Architecture - Progress Portfolio

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Nelson Agalaba ArchitectureProgress Portfolio

HONORS AND AWARDS

Cooper Carry - 3 Minute Thesis Competition

2nd Prize

Spring 2025

NOMA - Barbara G. Laurie Design Competition

2nd Prize Fall 2024

HOK - Diversity X Design Scholarship

Summer 2024

KSU - Dean's List

2020 - 2025

State of GA - Zell Miller Scholarship

2020 - 2025

INVOLVEMENT

AIAS

2022 - 2025

Treasurer ['24-'25]

Graphics Chair ['23-'24]

Organization Member ['22-'23]

NOMAS

2022 - 2025

Competition Team Member ['24-'25]

Organization Member ['22-'24]

KSU

2023

Italy Study Abroad Program

2020-2025

Honors College Member

EXPERIENCE

Goodwyn Mills Cawood

May 2024 - Dec 2024

Architectural Internship Atlanta, GA

Artist - Self Employed

June 2021 - Present

SKILLS

Software

Revit

Rhino 3D

Autocad

Adobe Suite

Microsoft Office

Climate Consultant

Digital Visualization

Graphic Design

Twinmotion

Enscape

Traditional Drafting/ Sketching

Model Making

Personal Communication

Adaptability

Collaborative

Digital Marketing

LANGUAGES

ENGLISH Native SPANISH Semi-Fluent

IGBO

Basic

06 PRESENCE OF THE PAST

10

ECOTONE DIALOGUES

20

INTERSTICE FACTORY

AIAS MERCHANDISE

32 THE BACKYARD

38 PERSONAL ARTWORK

01 PRESENCE OF THE PAST

Presence of the Past is an in progress thesis investigation into traditional culture and how it could be translated into contemporary architecture, this question is explored in the context of Nigeria, specifically the Igbo peoples of the southeastern region.

Colonialism came with the destruction of many local traditions and life patterns as well as the embedded history in the minds and physical environments of the people.

Presence of the Past does not seek to "re-animate the corpse" of a by-gone architectural past, but "reincarnate the spirit" in new form to help recall past memories, establish a stronger sense community identity, and address current challenges facing the Igbo people.

ECOTONE DIALOGUES 02

An Ecotone (noun) is defined as a transitional region between two separate biomes. Ecotone Dialogues expands this concept to the boundary between the natural and man-made worlds. Its site, the Kennesaw State University Field Station, is a rural, 25-acre property nestled within a small forest along Interstate 75. It has been paved over "constructed" for an expansion to I-75, deconstructed, and reconstructed for KSU's growing field station activities over a 7 year time frame.

Architectural drawing and drawing-based models were used as a speculative tool in generating potential interventions on KSU’s ever-changing field station site to one: provide expanded research and living facilities, and two: encourage increased public engagement with the site.

This group project was created in collaboration with Sean Spencer. My contribution were: all drawings and models displayed here and significantly to the composite plan.

“THE POND”
“THE ENTRY”
“THE GALLERY”
“THE RESEARCH”
“A GREENHOUSE”
“A GREENHOUSE”
“A GREENHOUSE”

This model investigates how a gradual rolling and folding of the relatively flat field station landscape can define and differentiate unique zones.

Architectural Response - Study Model & Sketch

Architecture responding to the field station site's major axises

Idea of courtyards and landscape integration

Design Process

Ground

Start with the bare site

Enclose

Carve out circulation, "pull up" ground to create building form

Circulatory spaces are enclosed by a light ETFE structure overhead

Ecotone
Excavate

1 - Living & Working

The vertical separation between living and working space [labs]

2 - Expelling

The mundane is given an architecturally interesting experience

3 - Learning 1

Research on-site is taught to and discussed by visiting students

4 - Welcoming

The welcome center directs visitors to the underground gallery

5 - Exhibiting

The gallery showcases research done by the field station & university

6 - Gathering 4 5 6

A folly marks the end of the gallery and creates a grand gathering space

Multipurpose Lab I
Multipurpose Lab II

INTERSTICE FACTORY

Hulsey yard sits as an underutilized industrial lot which the Interstice Solar Panel Factory seeks to revitalize. It challenges the traditional factory typology by integrating the public into the complex process of photovoltaic manufacturing through the intentional layering of its distinct programs and circulation. A “social condenser” is created which generates moments of interaction and education between the public and the workers.

This relationship "demystifies" solar panel technology in the minds of the public, dispelling inaccurate narratives surrounding it and green energy as a whole. Ideally, this inspires a more honest conversation around the necessity of moving away from fossil fuels and the industries that propagate and propagandize their continued use.

