A P R–J U N 2022
ADVISORY ON COVID-19 (CORONAVIRUS DISEASE 2019) The safety and well-being of our visitors and staff continue to be our top priority. •
Necessary precautionary measures such as wearing masks, contact tracing and safe distancing are in place.
•
The Gallery, together with its F&B establishments, has been certified SG Clean.
Given the constantly changing COVID-19 situation, please visit nationalgallery.sg for the latest updates on tours, events and programmes (including talks and lectures, workshops and courses, children's and family activities at the Keppel Centre for Art Education, performances and film screenings). Thank you for your continued support and understanding as we keep the Gallery safe and enjoyable for everyone.
Rover Thomas Kukatja/Wangkajunga peoples Cyclone Tracy 1991 Natural earth pigments and binder on canvas 168 × 180 cm National Gallery of Australia, Kamberri/Canberra, purchased 1991 © Rover Thomas/Copyright Agency, 2022 Facing page (top to bottom): Image from Your Gallery, Your Way. Emily Kame Kngwarreye, Anmatyerre people, Yam awely, 1995, synthetic polymer paint on canvas, overall 152 × 490 × 4 cm, National Gallery of Australia, Kamberri/Canberra, Gift of the Delmore Collection, Donald and Janet Holt 1995 © Emily Kame Kngwarreye/Copyright Agency, 2022 Antony Gormley. Horizon Field Singapore. 2021. 47 rings of 23 mm square section aluminium tube and stainless steel spigots. Ring diameter varying from 2 to 5.5m. Image credit: Joseph Nair/Memphis West Pictures. © the artist. Alfredo and Isabel Aquilizan + The Fruitjuice Factori Studio. Head/Home. 2021. Cardboard, scaffold and transport palette. Created for Gallery Children's Biennale 2021: Why Art Matters. Copyright in the content in this brochure may also reside in persons and entities other than, and in addition to the Gallery. The Gallery seeks to share our artworks with as many people as we can. We are fully committed to respecting the intellectual property rights of others and always use our best efforts to obtain permission for artwork images used. Please contact us should you have any queries about this. Unless otherwise mentioned, all artwork images have been provided through the courtesy of National Heritage Board and artworks featured are National Gallery Singapore collection. The Gallery Guide is published by National Gallery Singapore. All rights reserved. Materials in this publication may not be reproduced in part or in whole without written consent of the Gallery. Every effort has been made to ensure the accuracy of information within this brochure. However, changes are sometimes unavoidable and the Gallery reserves the right to make modifications to the programmes and ticketing policy without prior notice. Please visit www.nationalgallery.sg for the most updated information. The views and opinions expressed by speakers, facilitators and docents at the workshops and tours do not necessarily represent the position of the Gallery. Published in Apr 2022. All information is correct at time of print.
CO NTE NT S
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APR–JUN 2022 2
About the Gallery
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Director’s Message
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Art We Love
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Your Gallery, Your Way
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#GalleryAnywhere
10 Highlights Calendar
Exhibitions
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12 Special Exhibitions 18 Long-Term Exhibitions 24
Special Programmes Tours
26 Gallery Tours 28 Performances 30 Talks and Workshops
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31 Rotunda Library & Archive
Kids & Schools 32 Keppel Centre for Art Education 36 Shopping & Dining 38 Gallery Publications
Visit Us 40 Ticketing Information 42 General Information
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44 Support the Gallery
Digital Experiences included
ABOUT THE
GALLERY
U N V E I LI N G M O D E R N S I N G A P O R E A N D SOU TH E A S T A S I A N A R T National Gallery Singapore is a leading visual arts institution overseeing the largest public collection of modern art of Singapore and Southeast Asia. Situated at the birthplace of modern Singapore, in the heart of the Civic District, the Gallery is housed in two national monuments—City Hall and former Supreme Court—that have been beautifully restored and transformed into this exciting 64,000 square metre venue. Reflecting Singapore’s unique heritage and geographical location, the Gallery aims to be a progressive museum that creates dialogues between the art of Singapore, Southeast Asia and the world to foster and inspire a creative and inclusive society. This is reflected in our collaborative research, education initiatives, long-term and special exhibitions, and innovative programming.
BOARD MEMBERS Peter Ho (Chairman) Chang Hwee Nee Chew Choon Seng Chong Siak Ching Jennie Chua Rosa Daniel Goh Kok Huat Maimoonah Hussain Shareen Khattar Lee Tung Jean Panote Sirivadhanabhakdi Doris Sohmen-Pao Professor Tan Chorh Chuan Whang Shang Ying Danny Yong 2
FINALIST FOR OUTSTANDING ATTRACTION EXPERIENCE
DIRECTOR’S MESSAGE
Dear friends, Since the Gallery was inaugurated, we have remained steadfast in our commitment to creating a more inclusive society through art. By connecting our visitors to the stories of diverse peoples from the region and beyond, we seek to foster a deeper appreciation for different forms of artistic expression, as well as the lived experiences of communities near and far. In May, we mark the opening of an exhibition that perfectly embodies this ambition. The largest exhibition of its kind to travel to Asia, Ever Present: First Peoples Art of Australia celebrates the cultural and visual diversity of art from the continent through historical and contemporary works by over 140 Aboriginal and Torres Strait Islander artists. An in-depth exploration of Aboriginal and Torres Strait Islander life, culture and beliefs, the exhibition reveals their strong connections to land and the environment as well as links between First Peoples Art of Australia and the broader history of Southeast Asia. In so doing, Ever Present urges visitors to expand their cultural perspective and confront stereotypes about First Nations people and what defines their art. Elsewhere in the Gallery, our permanent and changing exhibitions and broad range of programmes abound with stories waiting to be uncovered. April will see us run an exciting programme in collaboration with The Theatre Practice known as Gallery of Secrets: The Lost Lily, a “phygital” experience that combines theatrical performance with a treasure hunt game based on historical events. With the mid-year school holidays upon us, we have also prepared a host of activities for families to create shared memories through art, such as the Stories in Art series at the Keppel Centre for Art Education. The Gallery Children’s Biennale, which explores important themes of home and belonging, the environment, time and the beauty of diversity, continues to offer both online and on-site programmes that respond to the biennale installations, including a parentchild somatic movement workshop hosted by Vincent Yong. Adventures await around every corner, and we hope you enjoy discovering them at the Gallery soon.
Eugene Tan Director, National Gallery Singapore
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ART WE LOVE
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This painting represents a turning point in Singapore’s struggle for self-government. Chua meticulously staged this scene, from the dark tones of the background, which emphasise the sombreness of the event, to the thoughtful setup of characters. Lee Kuan Yew, then Secretary-General of the People’s Action Party, is the focus of the painting as he addresses supporters at Paya Lebar airport, sharing the success of the Merdeka Talks in London. The Merdeka Talks were a series of constitutional talks initiated in 1956 by then Chief Minister David Marshall to determine the terms of full internal self-government in Singapore. Other key political figures depicted here include E.W. Barker, Devan Nair, Lim Chin Siong and Ong Eng Guan. This painting was previously hung in Parliament House, now The Arts House. On display at City Hall Wing, Level 4 Gallery.
Chua Mia Tee Depiction of Lee Kuan Yew's Return from the Merdeka Talks in London, in late 1950s 1978 Oil on canvas 121 × 151 cm Collection of Parliament of Singapore
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YOUR GALLERY, YOUR WAY
UNVEILING A NEW MUSEUM EXPERIENCE Whether you prefer to pre-plan your visit to the Gallery or simply drop by to explore, we have a suite of welcoming, guided and personalised experiences for you—the choice is in your hands. Now, with a whole new exhibition and programming space in the basement concourse, you can start your journey with an introductory art experience before exploring the rest of the building. The revamped space is designed for an inclusive art experience for everyone and that’s why we’ve made it free entry for all visitors. BROWSE & PLAN YOUR VISIT ANYWHERE! For ultimate flexibility, you can now search for what’s on at the Gallery, plan and pay for your visit wherever you are. Pre-plan your visit and purchase your passes before stepping into the building or choose from a range of self-service options on arrival at any of our entrances. Upon arrival at our main Coleman Entrance, you will be greeted by our Arrival Landmarks that introduce our latest exhibitions and programmes. Scan the respective QR code to get passes and quick-start your visit. If you have already bought your passes online, skip the queues and print them directly at our Gallery Pass Dispensers. Arrival Landmark
Unsure of what to do at the Gallery? Look for inspiration at our new Activity Pillar. If you see something you like, simply add them to your personal art journey on your mobile device by scanning the activity’s QR Code. Activity Pillar
Our new Self-Service Kiosks located around the building can also recommend activities and issue Gallery Passes on the spot.
