JAN-MAR 2014 - ISSUE 4
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M A S Q U A R T E R LY - I S S U E 4
T R A N S F O R M I N G Editorial Team Mahindra Satram-Maharaj Jean-Paul Pouchet Kennedy Pemberton Gisele Williams Shiva Charles Deanna Dass Publisher Eidetic Publishing Editing & Design Eidetic Creative Writers Sheldon Waithe Carol Quash Mushtaq Sookoor Basil Lai Roslyn Carrington Marketing Consultant Jean-Paul Pouchet Photography Arthur Sukhbir Damian Gill
This information is of a general nature only and is not intended as a substitute for professional information about Carnival and Mas Business. Eidetic Publishing has made reasonable efforts to ensure that the information contained herein is accurate and up to date. To the extent permitted by law, Eidetic Publishing, their employees, agents and advertisers accept no liability (even if negligent) for any injury, loss or damage caused by reliance on any part of this information. Mas Quarterly also contains information supplied by third parties. This information is identified with the name of the source and has been chosen for publication because we believe it to be reliable.
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Mas Quarterly is to be published 4 times a year by Eidetic Publishing, Gaston Court, Gaston Street, Lange Park, Chaguanas, Trinidad and Tobago. Entire contents are copyright. Reproduction in part or whole is prohibited. Eidetic Publishing is in no way affiliated with companies or products covered in Mas Quarterly. Produced and printed in Trinidad and Tobago.
M A S
I N T O
B U S I N E S S
M A S Q U A R T E R LY - I S S U E 4
09 Chairman’s Message 10 The Rise of Monday Wear 12 The Princes of Passion 18 Paramin Blue Devils 23 Mas Tips 24 Real Vibes with Lime.tt 30 Peter Reynald 32 Regional Mas 36 Can We Effectively Manage Mas? 40 Save Your Skin
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Inside
M A S Q U A R T E R LY - I S S U E 4
Chairman’s Message
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elcome back to Mas Quarterly Magazine, and we wish all a
speedy recovery from what proved to be an electrifying 2014
many others like Sheldon may be right to argue that this kind of Mas is the base of Carnival.
Carnival Season. Be sure to book early for Carnival 2015,
because our efforts continue to help Mas practitioners innovate the
Similarly, costume, dance and merriment are all key parts of Mas,
experience to be had from ‘The Greatest Show on Earth’.
but let us never forget that backstage of the Spirit of Trinidad & Tobago Carnival there is a well-oiled business machine that
If you are new to Mas Quarterly, we are delighted that you have
demands tremendous logistical coordination and administrative
come across our premier business magazine, geared towards
expertise. Thus, this edition contains an exclusive feature on Mas
promoting the professionalization and export of Trinidad and
Administrator Peter Reynald. Be sure to discover the humble
Tobago Mas. Mas Quarterly takes an in-depth, commercial look
beginnings of this cultural icon, who now lends his expertise to the
behind the scenes of our Mas industry, while sharing the creative
work of the National Carnival Development Foundation (NCDF).
genius of local Mas practitioners with a global audience. Undoubtedly, Mas is our thing, and while many have experienced In this issue, one may ask, what is Mas without passion? The answer
it in the capital city Port of Spain, Mas Quarterly Magazine also
to this question is featured on page 13, where four entrepreneurial
encourages its readers to partake in these celebrations in the local
young princes put their heads together to ensure
boroughs as well. In this issue, we share the
that Carnival 2014 saw the debut of Passion the
experiences of Mas in Tunapuna, and Biche, two of
Band. Let Christian Nath, Mark Paguandas,
many regional festivities that will impress you with
Dr. Anthony Harrysingh and Shival Maharaj indulge
their community atmosphere, style and energy.
your visual intellect with ‘Passion’, a sexy, youthful, contemporary band complete with glittering gems
Finally, this issue concludes with a hard-hitting piece
and cascades of feathers.
by Mushtaq Sookoor, that strikes at the very core of Mahindra Satram-Maharaj
Interestingly, Basil Lai shares his perspective on the
Chairman/CEO Mas Transformation Secretariat
our state of readiness to effectively manage Mas. This article examines Mas on a spectrum ranging from
evolution of Monday Mas, into a warm-up street parade with
conceptualisation to its closing, while highlighting the importance
“masqueraders opting not to wear full costume”. According to
of customer satisfaction. Notably, Trinidad & Tobago Mas, when
Basil, in more recent times ‘Monday Mas’ has emerged as a day of
compared to others, has metamorphosed from observational to
self-expression when masqueraders adorn themselves in outfits of
experiential in nature, and this is our key differentiating factor.
their own design. Mr. Lai even suggests that Mas bands took the emerging ‘Monday Mas’ trend to the next level by offering special
As always, we can never forget to acknowledge our corporate
‘Monday wear’ in their Carnival packages.
partners as we push boundaries to package and export local creative talent. We especially must make mention of Pan American
Today, some critics argue that Trinidad & Tobago Carnival is losing
Life Insurance Company Ltd., who came on board as our Mas
its essence to 'Mardis Gras', but make no mistake, ‘Ole-time’ Mas is
Quarterly Magazine Corporate Champion 2014. Special thanks
alive and well, as can be seen in the form of the Paramin Blue
also to Alamo Vehicle Rentals, Trinre Insurance, Neal & Massy
Devils. Sheldon Waite brilliantly explains that this particular
Automotive, Advanced Cardiovascular Institute, West Shore
portrayal is connected with the mythical mountain basin known as
Medical Hospital, University of the West Indies, One Caribbean
Paramin, while having strong ties to the natural wonder of the
Media, and Seven Seas for their show of confidence. So sit back,
land. So if you are intrigued by a tale that involves method acting,
relax, and enjoy this Issue of Mas Quarterly compliments of the
the beating of biscuit tins, body painting and fire breathing, then
Mas Transformation Secretariat.
