BVE Daily, Thursday 25 February 2016

THEBVEDAILY

Thursday 25 February, 2016

The Official Newspaper

BROADCAST & PRODUCTION: FROM CREATION TO CONSUMPTION

SAM SEES POSITIVE AIMS RESPONSE Snell Advanced Media (SAM) Stand: M16

By Neal Romanek BVE 2016 is the first major broadcast tradeshow held since the Alliance for IP Media Solutions (AIMS) was formed at the end of last year, and one of its founding members, Snell Advanced Media (SAM), has found that the new trade organisation has ignited customer interest.

AIMS was formed by Grass Valley, Imagine Communications, Lawo, Nevion and SAM to promote open standards and

interoperability in the transition to IP. Mark Gardner, SAM sales director for Northern Europe and Africa, said that BVE delegates have been enquiring about the AIMS agenda and expressing appreciation that their concerns about interoperability are finally being addressed.

“A lot of the customers are very happy to see the industry is pulling together. With AIMS, there’s now a formal way for manufacturers to talk to each other. If we all disappear in different directions and do our own things around IP, then the customers are going to suffer.”

Gardner cautioned that AIMS’ work is just beginning: “But even though customers are

SAM’s Tim Felstead is on hand at BVE to discuss the aims of AIMS

happy that we’re working on the interoperability of the format, they want to see interoperability in the control layer too.”

Gardner said that the show of solidarity by manufacturers and

Avid Stand: M60

By Michael Burns

01 BVE D3 2016 v3 HA.indd 1

With Avid Cloud Collaboration for Pro Tools, artists and audio professionals can work together on the same project anywhere in the world

get footage out, or how to do a mixdown on the timeline.”

He continued, “We also have live timeline dragging, allowing you to move clips around and see it update live. You can move audio around in the same fashion, and see the waveform to help line things up.” The new version of Media Composer also supports HDR workflows and enables

INSIDE NFL: Digital “superior to TV” Shannon Rutherford, the NFL’s director of digital operations, discusses the company’s digitally delivered fan experience, at BVE’s Streaming Forum p3 We are the LiveXperts NewTek reseller 3D Storm is at BVE 2016 to promote its own brand of live production equipment p4

vendors, with AIMS acquiring new members regularly, bodes well for business.

“With the risk being lowered, people will be more willing now to invest in new technologies.”

PLAYING TOGETHER IN THE CLOUD Visitors to the Avid stand can see the newly released version 8.5 of Media Composer in action and a demo of the forthcoming Cloud Collaboration feature for audio suite Pro Tools 12.5.

Danny Hollingsworth, solutions specialist at Avid, was demonstrating the new release of Avid’s venerable NLE. “Media Composer 8.5 has had its biggest interface change for years,” he said. “The aim was to simplify some of our menus, such as providing an input and output section, so people coming fresh to Media Composer will see right away how to get media in and

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editors to work up to 64 audio tracks. Editing is boosted by the ability to group clips and sync them automatically based on the audio waveform, while effects work will be aided by the new ability to cache all played frames, and all effects applied to those clips, in RAM. With Avid Cloud Collaboration for Pro Tools, professionals

can work together on the same project anywhere in the world because revisions and files are synchronised automatically. They can then compose, record, edit, and mix tracks collaboratively with other Pro Tools users.

Two Pro Tools systems were sharing and mixing tracks over the internet on the Avid stand, in the first such demo of the collaboration system in Europe.

“We’re showing a pre-release version here at BVE,” said Dave Tyler, audio solutions specialist manager for Avid. “People from all areas of the industry have been interested in this at the show. It’s got a very broad appeal, as it enables remote workflows directly from within your Pro Tools session.”

Visitors to the Avid stand are also able to get a closer look at PlayMaker, one of the fruits of

The Wild West Gold Rush era is over Rosco Laboratories’ David Amphlett shares his views on the polarised broadcast lighting market p10 Carry-on RAID storage G-Technology debuts two new eight-bay RAID storage solutions, designed with portability in mind p29 FBI investigates industry assumptions Trade organisation Females in the Broadcast Industry hosted a panel discussion with figures from a cross section of the media industry, as part of its official launch event p30

the Orad acquisition which Avid completed last year.

Ofir Benofici, senior director, Broadcast Products, Avid, said of the sports replay server: “We’re bringing PlayMaker closer to the Avid portfolio, integrating it with Media Composer, ISIS or Interplay.

Collectively we are providing a much more elaborate workflow. This is gaining a lot of interest from Avid customers and others.”

“It’s an evolution, not a revolution,” continued Benofici.

“You’ll see us bring more enhancements to PlayMaker, including 4K, as this is where the market is going.”

24/02/2016 17:58

Tuesday, 28th June 2016

Bafta, 195 Piccadilly, London

SAVE THE DATE returns to BAFTA, 28 June, 2016 BAFTA’s prestigious premises on London’s Piccadilly will play host to this year’s TVBEurope 2020 conference, the second annual one-day strategy summit hosted by TVBEurope. The centrepiece of TVBEurope Strategy Week, TVBEurope 2020 brings together some of the leading authorities from in and around the industry to provide unique analysis and instructive debate on the key areas of challenge and opportunity facing businesses in the media and entertainment space in the run up to 2020.

SPONSORSHIP OPPORTUNITIES Ben Ewles, Sales Manager +44 (0)207 354 6000 Email: bewles@nbmedia.com

Joining the dots between the convergent worlds of UHD and IT/ IP infrastructures; assessing the shifting business landscape for broadcasters and content providers; and dissecting the impact of the coming technologies of the connected world, this year’s agenda promises to be the most forward looking TVBEurope event to date.

Nicola Pett, Sales Executive +44 (0)207 354 6000 Email: npett@nbmedia.com

Last year’s delegate list included senior representatives from the BBC, ITV, Netflix, Sky, ITN, Rovi, BT Sport, Channel 4, Viacom, CNBC Europe, Al Jazeera, Fox International, NBC Universal, Discovery, Reuters TV, Modern Times Group, Bloomberg, BT Media and Broadcast, PwC, Ernst and Young, SNL Kagan, KPMG, and more…

Richard Carr, Account Manager +44 (0)207 354 6000 Email: rcarr@nbmedia.com

TICKET SALES Georgia Blake, Delegate Sales Executive +44 (0)207 354 6010 Email: gblake@nbmedia.com

Part of

Book now and be a part of the discussion on the industry’s future.

TVBEurope 2020 FP 2016.indd 11 new tvbe template remade.indd

10/02/2016 15/02/2016 14:39 15:36

THEBVEDAILY

NFL: DIGITAL “SUPERIOR” TO TV

By Adrian Pennington The NFL is creating a digitally delivered fan experience that will be “superior” to its own TV presentation and soon worth over $1 billion a year to the League, according to the executive in charge.

“There are a wealth of opportunities to create a superior product online which will make NFL digital far more potent than TV,” said Shannon Rutherford, director of digital media video operations, NFL. “We have 360-degree immersive video and virtual reality.

We can personalise it. We can create our own content and we can distribute through multiple digital channels including social media.”

Keynoting BVE 2016 and the Streaming Forum, Rutherford said, “Our product will become a daily habit for our fans.” With broadcast deals locked up with Fox, CBS and NBC until 2022 the NFL has recently dabbled in live streaming. Notably, it sold exclusive rights worth around $20 million to Yahoo! to live stream an in season game from London last year.

All bets are off post-2022 with Rutherford hinting that OTT will form a central part of NFL strategy. “Digital rights expansion is crucial to the NFL’s long term success,” he said. Until then the sport has to find other ways to reach fans on digital platforms.

This includes NFL mobile; premium subscription product NFL Gamepass, which permits

live streaming of all games internationally; and social media reach. In 2014 the NFL kicked off a series of original programming which was ramped up from four shows to ten shows in 2015.

“TV viewing has flatlined in the US since 2010 while digital consumption has gone through the roof,” he said. “The TV audience is also ageing. Younger audiences are more engaged. All of this puts a lot of pressure on ad revenue, and makes digital more attractive to reach key demographics.

The question is: what does the NFL do about it?”

One solution is NFL Now, a digital-only fan destination which is presented as a TV-like linear lean back experience with on-demand game highlights, studio shows and talent-led analysis. Ironically, to create this with high production values, the NFL is reliant on broadcast kit like video switchers, routers and orchestration hubs.

“We are using a traditional broadcast mentality to create a linear experience using the same gear as broadcast itself but delivering it digitally and adding interactivity,” said Rutherford.

The digital team takes the same live linear feed as broadcast, and clips into highlights in as near real time as they can get. “NFL is like a news organisation in that our highlights are perishable,” he said. “It’s not going to be evergreen content so the primary use case is for fans who want to see what happened that day. The faster we can get it out the more opportunities we have to maximise

The RovoCam sports an integrated HDBaseT interface to carry uncompressed video, power, stereo audio and RS-232 control

ROVOCAM MAKES BROADCAST DEBUT AJA Stand: L19 Rutherford: targeting $1billion in revenue

revenue.” There were some essential marks that Rutherford felt the League’s digital operation had to hit when delivering live content.

“You have to have 100 per cent uptime while the game is playing.

The stream should be smooth with no more than a one per cent buffer and the time to enter the stream should be less than a second.”

He added, “Success often means money so for us that means revenue over a billion dollars per year from digital delivery.”

Attaining that means ensuring that its digital ad inventory is always (100 per cent) fufilled, he said.

However, if the League is banking on taking control of creating and distributing its own content in house it has some way to go to match the staggering current TV deals worth at least $3 billion a year (2013 to 2022) cut with US broadcasters.

