THE CARNIVAL GATEWAY
A ‘One-Stop Shop’ to buy and sell all things Mas in Trinidad and Tobago.
GOING GREEN IN THE NATIONAL INTEREST Connecting our Mas with the growing and lucrative market for environmentally friendly products, and services.
CARNIVAL 2015 AND BEYOND Ensuring that the Trinidad and Tobago Carnival develops as both a festival and an industry.
NCC ChairMAN
Lorraine Pouchet
Transforming Mas for the benefit of all.
JAN-MAR 2015 - ISSUE 8
M A S Q U A R T E R LY - I S S U E 8
T R A N S F O R M I N G Editorial Team Mahindra Satram-Maharaj Jean-Paul Pouchet Gisele Williams Kennedy Pemberton Shiva Charles Deanna Dass Adanna Roland Publisher Eidetic Publishing Editing & Design Eidetic Creative Writers Dr. the Honourable H. Lincoln Douglas Sueann Ramsingh Sasha Patram Kennedy Pemberton Carol Quash Roslyn Carrington Sheldon Waithe Marketing Consultant Jean-Paul Pouchet Production Consultant Kennedy Pemberton Cover Photography Gary Jordan Photography Real Vibes Photography Rainier Lange Andy Michael Roberts Gary Jordan Photography
This information is of a general nature only and is not intended as a substitute for professional information about Carnival and Mas Business. Eidetic Publishing has made reasonable efforts to ensure that the information contained herein is accurate and up to date. To the extent permitted by law, Eidetic Publishing, their employees, agents and advertisers accept no liability (even if negligent) for any injury, loss or damage caused by reliance on any part of this information. Mas Quarterly also contains information supplied by third parties. This information is identified with the name of the source and has been chosen for publication because we believe it to be reliable.
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Mas Quarterly is to be published 4 times a year by Eidetic Publishing, Gaston Court, Gaston Street, Lange Park, Chaguanas, Trinidad and Tobago. Entire contents are copyright. Reproduction in part or whole is prohibited. Eidetic Publishing is in no way affiliated with companies or products covered in Mas Quarterly. Produced and printed in Trinidad and Tobago.
M A S
I N T O
B U S I N E S S
M A S Q U A R T E R LY - I S S U E 8
Inside Chairman’s Message The Carnival Gateway
Interview With NCC Chairman Lorraine Pouchet Touch D Sky - The Moko Jumbie Queen Going Green In The National Interest A Perspective On Carnival 2015 And Beyond We Are Trinbago! Our National Identity Guidelines Real Vibes Regional Mas Skin, Bones And Exercise
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09 10 12 16 18 22 26 28 36 40
M A S Q U A R T E R LY - I S S U E 8
Mahindra Satram-Maharaj Chairman/CEO Mas Transformation Secretariat
Chairman’s Message
Well hello there! Welcome back to Mas Quarterly, the ONLY
Also, do you remember the piece on the ‘Mas Gone Green’
Magazine which highlights the business side of Trinidad and
Baseline Study from Issue 7? Well, have a look at page 18 for
Tobago’s Mas for the benefit of the entire sector. This issue
details of how you can view and touch twelve (12)
comes to you after the GREATEST SHOW ON EARTH and euphoria
Environmentally Friendly/Green Costumes at the upcoming Mas
of Carnival 2015. We hope that our readers have fully recovered
Gone Green Exhibition. See you there from May 27 – 29, 2015!
from Carnival, and we are pleased to present Mas Quarterly
Likewise, in keeping with the thrust to transform Mas/Carnival
Issue 8 for your enjoyment.
into a Sustainable Industry, Dr. the Honourable H. Lincoln Douglas, Minister of Arts and Multiculturalism shares his perspective on his
Our cover story this time around features Mrs. Lorraine Pouchet,
Ministry’s involvement in initiatives specifically designed to
newly appointed chairperson of the National Carnival Commission
strengthen the scope of our Carnival product.
(NCC). By all accounts, she is a fearless woman who sets her own standards and strives to leave her footprints upon every path she
As is customary, Regional Mas holds a special place in our hearts,
travels. We are excited to have been granted an exclusive
and for this first Issue of 2015 we are keen to highlight the
interview to understand her goals and accolades, but most of all,
villages of Cedros and Chaguanas as places to indulge in a
to better understand the woman who now leads the NCC. Have a
culturally rich Mas experience. Moreover, this Issue proudly
look inside as Mrs. Pouchet shares her vision for transforming
portrays who we are as a ‘Nation of Diversity’, and encourages
Carnival ‘the Event’ into Carnival ‘the Industry’.
everyone to collect their copy of the Trinidad and Tobago National Identity Guidelines. After all, ‘We are Trinbago!’ but we openly
Similarly, this Issue showcases the upcoming launch of Project I³M
share our gifts with the rest of the world.
which is a joint initiative of the Trinidad and Tobago Coalition of Services Industry (TTCSI) and the National Carnival Development
Our heartfelt thanks to the advertisers that partner with Mas
Foundation (NCDF). Primarily, project I3M will produce an
Quarterly Magazine, especially our newly signed 2015 Corporate
e-commerce website known as www.carnivalgateway.com,
Partner TRINRE. We also celebrate the support of First Citizens,
which is expected to become the ONE-STOP SHOP for all things
Massy Motors, Republic Bank, the Ministry of Arts and
Mas/Carnival related. Mark your calendar as this innovative
Multiculturalism, and the University of Trinidad and Tobago (UTT).
experience goes LIVE on May 27, 2015.
We challenge you to become a part of something great, and look forward to receiving your ads and articles for Mas Quarterly Issue 9.
