk Name: Natasha Taunk
yers
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Explore
Exercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Mapping
Wicker Blinds
Traditional Balinese wood carving statue
Wall mounted table finished with dark brown polish
Bed foot bench made out of teak wood and wicker upholstery
Bed, Bed Side Tables, Head board Bedding, Throws and illows Chandelier with scale texture
Hanging Light
Coffee Table finished with dark brown polish
Low rise Sofa White upholstered cushion illows
Roll No: UI3516 Roll No: UI3516
Name: Natasha Taunk Name: Natasha Taunk
yer
y
e r
loor to ceiling traditional painting Reading long chair Coffee table finished with dark brown polish
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Explore
Exercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Mapping
BATHROOM AXO IEW
INISH-
ree Standing Bathtub ree Standing Tap finished with Brass polish
Timber lanks
Travertine looring
Wooden lanks
Wicker
Wooden looring
Italian Marble
Hanging lights Mirror with gold polish profile Copper Basin and sink mounted aucet Wooden drawers
Outdoor Shower
laster
Water Closet ortable wooden Wardrobe Roll No: UI3516 Roll No: UI3516
Name: Natasha Taunk Name: Natasha Taunk
Detachable shower head and faucet
i is es
Indoor lant
Toilet aper holder
yer
y
r
Clear Glass
Lavastone
rosted Glass
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Explore
Exercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Mapping
Material Culture Tracing . Minimal walls and breezy interiors The vibrant outdoors clearly seen from the interior of illa Cli and in bud.
1.
2. Gardens They often landscape these spaces imitating the verdant sceneries of the island, making use of natural stones, native plants, and creating impressive water features.
2.
3. onds and other water features Balinese-Hinduism regard water as an element of cleansing both physically and spiritually and most locals embrace this by incorporating it to their homes. onds are almost always part of a traditional Balinese abode. . Stoneworks and wood carvings Intricate stone and wood carvings are an expression of cultural beliefs and at the same time further establishes the personality of their homes.
3.
4. 5. Thatched Roofs The thatched roof usually uses ijuk black aren fibers , dried coconut or rumbia leaves, or sirap hard wood shingles arranged like tiles roof. These economical building materials provide excellent protection from rainwater.
5.
Roll No: UI3516 Roll No: UI3516
. Organic Building Materials Bamboo, coconut lumber and dried leaves, teak wood, stones, bricks, and wood shingles reflect the Balinese philosophy of building homes in harmony with nature.
6.
Name: Natasha Taunk Name: Natasha Taunk
Material Culture
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Explore
Exercise 1 Week 1 & 2
Assignment 2 Unravelling, Tracing & Mapping
Material Culture Tracing . High uality Ikat sed for upholstery, pillow covers and as bed scarf. 2. Ceiliing Basketry Locally available wicker is used as a ceiling finish.
1.
2. 3. Javanese Chairs Local to Java, an area in Indonesia. These chairs are made from teak. . Balinese ainting Local artisans appointed to paint floor to ceiling murals.
3.
4. 5. Balinese Crafts se of locally sourced metal artifcacts and rattan wicker chandeliers. . Columns The taditional stone-wood column with minimal carvings.
5.
Roll No: UI3516 Roll No: UI3516
6.
Name: Natasha Taunk Name: Natasha Taunk
Material Culture Tracing
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
EXERCISE 2 SENSITIZE
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
GLENBURN Sensitize
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
temporal intersections cultural adaptations ruminating evolutions
Group Name: Glenburn Tea Estate
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
Today perched I am, near the bay window, looking at the mountains blue, sitting today at a place a gora once did, but today I see women smiling.
Group Name: Glenburn Tea Estate
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
Kangchenjunga
large context
The terrain
pine tree
Glenburn estate
context
oak tree Tea Garden Tea plantation immediate context
Magnolia
Group Name: Glenburn Tea Estate
Pine trees mapping Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
Topographical context
Representation of flora
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
Early Tea Estate
Butterflies
The map of darjeeling
Royal lady of the land
fauna
Tea seeds
Birds
Glenburn
Tribal occupants Group Name: Glenburn Tea Estate
Renders of images describing personal experiences
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize DOOR
Casement doors are offered as a single sash creating a beautiful main entrance or as dual sash, also referred to as French doors, connecting the indoors with the outdoors.
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
Y
Y
Y
Y
Y
Y
2/3Y
2/3Y
2/3Y
2/3Y
2/3Y
2/3Y
2/3Y
2/3Y
2/3Y
Y
Y
Y
DOOR 1
DOOR 2
DOOR 3 Group Name: Glenburn Tea Estate
DOOR 1 Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
DOOR 2
DOOR 3
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize WINDOWS
A casement is a window that is attached to its frame by one or more hinges at the side. They are used singly or in pairs within a common frame, in which case they are hinged on the outside. They are used to give a clean panaromic view outside the building when used in series.