By Michael Burns AJA has announced RovoCam, the company’s first compact block camera for industrial, corporate, security, pro AV and broadcast applications. It’s capable of capturing Ultra HD and HD imagery with built-in 12x optical and up to 20x zoom with Sony Super Resolution Zoom. It offers an integrated HDBaseT interface, supporting uncompressed video, power, stereo audio and RS232 control over a single CAT 5e/6 cable running at lengths of up to 100m.

Nick Rashby, president of AJA, said BVE 2016 marked the first time RovoCam had been seen in a broadcast environment.

“We’ve branched out and come up with something that

we think is fairly unique,” he added. “HDBaseT is super common in the Pro AV market, but you can barely find it in the broadcast world. However, you can get 100m of uncompressed 4K on Cat6 cable. Our sports broadcast customers in particular have been very interested, looking at it for maybe goal-line cameras or arenas.”

RovoCam is built around Sony’s 4K FCB-ER8300 Functional Camera Block, featuring back-illuminated CMOS sensor technology and Sony image processing. The small aluminium unit allows for simple mounting in a wide range of scenarios.

RovoRx-HDMI, the companion receiver unit, offers simple integration for RovoCam with an HDMI output, and all video/audio signals, power, and control over HDBaseT. Shipping soon through AJA’s resellers, RovoCam is also compatible with some third party receivers.

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INBRIEF

Managing content from 80km away root6

Stand: J15

By Neal Romanek That single cable dangling down the Excel wall near the S5 entrance isn’t a mistake of the BVE maintenance crew, it’s part of a demo by root6 and Barnfind Technologies. The companies are showing off remote 4K production capabilities which, given the globalisation of the industry, and the rising rents in Soho, are becoming increasingly appealing.

“Our monitor is connected with an output from the Barnfind booth by a single strand of fibre from across the hall, but there’s no reason it couldn’t be 80 kilometers away,” said root6 managing director Marcus Hume-Humphreys.

The company is also showcasing version 3.5 of its Content Agent software.

BASE Media Cloud adds SaaS Aspera

Stand: F20 Michelle Munson, CEO and co-founder of Aspera, and Ben Foakes, founder and managing director of BASE Media Cloud, celebrate the news that BASE Media Cloud has launched a fast, secure media storage and distribution service for its global media clients, notably sports broadcasters, with Aspera Files SaaS platform.

For the latest show news and updates follow @BVExpo

EBU APPROVAL SETS C300 MARK II ON BROADCAST TRACK

3D Storm Stand: N20

Canon Stand: L30

By Adrian Pennington

By Michael Burns Canon’s bike-shop themed stand was packed out at BVE 2016 as the company showed off its EOS-1D X Mark II DSLR camera, the Canon XEED 4K500ST UHD multimedia projector and the latest in 4K camera systems, lenses and displays. The company was also celebrating the news that the EOS C300 Mark II had met HD and UHD classification from the EBU. This report recognises image capture of up to 15 stops of dynamic range using Canon Log2 and qualifies the EOS C300 Mark II for R.118 Tier 1 in HD and Tier 2 in UHD. James Burwood, digital video product manager, Canon, said the award was “a very good endorsement for the broadcast industry. It substantiates a lot of the key features of the product,

WE ARE THE LIVEXPERTS

Burwood: “EBU classification makes the C300 Mk II a ‘go-to camera’ for broadcast work”

such as the high dynamic range measurements.”

BVE 2016 has also witnessed the UK’s first presentation of the new compact and lightweight handheld video cameras, the XA35 and XA30, both featuring a newly-developed HD CMOS Pro sensor. Also on show is the ME20F-SH, a camera which boasts an extended ISO of four million.

“We’ve seen a lot of interest in the ME20, our super low light camera, and our new broadcast lens, the HD DIGISUPER 90. This is the first in the series of a 4K lenses for broadcast use.”

While 3D Storm is better known as a reseller, principally of NewTek equipment, it is here at BVE 2016 to promote its own brand of live production equipment.

“Our focus is to select cost effective and very easy to use tools for production of news and sports,” explains Bruno Lesté, LiveXpert product manager. “We want products with a very short learning curve so that people can use them immediately in the field.”

Its LiveXpert solutions fall into three categories: turnkey solutions for sports broadcasters and stadiums, graphics tools, and automation In the latter camp falls Audio Mixer, a new product for automated radio programme production.

“It is a combination of our software tools and a NewTek TriCaster mini which can automate a radio show just by monitoring microphone activity,” explains Lesté. The LiveMedia

LiveXpert’s Bruno Lesté: “Automated radio production made easy”

Server is a multichannel and multiformat player and recorder available as dual channel in a 1RU unit and as a fourchannel version in a 4RU unit.

The selection of inputs and outputs is flexible, allowing configuration of any channel as recorder or playout. “LiveTally Air is the simplest solution you could imagine for fitting Tally lights.” The latest version of LiveTally Air, showcased at BVE, supports up to 16 receivers and connects over a distance up to 2km.

LiveCG Election, also in the LiveXpert range, is a solution for turning complex data from election results into full 3D animated graphs in real time.

FIRMWARE STEP UP FOR SLO MO JVC Kenwood Stand: M40

By Michael Burns The GY-LS300 4KCAM handheld Super 35 camcorder is to receive a boost in the form of a new slow motion recording feature. Available via a free firmware upgrade in April, it brings the ability to record HD footage at up to 120fps. The technology also drives the Prime Zoom feature, which enables fixed-focal (prime) lenses to zoom in and out without losing resolution or depth of field. Other features include a J-Log gamma

setting, which expands dynamic range by 800 per cent with film-like latitude. There’s also a built-in HD streaming engine with Wi-Fi and 4G connectivity for live transmission to hardware decoders or content delivery networks (CDNs).

The camera records 4K, HD and SD footage in a variety of formats to dual SDHC/SDXC card slots.

John Kelly, general manager, Professional Division at JVC, said, “The new upgrade is ideal for really creative slow motion type of effects. The camera has a very wide range of interest. It encompasses everything from corporates to guys doing shortform film work, music videos

Kelly: “the new upgrade is ideal for really creative slow motion type of effects”

and concerts − anywhere that you need that creative shallow depth of field cine-style look.”

“It’s been a good show, with really strong days,” added Kelly. “What’s interesting is that

we’re having a lot of people specifically saying they have money to spend, which is not something I was expecting to hear this year to be honest. So it’s been really positive.”

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24/02/2016 17:39

THEBVEDAILY

OOONA’S WEB-BASED SUBTITLING TOOLKIT Screen Subtitling Systems Stand: C20

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THEBVEDAILY

For the latest show news and updates follow @BVExpo

VINYL IS BACK

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06 THEBVEDAILY BVE2016 D3 P06 Ed_v3 JG.indd 6

17/02/2016 15:13

www.asperasoft.com moving the worldâ&#x20AC;&#x2122;s data at maximum speed

new tvbe template remade.indd 1

15/02/2016 15:31

THEBVEDAILY

For the latest show news and updates follow @BVExpo

X MARKS THE SPOT 3+ (322*(8367 -&7 '*(31* 136* .14368&28 83 8-* .2)9786= 8-&2 *:*6 '*+36* ((36).2, 83 *986./ *:*6= .14*)&2(* -&7 & 2*,&8.:* .2+09*2(* 32 6*8962 0377 &2) # $ #308&,* 8&2).2, $&:* &8.3 ;-.(- &6* '38- .14368&28 1*&796*1*287 A+36 6*+0*(8*) 7.,2&07 .2 & 86&271.77.32 0.2* B 8 7&=7 ? 74*(.&00= 32 -.,- )&8& 6&8*7 94 83 ' 7 &7 8-*= 3((96 ;-*2 86&271.88.2, " 7.,2&07 &2 .14*)&2(*

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Unique insulator design

Neutrikâ&#x20AC;&#x2122;s etherCON CAT line

Neutrik Stand: D24

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THE IPTV STREAMING SOURCE Imago ScanSource Stand: C28

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08 THEBVEDAILY BVE2016 D3 P08 Ed_v4.indd 8

17/02/2016 17:05

THEBVEDAILY

HIGHER, FASTER, FURTHER Guntermann & Drunck Stand: G09

#*,1# ,-#/ 1',+ ,$ 0,2/!#0 4'1& /#0,)21',+ 0 &'%& 0 /# !& ))#+%# 4'1& ) 1#+!'#0 "2/'+% 1/ +0*'00',+ * ('+% '002#0 )'(# )'- 06+!

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The DL-Vision transmits uncompressed resolutions up to 4K at 60Hz via ďŹ bre

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THEBVEDAILY 09 BVE2016 D3 P09 Ed_v3 JG.indd 5

17/02/2016 15:20

THEBVEDAILY

For the latest show news and updates follow @BVExpo

OPINION

THE WILD WEST GOLD RUSH ERA IS OVER

By David Amphlett, product development manager, broadcast lighting Rosco Laboratories

David Amphlett

Stand: R16 * 0%" 3+.(! +# #&401."/ #+. .+ ! /0 (&$%0&*$ 0%" 8 &(! "/0 +(! 1/%9 ". &/ +2". %" ) .'"0 % / ,+( .&/"! /", . 0&*$ -1 (&05 ,.+!1 0 *! . *!/ #.+) 0%" %" , 8*+ * )"9 ,1.2"5+./ 1/0+)"./ ." "00". "!1 0"! 0% * 0%"592" "2". ""* 3&0% $++!

