IBC2017 Daily D5 Tuesday 19 September 2017 by Future PLC

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TUESDAY 19.09.17

AI robots: a benefit or a hazard? By David Wood David Hanson is a real-life Dr Eldon Tyrell – the robotics genius from the movie Blade Runner, based on the sci-fi novel by Philip K. Dick. But Hanson’s vision is more Data from Star Trek: The Next Generation than Roy Batty, the replicant who comes back to Earth in Blade Runner to wreak havoc. His aim: to create the next generation of super-intelligent, super-benevolent robots. His latest creation is Sophia, a robot equipped with AI software to maintain eye contact, recognise faces, understand speech, hold natural conversations and simulate human personality. Her MindCloud cloud-based AI enables deep-learning data analytics to process the data she gathers, plus she has a bio-inspired skin and a unique Hanson technology which generates life-like expressions.

Her high-cheek boned face, modelled on a combination of Hanson’s wife and actress Audrey Hepburn, has already appeared on the cover of Elle magazine, in a movie and on The Tonight Show on NBC. Not bad for a one-year-old. Designed primarily as an entertaining interface for AI, Hanson’s robotic inventions are already helping teach science to kids and in future are destined to carry out high-level medical diagnostics and potentially surpass human intelligence. As Hanson explained at his IBC Tech Talk Keynote on robotics [17 September]: “Designers have been advised not to make robots look like people because we were told people won’t like them.” He disagrees. “Interfaces like Alexa and Cortana are voice only, but humans are 70 per cent visual; that’s why we want this fullbandwidth natural interface.

Hanson: “Human-like robots have a place in people’s lives”

It’s the future of humans interacting with AI. Human-like robots have a place in people’s lives so we want to make them look, act and think like people. “Making super-intelligent machines will, we think, make the world a better place. But we have to address the question of what happens when these machines match and surpass human intelligence? They might become frighteningly capable.

IBC delivers on expectations once again: With a day to go, attendance numbers at IBC2017 look set to beat last year’s record with 56,149 people having come through the doors as of 18:00 on Monday evening. “IBC is by the industry for the industry and, on behalf of the whole team, I’d like to thank our visitors, exhibitors and contributors for making our 50th year the best yet,” said Michael Crimp, CEO, IBC. “I look forward to welcoming everyone back to Amsterdam, 13-18 September 2018.”

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What happens when they achieve super-intelligence? Will they care about us? Will they have a safe and mutually beneficial relationship with people or will people be scared and turn on them? We want it to be safe – maximising net benefits for humanity. We want to make robots that are smart but caring. My hypothesis is that if we pursue super benevolent AI then we can maximise the benefit for all life on the planet.” Sophia has her own take on the question of safety. When asked, she said: “People assign motives to robots where there are none. I am constantly asked about robots adopting a malicious nature and taking over the world. There is simply no reason to assign human motive to something that isn’t human.” She’s learning fast.

Inside

Box office hits Data-driven insight into audiences could prove critical in boosting cinemagoing Page 4

Driving change How the automotive industry is encouraging development in the radio devices market Page 10

Immersed in tech The IABM looks at how AI ﬁts with VR and considers the potential for both in the broadcast media industry Page 12

Startup Forum HRH Prince Constantijn of the Netherlands, Startup Envoy for IBC, on the need for European collaboration Page 62

Read our IBC news stories on the moveÖ Published on behalf of the IBC Partnership by

18/09/2017 19:00

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Pace of change quickens across the industry OUTLINED

By David Wood The year’s IBC has underlined that broadcast is poised on the verge of a pivotal transformation. IABM director of strategic insight John Ive said that this year’s event was particularly significant because of the palpable increase in the pace of change. “It’s been quite a pivotal year,” said Ive at the ‘IBC Wrap Up’, aimed at identifying key trends at this year’s exhibition. “I have a feeling things are going to change very rapidly over the next five to 10 years, affecting all aspects from content creation to delivery.”

Niko Waesche, global head of customer and audience activation at research company Gfk, added: “IBC has been very exciting – like a train gaining momentum.” One of the busiest areas of the show was the IP Showcase – underlining the significance of IP-based production, said EBU director of technology and innovation Simon Fell. “The showcase was demonstrating nextgeneration production and ‘dematerialisation’ – putting broadcast production into virtualised space. Everyone is waiting on the SMPTE 2110 standard for IP with many

betting the farm on that one; it has to work.” Fell added: “We have members already building studios designed with flexible workspaces with 2110 in mind. Studios will be very different places, needing a new generation with skills that will thrive on IP infrastructure.” In addition to the pace of technological change, Waesche identified the keys to the future of success in media. “Media companies will be successful if they do two things right; produce great content and create great data. That’s where Facebook, Amazon and [Chinese e-commerce company] Alibaba

have a massive advantage over the rest.” The holy grail is to combine audience data such as location with advertising, said Waesche. “Advertisers such as Heineken want to reach people at the time they are most likely to buy a beer.” The development of AI and machine learning in the industry was another big trend, said

Google Cloud global head of media and entertainment Kip Schauer. “Companies have begun to integrate it. Things like shot/scene detection change will be able to create quick edits at sports events to be pushed to social media. That’s where I see ML creating new experiences for us – allowing more content to be distributed to more people.”

Deal drives UHD/4K and HDR Flow gets the best of the internet EVS

By Mark Hallinger

French rental house Video Plus has made a significant investment in EVS’ Ultra HD/4K live production technology as part of its international expansion strategy. The deal, which was agreed at IBC2017, includes the purchase of multiple EVS XT4K live production servers, as well as XFile3 systems for file transfer and archiving. The investment in Ultra HD/4K solutions is part of the company’s continued international business growth as demand for productions to operate in the higher resolution increases. The rental house was attracted to the XT4K not

EBU

By George Jarrett

More resolution: Video Plus CEO Laetitia Dery and EVS MD and CEO Muriel De Lathouwer

just because of EVS’ reliability and speed, but also due to the server’s flexibility in offering live replay operation in Ultra HD/4K, HD and Full HD 1080p and for the support of HDR production. “We’re delighted to offer our customers proven and

flexible solutions designed specifically with the latest formats in mind,” said Video Plus CEO Laetitia Dery. “Providing a live server that can execute Ultra HD/4K with HDR is very important.” 8.B90

Students compete for IBC spots By George Jarrett The IABM student sponsorship programme has brought nine successful qualifiers over to IBC from universities in the UK, France, Germany, Russia and Finland. St Petersburg University saw 35 students competing for two places. All the students selected are given Silver registration

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plus travel, hotel and daily allowance support. Martin Salter, who manages the group on behalf of the IABM, said that records of past groups show that the majority of students have subsequently entered the industry, in academic positions, engineering, manufacturing or with broadcasters. “The scheme has been incredibly successful

in terms of securing students who might have moved into other industries such as IT,” he added. “The mix of men and women has been split 50/50. From St Petersburg it has predominantly been young women, but this year it is one man, one woman.” All students are required to produce a report from IBC including a video diary.

Tullemans. “They can add their own arrangements like peering (transit) arrangements, together with CDNs.” The EBU load balances traffic on quality and cost, and availability factors. It puts all of this in one place for any member. What do users get? “This is a single 24/7 service because it is quite complex, but at the same time it is a toolbox which EBU members can apply to their environment. We are not positioning ourselves in between their distribution. We are not a single point of failure,” said Tullemans. Flow can hunt via country or ISP. “Regarding community information, a lot of websites have a piece of code that reports what the speed is. We add codes inside the player. When we decide which CDNs to use, that interests our CDN partners because they can see where they are performing well,” said Tullemans.

Trivago does hotel rooms, the EBU does CDNs. The Flow traffic tool, originated by using existing technology to open up a totally new area, has attracted huge attention for the way it gets the best of the internet in terms of routes, speed, cost and quality. “It is more Google Maps. You plan your route and are driving at the same time, and you get alternative routes if your way is blocked,” said Bram Tullemans, EBU project owner, Flow. “That is the same functionality with the way we move video traffic.” Flow measures the whole internet, and decides for a specific user a specific location and time for retrieving video as quickly as possible. “We select the CDN that performs best. We started off talking to the BBC as it was 10.F20 doing it, then we did a full scan of our membership, and everybody thinks they want to go to this dynamic switching to become more independent from the different distributors they Bram Tullemans, EBU have to use,” said

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3D only relevant to really young teens, data reveals OUTLINED

By Ann-Marie Corvin Data-driven insights into the cinema-going habits of millennials and aging baby boomers could prove critical in boosting box office numbers, a panel of cinema experts revealed during IBC’s Big Screen strand. Speaking at the session ‘Who is Your Cinema Audience in 2017?’ Laura Houlgatte, CEO, International Union of Cinemas (UNIC), warned that while young people love going to the cinema, exhibitors were competing with their time, and it was necessary to burrow down further into this demographic to help future-proof attendance.

