Prolight+Sound Presented at Prolight+Sound
Presented at Prolight+Sound
Presented at Prolight+Sound
Presented at Prolight+Sound
Presented at Prolight+Sound MUSIC PRODUCTION • LIVE SOUND • SOUND FOR PICTURE
A special guide to all the nominated and winning products 01 Prolight+sound BOS FC.indd 1
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Enter IBC2016 now! Nominate your new product by 31 August to be in with a chance of winning www.newbay-awards.com of
of
of
of
of
of
2016
2016
2016
2016
2016
2016
For more information contact Lucy Wilkie on lwilkie@nbmedia.com
BOS IBC FP 2016.indd 1
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Presented at Prolight+Sound
Presented at Prolight+Sound
WINNERS
Welcome to the digital guide to NewBay’s Best of Show Awards for Prolight + Sound 2016. This guide features every nominee from the awards programme, and highlights the winning entries. The Best of Show Awards are distributed across NewBay’s titles, with winners selected by an independent judging panel for each publication: Audio Media International, Installation, Mix, Pro Sound News and PSNEurope. This guide reproduces the nomination text and images submitted by show exhibitors, allowing them to explain in their own words why their nominated products should be considered for a Best of Show Award at Prolight + Sound 2016.
Presented at Prolight+Sound
WINNERS
MUSIC PRODUCTION • LIVE SOUND • SOUND FOR PICTURE
Funktion-One F132.................................................................................................04 Sennheiser MK 4 digital..................................................................................05 NOMINEES AKG C7 ......................................................................................................06 Meyer Sound MJF-208 ........................................................................................07
Presented at Prolight+Sound
WINNERS
AV Stumpfl Wings Engine Raw 8K media server..............................08 Crestron Fusion Cloud Software ..........................................................09 d&b audiotechnik Vi7P, Vi10P .................................................................................. 10 Extron Electronics DTP CrossPoint 4K Series......................................................11 NOMINEES Clear-Com HelixNet Version 3.0 .............................................................. 12 Da-Lite Fast-Fold NXT ........................................................................... 13 Extron Electronics MediaPort 200 ........................................................................... 14 Extron Electronics NetPA 502 AT, NetPA 1001-70V....................................... 15
Harman AKG K872 ..................................................................................... 16 JBL EON ONE.........................................................................................17
Presented at Prolight+Sound
NOMINEES Clear-Com DX410.............................................................................................26 d&b audiotechnik ArrayProcessing ....................................................................... 27 Funktion-One Evolution 7T Touring ..............................................................28 Perinić Sistemi AERIS ..............................................................................................29 Sennheiser MK 4 digital..................................................................................30 Soundcraft Vi2000 ........................................................................................... 31
WINNERS
d&b audiotechnik ArrayProcessing .......................................................................18 JBL EON ONE........................................................................................ 19 JBL VTX M Series ..............................................................................20 Sound Devices SL-6 Powering/Wireless System for the 688 Mixer/Recorder ............................................................... 21
Presented at Prolight+Sound
WINNERS
AVID VENUE S6L ..................................................................................22 Funktion-One Vero .................................................................................................23 JBL EON ONE........................................................................................24 Meyer Sound MJF-208 ........................................................................................25 Page 03
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WINNER
Presented at Prolight+Sound
WINNER
Funktion-One
F132
Funktion-One’s F132 32in bass enclosure
push the amplifier to its full potential. We powered
Vice Magazine documentary. Due to the focus
represents a triumph of collaboration and re-
up four of them together and it took me two
on bass in dub – Ernestus’ preferred musical
interpretation. It is an extraordinarily powerful
weeks to forget the molecular impression it had
genre – the project needed an enclosure that
horn-loaded bass enclosure, which features
on my body. I’ve never experienced anything
could produce something special in the lower
Powersoft’s M-Force 10kW linear transducer and
like it.”
frequencies. When he heard the F132, he knew
Funktion-One’s specially designed cone and
F132 bass enclosures (along with Funktion-One
he had to have it.
enclosure technology. Its single 32in driver gives a
Evo 6 loudspeakers) were specified by Mark
frequency response of 24Hz to 70Hz.
Ernestus (Hard Wax Records) when he created
Sound 2016 in Frankfurt.
‘Best Sound System in the World’ for a recent
www.funktion-one.com
The F132’s physical size and the fact it is
The F132 was officially launched at Prolight +
horn-loaded means levels of directivity that are not typically possible at these low frequencies – a feat that is achieved naturally without any cardioid processing. Then there is the power output. It is estimated that 12 F132’s is the equivalent to around 50 double-18in ported bass enclosures. Funktion-One’s aerospace technology fully exploits the potential of M-Force motor technology. Funktion-One’s Tony Andrews says: “As soon as I saw it and became aware of it, two years ago, I knew it was an important development. The trick was to apply the power of the motor to the air in the most efficient way possible. I knew it was something we had to work with. “We wanted to maximise the transducer’s potential, so we developed our own loading technique and cone using aerospace technology. It’s giving us energy right down to 24Hz. These sorts of frequencies, horn-loaded, is a new experience for everyone; it has typically been ported boxes before now. “The output is amazingly clean due to no cone deformation. Because it was clean we could
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WINNER
Presented at Prolight+Sound
WINNER
Sennheiser
MK 4 digital Previewed at Prolight + Sound, the true condenser MK 4 digital is the brand new digital version of Sennheiser’s popular MK 4 recording mic, and the latest product following the collaboration between Sennheiser and Apogee. With its high-quality Apogee A/D conversion and mic preamp technology, the MK 4 digital connects directly to USB and iOS devices, making the large-diaphragm microphone the ideal partner for any mobile recording task that requires great sound quality with the typical warmth and detail of a true condenser microphone. The MK 4 digital will offer bands and artists freedom and flexibility in recording their tracks and song ideas, and will also be an ideal tool for high-quality speech applications from voice-overs to podcasts. It is delivered complete with a USB cable and a Lightning iOS cable for connecting to iPad, iPhone or iPod touch as well as a microphone clamp and pouch. The microphone can be used with common music and media production programs and will become available from summer 2016. www.sennheiser.com
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NOMINEE
Presented at Prolight+Sound
NOMINEE
AKG
C7
The C7 reference condenser vocal microphone, from AKG by HARMAN, features specially engineered circuitry and custom-designed components. The C7 provides clear, powerful sound, while preventing feedback, handling noise and pop noise and the rugged enclosure is engineered to withstand the most demanding live performance environments. www.akg.com
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NOMINEE
Presented at Prolight+Sound
NOMINEE
Meyer Sound
MJF-208 The self-powered Meyer Sound MJF-208 stage
low profile are critical,” says Luke Jenks, Meyer
monitor incorporates the performance and
Sound’s director of product management.
