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NEHA RAVINDRAN OBJECTIVE
+9 1 - 9 6 - 3 2 - 1 4 1 2 5 2 neharavindran07@gmail.com www.instagram.com/neha.ravindran BANGALORE, INDIA
To work in a creative challenging environment that will hone my skills and help me grow as a professional. To push the current limits of my abilities and allow me the opportunity to excell in the field without compromising on design quality and perfection. Enthusiastic about new projects and experiences, always up for the challenge.
EDUCATION
R.V. College of Architecture, Bangalore (2017) Mount Carmel PU College, Bangalore (2012) Sindhi High School, Bangalore (2010) WORK
S a t h y a Consultants, Bangalore P r a g r u p Architecture and Urbanism, Bangalore V e n k a t a r a m a n a n Associates, Bangalore (Summer Internship)
SKILLS Freehand Illustration
Design solving skills Creative thinking
Architectural sketching/Detailing/ Thinking drawings/Mixed medium
Conveying ideas clearly using various mediums
Analog/Digital model making
Team worker Good communicator
Graphic design
Logo designing, Poster designing
BORN : 17 February 1994.
SOFTWARES
LANGUAGES KNOWN : English, Kannada, Malayalam(native), Tamil, Hindi. HOBBIES : Dance, Sketching, Painting, Reading,Travel.
AutoCad
SketchUp
Photoshop
Currently learning : ArchiCad, Rhino, 3dsMax.
Revit Architecture
Office
CONTENTS T H E S I S
P R O J E C T
C A M P U S
D E S I G N
I N T E R I O R
D E S I G N
U R B A N
D E S I G N
I N T E R N S H I P
W O R K S
Hand drawn Computer generated Photograph
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D A N C E R E S E A R C H IN S TI T U T IO N
Site
SITE CHARACTERISTICS : • Water edge gently sloping site facing KRS backwaters. • Several rocky outcrops can be seen here and there, especially conspicuous at Baby betta and Gomatagiri slightly away from watery area. A few other smaller rocky outcrops are also found but they are generally concealed and not prominent. • The soil is predominantly red gravelly soil. • The landscape of the area represents a complexity of agricultural land, rural habitation, sparingly spread trees and patches of original vegetation at the close by Arabithittu Wildlife Sanctuary. Which attracts wide varieties of local and migrant birds. Over the years nearly 220 species of birds have been recorded here in large numbers.
This project deals with the learning and teaching of Traditional classical dance forms of south india in Gurukula sampradhaayam. Along with the Institute, the idea is to harness the growing tourist character of the site and create a new cultural hub at the KRS backwaters. Site location : KRS Backwaters , Hosa kannambadi. District : Mandya , Karnataka. Site area : 4 acres. Artifact on site : Venugopala swamy temple. Site located on the opposite shoreline of the Temple. 20km from Mandya city centre and 24km from Mysore city. Nearest village 4 km from temple.
Mandya district
Mandya district
View of temple from site
Site location Site location
An average rainfall is 775 mm. 96% of the annual average rainfall is over a period of eight months from April to November, unevenly spread. Area is situated 162 Km (aerial distance) from Arabian sea coast and lying in rain shadow area thus maintaining low moisture content in the atmosphere
SITE
KRS backwaters
WATER EDGE DANCE INSTITUTE
TEMPLE AND SURROUNDINGS
Venugopalaswamy temple
KRS backwaters Venugopalaswamy temple
GOOGLE EARTH IMAGE
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DANCE RESEARCH INSTITUTION
Design translations The dominant artifact in the precint is the Temple. Hence respecting the presence of the temple, it is important to establish a relationship with the Temple and the Dance Centre.
PUBLIC PLAZA TEMPLE
SITE
DANCE CENTRE
Masterplan
The Centre is to have a dedicated
Plaza
: An axial relationship is formed between the Temple, Plaza and the Dance Centre. Since the Temple has a very strong axis along the East West direction, an axis perpendicular to the same along the North – South is adopted for the Dance Centre.
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Along with the Institute, the idea is to harness the growing tourist character of the precinct and create a new cultural hub at the KRS backwaters.
KRS backwaters
Venugopalaswamy Temple
TEACHING AND LEARNING SPACES
SITE Venugopalas wamy temple
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PERFORMING SPACES
KRS backwaters
In doing to so, a straight reference to the temple is achieved in terms of strong visual axis as well as a link to the Plaza. An axis passing through the Garbhagriha of the Temple terminates at the edge of the site. This translates into a pedestrian walkway from the Plaza to the Dance Centre across the waters. In this way, movement of people into the temple is directly through the main entrance in contrary to side entrance as it currently exists.
