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SLASHING THE COST OF CONTENT DELIVERY Telestream
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01 BVE D2 2016 v2.indd 1
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23/02/2016 18:23
Tuesday, 28th June 2016 Bafta, 195 Piccadilly, London
SAVE THE DATE returns to BAFTA, 28 June, 2016 BAFTA’s prestigious premises on London’s Piccadilly will play host to this year’s TVBEurope 2020 conference, the second annual one-day strategy summit hosted by TVBEurope. The centrepiece of TVBEurope Strategy Week, TVBEurope 2020 brings together some of the leading authorities from in and around the industry to provide unique analysis and instructive debate on the key areas of challenge and opportunity facing businesses in the media and entertainment space in the run up to 2020.
SPONSORSHIP OPPORTUNITIES Ben Ewles, Sales Manager +44 (0)207 354 6000 Email: bewles@nbmedia.com
Joining the dots between the convergent worlds of UHD and IT/ IP infrastructures; assessing the shifting business landscape for broadcasters and content providers; and dissecting the impact of the coming technologies of the connected world, this year’s agenda promises to be the most forward looking TVBEurope event to date.
Nicola Pett, Sales Executive +44 (0)207 354 6000 Email: npett@nbmedia.com
Last year’s delegate list included senior representatives from the BBC, ITV, Netflix, Sky, ITN, Rovi, BT Sport, Channel 4, Viacom, CNBC Europe, Al Jazeera, Fox International, NBC Universal, Discovery, Reuters TV, Modern Times Group, Bloomberg, BT Media and Broadcast, PwC, Ernst and Young, SNL Kagan, KPMG, and more…
Richard Carr, Account Manager +44 (0)207 354 6000 Email: rcarr@nbmedia.com
TICKET SALES Georgia Blake, Delegate Sales Executive +44 (0)207 354 6010 Email: gblake@nbmedia.com
Part of Book now and be a part of the discussion on the industry’s future.
new tvbe template remade.indd 1
15/02/2016 15:36
THEBVEDAILY
HIGH SPEED DATA FOR SMOKE & MIRRORS
Media Excel director of product management, Nikos Kyriopoulos
Picture left to right: Tom Swetman, systems administrator, Smoke & Mirrors; David Lennox, lead systems engineer, Smoke & Mirrors; Lee Otterway, account manager, UK and Ireland, Aspera
Aspera Stand: F20
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THEBVEDAILY 03 03 BVE D2 2016 v2 HA.indd 3
23/02/2016 17:19
THEBVEDAILY
INBRIEF
Dropbox shares with BVE Dropbox By Neal Romanek
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For the latest show news and updates follow @BVExpo
NEWTEK FOCUSES ON IP NewTek
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04 THEBVEDAILY 04 BVE D2 2016 FINAL.indd 4
23/02/2016 16:42
THEBVEDAILY
DAD ENHANCEMENTS ADD VERSATILITY NTP Technology Stand: L45
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A REAL â&#x20AC;&#x2DC;ONLINEâ&#x20AC;&#x2122; EDITING SERVICE Cloud Edits Stand: P43
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THEBVEDAILY 05 BVE2016 D2 P05 Ed_v3 JG.indd 5
16/02/2016 16:46
THEBVEDAILY
For the latest show news and updates follow @BVExpo
RTS PRESENTS FIRST OMNEO-BASED KEYPANELS RTS/Bosch
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RTS is proud to present the KP-Series at BVE
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LIGHT WORK Rosco Laboratories
THEBVEDAILY
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The Rosco Silk launches at BVE 2016
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06 THEBVEDAILY BVE2016 D2 P06 Ed_v3 HA.indd 6
16/02/2016 15:04
www.asperasoft.com moving the worldâ&#x20AC;&#x2122;s data at maximum speed
new tvbe template remade.indd 1
15/02/2016 15:31
THEBVEDAILY
For the latest show news and updates follow @BVExpo
ARMOURED 5BIG GETS CAPACITY BOOST LaCie
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Seagateâ&#x20AC;&#x2122;s Enterprise Capacity 8TB 7200RPM hard disks give the 5big a 20 per cent storage increase ! /#45! #//,).' &!. !.$ *5-"/ (%!4 %8(!5343 (% /#45! &!. 05,,3 (%!4 !7!9 &2/- 4(% ).4%2.!, #/-0/.%.43 7(),%
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08 THEBVEDAILY BVE2016 D2 P08 Ed_v3 JG.indd 8
16/02/2016 15:05
THEBVEDAILY
CENTRAL CONTROL TO OPTIMISE WORKFLOW Quantum Stand: G11
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Storage, CPU, memory and network in a single graphical view
THEBVEDAILY 09 BVE2016 D2 P09 Ed_v4 JG.indd 5
16/02/2016 15:05
THEBVEDAILY
For the latest show news and updates follow @BVExpo
OPINION