Mas Quarterly continues to promote the diversity of our Mas, and in February 2015 the ‘Touch D Sky’ Mas Company made history by
So sit back, relax and enjoy our latest Issue of Mas Quarterly
winning the ‘Queen of Carnival’ Competition with its fanciful
Magazine whether you're at a local coffee shop, on the beach or
rendition of the traditional Moko Jumbie character. Join us on
around the Queens Park Savannah that is now littered beautifully
page 16 for insights into the background and conceptualisation of
with the blossoming Poui Trees.
this masterpiece dubbed ‘The Sweet Waters of Africa’, from designer and creative genius Mr. Alan Vaughan.
M A S Q U A R T E R LY - I S S U E 8
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M A S Q U A R T E R LY - I S S U E 8
C
The
arnival Gateway
If You’re Not Online, You’re Not on Sale By Sueann Ramsingh
Trinidad and Tobago’s Masquerade Sector is one of the most
‘ONE-STOP SHOP’ to buy and sell ALL things Mas in Trinidad and
developed segments of our Cultural and Creative Industry.
Tobago. This gateway will act as a platform to provide
There are over 450 micro, small, and medium enterprises
substantial support and services to improve MSMEs
(MSMEs) involved in our Mas, but through no fault of their own
productivity and efficiency levels; with the aim of boosting their
many lack the resources necessary to secure their company's
overall business competitiveness.
survival in the Global Business Environment. By incorporating Information and Communication Technology Fortunately, the Trinidad and Tobago Coalition of Services
(ICT) into their businesses, MSMEs will now be able to access
Industry (TTCSI) acting on an initiative proposed by the National
new markets, reduce operational costs and facilitate global
Carnival Development Foundation (NCDF) was selected as the
connectivity, all while marketing Trinidad and Tobago like never
Implementing Agency for the Information Communication
before. Project I³M is intended to contribute to the expansion
Technologies for Innovation in Mas (I³M) initiative, funded by
of employment, business viability and preservation of Trinidad
the Inter-American Development Bank (IDB). TTCSI is the focal
and Tobago’s cultural legacy, ensuring that Mas is transformed
point for addressing developmental and trade issues in our
into a sustainable industry.
Services Sector, and partnered with the NCDF, provides a means of equipping Mas Makers with the capacity to ply their trade to
Be sure to look out for the upcoming launch of the
a global audience.
www.carnivalgateway.com website; featuring bands like IP Mas, Victoria Creative Mas, Legacy, Boots by Afro Chic, Passion and
Project I³M therefore seeks to strengthen and promote the
more. Website features will include E-stores to facilitate credit
economic growth of MSMEs in the Masquerade sector beyond
card purchase; a skills & materials marketplace; discussion
the local Carnival season and geographical confines of Trinidad
forums; historical information About Trinidad and Tobago, and
and Tobago. The project will therefore implement a
lots more. Join us as we go live on May 27 2015, and bring your
web-based/online platform, dubbed ‘the Trinidad and Tobago
Mas Business into the modern era.
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Carnival Gateway’, and is expected to function as the
M A S Q U A R T E R LY - I S S U E 8
NCC CHAIRMAN
Lorraine Pouchet By Roslyn Carrington
Photo by Gary Jordan Photography
Transforming Mas For The Benefit Of All.
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M A S Q U A R T E R LY - I S S U E 8
“
We need to ask, what benefits are there for us? It’s not a simple
thing; there are many parts to the puzzle, but once you understand the Mission and Vision, and you utilise the persons inside and outside of the organisation, there is no reason why you can’t achieve your mandate.
people within the Carnival fraternity, letting her delve below
Lorraine Pouchet is on a drive to elevate Carnival to a
the surface and dig deeper. “I’m accepted in a lot of spheres,
state where art, creativity, business, and heritage move forward together as one. Pouchet has held the position since December 2014, having replaced Ms. Allison Demas. Although the role of Chairman of the NCC feels
and not intimidated by anyone in any way.” It also allows her to be persistent in getting her ideas across, and achieving her goals. “Once I believe in a course of action, and that I can effect change, I am committed.”
like a full time job, she is also a member of the Trinidad and Tobago Coalition of Service Industries (TTCSI), an
There is much that she looks forward to achieving in the NCC,
advocacy group for the local services sector; a
and the key to doing so is to understand their mandate. That
member of the Standing Committee for Sustainable
mandate, she explains, has three main elements:
Development in Tourism; and is President of the Tour Operators Association of T&T. She is a trained counsellor in Original Pain Therapy, which seeks to help trauma victims overcome their emotional issues and move on towards healthier lives. As if that’s not enough, she is a director of her husband’s company, Injoy Tours.
• To make Carnival a viable national, cultural and commercial enterprise • To provide the necessary managerial and organisational infrastructure • To establish arrangements for ongoing research, the preservation and permanent display of the annual accumulation of Carnival products
Just hearing her reel off the list is exhausting, but the energy rolling off her in waves is evidence
She likens this to her approach to trauma counselling; one
that not only is she not intimidated by her many
needs to go back to basics before one can move forward. One
responsibilities, she is enjoying the ride. “I really
of the first steps to doing this was a complete reorgansation of
have a love for people. I accept them; whoever
the NCC’s human resources, creating a more structured
they are. I’m at a place where it’s time to give back.”
environment. “Instead of having two or three people doing everything, we have strategic, structured portfolios. We can be more effective now.”
This philosophy informs her interactions with
13
C
”
hairman of the National Carnival Commission (NCC)
M A S Q U A R T E R LY - I S S U E 8
The filling of these gaps, she believes, will allow that mandate to be achieved. “NCC now has to take back control of Carnival, so that no stakeholder is disenfranchised.” She reminds us of the importance of properly managing the spending of Government’s money on such a far-reaching mandate. “When we report to our line Ministry — the Ministry of Arts and Multiculturalism — there must be accountability.” The NCC is in the process of analysing the impact of its efforts, through public consultations with its stakeholders, and requests for recommendations. “We are engaging with organisations, who we believe can help us get back the creativity in Carnival that we think we have lost. We are engaging people whom we believe can help us move towards
“
We are engaging with organisations, who we believe can help us get back the creativity in Carnival that we think we have lost. We are engaging people whom we believe can help us move towards that.