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DIGILINK FOR RELIABLE IP TRANSPORT Artel Video Systems

Stand: F07

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Artelâ&#x20AC;&#x2122;s DigiLink media transport platform

10 THEBVEDAILY BVE2016 D3 P10 Ed_v2 JG.indd 10

17/02/2016 15:30

THEBVEDAILY

CONNECTORS FOR EVERY OCCASION LEMO

Stand: R36

(. 0#%% #' + '! ( +( ,- ('' -#(', (/ + - ,) # %#,- " , #' %. #-, .+.$ 0 % (+ # + & + %#'$, ' -"

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Rare metals from LEMO

IMPLEMENTING MEDIA TECHNOLOGY WE THINK GLOBALLY AND ACT LOCALLY 0 WorkďŹ&#x201A;ow Design 0 Project Planning 0 Equipment Installation 0 Software ConďŹ guration 0 Commissioning 0 Documentation 0 On-site Training 0 After Sales Support

ATG Danmon Ltd. | Unit 1 Iceni Court | Icknield Way | Letchworth | Herts | SG6 1TN | UK Tel: +44 (0) 1462 485 444 | Email: sales@atgdanmon.co.uk | www.atgdanmon.co.uk

ATG Danmon is one of the worldâ&#x20AC;&#x2122;s most innovative broadcast systems integrators.

Embracing tomorrowâ&#x20AC;&#x2122;s technology, ATG Danmon delivers maximum value through close co-operation with customers, leading to mutually beneďŹ cial long-term relationships.

ATG Danmon is part of Dan Technologies Group, one of Europeâ&#x20AC;&#x2122;s leading suppliers of audio, video, transmission products and digital media solutions.

The Dan Technologies Group operates from ofďŹ ces in the United Kingdom, Germany, Denmark, Norway, Sweden, Vietnam, Spain, Portugal and Dubai.

Visit us at Stand H52

THEBVEDAILY 11 BVE2016 D3 P11 Ed_v3 JG.indd 23

17/02/2016 15:34

THEBVEDAILY

For the latest show news and updates follow @BVExpo

SKYPE TRANSCEIVER NOW 4K READY Quicklink is releasing a Skype update at BVE2016

Quicklink Stand: P20

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POWER TOOLS MAKE A DIFFERENCE PNY Technologies Stand: J26

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12 THEBVEDAILY BVE2016 D3 P12 Ed_v3.indd 12

17/02/2016 16:18

THEBVEDAILY

MEDIACENTO IPX WITH 4K Black Box

Stand: C24

%/7/8467 84 1')0 4< )'3 1+'63 '(498 /87 :/*+4 */786/(98/43 7=78+2 +*/' +384 & '7

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/3 :/*+4 ;'11 7955468 8 '174 ,+'896+7 8.+ /3*9786=?7 ,/678 3+8;460 2'86/< 7;/8). ;/8. $ ,93)8/43'1/8= )42/3- /3 8./7 =+'6 #.+ )425'3=?7 % 1/3+ +3'(1+7 (64'*)'78+67 84 /2564:+ 45+6'8/43'1 ;460,14; +3.'3)+ 97+6 +6-4342/)7 '3* 5648+)8

)6/8/)'1 7=78+27 243- /87 564*9)87 /7 8.+ &

5468 % 2'86/< 7;/8). 8.'8 )42(/3+7 93)4256+77+* */-/8'1 7/-3'17 ;/8. ' -6'5./)'1 97+6 /38+6,')+ #.+ -/1/8= '7+* % /7 ' 7)'1'(1+ % ,46 :/*+4 +<8+37/43 '3* 7;/8)./3- 4:+6 ' #.+ 6++*42

% 7;/8). )6+'8+7 ' 2918/7)6++3 +<8+3*+* *+70845 +<5+6/+3)+ ;/8.

2497+ )4386411+* /378'38'3+497 7;/8)./3- ')6477 2918/51+ $7 '3* 45+6'8/3- 7=78+27 1')0 4< $ ;'7 7+8 95 /3 '3* /7 ' ;.411= 4;3+* 79(7/*/'6= 4, 1')0 4< 46546'8/43 ('7+* /3 /887(96-.

VERSATILE MONITOR CONTROL ON SHOW NTP Technology Stand: L45

#.+ ! > 243/846 )438641 458/43 ,46 8.+ & '3* & ;/8. $ 7955468 ,46 8.+ :/* " 438641 "96,')+ /7 (+/3- 6+1+'7+* 3 /87 641+ '7 '3 :/* 433+)8/:/8=

5'683+6 # #+).3414-= .'7 6+1+'7+* ! > '7 ' 74198/43 ,46 243/846 )438641 ,46 8.+ " '3* 48.+6 $

+3'(1+* )438641 796,')+7 ! > 564:/*+7 ,93)8/43'1/8= 4, (48. 8.+ :/* & '3* "89*/4 43/846 64 /3 8.+ 7'2+ 51'8,462 ;/8. :'6/497 8.'8 )'3 '*'58 84 '3= 64 #4417 & 46 3'8/:+ " ('7+* .'6*;'6+ +3:/6432+38

'))46*/3- 84 8.+ )425'3= += ,+'896+7 /3)19*+ 243/846 )438641 ;/8. 8'10 (')0 7922/3- '3* ,41* *4;3 (9/18 /3 2'86/< ,46 ,1+</(1+ 6498/3- '3* */-/8'1 /37+687 '3* '3* )43:+67/43 ;/8. 458/43'1 2/) 56+ 8 564:/*+7 )438641 :/' $

,46 :/* " " " '3* 68/78 "+6/+7 # 7'=7 ! > +3'(1+7 297/) '3* 5478

564*9)8/43 ,')/1/8/+7 84 (+3+,/8 ,642 /38+6,')/3- 84 (48. '3'14-9+ '3* */-/8'1 *42'/37 ;/8. 75+'0+6 ,462'87 ,642 78+6+4

'3* '11 8.+ ;'= 84 ).'33+17 ,46 41(= # " #.+ '3* 2'86/< 51'8,462 )4256/7+7 4, 95 84 ).'33+1 '3'14-9+ /35987 '3* 4985987 ).'33+1 " $ 84

).'33+1 43 95 84 8.6++ 54687 ).'33+1 /38+6,')+ ,46 64 #4417 & '3* 3'8/:+ '7 ;+11 '7 +2(+**+* '9*/4 8.649-. :/*+4 " # 7'=7 8./7 +3'(1+7 8.+ 564*9)87 84 5+6,462 :+6= ,1+</(1+ 7/-3'1 6498/3- 97/3- '11 8.+ /38+6,')+7 4, 8.+ 93/8 '7 ;+11 '7 7922/3- 564)+77/3- ;/8. /35987 '3* 4985987

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www.izotope.com THEBVEDAILY 13 BVE2016 D3 P13 Ed_v3 JG.indd 19

17/02/2016 16:00

THEBVEDAILY

INBRIEF

Heroic Encoders

Media Excel

By Adrian Pennington ! % 2 !'5-

+,* / . '%)! $ - -*'/.%*) "*, +,!..3 (/ $ !0!,3 0% !* !) * %)# ) ., )- * %)# - !) ,%* *, (/'.%- ,!!)

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2 !' %- -$ ,%)# 1%.$ %#%. ' *((/)% .%*)- +,*0% !, ,' ) ,.)!,-

Tiffen International

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4 !-. .! % ( !0!,5

For the latest show news and updates follow @BVExpo

FILE TRANSPORT SORTED Aspera

Stand: F20

(',$ (05(323,4(4 &$0 /((5 7$3,$%.( '$5$ /17(/(05 '(/$0'4 ,0 3($. 5,/( 8,5+ 42((' &10531. $0' 4(&63,5: ',3(&5.: 51 &.16' $0' 10 23(/,4( 4513$*( 64,0* $ 4(.(&5,10 1) 42(3$>4 511.4 $4(' 10 ,54 53$042135 5(&+01.1*: $0' 3($': )13 '(/10453$5,10 10 5+( " 4+18).113 $3( 0(8 2.6* ,04 )13 42(3$ 3&+(453$513 813-).18 ,0&.6',0* 4622135 )13 # $%.(.$%4 7(3,),&$5,10 )13/$5 7$.,'$5,10 6 $0' ",'&+(&-(3 7(3,),&$5,10 (',$ 0)1 $0' /10,513,0* < (8 ,0.,0( ),.( 7$.,'$5,10 &$2$%,.,5,(4 +$7( %((0 $''(' 51 42(3$ 4(37(3 $0' &.,(05 41)58$3( 51 7(3,): ,0&1/,0* /(',$ $0' /(5$'$5$ )13/$54 $*$,045 $0' 45$0'$3'4 ,0 5+( /145 ,0017$5,7( %31$'&$45 ),.( %$4(' "1 ',453,%65,10 $0'

Aspera Orchestrator includes new third-party plug-ins 2145 231'6&5,10 813-).184 = 4$:4 5+( 180(' &1/2$0: 0 $'',5,10 7,4,5134 &$0 &+(&- 165 $4&2 5+( 0(95 *(0(3$5,10 42(3$ ),.( 53$04)(3 8+,&+ ,0531'6&(4 $ )3(4+ $3&+,5(&563( )13 6.53$ +,*+ 42((' 53$04)(3

1) 4/$.. ),.(4 ,0 $'',5,10 51 .$3*( '$5$ 4(54 +( 41.65,10 ,4 4$,' 51 53$04)(3 62 51 10( /,..,10 ),.(4 2(3 /,065( )13 (7(0 5+( 4/$..(45 ),.( 4,;(4 +( &1/2$0:>4 1041.( )13 (053$.,;(' $0$*(/(05

