ARCHITECTURE
PORTFOLIO NAYEF MUDAWAR
N ayef M udawar
Resume
A recent M.ARCH graduate of the university of Massachusetts Architecture + Design Program, I have been working at a local architectural office for over a year with four previous internships at architecture firms and nonprofits in the Boston area. I have won several merit-based awards during my graduate education and have participated in a number of sustainability-focused design competitions, the latest being the NESEA net-zero building competition in which my team places first overall. My approach to design is interdisciplinary and process oriented, Integrating scientific methodology with artistic vision.
Education
nayef.mudawar@gmail.com (413) 949-0822 52 Brainard Rd. Wilbraham, MA
University of Massachusetts, Amherst, MA
2015
Master of Architecture
Affiliation: AIAS student liaison and board member on WMAIA executive committee. Awarded: Western Mass Community foundation scholarship 2012, WMAIA Scholarship 2013. AIA Certificate of Merit for Excellence in the Study of Architecture 2015 Tau Sigma Delta - Honor Society in Architecture and Allied Arts Member - Initiated 2015
Western New England University, Springfield, MA
2008
Bachelor of Science
Skills
Digital Auto CAD Revit Architecture Rhinoceros Sketch-Up EQuest Grasshopper
Professional Experience
Adobe Creative Suite:
Photoshop InDesign Illustrator
Physical
Office
Model Building Scaled Hand Drawing Laser Cutter Fabrication Wood Shop Acrylic & Oil Painting
Book keeping Microsoft Office Taking minutes Event organization
Studio One Inc., Springfield, MA
2014 - Current
Architectural Intern
Producing schematic design proposals for clients, drafting construction drawings, 3D modeling, and rendering. Creating project presentations for clients. Conducting site visits for measuring and analysis, client meetings, and design charettes.
University of Massachusetts, Amherst, MA
2013 - 2014
Teaching Assistant
Taught architectural design software to undergraduate students, including Rhinoceros, Revit, and Adobe Creative Suite. Prepared lesson plans and provided tutorials in class while assisting students on a one-on one basis. Assisted professor in performing research and designing visuals to develop textbook on collaborative design methods.
Earthos Institute, Somerville, MA
2011 - 2012
Intern
Created visuals and renderings to support ongoing research. Provided clients with visuals and sustainability analysis for proposed projects. Researched bioregionalism and its applications in architecture and urban planning.
Archventures, Boston, MA
2010 - 2011
Intern
Engaged in design, marketing, research, and event organizing for nonprofits working on small building projects within the Boston area. Projects included Haley House, Tri-Millennium, Boston Building Resources and others.
Schumacher Showroom, Boston, MA
2010
Library & Showroom Organizer
Ran the materials library doing filing, organizing, ordering replenishments, pricing product. Office procedures included phones, faxing, mail, and guiding showroom visitors.
Internship at STV Inc, Boston, MA
2009
Intern
Interned at an architecture & engineering firm where I engaged in the workings of the office environment, looked at current projects, helped with paperwork, and diagrammed proposals.
Competitions
2013 - 2014 2012 2011 2010
Resume
Net-Zero Building Competition, NESEA 1st Place Winner Chinatown Green Storefronts, Boston Redevelopment Authority Ecotopian House, Housing Assistance Corporation - Cape Cod Build Boston Challenge, Boston Society of Architects
1
TABLE OF CON T EN T S
1 2 3 4 5 6 7
RESEARCH INSTITUTE
4
ST. JOHN’S RENOVATION
12
THE BARN
19
DIGITAL FABRICATION
26
MASTERS THESIS
34
NESEA 2014 COMPETITION
44
WORK SAMPLES
48 Table of Contents
3
1
Studio 1 // Research Institute
4
RESEARCH INSTITUTE
This two part project began with the design for a personal library. What is a library and what does it do? How does it’s organization reflect our personal understanding of the world? Those were the questions directing the conceptual development of my design. In the second part of the project, a site in Amherst MA was introduced where a research institute would be based. This institute would be focused on a field of our choice. The challenge was to create a building that now includes an expanded program in a physical site using the personal library as a template or a starting point.
Studio 1 // Research Institute
5
PA RT O N E
PERSONAL LIBRARY
The Personal Library began with a brainstorming exercise in which subjective definitions of what a library is and does were identified. These definitions were portrayed in a collage that would act as a visual symbol guiding the development of the design. For me the library represents a physical representation of collected knowledge of the outside world. Books take up space showing the amount of accumulated knowledge within its walls. The contents of these books reflects a subjective view of the world and becomes a deliberately constructed reflection of personal
Studio 1 // Research Institute
6
identity. The Personal Library was specified as a single room space that would embody these concepts. The program requirements included an outdoor space, a desk with set dimensions, a resting area, storage for books, and storage for larger artifacts. The concept of the library as a physical representation for a personal understanding of the external world lead me to the idea of using the shelves holding the books as its walls separating it from the outside. The arrangement of the books by the user would then regulate the external view from within.
The personal library’s external walls the shelves holding its books. by reorganizing the books one is reorganizing the view to the outside world from the interior. The collage tries to represent the world from the restricted perspective of an apartment living room. An image is constructed by piecing together fragment images of the space, its contents, and distorted views of the outside from within.
Studio 1 // Research Institute
The plan of the personal library is very simple; four walls each containing a shelving system to hold items of a particular size define the boundaries of a semi enclosed private study with ample access to the outside. The walls do not intersect in order to allow for a free flow of movement within and without the library. The intention is to allow the user to move in and out of the library easily. This facilitates the process of pondering concepts, collecting new books, removing old books, and venturing out to research a newly found idea or topic. The space is thus in a constant state of flux as it changes and evolves with the growth of the individual. The view to the exterior world is also constantly being modified reflecting the direct control of the individual on his perception of his reality.
7
PA RT T WO
RESEARCH INSTITUTE
SITE
The personal library developed in the first part of this project was to form the basic building block of an expanded program for a research institute focused on a chosen field of study. A site was given in the town of Amherst close to the downtown core of the city. The program includes scholar studies, exhibition space, library, lecture room, and outdoor spaces. The analysis of the site revealed to me that the building site falls in space where the dense urban fabric of the downtown area quickly disintegrates into the openness of the suburban surroundings where nature dominates. This observation helped me realize that my building would act as both a transition and connection between the urban and the suburban aspects of the city.
LECTURE
OUTDOOR LIBRARY
EXHIBITION CIRCULATION
Studio 1 // Research Institute
8
The site shown on an areal photo of downtown Amherst
SCHOLAR STUDIES
Site analysis shows the site falling on the boundary line where the dense urban fabric and the open green spaces merge together.
Iterations
The diagram below illustrates the main concept that directed my iterative process. The building would emphasize the transition from the solid density of the urban to the lightness and openness of nature. This duality lead me to an organization of public and private spaces, where the dense urban side would contain the publicly oriented exhibit and lecture halls, while the progressively more secluded parts housed the private scholar studies and library. The public spaces would open out onto the urban street-scape on the south and west sides, while the private spaces would merge with nature to the north and east.
Concept diagram showing building as transition from urban to open nature.
Studio 1 // Research Institute
The final iteration expands on the concept of transition from urban to natural by incorporating the overhanging frame. The frame makes the urban side of the building whole and contained but this wholeness breaks down as one proceeds through the interior spaces.
Iterative process using parti models shows the gradual evolution of the design.
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Interior rendering of main exhibition space
Passive lighting & ventilation through scholar studies.
n a t u r e
n a t u r e
n a t u r e
n a t u r e
Studio 1 // Research Institute
10
The scholar studies are essentially semi-enclosed wells of natural light and air that puncture the mass of the building. Each study acts as a personal library.