THE NEW GENERATION OF SMART DEVICE By Neil Hutchins, CEO aQ Broadcast Stand: Q12 ! $*+(+#4 .+(0/%+*. -! /- %/%+* ((4 ,-+1% ! %* /$! "+-) +" ,,(% * !. !1% !. %*/!* ! /+ "0("%( .,! %"% / .'. * !3 ),(! %. /$! /4,% ( '%/ $!* 2%/$ *0) !- +" %. -!/! ,,(% * !. "-% #! '!//(! +1!* * %.$2 .$!- "+- %*./ * ! ,!-$ ,. 2%/$ /$! %/%+* +" /$! 0--!*/(4 ,+,0( - ./- *#! -+/ /%*# %),(!)!*/ 0.! /+ /0-* 1!#!/ (!. %*/+ %""!-!*/ .$ ,!. $ +" /$+.! !1% !. $ . .,! %"% -+(! * 4+0 2+0( *6/ //!),/ /+ 0.! '!//(! /+ ) '! +0-#!//! .! ./-%*# $! /- %/%+* ( -+ ./ !*1%-+*)!*/ %. /$! . )! "0(( +" %. -!/! !1% !. 0.! .!, - /!(4 /+ %*#!./ ./+-! ,( 4 )%3 -!.%5! +*1!-/ /- *. + ! 0,(+ ./-! ) /- *."!- #- ,$% . - * %*# )+*%/+- /- *.)%/ * )+-! !.% !. * %1% 0 ((4 /$!.! .!, - /! ,,(% * !. )%#$/ ! 1!-4 #++ 0/
Neil Hutchins
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HELPING HANDS FOR POST PRODUCTION root6 Stand: J15
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10 THEBVEDAILY BVE2016 D2 P10 Ed_v3 JG.indd 10
16/02/2016 15:06
THEBVEDAILY
STANDALONE MEDIASTOR LAUNCHES WITH SMR AND MAID Suitcase TV Stand: F34
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IMPLEMENTING MEDIA TECHNOLOGY WE THINK GLOBALLY AND ACT LOCALLY 0 WorkďŹ&#x201A;ow Design 0 Project Planning 0 Equipment Installation 0 Software ConďŹ guration 0 Commissioning 0 Documentation 0 On-site Training 0 After Sales Support
ATG Danmon Ltd. | Unit 1 Iceni Court | Icknield Way | Letchworth | Herts | SG6 1TN | UK Tel: +44 (0) 1462 485 444 | Email: sales@atgdanmon.co.uk | www.atgdanmon.co.uk
ATG Danmon is one of the worldâ&#x20AC;&#x2122;s most innovative broadcast systems integrators. Embracing tomorrowâ&#x20AC;&#x2122;s technology, ATG Danmon delivers maximum value through close co-operation with customers, leading to mutually beneďŹ cial long-term relationships. ATG Danmon is part of Dan Technologies Group, one of Europeâ&#x20AC;&#x2122;s leading suppliers of audio, video, transmission products and digital media solutions. The Dan Technologies Group operates from ofďŹ ces in the United Kingdom, Germany, Denmark, Norway, Sweden, Vietnam, Spain, Portugal and Dubai.
Visit us at Stand H52
THEBVEDAILY 11 BVE2016 D2 P11 Ed_v2.indd 23
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THEBVEDAILY
For the latest show news and updates follow @BVExpo
COLLABORATIVE EDITING BOOSTED BY EXPANSION Forbidden Technologies Stand: M30 '9 ('#674'5 +0 '&+6+0) 51(69#4' 145%'0' #+/'& #6 +/2418+0) 6*' %766+0) ':2'4+'0%' (14 $16* '&+6145 #0& '&+6 241&7%'45 *#8' ,756 $''0 4'.'#5'& 61 ':+56+0) 14$+&'0 %.+'065 0' 1( 6*' '0*#0%'/'065 1( 6*' %.17& $#5'& 2156 241&7%6+10 2.#6(14/ +5 6*' #$+.+6; 61 +/2146 &+52.#; #0& '&+6 64#%- 0#/'5 &+4'%6.; 10 6*' 6+/'.+0' #0& ':2146 6*'/ #5 2#46 1( #0 6*'45 +0%.7&' 126+10#. %.+2 0#/' &+52.#; 10 6*' 6+/'.+0' #0& 6*'
Track names can be imported, displayed and edited directly on the timeline +0641&7%6+10 1( # 51.1 $76610 9*+%* '0#$.'5 10' %.+%- 5+0).' 64#%- /10+614+0) *'4' #4' /7.6+2.' +/2418'/'065 61 5'37'0%'
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
LIVE STREAM FROM ANY CAMERA Garland Partners/ LiveU Stand: L06 +8' ?5 7.64# 5/#.. 64#05/+55+10 70+6 9+.. $' *+)*.+)*6'& $; #4.#0& #460'45 10 +65 56#0& *' %#0 $' #66#%*'& 61 #0; %#/'4# 6740+0) +6 +061 # .+8' 564'#/+0) &'8+%' '+)*+0) ,756 18'4 ) #0& #8#+.#$.' +0 # 217%* 14 %#/'4# /1706 %10(+)74#6+10 6*' 2418+&'5 <# *+)*.; %156 '(('%6+8' #0& '#5; 61 75' 70+6 (14 .+8' 8+&'1 64#05/+55+10 #0;9*'4' +0 6*' 914.& = #%%14&+0) 61 #4.#0& #460'45 *' .19 219'4 70+6 )+8'5 75'45 6*' (.':+$+.+6;
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The LU200 is being demonstrated by Garland
12 THEBVEDAILY BVE2016 D2 P12 Ed_v3 JG.indd 12
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THEBVEDAILY
ADVANCES IN AUDIO WAVES Calrec
Stand: F10 %/5)' 8(-2 -6 6,2:-1+ %1 -17)+5%7)( #%9)6 281( 5-( 62/87-21 *25 -76 <(5% 3/%7*250 2* '2162/)6 ,-6 -17)+5%7-21 -6 81-48) %021+67 &52%('%67 ()6.6 -1 7,%7 -7 86)6 % &5%1( 1): 281( 5-( -17)5*%') 02(8/) 21 %/5)'=6 <(5% 1)7:25. ,) 02(8/) 3529-()6 % (-5)'7 '211)'7-21 &)7:))1 <(5% %1( 7,) #%9)6 281( 5-( 1)7:25. %//2:-1+ 6-03/) -17)+5%7-21 %1( -1752(8'-1+
*):)5 3%576 -172 7,) ',%-1 *25 /2:)5 /%7)1'< %1( +5)%7)5 5)/-%&-/-7< %/5)' '86720)56 '%1 '21752/ #%9)6 62*7:%5) 68', %6 8/7- %'. *520 7,) -17)+5%7)( 728', (-63/%< -1 32//2 %1( 57)0-6 685*%')6 :,-', %//2:6 (-5)'7 '21752/ 2* #%9)6 3/8+-16 *520 7,) 0-; 326-7-21 ,-6 '%3%&-/-7< +-9)6 %/5)' 86)56 -167%17 %'')66 72 7,) 9%67 5%1+) 2* ,-+,/< 5)+%5()( #%9)6 3/8+-16 %1( 32:)5*8/ &52%('%67 722/6 68', %6 7,) 1): !