Group Name: Glenburn Tea Estate
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
2/3Y
Y/2
2/3Y
Y/2
Y/2
Y/2
Y/2
2/3Y
2/3Y
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize ROOF
A Dutch gable roof combines a hip roof, with four sloping sides, and tops it with a gable roof, also called a gablet. Hip roofs have relatively small attic space but strong construction; gable roofs have more attic space but more difficulty with attaching gutters, require more bracing from wind and create a larger shadow; Dutch gable roofs have the advantages of both styles in one roof.
Exercise 2 Week 3 & 4
DUTCH GABLE ROOF
Assignment 3 Cultural Immersion
DORMER WINDOW
HEADER
These type of windows are basically cutouts in sloping roofs to bring sunlight to interior spaces.
RAFTERS
RAFTERS RAFTERS RIDGE RAFTERS STUDS PLATES
ROOF DETAIL GUTTER DETAIL
www.Cadvilla.com Group Name: Glenburn Tea Estate
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
1/2Y Y
3/2Y
2Y
Y
2/3Y
Sensitize PORCH - WATER LILLY BUNGALOW
3/4X
1/2X X
Group Name: Glenburn Tea Estate
1 1/2X X
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
1/2X X
3/4X X
2/5X
X X
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
800
800
400
Sensitize
1500
Group Name: Glenburn Tea Estate
800 Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
560
0
35
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
1/2Y
3/2Y
2/3Y
Sensitize PORCH - BURRA BUNGALOW
X
Group Name: Glenburn Tea Estate
X
X
X
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
X
X
X
X
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
The Burra Bungalow porch is the main entrance to the villa and also acts as a common zone and lounge area for guests including informal seating and a small dining area. The space is occupied with outdoor garden seating and colonial style furniture pieces. Rooms have straight opening to the porch.
Teak wood painted in Green
Group Name: Glenburn Tea Estate
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
Teak wood painted in Green
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize PORCH - WATER LILLY BUNGALOW - FURNITURE
Group Name: Glenburn Tea Estate
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
Teak wood painted in Green
English Floral Fabric
Striped Cotton Fabric
Striped Cotton Fabric
Polished Teak Wood
Polished Teak Wood
Cane Weaving
Colonial Brass Ring Pull
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize PORCH - MOOD BOARD
Exercise 2 Week 3 & 4
Group Name: Glenburn Tea Estate
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
Assignment 3 Cultural Immersion
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize PLANTER SUITE
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
TEXT
Internal Ventilation
IMAGE Natural lighting
IMAGE Internal movement mapping
IMAGES Spatial compartmenting Group Name: Glenburn Tea Estate
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize PLANTER SUITE - SECTIONS AND PROPORTION STUDY
Exercise 2 Week 3 & 4
Assignment 3 Cultural Immersion
2Y
3/2Y
Y
Y
DINING ELEVATIONS
Y
Y 2Y
2Y
11/2Y
2Y
DINING ELEVATIONS
Group Name: Glenburn Tea Estate
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
Sensitize PLANTER SUITE - MOOD BOARD
Group Name: Glenburn Tea Estate
Exercise 2 Week 3 & 4
Group Members: Aditya Ghiya, Natasha Taunk, Chitransha Jain
Assignment 3 Cultural Immersion
E2/W3-4 Tutor: Prashant Pradhan, Co-tutor: Bharat P, TA: Jaydev Parikh
EXERCISE 3 ANALYSE
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
S P A
MANGO BAY RESORT PHU QUOC ISLAND VIETNAM
Exercise 3
Analyse
Assignment 3
Zoning and Flow
Mango Bay resort is a well-known place on Phu Quoc Island. The resort attracts the tourists by its eco-friendly concept, with only 44 rooms/bungalows on a piece of land that spreads over 10 hectares. The Spa, was designed with the principles to inherit the simple, rustic but cozy spirit of the whole resort.
Private Terrace
After several site analysis, the location of the spa was decided to be sat on a light slope toward the sea, hidden behind the bungalows and surrounded by jungle. A small earth path linked the new Spa with the old one, who was becoming the space for yoga and Taichi practicing. The Spa is composed of 4 buildings in rectangular shapes, linked by covered walkways, surrounding a landscape pond. The two mains building contain the Reception Area – Changing Space- Shower- Treatment – Relaxing area after treatment, while the two sub-buildings consist only of treatment rooms. Each treatment room had its private terrace at the back, connected to a little garden.
Cabana
Private Terrace
Single Treatment Room
Walkway
Double Treatment Room
The landscape also follows the resort’s spirit, by using local plants and flowers for the garden. The only exception are the plumerias planted in the landscape pond, which represent a new beginning and expectation of peace.