”
that.”
Such management requires detailed collaboration with a large This means analysing the people and resources involved, and
number of entities, such as media bodies and the Ministry of
the benefits to stakeholders that will result. “We have to look at
Tourism. “We need to use Carnival as a marketing tool for
how we are spending the government’s money; we have to
Trinidad and Tobago. We need to ask, what benefits are there
tighten up on everything. We need to get a better bang for our
for us? It’s not a simple thing; there are many parts to the
dollar.”
puzzle, but once you understand the Mission and Vision, and you utilise the persons inside and outside of the organisation,
In response to the ongoing debate about Traditional vs. “Bikini
there is no reason why you can’t achieve your mandate.”
and Beads” Mas, she takes a balanced approach. “Change is inevitable, but there is place for everything. There are different
The worst enemy of moving forward is a sense of apathy.
niche markets. You can never satisfy the needs of all, but we
“There are those who seem to think that Carnival is a done deal,
have to find a way to satisfy the needs of most.”
so we don’t need to put any money into it. But it is something we need to work on. In terms of the life cycle of Carnival, we are
Her “stakeholders net” encompasses a staggering range of
in saturation and decline. The NCC needs to pull it out of that.
people. “It doesn’t just include the masquerader: it includes
We need to get it back moving upwards. Once we do that, we
those who are standing at the side of the road looking at the
can start transforming Carnival the Event into Carnival the
Mas; the vendors; people living in the areas the Mas is passing
Industry. We have to get it right for our people. We need to
through; the Police and Fire Services, REACTT … everyone. It
create a space so that everyone can be a part of it. We must not
includes shut-ins who can’t come out, and want to look at Mas
disenfranchise anybody.”
on TV.”
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M A S Q U A R T E R LY - I S S U E 8
Part of this is ensuring that Carnival is tailored to the needs and wants of Trinbagonians FIRST. “We need to stop trying to fit Carnival into what we think people outside want. We need to be true to our culture.” One element Mrs. Pouchet would like to see return to the on-stage presentations is dance. “We are fantastic dancers in this country. Do you remember how it used to be: many bands would dance, make it come alive, and present a story on stage?”
“
NCC now has to take back control of Carnival, so that no stakeholder is disenfranchised.
”
They also want to encourage people to look to the NCC as the She’d also like to see a clear distinction between Carnival
primary source for information on all things Carnival. “We have
Monday and Tuesday. “We can’t put everything into one day.
projects we want to get involved in, such as the Carnival
We need to define a Monday product and a Tuesday product.
Institute. If people need to do research on Carnival, they should
We need to offer something so that people will come out on
be coming here.”
Monday.” In the meantime, she is “going brave”, fearlessly sailing ahead, She’d also like to see more local construction of costumes. “We
and interacting with every party involved, far beyond the core
need to create more entrepreneurs in Trinidad.”
groups such as TUCO and Pan Trinbago. “You can’t call yourself a National Carnival Commission if you aren’t in everyone’s
An example of an element where she sees Carnival headed in
face,” she asserts with a laugh. “This is about relationships, and
the right direction is Regional Carnival, as people in rural areas
understanding people. Next year is the 25th Anniversary of the
are finding their own events so satisfying that they are
NCC. Carnival 2016 will have to tell everyone out there who
choosing to stay out of Port of Spain. It’s also good for small
the NCC really is.”
business development. “You don’t need to come into Port of Spain to find a wire bender.” One indicator of successful transformation of the NCC, she thinks, is to get to a place where the NCC can generate its own income, rather than depend on a Government-allocated
15
budget. Part of that would come from the services they provide.
M A S Q U A R T E R LY - I S S U E 8
Touch THE MOKO JUMBIE QUEEN
The spirit of the Moko Jumbie is powerful, very powerful indeed.
Is the band done for profit seeking purposes? “No way! We will
The evidence of this exists within the walls of the Propaganda
be better off next year because we won the Queen competition
Studio in Belmont, and in the soul of resident artist Alan
but really there is nothing else there. In Kings and Queens
Vaughan. It was from this creative space - a fitting stone’s throw
competition you hope to place so that you get a return. There is
away from the entrance to the Savannah’s stage - that the
a rule that to register as a senior band you cannot have anyone
magnificent and unique Queen of Carnival 2015 came into
under eighteen. Now we’ve got a band that is a family tradition
being. To use those adjectives in any Carnival year takes courage
and a lot of the players are not children, but are around fourteen
when one considers the designs on view, but to see ‘The Sweet
years old, that makes it difficult”. Bands of this size involved in
Waters of Africa’ in full splendour, to understand that its aura
traditional carnival, and away from the ‘mass’ produced all
stems from an all-encompassing authenticity in its design and
inclusive juggernauts, are heavily reliant upon grabbing the
performance, is to understand what drives Vaughan’s obsession
youth and ensconcing them into the grassroots camps from
with one of the bastions of Trinbago culture.
which all Carnival evolved. As Vaughan states “I think it’s a big issue because you can come out and play but you’re not allowed
A Carnival veteran of over twenty years, Vaughan’s native
to enter the judging points with anyone under eighteen. It
Newcastle accent is interspersed with Trini colloquialism and an
matters if you’re a small band; if you do well in the competition
infectious enthusiasm. He speaks of that ‘eureka!’ moment
with a placing, then it means a bit of financial recompense”.
when designing, having experienced the same emotion when he
Another innovative option that Vaughan professes is that bands
first saw (and fell in love with) a towering jumbie. “I love the way
without music trucks, such as his, should be allowed to give their
these things just appear, that scary otherworldliness, you’re not
music to the NCC at the judging points. This is especially
quite sure what they are. I got involved with Junior Bisnath down
relevant for Touch D Sky. As part of the realism of their
south, then met Adrian Young, who with some of the older fellas,
production, they also create their own music - there is little or no
wanted to do something different than just going up and down
soca on the road. The music is also integral to the creative
to fetes. So I said, let’s form our own little group ‘cause we all had
process, resulting in the moment that the design is realised
the same idea, this was in 2012. Adrian then got selected to
“Eureka!!”.
work with the Cirque de Soleil circus, but we carried on anyway and brought out the band in 2013”.