P R O J E C T
DANCE RESEARCH INSTITUTION
public zone open theatre, galleries, retail spaces,restaurant
RESIDENTIAL SPACES
SITE
Venugopalaswamy Temple
P U B L I C
COMMON FACILITIES WATER EDGE TEMPLE AS AN ARTIFACT
P R I V A T E
Experiential Architecture :
PROGRAM DISTRIBUTION:
When in a temple, one experiences a sequence of spacial transitions formed along this major axis which begins at the Gopuram (entrance ) and terminates at the Garbhagriha (shrine ). This spacial experience is achieved through different architectural expressions of spaces in the temple.
Axis is one of the most important planning principles of Temple Architecture. Since a strong axis is already established for the Dance Centre, this axiality is maintained throught the design.
ENTRANCE PORTAL – “ DOORWAY “..Also acts as an open air theatre for public performances. MAIN LOBBY – spillout space for library, auditorium and café. Comprises of central tree and waterbody.
Axial temple plan
STUDENT LOBBY – academic zone begins here. All studios lead to student lobby.
Section through the institute along the major axis
PERFORMANCE SPACE – large audience performance happen here. SHRINE – the terminating component is a spiritual space dedicated to lord nataraja. This space also acts as a yoga and meditation space.
Typical section through Hindu Temple longitudinally
• The natural contours have been used to create a series of sunken courtyards and terrace gardens around which cultural facilities are placed. • View of the waterbody is visible from all possible terraces. • The proportions of the building are well ordered,borrowing geomeric patterns from indian temple planning with reference to the temple on site. • The profound hierarchy in the organization of spaces, is what allows for the transition courtyards to develop an informality and openness which gives this space its character, as a platform for sharing and building up cultural ideas.
Schematic (plan) arrangement of spaces along the major axis drawn form the garbhagriha of the temple.
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DANCE RESEARCH INSTITUTION
Water element in Design : Hindu temple and water are strongly related for spiritual as well as practical reasons. Water represents the "nonmanifested substratum from which all manifestations derive" and is considered by Hindus to be a purifier, lifegiver, and destroyer of evil. Here, the water from the pond is made to traverse through the Institute forming an integral part of the design. It is used to reinforce the axis around which the design develops.
The natural slope, gravity and water seepage through the site is utilized to channel the water through the institute adopting various forms. Water from the nearby pond is channeled into the Shrine of the Institute. This is a reflective pool inside the shrine. From here it is channeled into a collecting tank from where it is used as a landscape element in form of sheet flow on stone surface. This flow is led to a water wall below which it is collected. The collected water is channeled into the main lobby which has a
central pool. Water is then led into the entrance portral from where it drains into the KRS waters.
“Water is predictable. Even with its chaotic nature, we are able to predetermine its reaction to outside forces.� Gravity, pressure and cohesion all play significant roles in influencing this powerful element.
Cascading water as part of hardscape. Extended deck into the waterbody Sheet flow of water. Water wall.
The strip of water also enhances the symmetry intended in plan and creates a sense of monumentality in the design.
T H E S I S
P R O J E C T
DANCE RESEARCH INSTITUTION
Analogy to the Hindu Temple:
The Shiva Shrine :
In the hindu temple , the garbhagriha is the most secluded and darkest space. the movement towards garbhagriha is through a collonaded mantapa which is lit with natural light. Here , a negative abstraction of the same is adopted. The movement towards deity ( Natarajan idol ) is through a dark space with slits of natural lights cutting through. At the end of space is a light well , placed to bring in natural light onto the idol which then falls into the interiors of the Shrine.
At the end of the Institute is a shrine of the main deity of Dance , Natarajan symbolizing the termination of the axis. The intent is to create a spiritual environment where the dancer and the deity can attain spiritual oneness. It is a space used for yoga , meditation and prayers by the students. It can be considered as the garbhagriha of the institute.
Study of light and shadow patterns at different times of the day
The institute is aligned in the North – South direction. Hence, plentiful natural light is available. The light falling from behind the idol creates a silhouette of the idol. Idol placed at a height (inclined) is a dominant presence is the Shrine inner chamber.
Light well
Idol Pond Under the light well is an inclined wall on which a steam of water which flows collecting in the reflective pool below. This provides the right ambience for prayers and contemplation.