Private Terrace
Double Treatment Room
Private Terrace Single Treatment Room Walkway
Walkway
Pond
Single Treatment Room
Private Terrace
Double Treatment Room
Private Terrace
Double Treatment Room
Private Terrace
Spa Office
Private Terrace
Reception Hall Male Changing Area
Spa Manager
Female Changing Area Lobby
Walkway
Guest Entry / Exit Roll No: UI3516
Name: Natasha Taunk
Exec. Staff Staff
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Exercise 3
Analyse
Assignment 3
Space Planning Covered walkways connect the different spaces. - Linear - Fixed Circulation
Cabana space with book shelves. The space is open from two sidesOne faces the pond and the other side opens to the garden. - Relaxing - Open and well lit
Double Treatment rooms for couple massages with louvred doors, Two single beds, Sink Area and Seating facing the Verandah. - Controlled lighting - Airy and Comfortable
Private Treatment rooms with louvred doors, Single bed, Sink Area and Seating facing the Verandah. - Exclusive - Airy and Comfortable
The pond acts as a calming feature with plumerias planted, which represent a new beginning and expectation of peace. - Calming - Movement, Sound, Reflection
A perforated partition separates the narrow Lobby and the Spa reception space. The reception space connects to the changing rooms and has an outdoor connecteion to the spa office. - Minimal - Partially Restricted
Roll No: UI3516
The BOH consists of the spa office and the Spa Manager’s Cabin. The space is adjacent to the reception but isn’t connected physically or visually to it. - Discreet - Open
Name: Natasha Taunk
There are separate changing rooms for Men and Women on either side of the Spa Reception. They consist of lockers, washrooms and shoer areas. -Appropriate area - Open
Private Public Office Circulation
The landscape also follows the resort’s spirit, by using local plants and flowers for the garden. - Tropical - Fresh
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Exercise 3
Analyse
Assignment 3
LIGHT During the day, the space is flushed with natural light so there is not much need of artificial lighting to light up the space.
The extended thatch roofs prevent the harsh sunlight from coming in and the space gets lit by the soft reflected sunlight. The wooden louver doors/ windows, pesent in all the rooms, create an airy and comfortable internal space, and by that, there is no need for air conditioner. The wooden louver doors/windows with pivoting system help controlling the quantity of natural light access the inner space, depend on the moment and the mood of the guests.
During the night, the space gets lit up mostly by spot lights. This helps to accentuate/ highting particular features of the space such as trees , doors and seating areas. The rooms feature general as well as spot light. The reception area has general lighting over the waiting space and a task/ spot light above the reception desk. Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Analyse
Exercise 3
Assignment 3
Spot lights have been used to accentuate/ emphasize on spcific areas such as seating and recpetion spaces. They have used warm light which feels natural to us in the evenings and promotes relaxation. it gives an evening hearthside fire.
-No general lighting in the room. It is appropriate as light should never be placed on top of the treatment bed to prevent glare. This helps in creating a relaxing and healing environment.
- Highlights the sink and storage area. - Minimal use of light in space. Helps to create a cozy and intimate feeling.
- Wood, having a matte finish absorbs light, thus helping to prevent glare. - The use of warm light brings out the colours of the wood and the rammed earth helping to achieve the rustic atmosphere and is in tune with the new style of the hotel. Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Analyse
Exercise 3 RAMMED EARTH ; WALLS
Assignment 3
WICKER ; FURNITURE
SIMPLE RUSTIC COZY
COTTON ; FURNITURE LINEN
WOOD ; LOUVRES PLANTS
WOOD ; STRUCTURE
THATCH ; ROOF
JAALI ; PARTITION
STONE ; FLOORING Roll No: UI3516
WATER FEATURE Name: Natasha Taunk
WOOD ; FURNITURE E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Exercise 3
Analyse
Use of natural materials. - Organic - Healing environment - Experience environment along with treatment.
Assignment 3
Stone flooring to create a contrast. -Use of cooler shade. - Break the warmth and preventing the space to feel dominated and heavy on the eyes.
The palette has a lot of shades of brown to create a rustic feel. Since the entire palette is warm, different textures have been incorporated. Two types of woods have been used- darker for interior finishes and lighter wood for furniture. All the materials used are sustainable and give an organic feel to the space. Roll No: UI3516
Name: Natasha Taunk
- Use of white furnishings to get a pause from the warm palette. - Use of bright colorued pillows to add a pop of colour in space. - Adding flowers to fresehn up the space.
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
R E C E P T I O N
Nishi Commercial CANBERRA AUSTRALIA
Exercise 3
Analyse
Assignment 3
Located in NewActon, a diverse new precinct in Canberra, Nishi Commercial is a major new development housing government departments, private offices, a cinema and cafes. The lobby, designed by March Studio, projects a unique identity through thousands of lengths of repurposed timber, blurring boundaries while directing views and movement. A grand stair - the stage for performances as much as idle procrastination - leads up to the HotelHotel lobby and bar. In the stair the timber is heavy, grounded, a stacked agglomeration. Freed to scatter up the walls and across the ceiling, the suspended timber filters exterior light and views into and from internal spaces. Spidery, pixellated shadows are cast on the floor and bare walls.