The inevitable question arises - with traditional characters only evident in tiny bands, is there a danger of this type of
16
The small band called itself “Touch D Sky Moko Jumbies”, later
masquerade disappearing? Vaughan does not think so; he is
dropping the two last words so that it does not exclude
buoyed by the strength of the community spirit of both his
non-jumbies; though the focus remains firmly on the stilt
immediate environs of Belmont and the wider society of Moko
walkers. The name is a reference to the altitude achieved by the
Jumbie enthusiasts. But the Carnival authorities certainly have
masqueraders as well as the handing up action of the crucial
to do much more and change their approach to traditional
ground support staff. There are half a dozen jumbies and another
characters. As a standout example he cites the naming of the
ten helpers. When it comes to resources, the band has to be
Carnival Sunday parade of traditional characters: “It’s the wrong
resourceful. Residual tales fill the Mas Camp’s air, of Vaughan’s
name, why call it Nostalgia? It implies it’s in the past and as such
two years savings being swallowed up by the band, or other
there is hardly anyone there watching”.
members pawning jewellery to ensure Carnival participation!
M A S Q U A R T E R LY - I S S U E 8
D Sky
By Sheldon Waithe
We are also graced by
prayers and ceremony prior to their Queen taking the
royalty.
stage.
Specifically,
Once on it, Kanhai’s moves on those stilts won over the judges and gave
Stephanie Kanhai, the newly
some redemption to the youngster:
crowned Queen of Carnival still
two years ago while performing on
glowing from her title, despite a
stilts (of course!), she fell on competition
serious leg injury sustained on the
night. At the time she felt she was going to
night of competition. The 21 year
win and became obsessed with the fall. No
old and Vaughan have the type of actor
-
director
relationship
that
longer, there is only ascendency now.
generates Oscars; it is little wonder that Vaughan
teasingly
says
that
he
has
awards. Kanhai speaks of her performance -
“something really different planned for next
she is the spirit protecting those crossing the
Carnival’s jumbies”, but cunningly says that any
water to the Caribbean. To emphasise the depth
exclusives for Mas Quarterly will have to wait. For such
of validity, Touch D Sky even holds relevant
a dynamic group of creators and performers, proving that the Moko Jumbies are in good hands, we will do so, with bated breath.
Touch D Sky Alan Vaughan Artistic Director & Designer Phone 1 (868) 731 4776 Email alanpvaughan@gmail.com
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their visible connection is already reaping
M A S Q U A R T E R LY - I S S U E 8
INNOVATION IN MAS... By Kennedy Pemberton
going
in the national interest
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M A S Q U A R T E R LY - I S S U E 8
The concept of being ‘Green’ has been applied to many things,
J’Ouvert sections. Undoubtedly, this bold concept promises to
and some people even dare to leverage this ‘catch phrase’ for
enhance Trinidad and Tobago’s Mas for the better. The Mas
the sake of making a few extra dollars. However, for those who
Gone Green initiative to design, build and display
hold a genuine interest in protecting mother earth allow us to
Environmentally Friendly/Green Mas Costumes has come after
engage you on applying this ‘Green’ concept to Trinidad and
careful consideration and stakeholder consultation, and is in
Tobago’s Masquerade (Mas). Are you aware that local Mas
keeping with the Secretariat’s mandate to develop Trinidad and
Makers have expressed interest in modifying their practices
Tobago’s Mas into a Sustainable Industry that is ripe for global
towards more environmentally sustainable (i.e. Green)
consumption.
methodologies? While, having an interest is an important first step, the reality is that very few of our Mas Makers have dared
Importantly, as a precursor to this Green Exhibition the
to enter this field in a substantive way.
Secretariat commissioned a 2014 Baseline Study to ascertain the environmental impacts of Trinidad & Tobago's Mas
Thus, the Mas Transformation Secretariat boldly stepped
Costuming Industry. This study revealed that 99% of materials
forward to develop and implement project ‘Mas Gone Green’, in
currently being used in our Mas Costuming are highly toxic and
order to begin connecting our Mas with the growing and
or extremely hazardous to the environment. Moreover, the
lucrative market for environmentally friendly products, and
study shows that our two (2) days of Mas generate some
services. The idea that our Mas can be designed, built and
728,500 pounds of local costuming waste annually, in addition
portrayed in an environmentally friendly manner is one which
to an estimated 6% wastage from all from raw materials used
the Secretariat is keen to tout to all of Trinidad and Tobago, and
to make said costumes. It is therefore safe to conclude that the
by extension the rest of the world.
current practices of conventional costume production pose significant environmental risk both locally and internationally,
From May 27 - 29, 2015, Trinidad and Tobago will get its first
and the Secretariat is dedicated to improving this situation for
official taste of Mas Costumes made from Environmentally
the benefit of our people and our planet.