Self-Service Kiosks
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NEW
If you prefer a more human touch, feel free to approach our roving concierges for help. You can also head to our Visitor Services Counters at Coleman Entrance or Padang Atrium for any other services or special assistance. Visitor Services Counters
It’s Your Gallery, Your Way. With these new additions, you can explore art just the way you like it. IN SYNC WITH YOU Prefer a more personal approach, using your own mobile device? No problem. Simply scan the QR code below to browse, plan and pay for your visit anytime, anywhere – even before you step into the building! Design your own Art Journey Pre-plan your day at the Gallery by simply adding activities or exhibitions to your Art Journey that interest you. Our easy check-out function with multiple e-payment options ensures you have the Gallery Pass that you will need.
SCAN TO LAUNCH PWA
Or explore curated Art Journeys If you are looking for an itinerary to guide your visit, there are several curated art journeys to choose from. Whether it’s your first time at the Gallery, planning a romantic date, or even just here for the ’gram, there is always something for everyone! The Art Journeys function can be synced with our new digital touchpoints like the Activity Pillar and Self-Service Kiosks. If you find an activity that piques your interest, simply scan the corresponding QR code to add it into your journey. Navigating around the Gallery has never been easier! 7
YOUR GALLERY, YOUR WAY FREE AND EASY ART ENCOUNTERS Artist Joseph Beuys famously said: “Everything is art: every aspect of life can be approached creatively and, as a result, everyone has the potential to be an artist.” Inspired by this theory of Social Sculpture, the Galley has re-designed the basement concourse to bring out the creative spirit in everyone! The entire basement concourse level is now free for all visitors, including non-Singaporeans, to enjoy. Start off your art journey with multi-disciplinary and multi-generational exhibitions and programmes at The Spine Hall, Imagination Gallery, Ngee Ann Kongsi and Koh Seow Chuan Galleries or check out innovative, tech-enabled art experiences at the Y-Lab Art Tech Showcase and Work Space.
The Spine Hall.
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Spark Your Inspiration at The Spine Hall and Imagination Gallery The Spine Hall is a new space within the basement concourse at the City Hall Wing that features large-scale artworks and programmes. From July, The Spine Hall will be a key venue for the first major sculpture survey in 30 years Nothing is Forever: Rethinking Sculpture in Singapore. Explore art installations from the Gallery Children's Biennale, such as Voices from the Centers by Dinh Q. Lê, at The Imagination Gallery in the Supreme Court Wing. The artworks and programmes in these spaces will be refreshed frequently to continue to let art inspire you.
Dinh Q. Lê. Voices from the Centers. 2021. Mixed media – Plywood, prints on vinyl, computers, camera, microphones, paper and found media images. Created for Gallery Children's Biennale 2021: Why Art Matters.
#GALLERYANYWHERE www.nationalgallery.sg/galleryanywhere The Gallery offers a wide range of art experiences both in physical spaces and on #GalleryAnywhere, a one-stop portal to rich digital content and an array of virtual explorations that will keep you engaged and entertained wherever you are. Browse, watch, listen or play to discover the Gallery’s myriad offerings. 9
HIGHLIGHTS CALENDAR For the latest updates on exhibitions and programmes, please visit nationalgallery.sg.
APR
10 SUN CURATOR TOUR (p.26)
Wu Guanzhong: Learning from the Master
4–18 DAILY
PERFORMANCE (p.28)
Gallery of Secrets: The Lost Lily by The Theatre Practice
MAY ONGOING
ONGOING
SPECIAL EXHIBITION (p.14)
SPECIAL EXHIBITION (p.16)
Chua Mia Tee: Directing The Real
Chua Mia Tee. Epic Poem of Malaya. 1955. Oil on canvas, 105.5 × 125 cm. Collection of National Gallery Singapore. This work has been collectively adopted by [Adopt Now] supporters.
NG TENG FONG ROOF GARDEN COMMISSION: ANTONY GORMLEY Antony Gormley. Horizon Field Singapore. 2021. 47 rings of 23 mm square section aluminium tube and stainless steel spigots. Ring diameter varying from 2 to 5.5m. Image credit: Joseph Nair/Memphis West Pictures. © the artist.
JUN
10
4 SAT
ONGOING
SPECIAL PROGRAMMES (p.29)
SPECIAL PROGRAMMES (p.24)
Sound Makers by LittleCr3atures™
GALLERY CHILDREN’S BIENNALE 2021: WHY ART MATTERS
Digital Experiences included nationalgallery.sg/galleryanywhere
CLOSING
10 SUN
SPECIAL EXHIBITION (p.15)
Wu Guanzhong: Learning from the Master
16 SAT TALKS (p.30)
Wu with students from the 1977 class of Central Academy of Art and Design’s Department of Graphic Design, on an outdoor drawing trip to Shanhai Pass, October 1978. Image courtesy of Zhang Peng.
In-Gallery Sessions Other dates: Every 3rd Sat of the month
14 SAT KIDS' PROGRAMMES (p.34)
Stories in Art Other dates: Every 2nd & 4th Sat & Sun
27 FRI SPECIAL EXHIBITION (p.12)
Ever Present: First Peoples Art of Australia
NEW
Emily Kame Kngwarreye, Anmatyerre people, Yam awely, 1995, synthetic polymer paint on canvas, overall 152 × 490 × 4 cm, National Gallery of Australia, Kamberri/Canberra, Gift of the Delmore Collection, Donald and Janet Holt 1995 © Emily Kame Kngwarreye/ Copyright Agency, 2022
5 SUN
CLOSING
WORKSHOP (p.29)
12 SUN
Resonates With: We the Children by PLAY!
SPECIAL EXHIBITION (p.20)
The Tailors and the Mannequins: Chen Cheng Mei and You Khin Chen Cheng Mei. Market Scene, Sri Lanka. 1975. Oil on canvas, 61 × 80 cm. Recent acquisition.
nationalgallery.sg/galleryanywhere
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SPECIAL EXHIBITIONS EVER PRESENT: FIRST PEOPLES ART OF AUSTRALIA Opening on 27 May | City Hall Wing, Level 3, Singtel Special Exhibition Gallery
Rover Thomas, Kukatja/Wangkajunga peoples, Cyclone Tracy, 1991, natural earth pigments and binder on canvas, 168 × 180 cm, National Gallery of Australia, Kamberri/Canberra, purchased 1991 © Rover Thomas/Copyright Agency, 2022
In Partnership with
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Emily Kame Kngwarreye, Anmatyerre people, Yam awely, 1995, synthetic polymer paint on canvas, overall 152 × 490 × 4 cm, National Gallery of Australia, Kamberri/Canberra, Gift of the Delmore Collection, Donald and Janet Holt 1995 © Emily Kame Kngwarreye/Copyright Agency, 2022
Ever Present: First Peoples Art of Australia surveys historical and contemporary works by over 140 Aboriginal and Torres Strait Islander artists from across Australia—the largest exhibition of its kind to travel to Asia. Drawn from the collections of the National Gallery of Australia and Wesfarmers Collection of Australian Art, the artworks show deep interconnections between past and present, as well as extraordinary artistic innovation. Ever Present celebrates Aboriginal and Torres Strait Islander art, while also grappling with Australia’s complex histories. Art emerges as a tool of resistance, asserting deep connections to country, as well as using wit and satire to confront viewers and encourage conversations about critical issues in the world today. The works challenge stereotypes about First Nations people and what defines their art. This exhibition explores key aspects of Aboriginal and Torres Strait Islander life and culture, arranged thematically to highlight connections to land, community and ceremony, as well as experiences of colonisation and resistance. The exhibition also draws out links with Southeast Asia, connecting First People’s art from Australia to the broader history of this region. Ever Present: First Peoples Art of Australia is presented by National Gallery Singapore in partnership with National Gallery of Australia and Wesfarmers Arts.