M A S Q U A R T E R LY - I S S U E 4
n the ever-changing landscape of the Trinidad and
has been coined “Monday Wear” for masqueraders. Now, as I
Tobago Carnival industry, the opportunities for new
have explained, this is a uniquely Trinidad and Tobago
business and entrepreneurship are steadily keeping
phenomenon, mainly because our Carnival is held over two
pace with masqueraders’ evolving demand for new and
days, each crafted into its own individual experience by the
exciting products and services. This demand has fuelled
masquerader over the back-to-back event.
every metamorphosis of the festival from the birth of ‘bikini and beads’ to the ‘all-inclusive’ bands.
Carnival Monday has evolved to be more of a warm-up day, with masqueraders opting not to wear the full costume.
I’m sure when the first ideas of hosting a roving band on the
Instead, small groups of friends within bands, gradually
road with free drinks to its hundreds, or sometimes thousands
started to appear in matching tees, and even decorated
of masqueraders was tabled, the idea that an army of
them, using beads, airbrushing, paint and glitter and other
‘ropemen’ would be employed as the answer to the logistical
individualised add-ons.
problems that comes with such service sounded crazy. Then again, if you have ever followed Carnival on any level, you would
This was first picked up by the big band Island People, now IP
agree that those that are successful at it seem to understand the
Mas, facilitating this emerging trend by offering actual
magic of making the impossible the next big craze.
Monday Wear in the costume package…very forward thinking. Yuma, and maybe a few others now, have adapted the trend
The latest among these seemingly organic developments
as well, but this was a commercialisation of a trend that was
within the business of Carnival is the evident rise of what
born of the masquerader, and now they are innovating again.
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CARNIVAL MONDAY HAS EVOLVED TO BE MORE OF A WARM-UP DAY,
M A S Q U A R T E R LY - I S S U E 4
By Basil Lai
An even newer trend has started to emerge over the past
masqueraders. Best described as flirting with the uniqueness
five years or so: masqueraders are now leaning towards
of playing Mas in an individual costume, this new trend can
using the relaxed costume code of Monday, to not only wear
be as simple as original earrings designed to match the
a bit of what they want, but to personalise it with the
costume, to a full pair of feathered wings or Mohawk
assistance of professionals. This emerging trend has taken
headpiece. “I try not to clash with the original designer’s
root and is forming the basis of a new spin-off business for
work and to complement it, so the Monday piece doesn’t
design professionals of the industry.
look out of place”, Perminand maintains.
As Mas Quarterly was chatting with designer and costume
As for this becoming a full-fledged second revenue stream,
producer Rawle Perminand at his home workshop in
this successful Carnival entrepreneur with just three years’
Aranguez, he explained that this started as a labour of love
professional experience is musing that the phenomenon can
for him and quickly turned into a business. “I would
only truly take root in this market as “we are the only ones
personalise the costumes of my sisters and cousins, and it
that have a two-day event,” and although he produces for
was fun,” he said. Now, his designs are featured in leading
customers in Toronto, Miami, Houston and of course, Trinidad
bands like Yuma and newcomer Passion, in Trinidad, and
and Tobago, he expects that this will remain more of a
Carnival Nationz of Toronto.
“boutique” service, accessed by only the truest of the Carnival aficionados, those that want to put their personal
But those are the actual costumes, a growing part of his work
stamp on their Carnival Experience.
WITH MASQUERADERS OPTING NOT TO WEAR THE FULL COSTUME.
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is also making personalised Monday Wear designs for
M A S Q U A R T E R LY - I S S U E 4
The
PRINCES OF
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M A S Q U A R T E R LY - I S S U E 4
By Rosyln Carrington
One of the greatest things about Carnival is its dynamic nature; it’s always in a state of flux. Trends begin and fade out, tastes change, and bands come and go. And while many masqueraders are hard-core loyalists, who swear to stick with their chosen band ‘till death’, there are others who are always hungry for a new experience, always searching for a fresh new face among the crowd.
youthful, contemporary band replete with glittering gems and cascades of feathers.
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And Carnival 2014 saw such a new face on the road, in the form of Passion, a sexy,
M A S Q U A R T E R LY - I S S U E 4
assion was founded by four young, progressive
The band also promises to take the hassle out of playing by
entrepreneurs who have been involved in the local
taking care of all the details, providing a premium ‘all-inclusive’
entertainment industry for years. They are:
experience without the premium price tag. Furthermore, the
Christian Nath, Mark Paguandas, Dr. Anthony Harrysingh
Passion experience looks to extend well beyond Ash
and Shival Maharaj.
Wednesday, as players can expect to enjoy preferential treatment during their upcoming post-Carnival events.
“We have all been Carnival enthusiasts our entire lives,” they tell Mas Quarterly. “We’ve played Mas and served on
While for economic and logistical reasons some costume
committees of different bands over the years.” Saddened by
elements are sourced abroad, the group also includes local
escalating prices for costumes, often coupled with declining
elements. “We believe wholeheartedly in supporting local
benefits to the masqueraders, they decided to launch their
entrepreneurs and local talent, and have engaged some of the
own band, where they could put their experience in the
best and up and coming designers for our costumes.”
entertainment business to good use.
...Carnival is more than just buying a costume;
“We wanted to emphasise three areas. First, excellence in
Counted among these talents are names like Richard and
customer service, listening to our customers and striving to
Anthony Hall, Sonia Mack, Tobye Gill, Rawle Permanand, and
meet and exceed their expectations. Second, we want to
Stephanie Ramlogan. “We wanted to ensure that our
guarantee quality of costumes, both in the design elements
costumes stood out and included different design elements.
and in their durability.
We asked our designers to envision their creations along the lines of the core theme of Passion; the sections are named
Finally, the Mas experience, ensuring that masqueraders
after the deadly sins.”
enjoy themselves, and aren’t restricted by who they
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know or don't know to ‘get in.’ This isn’t a members-only
As far as T&T’s thrust towards marketing Carnival
product, so people who have never had the
internationally goes, the group agrees that they provide a
Port-of-Spain Mas experience or the big band
Mas experience that can only be found here. But there are
experience can join us.” Once these elements are
intangible elements, such as our dynamism, spirit,
provided, Passion declares, they are confident that they
exuberance, and passion, that are difficult to qualify. “Carnival
can promise their players a fantastic Carnival.
is more than just buying a costume; it’s the excitement, the
M A S Q U A R T E R LY - I S S U E 4
fun, the letting go of cares for just a couple days. There’s
It endures because it’s an homage to our history in a very
nothing else in the world like it. This is what we need to show
theatrical presentation that people appreciate. Traditional
the world, and this is how we encourage them to come here.