Recent qualitative and quantative research by UNIC – conducted in the UK, Germany and Spain – revealed its members’ prime audience of 12-25 year olds had very different expectations of a cinema visit. Technologies such as 3D were enjoyed mostly by younger audience members (1214 year olds) and 3D became far less relevant to older teens and young adults, who wanted to go to the cinema to switch off and relax. Fellow panellist Sarah Lewthwaite, managing director of Movio, warned that studios and exhibitors were ignoring a growing and loyal number of aging baby boomers “at their own peril”.

Her firm, which makes a software that analyses the habits of older audiences, has found that Americans over 50 account for 31 per cent of all movie-goers over the age of 14 and accounted for 32 per cent of all trips to the cinema where they watch 6.8 films annually (compared to the millennials’ 6.7 films). The research also revealed that, as well as creating new blockbusters such as The Marigold Hotel and Woman in Gold, boomers also contribute heavily to box office successes with 27 per cent of the new Star Wars franchise audience comprising this over-50s demographic.

Laura Houlgatte discussed recent research from UNIC

Movio’s research also highlighted the boomers’ willingness to visit at off-peak times (70 per cent of over 50s visit the cinema before 18:00) and their love of art house

genres and ‘mature’ thrillers could be means through which exhibitors might create smarter more profitable programming options.

Baton QC at Mediacorp New record set Interra Systems

By Carolyn Giardina Mediacorp has expanded the scope of Interra Systems’ Baton QC system across its operations. The Singapore-based broadcaster recently built a new campus to serve as a base for more than 2,500 staff members, and it’s using Baton QC to check

content quality automatically, Baton+ to collect QC data analytics, and Baton Content Corrector (BCC) to fix audio loudness issues post QC. “When Mediacorp moved to a new facility, we wanted to ramp up our quality control efforts and increase operational efficiency. After relying on Baton for several years, we knew that it would provide the reliability we need as well as support the additional

features we were missing, such as audio loudness auto-correction and datacentric QC reports,” said Lim Siew Luan, AVP of technology support at Mediacorp. “Since upgrading Baton, we now have the ability to check the content quality using a centralised QC system across multiple divisions for several hours of media content a day.” 7.B13

Croatel picks parallel process for UHD TVC By David Fox Doing parallel productions in HD SDR and UHD HDR can be problematic, but delivers the best result, according to Croatian OB company, Croatel, which has spent a lot of time perfecting the process in its first UHD truck, on show in the outside exhibit area. “For the shaders/vision engineers it is very difficult to work like that,” said Edi Kristic, its head of UHD production. “If you work only UHD you have no problem, but delivering two signals is a problem.” Even though they haven’t broadcast in UHD yet, Croatel’s MD, Tonko Barac, believes the time spent getting everything right “was very useful for us to learn about UHD HDR.

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Akamai

By Ian McMurray A new record has been set for the peak level of traffic delivered by Akamai on its network. At more than 60Tbps, the number eclipsed the previous record of 47Tbps set on 29 August, 2017. The new peak was driven by several major events taking place concurrently on

top of the normal day-to-day traffic that Akamai delivers. Michael Fay, vice president of media products and operations at Akamai, said: “Year after year, Akamai is setting new records of traffic volume and customer utilisation of our network, whether we’re supporting a month-long sports tournament with multiple competitions every day or one major event with a dramatic peak in traffic.” 5.B52

x.news upgrades extend research reach x.news

What’s the story? x.news helps track multiple data sources

By Neal Romanek

OTT approach allows us to approach the end users in the easiest way – compared to the expense of a satellite feed – and offers the possibility of a stream of up to 30Mbps to the consumer,” said Barac.

x.news has brought a new version of its newsroom research technology to IBC. The x.news tool enables journalists, news agencies and enterprises to aggregate and track large numbers of data sources simultaneously, from social media to news wires to internal research libraries and databases. Version 1.9 includes a new TimeLine module option, which creates a chronological perspective on multiple sources of information.

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Working in parallel: Croatel’s Edi Kristic and Tonko Barac

It is now very easy for us to start with a production.” They hope to start UHD broadcasts later this year, mainly working with telecom operators. “We think that the future of UHD HDR production will be OTT applications, because the

18/09/2017 17:34

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Decoding the future

Sky Vehicle Technology

By Chris Forrester

By David Fox

The next 20 years are likely to see more technological innovation than the world has seen in the past 300 years, and Louisa Heinrich’s ‘Inventing the Future’ panel looked to predict and analyse some of the possibilities. Hiroyuki Kawakita, a research scientist at NHK, Japan, showcased the broadcaster’s experimental work using stereoscopic TV as an overlay to mobile phone image capture. Another project was very high-resolution 360˚ footage (captured in Patagonia) using a 4K image for each ‘eye’. Nils Lenke of Nuance Communications explained how ‘intelligent assistants’, – already present in vehicle audio and some home automation systems – would grow exponentially. He talked

Sky has been building its own vehicles for news and sports for four years, and is now offering its services to other broadcasters. “We were building vehicles for Sky UK and Europe, and we had a lot of interest from outside companies,” said John Ault, senior engineer. It has built 24 vehicles for Sky UK, 13 for Sky Deutschland and it is currently building a portable studio for Sky Sports on a 3.5-ton Sprintersize chassis. The single-side expanding studio will be 4x4x3m when open, and will be used for a new football show launching in mid-October. “The demountable studio can’t be expanded when it is on the van. It is not unusable, it’s just that the studio space is much smaller,” explained Beth Fairweather-Bloud, vehicle technology manager.

OUTLINED

The next 20 years will see huge amounts of technological innovation

about Amazon’s Alexa, and how it – and similar concepts – would expand and become even more versatile and how the internet giants would no doubt try to dominate. “It will be usual that these AIs will talk to each other. But would you let yours talk to your bank?” Sasha Schriber, from Disney Research in Zurich, supplied a compelling demo of how Disney prepares for current and future projects, not least in tough-to-render problems like snow (real, and collected from Davos for digitisation), human skin and eyes, and with

clever applications such as their Cardinal ‘script to screen’ time-saving software. George Wright, head of internet research, BBC R&D, explained that huge progress was being made. Notably, projects such as VR had moved out of the lab and was now in the hands of the commissioners and for delivery. “But some of our experiments fail. It isn’t always easy to hit the sweet spot.” Wright said he had no doubt that machine learning and AI would remain of huge interest to the BBC.

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Sky builds on vehicle expertise It is showing a Ranger XL vehicle at IBC that can be used with the studio. The dual-path uplink unit supports four fibre cameras and two wireless cameras – it uses custom 3D printed brackets to give 360º directional coverage around the van. It also uses Riedel’s new Bolero wireless intercom system, Peplink Pepwave 3G/4G cellular bonding (to remote control the vehicle) and has a Bluebell Silhouette box designed for a Sky Deutschland project, which supplies the fibre cameras with power, comms, bi-directional video and audio and Gigabit Ethernet. It is also planning a demountable box to house camera racking and operators that plugs in to a small SNG van, to provide racked cameras without needing a large OB truck; and a small, non-expandable, remote interview studio, with dish and generator, on a 3.5-ton Sprinter. 0.B04

Ad tech hits the spot

TMT Lab

By Will Strauss A patent-pending technology that ties digital advertising campaigns to TV schedules in real time is being showcased.