Touring Partner
Lead Partner
Strategic Partner
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Exhibitions
NEW
SPECIAL EXHIBITIONS CHUA MIA TEE: DIRECTING THE REAL Ongoing | City Hall Wing, Level 4 Gallery
Chua Mia Tee Portable Cinema 1977 Oil on canvas 78.5 × 79.4 cm Gift of Times Publishing Limited
Chua Mia Tee (b. 1931) is widely regarded as one of Singapore's leading realist artists. According to Chua, “The painter assumes the role of scriptwriter, director and actor to freely shape the subject's image.” Through the lens of film and his writings, this exhibition focuses on Chua’s practice from the 1950s to 1980s, a period of contention in Singapore as the young nation developed and strove for economic success. Chua's depictions of the city and its inhabitants offer insight into Singapore’s ambition for progress and the diverse groups of people who have contributed to its story. Strategic Partner
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WU GUANZHONG: LEARNING FROM THE MASTER
CLOSING SOON
Closing on 10 Apr | City Hall Wing, Level 4, Wu Guanzhong Gallery
Wu with students from the 1977 class of Central Academy of Art and Design’s Department of Graphic Design, on an outdoor drawing trip to Shanhai Pass, October 1978. Image courtesy of Zhang Peng.
Wu Guanzhong (1919–2010) is one of the most significant Chinese painters of the 20th-century, renowned for his innovative fusion of Chinese aesthetic elements with Western modernism. He is also acclaimed as an educator, who shared his artistic practices and philosophies with students at leading art educational institutions in China over a teaching career that spanned more than 40 years. Wu Guanzhong: Learning from the Master invites you to have a deeper look into intimate dialogues between Wu and his students at the Central Academy of Art and Design on their creative journeys, as they explored techniques, aesthetic sensibilities and more. The exhibition investigates for the first time Wu’s philosophies of art and pedagogy through manuscripts, art journals, sketchbooks, photographs and drawings by the master and his students. This is the fifth exhibition in the Wu Guanzhong series, launched in 2015, which expands upon Wu’s life and practice following the previous exhibitions Beauty Beyond Form (2015), A Walk through Nature (2017), Expressions of Pen & Palette (2018) and Art Nurtures Life (2019). Strategic Partner
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SPECIAL EXHIBITIONS NG TENG FONG ROOF GARDEN COMMISSION: ANTONY GORMLEY Ongoing | Ng Teng Fong Roof Garden Gallery
Antony Gormley. Horizon Field Singapore, 2021. 47 rings of 23 mm square section aluminium tube and stainless steel spigots. Ring diameter varying from 2 to 5.5m. Image credit: Joseph Nair/ Memphis West Pictures. © the artist
Antony Gormley (b. 1950, United Kingdom) is internationally renowned for his sculptures, installations and public artworks that investigate the relationship between the human body and space. The fifth Ng Teng Fong Roof Garden Commission, Horizon Field Singapore, invites visitors into an immersive experience exploring space and form. A virtual Curator Tour led by Russell Storer and Qinyi Lim introduces Gormley's evolving practice and invites visitors to consider the relationship between our bodies, nature and the cosmos. The video is available on our website: https://www.nationalgallery.sg/exhibition/ antony-gormley. Series Partner
The Ng Teng Fong Roof Garden Gallery is made possible with the support of Far East Organization. 16
ANTONY GORMLEY Ongoing | Various locations Three of Gormley’s earlier sculptures—Close V, Sense and Ferment—will also be on display in the Gallery’s public spaces, activating and engaging with the architecture of the buildings.
Antony Gormley Close V 1998 Cast iron 27 × 201 × 174 cm Image credit: Joseph Nair/ Memphis West Pictures © the artist
Antony Gormley Ferment 2007 2 mm square section stainless steel bar 273 × 177 × 211 cm Image credit: Joseph Nair/ Memphis West Pictures © the artist
Antony Gormley Sense 1991 Concrete 74.5 × 62.5 × 60 cm Image credit: Joseph Nair/ Memphis West Pictures © the artist
Strategic Partner
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LONG-TERM EXHIBITIONS SIAPA NAMA KAMU? ART IN SINGAPORE SINCE THE 19TH CENTURY Ongoing | City Hall Wing, Level 2, DBS Singapore Gallery The Gallery’s long-term exhibitions feature over 800 Singapore and Southeast Asian artworks, and are constantly evolving. Every year, visitors can discover over 200 new pieces. These updates to our long-term exhibitions allow us to display our artworks in new and exciting configurations, enabling us to tell different stories and introduce new perspectives. Each gallery has a distinct focus, which may be a specific medium or subject matter, or tracing an impulse shared by various artists at a particular moment in time. Refreshing our exhibitions also allows us to showcase works that we have recently acquired alongside our latest research, thereby continually expanding and enriching the narratives of art in the region.
Sarkasi Said (Tzee) Aspirations 1989 Batik 60 × 60 cm
Lai Foong Moi. Not titled (Pulling in Fishing Nets), 1963. Oil on canvas, 38.5 × 53.5 cm.
This monochromatic work effectively conveys the teeming activity of fishermen reeling in their nets despite the sparing use of colour and lack of pictorial detail. Lai Foong Moi was the first graduate from the Nanyang Academy of Fine Arts to further her artistic training in Paris. She returned to Singapore in 1958 and painted many landscapes and portraits of everyday life in Singapore and Southeast Asia. On display in DBS Singapore Gallery 1.
Aspirations combines assertive, energetic lines with vibrant colours. Sarkasi Said, who went by the artist name Tzee, was an avid naturalist and often drew upon nature’s splendour to create dynamic visual rhythms and textured compositions. Throughout his lifetime, Sarkasi sought to elevate the appreciation of batik painting in Singapore, both as fine art and as a commercial craft, and was awarded the Cultural Medallion in 2020 in recognition of his achievements and contributions. On display in DBS Singapore Gallery 2.
The DBS Singapore Gallery is made possible with the support of DBS Bank. 18
BETWEEN DECLARATIONS & DREAMS: ART OF SOUTHEAST ASIA SINCE THE 19TH CENTURY Ongoing | Supreme Court Wing, Levels 3–5, UOB Southeast Asia Gallery
Nhek Dim Village Scene 1960 Oil on canvas 55 × 75.5 cm
Nhek Dim was the most celebrated painter in Cambodia during the 1960s, when the nation became embroiled in Cold War conflicts. Village Scene was featured in a 1961 exhibition organised by the United States Information Service in Phnom Penh, and subsequently reproduced in Free World, a magazine published by the United States in several Southeast Asian languages and distributed widely. The warm colours and flattened forms are typical of Nhek Dim’s work. This painting evokes a sense of tropical abundance, a trope often employed by modern artists in Southeast Asia to describe peasant life. On display in UOB Southeast Asia Gallery 13.
This is an extremely rare painting of General Aung San, the key architect of Myanmar’s independence from British colonial rule and father of Aung San Suu Kyi. Likely painted from a photograph, this vividly realistic yet heartfelt portrait was painted by U Ngwe Gaing, a leading modernist painter of the period. On display in UOB Southeast Asia Gallery 6. U Ngwe Gaing. Portrait of General Aung San. c. 1950−1967. Oil on cardboard support lined on pre-primed cotton fabric, 50 × 39.5 cm. This acquisition was made possible with donations to the Art Adoption & Acquisition Programme.
The UOB Southeast Asia Gallery is made possible with the support of UOB. 19
LONG–TERM EXHIBITIONS THE TAILORS AND THE MANNEQUINS: CHEN CHENG MEI AND YOU KHIN
CLOSING SOON
Closing 12 Jun | Dalam Southeast Asia, Level 3, UOB Southeast Asia Gallery
Chen Cheng Mei. Market Scene, Sri Lanka. 1975. Oil on canvas, 61 × 80 cm. Recent acquisition.