Mas will be around for many, many years, and that it’s
To experience that Trini spirit and personality.”
something that we in the Carnival business should preserve, as it ties us to the origins of Carnival.”
They also see the importance of encouraging our own people, who have established their lives abroad, to return to these
Nonetheless, they explain, people do also enjoy the ‘bikini
shores to enjoy the season — and not to come alone.
and beads’ costumes, as it provides an entirely different
“People need to understand for themselves, see this first
experience in terms of the spirit and energy. Of course, we
hand. And that's why speaking directly to our diaspora —
enjoy that element of dressing up and showing ourselves off.
people who know our culture — is important. Encourage
The majority of the market, they claim, is attracted to this
them to come back home, bring their friends and family, and
option nowadays, and, fortunately, there is such a wide range
enjoy Carnival once more.”
of offerings in the market that people are free to pick and choose what suits them best.
it’s the excitement, the fun, the letting go of cares for just a couple days...
The youth and dynamism of the founders is reflected in their
And in the face of the aforementioned constant state of flux
philosophy of using technology and social interaction not just
that is Carnival, they are confident that they will continue to be
to promote our local Carnival offerings but also to assess
a part of the landscape for a long time to come. This is based
consumer opinions and feedback. “Customers are welcome
on their ability to consistently deliver on their promises through
and free to provide their feedback in person at the Mas camp,
customer service, quality of costumes and an exceptional
through our website, via telephone or email. We are listening
experience, all keys to creating a loyal membership, and their
to them and fine-tuning our operations all the time.”
ability to innovate year after year in terms of designs and our overall offerings. “This is what will set us apart and bring new
In response to the on-going debate about traditional Mas vs
masqueraders into the Passion family.”
sensitive to the traditionalists, and hold no disrespect for
So for this Carnival, a brand new band is coming out strong,
Carnival’s humble roots. “We believe that there’s a place for
and ready to take on all contenders. “We’re new, but we are
all in our Carnival. The traditional Mas is beautiful, and
hitting the road in 2014 with a bang! Come join us and see
deeply rooted in our story-telling and character tradition.
for yourselves what we’re all about!”
Passion can be reached at 222-2405
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what has come to be known as ‘bikini and beads’, the group is
PARAMIN M A S Q U A R T E R LY - I S S U E 4
By Sheldon Waithe
BLUE
It’s the ultimate scare of Carnival; forget the Midnight Robber and his grand charging ‘gun-talk’, or the hairy, chain-bound, shape shifting lagahoo. When it comes to friendly fear, the in-your-face Blue Devils take the title. Appropriately, these
other-worldly creatures stem from a part of Trinidad far removed from the norm:
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the mythical mountain basin of Paramin, with its strong ties to the natural wonder of the land and its maintenance of tradition in the face of corporate evolvement.
DEViLS
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M A S Q U A R T E R LY - I S S U E 4
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M A S Q U A R T E R LY - I S S U E 4
ith their azure hue, the Paramin Blue Devils are certainly the most striking of the traditional Carnival characters, and their behaviour distinguishes them as some of the most energetic. Pitchforks, tails and bat wings transforms the performers into ‘jab jabs’, flicking their tongues and gesticulating with all the verve of seasoned demons, allowed their time on the world stage once a year. It is the ultimate in method acting for Carnival.
Mark Felicien has been involved with the premier Blue Devils band ‘Rhapsody in Blue’ for 31 of his 46 years; Paramin-born and bred, he has the unique perspective of where the jab jabs came from, what they represent, and what the future holds. He also has clear ideas as to what changes are required to ensure the survival of the Blue Devils. In his time, the Devils made forays into J’Ouvert and fetes, then decided to retreat to the sanctuary that is home. He got involved in the Blue Devils when he “saw older heads making costumes and taking part in the Carnival Monday competition; I wanted to be part of that as it was a big part of my Paramin upbringing. At 15 years old, I started playing.”
Mark then struck out on his own, forming Rhapsody, where, with the help of his wife and son, he makes Blue Devil costumes for approximately 50 revellers each year. It is hard work, with little help from outside and little exposure, given the relative remoteness of their biggest competition.
Remember that while the entire Carnival focus is on the larger cities, Paramin is hosting its own Carnival competition in a highly specialised genre. It is not a competition for traditional Carnival characters; it is an exclusively Blue Devil competition. Can it survive like this? “Like everything else in traditional Mas, there is more competition from big bands, fetes springing up all over the place.” says Felician. “But people forget that this kinda Mas — beating biscuit tin and using body paint — is the whole base of Carnival. We have some support, but not all the time. For instance, a few years ago we received a stipend from NCC (National Carnival Commission), which covered buying raw materials, but then the Board
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jab Jab
changed and that stipend stopped. That situation would work again, because the raw materials are very
M A S Q U A R T E R LY - I S S U E 4
expensive. We’re not looking for funds for other stuff, just the raw
some of the big band funds to us for raw material. If I don’t see a
materials. It put us in a position where we have to pay for it all
committee like that soon, I will form one, because the traditional
ourselves.” What about the private sector? “We tried that, but
Mas keeps suffering.” He is adamant that if this is not done
there is not a lot of interest. A few years ago we used to get paid to
“traditional Mas will die.” Surely, just as Paramin’s community
perform at fetes on Carnival Sunday, but then that stopped, too.”
enticed a young Felicien to become involved in jab jab, the future of the Devils must have a strong core of younger
He acknowledges, though, that there are still outlets provided by
revellers coming through the ranks to ensure some
the authorities for the necessary exposure for the Blue Devils.
continuity? “There are only one or two, but parents who play
“Other than Camboulay and the Carnival Friday, Traditional Mas in
pass on the tradition. It needs exposure.”