reliability of the MJF-212A and MJF-210 into a
“With a self-powered stage monitor, the amp
smaller, lightweight package. Each MJF-208
package is always the same. The MJF-208 offers
measures less than 13in high and weighs 45
a performance consistency that passive monitors
pounds. The monitor delivers impressive power-
just can’t guarantee.”
to-size ratio and very low distortion in a small-
Portability and ease of use for the MJF-208
footprint, lightweight option for applications that
are enhanced by the convenient and reliable
do not demand the extreme output levels of the
MDM-832 distribution module, which can route
MJF-210 or the MJF-212A.
up to eight channels of AC power, balanced
“The MJF-208 brings the well-known intelligibility
audio and RMS monitoring data to multiple stage
and power of Meyer Sound’s stage monitors
monitors.
to applications where a small footprint and
www.meyersound.com
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WINNER
Presented at Prolight+Sound
WINNER
AV Stumpfl
Wings Engine Raw 8K media server
An 8K by 4K version of Wings Engine Raw was
options and various input options such as DVI,
Backup-Manager, that features a dedicated EDID
demonstrated at the AV Stumpfl stand at
HDMI 2.0 and 3G-SDI.
management and automatic camera-based
Prolight+Sound.
Wings Engine Raw uses a custom engineered
calibration system for soft-edge blending, warp,
The ultra-high-performance super media
RAID 10 system. Content includes native picture
and geometry mapping, all operable by time line
server delivers an unrivalled four streams of full
sequences such as TGA or TIFF and instant PNG
or cue based control.
4K uncompressed content at 60Hz – equivalent
image format processing. The system processes
to 16K by 2K picture resolution – plus a rich array
and delivers video content at full 4:4:4 colour
MATRIXMANAGEMENT GmbH to power 12K LED
of media overlays, text generation and show
sampling, and hosts the WingsRX render core
video walls for Audi AG at the IAA Frankfurt Motor
control.
engine that has a 64-bit program architecture
Show.
and uses SSE CPU instructions to speed up
www.avstumpfl.com
Wings Engine Raw now includes additional hardware upgrades such as four DisplayPort 1.2
content processing. The system is accompanied
video interfaces, professional multi-channel audio
by AV Stumpfl’s embedded operating system,
Wings Engine Raw was recently deployed by
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WINNER
Presented at Prolight+Sound
WINNER
Crestron
Fusion Cloud Software The breakthrough Crestron Fusion Cloud
• Complete visibility of every room in every
“The biggest benefit to the Crestron Fusion
enterprise management platform proactively
building around the campus or around the
scheduling system is how smoothly it makes the
monitors and manages an organisation’s global
world, helping facilities managers maximize room
process of reserving, then finding meeting rooms.
network of AV devices from a single location. It
usage, and make data-driven decisions about
It’s working great. We have in excess of 1,500
will issue alerts to its technical support team to
workspace utilisation and energy consumption
employees, all of whom schedule or attend
perform preventive maintenance, as necessary,
• Integrates systems that typically operate in silos
meetings in the Raso Center. The system gets
thereby averting potential system failures.
so they work together as a single system
people to their destinations quickly, easily and
This remarkable time-saving feature spares organisations the cost of lost productivity, and
with minimal help required.”
Testimonials
Steve Meyer, director of information technology
protects workers from having to scramble to
at Jupiter Medical Centre, Florida, USA
locate a functioning workspace, or wait for
“Crestron Fusion provided the perfect solution
technical support to correct a problem.
for Sandvik Coromant. Collaboration and group
Crestron Fusion helps to reduce energy use,
work has been made easy, and the consistent
saving organisations money and creating a more
interface means anyone in the company can
sustainable environment. The secure software
use this technology. The inclusion of energy
monitors room occupancy to automatically turn
management software also enables the client to
AV devices ‘on’ and ‘off’ throughout the day,
save money on unused spaces and equipment,
which both saves energy and preserves the life of
while also promoting an energy efficient working
the equipment. Moreover, this innovative system
environment.” Lars Hammarlund, CEO of Visuell
supports long-term efficiency via the intelligent
Design – project installers AT Sandvik Coromant,
management of resources. By providing data
Sweden
www.crestron.eu
that analyses how a workspace is being used now, Fusion Cloud software helps with decisions on how the space should evolve in the future based on fact and not instinct. The impressive benefits to an organisation include increased productivity, energy and cost saving features, efficient time management and intelligent, fail-safe system support: • Usage reports supply intelligence needed to make informed decisions about purchasing, staffing, scheduling, resource allocation and workspace design • Delivers building technology automation capabilities that save energy and improve productivity by intelligently integrating with building occupants
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WINNER
Presented at Prolight+Sound
WINNER
d&b audiotechnik
Vi7P, Vi10P
The demands for a high performance point
All components are arranged symmetrically
source have always been the same: reliable,
around the centre axis of the cabinet to produce
lightweight and compact, and with a wide range
a perfectly symmetrical dispersion pattern. Due
of rigging options for maximum flexibility. The Vi7P
to the dipolar arrangement of the LF drivers,
and Vi10P from d&b audiotechnik are a new
broadband dispersion control is maintained down
breed of loudspeaker offering all this and more,
to approximately 350Hz in the same plane as
including the d&b hallmark constant directivity
the dipole. The rotatable horn and wide range
control down to low frequencies.