Friendly/Green Materials. All are invited to join the Mas Transformation Secretariat as we exhibit 12 prototypes of
The Secretariat is confident that ‘Mas Will Go Green’, and
‘Green’ Costumes at the Centre of Excellence in Macoya, from
intends to take the first steps in that direction. After all, Mas
10 a.m. – 6 p.m. daily.
could not exist separate and apart from the natural environment in which it is housed.
On display will be Mas Costumes for the Carnival King and
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Queen, as well as Individual, Frontline, Backline, Kiddie and
M A S Q U A R T E R LY - I S S U E 8
A Perspective on
Carnival
2015 and Beyond
By Dr the Honourable H. Lincoln Douglas Minister of the Arts and Muiticulturalism
The Ministry, and by extension, the Government of the Republic of Trinidad and Tobago recognizes the significant role that Carnival plays in reinforcing our national cultural identity and in boosting our economy. Therefore, we are resolute in our efforts to ensure that the Trinidad and Tobago Carnival develops as both a festival and an industry. Our carnival product must be engaging for participants, attractive for spectators and financially beneficial for investors: both locally and internationally. The economic output of Carnival is essential for the diversification of the nation’s economy, more so in these times of uncertain global energy prices.
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M A S Q U A R T E R LY - I S S U E 8
Quantitative research has reinforced the immense financial
Several activities undertaken by the Ministry have been
contribution of the national Carnival. Dr. Keith Nurse estimated
designed to further stimulate the carnival industry.
that the more than 40,000 arrivals for the 2004 Carnival injected approximately US$28 million dollars to the Trinidad and Tobago economy.
1
• Advancement of Carnival: The NCC, as the custodian of this national festival, continues to work diligently to upgrade its management and delivery processes. The NCC is ensuring that
The Ministry of Planning and Sustainable Development, in their
pan, calypso and Mas receive the support necessary for the
2012 publication entitled Building Competitive Advantage ‐ Six
enhanced growth of the festival both at the community and
Strategic Business Clusters and Enablers, indicated that “in 2006,
national levels. The Carnival Development Project is an
the Carnival industry earned US$25.5m and employed over
example of the serious efforts being made to advance
3,500 persons.” Clyde Jagroopsingh (2007) “estimated that
carnival in a scientific way. The Regional Carnivals and
earnings from the carnival sector alone constituted about 5%
traditional art forms especially, have demonstrated
of GDP.”
substantial growth in terms of the quality of the product, the
2
levels of participation and audience attendance. The goal is to Although these figures are derived from years past, they
hold on to traditions while moving rapidly towards the future.
underscore the need for dedicated focus and investment into the carnival product.
• Maintenance of Traditions: While we seek to embrace the new elements of the festival, we must also acknowledge the
The realization of the full potential of Trinidad and Tobago
time-honoured customs that make our carnival unique.
Carnival, in social and economic terms, requires the combined
Currently in its second year, the ‘Mentoring by the Masters’
effort of a range of parties. This year, increased emphasis was
programme facilitates the transfer of our cultural traditions
placed on early consultation and the collaborative effort of
and high standards of creativity to the future generation of
stakeholders, (the pan, mas and calypso fraternities) and state
cultural leaders. It creates a space for dialogue between
entities (Ministries of the Arts and Multiculturalism, National
accomplished artists, cultural workers and our talented
Security, Health, Tourism, Community Development and Trade,
upcoming professionals.
Industry, Investment & Communications). This collective approach has helped us take one step further in fine-tuning the
In addition, the Carnival Institute of the NCC and the Ministry’s
brand of carnival that we promote to the world.
‘Remember When Institute’, have an extensive assortment of Carnival artefacts, footage, music and photographs. These
To this end, several strategic initiatives have been implemented
organisations have also amassed an impressive collection of
that are geared towards developing our unique carnival market
information about oral histories, musical instruments and
offering. The National Carnival Commission (NCC), which falls
festival arts processes as well as a database of musicians,
under the purview of the Ministry, is responsible for the
composers, costume designers and costume makers
coordination and management of all carnival activities
(traditional and contemporary).
1. K. Nurse, Festival Tourism in the Caribbean, Inter‐American Development Bank, Washington DC, 2005 2. Clyde Jagroopsingh, Caribbean Development Strategies, 2007
23
throughout the country held under the aegis of the Government.
M A S Q U A R T E R LY - I S S U E 8
• Private and Public Sector Partnership: The Ministry continues
and Creative Sector. Some of the outputs of this investment
to successfully engage in strategic alliances with
have included the Carnival Blueprint compiled by the Division
entrepreneurs, government agencies and the private sector.
of Culture, and the Carnival Industry Development Report,
One such initiative was the Socadrome, which is a private
commissioned by the NCC. These reports give further
sector enterprise aimed at reducing the level of congestion on
credence to the state investment into the festival.
the route to the main Queen’s Park Savannah stage. The Ministry worked alongside the private sector to put measures
• Training: In order to keep up-to-date with the evolving
into place to support the resulting modification to the carnival
carnival industry, the Ministry has been at the forefront of
route and acquire the necessary approvals. Resources from
facilitating world-class training for local participants of the
the Ministry of National Security were used to secure the
sector. In 2013/2014, the Ministry worked with international
route to this new carnival venue. The NCC also partnered with
professionals to train local engineers in the Art and Science of
the Trinidad and Tobago Film Festival to present the Carnival
Live Sound Production. Also, the Ministry, in collaboration with
Film Festival Series.
the world renowned DeVos Institute of Arts Management, commenced a one (1) year training programme for local Art
• Public Education: The Ministry has engaged in activities
Managers. These programmes equip artists and stakeholders
aimed at showcasing the work of the cultural pioneers of the
with the necessary training and practical knowledge to
steelpan, music arts and culture. Annual exhibitions in
develop quality carnival products for global export.
recognition of Calypso Month to honour the music, the events and the artistes are mounted in high-traffic transit hubs,
In order to improve the local standards of Carnival, the
including the national airport.