Reflective pool
Section through the Shrine
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DANCE RESEARCH INSTITUTION
View of path toward the Idol
PROJECT DETAILS SITE AREA : 4 acre. SITE LOCATION : KRS Backwaters , Hosa kannambadi. District : Mandya , Karnataka. BUILT AREA : 1.5 acre.
Master plan : The Venugopalaswamy Temple. The Public plaza is located centrally to The Temple and The Institute. The Public plaza consist of landscaped viewing decks along the shore line following a café and Art gallery A pedestrian walkway leads from the plaza to the Entrance of the Institute on the other side of the shoreline.
MASTER PLAN
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P R O J E C T
DANCE RESEARCH INSTITUTION
The Institute begins with a performance arena ,an analogy to the Gopuram in temple architecture in terms of volume and opening ratio. Both being large masses with a small opening into the mantapa.
Entrance to the institute
ENTRY LEVEL PLAN
Typical gopuram
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DANCE RESEARCH INSTITUTION
AXIS MUNDI
PLAN : LEVEL 1
PLAN : LEVEL 2
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DANCE RESEARCH INSTITUTION
KEY PLAN
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Materiality
Style of architecture is on similar lines to Indian Temple Architecture. Vernacular in nature. Materials used are Granite stone (cladding , wall) Terracota flooring. Stone masonry for walls. The building is a monolithic structure in the picturesque landscape with the KRS reservoir in the background.
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KEY 1 Entrance portal 2a Main lobby 3 Performace space 4 Library 2b Student lobby 5 Studios
6 Nataraja Shrine 7 Admin block 8 Yoga / fitness centre 9 Faculty residences 10 10 Student residences 11 K R S Backwaters
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DANCE RESEARCH INSTITUTION
Section through the student plaza at level 2 shows sunken courtyards and gazzibo structures inspired by Temple Mantapa. Show here is a water strip which is channeled onto to the main central courtyard of the Institute. The natural contours of the site is used to design. Natural light and ventilation are focused here. The studios are as per standards proposed in India.
Water edge and building interface
SECTIONS
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DANCE RESEARCH INSTITUTION
View of temple from the institute
PROCESS MODELS
Pedestrian walkway connecting the plaza to the Institute. References :
Abhinaya Darpna – Nandikeshwara. Natyashasthra of Bharatamuni. Concepts of space in traditional indian architecture – Yalin pandya . Tadao Ando – The Colours of Light.
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NGMA
P R O J E C T D E TA I L S : LOCATION :National Gallery for Modern Art , Bangalore AREA : 10.2 acre PROPOSAL : Centre for the Study of Culture and Society
A 19,000 sqft Mansion , with rich veriety of large mature trees converted to 70,000 sqft Campus. The challenge in this project was to pay homage to style of the original heritage structure and its surroundings while keeping in mind the needs of a Modern Campus. The design strategy is to treat the original structure as the jewel, and the modern Campus building to form a ring that supports and highlights the Artifact building. Most Campus designs pertaining to a heritage structure screams their presence. But here, the attempt is to blend in and continue the same language throught the design’
Mansion
Manikyavelu mansion
Google earth image : Site extent
NGMA museum
C A M P U S
D E S I G N
NGMA
Site characteristics : Rich variety of vegetation. Banyan trees, Peepal trees, Asoka, Jamun, Gulmohar, Mango tree, Neem to mention a few. It is very important to conserve this sanctity of a green breathing space at the centre of the city. Abutted by heavy traffic roads on three sides, the site is an oasis in it’s own being. To maintain this nature of the site , an inward looking organization for the institute was adopted . Every design decision is driven by the natural factors offered by the site.
Centre for Study of Culture and Society The pedagogical framework of this institute attempts to study ‘culture’ from an inclusive, everyday, interdisciplinary framework by attempting to create and be a ‘crossroad’ or ‘meeting place’ of the human sciences - history, language studies, art practices, economics and development studies as well as philosophy. The stress is therefore not only on research and knowledge production by incubating an academic environment that breeds collaboration, but being a ‘place’ in Bangalore where ‘culture’ - viewed as an ‘everyday’ and ongoing phenomenon in production - is itself hosted and produced.
PROJECT INTENT : The institute aims at involving the everyday lives of the people as part of academic as well as a social function. This requires spaces of interaction between the students and the public. The artifact on site – Manikyavelu Mansion acts as the face of the Institute.