67)5)2 72 6855281( 830-;)56 # 12-6) 5)(8'7-21 722/6 %6 :)// %6 % :-() 9%5-)7< 2* '5)%7-9) 352')66256
The latest software enhancement for Calrec consoles is on show at BVE
STORAGE SET FOR OPTIMISED CLOUD OPERATIONS Infortrend Technology Stand: S40 ,) 1): 21 725 )1 -6 21) 2* 7,) :25/(=6 *-567 6725%+) 6<67)06 72 -17)+5%7)
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-1 :5-7) 7,528+,387 7,%1 -76 35)9-286 +)1)5%7-216 #25.-1+ '/26)/< :-7, 17)/ 1*2575)1( 237-0-6)( 63)'-*-' 352')6625 *)%785)6 7,%7 %5) 7%-/25)( 72 )17)535-6) %1( '/28( 6725%+) ,-6 -17)+5%7-21 '20&-1)( :-7, 0)025< (8%/ ,267 &2%5( &36 6833257 -1 (5-9)6 ,267 %1(
);3%16-21 32576 %1( 237-0-6%7-21 *)%785)6 )1%&/)6 21 725 )1 72 ()/-9)5 %1 6 5)%( 6 :5-7) 7,528+,387 %1( )1( 72 )1( 21 725 )1 -6 %9%-/%&/) %6 % !
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The professionalâ&#x20AC;&#x2122;s choice for rescuing audio Repair, enhance, and restore problematic production audioâ&#x20AC;&#x201D;from plosives to microphone bumps to inconsistent levelsâ&#x20AC;&#x201D;and dramatically improve sound quality and clarity.
Get your free 30-day trial at www.izotope.com/rx
www.izotope.com THEBVEDAILY 13 BVE2016 D2 P13 Ed_v3 JG.indd 19
16/02/2016 15:13
THEBVEDAILY
INBRIEF
SAMâ&#x20AC;&#x2122;s selection Snell Advanced Media (SAM) By Philip Stevens # !! + # , !! "$#()' ) # )( + $* (%$')( ! ) # # ' %! . ($!*) $# %'$+ # () ! )( ( ! ) $# %! .! () ) # # ! + %! .$*) $#)'$! + $* ( #) ' ) , ) /(
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For the latest show news and updates follow @BVExpo
INTRODUCING THE WB170 CONVERTOR WB-170 1 RU Video Transport
Bluebell Opticom Stand: G49
The SAM Kahuna switcher *!) " ) %$, ' ' ) + ). # ! - ! ). # * !) # ' ! ! ). # ! # *( '( )$ ' ) ) ' %'$ * ) $#( ) ' , . ( )$'( )$ ) () # , !! + ) # )$ ( *(( ) ! ) () ) $# )$ /( ' +$!*) $# '. $" )' ( #) !! #) "$# )$' # ) #$!$ . (* ) ) !!$,( " )$ #) # !.( # $"% ' ) "*!) %! () ( # ) %'$ * ) $# # %! .$*) # # !!. ( ( $, # )(
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%#3&4 8*+%* #--08 (03 (03.#5 %0/7'34+0/ #/& .0/+503+/) 8+5*+/ 5*' " (3#.'