You Khin. Untitled (Doha Scene: Pakistani Bakers). 1990. Oil on canvas, 65 × 100 cm. Recent acquisition.
Dalam Southeast Asia is a project space located within the UOB Southeast Asia Gallery. Projects presented here ask critical questions and explore lesser-known narratives in Southeast Asian art, while attempting a recalibration of what a collections-based display is and what it may seek to achieve. This exhibition features artworks by Chen Cheng Mei and You Khin. Both artists adopted highly individual styles, led unusual lives and have been outliers in most art historical accounts. Although Chen and You Khin did not know each other and were born two decades apart, they shared a lasting affinity for portraying everyday scenes in diverse locations. While Chen lived and worked in Singapore, she travelled extensively in Africa, South Asia and elsewhere. She made this painting, Market Scene, Sri Lanka, after one of several trips there. Her journeys inspired a planetary consciousness that is reflected in her artwork. You Khin was born in Cambodia but lived in Africa and the Middle East between the 1970s and 2000s. His artworks often capture aspects of daily life, reflecting his belief that “My world is modern.” The UOB Southeast Asia Gallery is made possible with the support of UOB. Visit our website for the e-catalogue for The Tailors and the Mannequins. It examines how the two artists drew from their encounters with modern people in unfamiliar locations and features a selection of photographs, sketches and biographical timelines. nationalgallery.sg/southeastasia-dalam-tailors-mannequins 20
UNREALISED Ongoing | Accessible only via the Gallery Explorer app
unrealised is a virtual experience developed in dialogue with three artists—Heman Chong, Ho Tzu Nyen and Erika Tan. It tests the potential of the digital image within the physical spaces of the Gallery’s long-term displays. To access unrealised, please download the Gallery Explorer app from the App Store and Google Play store. For more information, please visit nationalgallery.sg/unrealised.
SCAN TO DOWNLOAD APP
Please note earphones are required to experience unrealised. 21
LONG–TERM EXHIBITIONS OUTBOUND Ongoing | Various locations
nationalgallery.sg/outbound #outboundsg
Gary Carsley (b. 1957, Australia) with Jeremy Chu (b. 1973, Singapore) at their co-created installation The Regency Made Me Blind (2018), an OUTBOUND commission by National Gallery Singapore. Laser print on photocopier paper, latex print on self-adhesive vinyl, UV print on backlit film rendered as mechanised roller blinds, UV laminated C-print applied to IKEA Gilbert chair. An OUTBOUND commission by National Gallery Singapore
This stairway “garden” is made with digitally composited photographs of botanical gardens in Hanoi, Manila, Bogor, Kuala Lumpur and Singapore, all of which have colonial origins. Bands of colours mimicking Regency-era stripes were later superimposed on the images. These were then printed on roller blinds, self-adhesive vinyl and more than 5,000 sheets of coloured A4 photocopier paper, which the artists reverently applied to the walls. This meditative labour is inspired by the meticulous gold leafing of the interiors of sacred places and is also evoked by the Tibetan Buddhist mantras on the walls, which symbolically cleanse passing visitors of negative karma. OUTBOUND is a series of unique commissions that imaginatively transforms transitional spaces at the Gallery. Each commission is an artistic and temporal landmark that anchors and guides the visitor’s experience while highlighting the Gallery’s iconic architecture. The inaugural season presents projects from artists Gary Carsley (Australia), Jeremy Chu (Singapore), Jane Lee (Singapore), Haegue Yang (South Korea) and Yee I-Lann (Malaysia). 22
LISTENING TO ARCHITECTURE: THE GALLERY’S HISTORIES AND TRANSFORMATIONS Ongoing | City Hall Wing, Level 4, ArchiGallery
Zai Tang. Resident Frequencies: A Brief Aural History of National Gallery Singapore. 2017. Eight-channel sound installation, 36 mins. Commissioned by National Gallery Singapore. Image courtesy of the artist.
The architecture of the City Hall and former Supreme Court buildings may be imagined as an ongoing conversation between different generations across time. The inaugural exhibition at the ArchiGallery offers insights into the enduring histories and architectural designs of the two national monuments and their dramatic transformations into a home for Southeast Asian art. It also features never-before-seen artefacts excavated from the Gallery’s grounds, and a commissioned sonic artwork by artist Zai Tang that draws on the historical, social and spatial memories created in the buildings.
LAW OF THE LAND: HIGHLIGHTS OF SINGAPORE’S CONSTITUTIONAL DOCUMENTS Ongoing | Supreme Court Wing, Level 3, Chief Justice's Chamber & Office Organised by the National Archives of Singapore (NAS) and the National Library Board (NLB), this exhibition explores the history of Singapore’s constitutional development from a British settlement in 1819 to its emergence as a sovereign republic in 1965. It presents a selection of 23 rare documents from the NAS and NLB's collections, each capturing a key moment in Singapore's legal history and journey to independence.
Third Charter of Justice, 1855 This document affirmed the reception of English law in Singapore and provided the settlement with its own professional judge (then known as a Recorder).
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SPECIAL PROGRAMMES
REE I S F 22! N O C 20 ISSI E A D M TILL D W O N
R -EVE IRST ! UR F N RE O EDITIO O L P EX BRID
Explore the online festival here
HY
ENRICH YOUR BIENNALE EXPERIENCE WITH THESE PROGRAMES! Programmes
Dates
Venue
STORIES WITH KAMINI Sun, 8 May Supreme Court Wing, Level 1, RAMACHANDRAN: 2.30pm Supreme Court Foyer • A Day’s Book by Joyce Ho • The Harimau and the Bee Online • The Monkey God and the Mermaid • The Tree's Lesson SOUND MAKERS BY LITTLECR3ATURESTM Move with Me! A SOMATIC SERIES WITH VINCENT YONG
Sat, 4 Jun 2.30–3pm | Ages 3–6 3.30–4pm | Ages 1.5–3 4.30–5pm | Ages 0–1.5
Sat–Sun, 2–3 Apr City Hall Wing, Level 5, 2.30–4pm, Rooftop Studios 3 and 4 4.30–6pm
Home in Nature, Nature in Home by LITTLECR3ATURESTM 24
City Hall Wing, Level 5, Rooftop Studios 1 and 2
Online
Visit www.childrensbiennale.com for more online content!
Special Programmes
Ignite your child's curiosity by exploring participatory works while learning about the four themes—Home, Environment, Diversity, Time—in our first-ever hybrid edition!
DON'T MISS THESE HIGHLIGHTS! A Day’s Book by Joyce Ho This curious library of daily diaries is filled with intriguing stories penned by children all over the world. Pick up a book to read or contribute your own stories to the library!
Voices from the Centers by Dinh Q. Lê It’s time for our little musicians and actors to let their creative juices flow! Record unique videos here in response to a selection of artworks. Remember to check out the spectacular accompanying display at the Padang Atrium!
BEHOME by Speak Cryptic and ADDADDADD Explore the world of BB Cool Bee and his bee friends. Immerse yourself in the interactive installation or play some arcade games inspired by the process of honey-making!
Development Partner
Strategic Partner
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GALLERY TOURS DAILY TOURS Explore the rich history of our buildings and collections by joining one of our guided tours led by trained docents. To reserve a slot, register online or proceed to Visitor Services at Padang Atrium Level 1 at least 30 minutes before the tour starts. Limited slots are available on a first come, first served basis. Tour participants should purchase a Pass before joining a tour with the exception of Building Highlights Tour, which does not require any passes.
