No Oikos for the Cyborg

Collage Image Credits: Chitra Ganesh, On Moonless Nights, 2017 Black Panther movie still Joshua Mays, fanart for Broken Earth series Omar Gilani, Pakistan Showcase, 2017 Wendy Red Star, Medicine Rock Child, 2011 Janelle Monáe, Dirty Computer

86.Giovanni Russonello, “Shabaka and the Ancestors Are Making Their Own Jazz History,”The New York Times (The New York Times, March 11, 2020),https://www.nytimes.com/2020/03/11/arts/music/shabaka-and-the-ancestors.html.

Turn static files into dynamic content formats.

Create a flipbook

Articles inside

vi. Temporalities of Perception

v. Patchiness and Multispecies Collaboration

iv. Design Experiment

iii. Affordances and Ecological Perception

ii. Place-Thought

i. Design Experiment

ii. Queer Aesthetics Shifting Perceptions of Binaries

v. Vellum: Visphot

i. Decolonizing Nature in a Post Capitalist World

iv. Jugaad: Method of Mimicry

iii. Jugaad: Queering Technology

ii. Design Experiment

i. Donna Haraway and the Cyborg Manifesto

iii. Queer World-Making

i. Diffusionism and Reading the Shape-Shifter

ii. Blurring_Section

ii. Who is a Cyborg?

ii. Afrofuturism storytelling

i. Queer(ed) Speculations, Radicalized Imaginations

i. Where does the Othered Subaltern Belong?

Police Brutality and the Weaponization of Technology iv. Origin Stories of Technologies Sentinelese Tribe

Alekhander Ikhide’s Collages ii. Othering Weaponized Protests in India

i. The Uncanny Anthropocene

ii. Birth Control Technologies and Agency

i. Who are Technologies Designed for

iii. Eugenics and Modernism Le Corbusier and the Standard Human

Were they Ever Meant to Provide Agency? iii. Technologies of the Precarious Modernity

Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.