FLASH-FREE POST BROADCAST LOGGING Stirlitz Media Stand: N21 *' /'8 #(5'3 $30#&%#45 -0))+/) 40(58#3' 0(('34 7+&'0 1-#:$#%, #/& %#1563' 5+3-+5; '&+# 4#: 0))'3 +4 #7#+-#$-' #4 # (3'' 61)3#&' 50 %-+'/54 8+5* #/ #%5+7' .#+/5'/#/%' %0/53#%5 5+3-+5; '&+# *#4
+.1-'.'/5'& '&+# 063%' 95'/4+0/4 50 1-#: 065 7+&'0 +/ 5*' 8'$ -#:'3 0 #&&+5+0/#- 1-6)+/4 #3' /''&'& #%%03&+/) 50 5*' %0.1#/: 8*+%* 4#:4 +5 +4 3'410/&+/) 50 5*' 4#('5: 5*3'#54 50 8'$ $3084'34 #/& 5*'+3 64'34 104'& $: -#4* +-7'3-+)*5 #/& 05*'3 $3084'3 1-6)+/4 03 8'$ -#:'3 -#6/%*'& 0/ .0$+-' &'7+%'4 7+&'0 +4 1-#:'& 5*306)* +7' 53'#.+/) +4 0/' 0( 5*' 45#/&#3&4 (03 -+7'
7+&'0 &'-+7'3: 50 .0$+-' &'7+%'4 0/ + #/& /&30+& 1-#5(03.4 /05*'3 /'8 ('#563' +4 5*' 4611035 (03 &+3'%5 %#1563' (30. %#/ %#1563' # 453'#. +/ 03+)+/#- 26#-+5: %#1563+/) 5*' 4#.' 7+&'0 #/& #6&+0 #4 $30#&%#45 5 )+7'4 $30#&%#45'34 #/ #&&+5+0/#- 8#: 50 .0/+503 #/& 7'3+(: 5*'+3 08/ +/5'3/'5 $30#&%#45 03 %#1563' 5*+3& 1#35: 453'#.4 *' 4:45'. #-40 ('#563'4 -08 3'40-65+0/ 1309: 3'%03&+/) 50 3'%03& 5*' 4#.' (''&
#650.#5+%#--: +/ $30#&%#45 #/& .0/+503+/) 26#-+5: -- 3'%03&'& -0)4 #3' '#4+-: #7#+-#$-' +/ -#:'34 #/& 8'$ -#:'34 0/ #/: 1-#5(03. #/& #-40 0/ &'7+%'4 0654+&' 5*' 0((+%' 5*'3 1'3(03.#/%' #/& %0.1#5+$+-+5: +.1307'.'/54 *#7' $''/ #&&'& 8+5* 3'26+3'.'/54 &3011+/) #4 # 3'46-5 0( 5*' -#5'45 40(58#3' 015+.+4#5+0/4 5+3-+5; '&+# #-40 /08 0((+%+#--: 46110354 -#:'3 #/& 8'$ -#:'3 36//+/) 0/ "+/&084
14 THEBVEDAILY BVE2016 D2 P14 Ed_v3 JG.indd 4
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THEBVEDAILY
IMAGENâ&#x20AC;&#x2122;S NEW ENTERPRISE Imagen Stand: G40 + &$, 1# %-/+$/*6 ),-4, 0 +!/(#&$ + &(,& 601$+0 (0 ./$0$,1(,& + &$, 1'$ ,$4 3$/0(-, -% (10 ,1$/./(0$ (#$- * 1%-/+ 0 4$** 0 "$*$!/ 1(,& (10 1' "-+. ,6 4(#$ ,,(3$/0 /6 1 '$ * 1$01 /$*$ 0$ -% + &$, ,1$/./(0$ (#$- * 1%-/+ $, !*$0 "-,1$,1 -4,$/0 1- "/$ 1$ ,$4 /$3$,2$ 01/$ +0 %/-+ -,*(,$ 2!0"/(.1(-, - . ") &$0 0$ /"' * /&$ +-2,10 -% +$#( 20(,& 1/ ,0"/(.10 %/-+ 2#(- 1/ ")0 ,# #3 ,"$# 20$/ , *61("0 %-/ (,0(&'1 (,1-
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Imagen4 is the new version of its Enterprise Video Platform
THEBVEDAILY 15 BVE2016 D2 P15 Ed_v3 JG.indd 23
16/02/2016 15:14
THEBVEDAILY
For the latest show news and updates follow @BVExpo
LOUDNESS CORRECTED AND AUDIO MASTERED RTW
Stand: L45
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CLC integrates with the most common DAW software on the Mac and on PC
UPDATES AND PLUG-INS SERVE UP FILE SHARING ENHANCEMENTS Aspera
Stand: F20
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16 THEBVEDAILY BVE2016 D2 P16 Ed_v3 JG.indd 12
16/02/2016 17:22
new tvbe template remade.indd 1
16/02/2016 12:04
THEBVEDAILY
For the latest show news and updates follow @BVExpo
LED, CAMERA, ACTION LCA
Stand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
The new Cineo HS2
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NEW FOCUS ON SIMPLIFYING STORAGE ARCHITECTURE Trams
Stand: G10 "8'39 .'9 /4:85*;)+* 93'8:!:58'-+ ' 4+= */</9/54 5, :.+ )536'4? +9:'(2/9.+* :5 *+9/-4 96+)/,? *+2/<+8 '4* 9;6658: (+9: 5, (8++*
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18 THEBVEDAILY BVE2016 D2 P18 Ed_v3 HA.indd 12
16/02/2016 17:21
THEBVEDAILY
AVIWEST MAKES NEWS Aviwest
Stand: D15 5)6%23 )2 $%,.-231!3)-' 3(% +!3%23 %-(!-#%,%-32 3. )32 )')3!+ .")+% %62 !3(%1)-' 2823%, ()2 !$5!-#%$ +)5% 5)$%. #.-31)"43).- /+!3&.1, %-!"+%2 "1.!$#!23%12 3. #!/341% !-$ "1.!$#!23 +)5% .1 5)$%. .5%1 ,4+3)/+% -%36.1*2 )-#+4$)-' ".-$%$ #%++4+!1 6)1%+%22 ) ) 3(%1-%3 !-$ 2!3%++)3% (% #.,/!-8 )2 !+2. 2(.6#!2)-' -%6 '1)$ 5)%6
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AviWestâ&#x20AC;&#x2122;s DMNG Manager #.,")-%2 !- !-$ %-#.$%1 )- !- //+% !# ..*
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ROSCO PROU DLY INTRODUCES
pure, soft white light
The professional LED Luminaire offering uncompromising colour quality, output and efďŹ ciency. Come by booth R16 to see the Silk 210, and get a chance to preview one of the next models in the growing line of Silk LED ďŹ xtures.