This project was created in collaboration with: Eric Newman and Emmanuel Olasiyade. My contributions were: all drawings displayed here and concept development.

The Savannah and Brunswick port system are Georgia’s gateways to the world, connected to Atlanta through the CSX rail line.

Mapping the Interstice - Hulsey Yard, Atlanta Local Inspiration

Site boundary

Hulsey yard is at the intersection of three major transport lines: The CSX freight railroad, the Inman Park Marta Transit Station, and the Beltline [The famed walk/ bike trail of Atlanta]

Trains pass safely underneath

Photovoltaic Manufacture Process
Beltine MARTA rail line
Inman Park MARTA Station
CSX Freight Line Krog Street Art Tunnel
Interstice Factory

Placement

Site manufacture hall between rails for ease of transportation

Accessibility

Public program block placed outside of rail for public access

Bridge

Connect each side of the building complex

Community engagement spaces

have view of manufacturing hall

Connection

Extend Beltline trail beside the building to connect with context

Natural Response

Stagger volume to capture winds; Channel glass gives natural light

Interstice Factory
Overlap

- Crane yard

- Raw material storage

- Manufacturing hall

- Mezzanine level classrooms

- Finished product storage

- Restrooms

- Locker rooms

- Fitness center - Multipurpose auditorium

- Lobby - Cafe - Offices - Crane yard observation bridge - The balcony - Workshop / Auxiliary classroom - Exhibition -

- Waterproof membrane

- Gypsum sheathing

- Insulation

- Corrugated roof deck

- Cant strip

- Gridded ceiling cloud

- 6' depth howe truss

- 2'x2' precast conc. column

- .118" dia. steel bracing cable

- Cable clip

- Interlocking channel glass

- Aerogel channel insulation

- Argon-filled double glazing

- Vapor retarder layer

- Recycled asphalt base

Interstice Factory

04 AIAS MERCHANDISE

As part of the duties of graphics chair, I was tasked with designing the merchandise line for the 2023-2024 year of Kennesaw State University's AIAS chapter.

Extracurricular Work 2023 | Individual

Adobe photoshop was primarily used to ideate and finalize the shirt design. Organization

[American Institute of Architecture Students]

05 THE BACKYARD

2ND PRIZE - Barbara G. Laurie Design Competition

The Backyard is a celebration of the black culture of West Baltimore. For generations, it was a pioneer in the development of black: music, arts, and civil rights, as well as an example of a well-connected, self-sustaining community hosting: corner stores, locally owned businesses, and a tight-knit social support structure before the creation of the highway to nowhere fractured this. To recreate the success of these spaces, we focused on three core themes: resilience, recreation, and expression.

I was part of a group of 9 total students representing our NOMAS chapter, who included:

• Mayowa Odunjo

• Nicholas Grier

• Jonathan Rivers

• Joy Cherichel

• Andres Mendez

• Jesus Vielma

• Mayra Mendez

• Ethan Joel

My contributions were: concept development, the performance theater complex design, and the axonometric master plan. I also served as one of two presenters in Baltimore on both competition days. NOMA Competition

RESILIENCE

Continued survival in the face of external challenges

Community town hall nestled in the historic Ice Factory

Fought hwy to nowhere stopping its completion

Community land trust [CLT] development keeps rents low

Town Hall

CLT Housing

RECREATION

Activity done for one's own or a group's own enjoyment

Translate black cookout culture programmatically

Black recreational culture: Cookout, sports, stoop-sitting

Informal gathering space: "neighborhood's stoop"

Corner stores, recreation centers, courts, etc. provide...

EXPRESSION

The sharing/ performance of one's creative talents

Legacy of Pennsylvania Avenue a.k.a the: "Broadway of Baltimore"

Showcase the history of West Baltimore and its local arts culture

Food Hall

The Stoop

Amenities

Art Gallery

Performance

Theater Complex

Build the next generation of artists and performers

Town Hall Courtyard Commercial District
Apartment Balcony
Stoop & Performance Theater

PERSONAL ARTWORK

A small selection of my personal artworks. Pictured right is a series of urban sketches done throughout Italy during a study abroad trip in 2023. All these sketches are traditionally done in ink and graphite.

Names of drawn locations/ objects [starting from top left]:

• Sant'Agnese in Agone

• An interior niche of Santo Spirito

• Fountain of the Organs

• Courtyard of Santa Maria Novella

• Statue of Hercules Slaying the Centaur

• Santa Maria del Fiore

• An interior room of the Palazzo Pubblico

• Cappella dei Pazzi

• Porch of the Vatican

NELSON AGALABA

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