,4 '(4&3,%(' $4 %(,0* $%.( 51 <23(&,4(.: 3(*6.$5(= 3(2135,0* .1$' $4 5+( 06/%(3 1) 53$04)(3 01'(4 ,0&3($4(4 <'3$/$5,&$..: ,/2317,0* 4&$.$%,.,5: 31%6450(44 $0' 5,/(.: 53$04)(3 45$564 )13 .$3*( '(2.1:/(054 =

BATTERIES TO SUPPORT PANASONIC AG-DVX200 IDX

Stand: G20

# +$4 $ .10* +,4513: 1) 813-,0* ,0 &1..$%13$5,10 8,5+ $0$410,& 51 231'6&( %$55(3,(4 5+$5 *,7( 5+(,3 &$/&13'(3 64(34 /13( &+1,&( $0' .10*(3 3600,0* 5,/(4 +( " 8$4 ,0531'6&(' $5 5+( 5,/( 1) 5+(

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7,(8 10 5+( # 45$0' $5 " 15 10.: '1 5+(4( %$55(3,(4 <4,*0,),&$05.:= (95(0' 5+( 3600,0* 5,/( 1) 5+( "#

%65 5+(: 1))(3 &104,'(3$%.: /13( 7(34$5,.,5: $&&13',0* 51 5+( 218(3 /$06)$&563(3 $&+ %$55(3: +$4 581 218(3 165 41&-(54 )13 218(3,0* $0&,..$3,(4 0( ,4 $ ! :2( 218(3 165265 $0' 5+( 15+(3 ,4 $0 # +( # &$%.( 2.6*4 ,0 +(3(

5 ,4 5+( 0(8 45$0'$3' &$%.( )13 218(3,0*

" " $&&(4413,(4 1 (0463( 5+(4( %$55(3,(4 $3( )6..: &+$3*(' $0' 3($': 51 *1 # &$0 4622.: $ 581 &+$00(. 4,/6.5$0(164 &+$3*( 5+( 15 10.: $3( $0$410,& 5:2( %$55(3,(4 4622135(' %65 $.41 /1'(.4 )31/ 10: $0' $010 /$-,0* 5+,4 $ 7(34$5,.( $'',5,10 51 $ &$/(3$ 2(3410>4 4+115,0* -,5

14 THEBVEDAILY BVE2016 D3 P14 Ed_v1.indd 4

17/02/2016 17:24

THEBVEDAILY

ARGOSY UNDERLINES THE TRANSITION FROM SDI TO IP Arogsy

Stand: H43

+"),2 $, ! -.+$(" ( /$ ) 0 && ,)&.-$)( , -# (-+ *$ )! $-, *+ , ( - -#$, 2 +5, # )'* (2 $, *+ , (-$(" $-, +) + (" )! )!! +$(", !)+ -# $( .,-+2 , $- .( +") , -# -+ (,$-$)( !+)' -) $(!+ ,-+. -.+ , !+)' & , ( )(( -)+, -) ,)*#$,-$ - $(!+ ,-+. -.+ *+) . -,

Chris Smeeton, sales director of Argosy

)&&)0$(" * +-( +,#$* & $( & - +"),2 $, -# "&) & $,-+$ .-)+ !)+ 5, *+) . -, $( -# +) ,- $( .,-+2 ' (.! -.+ , + (" )! )(( -$/$-2 *+) . -, ( $, & $(" *+)/$ + )! % 2 ) + /$ ) ')., ,0$- # +, ( 1- ( +, $,$-)+, -) -# +"),2 ,- ( 0$&& &,) , $-, + (" )! !$ + *+) . -, /$ ) ( . $) & , )(( -)+, + %, ( # + 0 + , -# +) ,- ( ' $ $( .,-+2 "+ . &&2 '$"+ - , !+)' -+ $-$)( & + #$- -.+ , -)0 + , ,)!-0 + !$( ( -0)+%, (

)(( -$/$-2 ,) -# +"),2 *+) . - + (" $, 1* ( $(" -) )/ + $(()/ -$/ ,)&.-$)(, +).( - - ( !$ + & , 3 # $( .,-+2 # , &)(" &))% -) +"),2 -) *+)/$ ")) /$ , 0 && , '*& ,-) %#)& $(", 0# ( $- )' , -) ,- *+ -$ $( )+ # + 0 + 4 , 2, #+$, ' -)( , & , $+ -)+ )! +"),2 3 2 )(-+)&&$(" && -#), ,2,- ', 0$-# ,$("& % 2 ) + ( ')., ( "+).*$(" , + (, )( -) /$ ) 0 &&, )* + -$)( & + , ( % *- & + ( .( &.-- + & $(" -) "+ - + + &$ $&$-2 ( & +$-2 4

THEBVEDAILY 15 BVE2016 D3 P15 Ed_v2.indd 23

17/02/2016 15:15

THEBVEDAILY

For the latest show news and updates follow @BVExpo

OPINION

THE ALWAYS-ON, ADAPTIVE CONTENT PARADIGM

By Christo Conidaris, UK country manager 57:- <0)6 8-: +-6< 16

< <0- ;)5- <15- >1,-7 .14-; ):- /-<<16/ 4):/-: ); :-;74=<176; Stand: G11 16+:-);- )6, ):- *-16/ ;<7:-, .7: :7),+);< 8:7,=+<176 0); ->74>-, 476/-: 8-:17,; 7. <15- .=-4416/ ,-5)6, .7: ?7:3.47? 78<151;-, /:-)<4A 7>-: <0- 8);< .-? A-):; ?1<0 67 ;47?,7?6 16 ;1/0< ); <0- ;<7:)/- ;74=<176; <0)< +)6 3--8 <:)6;1<176 .:75 <7 )6, =8 ?1<0 /:-)<-: 8-:.7:5)6+- :-9=1:-; 6-? <016316/ )*7=< +)8)+1<A )6, )++-;; ,-5)6,; ; ) :-;=4< 7. <0- +0)6/16/ 07? <7 -6;=:- <0)< <0- -6<1:- 8:7,=+<176 ?7:3.47? +)6 ),)8< <7 ,-5)6,; 7. +76;=5-:; )6, <0- :-9=1:-5-6< <7 -6)*4- <0- ,-5)6,; 7. <01; )4?)A; 76 ,-+-6<:)41;-, +76<-6< 8:7,=+<176 ->-: +0)6/16/ ),)8<1>- +76<-6< )6, ,1;<:1*=<176 57:- +758)61-; 8):),1/5 6 ),,1<176 >1-?16/ ?144 ;<):< <7 4->-:)/- <0- +47=, 0)*1<; +76<16=- <7 57>- <7?):, ) 57:- 57*14- ;7+1-<A <:),1<176)4 ?014- .7: +7584-@ ,)<) <A8-; *:7),+);< 1; 67 476/-: ,:1>16/ <0- 1< ?144 *-+75- +:1<1+)4 .7: <07;- +758)61-; <7 4->-:)/- ;<7:)/- 6--,; )6, ,)A; 7. C*4)+3 *7@D ;74=<176; <0)< +)6 7..-: 01/0 5);<-: +76<:74 1; 7>-: "0- ,:1>- 8-:.7:5)6+- /47*)4 ,)<) .7: 57:- +76<-6< ,-41>-:-, 16 C;0):-)*141<AD )6, :-)4 <15- ,)<) 57:- 84)+-; )6, )< )6A <15- 8:7<-+<176 16 )6 )8841)6+- "7,)A 1; 7>-:?0-4516/ <01; 1; +)44-, &+-4441; #;- 7. >1,-7 *A *=;16-;;-; 7?-:-, *A !<7: -@< <0- 1; -@847,16/ ?1<0 ,1/1<)4 >1,-7 ?7:4,D; 4-),16/ +744)*7:)<1>- 5):3-<16/ >1,-7 +76<-6< +76<-6< 8:7,=+<176 )6, ):+01>- )6)4A<1+; )6, >1,-7 *);-, ;7.<?):- 84)<.7:5 &+-441; <:)1616/ )44 8:72-+<-, <7 /:7?

Quantum

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

SNAPSHOTS FOR STORAGE SECURITY Archiware

Stand: G26

"0- 4)<-;< .-)<=:-; 7. <0- :+01?):- .)514A ?01+0 ;-+=:- 4):/- 5-,1) .14-; =;16/ ):+01>- *)+3=8 )6, :-841+)<176 <-+06747/1-; ):- *-16/ ;07?+);-, *A ,1;<:1*=<7: '

16<-/:)<-; ?1<0 ;A;<-5; )6, ,1;3 )6, <)8- ;<7:)/- ;74=<176; )6, +758:1;-; .7=: 8:7,=+<; ?01+0 +)6 *- +75*16-, )+3=8 :+01>- )+3=8 7 )6, !A6+0:761B- "0- 4)<<-: +)6 8:7<-+< ,)<) 57:- -..-+<1>-4A )6, 5)3- 1< 155-,1)<-4A )>)14)*4- 16 +);- 7. <-+061+)4 .)14=:- %1<0 D; *:7?;-: 16<-:.)+-

;A6+0:761;)<176 1; ;-< =8 ?1<016 516=<-; !-:>-:; ; 7: ! ; ):- +476-, )6, 155-,1)<-4A )++-;;1*4- ); .)147>-:; < )4;7 16+4=,-; &!)6 )6, ! >-6<; ;=887:< .7: 78<151;-, ?7:3.47?; $-:;176 7. <0- !A6+0:761B- 7,=4- ;=887:<; <0- .=6+<176)41<A 7. .14- ;A;<-5; ;=+0 ); ( ! 7: <: ! <7 +:-)<- ) ;6)8;07< 7. <0- ;<)<=; 9=7 7. ,)<)