www.ro sco.co m
THEBVEDAILY 19 BVE2016 D2 P19 Ed_v3 HA.indd 23
16/02/2016 15:17
THEBVEDAILY
For the latest show news and updates follow @BVExpo
MONITORING SYSTEM LEADS NEW PRODUCT CHARGE Aspen Media Stand: G30
Aspen Media is showcasing several of DirectOutâ&#x20AC;&#x2122;s MADI products
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A HI TECH STAND Hi Tech
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The Array systemâ&#x20AC;&#x2122;s multiple panels
20 THEBVEDAILY BVE2016 D2 P20 Ed_v3 HA.indd 12
16/02/2016 15:18
THEBVEDAILY
INTELLIGENT CHECKS FOR VIDEO AND AUDIO Vidcheck
Stand: L10
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VIDEO DEVICES MONITOR DEBUTS IN EUROPE Video Devices Stand: Q17 % 4(92: ;/, $ ;9(+,:/6> +,)<; -69 %0+,6 ,=0*,:D ' >/0*/ 9,*,5;3@ ),.(5 :/07705. ;6 <967,(5 4(92,;: 3:6 65 +0:73(@ >033 ), ;/, *647(5@D: -<33 305, 6- 769;()3, ' ",90,: (5+ 773, 96!,: *647(;0)3, 9,*69+05.
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:(@: %61;,*/ 62695@ B =,9 ;/, 7(:; -,> @,(9: ;/, ,?/0)0;065 /(: 796=,+ 0;:,3- (: 65, 6- ;/, 46:; ,--,*;0=, (55<(3 :/6>*(:,: -69 =0+,6 ;,*/5636.@ 05 <967, &, 3662 -69>(9+ ;6 4,,;05. 6<9 *<:;64,9: -(*, ;6 -(*, (5+ 79,:,5;05. 6<9 =0+,6 :63<;065: ;6 ( )96(+ *96:: :,*;065 6- ;/, =0+,6 05+<:;9@ (; ;/0: @,(9D: :/6> C Video Devicesâ&#x20AC;&#x2122; PIX-E7
THEBVEDAILY 21 BVE2016 D2 P21 Ed_v4.indd 19
16/02/2016 16:37
THEBVEDAILY
For the latest show news and updates follow @BVExpo
INBRIEF OPINION
New 6G BNC for 4K
Bryant Unlimited
By Adrian Pennington ! ,! * 1(-3* %(($"' (* ('' ,(*+ (* (* "&)*(. ) * (*& ' *(& 0"+,"' +1+, &+ ,! ' / * ' ( + #-+, &" !, ,! '+/ *
*1 ', '%"&", "+ ,! 0 %-+". "+,*" -,"(' ) *,' * (* ,!"+ * ' (
!& ('' ,(*+ *(& ('' ,(*+ (* "' ,( *1 ', 4,! "' -+,*1 % "' 2%(/ %(++3 ) * (*& ' ( ,! ) *&",+ !" ! , +" ' % ,* '+&"++"(' /",!(-, "+,(*,"(' *"' (-,+, ' "' ,*- !& ) * (*& ' (* (,! ' ,! + ('' ,(*+ * ,! ) * , !(" (* -+ "' ' / +1+, &+ 5
LEMO
By Adrian Pennington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
A BREAKTHROUGH IN HIGH-RESOLUTION INTERNET DELIVERY
By Michelle Munson, CEO and co-founder Aspera, an IBM company Stand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