Zoning and Flow
Entry / Exit Services Reception BOH Airlock
The stair links Nishi Commercial to Nishi Residential, a multi-storey apartment building, housing 2 floors of hotel rooms, wrapped around a central courtyard and light well. The ground floor contains HotelHotel’s lobby, reception, concierge and bar, as well as retail and hospitality tenancies. On the ground floor of the boutique hotel, March Studio was engaged to create spaces which encouraged residents, guests and visitors to linger in what can oen be a transient space.
Reception Lounge 1 Lounge 2
Lobby
Luggage Storage
Secret Garden
Concierge
Deck
Bar BOH
Bar
Feasting Table
Deck
Commercial Lobby
Lounge 4
Lounge 3 Staircase
Guest Roll No: UI3516
Name: Natasha Taunk
Exec. Staff
Washroom
Staff
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Exercise 3
Analyse The entrance airlock is lined on two walls and ceiling with what could be steel punchcards for an ancient mainframe. Filling the gaps punched in these steel sandwich panels are amber marbles, thick glass which filters the light and warms the space.
Assignment 3
Space Planning
The reception space is placed exactly at the entry area. The concierge and luggage storage is exactly opposite to the reception desk. This allows for an approachable and easy check in experience.
The open bar overlooks the feasting tables. This space can be used both as a formal and informal meeting area.
The lobby, designed by March Studio, projects a unique identity through thousands of lengths of repurposed timber, blurring boundaries while directing views and movement.
The walls in the hotel lobby - and the seating, the benches, the counters - are an attempt to bring the handmade into the rigorous, polished building around it. There are a lot of casual deck seatings as well as formal lounges for people to linger and spend time at.
Roll No: UI3516
Name: Natasha Taunk
Above the seating in front of the bar, large holes have been punched into the concrete slab capping the space. These portholes allow glimpses into the courtyard above and natural light to enter the space.
There are several formal lounging setups in the space. Apart from the, there are decks that can be used as informal seting areas.These act as breakout spaces and incourage the use of the public space as an interaction zone.
Private Public Breakout Space Services
A grand stair - the stage for performances as much as idle procrastination - leads up to the HotelHotel lobby and bar. In the stair the timber is heavy, grounded, a stacked agglomeration.
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Exercise 3
Analyse
Assignment 3
Light -The space mostly uses spot lights with warm yellow tint for lighting purposes. This helps to create focus and highlight ceratin areas with specific functions. -The use of circular perforations near the bar area helps to get direct natural light into the space in the same sort of spotlight format. -Perforated metal sheets are back-lit and create a pixel- sort of look. These are placed in the entryway and give the feel of a starry entrance. Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Analyse
Exercise 3
Assignment 3
Material, Textures and Finishes PRE-FAB CONCRETE ; PARTITIONS
WOOD ; CIELING
STEEL ; PERFORATED SURAFCES
The several suspended timber planks give directionality to the space. The space seems more linear and the horizontally placed planks draw your eyes inwards. The repurposed timber partition allows for exchange of views and helps to get in light. The walls in the hotel lobby - and the seating, the benches, the counters - are an attempt to bring the handmade into the rigorous, polished building around it. Materials - custom gluelam timber, precast concrete beams - are allowed to sit, unadorned, stacked in a simple manner, overlapping, their joints overrunning and poking out. Roll No: UI3516
Name: Natasha Taunk
WOOD ; FLOORING
CONCRETE ; STRUCTURE
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
R E S T A U R A N T
Canopy by Hilton CHENGDU CHINA
Exercise 3
Analyse
Hotel Canopy by Hilton Chengdu City Centre is located in the city that is customer-focused that emphasized on the experience of ‘body’, ‘heart’, ‘senses’ and ‘enlightenment’. The design of the hotel blends Chinese and Western charms, intertwined with old-fashioned feelings and vitality, elegant and unconventional style, bringing guests a lively Chengdu style and the comfort and warmth of home. Layout and Zoning The 24-hour dining restaurant is attatched to the hotel lobby through an open plan layout. The dining area encircles the Srevice and the kitchen area. The space is divided into several areas such as the bar, the bread and cake display area, communal table and a private dining area. The U-shaped space gives the views of the city and ensures a pleasant dining experience enriched through the true essence of chengdu’s culture. Dandan noodle, is a famous cuisine in Chengdu, the name is originated from the hawker who sells noodle on the street. The restaurant is equipped with a load of noodle artworks. The lines are like noodles coming into the pot, showing the characteristics of Chengdu’s cuisine.