Port of Spain, we now have the Nostalgia Parade and the Traditional King & Queen events down in South Quay. For these events we get
Attempts at greater coverage meant that the Devils made
some funds, but it is small.”
their mark in J’Ouvert, which seems the right platform for all things macabre within Carnival, with the bonus of
Felicien speaks of the unique situation and contradiction between
attracting paying revellers. However, Felician points to
his band and the big Mas entities that appear to be gobbling up all
an incident where a reveller was killed years ago, as a
in their path. “People pay to play Mas with those big bands ... I
deterrent, and forcing the rethink on the J’Ouvert
have to pay my revellers to play for my band. It means I am relying
experiment. After all, as much there are other options
on prize money to be able to make the money to pay the Devils. If
for the Blue Devils to perform their rhythmic,
I finish low down then people are left waiting for their pay. People
threatening behaviour towards the public, their
see the Devils on the street and think it’s nice that we are keeping
priority remains the almost secluded ghoulish
up tradition, but they don’t see the big problems with funding.”
ceremony on a Carnival Monday evening. The likes of Mark Felicien may need outside help to ensure
At least he sees an answer to the problems, one that may involve
that tradition survives, but is that survival
taking matters into his own hands to ensure survival: “We need a
dependent upon maintaining the closed world
proper Traditional Committee within the NCC, with ideas to get
of the Paramin Blue Devils?
...but people forget that this kinda Mas, beating biscuit tin and using body paint, is the whole base of Carnival...
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e can b licien 5731 e F k Mar 764ed at reach
M A S Q U A R T E R LY - I S S U E 4
M
ost, if not all masqueraders enjoy the choice of
3. Alcohol licence. A vendor must be issued an alcohol
having food available to them on those two
license in order to sell any alcoholic drink.
infamous days of Carnival Monday and Tuesday.
However, for the few that may ‘stray’ away from their
4. Corn soup sounds mouth-watering on Monday and
band, and for the spectators alike, one must source their
Tuesday and it’s the perfect pick-me-up for the long days and
meals for the day.
sun-burnt bodies. How is your corn soup sold? Ensure the cooking pots are properly sealed and that your soup is poured
There are countless vendors lining the streets of
for you upon purchase. Pre-packaged corn soup? We don’t
Port-of-Spain, and any junction really, where there are any
think so...
Carnival festivities. Here is a checklist of things to look out for when purchasing any food or drink items during the
5. Hot dogs, cheap street food, easy to eat and mobile. Look
Carnival season.
out for dust, flies or touchy fingers on your condiments. Ensure all serving utensils are covered and kept clean before purchasing.
who is not properly displaying his or her food badge wasn’t
6. Doubles. Delicious doubles. You have been up at 3:00 A.M.
issued one by the public health department. This means they
to prepare for your day. So have they. Be careful with eating
did not qualify... still want to eat there?
this well loved street food on evenings or late at night.
2. Appearance. Is the vendor properly attired? We mean
Everyone has their favourite person or ‘spot,’ but be wary on
aprons, hair nets, gloves. No glove, no love... or food.
Carnival Monday and Tuesday with your choice of food and drink.
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1. Food badges. No food badge? Chances are the vendor
M A S Q U A R T E R LY - I S S U E 4
with Two months and dozens of fetes. We couldn’t possibly cover these events on our own (even though some of our sta tried)... So we teamed up with our friends at Lime.tt to bring you a taste of the excitement that is T&T Carnival 2014. Real Vibes!
Karambouly All Inclusive - Feel De Passion Photography by J.R & Reneeta Seepersad
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M A S Q U A R T E R LY - I S S U E 4
Yorke All Inclusive – Rio Fiesta Photography by Nicholas Baggy & Ryan Girdharry
Fuad Khan & Friends All Inclusive
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Photography by Shiva Gobin
M A S Q U A R T E R LY - I S S U E 4
with
Fete with the Saints Photography by Nicholas H. Khan
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UWI All Inclusive 2014 – Brasil Photography by Sabrina Sookdeo - Khillawan
M A S Q U A R T E R LY - I S S U E 4
Chutney Soca Monarch Semi-Finals Photography by Nicholas Baggy & Ryan Girdharry
Tobago Love the Experience
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Photography by Vunrick Lyons
M A S Q U A R T E R LY - I S S U E 4
with
Soca In Moka XV
Photography by Ryan Girdharry & Nicholas Baggy
ONE Fete
Photography by Natalie Ali & James Bascombe Jr.
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M A S Q U A R T E R LY - I S S U E 4
QRC All Inclusive - Fete Royal
Central Bank All-Inclusive Photography by GK
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Photography by Nicholas Baggy & Shiva Gobin
M A S Q U A R T E R LY - I S S U E 4
he name Peter Reynald is well known among members of the Mas fraternity. For although he has never been involved in the physical aspect of Mas making, at least not until this year, his contributions to the art form at the administrative level have been nothing short of tremendous. In fact, his expertise in the area of making a success of Mas has earned him the role of consultant to the National Carnival Development Foundation (NCDF), an organization in which he was a founding member and served as General Secretary for four years.
Peter “An administrative officer plays a vital
part in the administration and smooth
running of any business, in any industry. In my capacity as General Secretary, one of my key functions was to keep the communication lines between members
al Stylish Sailors in ig Or t on lm Be e th d de un fo he ys Mr. Reynald sa s been around for (the Boss), a band which he says ha has won the approximately 16 years and which Small Band title 13 times.
open. Even after I gave up those duties I remained a member of the NCFD.”
But Mr. Reynald's competence in Mas-related matters did not come about by chance. His love for the culture, coupled with years of administrative
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experience, are what gives him the authority he exudes as a consultant.