National Carnival Commission conducted a Training Needs Assessment Survey with key Carnival stakeholders involved in
The private collection of memorabilia from the Mighty
Mas, music, handicraft, and food and beverage elements of
Sparrow is currently on public display at the Ministry’s Culture
the festival. The purpose of the survey was to identify and
Division office on Frederick Street, Port of Spain. This
prioritise training requirements for the various Carnival
collection showcases a combination of dynamic historic
sub-sectors.
visuals, multi–media elements and information which gives the viewing public some insight into the important role filled
Through the NCC, the Ministry facilitates the administration of
by Dr. Slinger Francisco and indeed our calypso masters in
the carnival each year. While the NCC focuses on the
general.
operational elements of the annual Carnival, the Ministry of the Arts and Multiculturalism continues to have a strategic
• Market Research: Market research plays a critical role in the
approach to the development of Carnival and allocates its
formulation of strategic plans for the sector. As a result, there
resources toward the creation of a robust, sustainable,
has been substantial investment in research in the Cultural
high-income generating carnival industry.
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M A S Q U A R T E R LY - I S S U E 8
We are OUR NATIONAL
IDENTITY GUIDELINES
By Sasha Patram Speech Writer & Researcher - Ministry of National Diversity & Social Integration
I was born on an island in the Caribbean, where every creed and race ďŹ nd an equal place. I am Trinbago! Here we appreciate all our artistic diversity and then we mix up all the cultures like a pot of callaloo and put on the greatest show on earth. I am Trinbago! Win, lose or draw, we celebrate everybody. Our beauty is known around the world. No one can lime like us. We live together, work together and pray together. We are tolerance, discipline and production. I am Trinbago! There is no other land that I would rather have my identity than this sweet island of T&T. I am dialect. I am goat race. I am doubles and roti. I am oil and rainforest. I was forged from the love of liberty. I am red, white and black. I am T&T. I am Trinbago!
Ministry of National Diversity and Social Integration
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M A S Q U A R T E R LY - I S S U E 8
T
he Ministry of National Diversity and Social Integration was established in 2012 on the heels of the 50th anniversary of our nation’s independence. Since then, it has been championing policies which promote diversity and inclusion, protection and preservation of the heritage legacy of Trinidad and Tobago, inculcation of the support for national and religious observances and celebrations and the recognition of our First Peoples. Noteworthy accomplishments include: the first re-enactment of the arrival of the East Indians to Nelson Island; the first Literary Museum at the Naipaul House (childhood home of Nobel Laureate, Sir V. S Naipaul); the establishment of The National Museum Board; the appointment of the 5th Council of the National Trust of Trinidad and Tobago; digitization of the records at the National Archives of Trinidad and Tobago and the national commemoration of the life and work of Nelson Mandela.
Steel Pan
Our National Instrument
contents, will allow for the consistent presentation and treatment of our national emblems while honouring the insignia which represent this nation and its people. So while we are a people that deliver “The Greatest Show on Earth” through our Mas and Carnival each year, we are also a professional people. A people with whom the world can feel justified doing business, because our sense of professionalism begins at home. Love, Tolerance, and Respect are qualities Trinbagonians espouse daily, and the treatment of our national symbols command the similar merit. The Ministry of National Diversity and Social Integration continues its work to engender pride in our national identity, pride in who we are as a diverse people, and pride in Trinidad and Tobago. We celebrate the symbols of our history which
Scarlet Ibis
Cocrico
Our National Bird
As the entity charged with responsibility for protocols of state, the Ministry developed The National Identity Guidelines of Trinidad and Tobago to ensure that key identifiable insignia inherent to our national emblems, the Coat of Arms, national flag and flower, are standardised to ensure consistency in appearance and messaging. It further provides guidelines for the usage of other emblems of national importance including: the national anthem, national birds, national instrument, national pledge and the official emblem of the Prime Minister.
Our National Bird
define our freedom as a people. We embrace our expressions which are inherently and uniquely ours.
Dr. the Honourable Rodger Samuel Minister of National Diversity & Social Integration
Minister of National Diversity and Social Integration, Dr. the Honourable Rodger Samuel has described the publication as “encompassing the tenets of our democracy and the emblems which give us our distinctiveness as a nation”. He believes that the mass distribution of our National Identity Guidelines, and facilitating access to its Join us in celebration and find your National Identity Guidelines on the Ministry’s website: www.mndsi.gov.tt
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complimentary electronic copy of our
M A S Q U A R T E R LY - I S S U E 8
Photography Carnival 2015 brought together masqueraders from far and wide to play Mas on the road come Carnival Monday and Tuesday. Mas Quarterly is thrilled to share with you moments from the most exciting time of the year from some of Carnival’s greatest bands!
K2K Alliance
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Fantasy
M A S Q U A R T E R LY - I S S U E 8
Bliss
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Harts
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Island People
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Passion
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Tribe
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Yuma
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Andy Roberts & NCDF Members
Tobago Mas
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NCDF Sponsored Carnival Banners for Trinidad and Tobago
M A S Q U A R T E R LY - I S S U E 8
Region Colour My Fantasy J'Ouvert: By Carol Quash
Imagine chipping to the sweet sound of soca music from the
this year we incorporated the bikini and beads - but only a few
Fantasy Restaurant and Bar in Edinburgh Village to Ramsaran
pieces, just to make our band uniquely different and
Street in Chaguanas, then to the back of Centre City Mall and
revolutionize J'Ouvert from the normal mud and paint,” he adds.
back on to the Southern Main Road on a J'Ouvert morning; covered from head to toe with mud and/or paint, with glitter
This year the band presented Glitter Bliss, which comprised an
dust and confetti swirling around, then back to the bar for an
array of colours complemented by glitter dust and confetti.
after party. Well masqueraders in the J'Ouvert band, Colour My
“The reception to this idea (the use of glitter and confetti) was
Fantasy J'Ouvert don't have to imagine, as this has been their
phenomenal, as people loved the new twist on J'Ouvert,”
experience since the band's inception two years ago.