C A M P U S
D E S I G N
NGMA
Response to site : Different types of
Design strategies
Tree formations were identified on site and used in design , depending on the nature of spaces. The large trees are contained within the building forming a complex matric between the built and the unbuilt, the past and the future , the permanent and the ever changing .
Type 1 : Closed canopy canopy
Arena space Type 2 : Linear array
Plan : Manikyavelu Mansion
The rich and varied species of trees that this campus contained prior to the commencement of work, have been retained forming a beautiful natural barrier between the road and the campus itself.
Type 3 : Large canopy Entrance plaza
Axial Organisation: In response to the existing ideal geometry of the plan of the mansion, a system of spaces is axially placed to highlight the mansion and integrate the artifact into the campus building axially.
Primary courtyard
C A M P U S
D E S I G N
NGMA
Master plan Programmed meandering through galleries, sculpture courts and into the Campus building. Sequence of layers of entry highlights the presence of the Mansion. The courtyards around the trees segregate the semi public and public space to ensure that there is a clear distinction between the two. The opening plaza melds with the axiality of the existing Mansion and terrain.
Landscape design Elements The landscape design was defined from the need to retain this more as a public space. A space for easy inter-relations with the public and the student crowd. Different genres of gathering spaces are devised around the floura and terrain. Meandering walkways that allow for accidental meeting, open, landscaped courtyards for informal interaction, landscaped sculptural courtyards encourage younf talent are interspersed between the larger lawn areas and flower beds.
C A M P U S
D E S I G N
NGMA
A X I S | C H A R A C T E R | C O L L O N A D E | R H Y T H M | S C A L E | PAT T E R N
Institute
Artifact
Institute
Private space
Gallery
Gallery
Public space
Manikyavelu mansion
Institute
C A M P U S
D E S I G N
NGMA
C A M P U S
D E S I G N
NGMA
C A M P U S
D E S I G N
NGMA
Inverted Roof For Classrooms
Studios
Bound Volumes Library
Rare Manuscript Library
Art Cafe
C A M P U S
D E S I G N
NGMA
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POP ART CAFE
LOCATION : WORKBENCH, HALASURU METRO STATION
AREA : 350 SQ.m ACTIVITY : EAT BRAND NAME : TRANzEAT
Pop art :
n(Art Movements) a movement in moder n art that imitates the methods, styles, an d themes of popular culture and mass media,such as comic strips, adverti sing, and science fiction. •
U.S.P : Brightness and contrast of colors.
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Used in the decoration of posters, portraits of celebrities, big, unusual paintings and sculptures.
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Non-standard shapes and sizes of furniture and other household items.
COLOR PALLETTE: The abundance of variety of colors; main characteristic of style. Most VIVID, eye catching and bright. Along with vintage geometric patterns. WALLS : Exposed brick walls which contast the bright pop prints,posters and graffitti. FLOOR : Classic black and white chequered flooring to create a retro and vintage ambience to the space. Exposed concrete flooring to create a studio effect.
Material Pallette
PROJECT DETAILS
WALLS :
Exposed brick walls which contast the bright pop prints,posters and graffitti. To retain focus on the Art work and Graphitti, exposed brick walls and Polished concrete walls are opted.
FLOOR :
Classic black and white chequered flooring to create a retro and vintage ambience to the space. Exposed concrete flooring to create a studio/Industrial effect.
FURNITURE :
Stylized furniture in non standard sizes and shapes inspired by vintage retro pop art. Glossy mirrored surfaces for counters and tables. High gloss laminates used for cladding.
Ideation|Working
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Sketches
D E S I G N
POP ART CAFE
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D E S I G N
POP ART CAFE
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D E S I G N
POP ART CAFE
DÉCOR : Large ,bright images made using printing on canvas,oil paintings, pieces of popular advertisements ,magazines ,comic strips ,abstract ,popular figures ,Collages .
I N T E R I O R
D E S I G N
POP ART CAFE
EXTERIOR | SHOP FRONT
External wall cladded Brick slips faรงade. This creates a characteristic street wall on which the Pop Graffitti and murals are created.
Idea sketch
SHOP FRONT
The shop front inside the metro station has a very comic / pop influence. It is graphic and catchy representing a lamp lighting up only the entrance area, giving an exaggerated look according to the nature of POP art theme.
I N T E R I O R
POP ART CAFE
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MATTANCHERRY
SITE : DUTCH PALACE JUNCTION
PROJECT DETAILS
Meeting point of the Bazaar road, Palace road and the Jew Town.