M A S Q U A R T E R LY - I S S U E 4
“Carnival and Mas are not something
band. He portrayed old-fashioned
you name it. I want to pay tribute in
that you should get involved in
sailors. We decided that the Boss
Mas to these men and women, past
because you want to make money.
should be more contemporary, so we
and present, some of whom I have
added more colour and style.
associated with.”
to know the history of Carnival. That it
With a modern twist and under
Among those who will be honored by
emanated out of suffering, out of
Mr. Reynald's shrewd administrative
the band are cricketers Brian Charles
slavery. Therefore, its portrayals
watch, the Boss blossomed on the
Lara, footballer Gerry Brown, sprinter
should be memorable and pleasurable
streets of Port of Spain. So much so
Ato Boldon, swimmer George Bovell
to both onlookers and masqueraders.”
that many of the masqueraders from
and javelin thrower Keshorn Walcott.
Yes, it is a business, but it is important
the old-time sailors band gravitated to Mr. Reynald retired from the Fire
“The costume will be a jersey and a fan
the new band.
with a print of the face of a sports man
Service after 30 years as a fire officer. But even while he was there, he took
“And we are still going strong,”
or woman at the front.” At the time of
time to work with the Fire Services
Mr. Reynald beamed; adding that the
this interview, Mr. Reynald said that 170
children's band. “In the 1980s the
only reason the band never exceeds
masqueraders had registered to play
band won Band of the Year titles in
150 masqueraders is because its
with the band. “The fee is just $100,
South and in Port of Spain.” Shortly
officials never want to step out of the
and that includes costumes and music.”
after his retirement from the Fire Service,
Small Band category.
By Carol Quash
REYNaLD
So will this transition into Mas-making for J'Ouvert spill out into the streets on Carnival Monday and Tuesday? “Monday Night Mas is out of the question for now because of the crime situation. I have a portrayal in mind for next year; but it will still be limited to J'Ouvert for now. But we will see.”
where he also served as General Secretary
Now, many years later, there seems to
of the Fire Service Association and the Fire
be no stopping Mr. Reynald. This year
And although he feels that Carnival
Service Sports Club, Mr. Reynald says he
he has decided to blend his executive
and Mas have become too
founded the Belmont Original Stylish
prowess with his creativity.
commercialized, he remains practical. “At the end of the day, it is a
Sailors (the Boss), a band which he says has been around for approximately 16
“I am now in the process of bringing
business,” he says, and advises young
years and which has won the Small Band
my first J'Ouvert band. It is called a
people to grasp the opportunities the
title 13 times.
Fanfare to the Sports Men and Women
season brings.
of Trinidad and Tobago. I designed my “Originally, I used to play with Jason
own costumes because I know the
“Some people turn their homes into
Griffith, who had a sailor band in
message I want to send.”
guest houses, some people renovate
played with his band, until we
But why a tribute to sports men and
investments in Carnival. Select an area
eventually got together and decided
women? “I was involved in sports for
which you feel passionate about and
we had the ability to bring our own
many years. Hockey, cricket, football,
make it attractive to your customers.”
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their restaurants, there are lots of
Belmont. Many of my friends also
M A S Q U A R T E R LY - I S S U E 4
TUNAPUNA Bandleader, Mas player, designer, multiple National King finalist and semi-finalist and Chairman of the Tunapuna Mas People’s Association (TMPA), Balnarine Bennie, is hard at work on Shipwreck, his presentation for 2014 in the Tunapuna/Piarco Region. With three sections, two designed and assembled by him, and one by a friend, Mr. Bennie says this is the first time in many years his band will not be leaving the region to parade on the streets of
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Port of Spain.
We Explore
Mas
M A S Q U A R T E R LY - I S S U E 4
BICHE
By Carol Quash
Meanwhile, in rural Biche, things are not much dierent. Mas makers are busy preparing for their community's parade of the bands. Eida Abdool-Khan is not a name the average person will associate with Carnival and Mas. But although she admits her involvement in the art form did raise some religious eyebrows at the start of her Mas-making endeavor, the Biche resident and bandleader is a
the
Country
bringing Mas to the rural village since 2000, and has been participating in the street parade long before that.
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Throughout
die-hard Mas woman. She has been
M A S Q U A R T E R LY - I S S U E 4
M
r. Bennie, who has dedicated 44 years of his life to culture,
plan that sums up the changes it would like to see. Among
especially Carnival, usually takes his band to parade in the
them are recommendations regarding the parade route, parade
capital city, and returns to his hometown and parades in his
times, judges, safety of masqueraders and spectators and
King costume late on Carnival Tuesday evening. This year,
transparency in the band registration and judging processes.
however, he says Port of Spain will take a back seat. But, he quickly adds, he and his King costume will not be deprived
Mr. Bennie says the organization intends to run the full
of their annual trek across the Savannah stage on the
gamut – Kiddies Carnival, J'Ouvert, Monday and Tuesday
Thursday before Carnival at the King and Queen of the
parade of the bands with Kings, Queens and individuals,
Bands competitions.
with monetary prizes and trophies for all winners.
“That has to be one of the most amazing feelings and sights
“Bringing out a band costs money. It’s easier for me because
ever. I have been doing this for so many years and I am still
I do everything; design, assemble, you name it. Other
moved every time I do it,” he admits. He says he always gets
bandleaders aren't so lucky.” He adds, “On Tuesday we want
there well in advance of showtime to assemble his costume.
the street to come alive with between 17 and 27 bands
“You can't leave anything to chance. You have to take a number
parading in full, bright colour. Also, we hope to host a Senior
of things into consideration. Wind and things like that.”
King and Queen show before the Carnival days.”
So what prompted the multiple Mas title holder to make
So how does the group propose to fund these ventures?
such a drastic move for C2K14? Bennie's answer is simple
“Well, we are a Non-Governmental Organization, so our
and to the point: “To transform Mas in Tunapuna.” The
funding has to come mainly from sponsors. The Regional
veteran Mas man's love for everything Mas is evidenced by
Corporation will help with things such as stages, transport,
the passion with which he articulates his strategy to
manual facilities, that sort of thing. We have reached an
accomplish his mission. In the chaotic comfort of his Maingot
agreement with the Tunapuna Carnival Committee to
Road, Tunapuna Mas camp, Mr. Bennie ushers Mas Quarterly
accommodate the smooth running of our parades, but we
to a seat that is clear of material, glue and glitter, and
still have to source funding.”
outlines the steps he and his committee are taking to revive He says in addition to the Dinsley Business People’s
the art form in the constituency.