BUILDING HIGHLIGHTS - FREE English Thu–Sun 11am | Mandarin Sat–Sun 11.30am | Japanese 1st & 3rd Thurs 1.30pm | Free
DBS SINGAPORE GALLERY HIGHLIGHTS English Thu–Sun 1pm | Mandarin Sat–Sun noon
HIGHLIGHTS OF THE GALLERY English Fri–Sun 1.30pm | Mandarin Sat–Sun 4pm
UOB SOUTHEAST ASIA GALLERY HIGHLIGHTS English Thu–Sun 3.30pm | Mandarin Sat–Sun 3pm
HIGHLIGHTS OF CHUA MIA TEE: DIRECTING THE REAL English Thu–Sun 11.30am | Mandarin Sat–Sun 2pm
HIGHLIGHTS OF EVER PRESENT: FIRST PEOPLES ART OF AUSTRALIA (STARTS 11 JUN) English Thu–Sun 2pm | Mandarin Sat–Sun 1.30pm
HIGHLIGHTS OF THE TAILORS AND THE MANNEQUINS: CHEN CHENG MEI AND YOU KHIN English Fri–Sat 12pm
CURATOR TOURS Join exhibition curators and discover artwork and archival highlights, curatorial narratives and behind-the-scenes processes that went into the making of our current exhibitions.
Wu Guanzhong: Learning from the Master English Curator Tour Sun 10 Apr | 11–11.45am | City Hall Wing, Level 4, Wu Guanzhong Gallery | Free (registration required) Led by the curators of Wu Guanzhong: Learning from the Master, this tour delves into the exhibition’s curatorial narratives and offers insights into the artist’s pedagogy during his teaching career that spanned over 40 years.
GROUP TOURS COMMUNITY GROUPS The Gallery offers guided tours for community groups at a concessionary rate. For more information, please email groupenquiries@nationalgallery.sg.
CORPORATE OR OTHER PRIVATE GROUPS Please email groupenquiries@nationalgallery.sg for more information. 26
SELF-GUIDED AUDIO TOURS Download our free Gallery Explorer app to enjoy rich audio commentary on our long-term and special exhibitions.
SCAN TO DOWNLOAD GALLERY EXPLORER APP
Tours
ART X COCKTAILS TOUR Sat 4pm, Sun 6pm | $35 per ticket (U.P. $45), limited slots | General Admission ticket also required Add a touch of culture to happy hour with the perfect pairing of art and cocktails at the Gallery! Go on a 60-minute docent-led tour to discover the artworks that inspired craft cocktails from Smoke & Mirrors and learn about the evolution of cocktails throughout history. Note: The tour is not suitable for visitors below the age of 18. Tour ticket comes with one (1) complimentary cocktail from “The Real Art of Drinking” menu at Smoke & Mirrors, or a mocktail if desired.
BACK-OF-HOUSE TOURS FORMER SUPREME COURT: UNSEEN, UNHEARD Sat 2.30pm, 5.15pm, Sun 2.30pm, 4.30pm | $15 per ticket, limited slots | General Admission ticket also required This tour offers a glimpse into restricted areas of the former Supreme Court, usually out of bounds to the public. Go behind the scenes and find out more about courtroom proceedings and the experience of persons on trial as you: • Traverse a network of hidden passageways • Climb through a trapdoor into a prisoner’s dock • Gain access to the Viewing Gallery where members of the public used to sit during court hearings • Discover stories of some of the highest profile cases in Singapore’s history since 1939, tried in these very courtrooms Note: The tour is not suitable for children below the age of 13 and visitors with limited mobility. Please wear comfortable footwear and attire. Wearing high heels is strongly not recommended due to safety reasons. 27
PERFORMANCES GALLERY OF SECRETS: THE LOST LILY BY THE THEATRE PRACTICE Daily 4–18 Apr | 8pm, 10pm | Online: https://galleryofsecrets.live A lost painting emerges, a mythical treasure awakens. Will you be the one to find the lost lily? The hunt is on. Gallery of Secrets: The Lost Lily is a thrilling treasure hunt combining theatre, film and gaming. Watch the action unfold on screen before diving into the story as you interview characters, gather clues and break codes. Available as a hybrid or fully digital experience on https://galleryofsecrets.live, join the hunt wherever you are in the world!
PICTURES AT AN (SEA) EXHIBITION BY ROBERT CASTEELS Fri–Sun, 8–10 Apr | 2.30pm | Supreme Court Wing, Level 3, UOB Southeast Asia Gallery In Pictures at an (SEA) Exhibition, six acclaimed Singaporean and Singapore-based composers, Dr Robert Casteels, Dr Ho Chee-Kong, Dr Hoh Chung Shih, Dr Joyce Beetuan Koh, Dr John Sharpley and Cultural Medallion recipient Eric Watson, will compose new pieces based on literary works and artworks from the UOB Southeast Asia Gallery.
A WALK THROUGH TIME – A WALKING TOUR OF THE SINGAPORE RIVER Jun | 2.30pm | Meet at the Singapore River Join us for a walk down memory lane as we journey along the Singapore River and other spaces depicted in the works of Chua Mia Tee, in conjunction with the special exhibition, Chua Mia Tee: Directing the Real.
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RESONATES WITH RESIDENCY WE THE CHILDREN BY PLAY! In the first Resonates With Residency, the artist collective PLAY! uncovers the many ways in which the young and young at heart access their feelings, desires and needs through a series of performances and workshops comprising music, dance, multimedia and video art. Join Chew Shaw En, Clare Chong, Moira Loh and other guest artists as they explore what it means to nourish and feed the child within and to stay curious about the world around us.
Performances
Performances: Sat 30 Apr | 2.30pm & 4pm | Padang Atrium Sat 28 May | 2.30pm & 4pm | Padang Atrium Sat 25 Jun | 2.30pm | City Hall Wing, Level 2, Singapore Courtyard Workshops: Sat 16 Apr | 11am & 2pm | City Hall Wing, Level 1, Keppel Centre for Art Education Workshop Mon 2 May | 1pm | City Hall Wing, Level 1, Keppel Centre for Art Education Workshop Sun 5 Jun | 2pm | City Hall Wing, Level 5, Rooftop Studios Online: Sat 18 Jun | 2.30pm | Online, Gallery Facebook and YouTube pages 29
TALKS & WORKSHOPS PODCAST: NO FLASH Welcome to our official unofficial podcast, NO FLASH. These are impossible interviews, tall tales and the strangest stories never told. This is the Gallery like you’ve never heard it. Season 1, Unstill Life, is available now on your favourite podcast platforms.
PODCAST: THE PADANG SESSIONS Join us as we chart the art of Southeast Asia and beyond, one dialogue at a time. Follow The Padang Sessions on your favourite podcast platforms to access our audio archive of lectures, panels and conversations recorded live in the Gallery, whenever and wherever you are.
IN-GALLERY SESSIONS In-Gallery Sessions is a monthly programme, which prompts closer examination of the artworks on display. The series offers a platform for Gallery curators, artists and practitioners to delve into the processes and narratives behind the artworks in our collection in an intimate setting. For updates and registration details, please visit nationalgallery.sg.
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ROTUNDA LIBRARY & ARCHIVE
Situated in the heart of the former Supreme Court, where the legal reference library was once located, the Rotunda Library & Archive offers visitors a gateway to the Gallery’s extensive collection of reference and archival materials focusing on 19th to 20th-century art of Singapore and Southeast Asia, and provides a welcoming environment for reading and research. The Library & Archive collection consists of approximately 20,000 archival and nearly 10,000 reference materials. Of these, the archives consist of artists’ primary resources such as letters, writings, interviews, recordings of performances, sketches and drawings, as well as press clippings and other exhibition-related ephemera. The resources continue to grow thanks to the generous support of artists and their families, collectors and other collaborators. For assistance or enquiries, please write to library.archive@nationalgallery.sg. You may also access a large selection of resources from our artwork and Library & Archive collections on our Collections Search Portal at collections.nationalgallery.sg. OPERATING HOURS: Mon–Fri 10am–12.30pm, 2–5pm, Closed Fri 15 Apr, Mon 2 May, Tue 3 May, Mon 16 May.
ACCESS OVER 6,000 ARTWORKS AND 8,000 ARCHIVAL MATERIALS
*The hours may change in accordance with the Government’s latest COVID-19 advisory. Please check the Gallery’s website and social media for latest information.