Urban-scale section diagram showing the transition to open nature
SECTION ONE
SECTION TWO
Final design
The final design uses openings that pierce the building's mass to bring in air, light, and warmth. These light-wells also form the individual scholar studies on the ground floor. The scholar studies are adaptations of the personal library scheme where the walls act as the book shelves and storage. On the second floor the light wells are contained within the book stacks of the public library. Light and air is funneled down through the light-wells puncturing the roof and facing south. The openness of the spaces is meant to encourage cross interactions between the scholars and the public. The permeability of partitions highlights the connectedness of all components of this building.
Studio 1 // Research Institute
11
2
Studio 1 // St John's Renovation
12
ST. JOHN’S RENOVATION
St. John's Episcopal Church in Northampton MA is known for its open and welcoming attitude towards individuals of all creeds and backgrounds. Underneath the main church is the space known as the Undercroft. This space holds a special place in the hearts of this churches community as it has acted as a multipurpose gathering place that holds a wide array of events and services. This underground space has a kitchen attached to it as it is where weekly "Manna" is held, a time when cooked meals are offered to the needy who come in. The crammed dark space is also used for storage and houses the building's utilities. This project attempts to offer design ideas for making the undercroft more comfortable and welcoming while also connecting it with the rest of the church.
Studio 1 // St John's Renovation
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REDEFINING BOUNDARIES My partner and I realize that one of the defining characteristics of the spaces we were dealing with was their high degree of compartmentalization and lack of visual organization. For a church that defines itself by the diversity of its community, these divided spaces did not convey a similar message. Our concept became the redefining of the multitudes of boundaries within the church’s undercroft. How can we connect all these spaces in a coherent manner that maintained certain degrees of needed privacy? How can the procession to the main gathering space be more inviting to the outside world? And how can significant modifications be made on a severely limited budget and within the stone walls of a historic building?
Conceptual models studying the arrangements of spaces and circulation in the church.
Studio 1 // St John's Renovation
15
St. John’s Episcopal
In order to understand how the boundaries between the spaces were to be regulated, we studied the flow and the concentration of users in each of the church’s spaces and represented them visually.
Iterative models exploring possible permeable boundaries that would contain the undercroft while separating it from utility spaces.
Connecting
An adaptable membrane changes its transparency and thickness to appropriately connect or separate adjacent spaces.
The shelving system with the screen was chosen for the main undercroft gathering space. This system was inspired by the stonemasonry pattern of the exterior walls of the church. It would replace the existing wall between the columns that separate the gathering area from the surround storage, utility, and kitchen spaces that sustain it. In this way their symbiotic relationship is acknowledged while creating a more open boundary that also acts as built-in storage. The entrance to the undercroft was also widened by moving the men's bathroom and installing a handicap ramp alongside some steps.
Studio 1 // St John's Renovation
16
Welcoming
In the second half of the process it was revealed to us that the church also had plans to incorporate a meditation labyrinth in the back yard facing Smith College that would be a copy of the ancient labyrinth at Chartres cathedral in France. We saw this as an opportunity to expand the existing glass vestibule to create a grand entry from the back that welcomes the smith students into the undercroft space below. The interaction between the vestibule and the labyrinth produced an interesting form that both welcomes and provides a secluded outdoor meditative space. A widened funnel shaped staircase winds down to the now open lobby area of the undercroft. To make the undercroft handicap accessible an elevator was added leading down to the newly expanded space.
The expanded glass vestibule wraps around the labyrinth. The mullions mimic the brick patterns used in the undercroft. Paneled glass doors slide open to create a semi enclosed event space in warm weather.
Studio 1 // St John's Renovation
17
VESTIBULE
CHOIR BATHROOMS LOUNGE/ LOBBY KITCHEN ORGAN CLASSROOM
PANTRY
UNDERCROFT
BOILER
STORAGE
Studio 1 // St John's Renovation
STORAGE
18
3
Studio 2 // The Barn
19
THE BARN
The Barn project has been an ongoing effort initiated by the students of Hampshire College. The structure is an existing unused barn that will be transported to the site of a vegetable garden on campus which the students have taken over and cultivated in the face of opposition from the school. The barn itself will be transformed and used as a student lounge and a small food COOP. It will serve as a flexible multipurpose public space for students from all over campus to cross paths. This studio continues where the last Hampshire studio “Rehamping the Barn� had left off. Its aim is to push the design of the barn and garden further In terms of unifying the two programs better and connecting them with the campus at large.
Studio 2 // The Barn
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PA RT O N E
INDIVIDUAL PROPOSAL
My goal was to stay as true as possible to the plan proposed by the Hampshire students for the barn, while focusing on connecting the barn to the campus and its immediate site. The question of how much should the new building resemble a barn was central for my exploration. I saw the idea of identity transformation as central to this project. This building used to be a barn and is now a space which the students have decided to turn into something they can call their own . This reinvented identity was something to be highlighted and celebrated. In my iterative process I studied ways to convey the idea of a barn which has been repurpoused. From the beginning I wanted to preserve the monolithic form of the building which to me has always seemed the most striking aspect of a barn. I also wanted to play with the materiality of the skin to highlight the contrast between an old exterior and new interior. The mesh concept emerged from my proposals for the garden plan where paths formed a network connecting various nodes on the site.
The weathered wood siding was an element I chose to preserve as part of the building’s former identity.
Studio 2 // The Barn
21
Iterative Studies for Barn
This site model shows the barn within the proposed vegetable garden plan with paths and nodes for spaces of rest and gathering.
Connecting
The garden plan is a network of pathways connecting a series of nodes. The wide central circle is the main gathering space derived from the original proposal but made less formal with the paths reaching to connect other points of interest in the broader site. The identity of the barn is preserved through the monolithic wooden skin of the building that is meant to show weathering. The mesh sliding out the back and appearing through openings in the aged outer skin shows the newly transformed interior of the barn as a dynamic student meeting space, while providing a screen of privacy.
CAFE LOUNGE TERRACE
ENTRY MIXED NUTS
Proposed Barn Plan
Studio 2 // The Barn
22
PA RT T WO
GROUP PROPOSAL
In the second phase of the project we worked collectively to produce a unified design that would draw on the best aspects from each of the individual proposals. Once a final design was agreed upon the work was divided among us as though the studio was an architect’s office. By that time our instructor had officially become the project architect for the Hampshire College barn. Reaching a collective design that also fulfilled the desires expressed by the Hampshire students, the future users of the garden and barn, was a challenge. Multiple charette sessions were held where we brainstormed solutions and evaluated ideas put forth with the students. The most fruitful of those were the hands-on design sessions where we collectively played with different arrangements of component pieces to create the garden and the finalized barn layout including furniture placement.
The final designs for the vegetable garden and the barn interior were reached after long charettes moving individual components.
The original trusses are to be preserved by being stacked together to form six 6� thick members. The overall form of the barn was also to be maintained as a symbolic reminder.
Studio 2 // The Barn
24
The final plan has the food COOP by the entrance for easy access to students walking along the pathway. Wide horizontal windows take advantage of the southern exposure to warm up the lounge area. The space is heated by a built-in centrally located furnace. Bathrooms are at the back and protrude out as one will be a composting toilet offering compost for the garden. A porch area to the north opens out onto the garden in warmer seasons. A wall provides privacy to those entering the bathrooms and also serves as a projection screen for movies.
Studio 2 // The Barn
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4
Digital Fabrication
26
DIGITAL FABRICATION
The intention of this lab was to engage in critical problem-solving central to the making of architecture. Using digital design and fabrication tools, a deeper understanding of the design process was gained from conception to production. Various digital tools were employed to test out visual, material, and spatial outcomes for ideas. Projects explored the potential of these tools to experiment, iterate, and fabricate thus providing an immediate feedback loop for their design investigations.