Restaurant Kitchen Waiting\ Lounge Lobby Services Roll No: UI3516
Name: Natasha Taunk
Assignment 3
Private Seating
Communal Table Tea Lounge
Luggage rooms Back Offices Meeting Rooms Recreational Area Movement E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Exercise 3
Analyse
Assignment 3
Light
D A Y L I G H T
Hanging Chandelier
Light Installation
Bamboo Frame work lighting
The space is well-lit by daylight during the day due to the presence of large floor to ceiling windows. Wicker blinds help to control the amount of sunlight coming in and creating user-based atmosphere. The tea lounge space upon is entry is lit up using warm yellow lights attached to a bamboo ceiling installation. The area on top of the communal table gets lit by a light installation. Each Private seating space has a hanging chandelier on top of it.
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Exercise 3
Analyse
Assignment 3
Material, Textures and Finishes
The ancient kitchen life atmosphere of Chengdu is represented through the quaint texture and exquisite details, showing the calm and unpretentious attitude of life, build a balance in the selection, composition and color. The furniture and artworks of different shapes and styles are ingeniously balanced, the color and story is balanced with free and vivid vitality, and the guest can feel charm of Chengdu is everywhere. Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
B A N Q U E T
Beverly Hills Hotel CALIFORNIA USA
Exercise 3
Analyse
Assignment 3
CRYSTAL BALLROOM With its traditional styling, the Crystal Ballroom is reminiscent of The Beverly Hills hotel’s rich and elegant heritage. The hotel’s largest of three ballrooms, it features a built-in stage and dance floor, spectacular chandeliers and French doors overlooking the Crystal Garden and gazebo.
Symmetrical space
The Beverly Hills Hotel Crystal Ballroom First floor
TF
DT
G a r d e n
CRYSTAL BALLROOM
M i r r o r
TF
DT
TF
DT
Roll No: UI3516
Name: Natasha Taunk
V i e w E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Exercise 3
Analyse
Assignment 3
The Beverly Hills Hotel Crystal Ballroom First floor
LIGHT
G a r d e n
TF
CRYSTAL BALLROOM
M i r r o r
TF
DT
V i e w
TF
DT
The hall has basic lighting which includes spot light and general lighing. A centerally placed chandelier exudes warm yellow light. Spotlights help to direct the light to certain areas according to the seating arrangement. Other than this, the lightitng can be customised according to the need of the customer for which several plug points have been provided.
Material, Textures and Finishes
Light reflected by mirror
DT
The banquet hall has windows one one side which allows natural light to come inside. The opposite wall which has mirror reflects the light and helps to make the space feel more open.
Marked ports and socket points
MATERIALS, TEXTURES AND FINISHES
5m
Metres
22m
CRYSTAL BALLROOM
Ceiling height
34m
703m2
Length (maximum)
Area
Width (maximum)
Capacities
Reception
Theatre
Banquet round
Dinner dance
Classroom
Conference
U-shape
Hollow square
Key
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh Feet
16'4"
7,577ft2
72'18"
104'9"
850
Maximum
850
560
495
375
-
80
64
TF
DT
Symbol
Name: Natasha Taunk
Electricity socket
LAN port
Roll No: UI3516
Telephone socket
Three-phase
The material palette has been kept very minimal and in shades of creams and browns. This gives the decorators a clear canvas to work on for their designs. There is not much colour in the space, hence gold has been used to accentuate features like the pilars and the doors. This helps to give a royal look to the place. The flooring has been covered by a carpet which helps to absorb light and sound. The walls are painted and don’t have sound proofing.
SPA
MANAGER
SPA
WOMENS CHANGING AND
MANAGER
PRODUCT DISPLAY
WASHROOMS
DECK
MENS CHANGING AND WASHROOMS
DECK
Room in 1st floor
SAUNA STEAM ROOM
Room in 1st floor
Room in 1st floor
Room in 1st floor
Room
in 1st floor
Room in 1st floor
Roo
m
Room
Room in 1st floor
Female wash
Health bar
Male wash
Room
Room in 1st floor
Room in 1st floor
Open Seating
Room
UP
Open Seating
Buffet
Live Kitchen
Buffet
Room in 1st floor
Room
TOILET
PORCH
Restaurant Live Kitchen
TOILET kitchen
f&b store
dry store
veg prep
DN 6'
c
o
r
r
i
d
o
r
meat prep
r
cold storage
Female wash
courtyard
security office
o
P.C wash
laundry and housekeeping
weighing bay
d
Male wash
i
Tea Lounge
dry garbage
r
r
store
wet garbage
o
UP
BANQUET HALL
c
ladies restroom
6'
UP
mens restroom
offices
WAITING LOUNGE
UP cafe PRE FUNCTION AREA
PORCH
EXERCISE 4 Road
APPLY TRISROTA MIND | BODY | SOUL
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
CONCEPT ARTWORK
Site : Gajoldoba, West Bengal Project Type: Hospitality- Eco Resort Reference Architecture : Colonial Tea Bungalows of Darjeeling Program: HEALTH and WELLNESS RETREAT In today’s rapidly evolving, fast-paced culture, it can be near impossible to find a minute to yourself. Often there’s hardly a free moment to catch your breath, let alone clear your mind. That’s why for many, just the thought of booking a getaway to a warm, tropical destination and unplugging from emails, obligations and commitments is enough to cleanse your thoughts. Spending time away from your daily routine can invigorate your senses and allow you to see things more clearly. With a wellness retreat, you gain the valuable opportunity to do just that – to restore, recharge and refocus your mind. The power of a health retreat is that it provides you with the peace, serenity, resources and environment to find a healthier state of mind and engage in healthy and positive practices. In the context of Gajoldoba it also acts as a means to attract people, not just the ones living nearby but all from across the country and various parts of the world. It’s calm and peaceful quality acts as a perfect setting for a health and wellness retreat.