Association (DBPA) and individuals who have made “Tunapuna has the best J'Ouvert in the country, you know,”
monetary contributions, other organizations such as the
he says with confidence. “Do you know why? Because of the
Curepe Gateway Possi and Gayelle have pledged their
cross-section of people and the balance and dynamics of the
support. “We have divided the region into segments, and
ethnic makeup. “After J'Ouvert, Tunapuna is usually dead.
each segment will be responsible for selecting its own
People go home and return later in the evening. After that,
judging points and sourcing prizes. The DBPA will handle
Monday and Tuesday is usually just a street party. The TMPA
Dinsley up to the Tacarigua bridge, the TMPA will handle
wants to change that. This year it will be different. Our
Tunapuna, and the Curepe Gateway Possi will take care of its
celebration will stretch from Dinsley Junction, along the
area. Gayelle will be airing our parades live on TV.”
Eastern Main Road to Curepe, ” he assures. And what do residents in the constituency think of the
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Members of the one-year-old TMPA, he says, have met with
venture? “Right now it is the talk of the town. People come
various stakeholders and have submitted a number of
up to me and ask, 'You hear we having Carnival from Dinsley
proposals that they envision will bring Mas back to its glory
to Curepe this year? I hear we having plenty bands.' I just
days in the region. The organization has drafted a 16-point
smile and ask 'Is so?'” Mr. Bennie chuckles.
Mr. Bennie can be contacted at 765-0924
M A S Q U A R T E R LY - I S S U E 4
es, I am a Muslim,” she says with a chuckle. “And I did run
Mountain would sponsor some water and shopkeepers in the
into some problems at the beginning when I first started
area would sponsor things like Kiss cakes for the 25 to 30
bringing out a band, because traditionally, Muslims are not
children in the kiddies’ parade. Sometimes a resident would
supposed to take part in Carnival events. But I do it
make some dhalpourie and another would do the curry.”
tastefully. My costumes are not revealing. If we wear tights, there is a skirt over it. Even if we do bras we use things like
In terms of getting material and labor for costumes, she says
chiffon to cover up,” she explains.
that, too, comes from the goodness of people's heart and the love for the culture.
Mrs. Abdool-Khan caters to the needs of conventional masqueraders. “The Kiddies Carnival competition is held on
“Everybody helps make costumes. Family, friends. The
the Sunday before Carnival, as well as the Kings and Queens
designs and colours are not my idea alone. We all pool ideas.
junior and senior competitions. On three occasions my band
And when we go to buy material at Samaroo’s, we ask for
won the junior and senior Queens.”
discounts. Music is on a voluntary basis, too.
And just as in other parts of the country, J'Ouvert
Different people assist us every year. I am grateful for the
celebrations are a must in Biche. “People come out in their
help, but it is still difficult to fund whatever else is needed
numbers for J'Ouvert. After this, nothing happens until later
from my own pockets. We would love to come out with a big
in the evening.
truck on the road, but we just can't right now.”
“At Monday night Mas we use flambeaux, fire spitters and
Like any other bandleader, Mrs. Abdool-Khan knows about
moko jumbies. Usually my masqueraders would wear the
working round the clock to bring out a band on time. “We
same colour jersey and black pants. Some people wear
usually start to prepare about two months before and work
things like pirate costumes. It’s a different kind of costuming
as hard as we have to to ensure everything runs smoothly.”
altogether.” She adds with a smile, “My band always wins This year, however, she is not sure if it will happen. “The
the Monday night Mas competition.”
name of this year's presentation is Eida and Friends, but I'm On Carnival Tuesday, Mrs. Abdool-Khan says there are
not sure if I'll be on the road this year. My mom was sick and
usually six bands in the competition. “On average, my band
in hospital and that threw us back a bit. I know it’s late. And
has about 50 to 60 players, with each masquerader paying
even if we do decide to go on with it, I know the costume
about $200 for a costume. I don't charge a fee for Kiddies
can be done in as little as three days’ time, if we work round
Carnival or Monday night Mas. Usually, anyone who plays
the clock. I once brought out a band in a week, you know,”
with me on Monday night will play on Tuesday as well.”
she beams.
How does she meet her expenditure with such a small
But come what may, Abdool-Khan says Carnival and Mas in
amount of revenue? “We don't have the funding, but every
Biche will go on. “We just about bigging up Biche and our
year I get banners from Coca Cola and Samaroo’s. Blue
culture and having a good time, money or no money.”
The designs and colours are not my idea alone
We all pool ideas...
Eida Abdool-Khan can be reached at 336-4511 or 359-0378
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Everybody helps make costumes. Family, friends.
?
M A S Q U A R T E R LY - I S S U E 4
Can We
By Mushtaq Sookoor
Manage Mas
Mas involves the conceptualization, planning and creation of products and services to meet
specific objectives, which must be completed within a specific timeframe. It accomplishes this by incorporating the skills and services of varied personnel and groups for the duration of activities until completion. If we consider the definition of a “project” as provided by the Project Management Institute® (PMI), It’s a temporary group activity designed to produce a unique product, service or result. A project is temporary in that it has a defined beginning and end in time, and therefore defined scope and resources. A project is unique in that it is not a routine operation, but a specific set of operations designed to accomplish a singular goal. So, a project team often includes people who don’t usually work together – sometimes from different organizations and across multiple geographies (PMBOK 5th edition), we
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can see immediately that creating Mas, or Mas production, is a project.
M A S Q U A R T E R LY - I S S U E 4
aving established that the presentation of Mas is a project, can we then use tried and proven project management techniques to effectively manage Mas? In his presentation at Project Management Institute, Southern Caribbean Chapter’s® Technical Session, December 2013, Mr. Mahindra Satram-Maharaj, Chairman of the National Carnival Development Foundation (NCDF), questioned the relevance and role of Project Management in managing Mas. He noted the ignorance of those in the business of producing Mas on the project approach and what constitutes project management. In his words, “Is project management only about a Gantt chart?”