Digital Fabrication
27
MUSHROOM LAMP
The inspiration for this design was drawn from the pipe-organ at St. John's Episcopal Church which reminded me of the gills found on the underside of a mushroom cap. After looking at images of mushrooms while thinking of possible lighting designs the elliptical pendant lamp seemed like an appropriate fit due to the similarity in shape. I liked the idea of a pendant light because it would emphasise the sense weightlessness which I desired. Through several iterations I adjusted the dimensions and materiality of the connective elements. I moved from a flat form to a much more voluminous one to contain the bulb within and to highlight the dramatic sweep of the edge. Once the desired form was achieved in digital space, its was sliced and cut from matt-board using the laser-cutter. A central circular element was cut from wood to connect all the gills and allow a space for the light bulb to be suspended.
Using Rhino as a modeling tool, a torus form was shaped and then sectioned. The sections were laid out and numbered for cutting in the laser-cutter
Below is a visual representation of the concept development and the main steps in the digital design process.
Digital Fabrication
28
BUBBLE WAFFLE
I wanted to explore the ability of the waffle to generate spherical shapes out of two dimensional surfaces. To add complexity to this experiment I wanted to have multiple intersecting spheres to see how much of this detail would be expressed once the form is waffled. I originally began with groups of randomly sized spheres which I draped in rhino to create a unified surface with bumps in it. The resulting waffle frames however were too thin in certain places to actually be practical to assemble. The next iteration was simply a cluster of spheres forming a bubbly texture, however at this scale the waffle was not dense enough to express the complexity of the shape. For the final iteration I realized that the form needed to be significantly simplified in order for the waffle frames produced to be recognizable and easily put together. This project has demonstrated to me that it is possible to fabricate spherical formations out of purely planar elements using the waffling technique.
The digital waffle was developed parametrically using grasshopper. This allows the thickness and regularity of the members to be adjustable.
Digital Fabrication
Waffle members ready for cutting.
29
PARAMETRIC SCREEN The screen project was a complementary effort to the St. John’s Renovation studio project. The exploration in the fabrication lab were based directly on the concepts and intentions discovered in studio. My partner and I were eager to apply the new digital tools to the shelving system we had conceived of for the undercroft.
The shelving system’s pattern was inspired by the stone masonry of the church’s facade. The intention was to have an echo of the old walls forming the dynamic boundaries reshaping the interior spaces. Using grasshopper we were able to parametrically generate unique patterns that mimicked the organic irregularity of the stone masonry, giving the system a biological quality.
Inspiration for the screen was drawn from the facade stone work of the church that resembled the erosion of a rock face or the cellular pores of a tree cross section.
Iterations
The shelving system is unique due to its changing porosity. This was achieved with a secondary screen backing with openings that change to provide varying degrees of permeability and transparency. This screen was also to be parametrically generated with the cellular pores mimicking the horizontality of the stone walls but on a microscopic level. Below are examples of experimental iterations leading up to the final design.
Digital Fabrication
30
Below is a sample parametric definition in Grasshopper producing the porous screen.
Application
The final screen to accompany the shelving system was designed to have wide bands of large opening which would gradually become smaller. This creates large horizontal bands of varying degrees of transparency reflecting the horizontality of the church facade texture. A sample of the screen was printed with a template of a shelving section using the laser-cutter as a one-to-one scale sample. The shelving system definition and screen were then used in rhino for creating renders of the undercroft main gathering space.
One-to-one scale screen sample
Digital Fabrication
31
SUS PEN D ED CO NSTRUCT:
VOLVOX COLONY
This Project from Grad V Studio focuses on the study of flocking behavior. Taking inspiration from nature, the goal was to create a suspended construct that mimics the organzation and structure of an organism of choice. I chose a microscopic algea known as Volvox. This unicellular organism aggregates to form spherical colonies that swim in water. New colonies are born within the older one and then explode out in multitudes. Volvox Colony Under Microscope
I chose the dodecahedron as a symplified spherical form that could be shaped from planar pentagonal pieces. The mesh was parametrically produces and then laser-cut onto the planar pieces
Digital Fabrication
32
TR A NSFO R MING FU R NITU R E:
CONSOLE-BENCH In this Grad V Studio project, the challenge was to create a bench that can transform to perform at least one additional function. The bench had to be made of wood and it also had to accommodate at least two people. I began with a simple concept of a bench that can transform into a desk or a console. The supports were two metal pieces that are detachable. They can be flipped around depending on the intended use. For storage space, an internal space was created, and a screen system was used to contain the objects within while moving. As a focal point the screens were made porous using the microscopic pattern of wood vessels in crosssection.
Wood Cross-section under Microscope
The sliding screen doors were perforated using the laser-cutter. The pattern image of the xylem tubes was simplified into vectors that could be translated in CAD lines using Adobe illustrator.
Digital Fabrication
33
5
MASTERS THESIS
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MEMBRANES & MATRICES A RC H I T ECT U R E A S A N I N T ER FAC E
This inquiry was initiated by the exploration of the implications of digitalization on the role and language of architecture. The digital experience is one that is highly customizable, responsive, and interactive, while the built environment tends be rigid and restrictive. Buildings have the potential to become even more situated within their local by incorporating ideas of interactivity and responsiveness as they become uniquely shaped by their users and local environments. My proposal is for a public innovation space situated in the new innovation district in downtown Springfield, and will explore issues of privacy, openness, materiality, transparency, and the integration of technology with architecture such that the space itself becomes an interface for exchange.
MASTERS THESIS
35
Architecture of Membanes By Emulating the properties of membranes, architecture can become more flexible and adaptive, responding directly to the users’ needs. Such an architecture favors communication and embraces change. MATRIX: A surrounding medium or structure A mold in which something, such as printing type or a phonograph record, is cast or shaped MEMBRANE: A biological membrane or bio-membrane is an enclosing or separating boundary that acts as a selectively permeable barrier within living things.
Soft wall, Soft Seating, and Soft Glow Cloud Lights from Molo, are a series of products based on paper folded in a honeycomb structure for rigidity when being used and the ability to be packed flat.
STRUCTU R E & FU N CTIO N
Pinching, Fusing Active and Passive Transport Permeability
Propagate Pulses Identification MASTERS THESIS
36
Soft, Elastic Fluctuating Curvature
Physical properties Site
SPRING FIELD IN N OVATIN DISTRICT Springfield Has proposed the development of a new innovation district where city and state officials hope to attract entrepreneurs as part of Springfield’s plans to evolve its economy by welcoming talented young professionals into a newly rehabilitated district which can cater to their needs, providing a mixed use urban environment where professionals can work and live.
MASTERS THESIS
Panoramic collages of the streetscape surrounding the site
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Program
The three main components of the program are as follows: Innovate; this is the most public part of the innovation center, it is where people of all types of professions and backgrounds can come to work and co-mingle. Develop; these include the private offices, the woodshop, and digital prototyping labs. Share; these are the classrooms, the presentation spaces, and the conference rooms.
MASTERS THESIS
38
M ATRICES
M EM BR A N ES
This diagrams shows how the different levels of the building, provide higher degrees of privacy to accommodate the development of a business. These two models show the interrelationship between the matrix components; the solid structural parts of the building, and the membrane components; the flexible components which can be modified by the users.
MASTERS THESIS
39
MASTERS THESIS
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Membrane Types The membrane components used throughout the building closely reflect the three physical properties of cellular membranes. These elements are the flexible, elastic aspect of the membrane, able to contract, expand, and fold upon themselves. The slatted curved screens that form the railing for the second floor desk-share space demonstrate the ability to pinch and fuse into smaller compartments of private space when needed. The light-columns for attaching the Soft Walls, the adjustable Cloud Light canopies, as well as the translucent projections screens on the facade mirror the idea of the electrical impulse as means of communication.