of rigging options make mounting in either
Building on the 3-way passive design of the well-known d&b V-Series line array modules, the
orientation simple. The bass-reflex design of the Vi7P and Vi10P
Vi7P and Vi10P point sources house two 10in
utilises an advanced LF venting arrangement that
drivers in a dipolar arrangement with a rear-
delivers an impressive extended LF performance.
mounted 8in MF driver attached to a dual-
The frequency response extends from 59Hz to
chamber horn. The exits from this horn design
18kHz offering flexibility as a stand-alone solution.
create another dipole around the centrally
These point source loudspeakers are an
mounted single 1.4in exit compression driver with
ideal alternative to smaller line array setups in
a constant directivity horn. This maximises the
permanent installations, especially considering
performance to size ratio, by making almost the
their lightweight design and wide range of rigging
entire baffle board radiate.
options. The Vi7P and Vi10P use an advanced
The Vi7P and Vi10P are installation versions
horn-loaded mid range section, which provides
of the new mobile V7P and V10P loudspeakers,
a remarkable MF sensitivity. This exceptional mid
offering a visually discreet cabinet design and
frequency performance, particularly in the vocal
installation specific rigging systems. Special Colour
range, is where these compact V-Series cabinets
(SC) and Weather Resistant (WR) finishes ensure
excel. This endless vocal headroom makes
they fit seamlessly in any permanently integrated
them perfect for applications which demand
application.
high sound pressure levels with full bandwidth
The Vi7P and Vi10P deliver 75째 x 40째 and 110째 x 40째 (H x V) dispersion characteristics respectively.
capabilities from a single-box solution. www.dbaudio.com
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WINNER
Presented at Prolight+Sound
WINNER
Extron Electronics
DTP CrossPoint 4K Series The Extron DTP CrossPoint 4K Series are go-to
The DTP twisted pair inputs and outputs provide
I/O capacity to support additional microphones
products for 4K presentation systems. The highly
extraordinary flexibility in distributing AV and
or speaker destinations. Additionally, the built-in
versatile presentation matrix switcher delivers all
control signals. They can be used to connect
mono or stereo 100W amplifier features the same
of the technologically advanced capabilities
to any display with an HDBaseT input, or tie
Extron core technologies found in the renowned
necessary to design and integrate a complete
into a centralised, facility-wide XTP System to
Energy Star-qualified XTRA Series, delivering high
AV system in one enclosure, replacing as many
add local room-based AV systems. Customise
energy efficiency and professional grade audio
as 11 separate components. This includes a
any presentation using the professional source
performance.
matrix switcher with 4K inputs and outputs, built-
transitions that are available, or insert a custom
in independent scalers that are powered by
logo into the background or foreground of the
with a built-in Extron IP Link Pro control
Extron Vector 4K scaling technology and support
scaled output video.
processor, which offer the same advanced
seamless switching, integrated DTP and XTP
The integrated professional-grade audio DSP
The DTP CrossPoint 4K Series is also available
features, processing power, and breakthrough
signal extension, comprehensive audio DSP and
technology is unparalleled in the AV industry,
technologies found in the standalone Extron IPCP
AEC capabilities unmatched in the industry, a
featuring all of the audio processing tools and
Pro 350 control processor. The DTP CrossPoint
high-performance mono or stereo amplifier, and
capabilities of a fully equipped, professional
4K IPCP delivers high-speed processing and
an advanced control processor that is uniquely
outboard DSP such as the award-winning
abundant control port capacity for complete,
expandable. The DTP CrossPoint 4K Series sets
Extron DMP 128. The DTP CrossPoint 4K Series
customisable control of an entire AV system,
the new industry standard for fully integrated AV
also includes independent channels of high
including all source devices and displays, plus
systems, greatly simplifying system design and
performance AEC for conferencing applications.
lighting, window shades, projection screens,
installation, and dramatically reducing the end-
A unique digital audio expansion port links the
occupancy sensing, and more.
user’s total cost of ownership.
internal DSP to an Extron DMP 128 for expanded
www.extron.com
Offering a size for every application, integrators can choose from 10 x 8, 8 x 6, 8 x 4, and 8 x 2 matrix switcher configurations. Any of these solutions can immediately be integrated with the latest 4K sources and displays. Four built-in scalers, powered by Extron Vector 4K scaling technology, are paired to the DTP outputs and enable independent scaling up to 4K. The exclusive Vector 4K scaling engine is specifically designed with best-in-class image upscaling and downscaling, and it embodies a new set of image processing algorithms that deliver uncompromising performance with 30-bit precision processing. This enables independent scaling up to 4K for each DTP output, or downscaling of 4K source signals for interoperability with lower resolution displays to suit application needs.