Of course, all of this was meant to highlight the general lack of awareness by people in the Mas community of the emerging role, project management and the PMISCC can play in working with local culture and Mas in particular. In this article, therefore, I will give an overview of the processes and knowledge areas advocated by the PMI. I will also give insights into the traditional areas of project management involvement and look to see how they can be used to effectively manage Mas.
Project Management is basically the application of knowledge, skills and tools to effectively manage projects. The structured approach facilitates the framework for optimizing time, resources, cost and quality. In this way, project teams of Mas bands have a clear understanding of what is required, how they will go about producing it, and how it will be monitored and controlled from
enables the alignment of project results or Mas band’s successes to business goals and objectives.
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initiation to planning through execution to close out. It therefore
M A S Q U A R T E R LY - I S S U E 4
All projects, being unique and temporary in nature, will have
The processes aligned to these groups emanate from the ten
specific objectives with a start and finish date. There are five
knowledge areas:
process groups which govern the flow of information and activities across the life cycle of the project. These are
• Integration - Pulling together of updated information from all the other knowledge areas
• Initiating to introduce, start, begin or accept
• Planning to make a plan, propose, schedule or program
• Scope - All the work activities associated with full presentation of the band at Carnival • Time - Scheduling a timeframe and for all activities of the band • Cost - Accurate pricing of the material and labour to form the band • Quality - Producing a high and acceptable standard of work
• Executing to perform, put in effect or carry out plans
• Monitoring to keep track of information in a systematic manner
• Human Resource - A group or person to organize and manage the band • Communication - Establishing a way to reach band members and all personnel associated with the band for Carnival through phones, flyers, banners, P.A. (public address) systems, etc. • Risk - In the event there is a loss, damage or injury, a plan is in place
• Closing to finish or complete
• Procurement - the process of getting goods and services in an organized manner • Stakeholder Management - An organized group providing input and contributing together towards the management of the band.
Just to give an idea of the usage, we provide some of the more familiar process outputs and their relationship to the process group and knowledge area.
Project Management has always been practiced informally,
even be the production of a Mas band for Carnival anywhere
but emerged as a profession in the mid-Twentieth Century. It
in the world, including Trinidad and Tobago, and even in the
has been developed mainly from its use in the construction,
remote village of L’Anse Fourmi, Tobago! In fact, its
engineering, telecommunications/IT and defence industries.
application can be found in any endeavour that is faced with
However, in recent times, project management is being
complex processes, cross-functional expertise, tight budgets
applied to any type of endeavour that meets the criteria for
and timeframes.
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labelling it a project. This may be the development of a new product or service or the implementation of a new
Mr. Satram-Maharaj noted that only three percent of the Mas
computerised system for managing client information. It may
bands involved in Trinidad and Tobago Carnival are able to
M A S Q U A R T E R LY - I S S U E 4
profit from their work. This he attributed solely to the
big void in the market for great service in Carnival; that’s
inability of the producers to effectively and efficiently
something that was missing and wasn’t there before, where
manage their “project” as a business.
the bands pay attention to the masquerader as a customer their needs and wants dealt with at an international level.”
Before we go any further, what about the 3% that do make a profit? To what extent do they employ project management
Another relatively new success indicator is the impact of
tools and techniques to their project? Is this the main
project activities on health, safety and the environment. The
contributor to their success? Mr. Maharaj explains that this
introduction of security and First Aid stations in Mas bands
3%, while not formalizing the processes, have undoubtedly
has added meaningful attractions to new clients, and the
embraced project management principles, including
level of satisfaction they received from this will be a
state-of-the-art management information systems in the way
deciding factor in which band they play with next year.
they manage their band production.
The next step is to look at how Mas band leaders can incorporate project principles into their efforts. It is not
The scope of work required is broken out with teams and
enough for band leaders/producers to understand project
committees set up to handle individual segments. This is
principles; they must have the competencies to apply them.
what is referred to as a Work Breakdown Structure or WBS in
Producers/Mas band leaders must formalize project teams
project management. The way that things like procurement,
with dedicated project managers to develop the project
HR and risks are managed are other examples of “big bands”
infrastructure and utilize project tools and techniques.
adopting project principles. Quoted in Mas Quarterly, the directors of Hart’s, Gerald and Luis Hart disclosed that it’s no
Project managers will work with team members and subject
secret: “It’s simply about good management and maintaining
matter experts to develop project plans, templates, control
the band’s core principles, while embracing the changes
documents and other process assets that will be used to
brought on by evolution and technology. ”
manage band production more effectively. The outputs derived from the project processes will also provide a
Applying project management principles undoubtedly
platform for finding out what works and what doesn’t. In this
increases the chance of project success. But how is project
way, plans can be refined and modified for use on next
success defined? Typically, project success is defined as
year’s project.
delivering the project on time and within budget. However, it is incumbent on project teams within the Mas bands to
This approach will also assist in the bands’ ability to secure
define the specific set of criteria that will constitute success
funding from banks and government agencies by giving
for the particular project.
them the confidence that business objectives are aligned to
More and more, client or stakeholder satisfaction is
dealing with Mas and Carnival productions would do well to
becoming the number one measure for project success. Who
partner with the PMISCC. This partnering can create the
are the biggest stakeholders in a Mas band? The
platform for sustainable project development within the
masqueraders! This is endorsed by Dean Akin, founder of
Carnival industry by working with and guiding stakeholders
Carnival band Tribe. “We quickly realized that there was a
on the project management approach.
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project deliverables. Band leaders and government agencies
M A S Q U A R T E R LY - I S S U E 4
save your skin IN THE
BLAZING SUN!
WRITTEN BY
SAVITRI SAROOP
CARNIVAL MONDAY AND TUESDAY: THE GREATEST SHOW ON EARTH. THOUSANDS OF BODIES PULSATING, GYRATING, WINING! EXPOSED FLESH. CARNAL, SENSUAL, SEXUAL. THE BEACH: A CARIBBEAN BIRTHRIGHT. OH, HOW THE SUN CARESSES THE BARELY-COVERED BODIES. ITS RAYS REACH, TOUCH…DAMAGE!?