MASTERS THESIS
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SECTIO N 1
SECTIO N 2
MASTERS THESIS
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SECTIO N 3
N O RTH ELE VATIO N
E AST ELE VATIO N
MASTERS THESIS
SOUTH ELE VATIO N
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6
NESEA 2014 // Competition
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NESEA - 2014
NET-ZERO BUILDING CHALLENGE What was once a site wrought with social and economic significance will be again. Parson’s Farm is an economic incubator for Holyoke with focus in the agricultural, commercial, and industrial sectors. The mission that drives Parson’s Farm is based in open collaboration of people from many different backgrounds and skills. The goal is to create an open forum for the sharing and cultivation of knowledge in many different fields resulting in a vibrant epicenter of social and environmental innovation. While keeping the the emphasis on the history and socio-economic development in Holyoke, startup businesses are invited to set-up shop in Parson’s Farm for reasonable rent, freewater, electricity, and internet. In exchange for the subsidized office and labspace, the businesses must pledge to keep jobs in Holyoke, employ local people whenever possible, and attract forward thinking individuals to work and live in Holyoke. Parson’s Mill will create new ideas and subsequently new businesses and industries that will sustain Holyoke and allow it to prosper in the foreseeable future and beyond.
NESEA 2014 // Competition
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P RO G R A M 2
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UP
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UP UP
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UP
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UP UP
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11 10 7 - Kitchen 108 - Eatery 10 9 - Greenhouse 10 10 - Workshop 11 - Cooking Labs 12 - Cold Storage
1 - Market 2 - Shops 1 -- Market Market 1 3 - Gallery 2 -- Shops Shops 2 Bike Share 14--Market 3 -- Gallery Gallery 3 Living Machine1 25--Shops 4 -- Bike Bike Share Share 4 3 - Gallery 5 -- Living Living Machine Machine 5 4 - Bike Share 5 - Living Machine
6 - Bathrooms 7 - Kitchen 6 -- Bathrooms Bathrooms 6 8 - Eatery 7 -- Kitchen Kitchen 7 Greenhouse 69--Bathrooms 8 -- Eatery Eatery 8 - Workshop 710 - Kitchen 9 -- Greenhouse Greenhouse 9 8 - Eatery 2 10 -- Workshop Workshop 10 9 - Greenhouse 10 - Workshop3
4
5 5
9 9
13 - Dry Storage 14 - Open Gathering/Event Space 15 - Mechanical Room
First Floor Plan
11 - Cooking Labs First Floor Floor Plan First 12 - Cold Storage Plan 11 -- Cooking Cooking Labs Labs 11 13 - Dry First Storage Floor Plan 12 -- Cold Cold Storage Storage 12 14--Cooking Open Gathering/Event 11 Labs 13 -- Dry Dry Storage Storage 13 Space 12 - Cold Storage 14 -- Open Open Gathering/Event Gathering/Event 14 13 - Dry Storage Space Space 14 - Open Gathering/Event 3 Space 4
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UP
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C R EAT E / L EA R N
Classrooms / Kitchen Lab / Studios Workshops / Greenhouse
20,949 SF
22
27.5
27
WO R K
Desk-share / Offices / Live-Work Units
19,683 SF
25
32.5
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G AT H E R
Event space / Eatery / Greenway Park / Plaza
32,473 SF
12
15
18
LIVE
Studio Apartments / Live-Work Units
23,970 SF
C R EAT E / L EA R N
E XC H A N G E
WO R K S H O P S GREEN HOUSE ST U D I O S COOKING LAB
SHOPS G A L L E Ry EAT E Ry FA R M MARKET
Skills / Knowledge
4
6
6
5
6
6 6 6 6 5 - Administrative Offices 6 - Classrooms 7 7 - Workshop 8 - Food Processing
2 2
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1
Second Floor Plan
9 - Food Distribution Offices 10 - Loading Entrance
1 1
1
1
P RO C ES S I N G + STO R AG E
4
1 1
1
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4
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1 1
1 2
1 Third Floor Plan
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5 - Community Studio Space
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1 1
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4 - Green Roof Third Third Floor Floor Plan Plan 5 - Community Studio Space 4 -- Green Green Roof Roof Third Floor Plan 4 5 -- Community Community Studio Space 5 4 - Green RoofStudio Space
1 - Studio Apartment 2 - Two Bedroom Apartment 1 -- Studio Studio Apartment Apartment 1 3 - Entrance to Green 2 Roof 2 -- Two Two Bedroom Bedroom Apartment Apartment 2 1 - Studio Apartment 3 -- Entrance Entrance to to Green Green Roof Roof 3 2 - Two Bedroom Apartment 3 3 - Entrance to Green Roof
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1 1 1 1
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1 - Work / Live Apartment 2 - Studio Apartment 4
BIK
S
ES
S
E I C
O FF
EN
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S K W OR
K
W OR DESK
SHAR A RE
T
ES FIC S OF OP SH
W OR
ET
MARK
D I ST R I B U T I O N
LER Y
GAL
Fruit tree orchards occupy the upper terraces while vegetable garden plots take up the lower ones.
H y D RO - E L EC T R I C P OW E R T I E- I N
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1 1
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H y D RO
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SH O RK P
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AG R I C U LT U R E
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4 4 - Green Roof 4 5 - Community Studio Space 4
5 5
Labour
Expansion of trade within Holyoke and broader region
GRE SE HOU
3 3 3 Floor Plan Third
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Products
STU
3
2 2
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B I K E- S H A R E
ON-SITE P RO D U C E
1 1
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1 - Studio Apartment 2 - Two Bedroom Apartment 5 3 - Entrance to Green Roof
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LO C A L P RO D U C E
55 5 5
UP
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6 6
5 5
1 1 1 1 1 1 Second 1 Floor Plan 9 - Food Distribution Offices 5 - Administrative Offices Second Floor Plan Plan 10 -Second Loading Floor Entrance 6 - Classrooms 5 Offices 9 Distribution Offices 5 7-- Administrative Administrative Offices 9 -- Food Food Distribution Offices - Workshop Second Floor 6 -- Classrooms Classrooms 10 -- Loading Loading Entrance EntrancePlan 6 10 Food Processing 58--Administrative Offices 9 - Food Distribution Offices 7 - Workshop 3 2 76--Workshop Classrooms 10 - Loading Entrance 8 -- Food Food Processing Processing 8 7 - Workshop 8 - Food Processing 2 1 1 1 1 1 1 1 4 2 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1
2 1 5 2 2 22
18
145
5
UP
UP UP
2
1 1
12
108
4 4
3
7 1 1 - Street Entrance 2 - Bathrooms 2 1 Entrance 1 3-- -Street Street Entrance Offices 2 -- Bathrooms 2 Desk Share 14--Bathrooms Street Entrance 3 -- Offices Offices 3 2 2 - Bathrooms 4 -- Desk Desk Share Share 4 3 - Offices 4 - Desk Share 1
23,495 SF
5
4
3 3
3
6
8 8
10
36
7UP
9 9 8
10 1 - Street Entrance 10 2 - Bathrooms 10 3 - Offices 4 - Desk Share
3 6 3 3
2
UP UP
9 9 9 9
3
2 3 2 3 6 3 2 2
8
Market / Shops / Gallery
UP
2 2
1
E XC H A N G E
First Floor Plan
9
2
1 1
2014 - 2017 - 2020
5
9
1 - Market 2 - Shops 3 - Gallery 4 - Bike Share 5 - Living Machine 6 - Bathrooms
11
4
UP UP
6 7 76 7 6 6 6 6 6 6
8
14
11
11 11 11
97
14 14
13
JOBS
A R EA
Forth Floor Plan
3 3
3 - Entrance to Green Roof 4 - Green Roof
3
4 4 4 1
1
1
1
1 1 1 1
1 1 1 1
1 - Work / Live Apartment Living Loft 1 1 -- Work Work // Live Live Apartment Apartment Living Living Loft Loft 1 - Work / Live Apartment Living Loft
1
1
1
1
Forth Floor Plan
Forth Floor Floor Plan Plan Forth 3 - Entrance to Green Roof Fifth Floor Plan 4 - Green Roof Forth Floor Plan 3 -- Entrance Entrance to to Green Green Roof Roof 3 4 -- Green Green Roof Roof 4 3 - Entrance to Green Roof 4 - Green Roof
1 - Work / Live Apartment 2 - Studio Apartment 1 1-- -Work Work Live Apartment Living Loft Work /// Live Live Apartment 1 Apartment 2 -- Studio Studio Apartment 2 1 - Work /Apartment Live Apartment 2 - Studio Apartment
1 1 1 1
1 1 1 1
1 1 1 1
1 1 1 1
1 1 1 1
1 1 1 1 Fifth Floor Plan
Fifth Fifth Floor Floor Plan Plan Fifth Floor Plan
C O M P O ST I N G
G EO - E XC H A N G E SyST E M
All organic waste produced is composted and reused on-site.