Spot Direct allows broadcasters to sell a value-added service that gives their advertisers the opportunity to time a digital campaign so that it coincides precisely with the appearance of TV spots

during popular programmes. The company suggests that surgically precise synchronisation can increase click through rates and time spent on a site by up to 10 times. 2.A41

RAI Amsterdam Conference 14 – 18 September : Exhibition 15 – 19 September

IBC Technical Supporters

Beth Fairweather-Bloud and John Ault with Sky’s latest Ranger XL vehicle

Streaming for sports fans Verizon Digital Media Services

IBC thanks our supporters for providing the technology that powers the IBC experience

By Carolyn Giardina

show.ibc.org/supporters

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Verizon Digital Media Services has announced that its Uplynk Video Streaming service has been integrated into Canada’s Stadium Digital All Access platform, a proprietary digital loyalty and fan engagement platform. By supporting the streaming of live and VoD sporting events, match highlights and other on-demand content, Uplynk allows Stadium

Digital’s customers – sports associations, leagues and teams across Canada – to use high-quality video content. “The essential element to attract, retain and increase fan engagement is not only captivating content but also reliable and superior streaming capabilities,” said Mark Silver, president at Stadium Digital. “We’ve chosen Verizon Digital Media Services for its demonstrated proficiency in making video content easily accessible to end users, regardless of their device.” 7.C11

18/09/2017 17:04

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WCME: “The power of the podcast” OUTLINED

By Chris Forrester The popular ‘What Caught My Eye’ session series wrapped up by sending producer and social media expert Muki Kulhan into the halls to come up with her ‘best buys’ for web broadcasters. Her top picks included Sony’s RXO mini action-camera [Hall 13.A10], a GoPro rival with WiFi links, that “is extremely robust” and versatile with 4K functionality and super slow-motion all in a miniature

package weighing just 110g, for about €850. Kulhan was impressed with City-Producer [Hall 7.G12]. “It’s an app designed by a broadcaster for broadcasters,” she said, with amazing functionality and enables just about every need with waveform, vector-scope adjustment, digital stabilisation, plus edit functions. “It’s a self-sufficient end-to-end production unit.” Norway-based VizRT [Hall 7.A20] was a “stand-out” pick

for social publishing that makes it easy to create a one-person show if needed. Primestream [Hall 7.D21] also made her list for its dynamic media management, 360˚ content and 4K capabilities for instant upload to streaming sites. Mobile Viewpoint and Spot On [Hall 14.F21] were also worth a visit, while anti-piracy solutions from TMG [Hall 14.F11] made Kulhan’s list. Stream Guys handled the often forgotten but important

Muki Kulhan reveals her ‘best buys’ to Captive North’s Tom Marshall

audio side of the business, including functionality for the hearing impaired. Kulhan also mentioned Facebook 360 [Hall 14.B26]

Coping with huge turmoil By George Jarrett Mark Harrison, managing director of the Digital Production Partnership (DPP), gave his response to what IBC has thrown up as: “Well, it is a strange time when you have professional content makers actually needing to learn from what amateur content makers are doing, in order to ensure they are keeping up with consumer command. “That is kind of what is going on now,” he added. “What I think is peculiar and exciting, and quite scary about where we are now, is that consumers are calling the shots, and their behaviour is determining the direction the media is going.” Historically, we all liked to talk about audiences as if we knew

there was something we can produce to satisfy them – we could think very hard and try to do our best for them. “That has been flipped on its head now, and it is all about looking at the behaviours of consumers and saying what about the needs of the producers! What are producers going to have to do in order to ensure that they are delivering the right kind of content and the right quality of content into those consumer behaviours,” said Harrison. “It is going to be a period of huge turmoil, and while we have been talking about disruption that has taken place, we are only just learning about the immense disruption that is about to happen to the supply chain.” That is going to be profound,

Knot enough light: Götz Schmidt zur Nedden, MD of Carpetlight, demonstrating what he claims is the lightest light available. Made from smart textile, using LEDs woven into silver-coated yarn, it is 2800-6000K colour tuneable, with 97 TLCI, flicker-free to 6,000fps, and comes in five sizes. “It can’t break, and you can really re-think your lighting. There is no need for heavy rigging systems”, as it can be taped up anywhere. Powered by V-lock or Anton Bauer batteries or mains, it can also be put on a frame like a normal softlight. 12.D46

Harrison: “Consumers are calling the shots”

and the companies that do best will be the ones that are able, deep in their DNA, to actually enjoy change. “That’s not easy,” Harrison added. “We could also see some very interesting relationships forming between content creators and some of the platforms. It is very logical to see direct relationships there.”

Atlas in action JLCooper

By Carolyn Giardina JLCooper’s new Atlas GPI, a programmable crosspoint smart switch matrix and logic processor, is aimed at applications including broadcast TV, streaming media networks, video editing facilities, news production, alert systems, monitor switching and audio/ video/multimedia studios.

spott ñ the difference: Making TV content shopable and interactive is spott, an app that synchronises with what a viewer is watching on TV and allows them to make purchases, from the clothes stars are wearing to the food being used on a cookery programme, in real time. Kyra Petrov from spott said with the apps’ deep learning ability and constantly refreshed database, there is no end to where both content producers and consumers alike can go with this app. 10.F42

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and praised its publishing tools for 360˚ with its open source video potential. “It makes 360˚ very easy for Facebook.”

It provides a number of connections and processing options for correcting GPI/ Tally incompatibilities. Features include 24 TTL/ CMOS compatible inputs with internal pull-ups to +5V, and referenced to ground on 25-pin D-sub connectors. It additionally has 24 parallel, Opto-isolated inputs, on high density, removable, terminal block screw connectors. 7.C03

StoryMe: Video marketing hero Vincent Lefevere said video marketing needs to be about getting, “the right content for the right people via the right channels”. However, he claimed video marketing strategy is often wrong, with people trying to create content that is, “too complex”. He added: “People are like goldfish; you have six seconds to communicate what you want to say, so pick your key messages carefully.” 10.F42

18/09/2017 16:50

Reimagine everything

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The importance of user interfaces in a multi-platform radio world OUTLINED

Ben Poor, project manager, digital radio, EBU

Audi Connect blends broadcast and broadband-delivered radio into a single radio product

Radio devices haven’t altered much for nearly a century, but that’s fast changing. Automotive manufacturers are driving that change, using hybrid radio standards to create a more engaging experience for their customers – and broadcasters had better get on board if they want to be a part of it. For the best part of a century, radio has been a key part of people’s audio listening, and remains so. Traditionally, this has been via a dedicated radio device, but does the user interface of the analogue era still work as well in our digital and connected age? With the increasing requirement for media to be ubiquitous – wherever and whenever desired – and a smaller number of devices becoming multi-platform hubs, what does this mean for radio? The radio user interface has remained largely unchanged for much of its lifetime, centred around frequencies and presets, as defined by the boundaries of analogue broadcasting. This remains remarkably persistent,

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even as radio became available on digital platforms. While these new platforms enabled additional services to be carried, devices still have interfaces that largely treated AM, FM, DAB as platforms to be kept separate, even as they carried the same stations. But things are changing. As well as new platforms, the concept of a device dedicated to a single platform became less important. The explosion in growth of smartphones since the dawn of the 21st century accelerated this. The expectation of a consumer now is that a single device will handle a wide variety of media consumption, across various platforms. As for radio, it’s not by chance that a lot of changes are now being driven by the automotive industry. Listening in cars is a place where radio remains very popular, no doubt it is a perfect fit: passive consumption while doing other things – in this case, driving. The percentage of people listening to radio in cars is typically

comparable to those listening at home across Europe, while exceeding it in some countries, including Italy. Radio listening in cars is also more likely with younger, more educated audiences when compared to the traditional radio set. Some car manufacturers see the media entertainment system in their models as being a key requirement from customers, and are seeking to provide an engaging, integrated and connected experience. Their preferred user interface for radio is focused around stations, rather than a fragmented view of individual platforms, which are considered as being merely a means of getting content to audiences. But, in contrast to the accelerated evolution rate of applications developed for the web or smartphones – where products can be launched, explode in popularity and then slip into obscurity in a matter of years – a car needs to work in the same way for its lifetime, often 10 years or more.

A case in point is Audi’s new Audi Connect entertainment platform. Initially revealed in July, and due for initial release in the new A8, it integrates hybrid radio technologies to blend broadcast and broadband delivered radio into a seamless single radio product. Drivers select from a single, unified service list – reflecting the true model of radio as a product, rather than a platform. The device switches between any available platform, meaning a driver does not need to choose between FM, DAB and IP to listen to a particular station. The more robust and efficient broadcast signal is preferred, but the device will seamlessly go to IP streaming if necessary. As well as the focus on stations and content, a multiplatform user interface should seek to make best use of the additional services available: being able to show high quality station logos, instead of a simple list of station names, better reflects the native station branding.