) + & / '*.. /* ( $)/ $) #$"# +' 4*0/ ,0 '$/4 # $'$/4 /* '$1 - #$"# - .*'0/$*) 1$ * *1 - *((* $/4 $)/ -) / $. ) $) 0./-4 - &/#-*0"# /8. )*/ %0./ ! ./ ) . 0- + /# !*- '$1 -$)" #$"# ,0 '$/4 *)/ )/ /* 1$ 2 -. /8. 2 4 /* *'' / ) +-* .. '$1 / ./- ( $) #$"#'4 . ' ' '*0 *(+0/$)" ) '0./ - !$' .4./ (. !-*( )4 '* /$*) ) '$)" - ' /$( / +-* ..$)" .0 # . .$(0'/ ) *0. '$1 /- ). * $)" !*- $(( $ / '$1 -4 /* (0'/$+' 1$ 2$)" +' /!*-(. . ( $ *(+ )$ . - / (*- #$"# - .*'0/$*) *)/ )/ 2$/# .#*-/ - /0-) -*0) /$( . #$"# !- ,0 ) 4 *)/ )/ .# -$)" -*.. *-" )$. /$*). $. -$/$ ' / /* / ( $ *(+ )$ . # 1 # /* 0$' /# $- *2) +$ ( ' .*'0/$*). /* /# !$' 3 # )" +-* ' ( $) '0 $)" ( ) "$)" /# $- *2) !$' 3 # )" .*!/2 - *) /# $- *2) '*0 ) *) +- ($. .4./ (. #$. - .0'/. $) *)./ )/ ./-0""' . /* $) - . /- ).! - /#-*0"#+0/ ) ./*- " + $/4 /* ( / 0. - ) . /* .0++*-/ 1 - ' -" - !*-( /. 1 ) 2$/#$)
FANCY A CUPPA? Voicebox
Stand: R46 *'&. / *$ *3 &)*2 #*2 ./- ..!0' $/ ) /* " / 1 -4/#$)" $) +' /* ( / ) "- / *'' "0 . !-*( /# -* ./ ) +-* 0 /$*) $) 0./-4 6 *081 2*-& # - /* " / /* .* 2#4 )*/ / & (*( )/ /* ./ + 2 4 !-*( /# #0./' ) 0./' ) )%*4 2 '' . -1 0//$ . ) 2$ # /* /#
Michelle Munson /# '*0 /* #$ 1 . 0-$/4 2$/#$) ) /2 ) ( $ *-" )$. /$*). ) /* & + 0+ 2$/# /# ( ) . *! .#-$)&$)" +-* 0 /$*) 4 ' . / .+ - $. .#*2$)" #*2 .+ - $' . ) - .. /# . # '' )" . .$)"' .*!/2 - . . -1$ *!! -$)" .+ - $' .
''*2. )4 ( $ *-" )$. /$*) *! )4 .$5 /* ./ '$.# - ) 2 . +- . ) !*- /# ! ./ .4 ) . 0- 3 # )" *! !$' . ( $ *)/ )/ /2 ) ) 0. -. *)/ )/ ) ./*- ) .. $) (0'/$+' '*0 ) *) +- ($. ./*- " .4./ (.
Join the Voicebox team at stand R46
0)$)$/$ / ) 0++ !-*( 4*0- !-$ ) . / *$ *3 7 . $ ) * .*) 6 *!! - (0'/$'$)"0 ' 1*$ *1 -. 0 $)" ) .0 /$/'$)" /* /# - /$1 $) 0./-$ . ) +-*1$ .+*& . -1$ /* ( / /# ) . *! *0- '$ )/. 2#* $) '0 $.) 4 $. *1 -4 *)4 $ /0- . ) -) - -*/# -. '/#*0"# 2 2*-& 2$/# .*( *! /# $) 0./-4 "$ )/. 2 '.* 2*-& 2$/# $) + ) )/ -* ./$)" *(+ )$ . '' *1 - /# *-' 7 # '*)".$ ) 2$'' #$. *'' "0 . *))4 *) '$1 - ) /#
22 THEBVEDAILY BVE2016 D2 P22 Ed_v5.indd 4
16/02/2016 15:18
THEBVEDAILY
TANGO AND SMARTPANEL JOIN THE NETWORK SET Riedel Stand: M26
6. -$6 ".,,2 #$5("$2 1$ .- 2'.6 %1., ($#$+ 24//.13(-& -# '$ -&. 1$/1$2$-32 ($#$+:2 %(123 -$36.1* ! 2$# /+ 3%.1, 3. 24//.13 3'$2$ 4#(. -$36.1*(-& 23 -# 1#2 '$ 4-(3 (2 $04(//$# 6(3' '(&' 1$2.+43(.- %4++ ".+.41 #(2/+ 8 (-3$-#$# 3. .%%$1 /$1%$"3 1$ # !(+(38 3 ++ 3(,$2 1.-3 / -$+ ".-31.+2 2(,/+(%8 3'$ 1$" ++ .% /1$2$32 -# #)423,$-3 .% 4#(. +$5$+2 '$ -&. %$ 341$2 36. (-3$&1 3$# ($#$+ #(&(3 + / 138+(-$2 36. -#
Tango TNG-200 is a ямВexible solution for a variety of communications scenarios ".,/ 3(!+$ /.132 36. 3'$1-$3 /.132 .-$ ./3(.- 2+.3 -# 1$#4-# -3 /.6$1 24//+($2 '$ 28,,$31(" 7 , 31(7 2(9$ ++.62 %.1 23 -# 1# /1$,(4, 04 +(38 23$1$. 4#(. ".--$"3(.-2 3. / -$+2 '$ #$#(" 3$# (-3$1"., //+(" 3(.- 8 (123 ($#$+ 341-2 3'$ -&. /+ 3%.1, (-3.