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NOMINEE
Presented at Prolight+Sound
NOMINEE
Clear-Com
HelixNet Version 3.0 Clear-Com has unveiled HelixNet Version 3.0, a breakthrough advancement to the digital network partyline platform that unlocks the capacity and introduces new workflow for the live performance and live production markets. HelixNet Version 1.0 was first introduced to the market in 2013 as a four-channel, full-duplex alldigital partyline intercom system. It was and still is unique in its ability for a single Main Station to support up to 20 digital beltpacks, and can operate four independent intercom channels and power for the beltpacks on a single shield twisted-pair cable like standard microphone and Category 5/6 cables. Moreover, up to three Main Stations are able to network together to form a seamless 12-channel system. For new and existing theatres, performance halls or live performance venues, this was a gamechanger. This meant that HelixNet users can just leverage its existing cabling infrastructure and implement a completely new digital, modern and
required. The additional 12 channels allow for
unlimited, so a Role could be used by many devices
state-of-the-art intercom system without overhauling
greater capacity and flexibility to accommodate
to assure they are all configured identically, or an
its cabling. And because it is digital and networked,
individual private channels.
individual Role could be assigned to an individual, for
HelixNet inherently offers many user benefits that
Using the traditional Main Station menu system,
deliver cost and time savings to every production
any combination of Main Station or Remote Station
As part of the HelixNet Version 3.0 release is the
team, production company and rental house.
can be configured to function as an expansion key
Core Configuration Manager (CCM). CCM is a free
In HelixNet Version 3.0, the system has now
their complete ability to customize their own settings.
station. This allows multiple Stations to act as one
browser-based software tool with intuitive menus
expanded the channel capacity of a single Main
system when it comes to addressing all channels. A
for quick setup and configuration editing. CCM
Station to 12 channels as an out-of-the-box standard
single headset, microphone, or loudspeaker could
operates on any latest versions of all major browsers
configuration. This alleviates the need to purchase
command an entire multiple-device HelixNet system.
on MAC, PC and tablet platforms. All HelixNet
additional Main Stations to achieve the same
It also allows the RMK (Remote Mic Kill) feature to
device configurations can be edited via the CCM
number of channel requirement. If the HelixNet
affect ALL channels, not just the selected ones (as in
software, as well as the traditional menu system on
customer requires even more channels, the system
previous versions.)
the Main Station.
effectively can have up to 24 channels with an additional system licence. For any typical production, the 12-channel
HelixNet version is also highly customisable. In
HelixNet Version 3.0 is truly a breakthrough
standard partyline systems, individual users need
release, delivering greater capacity, flexibility and
to accept the default user setting for all users. With
customization to address growing and ad-hoc
standard partyline configuration would be sufficient.
Version 3.0, every user device has the ability to assign
communication needs as recently seen in fixed
But as production needs grow, increasingly more
a role. A role is simply a pre-defined configuration of
installation and rental markets.
communication links and customisation may be
that particular device. The number of roles is virtually
www.clearcom.com
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NOMINEE
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NOMINEE
Da-Lite
Fast-Fold NXT Fast-Fold NXT is the next generation of rental
more common in the rental market.
and simpler for our customer, and features a 4K
projection screens and features a re-invented
Fast-Fold NXT incorporates feedback from
design that encompasses every aspect of the
a holistic approach, and Da-Lite interviewed
ready surface and streamlined aesthetic with clean lines for our customer’s customer. Coming
product – from the strength of the extrusion, to
customers all over the world including owners,
summer of 2016.
the ease of set up, to the optic capabilities of the
technicians and end users to incorporate an
www.milestone.com
surface, which are important to the experience
unprecedented number of upgrades to a
of an event as HD and 4K projection become
Da-Lite product. Fast-Fold NXT is stronger, faster
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NOMINEE
Presented at Prolight+Sound
NOMINEE
Extron Electronics
MediaPort 200 The Extron MediaPort 200 is an HDMI to USB bridge
traditional hardware videoconferencing systems.
input and program sources as analogue audio
for integrating pro-AV sources or systems with
The MediaPort 200 connects to Windows or
and de-embedded HDMI two-channel audio.
software codec conferencing applications. It
Mac-based computers with USB plug-and-play
The USB connection provides a 4x2 channel
works seamlessly with a computer using generic
simplicity, using industry standard UVC – USB Video
audio interface with a PC, similar to a standard
USB video and audio drivers. The MediaPort
Class and UAC – USB Audio Class drivers. It can
USB sound card with send and return audio
features an HDMI input with HDCP-compliant loop
be used with popular software and cloud-based
capability. This allows the MediaPort 200 to send
through, accepts signals up to 1920 x 1200, and
communications platforms including Microsoft
a two-channel mix of the microphone, analogue
scales video to a USB 2.0 output. Audio features
Lync/Skype for Business, Cisco WebEx, Adobe
program, HDMI audio, and USB playback audio
include program and mic inputs, HDMI audio
Connect, and more.
to the personal computer. The interface also
de-embedding, and USB bidirectional audio, plus AEC reference and line level outputs.
To ensure an HDMI source is presented with the
allows the MediaPort 200 to receive four audio
highest possible image quality to a soft codec,
channels from the computer, including program
the MediaPort 200 incorporates video processing
audio plus two-channel communication audio
filters, mixing, dynamics, and ducking. This allows
specifically engineered for optimised image
from the soft codec’s far-end.
the MediaPort 200 to serve as a complete soft
scaling and frame rate conversion that preserves
codec interface, with the added flexibility of
detail and legibility of source content. Output
mic and program source signals, as well as
integrating into larger hardware codec or DSP
resolutions range from 320x180 to 1080p/15, and
outgoing signals bound for the computer, sound
systems. The MediaPort 200 enables versatile
are dynamically configured by the software
reinforcement systems, or outboard DSPs. The
integration of conferencing computers into pro
codec as it responds to real-time CPU usage and
MediaPort 200 also delivers far-end audio as a
AV designs.
bandwidth conditions between near-end and
dedicated AEC reference output to an AEC-
far-end locations.
equipped DSP, such as the DMP 128 C.
The MediaPort 200 also includes DSP with EQ,
The MediaPort 200 bridges the gap between simple Webcam-to-computer solutions and
The MediaPort 200 accepts a microphone
The audio DSP can be used to optimise
www.extron.com
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NOMINEE
Extron Electronics
NetPA 502 AT, NetPA 1001-70V The Extron NetPA 502 AT and NetPA 1001 70V
The NetPA 502 AT and NetPA 1001-70V AT are
as overheating, is detected. An advanced,
AT are half-rack 1U, convection-cooled, Energy
professional grade amplifiers, featuring greater
automatic clip limiter protects speakers from
Star-qualified power amplifiers equipped with
than 90dB signal-to-noise ratio and less than 0.1%
clipping distortion.