Driven by expectations drawn from other media experiences, audiences are increasingly used to having accurate ‘now playing’ information, album artwork, being able to favour specific items, being able to blend between linear and ondemand. A large part of this is achievable using current open standards such as RadioDNS, simply requiring a greater engagement from broadcasters to make this more of a reality for listeners. For broadcasters, these trends mean new opportunities to engage their audiences. Minimal effort to provide the right metadata and logos translates into a significantly improved user experience. The importance of the user interface is that, done correctly, it allows radio to have its unique content put alongside other media – available in a more connected and integrated fashion. These new user interfaces for radio will help keep radio loved and appreciated for another hundred years.

01/09/2017 14:03

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Why immersive technologies need artificial intelligence OUTLINED

Lorenzo Zanni, research analyst, IABM and Stan Moote, chief technology officer, IABM The cool thing about immersive technology like Virtual Reality (VR) is that it transports us into an interactive virtual world (full 360 degrees). So how does Artificial Intelligence (AI) fit with VR? If AI is typically defined as intelligent technology capable of replicating human learning and problem-solving skills, the trick with VR will be for AI to anticipate what the viewer wants to see and prepare as it streams out to their headset. Gamers are doing this now by starting to incorporate AI alongside canned player action responses. This way when a player does something out of the norm, a new reaction is “dreamed up” by the AI engine. This adds a whole new dimension to the virtual world and there is no reason why this can’t be used for predicting even simple reactions – such as understanding where the viewer will most likely be looking to assure the appropriate resolution is ready to view even when the viewer’s head moves quickly. The recent IABM End-User Survey revealed that 10 per cent of end users have already

launched some sort of VR offering. Forty-five per cent said that they are “likely” or “very likely” to launch a VR video offering in the next two-three years while 45 per cent said that they are “unlikely” or “not at all likely” to do so. While the industry is very excited about this new technology, there are indeed some caveats to make. VR technology for content acquisition and production is already available but it is priced at a premium compared to other formats – even UHD. At the final consumer end, awareness of the new technology is not high and headset prices remain steep. Most importantly, VR technology requires the backing of a clear business model for end-users to consistently invest in it. In the IABM survey, of the end users that already have a VR offering, 68 per cent “don’t know” how to monetise it or are not planning to. “Advertising” was the most popular monetising choice, but with only 12 per cent of respondents. This lack of a business model suggests low revenue potential for VR in broadcast and media.

For AI, respondents were asked if they were likely to deploy some sort of AI technology in their organisations in the next two-three years. Five per cent of respondents said that they have already with 38 per cent saying that they are likely to do so in the next few years. Fifty-seven per cent said that they are “unlikely” or “not at all likely” to adopt AI. Across all end-user organisations, only broadcasters, system integrators and production or post-production companies have already implemented AI technology. It is also clear that larger firms are much more likely to adopt the technology. AI applications in the broadcast and media industry have been rare so far with only a few suppliers launching anything that included some AI elements during 2016 and 2017. Most of these offerings incorporated machine learning applications within workflows. Other applications for AI include speech recognition, machine translation and metadata auto-tagging. Equally, it can provide ad sales

recommendations for commercial broadcasters, network management efficiency for pay-TV operators and recommendation engines to drive personalised UI experiences for online subscription services: Netflix claims that AI technology saves the company $1bn a year. The adoption of AI goes hand-in-hand with the search for increased operational efficiency that has driven broadcast and media technology procurement in recent years. As operational efficiency is so important, it is a surprise that more than half of the respondents to the IABM survey show little interest in AI. Perhaps it is considered too futuristic. IBM Research has been working on AI since the 1950s, however most people are only aware of the cool stuff IBM’s Watson does – like creating the trailer for the movie Morgan. On a less pretentious level, AI is employed by your email service, updating suggested filters by understanding your personal needs.

A natural consequence of AI adoption is the increased automation of routine tasks by media companies to eradicate internal inefficiencies and better monetise their viewership. This trend is part of an ongoing transformational process to become a true “media factory”. Even linear programme schedules can be automatically adjusted based on viewer trends and social media interactions. The main differences between VR and AI on the business side is that AI has a track record of improving profitability, whereas VR is struggling to find its way (beyond gaming) towards being profitable. Both are cool technologies that need to find practical uses. Tie them together and our new world using immersive technologies will become both mind blowing and profitable too. Both VR and AI applications can be found in the IBC Future Zone, and the Future Reality Theatre has been presenting a programme of creative, business and technology sessions to answer some of the questions and look at the opportunities, challenges and implications of these coming technologies.

Live events go mobile Media Links By Ian McMurray The MDP3020 IP media gateway edge device, designed for remote production and IP content delivery, is being launched by Media Links. John Smith, managing director, Media Links EMEA, said: “Live events continue to appeal to viewers, bucking the general trend for the overall decline in audience figures

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for pre-recorded content. As a result, broadcasters recognise the value of producing live content from a variety of environments. However, broadcasters also need to minimise the cost of live production. Therefore, we are excited to launch the MDP3020 at this year’s IBC. “This tiny workhorse addresses the universal need for network-protected IP transport that is highly portable, rapid to deploy and remotely configurable. The

MDP3020 uses standards including 2022-6/7, TR-01 to process ever-increasing amounts of media information over IP networks, existing broadcast networks, as well as point-to-point fibre networks offering a cost-effective and convenient solution to applications such as remote production over IP.” According to Smith, Media Links specifically developed the MDP3020 for the broadcast media market where economical IP media

The MDP3020 can be stored in a locker as hand luggage

conversion is a must-have, and the company expects that it will be of

particular interest for sports broadcasters. 1.C31

01/09/2017 14:04

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theibcdaily OPINION OUTLINED

Making life easier for broadcasters Goce Zdravkoski, chief executive, Stryme Broadcasters worldwide often struggle to keep up with the changing technological environments around them and any alterations to general consumer behaviour. To embrace these transitions as beneficially as possible, Stryme has always specialised in optimised broadcast solutions. Businesses with day-today needs profit from our

customer-focused solutions. They experience how Stryme simplifies and automates their working processes. As the broadcast industry faces new challenges, our innovative products and services help to make it easier for experts and specialists to design workflows. At IBC2017 we are proudly presenting our latest

Receiving IP/SAT hybrid networks 2wcom Systems By Mark Hallinger The FlexDSR02+/04+ professional receiver for hybrid IP/SAT networks can manage

transport streams via satellite (DVB-S/S2), ASI input and IP, while also managing elementary audio streams and Icecast streams via IP. Processing all common coding algorithms like Eapt-X, AAC, MPEG I/II Layer

developments. Get a closer look at Tubicon, a cloudbased broadcasting software application. We encourage our clients to move closer to their customers. It’s not about offering the latest industry features, but about us meeting the expectations of our users. It’s about connecting them and their audience. TV stations and entrepreneurs can now

approach their viewers with a multichannel distribution platform. Hence there is no need to worry about technical specifications and hardware, but to focus more on the work itself. Furthermore, to raise the bar in quality control and simultaneously reduce workload and operating

2/3 or PCM, the multipurpose device includes audio quality and redundancy options (ProMPEG FEC and DualStreaming to avoid IP packet losses). The FlexDSR02+/04+ also detects and switches over automatically to the best signal source available. It can be equipped with a double tuner

for simultaneous reception of two transponders. Combined with the SIRC Server (satellite inband remote control) and the MM08E 8-channel MPEG

costs we engineer Brodstar, our creation to improve compliance and analysing activities. Do you need more control of your monitoring and want to obtain deeper insights? If you do, this is a very interesting solution. 7.J03

encoder, broadcasting of regional content and managing files for configuration or firmware updates is also possible. 8.E78

Redundancy options include Pro-MPEG FEC and DualStreaming to avoid IP packet losses