- (-3$1"., 2823$, 3' 3 42$12 " - 3 (+.1 "".1#(-& 3. 3'$(1 -$$#2 +2. -$6 3'$ , 13/ -$+ (2 #4!!$# 3'$ 6.1+#:2 %(123 ".-31.+ / -$+ #$2(&-$# 3. 2$15$ 2 /.6$1%4+ ,4+3(%4-"3(.- + 42$1 (-3$1% "$ '$ #$5("$ !. 232 3'1$$ '(&' 1$2.+43(.- 24-+(&'3
1$ # !+$ ,4+3(3.4"' ".+.41 #(2/+ 82 /1$,(4, 04 +(38 23$1$. 4#(. ,4+3(+(-&4 + "' 1 "3$1 2$3 -# *$82 , 13/ -$+ " - !$ %413'$1 $7/ -#$# 3'1.4&' 3'$ 42$ .% //2 -# ".--$"3(5(38 1$ 23 -# 1# 6(3' .5$1 ". 7 ./3(.- + ##(3(.- + %$ 341$2 (-"+4#$
$7"' -&$ !+$ '$ #2$3 ".--$"3.12 %.1 ,.-. .1 23$1$. //+(" 3(.-2 - (-3$&1 3$# /.6$1 24//+8 (-#(5(#4 + 5.+4,$ ".-31.+2 %.1 $ "' *$8 36. /.132 36. 3'$1-$3 ".--$"3.12 4#(. - ./3(.- 2+.3 1$,.5 !+$ &..2$-$"* ,("1./'.-$ - " 1# 2+.3 -# - .43/43
THEBVEDAILY 23 BVE2016 D2 P23 Ed_v3 HA.indd 23
16/02/2016 15:52
THEBVEDAILY
For the latest show news and updates follow @BVExpo
OPINION
TRANSITIONING FROM PC-EXTENDERS TO A KVM ENTERPRISE SOLUTION By Gerardo Grasa, channel sales director Black Box Stand: C24 +&/" ."!1 0&+* %" 0 !&//&, 0&+* #&(" /"! 3+.'#(+3/ *! ,.+!1 0&2&05 &),.+2")"*0 ,."//1."/ % 2" &* ." /"! 0%" 1/" +# /3&0 %"! 1/". &*0".# " "40"*/&+*/ #+. #("4& (" .")+0" +,". 0&+* +# )1(0&,(" ,,(& 0&+*/ +* 2 .&+1/ !&##"."*0 +),10"./ ("4& (" /&$* ( .+10&*$ *! +,". 0&+* ( )+!"/ / 3"(( / " /" +# 1/" 0+ 2+&! +,". 0+. "..+./ ." +# , . )+1*0 &),+.0 * " 0+ "2".5+*" ,( **&*$ #("4& ("
"40"*/&+* /5/0")/ &* %&$% 2 &( &(&05 +*0.+( .++) "*2&.+*)"*0/ %" 0. */&0&+* 0+ /"! ,.+!1 0&+* !.&2"* 5 &),.+2"! ,.+ "//&*$ ,+3". +# ,.+!1 0&+* % .!3 ." 0%" !&$&0&/ 0&+* +# 1!&+ *! 2&!"+ *! "2"*01 ((5 #&(" /"! 3+.'#(+3/ % 2" 0. */#+.)"! 0%" .+ ! /0 )"!& *! "*0".0 &*)"*0 &*!1/0.5 %&(" /," &#& 0" %*& ( &/( *!/ /1 % ,+/0 &*$"/0 +. ,( 5+10 % 2" !&/ +2"."! 0%" ) *5 "*"#&0/ +# #("4& (5 +**" 0&*$ )1(0&,(" 1/". &*0".# "/ 0+ ) *5 ."/+1. " %1*$.5 ,,(& 0&+*/ 0%.+1$% (+ ( /3&0 %"/ .+10"./ *"3 , . !&$) % / ")".$"!
"*0".,.&/" 3&!" !.&2"* 5 %&$% ,".#+.) * " /"! +." /3&0 %&*$ *! .+10&*$ %&(" 0%" /&$* ( ,( *" .") &*/ * 0%" .")+0" +*0.+( *! "40"*/&+* % 2" " +)" * "-1 ((5 &),+.0 *0 +*0.+( ,( *" / 0%" &*!1/0.5 +*0&*1"/ 0+ )&$. 0" +**" 0&*$ 0%" 2 .&+1/ !&##"."*0 ,.+!1 0&+* *! ,.+ "//&*$ &/( *!/ &* * "*0".,.&/" 3&!" /+(10&+* % / " +)" +),("4 "*!" 2+1. ."-1&.&*$ /," &#& "4,".0&/" &* 2 .&+1/ 0" %*+(+$&"/
0 3"6(( " !")+*/0. 0&*$ %+3 3"(( !"/&$*"! /+(10&+* * &),.+2" )+ &(&05 +(( +. 0&+* *! ,.+!1 0&2&05 &* +*0.+( .++) +. "!&0 /1&0"
Gerardo Grasa
STORAGE SOLUTION DELIVERS 4K POST WORKFLOW Pixit Media
Stand: K11
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+), *&"/ !")+*/0. 0&*$ 0%"&. ( 0"/0 0" %*+(+$&"/ 3&0% 0%" &4 0+. *! /+(10&+* %" +), *5 / 5/ &4 0+. +) &*"/ 0%" ,".#+.) * " +# /"! /+(10&+*/ 3&0% 0%" ) * $" &(&05 +# "*0. ( &*0+ /&*$(" 1*&#&"! ,( 0#+.) /&*$ &0 !&$&0 ( )"!& 1/&*"//"/ ." , (" +# +* 1.."*0(5 "//&*$ ."(& (5 *! &* ." ( 0&)" *5 05," +# !&$&0 ( +*0"*0
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24 THEBVEDAILY BVE2016 D2 P24 Ed_v6.indd 12
16/02/2016 15:19
new tvbe template remade.indd 1
15/02/2016 15:32
THEBVEDAILY
For the latest show news and updates follow @BVExpo
MULTISCREEN SWITCHER Analog Way Stand: C39 Ascender 48-4K
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AUDIO ADDITIONS FROM NUGEN Nugen Audio Stand: L45 8: ;.>.:*5 A.*:; =0.7 =-28 1*; +..7 +=25-270 *?*:- ?277270 <.,178580A .@<.7;287; /8: 2<; 8=-7.;; *7*0.6.7< *<,1 :8,.;;8: #1.;. 27,5=-. <1. ,869*7AD; A7 9< 58=-7.;; :*70. <*:0.<270 <.,178580A ?12,1 .*:7.- * ,866.7-*<287 *< <1. 778>*<287 ?*:-; ?12,1 *:. -.;207.- <8 ;18?,*;. ;86. 8/ <1. 68;< .@,2<270 *7- ;<26=5*<270 ,87<.7< /:86 <1. A.*:
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A screen shot from the Halo Upmixer
26 THEBVEDAILY BVE2016 D2 P26 Ed_v5 HA.indd 12
16/02/2016 15:53
THEBVEDAILY
FOCUSING CLEAR-COM ON LENSES COMMUNICATES The LQ Series is a family of connectivity devices.