Dante digital audio networking. The NetPA 502
THD+N. The amplifiers have recessed, detented
AT delivers two channels of 50W into 4 ohms, and
level controls located on the rear panel that
an energy-efficient product that conserves
the NetPA 1001 70V AT provides a single channel
facilitate adjustment of audio system gain
energy and reduces costs. It includes an auto
of 100W at 70V. NetPA amplifiers receive audio
structure, or setting an individual level for each
power-down feature that automatically places
from Dante-enabled processors over a standard
zone. They also have an ultra low inrush current
the amplifier into standby after 25 minutes of
local area network, enabling decentralised
draw to prevent power circuit overload that
inactivity.
distribution of audio throughout a building. In
occurs when multiple amplifiers are switched on
addition to amplifying incoming Dante audio,
simultaneously. This feature eliminates the need
Extron work together as part of a complete
NetPA amplifiers feature line level outputs that
for power sequencing in systems with multiple
networked audio system solution and integrate
can simultaneously feed an additional speaker
amplifiers in large centralised equipment racks,
with other Dante-enabled products to create
zone or audio system. They feature an Extron-
and prevents other equipment from experiencing
efficient, scalable system designs. They
exclusive, highly efficient advanced Class D
power interruption from associated power surges.
accommodate a range of audio routing needs in
amplifier design, plus patented CDRS – Class
Additionally, the NetPA 502 AT amplifier includes
a variety of applications.
D Ripple Suppression – that provides improved
multiple protection circuits that momentarily
www.extron.com
signal fidelity over conventional Class D amplifiers.
activate when an abnormal condition, such
The NetPA Energy Star-qualified amplifier is
The family of Dante-enabled products from
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WINNER
MUSIC PRODUCTION • LIVE SOUND • SOUND FOR PICTURE
Harman
AKG K872 AKG by Harman’s flagship closed-back K872 reference headphones are designed for audio engineers and musicians who require the utmost accuracy and detail for critical recording, mixing, mastering and live sound engineering applications. Featuring custom components including a specially engineered 53mm transducer, ultralight open-mesh headband, slow-retention foam ear pads and a convenient carrying case/stand, the K872 combines superior sound quality with exceptional comfort and portability. www.harman.com
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WINNER
MUSIC PRODUCTION • LIVE SOUND • SOUND FOR PICTURE
JBL
EON ONE The EON ONE from JBL by Harman is all-inone linear-array PA system. Created by the world leaders in loudspeaker and line array technology, the EON ONE combines the superior sound quality of a professional system with the convenience and streamlined look of a compact, column-style solution. Featuring Bluetooth audio, a six-channel mixer and a unique design that can be carried with one hand, EON ONE is ideal for gigging musicians and DJs, coffee houses, fitness studios, corporate environments and more. www.harman.com
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WINNER
d&b audiotechnik
ArrayProcessing ArrayProcessing ensures that every member of the audience benefits from the same remarkable quality of sound by enhancing the spectral consistency, with a defined level distribution, to achieve a consistent tonal balance for each listener. The optimisation intensifies the clarity and tonal balance of the J-Series, V-Series or Y-Series line array solutions; taking existing d&b systems to dizzying heights. All of this is achieved with a software update to ArrayCalc V8, which is available to download from www.dbaudio.com. The ArrayProcessing function applies powerful filter algorithms to optimise the tonal (spectral) and level (spatial) performance of a line array column over the audience area defined by its mechanical vertical coverage angle. Within the d&b ArrayCalc simulation software, spectral and level performance targets over the listening
The desired level distribution can be specified
the system has sufficient headroom, its throw
areas can be defined while specific level drops or
for up to three different sections along the
can be extended and the need for delay
offsets can be applied to certain areas, to assign
listening profile.
systems greatly reduced. The level distribution
reduced level zones. ArrayProcessing applies
Additionally, a level offset can be applied to
in the audience area can be modified and
a combination of FIR and IIR filters to each
specific listening planes. Special focus on either
tailored to reduce the level towards the front
individual cabinet in an array to achieve the
maximum SPL and system headroom (Power) or
of the audience area and modify the level
targeted performance, with an additional latency
on a best match of the target level distribution
drop over distance over the audience area.
of only 5.9ms. This significantly improves the
and frequency responses (Glory) can be
Different ArrayProcessing settings for the array
linearity of the response over distance. In addition,
selected. The centre position usually provides a
can be compared at a mouse click. In many
ArrayProcessing employs the same frequency
good balance between those parameters. Up
applications, achieving a more accurate
response targets for all d&b line arrays, to ensure
to ten different combinations of user parameter
directivity control causes less stimulus to the
all systems share a common tonality. This provides
settings can be prepared and stored in the
reverberant field and leads to improved
consistent sonic results regardless of Series
‘AP slots’ of the amplifiers. Switching between
intelligibility.
type, array length or splay settings. The resulting
different AP slots is performed in near to real time.
coverage is enhanced with spectral consistency
ArrayProcessing includes air absorption effects
Using ArrayProcessing, the level increase towards the front of the venue can be adjusted.
and defined level distribution, achieving more
in its calculations and provides a precise and
Reducing it may help avoiding harmful sound
linear dispersion and total system directivity to
seamless correction for all relevant cabinets.
pressure at the front while keeping the desired
cover longer distances or steep listening areas
This not only provides a more consistent sound
level for the rest of the audience.
effectively.