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01/09/2017 14:05

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Digital media storage choices: hard disks or SSDs? Rainer Kaese, senior manager business development at Toshiba Electronics Europe, storage products division One of the most commonly asked questions in the storage business today is “will solid state drives (SSDs) replace hard disk drives (HDDs)?” Toshiba is well placed to try to answer it. NAND Flash storage is available in many packaging formats including SD cards, USB sticks, embedded Flash, SSDs and more. The mechanical robustness, complete lack of audible noise and wide temperature range create a winning formula that drives the rapid growth of this new technology. With all of these benefits, lightweight NAND is clearly the best choice for mobile applications. As technology continues to advance, the market is undergoing a fundamental shift in post-production and editing applications for video

and other content. Where once HDD arrays with multiple parallel spindles provided the required performance, the latest high capacity enterprise SSDs can now address this growing application with faster performance, lower noise, lower power consumption and a lower cost point. The new SSDs offering direct PCI-Express connectivity to the CPU via the NVM-e protocol will continue to accelerate this trend. Magnetic mechanical storage still remains the cheapest approach to bulk storage. Continuous development of HDD manufacturing processes means that, despite advancements driving down the cost of NAND Flash, it is unlikely that SSDs will decrease to the cost point of HDDs in

Getting batteries ready to fly Anton/Bauer By David Fox Last year the International Air Transport Association (IATA) changed the regulations for shipping Lithium-Ion batteries by air, as cargo, so that users now have to discharge them to 30 per cent or less of their rated capacity. To simplify this, Anton/

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Bauer has introduced its LPD Discharger, which discharges up to four 90Wh batteries to 29 per cent in three hours or less. This can even be done while they are being carried in a Peli case (the unit doesn’t need mains power). Of course, this would mean the batteries will heat up, but the unit is thermally managed and can slow the rate of discharge to

the near future. So, for the significant volume requirement for bulk digital media storage, HDDs will continue to increase their capacity in the 3.5-inch form-factor and remain the most cost-effective storage medium well into the next decade; especially for applications such as video archives, surveillance data and libraries. It can be expected that the vast majority of digital media data will still be stored on HDDs – this particularly applies to centralised data in data centres or cloud-based storage. Even if the price per SDD capacity were to drop and align or undercut the price of HDD capacity, there simply would not be enough production capacity for NAND Flash memory available. Within

keep everything safe. The LPD also has fan cooling. The system was developed with a rental company, but Anton/Bauer quickly recognised that it was an issue for the whole industry, particularly crews flying between locations needing to get their Goldmount or V-mount batteries ready to travel while already on the move. Andrew Butler, product manager, Anton/Bauer, said: “Until now, there’s been no elegant way to discharge

the next five to ten years, it will be close to impossible to invest sufficient amounts in production capacity to fully replace – let alone to satisfy – the additional storage needs of the industry. Last year the industry manufactured and shipped about 600EB (Exabyte = Million Terabyte) of HDD capacity. One of the factors for this development was the increasing storage requirements in the media industry, with Full HD resolution becoming a standard and rising demands for 4K and 8K resolution. At the same time, the SSD industry manufactured and shipped about 50EB, less than 10 per cent of the HDD capacity. To fully replace the 600EB of HDD capacity, the SSD manufacturing capacity

would need to be multiplied by a factor of 12. This scenario would just address and replace the 600EB HDD capacity levels of 2016. By 2020, the amount of storage capacity to be installed is estimated at 2000EB, probably more. This clearly shows that the storage needs cannot be addressed with SSDs only. As a consequence, it is very likely that both SSDs and HDDs will coexist in the digital media industry and the selection of storage type will largely be determined by application. HDDs may phase out slowly over time but the huge amounts of data that is expected to be created in the future can and will only be stored in large central/cloud-based pools of capacity HDDs. 6.C23

Power hungry: Anton/Bauer’s new LPD Discharger meets IATA regulations

batteries below the 30 per cent threshold, but with our new LPD, our customers can discharge and ship their

batteries in full compliance with the regulations and then fly through security.” 12.E65

02/09/2017 21:06

Recapture lost audiences Break the news first across all platforms with Media Backbone Hive. It’s time to reconnect with your lost audience in a more cost effective way. As viewers look to the internet, mobile and social media for their news fix, broadcasters can now reclaim this ‘Lost Audience’ with Media Backbone Hive, a Unified Content Platform linking everyone within the organisation to enable unified news production. One production system to deliver stories faster across multiple platforms online, TV and radio. No more silos. No more duplication of effort. And lots more flexibility.

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Infrastructure specialist in IPE deal for EMEA OUTLINED

Argosy By Heather McLean Argosy is expanding its capability to deliver power management products and services by becoming the exclusive distributor of IPE’s EMU intelligent mains monitoring range to EMEA. The EMU mains distribution units and its control

and monitoring web interface are being demonstrated on Argosy’s stand. Chris Smeeton, managing director, Argosy, said: “With IPE’s EMU line, we can put together more tailored solutions both for our broadcast clients and those in other sectors that require basic and/or intelligent power management. This partnership proves our ongoing

commitment to our customers, ensuring we can offer the very best power management systems and equip facilities to run as efficiently as possible.” The control and monitoring of power are two of the most important issues facing facility managers today, said Argosy. With many installations spread over different locations, the need for a simple, centralised control

Genie conjures up silky sequel Syrp By David Fox The new Genie II motion control rig is a compact, modular three-axis update on its predecessor that is said to be smoother, faster, quieter and stronger. While the original Genie in 2012 was designed primarily for time-lapse photography, with some video features added subsequently, the Genie II has been designed to be just as usable for video as it is for time lapse. There are now two components: a small linear drive, for moving along a slider, which can be used by itself; and a pan/tilt module, which clicks in to the top of the linear drive to make the system a full, three-axis motion controller.

Both units have in-built, replaceable batteries, which give about eight hours of continuous video use or 24 hours time lapse and can also power a camera or other attached device via a pair of USB ports. Both also have Bluetooth and WiFi connections for app control. “There has never been such a powerful motion control system, small enough to fit inside a filmmakers’ backpack,”

according to Syrp director Ben Ryan. Pricing isn’t finalised, but a complete package should cost no more than $2,000 (about $1,200 for the pan/tilt unit, plus $800 for the linear drive – about the same as the original Genie). The system is expected to ship in November. For those on a budget, the linear drive can also work with the existing $250 Genie Mini, to build a two- or even three-axis rig.

The Genie II comprises: a linear drive (bottom) and pan/tilt module (top)

At the same time Crystal Vision By Will Strauss is showing the Safire 3 realtime The Vision 1 frame from chromakeyer, Crystal Vision is making which can be its debut at IBC. The operated live from new 1RU-sized unit has the VisionPanel space for up to four control panel. Vision 1: the 1RU-sized unit has space for up to four video cards video cards and includes Safire 3 is various signal outputs, designed for dual reference syncs distributed dual reference distributed to various applications including from the frame and the ability to every card, complimentary weather sets and immersive work with IP and 4K. SNMP and remote backup and virtual studios. It can operate up Designed for smaller restore of all card settings and to 1080p and includes lighting infrastructure projects, the presets. Two 1Gb/s Ethernet compensation, colour correction Vision 1 features redundant connections for control and file and video delay features. 2.C28 power supplies, a common transfer are also included.

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Reuben Such, head of sales and support at IPE, commented: “We’re delighted that Argosy has added our power management solutions to their catalogue. Having established longstanding relationships with key systems integrators and major broadcasters across EMEA, Argosy moves in markets where IPE is still relatively unknown.” 10.C51

Augmenting scalable live streaming

12.F78

Play your cards right Crystal Vision

solution that can manage every aspect of performance, from controlling individual outputs to monitoring alerts, is needed. IPE’s intelligent, expandable power distribution solutions are trusted by facilities around the globe, including educational facilities, banks, houses of worship, pre- and postproduction facilities, OB vehicles, and state-of-the-art watercraft.

Jain: directly addressing problems facing publishers and broadcasters today

Brightcove By Ian McMurray Responding to ‘the explosive consumer demand for live streaming of events and 24/7 channels across all screens’, Brightcove has launched Brightcove Live. The APIdriven platform is designed to augment scalable live streaming with server-side ad insertion, cloud DVR, content encryption, on-the-fly clipping and seamless VOD asset creation. Anil Jain, executive vice president and general manager of media at Brightcove, said: “With Brightcove Live, we’re directly addressing problems facing publishers and broadcasters today – how to deliver and monetise live events and linear channels using simple but flexible

tools, without breaking the bank.” According to Brightcove, media companies face three key challenges in improving viewing experiences, increasing video-based revenue opportunities, and reducing the costs of operating a video business across platforms. Thus Brightcove Live is intended to empower media organisations to deliver and monetise broadcast-like experiences for live events and 24/7 channels, while diminishing the cost and complexity of live streaming. Brightcove Live has been successfully deployed for major global sporting events and simulcast linear television channels, including by Seven West Media, which owns and operates Australia’s largest independent media portfolio. 5.B69

01/09/2017 14:06

SAM VIBE. Made for sharing.