You’d never think that as people who live in the tropics and experience the heat and direct sunlight most of the year, we would not know how to deal with the ill-effects of sunlight. Maybe we’re still rebelling against the seemingly endless reminders from our mothers telling us as children to get out of the midday sun just as we are about to win the game of marble pitch or cricket. We all know that we should get shade during the height of the day’s heat from around 12:00 pm to 3:00 pm or 4:00pm in the afternoon. Yet on many days at the beach or during Carnival season, we often leave our skin exposed.
Generally, Caribbean people take being in the sun for granted. After all, most days are sunny days. Too much sunlight though, is bad, even for the dark-skinned among us. Exposure to ultraviolet light from sunlight accounts for 90% of the symptoms of premature skin aging. It can lead to cataracts, weaken the immune system and cause skin cancer. In fact, many skin changes that were commonly attributed to aging, such as easy bruising, are actually a result of prolonged exposure to UV radiation.
WHAT IS UV RADIATION? The sun emits radiation of different wavelengths and we call this ultraviolet (UV) radiation. Of the three best-known types, UVC radiation is almost completely absorbed by the ozone layer, so it does not affect the skin. It can be found in artificial sources such as mercury arc lamps and germicidal lamps. UVA and UVB radiation on the other hand, do affect us. UVB radiation damages the outer layer of skin, the epidermis, and is the primary agent responsible for sunburns. Close to the equator, like we all are in the Caribbean, we experience strong UV rays when the sun is overhead; sunlight remains at its the most intense between 10:00 am and 2:00 pm. UVA radiation penetrates even deeper into the skin than UVB. The intensity of UVA radiation is more constant than UVB without the variations during the day and throughout the year. Neither UVB nor UVA is filtered by glass and both can cause skin damage.
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M A S Q U A R T E R LY - I S S U E 4
NOT ALL UV EXPOSURE IS HARMFUL. Some exposure to sunlight and UVB rays in particular is necessary for healthy development. You see, exposure to UVB from sunlight triggers Vitamin D3 formation in the skin. This helps the body absorb calcium and phosphorus and plays a crucial role in skeletal development, immune function and blood cell formation. UV radiation has been used to successfully treat a number of diseases, including rickets, psoriasis, eczema, jaundice, lupus vulgaris and vitiligo. In winter months, people who live in temperate climates face the concern that less exposure to UVB rays may reduce their body’s production of Vitamin D3. For us in the Caribbean, the concern is just the opposite – how to prevent excessive exposure to UVB rays.
Cosmetic procedures such as micro-dermabrasion, laser resurfacing or chemical facial peels can also increase your skin’s sensitivity. Regardless of your skin type, it's important to protect yourself by limiting sun exposure and wearing sunscreen and sun-protective clothing when outside. But what are you to do when you have to be out on the streets in the blazing sun for two whole days trying to get as much wear as you can from that mas costume? You prepare by using a sunscreen with Sun Protection Factor (SPF) of 15 or higher. It should provide broad-spectrum UVA and UVB protection. Using a moisturizer will also assist in defending against UV exposure. Use sunglasses to protect your eyes as well. As you have your fun in the sun, remember that your skin is with you for life, so treat it well.
It is true that dark skin provides some protection against sun damage. People with light skin types have a much higher incidence of skin cancer than do people with dark skin types. But dark skin is not a guarantee against skin cancer. People with dark skin, hair and eyes can — and do — get skin cancer. People with darker skin may tan more easily than others. But tanning is still a form of skin damage. Tanning occurs when UV radiation is absorbed by the skin, causing an increase in the activity and number of melanocytes, the cells that make the pigment melanin. Melanin helps to block out damaging rays up to a point, which is why darker-skinned people burn less easily. However, just tike those with light skin, people with dark skin are at risk of premature skin aging from excessive exposure to the sun. This includes wrinkles and mottled or uneven skin pigment. If you have an active lifestyle or work outdoors, sun damage accumulates over time. The more you are exposed, the more your skin—and your eyes—can be damaged. Additionally, certain medications like antibiotics can cause heightened sensitivity to the sun – called photosensitivity which may lead to sun rashes and sunburns.
TIPS TO SAVE YOUR SKIN ∆
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Apply sunscreen 30 minutes before going out into full sun, to give your skin time to absorb the UV-deflecting chemicals that cause skin to burn and redden. Take the sunscreen with you to the beach or on the road: no sunscreen lasts all day. There is no such thing as a completely “waterproof” sunscreen. Reapply after being in the water, or after prolonged sweating. The SPF factor indicates how much longer your skin will be protected than if you had no protection at all. For example, if you would normally show signs of burning within 20 minutes, an SPF 15 screen will extend your time to 15x20 minutes—about 5 hours under ideal circumstances. But if you are sweating, your sunscreen will not be as effective for as long. Your mind is your skin’s best protection: not all sunscreens are equally effective, and it may take up to 24 hours before a burn becomes apparent on the skin. So don’t wait for the signs to show—get a friend to remind you to reapply sunscreen every 2 to 4 hours! The best protection for your baby is to keep her out of the sun. Sunscreens should only be applied to babies’ skin if you are unable to cover them. Especially at 6 months or younger, infants’ skin is much more fragile than adults’.
Article was originally published in the U Health Digest - Issue 4 uhealthdigest.com
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MYTH: DARKER PEOPLE HAVE NOTHING TO WORRY ABOUT.
M A S Q U A R T E R LY - I S S U E 4
in the next issue Issue 5 April to June 2014 • YUMA Young Upwardly Mobile Adults
• Innovations in Mas • Fancy Sailor...Still Dancing
Interested in submitting articles or advertising in Mas Quarterly? Contact Mas Transformation Secretariat: Office: 59 Churchill Roosevelt Highway, St. Augustine,Trinidad and Tobago W.I. Mailing: P.O. Box 5139, Woodbrook, Port of Spain, Trinidad and Tobago W.I.
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P: 868.223.4687 / 223.7163 M: 868.356.0024 F: 868.223.8611 E: jp.pouchet@gmail.com