Geo-exchange coil runs under the vegetable gardens, regulating thermal comfort through radiant floors.
Equinox March 20th, 2014 at 4PM
NESEA 2014 // Competition
46
Equinox September 23rd, 2014 at 3PM
parson’s FarM
P R O D U C I N G F O O D , E N E R G Y, & J O B S F O R H O LY O K E , M A . DATA E N E R Gy S U M M ENERGY A Ry
C O ST : $ 2 0 9 . 3 2 /s q f t E U I : 5 1 . 2 k BT U /s q f t
300000
A n n u a l e l e c t r i c i t y p ro d u c t i o n : P V 1 3 6 , 1 2 6 kWh H yd ro + 2 , 8 9 2 , 0 0 0 kWh To ta l = 3 , 0 2 8 , 1 2 6 kWh PV B u i l d i n g ye a r l y e l e c t r i c i t y c o n s u m p t i o n : - 1 , 4 9 9 , 6 0 0 k W h SHYDRO urplus electricity: + 1 , 5 2 8 , 5 2 6 kWh
250000
KWH
200000 150000 100000
BUILDING
50000
H yd r o
0
JA
N FE B M AR AP R M AY JU N JU L AU G SE P O CT NO V DE C
Building PV
E L EC T R I C C O N S U M P T I O N KW h A r e a L i g ht i n g M i s c . Eq u i p m e nt Pu m p s & A u x . Ve nt i l at i o n Fa n s Wate r H e at i n g Ref r i g e r at i o n Cooling
E X P E R I M E N TA L W I N D T U R B I N ES
P H OTOVO LTA I C A R R Ay G R E E N RO O F
Vegetated rooftops improve thermal performance of the roof, filter collected rainwater and provide shared green spaces for users.
The south orienting building shell and its 42 degree slope are ideal for harvesting solar energy.
RADIANT F LO O RS
Radiant heating and cooling saves energy, provides thermal comfort.
L I V I N G - M AC H I N E
All wastewater is biologically remediated on site and returned to the canal.
Solstice June 21st, 2014 at 4PM
R A I N WAT E R C I ST E R N
Rain water catchment system harvests all water run-off from building`s roofs and stores it in an underground cistern for use throughout the building.
DOUBLE SKIN FAC A D E
The atrium roof is equipped with operable windows that allow natural air flow through the building.
Double skin facade along north orientation improves thermal performance of envelope.
M yC E L I U M I N S U L AT I O N
N AT U R A L V E N T I L AT I O N
NESEA 2014 // Competition
Solstice December 21st, 2014 at 2PM
N AT U R A L V E N T I L AT I O N
47
7
Work Samples
48
WORK SAMPLES
Work Samples
49
SPRINGFIELD INNOVATION CENTER The Springfield Innovation Center will become the new home of VVM “Valley Venture Mentors” an organization which focuses on nurturing innovation in the Pioneer Valley region of Massachusetts by providing education and mentorship to young entrepreneurs in the area. Funded by Develop Springfield, this project aims to rehabilitate a historic building featuring an iconic facade with a distinctly eclectic style. The project involves transforming this old building into a colorful and vibrant innovation space with all the amenities of a co-working space in addition to a presentation space that can accommodate 200 people, a lounge, an adjacent cafe / restaurant, and private offices on the top two floors. The following are samples of the work that I have done on this project so far from initial schematic design proposals, to design development schemes for the main floor, as well as detailed elevations of the historic facade.
LEVEL ONE INNOVATION SPACE & RESTAURANT / CAFE
LEVEL TWO INNOVATION SPACE
OFFICE REST ROOMS KITCHEN
GROUP MEETING ROOMS
P R E S E N TAT I O N S PA C E
TELEPHONE BOOTHS E X H I B I T I O N S PA C E R E S TA U R A N T / C A F E
I N O VAT I O N S PA C E & L O U N G E
E L E VAT O R
E L E VAT O R
Work Samples
studio one inc.
LEVEL ONE
50
LEVEL TWO
studio one inc.
I N O VAT I O N S PA C E & L O U N G E
Up
Stairs up
Bar
Cooler
Cooler
Electric Panel
+6' - 11" KITCHEN
CAFE / RESTAURANT
MEN'S ROOM
BAR
WOMEN'S ROOM
STORAGE
Up
Step up
Down
HW
PHONE BOOTH
Up
WOMEN'S ROOM
MEN'S ROOM
IdeaPaint Accent Wall
+11' - 3" Cieling Exposed Ductwork Above Presentation Space
Basement Level Below
+11' - 3" Cieling Exposed Ductwork Above Lounge
PHONE BOOTH
PHONE BOOTH
PHONE BOOTH
Work-Bar Along Knee-Wall
Buil-in Seating
PRESENTATION SPACE
3' Soffit
LOBBY
3' Soffit RECEPTION DESK
WORK-SPACE
WORK-SPACE
WORK-SPACE
S=6' - 0" H=7' - 5"
+8' - 0" A.T. Ceiling
MAIL BOXES
COPYROOM AREA WORK-SPACE
NEW ELEV. OTIS GEN2 3500 SEISMIC 2A
WORK-SPACE
WORK-SPACE
---
STAFF OFFICE FIRE
Electric Panel
Up
Glass Walls
Mechanical Room
Pin up wall/ Marker boards
Level 1 Layout Proposal (Break-outs) 3/16" = 1'-0"
Stage
Dn.
1
SEATING / DESK STORAGE
Sim
Ramp + 5"
3' Height Partition Wall With Glass Screen
Stage
Dn.
INNOVATION LOUNGE Work Bar
S= 6' - 0" H= 7' - 5"
2 Roll-up Glass-Doors 9' - 0" x 7' - 7"
2
Presentation Arrangement 1/8" = 1'-0"
Work Samples
51
GUNN BLOCK REHABILITATION Built in 1835 by Elisha Gunn, the block served for many years as the social and business center of a growing city.Residents of Armory Hill, Watershops and Indian Orchard met in Gunn Hall in 1856 and conspired to secede from Springfield and form the city of Delano.
As one of the oldest buildings in Massachusetts, this rehabilitation project also funded by Develop Springfield has garnered some attention fromthe media. The building is in very bad shape and requires extensive repairs to its structure; the brick walls are crumbling, the chimneys are leaning, the beams no longer attach to the supporting walls, and there are not enough columns to support the spans.
1
Bracing System View
NEW SOLID BLOCKING AT BEAM JOIST HANGER
NEW 3/4" T& G PLYWOOD
EX FLOOR JOIST EX FLOOR JOIST 8 x 11 CAP PLATE
6 x 6 x 3/8 ST COLUMN
12 x12 BASE PLANK WITH 4 - 3/4" DIAM X 12" LONG ANCHOR OR BOLTS OLD DIRT FLOOR
ON 3/4" NON-SHRINK GROUT
NEW 3/4" T& G PLYWOOD
Bracing System View
1' - 0"
1
2" RIGID INSULATION
0' - 8"
3' - 5 1/2"
3' - 0" SQ FOOTING WITH #6 BARS 8" O.C. BOTH WAYS
TYPICAL ISOLATED COLUMN FOOTING DETAIL
Work Samples
52
TYPICAL COLUMN DETAIL A
Janua
Date Revision:
INDICATES EXISTING BASEMENT LEVEL
. V.I.F " 4' - 10
V.I.F.
B
Existing st. beams to remain.