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
TRISROTA
“possessed of three streams”; connection of mind, body and soul The teesta river is placed in close proximity of the eco resort site. Taking clues for the context, I took the river and it’s flow as a concept. THE RIVER AND IT’S JOURNEY The story of Teesta begins 23,386 ft above the sea-level at the Pahunri glacier nestled between the Tibet and India border. It meanders and rapids from the Sikkim Himalayas, travelling far and through turbulences and travels to the plains of Gajaldoba in West Bengal and rests near the site of the eco resort. The same way, a human leads a fast paced, ever evolving life; never static in the cities. Coming to Tristrota, the health and wellness retreat, she finally comes at peace. TRISROTA The three channels, namely, the Karatoya to the east, the Punarbhaba in the west and the Atrai in the centre make up the teesta river. The three channels possibly gave the name to the river as Trisrota “possessed of three streams” which has been shortened to Teesta. Similarly, the mind, body, and soul are the components that collectively define human existence. Three chanaels coming together to make the human complete. CONCEPT The river and it’s flow The river has a characteristic of flowing through- in a state of flux. It’s never static. Linking this to the program of health and wellness center, the way the river keeps on flowing, the energy through our body flows the same way. The river, even though is turbulent at the surface, deep down it’s calm. peaceful. When one is inside the water, they can hear themselves, feel their breath and are connected with their mind body and soul. The space- A person should be able to experience the flow. He should feel the space is never static, it’s dynamic and keeps on changing. The space should make one feel at peace, help them align themselves and helpthem to connect with themselves and the serene nature. A person, though might not be able to see the river but should be able to feel it and take it back with themself. WATER and HUMAN- Why do we feel peaceful around water? - Our bodies are 60% water and the earth is made up of 71% water. We humans have a connection with water because it is all around us. - Water helps us to feel peaceful. As a baby in a mother’s womb we are in water. That is why we feel peaceful around and inside water.
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPATIAL TRANSLATION UNDERSTANDING THE RIVER AND IT’S FLOW Direction River meandering course Rivers flow downhill with their power derived from gravity. The direction can involve all directions of the compass and can be a complex meandering path. Rivers flowing downhill, from river source to river mouth, do not necessarily take the shortest path. For alluvial streams, straight and braided rivers have very low sinuosity and flow directly down hill, while meandering rivers flow from side to side across a valley. Bedrock rivers typically flow in either a fractal pattern, or a pattern that is determined by weaknesses in the bedrock, such as faults, fractures or more erodible layers.
Turbulent flow - water flows as discrete eddies and vortices. Rushed flow. Active zones. Rapid.
Meandering flow - Water flow in the stream is altered by blockages (topography). Obstructed Movement. Hindered flow.
Helical flow - Spiral flow in a stream. Helical flow has an important role in sediment transport and deposition, and in the creation of point bars. Focal attraction points. Pause points.
Rate Streamflow The amount of water that flows through in a particular amount of time. Volumetric flow rate can be thought of as the mean velocity of the flow through a given cross-section, times that cross-sectional area. Mean velocity can be approximated through the use of the Law of the Wall. That is, velocity increases with the depth (or hydraulic radius) and slope of the river channel, while the cross-sectional area scales with the Roll No: UI3516
Name: Natasha Taunk
Laminar flow - Water flow in the stream is not altered in its direction. Parallel Movement. Unhindered flow. Free flowing.
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
CLIMATE STUDY
Climate
Gajoldoba falls under the humid subtropical climate (Cwa). GAjoldoba has mainly three distinct seasons: summer, monsoon, Winter and two minor seasons: Autumn and spring. It is mostly pleasant (present near the foothills of himalayas and due to severe rainfall) and chilly (5 degrees celcius)throughout the year.
Wind
Landscape patches to give privacy to the spaces - Distinguish and Tie Main Wind Direction Roll No: UI3516
Name: Natasha Taunk
The diagram for Gajoldoba shows the days per month, during which the wind reaches a certain speed.