!6)8;07<; +)6 *- +:-)<-, 16;<)6<4A )6, <0- :-9=1:-, ;<7:)/- ;8)+- 5)<+0-; <0- )57=6< 7. ,)<) <0)< 0); +0)6/-, "01; .=6+<176)41<A -6)*4-; <0- =;-: <7 3--8 )6, 8:7>1,- 5=4<184- +A+4-; 7. ;A6+0:761;-, ,)<) 61<1)44A <):/-<-, )< )+ =;-:; <0- :+01>- 88 ),, 76 -6)*4-; ):+01>- )6, :-;<7:- ,1:-+<4A .:75 <0- )+ 16,-: 16)4 =< :7

& =;-:; /-< *=14< 16 ;=887:< .7: ):+01>16/ <0-1: 41*:):1-; A :1/0< +41+316/ 76 ) .14-; .74,-:; <0-A +)6 57>- ,)<) <7 ) <)8- ,1;3 ):+01>- 16 ;-+76,; >-:;176 0); )4;7 *--6 <-;<-, ;=++-;;.=44A ?1<0 " ,:1>-; )6, 41*:):1-; "0- +758)6A +4)15; )6 )>-:)/- <0:7=/08=< 7. ;-+ 7: 0: :=6616/ ) .=44 *)+3 =8 ?1<0 <)8- +47616/

16 THEBVEDAILY BVE2016 D3 P16 Ed_v4.indd 12

17/02/2016 13:38

new tvbe template remade.indd 1

17/02/2016 16:09

THEBVEDAILY

For the latest show news and updates follow @BVExpo

FROM FIBRE OPTICS TO CUSTOM METALWORK Bryant Unlimited Stand: D44

)6:-2+ 8,) ;360(?7 &63%('%78 1908-1)(-% 1)(-'%0 )(9'%8-32%0 %2( '31192-'%8-327 -2(9786-)7 *36 3:)6 =)%67 6=%28 "20-1-8)( 1%/)7 % 6)8962 83 # 6=%28 -7 7,3;'%7-2+ 8,) 0%8)78 8)',2303+= -2 -28)00-+)28

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3;2 *%'836= *631 ;,)6) 6%'/7 4%2)07 0%&)00-2+ 7=78)17 %2( ,%6(;%6) *631 1%.36 -28)62%8-32%0 1%29*%'896)67 -2'09(-2+ 32(9'*-0 6%/% ;-8','6%*8 -7',)6 3%< 322)'8367 ,-23 %2( -637) %6) %073 79440-)( *36 97) %'6377 :%6-397 -2(9786= 7)'8367 073 32 7,3; -7 8,) ! ')68-*-)( -28)+6%00= 03'/%&0) '%&0) 900= '3140-%28 ;-8, 74)'-*-'%8-32

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4%8', '%&0)7 %2( %:%-0%&0) -2 1 1 %2( 1 '%&0) 0)2+8,

HELPING INVESTMENT IN THE NEXT GENERATION Lorensbergs Stand: Q64

2:)781)28 -2 2); )59-41)28 -7 7944368-2+ 789()28 6)'69-81)28 8,) &)88)6 8,) /-8 %:%-0%&0) 8,) 136) %886%'8-:) 8,) '3967) 3; ;-8, 8,) 789()28 -28%/) '%4 3** 136) )26301)287 %6) 4377-&0) %2( 92-:)67-8-)7 %6) /))2 83 )2796) 8,)=?6) -2:)78-2+ -2 8,) 6-+,8 6)7396')7 3 -8?7 238 79646-7-2+ 97%+) -7 &)-2+ 7'698-2-7)( 4%68-'90%60= ;,)2 -8 '31)7 83 496',%7)7 3* 74)'-%0-7)( &-+ 8-'/)8 -8)17 !,-7 -7 32) 6)%732 ;,= 8,) '322)'8 73098-32 *631 36)27&)6+7 -7 +%-2-2+ -2 43490%6-8= 06)%(= -2 40%') -2 3:)6 -278-898-327 '322)'8

7,3;'%7)7 %:%-0%&0) )59-41)28

%2( 6)7396')7 0)%(-2+ 83 6%-7)( %;%6)2)77 8 %003;7 789()287 83 &33/ ;,%8 8,)= 2))( 320-2) %2( 86%'/7 %00 97%+) 3 -8 7-1908%2)3970= -1463:)7 %'')77 %2( 97%+) 0):)07 ;,-0) +%8,)6-2+ (%8% 32 -8 !,-7 463:-()7 19', 2))()( -28)00-+)2') ;,)2 1%/-2+ 2); 74)2(-2+ ()'-7-327 2 8,) ,-+, ()1%2( )2:-6321)28 3* 92-:)67-8-)7 )59-41)28 (96%&-0-8= %073 '%66-)7 +6)%8 -14368%2') 322)'8

,)047 *968,)6 8,39+, %7 8,) 73*8;%6) )2796)7 320= 789()287 ;-8, 8,) 6-+,8 86%-2-2+ %2( '3967) 2))(7 +)8 83 ,%2(0) 136) 74)'-%0-7)( -8)17 1-2-1-7-2+ 8-1) 398 *36 1%-28)2%2') 8?7 %',-):)( &= %9831%8-'%00= 1%2%+-2+ )59-41)28 %'')77 %''36(-2+ 83 % 789()28?7 '3967) =)%6 36 '3140)8)( 86%-2-2+ 2 7911%6= 6)7396') 97%+) %2( -1463:)7 ;-8, '322)'8

Connect2 booking system improves equipment ROI

18 THEBVEDAILY BVE2016 D3 P18 Ed_v2.indd 12

17/02/2016 13:38

THEBVEDAILY

EVS SHOWCASES IT SWITCHER + *. * ,( #!", (* " '' %+ ' 1(' + *+ /#%% -,(& ,# %%1 -)!* + ," #+ 0) ' ,( #' %- &(* " '' %+ % ,,#'! ," &

EVS Stand: J05 #+ +"(/ +#'! #,+ %#. )*( - ,#(' + *. * /#," ," ' / " '' % 0 (),#(' ," %#. +,(*1, %%#'! ,((%+ , ( $)#, ' ," + +/#, " * , , /#%% %+( !#.#'! .#+#,(*+ )* .# / ( #,+ ' / #'! +, ' )% 1 $ + *. * " (&) '1 #+ * (* *#'! #,+ %#. )*( - ,#(' + *. * ( *#'! /"# " #' %- + ,"

+ . #% % #' (* " ++#+ ' )*(.# #'! (-* (* +#0 " '' %+ * +) ,#. %1 ' ," " '' % 0 "#+ ' / (),#(' % ,+ -+ *+ (- % ," " '' % '+#,1 ( ," #*

EVSâ&#x20AC;&#x2122; IT-based switcher DYVI is on display at BVE

-*," * 0) ' ," %#. )*( - ,#(' + *. * 3 + +/#, " * #+ %+( #+)% 1 , +"(/#'! #,+ * ,#. (',*(% +#!'

,( & $ #, +# * ,( +,* &%#' +, #-& ' *( +, +,- #( )*( - ,#(' #," #,+ #',-#,#. ) ' % !#. + -+ *+ &(* #' (-,)-,+ !#.#'! ," & ," )(/ * ,( % . * ! 2," +, #' +( ,/ * #' +/#, "#'!3 (* #'! ,( ," (&) '1 #+#,(*+ ,( ," +"(/ /#%% %+( % ,( ! , +' $ )* .# / ( 3 * ' ' / #'! +, ' )% 1 $ + *. * +#!' +) # # %%1 (* +,- #( )*( - ,#(' /(*$ %(/+ " ' / + *. * % ,+ -+ *+ +, *, +& %% ' 0) ' " '' % ' + , '1 ,#& /"#% )*(.# #'! ' ,#. ( ' (*& , +-))(*,

ROSCO PROU DLY INTRODUCES

pure, soft white light

The professional LED Luminaire offering uncompromising colour quality, output and efďŹ ciency.

Come by booth R16 to see the Silk 210, and get a chance to preview one of the next models in the growing line of Silk LED ďŹ xtures.

www.ro sco.co m

THEBVEDAILY 19 BVE2016 D3 P19 Ed_v4.indd 23

17/02/2016 17:11

THEBVEDAILY

For the latest show news and updates follow @BVExpo

OPINION

JUST SOFTWARE: THAT IS THE WAY FORWARD

By Greg Podsiadlo, president and CEO Stirlitz Media Stand: N21 33/ %6392( %2( ):)6=;,)6) =39B00 7)) 73*8;%6) 8%/-2+ 3:)6 8,) 630) 3* +%(+)87 %2( &3<)( 73098-327 %2( '322)'8-327 %6) 6)40%'-2+ ()(-'%8)( " -2*6%7869'896) 96 &63%('%78 ;360( -7 +3-2+ 8,) 7%1) ;%= #,)6) 1%2= )2+-2))67 78-00 %446)'-%8) 8,) 7896(= 033/7 3* &3<)( 73098-327 8,) 6)%0-8= -7 8,%8 73*8;%6) -278%00)( 32 +)2)6-' 7)6:)67 '%2 3*8)2 (3 )<%'80= 8,) 7%1) 2( &)'%97) -8 -7 A.978 73*8;%6)B 8,) '0-)28 &)'31)7 19', 136) *0)<-&0) -2 ):)6= 78%+) 3* 8,) 463(9'8 0-*)'='0) 7 %2 )<%140) 396 3;2 463(9'8 8-60-8> )(-% 3++)6 73*8;%6) -7 4%68 3* 8,-7 86)2( 8 -7 73*8;%6) 2%8-:) 6922-2+