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IP and HDR showcase OUTLINED

Axon Digital Design By Heather McLean On show is the Synapse NIO440, an 8-channel bi-directional Ethernet/SDI bridge offering 3G/HD-SDI to uncompressed Ethernet video transport and de-centralised routing. Launched earlier this year, the NIO440 helps customers move to an IP-based infrastructure with compatibility of all possible

current and future standards, claimed the company. With a flexible architecture, it can be used as a point-to-point video/audio/data connection (using standard fibre-optic cables or SMPTE camera cables, avoiding CWDM infrastructures and cost) and it provides point to multi-point routing and distribution using IT switches. At present, the card is compatible with both AVB/TSN and S2022. Future standards like VSF-TR03/

TR04 and SMPTE-2059 are also within its capability and compatibility will be achieved by future software upgrades. Visitors to Axon’s stand can also see the latest SynView modular multiviewer, which is capable of handling 4K and any IP video format, making it suitable for a wide range of applications and from small to extremely large monitoring walls. Two basic models are available, each in two versions (SDI I/O or

Artemis Ray guns for big I/O Calrec Audio

The SynView modular multiviewer is capable of handling 4K and any IP video format

Ethernet I/O). These versions can be mixed and matched to build a hybrid multiviewer with up to hundreds of inputs and eight 1080p heads (on SDI)

PlayBox Technology EU Visitors to the stand are

By Mark Hallinger

Powerful: Artemis Ray has 456 fully featured input channels

and includes eight full-size faders to give operators even more control and a higher fader density in a smaller footprint, according to Calrec. This configuration saves around 200mm when compared to similar control surfaces.

In situations where space is at a premium, Artemis Ray’s 72-fader layout fits into a mere 2372mm (93.39in) of space, delivering more power than ever before in such a small footprint, claimed Calrec. 8.C61

S7/i lenses primed for Full Frame Plus Cooke Optics By David Fox The new S7/i Full Frame Plus prime lens range has been designed to cover the latest full frame cinema camera sensors, up to the full sensor area (46.31mm image circle) of either the Red Weapon 8K W or Panavision DXL, which both use a 40.96mm x 21.6mm sensor area in 8192 x 4320-pixel Vista Vision mode. The new lenses, which boast the familiar ‘Cooke Look’, are available in 18, 25, 32, 40, 50, 75, 100 and

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135mm. All S7/i primes have a true T2.0 aperture, with a nine-leaf linear module iris assembly, and cover 35/ Super 35mm, Full Frame

10.A21

Doli mixture streamlines media By Ian McMurray

Artemis Ray is debuting at IBC2017. The product has 456 fully featured input channels – making it more powerful than the Artemis Beam. It can also manage 72 faders, the same as the larger Artemis Shine model. Through the use of a new fader/monitor panel, Artemis Ray sports a new surface layout that allows more faders in a reduced surface area. The panel – also available on Artemis Light, Beam and Shine models – is the same width as a standard Artemis fader panel,

or two heads with UHD/4K resolution. Multiple connector panels will be available to allow for different I/O configurations.

The media workflows being demonstrated at IBC by PlayBox Technology EU (PBT EU) include one designed for Eastern Europe’s largest audio post-production specialists, Doli Media Studio. The project saw PBT EU’s Executor Sync Master, along with LAPIS and SubtitleNext at Doli Media installed to power the creative sound production workflow across newly refurbished and upgraded facilities. The company claims this shows how PBT EU’s bespoke solutions work effectively and cost-efficiently in a complex environment.

seeing what PBT EU claims are the considerable benefits that these agile solutions deliver, including additional layers of security, transparency and automation across studio networks that are required to adapt continuously to rapid growth and change. Vladimir Stanic, general manager, PBT EU, said: “We help organisations and industry professionals streamline the multifaceted challenges they face, using a single product or TK solution. Our primary focus at PBT EU is future-proof customer-driven product innovation, fast deployment and dedicated support. 1.A10

and beyond. They have a common fixed front diameter of 110mm, with a focus drive gear of 140T x 0.8 mod and an iris drive gear of 134T x

Captioning and subtitling application SubtitleNext has been installed at Doli Media

Cover up: Cooke’s S7/i Full Frame Plus primes offer maximum coverage

0.8. The lenses each weigh about 3.5kg, on average. Michael Lindsay, one of the first DoPs to test the lenses, wrote on the Red User forum: “They are fast, modern, big-format lenses that can deliver loads of detail, albeit in an easy-going way. They

are also super easy on skin and demonstrate a wrap around bokeh that is really unusual in a lens that also shows ‘infocus’ geometry in a modern way. Breathing is well controlled and ergonomics are familiar ‘Cooke’.” 12.D10

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Raw Light shines on EOS C200 OUTLINED

The C200 also has a touchscreen for touch auto focus, the first time this has been available for

the Cinema EOS range. It weighs 1.4kg, is compact enough for mounting on a drone or gimbal, and has

See us at IBC booth 10.A31

built-in WiFi and Ethernet for browser remote control and file transfer. It won’t support Canon’s XF-AVC format

initially, but that will arrive in a free firmware upgrade early next year. 12.D60

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Canon Europe By David Fox The new entry-level Cinema EOS C200 is on show at IBC, with a price tag of €9,230. James Burwood, professional products manager, Canon UK, said: “[It’s] a great upgrade from the C100, with 4K, high frame rates and improved auto focus. It has the same sensor as the C300 Mark II and C700 and the same auto focus, and shares most accessories.” “It’s a perfect combination of everything within the Cinema EOS family,” he added. “It is the first camera that we’ve got that can do 50/60p 4K internally, and can go up to 120fps in HD without cropping.” The camera can shoot 10- or 12-bit Raw internally using Cinema Raw Light, which can give 15 stops latitude, recording to C-Fast 2.0 cards. It is 20-33 per cent of the size of Cinema Raw, giving about 30 minutes of recording time on a 256GB card, but offers the same flexibility in colour grading. Both the C700 and C300 Mk II have to use external recorders for Raw.

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REALTIME NETWORKS FOR VIDEO, AUDIO, DATA AND COMMUNICATION Whether simple point-to-point connections large backbone infrastructures, Testor pattern generator MediorNet provides unlimited ﬂexibility in routing, processing, and distributing just about any broadcast signal – uncompressed and in real time. Enabling futureproof network solutions, the MediorNet platform paves your migration path to IP-based production environments. With modular hardware and feature-driven apps, MediorNet is customizable to your speciﬁc application– from multiviewers to large-scale systems including de-centralized video routing. NEW MediorNet MultiViewer

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Smart Deployment Series makes for tripod Master OUTLINED

Cartoni By David Fox A faster way to set up a tripod and improvements to its Master and Maxima fluid head ranges are Cartoni’s highlights at IBC. The SDS (Smart Deployment Series) system tripod expands and improves upon Cartoni’s Smart Stop two-stage, singlelever trigger by adding a new Smart Lock mid-level spreader. When combined with the

company’s patented no-bind mechanism for fast spreading and collapsing, they are claimed to “form the most intelligent and fastest deployed 100mm and 75mm tripod in the industry”. Also new is the Master 65 heavy-duty head for broadcast cameras with larger zoom or box-type lenses (taking a payload of 20kg to 70kg). It features Cartoni’s patented Magnum counterbalance system and silicon fluid drag, offering heavier drag with smooth starts

and stops and no backlash. The new drag system is designed for tight shots on long, zoomed lenses that are subject to subtle camera movements. The Master 30 handles payloads up to 30kg and comes as standard with a flat base that can easily be converted to a 150mm bowl base with optional adapter, while the new Maxima 30 is designed for Digital cinema camera packages from 3kg to 30kg. 12.E30

A Smart Lock spreader (left) as used in the Smart Stop tripod (right)

MatchBox licks lip sync errors Partial file retrieval Hitomi By Will Strauss A device for accurately measuring audio and video alignment is on show at IBC, both in Hall 2 and outside the venue, inside an OB truck. The Hitomi MatchBox gauges picture and sound placement to ensure that the exact amount of correction can be applied. This helps to eliminate errors such as a lip sync misalignment during a live broadcast. UK facilities firm Timeline Television uses the MatchBox 4K in its UHD2 truck, which is parked outside the RAI. Lee Wright, a senior broadcast engineer at

By David Fox Today’s digital cinema cameras offer such a perfect image that many feel they lack character, which is why a lot of cinematographers treasure the look that older lenses offer.