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
Flows and Site The user should be able to experience the flow. The space should feel dynamic and constantly evolving. The space should make one feel at peace, make them feel overwhelming emotions, get them wandering, help them align themselves and connect with themselves and the serene nature. A guest should be able to feel varying volumes merging and engaging through visual connection, circulation and eye magnet elements.
Meandering Flow Turbulent Flow Over Flow Helical Flow Laminar Flow Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SITE PLAN
Reception and Tea Lounge Restaurant BOH Fitness Center Health Bar Meditation space Spa
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RECEPTION & TEA LOUNGE MEANDERING FLOW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
ENTRY BLOCK
ENTRY
Reception Tea Lounge Restaurant
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RECEPTION AND TEA LOUNGE
Restaurant
Live Kitchen
ENTRY
Towards Restaurant
DN
TO
Y TR EN
KEYPLAN
Tea Lounge
ES AG TT O C
Male wash
P.C wash
Female wash
UP
Entry
Volume
UP ENTRY
rch Po or g o td in Ou Seat
a Are ing t i Wa
H BO
on pti ce e R
sk De
rea gA n i it Wa
Roll No: UI3516
Name: Natasha Taunk
The main reception volume has a hindered, meandering flow which is acheived through the placement of furniture and addition of a court.
UP
The Tea Lounge is a transitional space that connects the two volumes on either side placed at different angles. It is an open space which gives expansive unhindered views of the retreat. The balcony on top helps to connect the spaces through visual flow.
The entry colume consistes of a double height volume with a balcony overlooking the entrance. It also consists of a passage that connects to the restaurant and another one that connects to the main reception volume.
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RECEPTION PLAN
Y TR EN
TO
ES AG TT O C
ENTRY
Y
TR
EN
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RECEPTION ELEVATION
ENTRY
VOLUME TRANSITION COURTYARDS REFERENCE ARCHITECTURE Colonial Architecture The colonial influence has been gotten into the space through the use of colonial architectural elements and through traditional colonial furniture and floral patterns Roll No: UI3516
Name: Natasha Taunk
The addition of courtyards helps to break the flow as people go around it. They act as eye magnets that attract the attention and break the visual flow . They act as appertures that maximise the views, help to connect the space to the outside on the vertical axis and encourage the air flow. The courtyards also act as informal spaces for public interaction.
The concept of flow’ has been tried to be achieved by the transitional flow between volumes. The central volume connects the two volumes placed at different angles. The terrace on top of the middle volume also helps to connect the two volumes on either side visually. The first two volumes are the layers one encounters before entering the most intimate spaces. They build the threshold, when the person is meandering through the space before reaching the final destination
CONTEXTUAL INFLUENCE The context of Gajoldoba, WB has been tried to get in through the use of terracotta and clay that reflect an elegant beauty and rich culture. Also, having taken inspiration and the concept of the project from the river, clay felt like an apt material choice for a lot of elements and finishes.Since it is also used for medicinal purposes and in various aesthetic treatments, it supports the program of Health and Wellness Retreat.
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
AXONOMETRIC VIEW OF THE ENTRY BLOCK - The connection between volumes. - Terrace protrudes and tries to flow into the reception space - The flowy placement of terracotta lamps helps to enhance the meandering effect.
CE A RR E ET G UN O AL E T
EY NR NT YER
NT A R AU T S RE
TE AL OU NG E
Roll No: UI3516
Name: Natasha Taunk
BO H
RECEPT ION
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
AXONOMETRIC VIEW
Y TR EN
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
CLOSE UP AXONOMETRIC
Dark Wood
Terracotta
Terazzo
Mother of Pearl tile
Clay plaster
Mimick the shiny surface of water. Act as eye magnet
Terracotta Tiles Roll No: UI3516
Wooden Planks Name: Natasha Taunk
White Clay Plaster E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RECEPTION VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
TEA LOUNGE VIEW
Use of Mother of Pearl Tiles on the ceiling to get the same reflective uality as that of water. Use of white clay plaster to have textured columns.
Roll No: UI3516
Name: Natasha Taunk
Getting in the colonial and the contextual influence through the addition of floral patterns using antha embroidery’ which is predominantly famous in West Bengal.
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RECEPTION VIEW
Use of terracotta plates as a backdrop for the reception to get the context in. During the evening, the plates get backlit and form a nice background for the reception.
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT TURBULENT FLOW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT PLAN
Open Seating
UP
Open Seating
The restaurant is a high energy \ turbulent zone. The aim was to achieve a turbulent flow in the space. This was done through the addition of arched windows on either sides of the linear walls. A person never gets the entire view of the exterior throughout their journey till they reach the end and are met with a clear wall that provides a view to the lake. Along the axis there are several eye magnets such as the skylights and the water feature that stop one from directly focusing on the main view which is towards the end.