%8 1%.36 " %2( 6%(-3 &63%('%78)67 ;360(;-() 8,%8 6)0= 32 -8 *36 8,)-6 %*8)6 &63%('%78 03++-2+ %2( 132-836-2+ ,) %(:%28%+)7 %6) '0)%6 ):)2 &)*36) &9=-2+

Greg Podsiadlo

)88-2+ % ,%2(7 32 *))0 3* 8,) 3++)6 -7 .978 % 1%88)6 3* *6))-2+ 94 % 78%2(%6( 7)6:)6 36 ()')28 %2( -278%00-2+ 8,) ()13 73*8;%6) =3967)0* 36 ;-8, 396 6)138) %77-78%2') !7) )<-78-2+ 7)6:)67 %2( '%4896) )2'3(-2+ ,%6(;%6) ;,)2 %:%-0%&0) 36 7396') -8 *631 =396 03'%0 79440-)6 +-:-2+ =39 A%6392( 8,) '362)6B 7944368 ;,)2 8,-7

,%6(;%6) *%-07 2') -278%00)( 8,) 73*8;%6) -7 6)%(= 83 +3 $39B00 &) 6)'36(-2+ 1908-40) " %2( 36 6%(-3 78%8-327 ;-8,-2 1-298)7 ))( 83 %(( ',%22)07 36 *)%896)7 32') 496',%7)( 978 6)59)78 8,)1 %2( =39 '%2 +)8 78%68)( 8,) 7%1) (%= #%28 83 8)78 -8 *-678 3 463&0)1 ;)B00 79440= % 8)1436%6= 0-')2')

;-8, 8,) 2); ',%22)07 %2( *)%896)7 )2%&0)( #) 6)0)%7) % 2); :)67-32 978 -278%00 -8 3:)6 8,) '966)28 32) -+6%8-2+ 83 %238,)6 7)6:)6 36 1)6+-2+ 1908-40) 7)6:)67 -283 32) 978 6)59)78 % 8)1436%6= 0-')2') 83 +)8 78%68)( 32 8,) 2); ,%6(;%6) ;,-0) '34=-2+ %6',-:)7 %2( '32*-+96%8-32 *-0)7 83 8,) 2); 7)6:)6

FAULT-SOLVING TO A FAULT Hawk-Woods Stand: Q15

59-41)28 *%9087 )74)'-%00= -2 6)138) 4%687 3* 8,) ;360( '%2

&) :)6= ()86-1)28%0 83 %2= ;36/ &)-2+ '%66-)( 398 ")6= %;%6) 3* 8,) 46)7796)7 8,37) ;36/-2+ -2 8,) &63%('%78 -2(9786= %6) 92()6 %;/ #33(7 3**)67 % '3146),)27-:) 6)*96&-7,1)28 %2( 6)4%-6 7)6:-') *36 &38, -87 3;2 %2( 731) 8,-6( 4%68= 1%29*%'896)( &63%('%78

)59-41)28 ?#) %-1 83 8962 *%908= 463(9'87 %6392( ;-8,-2 32) ;36/-2+ (%= %2( ,%:) % 291&)6 3* '396-)6 348-327 %:%-0%&0) 83 97 -2 36()6 83 6)8962 -8)17 83 =39 %7 7332 %7 4377-&0) @ 6)%7796)7 8,) 7,*36( )28 &%7)( *-61 ? ,-7 8=4-'%00= -2:30:)7 &%88)6=

6) ')00-2+ %2( 8,) 7)6:-'-2+ %2( *%908 *-2(-2+ 3* &63%('%78 )59-41)28 @ #-8, 3:)6 =)%67B )<4)6-)2') %2( /23;0)(+) -2 8,) -2(9786= %;/ #33(7 3**)67 % ;-() 6%2+) 3* 463(9'87 *36 '%1)6% 34)6%8367 7392( 6)'36(-787 %2( 0-+,8-2+

6= 83 (3 %00 8,%8 ;-8, % &3<)( 73098-32 %2( -8 ;-00 238 ;36/ ,)6) -7 23 ;%= &%'/ 3<)( 73098-327 *36 8%7/7 73*8;%6) '%2 (3 %6) ,-7836= 7 % 6)7908 &63%('%78 )2+-2))67 ;-00 2))( 83 &)'31) 136) 7%::= %2( 78%** ;-00 ,%:) 83 92()678%2( 8,) 74)'-*-' 6)59-6)1)287 3* &63%('%78 73098-327

)2+-2))67 8 783'/7 '%&0)7 %2( '322)'8367 *631 )13 %23 -7',)6 %2( %132+ 38,)67 %7 ;)00 %7 /-8 79', %7 &63%('%78 '%1)6% &%88)6-)7 ',%6+)67 43;)6 %(%48367 '%&0)7 %2( 409+7 *36 0)%(-2+ '%1)6% &6%2(7 0-/) %2( %232

20 THEBVEDAILY BVE2016 D3 P20 Ed_v1.indd 10

17/02/2016 17:30

THEBVEDAILY

PRIMED FOR REMOTE CONTROL RTW

Stand: L45

)& 2*-53 *3 3)*00*.( "3 " $/-0"$4 /04*/. *. !<3 /5$) /.*4/2 2".(& /' "5%*/ -&4&23 )& $/-0".9 $,"*-3 4)*3 -/%&, *3 *%&", '/2 " 6"2*&49 /' &.429 ,&6&, "00,*$"4*/.3 "$2/33 -5,4*0,& -"2+&43 4<3 &15*00&% 7*4) '"$*,*4*&3 .&&%&% '/2 ,/5%.&33 ".% "5%*/ -&4&2*.( *.$,5%*.( '2&15&.4,9 53&% 34".%"2% *.3425-&.43 ".% 0"2"-&4&23 )& 2*-53 '&"452&3 " *. 4/5$)3$2&&. *.4&2'"$& ".% $/..&$43 /6&2 4/ /''&2 %&3+4/0 "5%*/ -&4&2*.( '/2 7/2+34"4*/.3 ".% 3&26&23 "3 7&,, "3 /''&2*.( 5.#",".$&% 490& 47/ $)"..&, ".",/(5& ".% %*(*4", "5%*/ $/..&$4*/.3 )& /..&$4 //, &."#,&3 " %*2&$4 $/..&$4*/.

4/ 53& " 2*-53 "3 " 0,5( *. 7*4)*. " ! &.6*2/.-&.4 4 /''&23 " 2&-/4& $/.42/, 7*4)*. 4)& ! '/2 34"24 34/0 ".% 2&3&4 /. 4)& %&6*$& 7*4)/54 .&&%*.( 4/ %&'*.& 4)& 2*-53 "3 ". /54054 %&6*$& ! *3 ",3/ 3)/7*.( *43 /4)&2 /5$) /.*4/2 %&6*$&3 )& /5$) /.*4/2 *. ".% *. *.$,5%& 4)&

The USB Connect Tool enables TM3-Primus to be used as a plug-in within a DAW environment "(*$ *.3425-&.4 ".% 02/6*%& ',&8*#*,*49 -/%5,"2*49 ".% *.45*4*6& $/.42/, "$$/2%*.( 4/ 4)& $/-0".9 ,3/ /. 3)/7 *3 !<3 ',"(3)*0 02/%5$4

,*.& 4)& ".% 522/5.% /.42/, )&3& 02/%5$43 "2& ",, *. /.& 3/,54*/.3 '/2 4/4", $/.42/, /' 34&2&/ 3522/5.%

50 4/ ".% -5,4*$)"..&, "5%*/ 3*(.",3 /4) 4)& 522/5.% /.42/, ".% /5$) /.*4/23 *.$/20/2"4& ,/5%.&33 -&"352&-&.43

"$$/2%*.( 4/ ",, 2&,&6".4 ,/5%.&33 34".%"2%3 35$) "3

".% ",-

CLOUD-BASED ENGINEERING Arrow

Stand: K20

3 4&$)./,/(9 -/6&3 4/ 4)& $,/5% /.,*.& "00,*$"4*/. &.(*.&&2*.( &.6*2/.-&.43 0"6& 4)& 7"9 '/2 4)& 2"0*% ".% $/,,"#/2"4*6& "00,*$"4*/. /' $/-0,&8 3&-*$/.%5$4/2 02/%5$43

22/7 )/343 $,/5% #"3&% &.(*.&&2*.( "00,*$"4*/.3 &"$) $534/-*3&% *. ". &"39 4/ 53& 3$","#,& 7&# #"3&% 0,"4'/2- '/2 $/,,"#/2"4*6& "00,*$"4*/. %&3*(. ".% 3500/24 .(*.&&2*.( 4&"-3 %*30&23&% "$2/33 3&6&2", ,/$"4*/.3 "2/5.% 4)& (,/#& $". &''&$4*6&,9 3)"2& %&3*(.3 #"3&% /. " $/,,"#/2"4*/.

-/%5,& 4)"4 34/2&3 %&3*(.3

*. 4)& $,/5% )& 22/7 *()4*.( &3*(.&2 '/2 &8"-0,& &."#,&3 &.(*.&&23 4/ %&3*(. $/-0,&4& ,*()4*.( 3/,54*/.3 '2/- ,*()4*.( 3/52$& 4/ /04*$3 0/7&2 3500,9 #/"2% ,"9/54 )&"43*.+3 ".% $/..&$4/23 *. ". &"39 4/ 53& /.,*.& &.6*2/.-&.4 )& 22/7 /7&2 &3*(.&2 02/6*%&3 " 3/0)*34*$"4&% %&3*(.

&.6*2/.-&.4 '/2 %&'*.*.( ".% /04*-*3*.( 0/7&2 3500,9 3934&-3 *.$,5%*.( $/.6&24&2 30&$*'*$"4*/.3 *.