A
ALIGN TOP OF NEW STEEL WITH TOP OF EXISTING STEEL TEMPORARY COLUMN & BEAM
GC TO PROVIDE CONNECTION DETAIL SEE ALT. DETAIL SHOP DWG REVIEW/APPROVAL REQUIRED
Provide and install structural fill compacted to 95 % density to fill existing void between frost walls and foundation walls.
INDICATES EXISTING MASONRY STOREFRONT (3) NEW TEMPORARY WOOD COLUMNS 3 2 X 6' S. EACH COLUMN TO SUPPORT EXISTING STEEL BEAMS, VERIFY EXACT LOCATION IN FIELD. VERIFY BEARING CONDITIONS PRIOR TO INSTALLING COLUMNS WITH STEEL PLATE AT FLANGES.
NEW 12X40 ST. BM NEW 12X26 ST BM EXISTING MASONARY WALL
NEW 6" DIAM ST COLUMN (SCH80) TYP. EXISTING STL. BEAMS
NEW W12 X 40
#5 BARD MIN 12" EMBEDMENT
NEW 12X40 STEEL BEAM ATTACH TO NEW 12X26 BEAM. SEE DETAIL B-B.
DETAIL C-C
NEW STEEL BT. PLATE TO TIE 3' 6" BEAMS AT EQL SPACING TOGETHER WELD ALL AREAS
DETAIL A-A
Work Samples
EXISTING TEMP.
Remove existing top 6 courses of brick masonry foundation wall. provide and install new #5 rebars @ 12” o.c. as shown and epoxy anchor in place. Provide formwork for new concrete cap over ex brick masonry full width of ex found wall. #5 bars min 12" embedment into pre drilled, epoxy filled holes.
DETAIL B-B
EX (2) STEEL BEAMS
NEW 3/8" PLATE V.F. SIZE
NEW 6" DIAMETER COLUMN
APPROX GRADE
FUTURE MASONRY WORK AFTER NEW 12X40 BEAM IS INSTALLED
1' - 0"
EX F.F. ELEV.
NEW W12 X 26
Phase 1A Rehabilitation of the Gunn Block Building
C
EXISTING TEMP. COLUMNS AND BEAMS TO REMAIN EX. MASONRY WALL
Electrical service
architects | planners 115 state street, suite 201 springfield, mass
16' - 7"
B
Exst'g electrical panels
Provide and install new 12 x 40 steel beam on new 6" diameter steel columns. Align new beam with existing top of steel beams at storefront.
studio one inc.
A
C
#5 REBAR @ 12" O.C. VERT.
New 12 x 40 steel beam for future brick shelf. Provide and install new steel beam and column as shown. Verify dimensions in field. UP
THE SKETCHES,DRAWINGS AND P SHEET ARE COVERED BY NAT INTERNATIONAL COPYRIGH REPRODUCTION OF ANY ELEMENT A VIOLATION OF THE LAW AND PROSECUTION. UNLESS WRITTEN GRANTED BY 'STUDIO ONE, INC.' SPECIFICATION(S) AND PROJECT THE PROPERTY OF 'STUDIO O ALL RIGHTS RESERVE
Ext'g stair terminated at First Floor
Provide and install new 12 x 26 steel beam on new steel columns. Align new beam with existing top of steel beams at storefront.
8" Sq Wood Beam
10" Sq Wood Beam
8" Sq Wood Beam
10" Sq Wood Beam
2014 COPYRIGHT N
Remove existing top 6 courses of brick masonry foundation wall. provide and install new #5 rebars @ 12” o.c. as shown and epoxy anchor in place. Provide formwork for new concrete cap over ex brick masonry full width of ex found wall. #5 bars min 12" embedment into pre drilled, epoxy filled holes.
Provide and install new 6” diam steel columns with 8 x 12 base plates set in place with (4) four ½” diam bent anchor bolts / base plate.
Progress Print - Not fo Construction
Lower Leve Columns & Foundation Repairs Scale:
1/2" = 1'-0"
Drawn by
Checked by
S-201
53
Project number
1
Basement Floor Plan 1/2" = 1'-0"
Set number:
3' - 6 1/2"
BEDRO0M 12
23' - 4"
6 1
CHURCH STREET S. Topo Site Plan 1" = 40'-0"
studio one, inc. architects ~ planners 115 state street suite 201 springfield, mass
EX R-19 ATTIC INSULATION
NEW 12" OF BLOWN-IN CELLULOSE NEW INSULATION BAFFLES
EX COLUMN IN UNIT SEPARATION PARTITION
EX R-19 ATTIC INSULATION
70 Broadway, Chicopee, MA 01020
NEW 12" OF BLOWN-IN CELLULOSE
Renovations to MacArthur Terrace
EX STEEL BEAM 133
LAMP
ELEC VAULT
BUS STOP
LAMP
HYDRANT
BRICK WALL
1" TREE
BLDG 23
TEL. BOX
BLDG 19
MH
BLDG 32
BLDG 26
135
174 (2S)
175 (2S)
6 13
164 (2S)
165 (2S)
180 (1S)
2" TREE
2" TREE
LAMP
161 (2)
S
LAMP
S
LAMP
S
SLIDE
DUMP. PAD
187 (3)
BENCH
BLDG 31
138
137
EMH
S
SMH
159 (3)
BENCH
158 (3)
2" PINE
140
24" MAP.
STONE WALL
0 14
141
PICNIC TABLE WASTE BASKET
199 (2S)
201 (2S)
205 (2S)
204 (2S)
153 (2S)
152 (2S)
222 (2)
S
2" TREE
149 (1)
2" TREE
218 (2)
216 (2)
217 (2)
214 (2)
215 (2)
LAMP
BENCH
PICNIC TABLE
SWING SET
S
2" TREE
1" TREE
WASTE BASKET
2" TREE
LAMP
2" TREE
147 (3)
BLDG 21
219 (2)
220 (3)
1" TREE
BENCH
LAMP
149
S
S
SS
LAMP
2" TREE
LAMP
142 (2)
143 (2)
HYDRANT
HYDRANT
2" TREE
138 (1)
139 (1)
140 (2)
141 (2)
FIRST CENTRAL BAPTIST CHURCH
150
144
148
145
MH
BRICK WALL
146
148
147
LAMP
BENCH
DUMP. PAD
LAMP
PLAYGROUND
SLIDE
2" TREE
BRICK WALL
2" TREE
148
PARKING LOT: 36 SPACES
S
DUMP. PAD
2" TREE
S
BENCH
SWING SET
146
149
147
PARKING LOT: 30 SPACES
145
BENCH
2" PINE
144 (3)
2" PINE
144
2" TREE
2" PINE
145 (3)
BLDG 15
146 (3)
BLDG 17
221 (3)
2" TREE
SAN. SEWER
148 (1)
195 (2S)
194 (2S)
193 (3S)
192 (3S)
BLDG 22
196 (2S)
WASTE BASKET PICNIC TABLE
S
144
197 (2S)
BLDG 28
5 14
BLDG 29
BENCH
LAMP
2" TREE
32" MAP.
157 (1S)
156 (1S)
155 (2S)
154 (2S)
144
191 (2)
BENCH
SWING SET
151 150 (1) (1)
213 (3S)
212 (3S)
211 (2S)
210 (2S)
209 (1S)
208 (1S)
207 (1S)
206 (1S)
S
203 (2S)
202 (2S)
143
190 (2)
LAMP
36" MAP.
198 (2S)
200 (2S)
BLDG 16
WASTE BASKET
S
PICNIC TABLE
BLDG 20
189 (2)
BLDG 30
188 (2)
BLDG 25
140
BLDG 27
2" PINE
2" TREE
LAMP
2" TREE
2" TREE
2" TREE
2" TREE
2" TREE
2" TREE
LAMP
DUMP. PAD
1" TREE
138
SAN. SEWER
ELEC PODS
30" MAP.