balance over distance, in applications where
www.dbaudio.com
Page 18
18 PSN d&b audiotechnik WinJR.indd 1
13/06/2016 15:06
Prolight+Sound 2016
WINNER
Presented at Prolight+Sound
WINNER
JBL
EON ONE The EON ONE from JBL by Harman is all-inone linear-array PA system. Created by the world leaders in loudspeaker and line array technology, the EON ONE combines the superior sound quality of a professional system with the convenience and streamlined look of a compact, column-style solution. Featuring Bluetooth audio, a six-channel mixer and a unique design that can be carried with one hand, EON ONE is ideal for gigging musicians and DJs, coffee houses, fitness studios, corporate environments and more. www.harman.com
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19 PSN JBL 1 WinJR.indd 1
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Prolight+Sound 2016
WINNER
Presented at Prolight+Sound
WINNER
JBL
VTX M Series The VTX M Series, from JBL by Harman, is a new
drivers, along with a new high frequency Image
compression driver, while the VTX M22 features
line of premium stage monitoring products made
Control Waveguide for excellent control and gain
dual 12in woofers in addition to the 3in D2
to handle the most demanding applications.
before feedback.
compression driver. The complete JBL VTX M Series
Elegantly designed with a low profile, the M Series
The new VTX M Series line is comprised of
utilises JBL’s proven Neodymium Differential Drive
two models – the VTX M20 and VTX M22. The
woofers and D2 Dual Diaphragm high frequency
M20 features dual 10in woofers and a 3in D2
line is shipping immediately. www.harman.com
Page 20
20 PSN JBL 2 WinJR.indd 1
13/06/2016 15:06
Prolight+Sound 2016
WINNER
Presented at Prolight+Sound
WINNER
Sound Devices
SL-6 Powering/Wireless System for the 688 Mixer/Recorder Sound Devices’ SL-6 powering and wireless system
streamlines wireless antenna distribution and is
of the 688’s firmware v3.0 update, scans the
offers production mixers with control of powering
a powering hub for peripheral devices. When
RF spectrum using Sound Devices’ SL-6 with
and audio interconnection between the 688
used with SuperSlot-compatible receivers, the
SuperSlot-compatible receivers.
mixer/recorder and multiple wireless channels.
688 provides wireless control, monitoring and
www.sounddevices.com
With the SL-6 attached atop the 688, the SL-6
RF scanning direct from the 688’s LCD. The new
powers three dual-channel slot-in receivers,
RF Scan capability, which is available as part
Page 21
21 PSN Sound Devices WinJR.indd 1
13/06/2016 15:07
Prolight+Sound 2016
WINNER
Presented at Prolight+Sound
WINNER
AVID
VENUE S6L The new Avid VENUE S6L is a fully modular,
processing than previously available, providing
high-performance preamps and extended
scalable live sound mixing system that delivers
engineers with the same sound processors used
sample rate support
best-in-class functionality for a range of live sound
in countless studios, fully integrated to deliver
• Experience unmatched sound processing
mixing applications, including front-of-house,
responsive control. Seamless Pro Tools integration
through fully integrated, onboard plug-ins from
monitor, broadcast, theatre, and more.
provides streamlined recording and playback
Avid and its connectivity partners
functionality without the need for a separate
• Get unprecedented Pro Tools recording
audio interface.
and playback capabilities, including Virtual
Featuring the industry’s most advanced live sound engine, VENUE S6L offers unprecedented power to handle huge channel and plug-in
Furthermore, VENUE S6L is a networked system
Soundcheck, without needing an external
counts with ease. VENUE S6L ensures the highest
and can be completely customized to meet
interface
sound quality, with all processing at 96kHz, and
the needs and budget of any professional
• Get unmatched visual feedback and instant
support for higher sample rates is possible given
production.
access to important functions through high-
the immense processing power available. VENUE S6L enables professionals to achieve better sounding mixes with greater speed and
VENUE S6L is powered by the same easy-to-use
resolution, daylight-visible touchscreens and
VENUE software as other Avid live sound systems,
OLED displays
and allows live sound professionals to:
• Freely configure modular system components
efficiency, thanks to the console’s modern
to interface with a range of work and I/O formats
touchscreen workflows, superior ergonomics,
• Meet the challenges of the most demanding
and meet the demands of any live production
and unmatched visual feedback that provides
live sound productions with the most powerful
• Enjoy familiar VENUE workflows and interface,
immediate, intelligent control.
processing engine in the industry
with total show file compatibility
• Deliver the best possible sound quality with
www.avid.com
S6L offers even greater on board plug-in
Page 22
22 PSNE AVID Winn DR.indd 1
13/06/2016 15:07
Prolight+Sound 2016
WINNER
Presented at Prolight+Sound
WINNER
Funktion-One
Vero
Vero is a new, large format touring sound system that is set to re-define audio and operational performance expectations. The impetus for Vero germinated from
size and low frequency extension. Vero is powered by Lab.gruppen PLM 20K44 amplifiers, featuring bulletproof reliability, tremendous power from a compact package,
frustration with the declining standard of audio
onboard processing and the sonically superior
quality in the live environment, coupled with an
Dante networking for signal distribution. Three
understanding that the industry’s ergonomic
PLM 20K44 amplifiers and mains distro are fully
expectations demand a system that can be
shock mounted in an innovative, compact rack,
flown quickly and easily, and with minimal crew.
complete with sliding doors that conveniently
In answer to this, Tony Andrews, John Newsham
stow in the roof of the rack.
and the Funktion-One team have designed a
Vero’s patented Lambda flying system is
system that is conveniently arrayable and boasts
designed for speed, safety and ease of use. It
a new level of performance characteristics
allows Vero arrays to be deployed accurately
relating to sound quality, efficiency and
and efficiently. All rigging settings can be
directivity.
calculated using Vero’s Projection software.