-*.54&3 $$/2%*.( 4/ 4)& (,/#", 3&-*$/.%5$4/2 ".% &,&$42/-&$)".*$", $/-0/.&.4 %*342*#54/2 4)& "00,*$"4*/. &,*-*."4&3 4)& .&&% '/2 %"4" 3)&&4 2&3&"2$) ".% $",$5,"4*/. )& 0,"4'/2- ,&6&2"(&3 '5,,9 *.4&2"$4*6&

3$)&-"4*$3 4/ %&3*(. 0/7&2 3/,54*/.3 ",,/73 *.34".4 6&2*'*$"4*/. /' 6/,4"(&3 ".% $/..&$4*/.3 ".% (&.&2"4&3 " $/-0,&4& #*,, /' -"4&2*",3 '/2 4)& %&3*(. : 22/7<3 /.,*.& &.(*.&&2*.( $"0"#*,*4*&3 "2& " (2&"4 ",4&2."4*6& '/2 %&3*(. "$4*6*4*&3 4)"4 "2& 2&0&4*4*6& 4*-& $/.35-*.( /2 $/-0,&8 ; *4 34"4&3

THEBVEDAILY 21 BVE2016 D3 P21 Ed_v1.indd 19

17/02/2016 13:39

THEBVEDAILY

INBRIEF

Mozarts for Mรถtley Crรผe TMB

By Adrian Pennington %" /" "+1 4,/)! 1,2/ 6 +! =1)"6 />" #" 12/"! ,**6 ""90 8 />" &#)69 ,3"/%" ! !/2* (&1 %&$%)&$%1"! 6 ,) /&0 ,7 /10 02--)&"! 6 : %" ,7 /10 *,2+1"! ,+ 1%" 2+!"/0&!" ,# 1%" !/2* /&0"/ /" 1%" -"/#" 1 "6" +!6 1, %&$%)&$%1 ""90 0,),0 0 %" /,))0 %&$% &+ 1%" &/ ,+ + ") ,/ 1" /,))"/ , 01"/ ,# 1/200 ; 01 1"0 1%" #&/* ,/*"! &+ 0 02--)6 +"14,/( #,/ 1,2/&+$ -/,#"00&,+ )0 ,##"/0 -/,!2 10 +!

0"/3& "0 1, "+1"/1 &+*"+1 -/,!2 1&,+ +! 01 $&+$ -/,#"00&,+ )0 #/,* ,##& "0 &+ ,+!,+ "4 ,/( ,/,+1, +! "&'&+$ 1 02--)&"0 /"+1 ) ,*- +&"0 !" )"/0 * +2# 12/"/0 +! / %&1" 12/ ) )&$%1&+$ 0-" &#&"/0 ,/ !"0&$+"/0 -/,3&!&+$ 1" %+& ) %")- 201,*"/ 0"/3& " +! #,)),4 2- *,+$ 90 -/,-/&"1 /6 / +! + *"0 /" 1 -)"5 %&$% 3 )2" ! 1 )"0 &)1 ,+0,)" 1&--"/0 / --)" 1/200 "00,/&"0

/, .2 02 *"/0& )" )"0 /, 2/$"/ -/,#"00&,+ ) ,2-)"/0

/, )" -,4"/ +! )"0 +! /, &+ +! /, "/&"0 ,++" 1,/0 %" ,*- +6 &0 1%" "5 )20&3" !&01/& 21,/ #,/ 3 /&,20 -/,!2 10 &+ )2!&+$ ,,)25 *"!& 0601"*0 //,1 1/ &+"/ 0,#14 /" &/"#)6 "01,,+ +! &/6 &$%1 )&$%1&+$ 0601"*0 ,) /&0 1/, "0 +! ,- &$%1 0,#1 )&$%10 #,/ #&)* +!

For the latest show news and updates follow @BVExpo

STANDALONE CONVERTERS Bluebell Opticom Stand: G49

< 6 9' 9+.. $' 5*19%#5+0) 5'8'4#. 1( 174 (+$4' $#5'& 51.76+105 (14 6*' '((+%+'06 #0& %156 '(('%6+8' 64#052146 1( $41#&%#56 5+)0#.5 = ':2.#+05 #7. % #00 /#0#)+0) &+4'%614 1( .7'$'..

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BC323 throw-down

5+)0#.5 1061 (+$4' #%* 5+)0#. +5 6*'0 4'%'+8'& #761 5'05'& '37#.+5'& #0& 4'%.1%-'& 24+14 61 %108'45+10 $#%- +061 #0 '.'%64+%#. 5+)0#. *+5 241&7%6 +5 (14 6*' 21+06 61 21+06 64#05('4 1( *+)* $#0&9+&6* 5+)0#.5 18'4 (+$4'

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+5 +&'#..; 57+6'& (14 .+0-+0) #7&+1 +06'4%1/ 2#0'.5 4'/16'.; 18'4 (+$4' *'

+5 # 2'4('%6 %1/2.'/'06 61 6*' #0& /1&7.'5

IP PERFORMANCE AT PINEWOOD IP Performance Stand: E48

8'4 6*' .#56 &'%#&' '4(14/#0%' *#5 %1057.6'& 10 &'5+)0'& #0& &'2.1;'& 81%'06 " 1 #0& #64+: 51.76+105 61 51/' 1( 6*' $'56 -0190 2156 241&7%6+10 567&+15 +0%.7&+0) !#40'4 415 ' #0' '# +0'911& 67&+15

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'((+%+'0%; #0& &'.+8'4+0) # 4'#. 4'6740 10 +08'56/'06 = *' %1/2#0; *#5 (14 /#0; ;'#45 5722.+'& 6*' #7&+1 8+57#. /'&+# +0&7564; 9+6* # 8#4+'6; 1( 0'6914-+0) 219'4 176 1( $#0& /#0#)'/'06 #0& 241&7%65 14 +0'911& 67&+15 '4(14/#0%' &'5+)0'& # 51.76+10 $#5'& 10 6*' 81%'06 " ':6'0&'4 5;56'/ #0& 6*' " #0#)'4 # *#4&'0'& +07: 5'48'4 9*+%* /#0#)'5

6*' %100'%6+10 $41-'4#)' #0& 5'55+10 59+6%*+0) #%4155 # %122'4 ' +)#$+6 6*'40'6 59+6%*'& 0'6914- +0(4#5647%674' %%14&+0) 61 #64+%- !+.$4#*#/ +0'911&>5 2156 241&7%6+10 241,'%6 '0)+0''4 < *' 81%'06 " 51.76+10 *#5 $''0 # )4'#6 #55'6 61 6*+5 2#46 1( 6*' $75+0'55 9+6*176 +6 174 914-(.19 917.& $' /14' &+((+%7.6 61 /#0#)' #0& 6+/' 917.& $' 9#56'& /18+0) 12'4#6145 $'69''0 5'48'45 =

22 THEBVEDAILY BVE2016 D3 P22 Ed_v3.indd 4

17/02/2016 13:39

THEBVEDAILY

GROWING THE POOL OF INBRIEF ROYALTY-FREE VIDEO Fibre and ямБbre connectivity

Pond5 Stand: R30

,+! 90 /,01"/ ,# /1&010 2-), !"! *,/" 1% + ,+" *&))&,+ )&-0 ,3"/ 1%" - 01 6" / 4%& % 1%" ,*- +6 ) &*0 * ("0 &1 1%" ) /$"01 # 01"01 $/,4&+$ ,))" 1&,+ ,# /,6 )16 #/"" 3&!", ,+1"+1 ,+ 1%" 4" ,+! % 0 )0, ++,2+ "! 1% 1 /1&010 % 3" ,+1/& 21"! ,3"/ 1%/"" *&))&,+ 3&!", )&-0 1, 1%" ,*- +690 ,))" 1&,+ 0 1%" #&/01 * /("1-) " 1, 02--,/1 "! ,!"

,+! 90 )& / /6 +,4 &+ )2!"0

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By Adrian Pennington 2--)'#" 4'1& 0#/'#0 ,$ '+1#/!& +%# )# 11#/6 " -1#/ '+1#/$ !#0 1&#

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THEBVEDAILY 23 BVE2016 D3 P23 Ed_v2.indd 23

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THEBVEDAILY

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ASPEN MEDIA GETS FIT FOR BVE

The DIO provides a host of interfaces and conversion choices

Aspen Media Stand: G30

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NO MANUAL REQUIRED LYNX Technik Stand: Q01

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24 THEBVEDAILY BVE2016 D3 P24 Ed_v1.indd 12

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AWARD WINNING REMOTE PRODUCTION FOR LIVE EVENTS Suitcase TV Stand: F34

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LIGHT RELIEF

1%&"2 &+"* 1,$/ -%"/ +! & ,) 0 ,/&$&+ ))6 ,+ "&3"!

1%" &!" ,# 1%" %"6 Stand: Q40 * !" 4&0% )&01 ,# #" 12/"0 +! - &)&1&"0 +! ),+$ 4&1%

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DMG Lumière

,+1$/ +! #/,* 1%&0 6,2+$ +! &++,3 1&3" ,*- +6 0"! &+ 6,+ / + "

26 THEBVEDAILY BVE2016 D3 P26 Ed_v3 JG.indd 12

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THEBVEDAILY

ULTIMATE VIDEO PROCESSING TOOLBOX VIO 4K multi-format converter

Analog Way Stand: C39

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THEBVEDAILY 27 BVE2016 D3 P27 Ed_v2.indd 19

17/02/2016 16:41

Special Guest:

4K UHD Rental Partner

1/&2 - " 2,#/ .) #.0-, -,"-, ,'0#" ',%"-+ #*

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CARRY-ON RAID STORAGE G-Technology Stand: K30

By Michael Burns Two new transportable eight-bay RAID storage solutions have been announced at BVE 2016.