138
ELEC PODS
SAN. SEWER
DUMP. PAD
PARKING LOT: 26 SPACES
2" TREE
LAMP
186 (3)
PARKING LOT: 26 SPACES
LAMP
160 (2)
BLDG 18
1" TREE
2" TREE
135
WASTE BASKET
PICNIC TABLE
2" TREE
LAMP
2" TREE
2" TREE
176 (2S)
184 (1S)
182 (1S)
183 (1S)
181 (1S)
2" TREE
178 (1S)
179 (1S)
135
177 (2S)
162 (2)
166 (2S)
167 (2S)
168 (2S)
169 (2S)
170 (2S)
171 (2S)
172 (1S)
173 (1S)
163 (2)
BLDG 24
134 133
BRICK WALL
131 130
134
131
147 147
134
136
133
135
134
13 6 132
185 (1S)
133
137 133
135
134 134
142 141
141
141 142
136 135
132 133
134
134
135
145
139 136
143
142 144 144 141
146 145
148 148 146
138 135
137
137
148 145
140
137
147
151
151
152
2" TREE
2" TREE
150
2" PINE
154
155
156
129 (3S)
128 (3S)
133 (2S)
132 (2S)
131 (2S)
130 (2S)
153
151
136 (2)
135 (1)
1" TREE
S
134 (1)
BLDG 12
LAMP
S
36" MAP.
152
118 (2)
119 (2)
120 (2)
121 (2)
122 (2)
123 (2)
124 (2)
125 (2)
126 (3)
127 (3)
BRICK WALL
2" PINE
102 (1S) 103 (1S)
LAUNDRY
WASTE BASKET
15 5
2" PINE
BLDG 6 100 (1S) 101 (1S)
BLDG 7
BLDG 11
2" TREE
BLDG 13
LAMP
15 8
159
E IC FF O
PICNIC TABLE
1" TREE
1" TREE
LAMP
LAMP
2" PINE
2" PINE
20 MAP.
LAMP
WALNUT STREET
137 (2)
BLDG 14
2" TREE
150
139
13 9
151
LAUNDRY 138 138
151
145 143
149 146 143
143 142
139
142
146
147 145
151
140 139
LAUNDRY
150
145 141
152 150
143 140
143
MH
105 (3S)
S
2" TREE
BLDG 10
S
BLDG 9
HYDRANT
LAMP
2" TREE
155
117 (2)
115 (2)
114 (2)
113 (2)
112 (2)
111 (1)
110 (1)
109 (1)
108 (1)
107 (1S)
116 (2)
15 3 48" MAP.
94 (2S)
BLDG 5
95 (2S)
2" TREE
2" TREE
LAMP
2" TREE
LAMP
106 (1S)
15 6
98 (1S) 97 (1S) 96 (1S)
158
BLDG 8
104 (3S)
99 (1S)
BRICK WALL
HYDRANT
93 (2S)
BRICK WALL
2" TREE
S
2" TREE
LAMP
LAMP
16 0
56 54
2" TREE
BLDG 14E
59 57
160
LAMP
89 (1S)
ELEC
SAN. SEWER
BLDG 4
91 (1S) 90 (1S)
S
BRICK WALL
2" TREE
BENCH
88 (1S)
2" TREE
86 (2S)
LAMP
87 (2S)
2" TREE
S
77 (3)
S
61
83 (3)
84 (3)
85 (3)
78 (3)
2" TREE
2" TREE
46
48
2" TREE
45
47
2" TREE
BLDG 1
2" PINE
2" TREE
S
LAMP
42
44
LAMP
2" TREE
79 (1)
80 (1)
81 (1)
82 (1)
2" TREE
0 16
LAMP
39 37
LAMP
BLDG 9E
BLDG 10E
38
40
70
2" TREE
LAMP
2" TREE
2" PINE
S
2
74
LAMP
33
35
2" TREE
1
31
22
NORTH
2" TREE
2" TREE
GAS METER
BOILER ROOM
BLDG 5E
24
21 23
18 20
LAUNDRY
PICNIC TABLE
13
161
15
LAMP
162
25
27
2" TREE
HYDRANT
2" TREE
26
28
BLDG 7E
LAMP
DUMP. PAD
2" TREE
ELEC POD
PARKING LOT 14 SPACES
14
16
BRICK WALL
2" TREE
162
BLDG 4E
2" TREE
10
2" TREE
12
17 19
BLDG 8E
29
ELEC PODS
16
9
11
2" TREE
BLDG 3E
BLDG 6E
LAMP
BENCH
32 30
SAN. SEWER
BENCH
BRICK WALL
2" TREE
BLDG 19E
MAINT
BENCH
HYDRANT
2" TREE
6
8
2" TREE
75 73
76
16
2" PINE
2" PINE
2" TREE
34
36
BENCH
5
72
7 2
BLDG 2E
2" TREE
HYDRANT
4
LAMP
2" TREE
PARKING LOT 10 SPACES
MH
71 69
BLDG 18E
2" TREE
LAMP
41
BLDG 11E
S
160
65
67
66
1
3
2" TREE
LAMP
BLDG 1E
2" TREE
68
43
BRICK WALL
BLDG 17E LAMP
BRICK WALL
62
64
BLDG 12E
51 49
BENCH
LAUNDRY
COMMUNITY BUILDING
BLDG 16E 63
BLDG 2
BLDG 3
2" TREE
50
52
S
PARKING LOT 6 SPACES
160
2" TREE
HYDRANT
BLDG 13E
53
55
PARKING LOT 12 SPACES
PARKING LOT: 28 SPACES
BENCH
PICNIC TABLE
SWING SET
15 6
92 (2S)
60 58
2" TREE
BLDG 15E
BRICK WALL
2" TREE
CHICOPEE FALLS SOCIETY OF THE METHODIST EPISCOPAL CHURCH
ET EAST STRE
155
142 141
146 147
155 154 155
146 142
140 143
142 144
144
144 144 146
143 145
144
144 143
151
148 145
152 151
153 150
153
152
BRICK WALL
146
9 14
147 150
151 152
148 149 151
151
2 15
152 152 152
152
3' - 6 1/2"
153
153
154 153
LIVING ROOM
154
EX COLUMN IN UNIT SEPARATION PARTITION
155
EX STEEL BEAM
153
24' - 4"
154
BEDRO0M
154
LIVING ROOM
155
STAIR 154
ATTIC
155
NEW INSULATION BAFFLES
156
136
153
4
154
HALLWAY
6 15
158
F. family 2br split cross section 1/2" = 1'-0"
7 15
157
KITCHEN
9 15 8 15
156
2
161
F. family 1br split cross section 1/2" = 1'-0" 160
Work Samples
54 L.C.
159
155
131
158
132
157
158
ENTRY 7 13
7 15
9 15 8 15 9 15
157
1 HALLWAY 9 13
159
ET RE ST 159
L.C. 138
15
AY DW OA BR
158
ATTIC
162
6
160 161
9
158
12
160
159
The new drawings, based on an old hand-drawn construction-drawing set, were recreated in Revit as a 3D model of the entire site with all the information embedded within. 15
160
This 223 unit housing development in Chicopee Massachusetts is in need of extensive repairs and updates to its systems, fixtures, and finishes. The main challenge for this project was organizing the sheer quantity of data that was gathered on site into a database which then could be used to fill in all the annotations on newly created drawings. To gather the data we had to organize several trips to the site in order to survey each of the apartments. 1
159
MACARTHUR TERRACE 161
16
162
RENOVATIONS FOR 161
161
Date
Revision:
NOT FOR CONSTRUCTIO
March 24, 20
Project Status
THE SKETCHES,DRAWINGS AND PLANS O SHEET ARE COVERED BY NATIONAL A INTERNATIONAL COPYRIGHT LAWS REPRODUCTION OF ANY ELEMENT OF DE A VIOLATION OF THE LAW AND SUBJEC PROSECUTION. UNLESS WRITTEN PERMIS GRANTED BY 'STUDIO ONE, INC.'. DRAWI SPECIFICATION(S) AND PROJECT MANUA THE PROPERTY OF 'STUDIO ONE, INC ALL RIGHTS RESERVED.