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THEBVEDAILY 27 BVE2016 D2 P27 Ed_v3 HA.indd 19
16/02/2016 16:37
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THEBVEDAILY 29 29 BVE D2 2016 v3.indd 19
23/02/2016 15:38
THEBVEDAILY
For the latest show news and updates follow @BVExpo
TRACKLESS VIRTUAL SETS Ross Video
Stand: N10 By Philip Stevens Built on the XPression Real-Time Motion Graphics System with an intuitive purpose-built interface, the Ross Trackless Studio brings virtual sets to even the most basic productions. “Using stationary cameras, virtual camera moves, and the same high-quality virtual sets as tracked implementations, Trackless Studio provides incredible results while staying on budget,” explains Stuart Russell, Ross Video’s marketing manager for EMEA. “Budgets and studio real estate often necessitate
Ross Video’s Joph Hord demonstrates the XPression Real-Time Motion Graphics System
a different approach to production, and this system opens up new opportunities
for virtual sets.” Trackless Studio uses stationary physical cameras instead of robotic
camera systems, encoded camera heads/lenses, or optical tracking hardware.
All camera moves are done virtually inside of the XPression scene, eliminating the need for a large studio space. “It utilises an internal Chroma Keyer, based on algorithms from Ross UltraChrome, to create real 3D virtual sets with full 3D motion capabilities,” reveals Russell. “That means a director can call for dramatic camera moves that would otherwise require the use of a crane or a jib, something not possible in many small to medium size studios. All of this is controlled from touchscreens, Ross switchers or Dashboard, optional cross keys, a keyboard or a web server.” At present, there are six stock virtual sets on offer, although plans call for further options to be available in the near future.
GLENSOUND’S BIG FIVE-O Glensound Stand: E30 By Philip Stevens Engineer Len Davis left the BBC in 1966 and set up his own company, Glensound Services. Fifty years later, it is known as Glensound. For many commentators, ‘the Glensound’ is the generic term for the box into which they plug headphones and microphones. For voiceover artists, or an engineer that grew up in the era of ISDN, Glensound is the box that connects to the outside world. And if you are the prime minister, Glensound is the company that mixes and distributes your speech to world
broadcasters. The first Glensound branded design – a distribution amplifier – was created in 1969 for Prince Charles’ Investiture. Innovation continued as Glensound invented the world’s first unitised mixer in 1971 and the first assignable mixer in 1980. Four years later, the BBC needed a different way to handle commentary for the Commonwealth Games in Scotland. A commentary solution was suggested that separated the commentary box from the audio I/O interface and connected them via a single coaxial cable that carried power and multi-channel audio. The two-part commentary unit was born. In 1994 a relationship with the UK parliament began that would see Glensound develop systems for managing microphone
mixing, feedback control, audio distribution, and further intelligent systems as part of the Commons, Lords and the Committee Rooms. Len Davis semi-retired in 2005 and his son, Gavin Davis, who had been with the company since 1986, took over as managing director; a role that continues today. “Glensound is so fondly remembered by so many engineers, and by me too as I grew up alongside it,” says Gavin Davis. “We remain a specialist solutions provider with simple, solid designs which innovate. I take the responsibility for the reputation Glensound has with broadcasters very seriously, and I certainly aim to make sure the products designed now will still be thought of fondly over the next 50 years.”
Gavin Davis has grown up with Glensound, and took over as MD from his father in 2005
30 THEBVEDAILY 30 BVE D2 2016 v2 HAJMcK.indd 12
23/02/2016 18:06
February 2015 I Issue 1 I Volume 33
Europe
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THE TECHNICAL RESOURCE FOR THE BROADCAST MEDIA PROFESSIONAL
Thinking outside
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In search of a modern definition for channel in a box
Buyersâ&#x20AC;&#x2122; guides
Drones, transcoders, encoders
EDITORIAL PLANNER 2016 +0:054
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Product reviews Camera lenses, audio repair
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