Mahabir says with pride. He estimates that Colour My Fantasy J'Ouvert attracts between 200 and 300 masqueraders annually
The band is run by the Mahabir family, “there is no one band
since its launch, and although winning a title would be a
leader as this band is a family band. We are a family oriented
welcome experience for the team, he says they see the bigger
band and everyone is a team player,” Varoun Mahabir tells the
picture and get pleasure from the little things. “We do enter
Mas Quarterly, including Derek Harridial, Afraz Ali, Raymond
competition but we are not focused on winning any prizes, we
Nidhan and Rajin Gobin.
are all about fun, love and unity. We enjoy seeing our masqueraders have fun. Safe, clean fun. Nothing brings greater
Mahabir says Colour My Fantasy J'Ouvert is one of the few
joy to this team than seeing the bright smiles and joyous
all-inclusive J'Ouvert bands in Central Trinidad, “we offer that
laughter of our people.” And he makes one thing abundantly
revolutionized new trend in J'Ouvert and we are moving
clear – “this is an adult band due to the fact that we serve
forward to creating new ideas and differentiating J’Ouvert.”
alcohol on the road. We don’t violate any laws concerning underage drinking.”
The band's designer is Rajin Gopie of RMG Designs. Gopie, who comes from an environmental and wildlife background, draws
According to Mahabir, Colour My Fantasy J'Ouvert is always a
from his knowledge and experiences to come up with themes
few steps ahead of the game when it comes to ideas for
and concepts for the band's production, “his inspiration comes
presentations. “When Carnival is finished each year we dive
from animals and nature and the movement of colours,”
right back into preparation work in terms of sourcing materials
Mahabir explains. “We are a J’Ouvert band so it is typically the
and such. But we have our themes all figured out for years to
regular T-Shirt that people use to create their own design. But
come.” But the team keeps its cards close to its chest, “at this
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M A S Q U A R T E R LY - I S S U E 8
nal MAS revolutionising J'Ouvert. time, to protect our differentiated uniqueness from other bands, we are not ready to release our theme for next year just yet.” Although Colour My Fantasy J'Ouvert gets sponsorship from B&B Sound Company, Brian’s Tent Rentals, Fantasy Restaurant and Bar, Sonny’s Auto, Heart’s Bakery, Makh Pottery, Moonroe’s Bar and Subnaik Transport, Mahabir reveals that bandleaders are still required to dip into their pockets to cover the cost of bringing out the Mas band. But it is a small price to pay for the personal satisfaction they get out of it and what they see in its future. “We see our band in the future as becoming bigger and better. Our base is growing rapidly and in the future we will be known as that band that started twisting traditional J'Ouvert and making it better and bigger, but bigger in a manageable way.”
Colour my Fantasy can be contacted at
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Phone 1 (868) 703 3634 / 1 (868) 671 0756 Chase Village, Chaguanas, Trinidad and Tobago
Photographer : Alicia Ali
M A S Q U A R T E R LY - I S S U E 8
Region Benz & Associates Mas Camp By Carol Quash
A good family lime is as much a part of the Trinbagonian culture
Like any other business, it takes funding to put out a Mas Band,
as is Carnival and Mas. But for Benz & Associates Mas Camp, a
no matter the size of it. Ramcharitar and Seepersad tell Mas
small Mas Band operating out of Bamboo Village in Cedros,
Quarterly that although they charge masqueraders a small band
family get togethers serve a threefold purpose – having a good
fee, they themselves bear the bulk of the cost of putting out the
time, catching up with what is happening with family and close
Mas, with very little chance of turning over a profit - “our
friends, and finding inspiration for its Carnival costumes.
funding comes from our own personal pockets, there are no sponsors.” But the love of the culture and the pleasure their
Band leaders Brian Ramcharitar and Jessel Seepersad, who also
masqueraders – the young and the not so young – get from the
take on the role of the band's designers, have been
experience keeps them in the Mas business. “We bring out both
spearheading the Benz & Associates Mas Camp production for
adult and kiddies bands. I enjoy seeing the end product and
the past four years. They say what they produce annually is
seeing the masqueraders enjoying themselves,” Ramcharitar
made possible by the efforts of their familial team, “the special
boasts.
thing about our band is that everyone who partakes are family members and really close friends.”
But although a fun time for masqueraders is one of the band's main objectives, Ramcharitar says Benz & Associates Mas Camp
Each year the band attracts an average of forty to fifty
certainly does not shy away from competition, “our band enters
masqueraders, who all put on a splendid show in their
competition. Yes, we have won a few titles, such as in the King
Traditional Mas Costumes, “our band does full costume Mas not
and Queen Competition, Kiddies Mas, J'Ouvert etc.,” he beams.
bikini and beads costumes,” explains Ramcharitar. This year
And while they are quite pleased with what they and their team
Benz & Associates Mas Camp portrayed Caribbean Heat, which
have been able to accomplish so far in the Mas, Ramcharitar
he says added hues of sky blue, yellow and gold to the Cedros
and Seepersad have big plans for the evolution of Benz &
Mas parade route. “The reception was somewhat interesting,
Associates Mas Camp. “In the future, we want to see our band
because most people were amazed at the portrayal of the Mas,”
lifting the Carnival culture in the peninsula of Cedros village,
Ramcharitar explains. The parade route for the band begins at
and we wish to be acknowledged on a grand scale just as the
the Mas Camp, passes through the village, turns onto the
Mas in Port-of-Spain and San Fernando.”