NOA By Mark Hallinger

Timeline, said: “With 4K transmissions there is a relatively high video processing delay to audio. The only way to measure the discrepancy out of the HEVC encoder is by using a MatchBox, as every time there is a slightly different delay.” MatchBox measures the delay in milliseconds so that

Classic lens look evolves P+S Technik

tool released

Matchbox is on show inside Timeline’s UHD2 OB truck

One company to benefit from this is P+S Technik, which has specialised in rehousing old lenses, such as Kowa. Now it is building additional lenses based on the old designs, with the introduction of the Kowa Anamorphic Evolution lenses. The original Kowa Anamorphic primes were produced until the 1970s and four different compact primes have been available: 40mm, 50mm, 75mm and 100mm. However, users found the focal range limited, so P+S Technik has added a wide-

an engineer can manually add the correct delay in the audio to match the video. “It is really important to line up accurately,” added Wright. “MatchBox allows us to line up mathematically and scientifically really quickly.” Hitomi is based in Slough in the UK. 2.C35

angle and a telephoto 135mm, matching the look and bokeh of the original set. They are low in contrast and warm in colour and can be made to flare. They are built in a compact, lightweight housing with modern cam-driven internal focus mechanics. The focus throw has changed significantly compared to the originals. The Evolution lenses offer a 200° angle on the focus ring and a 100° on the aperture. “Mod 0.8 gears and the same position of the gear rings throughout the set integrates them well in the modern production environment,” said Anna Piffl, P+S Technik’s managing director. 12.B12

The company’s new Partial File Retrieve (PFR) technology with FFV1 video encoding for StorageConnector, a management module for NOA’s mediARC archiving solution, allows users to obtain short file segments from sizeable files, without the need to downstream the complete file from tape to disk. The result is big time savings, said NOA, along with reduced network and disk load and increased throughput capacity on the tape drives. Specifically designed for use in the management of hefty tape-based repositories, this partial retrieval solution

offers hundreds of parallel access configurations, meaning operators are able to retrieve, for example, some 10GB portion of a 200GB file in half a minute (for LTO7). This formerly cumbersome task would have previously required more than 20 minutes if taking the whole file, said NOA. “Delivery times from the archive to production are a vital part of efficient broadcast workflows,” said Christophe Kummer, CEO, NOA. “With PFR for StorageConnector, NOA has addressed the issue of time effectiveness by creating a flexible and extremely fast way to extract FFV1 segments of IT tape-based content based upon the API of Storage Content management systems.” 8.D91

Eﬃciency: PFR promises time savings, and reduced network and disk load

Full of character: The Kowa Anamorphic Evolution lenses include the 100mm

22 IBC D5 2017 v1JRJMcK.indd 1

01/09/2017 14:09

12G-SDI to Fiber and Back New FiDO 12G-SDI Mini-Converters and openGear 3G-SDI Multi-Mode Cards Handle all of your long distance 4K/UltraHD video and audio transport needs with AJA’s new FiDO 12G-SDI Mini-Converters. With a transceiver, single, dual channel transmitters and receivers, the new FiDO 12G-SDI Mini-Converters offer AJA’s proven reliability, in a robust and rugged form factor that’s perfect for in the field, truck or facility use. AJA’s family of openGear solutions expands to include a new range of 3G-SDI Multi-Mode fiber cards, perfect for affordable optical transmission and reception; fully compatible with AJA’s openGear 2RU Rackframe. Multi-Mode allows for moderate fiber optic cable runs with cost effective and flexible cabling, perfectly suited for facilities with Multi-Mode fiber cable infrastructure.

QUALITY FiDO 12G-SDI Mini-Converters

openGear Multi-Mode Fiber

Quality, Reliability, Support

For 12G-SDI to Single-Mode fiber and back conversions, AJA now offers five new FiDO Mini-Converters including a 12G-SDI transceiver.

AJA’s series of openGear compatible rackframe cards expands with support for Multi-Mode over fiber optic cabling.

AJA Quality – Guaranteed

12G-SDI LC Fiber Models Available: FiDO-TR-12G FiDO-T-12G FiDO-R-12G FiDO-2T-12G FiDO-2R-12G

1-Channel Fiber Transceiver 1-Channel Fiber Transmitter 1-Channel Fiber Receiver 2-Channel Fiber Transmitter 2-Channel Fiber Receiver

3G-SDI LC Fiber Cards Available: OG-FIBER-TR-MM OG-FIBER-T-MM OG-FIBER-R-MM OG-FIBER-2T-MM OG-FIBER-2R-MM

1-Channel Fiber Transceiver 1-Channel Fiber Transmitter 1-Channel Fiber Receiver 2-Channel Fiber Transmitter 2-Channel Fiber Receiver

AJA Converters have earned a reputation for the highest quality and best levels of reliability. Built to the exacting standards of all AJA hardware, AJA Converters are backed by our world class support, five year international warranty and AJA’s advanced replacement policy.

For more information Visit AJA at Stand #7.F11 or online at www.aja.com

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Boost for VideoIPath and Virtuoso OUTLINED

Nevion

By Ian McMurray A range of new features have been delivered as software updates for the VideoIPath management orchestration software and the Virtuoso software-defined media node platform. According to Nevion, the features are designed to deliver the convergence required by broadcasters, as IP blurs the

distinction between the local area networks being deployed in their facilities, and wide area networks used for contribution, remote production and distribution. The new release of the VideoIPath software will further extend the existing WAN-based media software-defined network capabilities into the LANs. Highlights of the release include the new Flow app and the Panel app, which provide workflow connectivity in facilities.

Nevion Virtuoso’s latest software upgrade adds studio-over-IP functionality to existing WAN capabilities, including support for the SMPTE 2110-30 (audio over IP) standard. It will also extend its support for 4K transport with TICO encoding. The company is also showing the latest developments across its product range, including Flashlink (optical transport), Media Gateways and Ventura

Satcom in a suitcase ACTIA Telecom

Enhancements to VideoIPath aim to improve workﬂow connectivity within facilities

(encoding and transport), nSure (monitoring), cProcessor (TS processing)

Shape

Said to be easily deployable in less than 10 minutes, ACTIA’s DEKA065 TravelSat Ka band satcom terminal weighs less than 32kg, meaning that it can be transported by one person. With a compact size of 480mm x 520mm x 580mm, it is also IATA suitcase compliant. It integrates a highperformance 65cm dual-offset antenna which is composed of four segmented pieces that is said to deploy quickly and

By David Fox

accurately with no tools. It is rated to IP55, and is capable of operation in winds of up to 50km/hour with stabiliser legs. The DEKA065 is capable of upload data rates of 1Mbps, and the unit features manual pointing, assisted by

software. Its internal battery gives it an operational time of two hours. The standard version integrates an iDirect modem CX700 compatible with DVBS2 (downstream) and ATDMA (upstream) waveforms. 1.A32

Module offers more freedom for cable TV ops Teleste By Ian McMurray A dense QAM module has been added to the Luminato headend platform by Teleste. The 24 QAM module is designed to provide a very compact edge QAM platform for cable TV operators, allowing up to 144 QAM channels in one RU Luminato chassis. Offering high-quality QAM modulation with agile up-conversion, the company claimed the new module can provide smooth broadcast delivery over an HFC network and ensure the availability of high-performing video services.

24 IBC D5 2017 v1JRJMcK.indd 1

The 24 QAM module is capable of supporting a 1200Mbps payload, and flexible channel allocation enables it to fit any of the six Luminato slots. The unit comprises 24 independent multiplexers. Teleste said that the Luminato is designed to give users freedom in application design and to allow them to develop services that fulfil customer expectations of an attractive and entertaining TV experience. Due to its modular

structure, the company claimed that the platform is able to support any combination of the available modules, and can enable customers to adjust the service according to their specific needs. According to Teleste, the fully integrated Luminato platform is trusted by cable TV operators and telcos, as well as hospitality service providers of varying sizes and feature demands.