2015 COPYRIGHT NOTICE
1 & 2 BR Typ Split-Level Family Cross Sections
Drawn by
Checked by Scale:
Set number: 1/2" = 1'-0"
Project number
A.008.0
29' - 9"
Closet
A/C Sleeve
SEE NOTE #2 for new vinyl windows
SEE NOTE #13 for new closet doors and frames typical
Carpet
F4
Bath.
SEE NOTE #16 for new bathroom ceiling. see rm fin schedule
Typical Family Units Level 2 Type 1S 1/4" = 1'-0"
SEE NOTE #4 for new alum storm doors
29' - 9"
Rear Entry
SEE NOTE #2 for new vinyl windows
WALL
CEILING
F4
A/C Sleeve
1S Level 1 0' - 0" 4
4
SEE NOTE #21 for new aluminum miniblinds typ
SECOND FLOOR BEDROOM
SEE NOTE #11 for new light fixtures
S.V.
Kitchen
Kitchen
4
DN
Kitchen Exhaust
UP
UP
Planter
Planter
Kitchen Exhaust
1S Level 1 0' - 0"
SEE NOTE #9 for new faucet
SEE NOTE #3 for new unit entry doors
2' - 0"
W1830
W2430
WALL CAP
HOOD SEE NOTE #7 for new hood fan
SEE NOTE #9 for new faucet
Typical Family Units Type 1S Front Elevation 1/4" = 1'-0"
1' - 6"
6
B18
2' - 6"
GAS RANGE
1' - 6"
2' - 0"
SEE NOTE #6 for new gas range
B18
F. 1S Kitchen Elevations 6 1/2" = 1'-0"
5' - 0"
7' -6 1/2"
SEE NOTE #12 for new flooring. also see rm fin schedule
7' - 7"
1 BR Typical Split-Level Family Townhouse
7' - 7"
SEE NOTE #14 & 15 for new plumbing fixtures and medicine cabinets typical all bathrooms
7' - 7"
W3018
1' - 6"
SEE NOTE #4 for new alum storm doors
SEE NOTE #16 for new bathroom ceiling. see rm fin schedule
7' - 6 1/2"
SEE NOTE #21 for new aluminum miniblinds typ
F8
SEE NOTE #3 for new unit entry doors
3
SEE NOTE #5 & #8 for new kitchen cabinets and countertops
Typical Family Units Level 1 Type 1S 1/4" = 1'-0"
Main Office Roof 7' - 10 1/2" F8
SEE NOTE #6 for new gas range
KIT. EXH. DUCT 2' - 6"
GWB SOFFIT
1S Level 2 8' - 4"
SEE NOTE #21 for new aluminum miniblinds typ
SEE NOTE #7 for new hood fan
DN
Front Entry
1
5
6
F1
2' - 0"
SB42-1/2
SEE NOTE #5 & #8 for new kitchen cabinets and 1' - 6" countertops W1830
8' - 4"
SEE NOTE #10 for new t-stat S.V.
SEE NOTE #1 for new vinyl siding and trim
SEE NOTE #2 for new vinyl windows
7' - 6 1/2"
23' - 6"
BATHROOM HALLWAY
3' - 6 1/2"
5
1S Cieling 15' - 10 3/8"
Carpet
7' - 7"
Living Room
Carpet
SEE NOTE #9 for new faucet
2' - 0"
STAIRS Living Room
SEE NOTE #5 & #8 for new kitchen cabinets and countertops
GWB SOFFIT
SEE NOTE #17 for new 12" of loose fill cellulose attic insulation typ all buildings
SEE NOTE #11 for new light fixtures
LIVING ROOM
14' - 3"
SEE NOTE #12 for new flooring
REFRIGERATOR
3' - 0"
B36 DUCT IN SOFFIT
SEE NOTE #4 for new alum storm doors
Typical Family Units Type 1S Rear Elevation 1/4" = 1'-0"
KITCHEN 14' - 3"
F4
FIRST FLOOR
A/C Sleeve
A/C Sleeve
BASE
patch and paint 2 coats
S.V.
patch and paint 2 coats
FLOOR
1
Remove existing carpet and pad provide and install new VINYL plank flooring
2
F4
A/C Sleeve
1S Level 2 Main Office Roof 8' - 4" 7' - 10 1/2"
ROOM FINISH SCHEDULE
3
Remove existing vinyl base provide new 4" vinyl base
2
NOTE #11 for new light fixtures
S.V.
Remove existing sheet vinyl flooring. provide and install new s.v. flooring
Bath.
A/C Sleeve
SEE NOTE #3 for new unit entry doors
SEE NOTE #14 & 15 for new plumbing fixtures and medicine cabinets typical all bathrooms
Lin. Closet
475 Kilvert Street, Warwick, RI 02886
Hallway
DN
Lin. Closet
F5
architects ~ planners 115 state street suite 201 springfield, mass www.studioonearchitects.com 413.733.7332 413.737.1464
DN
Carpet
F5
studio one, inc.
23' - 6"
Concrete Slab
Hallway Closet
1S Cieling 15' - 10 3/8"
SEE NOTE #1 for new vinyl siding and trim
SEE NOTE #18 for new combo smoke / co detector in each bedroom typ family units.
70 Broadway, Chicopee, MA 01020
Gas Fired Boiler
W.H.
Mechanical Room
2015 COPYRIGHT NOTICE
7' - 0"
B
NOT FOR CONSTRUCTION
THE SKETCHES,DRAWINGS AND PLANS ON THIS SHEET ARE COVERED BY NATIONAL AND INTERNATIONAL COPYRIGHT LAWS. REPRODUCTION OF ANY ELEMENT OF DESIGN IS A VIOLATION OF THE LAW AND SUBJECT TO PROSECUTION. UNLESS WRITTEN PERMISSION IS GRANTED BY 'STUDIO ONE, INC.'. DRAWING(S), SPECIFICATION(S) AND PROJECT MANUAL ARE THE PROPERTY OF 'STUDIO ONE, INC.'. ALL RIGHTS RESERVED.
7' - 0"
SEE NOTE #17 for new 12" of loose fill cellulose attic insulation typ all buildings
Carpet
Revision:
Project Status
7' - 0"
Bedroom
2' - 9"
7' - 7"
Carpet
SEE NOTE #20 remove all interior doors. provide and install new solid core doors
3' - 0"
March 24, 2015
Date
GWB SOFFIT
7' - 7"
Bedroom
2' - 0"
SEE NOTE #17 for new 12" of loose fill cellulose attic insulation typ all buildings
SEE NOTE #12 for new flooring. also see rm fin schedule
Storage Closet
SEE NOTE #5 & #8 for new kitchen cabinets and countertops
W3630
Renovations to MacArthur Terrace
SEE NOTE #21 for new aluminum mini-blinds typ
14' - 3"
Storage Closet
7' - 6 1/2"
14' - 3"
W2430
Dimeo Properties
SEE NOTE #13 for new closet doors and frames A/C Sleeve
8' - 4"
SEE NOTE #2 for new vinyl windows
A/C Sleeve
Scale:
As indicated
Drawn by
SEE NOTE #2 for new vinyl windows
Checked by
A.001.00 1 5
2
F. 1S Bathrooms Elevation 1/2" = 1'-0"
3
BATHROOM AND KITCHEN INT. ELEVATIONS SHOWN RIGHT HAND SIDE UNIT. SEE BUILDING PLANS FOR KITCHEN AND BATHROOM HANDING.
SEE NOTE #20 for new interior doors.
Project number
Set number:
TYPICAL BATHROOM
4
4
4
4
4
4
BUILDING 2
5
4
4
4
4
4
4
4
4
4
4
4
4
TYPICAL OLD KITCHEN
8
4
4
4
4
4
4
BUILDING 1
Work Samples
55