Buffet
Live Kitchen
Buffet
Restaurant
Live Kitchen
DN
KEYPLAN Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT PLAN
Roll No: UI3516
Name: Natasha Taunk
A’
B’
A
B E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT SECTION
SECTION AA’ Wood planks
Roll No: UI3516
Name: Natasha Taunk
Checkered tile
Dark Wood
Mother of Pearl tile
Wicker
Clay plaster
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT SECTION
SECTION BB’
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
AXONOMETRIC VIEW
NT A UR A ST RE
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT VIEW
The colonial character is added through the use of small checkered tiles and furniture. The mother of pearl tiles help to add a shiny quality to the surface and helps to mimick the surface of water.
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
RESTAURANT VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
HEALTH BAR
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
HEALTH BAR PLAN
Female washroom Health bar
The Health Bar is situated near the lake and is the intermediate space before the Fitness centre. It is a space for grabbing healthy food and juices before or after workout. The aim was to create a relaxing, laid back and informal atmosphere in the space. The addition of an outdoor deck adds to the experience and helps to connect with the outside. Following a similar design language, a courtyard has been intrduced to promote visual flow on the vertical axis. The colonial character is brought in through the furniture and floral patterns on the upholstery.
Male washroom
KEYPLAN
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
HEALTH BAR PLAN
B’
A
A’
Wood planks
Wicker
Clay plaster
Chevron pattern Wood
B
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
HEALTH BAR SECTION
SECTION AA’
SECTION BB’ Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
AXONOMETRIC VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
BAR VIEW
The colonial character is added through the use of small chevron pattern wood flooring and furniture. The material palette has been kept warm and tones of white have been added to create a contrast. Terazzo, which is locally used is also used for table and counter tops. Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
BAR VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
ROOM CIRCULATION AND VISUAL FLOW Categories Villas (Double storey) Standard Rooms ( Single storey)
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
VILLA PLAN
KEYPLAN
The aim was to create a free flow in the space. This has been done through placing the furniture towards the center and having the area along the periphery as circulation space. The ground floor plan of the villa is an informal space that helps connect to the outside and overlooks the lake. The staircase leading to the first floor has intentionally been kept through the deck outside to increase interaction with nature. The privacy concern is addressed through the addition of a screen of trees. The first floor has visual connection horizontally through the addition of a lot of wondows, as well as vertically through the addition of skylight. The flow happens around the centrally placed furniture and the space consists of ample of space to practice meditation and exercise.
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
GROUND FLOOR PLAN
B’
A
B
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
FIRST FLOOR PLAN
B’
A’
A
B
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
INTERACTION- FLOW BETWEEN VILLAS The flow between the villas, the interaction is maintained by the addition of gazebos. Even though people might want ample of privacy, the gazebos act as spaces of interaction between people which can be used to relax, meditate or exercise.
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
ROOM SECTION
ROOM AXO
SECTION AA’
SECTION BB’ Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
ROOM VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
ROOM VIEW
Wood planks
Roll No: UI3516
Name: Natasha Taunk
Clay plaster
Dark Wood
Terracotta Tiles
Wicker
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
ROOM VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
ROOM MATERIAL PALETTE
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA LAMINAR FLOW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA PLAN
DEC
DEC
K
K
DEC
K
PANTRY
SPA MANAGER
Couple Therapy Room
Couple Therapy Room
Men's changing and washrooms
Women's changing and washrooms
Men's changing and washrooms
Spa Reception
Plunge Pool
Women's changing and washrooms
PRODUCT DISPLAY
DN
Waiting Area
DECK
DN
STEAM SAUNA ROOM
Indiv. Therapy Room
Indiv. Therapy Room
KEYPLAN
The aim was to connect the interior and the exterior of the linear space horizontally and vertically. Taking water as a healing element, the spa has various influences from the river through the clay plaster flooring and addition of water bodies. The spa is connected to the swimming pool through a courtyard deck. The air flow, visual flow and the layout take place in a laminar, straight manner. The addition of a courtyard near the waiting area helps to get in the sunlight and create beautiful show through the canopy of the trees. All the spaces open up to the outside through the addition of decks. The louvered doors in the therapy rooms help to create atmosphere as desired by the guest- open up to nature or in an enclosed dark atmosphere. There is also an exterior therapy gazebo for guests who wish to have an experience with complete nature immersion.
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA PLAN
Wood planks
Roll No: UI3516
Clay plaster
Dark Wood
Name: Natasha Taunk
Clay plaster
Wicker
Chevron pattern Wood
Mother of Pearl tile
Terracotta
Terazzo
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA SECTION
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA SECTION
AXONOMETRIC VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
AXONOMETRIC VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
SPA VIEW
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh
THANK YOU
Roll No: UI3516
Name: Natasha Taunk
E1/W1-2 Tutor: Prashant Pradhan, Co Tutor: Bharat P, TA: Jaydev Parikh