Vero is a complete system, with each element
Unlike most other flown arrays, Vero’s inter-
specified or designed for the highest possible
cabinet splay angles can be adjusted with the
performance. The system includes speakers,
system in suspension.
amplifiers, cabling, rigging, transport dollies, weatherproof covers and software. The Vero speaker range features six highly
Vero’s Projection design and prediction software allows Vero users to optimise array designs for smooth audience coverage in any
efficient, low distortion horn-loaded loudspeakers
venue. Projection provides venue plan, cross-
– the V60 mid-high, V90 mid-high and V315
section and 3D screens. Features include a user-
mid-bass with a choice of V221, V124 or V132
friendly interface, a measurement tool calibrated
bass. The V60s, V90s and V315s all have identical
in distance and time at the speed of sound,
dimensions, enabling them to be flown in the
and colour coding to differentiate between the
same vertical array. The ground stacked V221,
different types of enclosure.
V124 or V132 bass enclosures offer a choice of
www.vero-system.com
Page 23
23 PSNE Funktion-One WinDR.indd 1
13/06/2016 15:07
Prolight+Sound 2016
WINNER
Presented at Prolight+Sound
WINNER
JBL
EON ONE The EON ONE from JBL by HARMAN is all-inone linear-array PA system. Created by the world leaders in loudspeaker and line array technology, the EON ONE combines the superior sound quality of a professional system with the convenience and streamlined look of a compact, column-style solution. Featuring Bluetooth audio, a six-channel mixer and a unique design that can be carried with one hand, EON ONE is ideal for gigging musicians and DJs, coffee houses, fitness studios, corporate environments and more. www.jblpro.com
Page 24
24 PSNE JBL WinDR.indd 1
13/06/2016 15:08
Prolight+Sound 2016
WINNER
Presented at Prolight+Sound
WINNER
Meyer Sound
MJF-208 The self-powered MJF-208 stage monitor incorporates the performance and reliability of
or the MJF-212A.
just can’t guarantee.”
“The MJF-208 brings the well-known intelligibility
Portability and ease of use for the MJF-208
the MJF-212A and the MJF-210 into a smaller,
and power of Meyer Sound’s stage monitors
are enhanced by the convenient and reliable
lightweight package. Each MJF-208 measures
to applications where a small footprint and
MDM-832 distribution module, which can route up
less than 13 inches high and weighs 45 pounds.
low profile are critical,” says Luke Jenks, Meyer
to eight channels of AC power, balanced audio,
The monitor delivers impressive power-to-size
Sound’s director of product management.
and RMS monitoring data to multiple stage
ratio and very low distortion in a small-footprint,
“With a self-powered stage monitor, the amp
monitors.
lightweight option for applications that do not
package is always the same. The MJF-208 offers
www.meyersound.com
demand the extreme output levels of the MJF-210
a performance consistency that passive monitors
Page 25
25 PSNE Meyer Sound WinDR.indd 1
13/06/2016 15:08
Prolight+Sound 2016
NOMINEE
Presented at Prolight+Sound
NOMINEE
CLEAR-COM
DX410
The all-new DX410 two-channel 2.4GHz digital
2-wire auto-nulling. The bridging capability allows
mechanical switch, proven to withstand harsh
wireless intercom featuring 7kHz wideband
the option for combining the 2-wire and 4-wire
production environments. The same fast-charging
audio for exceptional audio clarity, is the first DX
ports together on either channel A or B, allowing
Li-Ion battery for the BP410 and WH410 only takes
Series wireless intercom system to offer this level
operators to use a 4-wire out to send all the audio
2.5 hours to provide up to 12 hours of battery life.
of audio frequency range. Highly durable and
to a mixer, matrix intercom or other audio source.
The DX410 uses a frequency hopping system
light-weight, the DX410 beltpack and All-in-One
Two-wire auto-nulling enables fast and accurate
(FHSS), and offers spectrum-friendly and Adaptive
wireless headset are designed to withstand
integration with Clear-Com or TW wired partyline
Frequency Hopping (AFH) modes, to avoid
long periods of usage and tough production
systems.
interference with Wi-Fi, while operating in the
environments. Each BS410 base station can support up to
The high-quality 7kHz wideband audio expands audio range and increases intelligibility in high
2.4GHz band means that DX410 does not require radio licensing for use.
15 registered BP410 wireless beltpacks and/or
RF environments so that even soft whispers can
WH410 All-in-One wireless headsets. In a single-
be heard clearly. With an upgraded radio and a
DX410 is truly an exceptional digital wireless
channel operation, any four beltpack users can
lost packet concealment capability, the DX410
system in terms of range, reliability, sound quality
engage in simultaneous, full-duplex (talk-listen)
delivers an improved experience in performance,
and comfort for the size of the system.
communication, while three users may be in full-
range and sound.
www.clearcom.com
duplex mode in a dual-channel operation. DX410 also features 2-wire and 4-wire bridging and
Ideal for live events and productions, the
The BP410 and WH410 have rugged, reinforced casings and long-lasting keypads with no
Page 26
26 PSNE CLEAR-COM NomDR.indd 1
13/06/2016 15:08
Prolight+Sound 2016
NOMINEE
Presented at Prolight+Sound
NOMINEE
d&b audiotechnik
ArrayProcessing ArrayProcessing ensures that every member of
improves the linearity of the response over
the audience benefits from the same remarkable
distance. In addition, ArrayProcessing employs
in its calculations and provides a precise and
quality of sound by enhancing the spectral
the same frequency response targets for all d&b
seamless correction for all relevant cabinets.
consistency, with a defined level distribution, to
line arrays, to ensure all systems share a common
This not only provides a more consistent sound
achieve a consistent tonal balance for each
tonality. This provides consistent sonic results
balance over distance, in applications where the
listener. The optimization intensifies the clarity and
regardless of Series type, array length or splay
system has sufficient headroom, its throw can be
tonal balance of the J-Series, V-Series or Y-Series
settings. The resulting coverage is enhanced
extended and the need for delay systems greatly
line array solutions; taking existing d&b systems
with spectral consistency and defined level
reduced. The level distribution in the audience
to dizzying heights. All of this is achieved with a
distribution, achieving more linear dispersion and
area can be modified and tailored to reduce
software update to ArrayCalc V8.