LOCATION : Mattancherry , Kochi ,Kerala SITE : Situated along the palace road, the main axis of Mattancherry with the Dutch palace on one end and the Thirumala Devasthanam Temple at the other, this precinct is predominantly residential. Comprising of a number of different communities, this precinct holds up the image of Mattancherry as a cultural hub.
Bazaar street
Palace road
The dutch palace precint acts as a buffer and a transition zone for the different nature of activities happening on the bazaar street and palace road .
Palace road
Bazaar street
100%>>>>>> > 0% <<<<<<<<100% Aanavathil gate at end of Palace road Design elements used AXIALITY | SEQUENCE | PROGRESS | TRANSITION
Palace road
Dutch Palace Junction
Bazaar street
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Dutch Palace Aana Vathil Kulam (water body) Sports Field Vishnu Temple Shiva Temple Devi Temple Gallery Formal Entry Local Biennale Park Public Library Training Institute Market Front Artifact Building
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“Water as a balancing entity” 1
Palace road
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Bazaar street
Main Entrance
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Public entrance to museum
Void
Solid U R B A N
Solid D E S I G N
MATTANCHERRY
Master plan | Axial relationships
BAZAAR STREET
LOCAL BIENNALE PARK
DUTCH PALACE
Transition of nature of spaces from palace road end and Bazaar street
Using water as an anchoring point
WATER BODY
INSTITUTE
MARKET FRONT Strengthening the anavathil axis to the devi temple
PALACE ROAD
U R B A N
D E S I G N
MATTANCHERRY
ARTS ARCHIVE
Library consist of an entry court for public n student interactions. Also has a private student court accessible from the training institute. Style of architecture inspired by vernacular kerala architecture.
CULTURAL ARTS CENTRE
Language of building and style of architecture following the Dutch palace and vernacular kerala architecture. The cultural centre offers a platform for exchange of local and international artforms creating opportunities for various communities to express themselves as well as share their culture with the other communities . This leads to strengthening the importance of local culture in an international tourist hub like kochi, along with culturally educating the locals and foreign crowd.
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Entrance court Lobby Semi open performance space Studios Water body
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Entrance court Students court Lobby Reading spaces Water body
U R B A N
D E S I G N
MATTANCHERRY
Language of building and style of architecture following the Dutch palace and vernacular kerala architecture.
Natya mandapam
Roof form
Cultural Arts Centre
U R B A N
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MATTANCHERRY
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PROJECT NAME :
Residence for Malini Srinivas
Sketch for Front Elevation Jagali Design Materials used :
Hollow Clay Block Traditional Stone Columns Chappadi Stone Mangalore tiles
Project revolves around using Existing design elements from an old structure in to a new one. This space consist of Stone colums from the old structure. Placed to support the sloped mangalore tiles roof. A Monkey top is provided to evoke sense of vernacularity. The parapet wall above use Chappadi stone from the foundation of the old structure and also Stone Brackets at regular intervals
FREEHAND ILLUSTRATION |SATHYA
PROJECT NAME :
Residence for Shishir and Samudhyatha
Sketch for Front Elevation JagaliDesign Materials used : HourdiBlocks MS box sectionsMS flatStabilisedMud Block
Reinforcement bars are inserted into HourdiBlocks which is welded onto a main MS Box section member running along the parapet. The Wooden columns are placed on Stabilisedmud blockpiers on which the Flat HourdiRoof is supported.
PROJECT NAME : Cottage –Typologies, Wayanad
ROLE
To Design cottages exploring Roof forms and massing along with the topography of site influenced by local Kerala architectural styles. Three typologies proposed. • Cut and fill typology • Overlap typology • Stilt typology
Residence for Anjana and Ravindra Bangalore
Sketch for view of the residence To understand the Jagali Roof with the Chettinad Wooden columns. Options provided for elevation using Columns, Arches and Roof forms
Residence for Sanjuktha and Sunil Bangalore
Sketch for parapet wall options Material used Hollow clay blocks Chappadi stone Jaali clay blocks
FREEHAND ILLUSTRATION
|SATHYA
PROJECT DETAILS BUILDING : British Biosciences Ltd. RESEARCH LAB FACILITY
LOCATION : BANGALORE AREA : 9000sqft STRUCTURE : 5 storeyed structure Consist of manufacturing , processing and storage facility Research labs , processing units , office spaces, common areas, segregation areas,arrival and collection areas of goods in and out of the facility. INTENT : To create an interesting faรงade design in the otherwise solid mass of the building. Option l: Concrete framing of the building mid section. Defines the part of the building with most interactive spaces allowing ample light into the building . Also giving the building a minimalist approach.