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KEPPEL CENTRE FOR ART EDUCATION
The Keppel Centre for Art Education is a dynamic space where art inspires new ways of learning. Come experience the immersive spaces that encourage imagination, creativity and self-led exploration. The Centre also provides a lively line-up of programmes for youth, children and families all year round. Located on Level 1 of the City Hall Wing, the Keppel Centre is easily accessible to schools and families with young children. Admission is free.
5+
YEARS
ART IN EVERY CORNER!
Immerse yourself in Mural Play! and hands-on activities inspired by the Gallery's artworks and fuel your creativity! Imagine if the artworks came alive and started roaming freely about our Gallery. Play detective and help us find our artworks or create new compositions with magnetic elements as a storyteller!
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NEW
4+
YEARS
BECAUSE IT MAKES ME FEEL…
NEW
Home is a relationship between people, and a feeling of belonging. Nandita Mukand invites you to imagine different worlds, explore different homes and learn more about what gives you a sense of belonging.
5+
YEARS
INK STUDIO
If robots could create anything, what would you want them to make and why? Children are invited to express their creativity and think about whether robots could be considered artists. They can also explore the tools used by Singapore artist Yeo Shih Yun to create her abstract ink paintings.
4+
YEARS
MY INK-CREDIBLE ADVENTURE
Run across the padded floor, clap your hands as loud as you can, or move your arms in each zone! What will happen next? Surrounded by swirling brushstrokes created by artist Yeo Shih Yun, revel in the energy of ink splatters in this lively space as you embark on your own Ink-credible Adventure! Kids & Schools
For more information, please visit nationalgallery.sg/gallerykids.
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e asy s teps
The Keppel Centre for Art Education is open with limited capacity and Safe Management Measures in place so that you can enjoy a safe and fun visit with family and friends. Please check our website for the latest updates on what's happening at the Centre!
Let’s keep the Keppel Centre clean and safe for everyone to enjoy, with just 3 steps! 1 Keep your mask on at all times. 2 Sanitise your hands carefully. 3 Inform an adult if you are not feeling well.
The Keppel Centre for Art Education is made possible with the support of Keppel Corporation. 33
KIDS’ PROGRAMMES & ACTIVITIES Enjoy family programmes specially designed and conducted by artists and museum facilitators to develop children’s sense of curiosity, imagination and appreciation of art. To receive the latest programme information, visit nationalgallery.sg/gallerykids.
FAMILY PROGRAMMES 3+
YEARS
DROP-IN ACTIVITY
Daily | 10am–7pm | City Hall Wing, Level 1, Keppel Centre for Art Education | Free Get creative! Experiment with different media in the Keppel Workshops to to learn more about the themes explored in our artworks.
4+
YEARS
STORIES IN ART
Every 2nd and 4th Sat & Sun, Every 2nd and 4th weekend of the month | 2.30–3.15pm, 3.30–4.15pm | City Hall Wing, Level 1, Keppel Centre for Art Education | Free (registration required) Listen as our storyteller narrates stories inspired by the artworks found in our Gallery. Why not join in the fun with a song or rhyme?
5+
YEARS
FAMILY ART TOURS
Every 1st and 3rd Sat & Sun of every month | 2.30–3.20pm, 3.30–4.20pm | City Hall Wing, Level 1, Keppel Centre for Art Education | Free (registration required) Learn about different artworks and enjoy engaging conversations with your family as our facilitator takes you on a tour to discuss art and themes relevant to life today.
OTHER KIDS’ ACTIVITIES
GALLERYKIDS! WEBSITE Online , www.gallerykids.sg Watch a storytelling session or create an artwork inspired by our art tutorials—there is always something for your children to explore on GalleryKids! Don’t forget to join us as a member to track your learning journey and for updates on our latest activities. 34
SCHOOL PROGRAMMES Our school programmes support teaching, learning and research in art and museum education. Resources such as Click and Play Packs are available for teachers who wish to engage students in learning with our artwork collection. For more information, please email school.bookings@nationalgallery.sg. Travelling Art Programme The Travelling Art Programme is an outreach programme that engages students in learning about art through a series of mobile art carts that can be loaned to schools. Inspired by the Gallery's collection, these mobile art carts provide students with opportunities to participate in imaginative activities and dialogues. For more information, please email school.outreach@nationalgallery.sg. Youth Creative Response Sat 2 Apr | 2–3pm | City Hall Wing, Level 2, Singapore Courtyard | Free This programme is designed to deepen youths’ understanding and appreciation of the artworks featured in special exhibitions at the Gallery. In conjunction with the Ng Teng Fong Roof Garden Commission, Horizon Field Singapore by Antony Gormley, students from the dance and music programmes at Nanyang Academy of Fine Arts will respond to the artwork through interdisciplinary performances. Museum-based Learning Tours The Museum-based Learning Programme is designed to help students learn more about the Gallery's collection through lively discussions with role-playing and drawing. This programme is facilitated by museum educators and is available both on-site and online.
NAFA students' performance in response to the second Ng Teng Fong Rooftop Garden Commission, untitled 2018 (the infinite dimensions of smallness) by Rirkrit Tiravanija, in 2018.
For more information, please email school.outreach@nationalgallery.sg. Educators’ Programmes Looking for meaningful programmes for your professional development? The Gallery offers a variety of programmes to support educators in learning and teaching about art. These programmes are designed to develop visual literacy, art interpretive skills and museum-based educational strategies. For more information, please email school.bookings@nationalgallery.sg.
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SHOPPING & DINING
For the latest updates on our Shopping & Dining outlets, please visit nationalgallery.sg/see-do/shopping-and-dining.
ART City Hall Wing, Level 6 | Tel: 6866 1977 Tue−Sun noon−2pm, 6.30−10pm
Art is an elegant contemporary Italian restaurant helmed by Michelin-star Chef-Restaurateur Beppe De Vito. Dining at Art will take you on a journey through an ever-evolving menu that brings together Italian tradition, topquality produce and innovative culinary techniques. Art is located at the Gallery rooftop, with indoor and alfresco seating available.
COURTYARD CAFÉ & LOUNGE Supreme Court Wing, Level 1 | Tel: 6384 1874 Sun–Thu 10am−6pm (last order at 5.30pm) Fri, Sat 10am-7pm (last order at 6.30pm)
Nestled in a cosy corner of the Gallery, relax in a tranquil ambience with soothing jazz at Courtyard Café & Lounge. Specialising in Straits Asian delights and Asian fusion tapas, dig in to authentic and modern interpretations of local dishes including a selection of traditional kuehs, cakes, toast, and beverages.
GEMMA City Hall Wing, Level 5 | Tel: 8787 0977 Tue–Sun noon−2.30pm, 6.30−10.30pm
A concept by Beppe De Vito of Il Lido Group, this contemporary Italian steakhouse in the city is a modern renaissance of Italian fine dining.
HACHI RESTAURANT Supreme Court Wing, Level 1 | Tel: 6734 9622 Mon–Sat noon–2.30pm, 6–11pm
Hachi Restaurant continues its 20-year tradition of Japanese seasonal omakase dining with its new flagship at the Gallery. Expect new creations and techniques that showcase the best ingredients from the land and seas of Japan.
NATIONAL KITCHEN BY VIOLET OON SINGAPORE City Hall Wing, Level 2 | Tel: 9834 9935 Daily noon–2.30pm 3–5pm (afternoon tea, weekends only) 6–10.30pm
Helmed by local celebrity chef Violet Oon, National Kitchen serves perennial favourites that reflect Singapore’s rich culinary heritage. 36
Patrons to our F&B establishments are reminded to adhere to the prevailing Safe Management Measures, and that the consumption of alcohol is prohibited after 10.30pm.