total system directivity to cover longer distances
the level towards the front of the audience area
or steep listening areas effectively.
and modify the level drop over distance over the
The ArrayProcessing function applies powerful filter algorithms to optimize the tonal (spectral)
The desired level distribution can be specified
ArrayProcessing includes air absorption effects
audience area. Different ArrayProcessing settings
and level (spatial) performance of a line array
for up to three different sections along the
for the array can be compared at a mouse
column over the audience area defined by its
listening profile. Additionally, a level offset can be
click. In many applications, achieving a more
mechanical vertical coverage angle. Within
applied to specific listening planes. Special focus
accurate directivity control causes less stimulus
the d&b ArrayCalc simulation software, spectral
on either maximum SPL and system headroom
to the reverberant field and leads to improved
and level performance targets over the listening
(Power) or on a best match of the target level
intelligibility.
areas can be defined while specific level drops
distribution and frequency responses (Glory) can
or offsets can be applied to certain areas, to
be selected. The centre position usually provides
towards the front of the venue can be adjusted.
assign reduced level zones. ArrayProcessing
a good balance between those parameters. Up
Reducing it may help avoiding harmful sound
applies a combination of FIR and IIR filters to
to ten different combinations of user parameter
pressure at the front while keeping the desired
each individual cabinet in an array to achieve
settings can be prepared and stored in the
level for the rest of the audience.
the targeted performance, with an additional
‘AP slots’ of the amplifiers. Switching between
www.dbaudio.com
latency of only 5.9 milliseconds. This significantly
different AP slots is performed in near to real time.
Using ArrayProcessing, the level increase
Page 27
27 PSNE d&b audiotechnik NomDR.indd 1
13/06/2016 15:08
Prolight+Sound 2016
NOMINEE
Presented at Prolight+Sound
NOMINEE
Funktion-One
Evolution 7T Touring The Evo 7T sees the Evo 7E adapted for touring applications, following demand from distributors and rental partners. The Evo7T features integral flying gear and will, initially, be available with a weatherproof black polyurethane coating and grille designed for the requirements of live and theatre applications. A grille-less version and colour options will be available in the future. The Evo 7T is fully horn-loaded with 15” midbass, 10” Funktion-One signature mid-range and a 1.4” compression driver. It has 40° nominal horizontal dispersion and physically arrays at 30° three wide, giving smooth coverage to 100°. Funktion-One’s Evolution Series marks a significant step in development for the British loudspeaker manufacturer. The range boasts two dispersion options – the Evo 6 with 50° and the Evo 7 with 40° horizontal dispersion. Since the Evolution Series was launched, Funktion-One has experienced huge demand from around the world. From the sales to rental companies and distributors in countries including France, Germany, The Netherlands, Belgium, Greece, Austria, Croatia, Ibiza, Lebanon, Romania, China, Korea, Australia, the US and the UK and subsequent use on tours, for live events and temporary installations, to the high-profile venues that are known for the clarity, coverage and intensity of their sound thanks to their Evolution systems.Evolution Series loudspeakers are highly powerful and efficient with great control. They deliver effortless clarity and openness of sound for immersive and memorable audience experiences.With the first tour-ready speaker added to the series, expect to hear the unmistakable Evolution sound in an even wider range of applications. www.funktion-one.com
Page 28
28 PSNE Funktion-One NomDR.indd 1
13/06/2016 15:09
Prolight+Sound 2016
NOMINEE
Presented at Prolight+Sound
NOMINEE
Perinić Sistemi
AERIS AERIS line array sound system is a complete electro-acoustical solution. The GSAR (Gaussian Surface Acoustic Radiator ) waveguidehorn structure, 48-bit/96kHz DSP, customised amplification, are all optimised for the highest sound quality possible. Since optimum acoustic power output is intrinsic property of the waveguide mathematical modeling used, you will get maximum acoustic power and polar projection that math and physical laws will allow. Add specified frequency response 25Hz-19,500Hz ±2dB (nearfield interpolated) to the “mix” and a refined musical experience is guaranteed. www.perinic-sistemi.hr
Page 29
29 PSNE Perinić Sistemi Nom.indd 1
13/06/2016 15:09
Prolight+Sound 2016
NOMINEE
Presented at Prolight+Sound
NOMINEE
Sennheiser
MK 4 digital Previewed at Prolight+Sound, the true condenser MK 4 digital is the brand new digital version of Sennheiser’s popular MK 4 recording mic, and the latest product in the cooperation between Sennheiser and Apogee. With its high-quality Apogee A-D conversion and mic preamp technology, the MK 4 digital connects directly to USB and iOS devices, making the largediaphragm microphone the ideal partner for any mobile recording task that requires great sound quality with the typical warmth and detail of a true condenser microphone. The MK 4 digital will offer bands and artists freedom and flexibility in recording their tracks and song ideas, and will also be an ideal tool for high-quality speech applications from voice-overs to podcasts. It is delivered complete with a USB cable and a Lightning iOS cable for connecting to iPad, iPhone or iPod touch as well as a microphone clamp and a pouch. The microphone can be used with common music and media production programs and will become available from summer 2016. www.sennheiser.com
Page 30
30 PSNE Sennheiser NomDR.indd 1
13/06/2016 15:09
Prolight+Sound 2016
NOMINEE
Presented at Prolight+Sound
NOMINEE
Soundcraft
Vi2000
Soundcraft by Harman is proud to unveil the
live touring, install and corporate AV markets in
Vi7000 consoles with Soundcraft SpiderCore, a
latest addition to the industry-leading Vi range of
a cost-effective, single-box package. The Vi2000
powerful integrated DSP and I/O engine based
digital live consoles, the Vi2000. This feature-rich
combines the unique Vistonics-based control
on Studer by Harman technology.
console brings unparalleled mixing power to the
surface of the highly successful Vi3000, Vi5000 and
www.soundcraft.com
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31 PSNE Soundcraft NomDR.indd 1
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