Option ll : Terracota vertical louvres. Used here to highlight mid section of the building in a way to breakdown the mass and create variation by making the building look lighter. The terracotta option is also operable making it a climatic control device for the building. They may be opened and closed with a metal lever, pulleys, or through motorized operatorsThey are utilized for natural ventilation and temperature control.
F A ร A D E
D E S I G N
ELEVATION DRAWINGS
WORKING DRAWINGS|PRAGRUP
CHORD SECTIONS
PROJECT NAME
MAMTHA RESIDENCE LOCATION
BANGALORE
AREA
2500 SQ ft STRUCTURE
SITE IMAGES
STEEL BEAMS ( ISMB ) AND STEEL COLUMNS (ISMC) FORMING A FRAMED STRUCTURE.
GOOGLE MAP IMAGE : SITE LOCATION
RESIDENCE CONSIST OF GROUND,FIRST FLOOR AND TERRACE LEVELS. SITE RAISED TO A HEIGHT OF 1.5M BY MEANS OF BURM LANDSCAPE. STAGE : CONSTRUCTION IN PROGRESS. STEEL ISMB BEAMS AND ISMC COLUMNS ARE USED TO FORM THE STRUCTURAL FRAMEWORK. EFFICIENT AND FASTER CONTRUCTION IS POSSIBLE WITH THIS ALTERNATIVE TO RCC COLUMNS AND BEAMS. THE TWO STOREYED STRUCTURE IS DESIGNED FOR FAST AND EFFICIENT SOLUTION FOR A MODERN RESIDENCE.
COLUMN BEAM JOINERY CONCRETE BAND PORTAL FRAME/ISMB EXPOSED
STEEL STRUCTURE FRAMEWORK
ELEVATION OPTION 1
SLOPED ROOF CANOPY/GRANITE BAND
PRAGRUP ARCHITECTURE | URBANISM
CHORD SECTIONS
PROJECT NAME
MAMTHA RESIDENCE
. THE ISMB STEEL BEAMS AND COLUMNS ARE EXPOSED ON THE EXTERIOR .THIS ADDS A CONTEMPORARY LOOK TO THE HOUSE.
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ADVANTAGES OF USING STEEL STRUCTURE: FAST AND EASY CONSTRUCTION • ENERGY EFFICIENCY • LARGE SPAN OF SPACE • RESALE VALUE
CONCRETE BLOCKS ARE USED FOR THE WALLS.MS BOX IS USED AS CHAJJAS. OTHER MATERIALS USED ARE TIMBER WOOD FOR DEWCKS AND LOUVRED WINDOWS AND DOORS.
STEEL STRUCTURE EXPOSED EXTERNALLY
STEEL STRUCTURE FRAMEWORK
PRAGRUP ARCHITECTURE | URBANISM
PROJECT NAME
ANAND RESIDENCE LOCATION
MANGALORE
TYPE
RESIDENTIAL SITE IMAGES
ELEVATION OPTION : STAGGERED SLOPED ROOF
IDEA SKETCH
GOOGLE MAP IMAGE : SITE LOCATION
ELEVATION OPTION : STAGGERED LEAN-TO ROOF WITH LATERITE CLADDING
PRAGRUP ARCHITECTURE | URBANISM
ELEVATION DRAWINGS|
PRAGRUP
SECTION DRAWINGS|
PRAGRUP
PROJECT NAME
TECHNOART COMMERCIAL LOCATION
BANGALORE
ELEVATION OPTIONS
VARIATIONS USING CANTILERED METAL BOX PROJECTIONS ARE EXPLORED. THE WHO MASSING OF THE BUILDING IS A TERRACED STRUCTURE. METAL FACIA IS USED TO BLEND THE STRUDTURE OF THE BUILDING TOGETHERIN THE ELEVATION
SITE IMAGES
MASSING DEVOLOPMENT PROJECTING METAL BOX
MULTIPLE METAL BOX PROJECTIONS
EXPLORING STRUCTURAL VARIATIONS
MATERIAL PALLETTE
DEFINED METAL BOX PROJECTIONS
PRAGRUP ARCHITECTURE | URBANISM
KITCHEN INTERIOR DESIGN
|SATHYA
T H A N K
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