ODETTE Supreme Court Wing, Level 1 | Tel: 6385 0498 Mon−Sat noon−1.15pm (last seating), 7−8.15pm (last seating). Closed on Sundays and Public Holidays
This modern French restaurant reflects Chef-Owner Julien Royer’s respect for seasonality, terroir and the finest artisanal produce. Using classic French techniques, Royer presents the world’s finest seasonal ingredients in their purest form and flavour. SMOKE & MIRRORS City Hall Wing, Level 6 | Tel: 9380 6313 Mon−Sun 3−11.30pm
Enjoy magnificent panoramic views over the Padang and Marina Bay while savouring a drink from a meticulously curated menu that includes signature cocktails, wines and craft spirits. THE GALLERY STORE BY ABRY City Hall Wing, Level 1 Daily 10am–7pm
The Gallery Store by Abry offers an exciting and innovative range of museum and art-related merchandise and publications. It is operated by Abry Pte Ltd, an award-winning distributor and retailer of luxury, premium lifestyle and fashion brands. THE GREAT MISCHIEF City Hall Wing, Level 1 | Tel: 8721 3150 Daily 10am–6pm
Inspired by Catalan culture, The Great Mischief offers a multisensory dining experience, with strong visual influences from Antoni Gaudi’s distinctive Art Nouveau and Modern style in the furniture, and even in the plating of food. THE PUBLIC EIGHT Shopping & Dining
Supreme Court Wing, Level 1 | Tel: 6242 5590 Thu–Sat 6pm–midnight
This bar-cellar by Hachi Restaurant offers a selection of Japanese whisky and spirits, from Highball cocktails to fresh beer on tap, complemented by modern Japanese food. YÀN City Hall Wing, Level 5 | Tel: 6384 5585 Daily 11.30am−2.30pm, 6–10.30pm
Yàn offers diners the best in Cantonese cuisine. Their sophisticated and innovative signature dishes promise to tantalise your taste buds with diverse ingredients and familiar flavours. 37
GALLERY PUBLICATIONS EVER PRESENT: FIRST PEOPLES' ART OF AUSTRALIA Paperback | approx. 128 pages | $53.50 (inclusive of GST) | ISBN: 978-0-642-33488-6 | Published by National Gallery Australia This beautifully illustrated catalogue features important artworks produced by the First Peoples of Australia, from time immemorial to today. As suggested by the title, Ever Present shows the deep interconnections between past and present, as well as the extraordinary resilience and pride the First Peoples of Australia have shown in recent times. The catalogue highlights critical issues of identity, dispossession and land rights, experiences of colonisation and resistance, as well as the continuing impact of structural racism: pressing concerns not only in Australia but globally today. This publication also draws out selected links connecting First Peoples’ art of Australia to the broader history of Southeast Asia.
History and Imagination: Modern Photography from Singapore presents the works of four Singapore photographers: Tan Lip Seng, Lee Lim, Lim Kwong Ling and Lee Sow Lim. These amateur photographers were active members of camera clubs in the 1950s and 1960s, a period of rapid political and urban change in newly independent Singapore. Navigating the desire to document the emerging nation against the conventions of pictorial photography, this book uncovers how these photographers used different strategies to imagine Singapore, creating photographs that occupy a space between imagination and reality.
GEORGETTE CHEN: AT HOME IN THE WORLD Hardback | 208 pages | $53.50 (inclusive of GST) | ISBN: 978-981-14-4922-2 Georgette Chen is one of Singapore�s most significant modern painters. Across continents, through two World Wars and two Chinese Revolutions, her commitment to her practice never waned. With over 70 full-colour plates and archival material, along with critical essays, this monograph brings new perspectives on her independent artistic voice and vital role as an educator in the development of modern art in Singapore. CHUA MIA TEE: DIRECTING THE REAL 蔡名智：映真 Paperback | 240 pages | $53.50 (inclusive of GST) | English and Chinese | ISBN: 978-981-18-0622-3 Through character, narrative and composition, visionary artist Chua Mia Tee goes beyond mere representation to construct iconic images of Singapore�s changing landscapes and its inhabitants. Alongside full-colour plates and an essay are Chua�s writings collected together for the first time, bringing revelatory insight to a prolific artistic practice that started in the 1950s. ANTONY GORMLEY Hardback | 100 pages | $31.20 (inclusive of GST) | ISBN: 978-981-18-1544-7 This catalogue for Antony Gormley�s most recent showing in Singapore features stunning full-colour plates of the installations, including the fifth Ng Teng Fong Roof Garden Commission, Horizon Field Singapore. This publication also contains an artist�s interview, a curatorial essay, and a text by Ackbar Abbas, who continues his study into the situatedness of Gormley�s practice. 38
History and Imagination: Modern Photography from Singapore
HISTORY AND IMAGINATION: MODERN PHOTOGRAPHY FROM SINGAPORE Paperback | 116 pages | $37.45 (inclusive of GST) | ISBN: 978-981-18-0631-5 This catalogue presents the works of four amateur Singaporean photographers—Tan Lip Seng, Lee Lim, Lim Kwong Ling and Lee Sow Lin— who were active members of camera clubs in the 1950s and 1960s. Scholarly essays and full-colour plates trace how these photographers� images parallel and search for independence and the anxieties of modernity.
History and Imagination:
Modern Photography from Singapore
T I T L E I N F O RM AT I O N Tate Publishing
NAM JUNE PAIK Paperback | 176 Pages | $50.50 (inclusive of GST) | ISBN: 978-184-97-6635-7 | Published by Tate Paik played pivotal roles in the cross-germination of radical aesthetics and experimental practices, as well as in the proliferation of performative and collaborative art practices. In this book, works spanning Paik�s five-decade career, archival materials and artist�s writings offer insight into his vision.
NAM J
EDITED BY SO • •
• •
Considered to b 2006) was a visi media and new His cutting-edge continues to be
This ground-bre in the cross-germ practices, emph role in the emer collaborative art decade career, a Paik’s own writin the artist’s innov future. His ideas and his profoun context of transn elaborate upon and choreograp Merce Cunningh global trajectory connect his art t
D E TA I L S
I WANT TO PLAY HOUSE Board book | 36 pages | $16.05 (inclusive of GST) | ISBN: 978-981-18-2975-8 What makes a house a home? Play house with 14 Southeast Asian artworks from the National Gallery Singapore and discover the magic of a home. Then, share your dream house with a friend or two! From our Art for Tinies series for little art lovers and their grown-up companions.
October 2019 246 x 189 mm 176 pp c.120–50 colour illustrations c.20,000 words (excl. ends) 9781849766357 Paperback £25 Rights: World Exhibition: Tate Modern, London 17 October – 9 February 2020
CONTRIBUTO
Khoo Sui Hoe. Girl and Her Playmate. Museum of Contemporary Art, Chicago 1969. Oil on canvas, 7 November 2020 – 17 January 2021 88 × 87 cm. SFMOMA, San Francisco Stedelijk Museum, Amsterdam 14 March – 23 August 2020
3 April – 5 July 2021
Sook-Kyung Lee Rudolf Frieling
John G. Hanhar and media arts
Rachel Jans is A SFMOMA.
Susanne Neubu the Museum M
National Gallery Singapore 1 October 2021 – 16 January 2022
David Toop is a culture and imp The Asian Modern
John Clark
THE ASIAN MODERN Paperback | Over 500 pages | $58.85 (inclusive of GST) | ISBN: 978-981-14-0607-2 In this expansive study, John Clark, Emeritus Professor in Art History, draws on decades of his research on modern art cultures across Asia from 1850 to the present day. The Asian Modern uses an artist-centric approach, by way of meticulous case studies, to create a new comparative paradigm for the narration of art.
First rigorou twentieth-ce Reveals the oeuvre, feat all-encompa Chapel 1993 Emphasises evolving cul Will appeal
Tate Publishing, a division of Tate Enterprises Ltd, M Tel: +44 (0)20 7887 8869 Fax: +44 (0)20 7887 8878 www.tate.org.uk/publishing
THE HONEST GUIDE TO SEEING ART #1 AND #2
FREE
Available at Visitor Services Counter Packed with questions you have always wanted to ask in a gallery but just never did.
PERSPECTIVES Our online weekly magazine for views, conversations, research and behind-thescenes insights. Visit nationalgallery.sg/magazine. ANOTHER INITIAL IMPETUS Our new mobile-friendly zine series explores the legacies of the Alpha Gallery in Singapore, an arbiter of its time. Visit nationalgallery.sg/zines. THE TAILORS AND THE MANNEQUINS: CHEN CHENG MEI AND YOU KHIN This digital exhibition publication is the first in a series covering our new project space, Dalam Southeast Asia (see p. 20).