Southern Main Road, where masqueraders then merrily chip and wine to the competitive point.
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M A S Q U A R T E R LY - I S S U E 8
nal MAS heats up Cedros.
So what is on the creative cards for Benz & Associates Mas Camp for Carnival 2016? “Next year's presentation has not been decided upon as yet. We start our preparation approximately five months before Carnival.” Whatever it is, though, he says masqueraders, judges and spectators can look forward to something spectacular as always.
Benz & Associates Mas Camp can be contacted at
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Phone 1 (868) 690 1191 / 1 (868) 350 4816 Bamboo Village, Cedros, Trinidad and Tobago
M A S Q U A R T E R LY - I S S U E 8
MOST PEOPLE KNOW THAT EXERCISE IS GOOD FOR THE CARDIOVASCULAR SYSTEM AND KEEPS THE MUSCLES STRONG. BUT DID YOU KNOW THAT EXERCISE IS ALSO GOOD FOR YOUR SKIN AND BONES?
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M A S Q U A R T E R LY - I S S U E 8
Like muscle, bones are living tissues that responds to exercise by becoming stronger. The best exercises to strengthen your bones are resistance-type and weight-bearing exercises which force you to work against gravity. Lifting weights is the best example of resistance training, while walking, jogging and climbing stairs are good examples of weight-bearing exercises. Research has proven that young people who exercised regularly achieved greater bone mass than those who did not. For older people, regular exercise can help prevent bone loss, which is especially important for those who have been diagnosed with osteoporosis. People with low bone mass need to take extra care to protect their spines: select exercises that do not flex, bend or twist the spine. People with osteoporosis should also avoid high-impact exercises, to lower the risk of broken bones. Stretching is still important and should be done before and after exercising in order to reduce muscle stiffness, improve flexibility and develop overall coordination. Improved flexibility and coordination
will further decrease the risk of falls and fractures. Health experts consider regular exercise a key factor in how young or healthy the skin looks. During exercise oxygen supply to the skin is boosted, and this aids in increasing the natural production of collagen, the connective tissue that plumps your skin and helps keep wrinkles and lines at bay. Exercise helps infuse skin cells with oxygen and nutrients, which set up the ideal conditions for collagen production. Commonly called “bloom of youth or youth-glow”, your skin color is also healthy-looking after exercising because of the increase in blood flow. Certain exercises can even help break up pockets of cellulite—many women’s skin nightmare—on the buttocks, backs of thighs and upper arms. In toning the muscles with some form of resistance training, the skin becomes firm, reducing the appearance of cellulite. Resistance training combined with a healthy diet are key factors in whooshing away that cellulite problem. But perhaps the most dramatic and positive benefits of exercise are for acne-prone skin. Dermatologists are working on the theory that the stress-diminishing effects of exercise reduce the production of DHEA and DHT male-type hormones that contribute to acne flare-ups. Regular exercise also increases sweating, which in turn can unclog pores and
have a positive effect on acne breakouts. Health experts have also confirmed that aerobic exercises, such as walking, jogging or cycling, also offer a cleansing effect on the skin and help to remove toxins that can assault the skin, including cigarette smoke, air pollution, even chemicals that are found in most personal grooming products—hair spray, deodorant, and shower gels. The more you can increase your blood circulation, the more effectively toxins are removed and the better your skin will look, be and feel. As part of your exercise routine it’s important to keep yourself hydrated. To keep the body cool, proper fluid intake is essential to exercise efficiency. During exercise, water in particular can benefit the skin by allowing the increased blood supply to wash out toxins that would have otherwise accumulated in the skin cells. No matter what your age, gender or shape, you should make the effort to exercise as often as you can. Not only does exercise tone your body but it strengthens your muscles, improves your posture, keeps your bones strong, and—as an added bonus—the results will show on the outside as it improves your skin and complexion. So grab your bottled water and head out to the gym or jogging track. It will do wonders for your skin and bones!
Article was originally published in the U Health Digest Issue 7 uhealthdigest.com
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C
linical studies show that strength training or resistance training boosts both muscle and bone mass; and all forms of exercise boosts blood circulation and the delivery of nutrients to your skin, helping to purify the body by removing potentially damaging toxins.
Incorporated in 2011 under the Trinidad and Tobago Companies Act, the Mas Transformation Secretariat was formed to implement the projects emanating from the National Carnival Development Foundation's (NCDF) Strategic Transformation Plan. Thus, the Secretariat is mandated to transform the Masquerade (Mas) component of Trinidad & Tobago’s Carnival from being viewed as just a Cultural Activity into a Sustainable Industry. The Secretariat continues to partner with several Private and Public Sector Entities and some of its successes to date include: 1. The conceptualisation and publication of Mas Quarterly Magazine - the ONLY Magazine that highlights the Business of Trinidad and Tobago’s Masquerade (Mas) for Global Export. 2. The development of Standards and Quality Criteria for Mas with the National Training Agency (NTA). 3. The development of Financing Mechanism for Mas Practitioners with the National Enterprise Development Company (NEDCO). 4. The Development of the BSc. Degree in Carnival Studies with University of the West Indies (UWI) Centre for Creative Arts. 5. Planning and implementing the first and ONLY Mas Trade Mission to Europe, focusing on Paris, France and Rotterdam, Netherlands.
Contact Mas Transformation Secretariat: Office: 59 Churchill Roosevelt Highway, St. Augustine, Trinidad and Tobago W.I. Mailing: P.O. Box 5139, Woodbrook, Port of Spain, Trinidad and Tobago W.I.
Interested in submitting articles or advertising in Mas Quarterly?
P: 868.223.4687 F: 868.223.8722 E: info@mastranstt.com
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