The G-Speed Shuttle XL is an eight-bay Thunderbolt 2 RAID solution providing up to 64TB of storage. It features eight enterprise-class hard drives and can be configured in RAID 0, 1, 5, 6, 10 and 5. It features transfer rates up to 1,350Mbps, so is capable of supporting 4K workflows. The G-SPEED Shuttle XL is priced at £2,449 for 24TB, £3,149 for 32TB, £4,199 for 48TB and £5,599

for 64TB, and comes with a three-year limited warranty.

The G-Speed Shuttle XL with ev Series Bay Adapters is an eight-bay, transportable, hardware RAID, Thunderbolt 2 solution offering content creators up to 48TB. Designed to support multi-stream 4K workflows and beyond, this solution can be configured in RAID 0, 1, 5, 6, 10 and features transfer rates up to 1,200Mbps. It also comes with six enterprise-class hard drives and a three-year limited warranty.

Two of the eight bays in this model feature the company’s ev Series Bay Adapters, which are compatible with any of the portable G-Drive ev external drives, including the G-Drive ev

Crosby: “use the G-Speed Shuttles on location and then come back to your studio and go straight to the edit”

RaW, G-Drive ev 220, G-DriveE ev RaW SSD and ev Series Reader RED MINI-MAG Edition.

Available now, the G-Speed Shuttle XL with ev Series Bay Adapters is £2,299 for 18TB,

£2,449 for 24TB, £3,499 for 36TB and £4,199 for 48TB. Portability is a key theme, with the products being designed with an integrated handle to easily move the enclosure, while the unit is small enough to fit in an overhead locker on an aircraft.

Greg Crosby, worldwide senior product line manager, G-Technology said: “You can use the G-Speed Shuttles on location and then come back to your studio or office environment and go straight to the edit. The unit weighs around 10kg and can fit into a standard protective case.

It operates not only vertically, but horizontally too, so you can place a laptop on top of it and connect to the storage, like a mini DIT station.”

VENDORS CELEBRATE HHB’S 40TH BIRTHDAY HHB

Stand: L45

By Neal Romanek Audio tech supplier HHB Technologies celebrated its 40th year in the business with a champagne press event at BVE 2016. While happy attendees

had their flutes refilled, HHB’s partner vendors presented their highlights of the show. Genelec introduced its new 8430 monitor, which had its world premiere only weeks ago at Amsterdam’s ISE show. The 8430 claims to be the world’s first commerciallyready AoIP studio monitor. A new addition to Genelec’s Smart Active Monitor (SAM) range of

products, the 8430 features several connectivity options, including an AES67 signal via the XLR-housed RJ45 connector, as well as a standard analogue signal via a balanced XLR connector. Other companies showing off at the HHB stand were Avid, Nugen, DAD, Source Distribution, NTP Technology, and String and Tins.

Visitor’s to HHB’s press event were welcomed with champagne

GOING INTERNATIONAL WITH LOCAL aQ Broadcast Stand: Q12

By Neal Romanek aQ Broadcast is yet another company using BVE 2016 to make its UK trade show debut.

Despite its new footprint at BVE, the company has been

doing a thriving domestic and international business since its split from Autocue in 2013.

“We’ve continued to develop our hardware and software ranges over the past two years.

We’ve done IBC and NAB, but this is our first proper UK show,” said CEO Neil Hutchins.

The company is showing off its latest Video Server product

at BVE. Hutchins notes the product’s capabilities have ballooned. “When it was first developed, it was a video server, but now we’re describing it as a broadcast engine, because it has such a wide range of functions. It can literally be a one-stop-shop.” aQ Broadcast has a presence in North America, particularly in Canada,

and has been a favourite of local and regional broadcasters. In the UK, the company has been heavily involved in the local TV rollout, supplying ten of the new local TV stations.

“Our involvement with local broadcasters has ranged from just providing a simple newsroom system for one of the sites to providing a complete

technical solution, where we provide all their transmission playout and other functions, including uploading their content to YouTube or transcoding to different formats.”

Hutchins says that aQ’s appeal to local broadcasters is that it is the only company that can offer the entire range of services in one package.

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FBI INVESTIGATES INDUSTRY ASSUMPTIONS

By Neal Romanek On Tuesday evening, Females in the Broadcast Industry (FBI) used BVE 2016 as the platform for its official launch. The trade organisation, which was formed to support and facilitate the networking of women in noncraft roles in the broadcast industry, is free to join and open to both men and women.

The launch featured a panel discussion among six women working in diverse sectors of the media industry: Molly Connolly, WW strategist for media and entertainment at Dell; Natascha Cadle, facility director and founder of Envy Post; Rowan Bray, general manager of operations at Molinare; Pam Smith, sound engineer, NEP Visions; and Ilona Valent, EMEA systems engineer at Ross Video.

Moderated by Bubble and Squeak managing director and FBI founder, Sadie Groom, the panel offered advice on battling the workplace’s proverbial “glass ceiling”, which was reframed in a more positive light as the “glass ladder”.

Dell’s Molly Connolly takes part in a panel discussion at the FBI launch event “In fact, it’s not a glass ladder, its more like a tree,” said Rowan Bray, general manager of operations at Molinaire.

“You can climb it in all kinds of different ways. There are more opportunities for women now than ever before.” Molly Connolly offered a David

Letterman-style ‘Top 10 List’ of steps to take, to make the best of your career. Her running theme was enthusiasm and service, a motif picked up by other panel members. “Trust your gut instinct,” added Envy’s Natascha Cadle. “No one in the world knows you like you

know yourself. And don’t give up. It’s easy to get knocked down. Opportunities will happen for you.” NEP Visions’ Pam Smith said that enthusiasm and following her passion paid off, “All I ever wanted to do was sound. If you’re passionate about what you do and you enjoy it, it’s fun.

And you can put up with quite a lot.”

Smith also believes that encouraging women to enter male-dominated industries shouldn’t be left until the time when women are embarking on a career. “I think you have to go back to school level.”

CAN YOU FIND THE EIFFEL TOWER? Ncam Stand: H10

By Adrian Pennington There’s only one place you can find the Eiffel Tower on the BVE showfloor, and it’s on the stand of a good old British company, too.

Exhibiting with Vitec Videocom, camera tracking specialist Ncam is demonstrating the power of augmented reality (AR) technology by overlaying the iconic building onto a neighbouring stand. This all sounds like good fun, but broadcasters are increasingly turning to AR to jazz up their live news and sports coverage.

“A lot of broadcasters like the idea of not fixing AR in one room but having the freedom to move between different studios and even outdoors,” says Richard Hingley, Ncam account manager.

“This also enables them to use AR in a more innovative fashion.

There are more than 50 Ncam systems installed worldwide, among them new sales to Major League Baseball (MLB) and CNN, which is using the system on its US election coverage.

“The versatility to move the system between cameras is also very attractive to broadcasters,” adds Hingley.

Among users is BT Sport, which is utilising the tech to augment its UEFA Champions

League coverage. The broadcaster is using three cameras – variously on a rolling jib, a Steadicam, and a robotic dolly – to deliver informative, entertaining and immersive graphics.

While the kit at BVE is the latest 2016 model, with refinements to the graphic interface among enhancements, the company is reserving major developments for later in the year.

It will, for example, have another graphics partner on board and has something else up its sleeve too.

“Because of Ncam’s stereoscopic approach we know the distance of points and therefore depth,” was all Hingley would be drawn on. The tease.

Ncam’s Richard Hingley: “versatility and freedom”

30 THEBVEDAILY

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TVTech Europe

THE TECHNICAL RESOURCE FOR THE BROADCAST MEDIA PROFESSIONAL

February 2015 I Issue 1 I Volume 33

Europe

www.tvtechnologyeurope.com

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TV Technology Europe is the leading technical resource for the media industry professional. With its independent coverage of the latest equipment and technology releases and exclusive opinion and analysis, TVTE offers unrivalled coverage of all aspects of technology and engineering in the broadcast media sector.

THE TECHNICAL RESOURCE FOR THE BROADCAST MEDIA PROFESSIONAL

Thinking outside

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In search of a modern definition for channel in a box

Buyers’ guides

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EDITORIAL PLANNER 2016

Product reviews Camera lenses, audio repair

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ISSUE 1

ISSUE 2

ISSUE 3

ISSUE 4

Trade Show Distribution

• BVE 2016 • CABSAT

• NAB 2016

• Broadcast Asia • ANGACOM

• IBC2016

BVE preview edition 13/02/2015 12:41

Event Coverage

Features

Product Reviews

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Publication Dates

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• Virtualisation • Feature interviews • Expert commentaries • Sharpshooter series • Audio for broadcast • User reports

• Audio

• Trasnscoding/Encoding

• Ad close: Feb 1 • Distribution: Feb 12

• NAB 2016 Product Preview

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• Storage and recording

• Affordable 4K hand-held cameras

• Ad close: March 18 • Distribution: March 31

• NAB Best of Show 2016 Winners

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• Transmitters, antennas and RF

• Ad close: May 16 • Distribution: May 26

• IBC2016 Product Preview

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• Fibre, cable and connectors

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• Ad close: Aug 15 • Distribution: Aug 26

For more information contact: SALES

EDITORIAL

Ben Ewles

Nicola Pett

Neal Romanek

Sales Manager Tel: +44 (0) 207 354 6000 Email: bewles@nbmedia.com

Sales Executive Tel: +44 (0) 207 354 6000 Email: npett@nbmedia.com

Editor Tel: +44 (0) 207 354 6002 Email: nromanek@nbmedia.com

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