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TICKETI NG INFORMATION FREE AND EASY ART ENCOUNTERS FOR ALL Entry is free for everyone, of every nationality! • Basement Concourse (Ngee Ann Kongsi and Koh Seow Chuan Galleries) • ArchiGallery • Ng Teng Fong Roof Garden Gallery • Keppel Centre for Art Education • Gallery Children's Biennale • Padang & Coleman Deck
Purchase your Gallery Passes online and print them at our Pass Dispensers. You can also purchase from Self-Service Kiosks.
TICKET TYPE
SCAN TO PURCHASE TICKETS
S TA N D A R D
LO C A L*
CONCESSION
$20
FREE
$5 OFF
General Admission + Free Guided Tours
CONCE SSION COVER:
FREE ADMISSION FOR:
• Children aged 7–12
• Gallery Insiders
• Seniors aged 60 and above
• Children aged 6 and below
• Full-time National Servicemen (NSFs) excluding foreign personnel
• Local/locally-based students and teachers^
• Overseas students and teachers^
• Persons with disabilities (PWD) and their caregivers
GENER AL ADMISSION TICKET ADMITS ONE TO THE SE E XHIBITIONS: • Chua Mia Tee: Directing the Real • Wu Guanzhong: Learning from the Master • Siapa Nama Kamu? Art in Singapore Since the 19th Century • Between Declarations and Dreams: Art of Southeast Asia Since the 19th Century • Law of the Land: Highlights of Singapore's Constitutional Documents
* Rates for locals apply to Singaporeans and PRs. ^From qualifying institutions only. Valid verification is required. For latest promotions and ticket prices, please visit nationalgallery.sg.
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GALLERY INSIDER MEMBERSHIP Insiders enjoy more than $200 worth of privileges, including unlimited access to our dynamic line-up of exhibitions, perks and discounts for selected programmes, unique museum merchandise and the Gallery’s culinary offerings!
JOIN NOW TO ENJOY THESE BENEFITS!
Unlimited access to all Exhibitions.
Earn points with our Rewards Programme to experience more
Priority booking and discounts to selected programmes
Priority access to selected exhibits
Access to Gallery InsiderOnly events
Shopping & dining privileges
GET $200 WORTH OF SHOPPING AND DINING VOUCHERS! Yan $50 off
Gemma $50 off
Art $50 off
National Kitchen $30 off
Total Value $200
Min. $120 spend
Min. $200 spend
Min. $200 spend
Smoke & Mirrors $10 off
Gallery Store $5 off
Courtyard Cafe $5 off
Min. $50 spend
Min. $50 spend
Min. $35 spend
Min. $100 spend
* Offers are accurate at time of print. MEMBERSHIP TYPE
S TA N DA R D
LO C A L*
Individual
$60
$30
Concession (Students/Seniors)
$50
$25
*Rates for locals apply to Singaporeans and PRs SCAN TO SIGN UP
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Visit Us
For more information, please scan the QR code or email membership@nationalgallery.sg.
GENERAL INFORMATION For the latest updates on our Venues and Spaces, please visit nationalgallery.sg/venue-rental.
VENUES FOR RENT Blending rich history with exciting modernity, the Gallery’s historical neoclassical architecture and unique spaces are ideal for hosting a variety of events, from conferences to product launches.
SUPREME COURT TERRACE
THE NGEE ANN KONGSI AUDITORIUM AND FOYER
Built around the former Supreme Court’s Rotunda dome, old and new architecture merge perfectly in this captivating space. The terrace offers a sophisticated setting for events such as product launches, private receptions and seated dinners.
Nestled in the basement, this space features theatre seating with state-of-theart audiovisual equipment. An ideal venue for talks, seminars, screenings and recitals with a spacious foyer to host a cocktail reception.
ROOFTOP STUDIOS
PADANG DECK
Located on the Gallery’s tranquil rooftop, these versatile and air-conditioned rooms are designed to cater to a variety of events —from meetings to training and breakout sessions, or even small workshops.
Located on the rooftop, this open-air space offers spectacular panoramic views of Singapore’s skyline.
SCAN HERE TO BROWSE ALL VENUES
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OPENING HOURS Daily 10am–7pm General ticket sales end 30 minutes before closing time.
GETTING TO THE GALLERY BY BUS (Stops at Parliament Place) 195, 961
BY CAR Drop-off point for cars is located at Coleman Street entrance.
BY MRT 5-minute walk from City Hall MRT station via the Art Connector 10-minute walk from Clarke Quay and Raffles Place MRT stations
here are 200 parking lots on Levels T B2 and B3. Entrance to the carpark is only accessible via St Andrew's Road. Gallery Parking Rates Daily, including Public Holidays 7am–6pm $1.30 per half hour 6pm–1am $3.20 per entry $1.00 per entry for motorcycles
BY TAXI The nearest taxi stands are located at Coleman Street entrance of the Gallery and The Adelphi.
THE ARTS HOUSE
PICK-UP/ DROP-OFF POINT
NATIONAL GALLERY SINGAPORE PARLIAMENT HOUSE SUPREME COURT LANE
THE ADELPHI
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ADDRESS: 1 St Andrew’s Road #01-01 Singapore 178957 ENQUIRIES: 6271 7000, info@nationalgallery.sg
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SUPPORT THE G ALLE RY The Gallery offers opportunities for you to enhance and cultivate your love for the arts. Your support helps us to build a world-class collection, pioneer original research and develop our public programmes to bring art to a wider audience. BEST FRIENDS OF THE GALLERY (BFG) Contribute meaningfully to the Gallery and gain exposure to a wide range of roles in a visual arts institution by joining our BFG family. ARTWORK DONATIONS Artwork donations are crucial to the Gallery's mission to present Singapore and Southeast Asian modern art. All proposed donations will be carefully considered and endorsed by our Acquisition Committee. Ng Eng Teng. Mother and Child. 1996. Bronze, 350 × 310 × 150 cm. Gift of the family of the late Dr Ng Eng Teng.
ART ADOPTION AND ACQUISITION PROGRAMME Adopt artworks that are on display in our Singapore and Southeast Asian long-term exhibition galleries. We also welcome monetary donations to our acquisition fund. Donations go towards acquiring new artworks that strengthen our collection. Raden Saleh. Wounded Lion. c. 1838. Oil on canvas, 88 × 108.5 cm.
[ADOPT NOW] From just $50, you can “own” an artwork together with a group of like-minded art enthusiasts and build our National Collection for future generations. In addition to being acknowledged online for your contributions in perpetuity, you will also receive a digital artwork digital badge for every contribution made. Chua Mia Tee. Epic Poem of Malaya. 1955. Oil on canvas, 107 × 125.5 cm. This work has been collectively adopted by [Adopt Now] supporters. © Chua Mia Tee and family
PATRONS PROGRAMME Become part of a community of like-minded individuals who are looking for sustained engagement with the arts and want to support the Gallery. Our Patrons enjoy a year-long calendar of exclusive tours, artist dinners, opening receptions and behind-the-scenes access. EXHIBITION AND PROGRAMME PARTNERSHIPS Our exhibition and programme partners make art more accessible to the community while also increasing their brand awareness. Partnership packages can be tailored to your needs and include privileges like private viewings that are perfect for engaging clients and staff.
To find out more, please visit nationalgallery.sg/join-give or scan the QR code to contribute to https://donate.nationalgallery.sg/ All gifts made are eligible for tax deductions in accordance with IRAS guidelines. 44
National Gallery Singapore would like to thank our corporate partners for their generous support. Development Partner
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For details on partnership opportunities, visit nationalgallery.sg/support. 45
nationalgallerysg nationalgallerysingapore natgallerysg nationalgallerysg 新加坡国家美术馆
nationalgallery.sg 6271 7000, info@nationalgallery.sg
1 St Andrew’s Road Singapore 178957