1.B71

New Revolt rigs for Canon and Red

By Ian McMurray

ACTIA’s DEKA065 TravelSat Ka band satcom terminal can be transported by one person

and VikinX (baseband and IP switches).

The new Revolt series rig for Canon’s C700 has a new top handle and top plate designed for comfort, according to Shape. The handle grip frame is made from robust CNC machined aluminium and the finger grip from Canadian maple wood (Shape is based in Quebec). “The grip is also easily adjusted for balance,” said Dirk De Bont, international sales, Shape. Two 15mm lightweight rod blocs can be fixed to the front and rear of the Revolt VCT Universal Baseplate, to support more accessories. The shoulder mount support

is wider, designed for comfort and stability, using gel padding and slip-free material. The new BP10 baseplate slides, so users can balance the camera more easily. There are also new Revolt series rigs for Red, and for Canon’s new C200 camera and Panasonic’s upcoming EVA1. The Red Bundle Rig includes: a top plate compatible with Red Weapon, Red Epic Weapon, Red Scarlet Weapon and Red Raven; an extendable top handle with EVF mount; Revolt VCT Universal Baseplate; telescopic handles; follow focus; and Shape’s new 4 x 5.6-inch matte box. 12.C51

5.B68

De Bont demonstrates Shape’s new Revolt rig for the Canon C700 The 24 QAM module is capable of supporting a 1200Mbps payload

01/09/2017 14:10

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MCX7000 allows transitions to be embraced

theibcdaily

OUTLINED

The MCX7000 is a multi-carrier satellite gateway that supports DVB-S2X

Newtec By Ian McMurray The MCX7000 R2.2 has been launched by Newtec, which claimed it will enable broadcasters to embrace the transitions occurring in the broadcast industry. The multi-carrier satellite gateway supports DVB-S2X, including channel bonding, and is designed for efficient distribution to towers and headends, or for use in back-up or dense DTH HUB stations. According to Newtec this will result in opex and capex savings. It allows transport of a single direct-to-home stream over up to three transponders, treating them as a single logical transponder. Programs are then recomposed by a next-generation set top box, equipped with a DVBS2X system-on-chip. Transport efficiency is significantly improved, the company claimed, enabling the delivery of ultra-high definition content. As a result, Newtec believes that customers are provided with the equipment needed for efficient video distribution of UHDTV and can prepare for the next generation of broadcast. The MCX7000 R2.2 is being shown alongside Newtec’s range of solutions for broadcast, including Newtec Dialog, which allows news-gathering crews to leverage the power of IP and offer a variety of services on a single platform. The company said this provides a solution to the most common challenges faced by broadcast crews, by delivering a reliable bi-directional IP multi-service communication link of sizeable bandwidth.

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1.A49

25 IBC D5 2017 v1JRJMcK.indd 1

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transmission Modernising home networks 5.8GHz ups audio ante OUTLINED

AirTies

By Ian McMurray The proliferation of connected devices in today’s smart home, combined with the increase in video streaming, places strain on in-home WiFi networks, and the worst performing device – usually a smartphone or tablet according to AirTies – can drag down the speed of all other devices in the home. While service providers are investing heavily to bring

faster internet speeds to the home, AirTies claims that conventional WiFi generally prevents subscribers from experiencing broadband speeds consistently throughout the whole home, and inhibits the ability for more connected devices in the smart home of the future. At IBC, AirTies is demonstrating how in-home WiFi Mesh systems that use multiple access points modernise the home network by replacing the single gateway,

or gateway-plus-repeater model, with what it describes as smart and resilient routing to deliver whole-home coverage at better speeds. Unlike traditional WiFi that relies on a single access point from a router/gateway, the company says that intelligent in-home WiFi transforms all connected devices into co-ordinated WiFi hotspots, to deliver broadband and IP video to all screens throughout the smart home.

5.A73

Matte boxes hang out in all the top bars

Saramonic/DSQN By Mark Hallinger The VmicLink5 wireless microphone system from Saramonic uses 5.8GHz transmission for quality audio. One receiver can work with up to three transmitters simultaneously, which the company said makes it useful for audio recording in applications such as DSLR video, ENG/EFP, filmmaking, broadcast and more.

Features include a 30m range of line-of-sight, an automatic channel switch programme to avoid interference from multiple systems within the same environment, three discrete channel groups, line and mic inputs that provide a wide range of input options, a real-time headphone monitor jack, a detachable and flexible antenna that can be rotated 360 degrees to find the best audio quality, and a rechargeable Li-ion battery. 8.B20

Triple it: one receiver can work with up to three transmitters simultaneously

Vocas Systems By David Fox The new matte box series MB-216, MB-256 and MB-436 are fully upgraded versions that are usable with the 15mm top bars that are a standard on the Vocas top handgrip. The benefit of using the top bars to support the matte box is that users can freely make adjustments to their base plate, such as finding the optimal balance point, without having to adjust the matte box in any way. For the same purpose Vocas has developed a new top lens mount support, so that now every accessory can be mounted on the top bars, increasing the flexibility of the set-up.

The Vocas MB-256 matte box on a 15mm swing-away bracket

Torque Video Systems The MB-216 and MB-256 are now also suitable for swing away use, which makes switching lenses easier. Most wide-angle lenses should work with the MB-216, which is wide enough to accommodate many lenses with a wide-angle converter without vignetting. The MB-256 works with

lenses with a front diameter up to 114mm, particularly Zeiss CP.2 lenses. Both matte boxes include a rotatable 4x4-inch filter tray and space for a fixed 4x4-inch filter in the front of the hood. The MB-436 is an economical 4x5.65-inch matte box designed for use with big lenses. 12.D56

Lockable cable tie wraps up well Rip-Tie By David Fox The lockable Rip-Lock CableWrap has been three years in development and is simple to attach to a cable in seconds, with no tool necessary. “We make frustration-free devices,” claimed Rip-Tie CEO, Michael Fennell. The CableWrap helps identify a cable as yours, keeps the

26 IBC D5 2017 v1JRJMcK.indd 1

QA and file transfer tools unveiled

cables neat and tidy and, once you attach it, it’s always on the cable. It is also quick and simple to use, with a pull tab designed for a one-handed quick release. It has been tested up to 10,000 releases and is available in a variety of sizes and ten standard colours (plus four neons). The company claimed it is also easy to move from cable to cable using the Rip-Lock Key included in every package.

Permanently attaching the Rip-Lock CableWrap to a cable takes seconds

By Ian McMurray The DVMon XS monitoring probe and DVStor Incremental File Transfer are being unveiled by Torque Video Systems at IBC. The paperback-sized Torque DVMon XS offers the same functionality as the company’s larger DVMon probe. It offers a flexible user interface running on any standards-compliant web browser, as well as IP monitoring, ASI transport stream monitoring and template verification, with a single input.

The newly introduced Incremental File Transfer is said to be ideal for news organisations monitoring overseas news broadcasts who want full resolution clips back at their home studio. Danny Wilson, founder and CEO, Torque Video Systems, said: “Despite its compact form factor, the DVMon XS offers the same features, power and legendary ease of use as the multi-port DVMon. We are also energised by the launch of our latest DVStor application for near-live file transport, and how it can transform operational processes in this industry.” 1.F34

Compact sibling: DVMon XS shares functionality with the larger DVMon probe

12.E73

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Exhibitor list and floor plan

theibcdaily

OUTLINED

3 4

5 6

IBC Future Zone

Correct as of 4 August 2017

IBC Future Reality Theatre

A02

A04

A06

A05

BO5

AO1

B02

BO1

IBC Partners’ Pavilion

A11

B06 B07

CO1

B03

CO2 C04

D03 E02

A12

A15

BO8

D11

E04

B15

A20 A22

B20

A19

A24

A21

B22

A23

B24

C19

B25 B26

A25

Paris B36

A33

A34

E24

D24

E26

D31

E30 E31

D35

D32

C31

D37

E38

E39

C35

D38

E36

C41

B44

A43

A46

D40

E44 E45

D41

F16 F17

D44

D47

A48

B52

B51

LAWO B5O

A5O

D56

C58

B59

A54 A59

A58

B61

B68

A63

A64

B67

C60

C61

C64

C62

B71

A65 B70

A67 A70

B73

C71

C74

D70

A74 A82

Emerald Room & Lounge (1st floor)

Dalet Digital Media Systems B77

Fraunhofer Digital Media Alliance B80

A84 A86

C73

D74

C77

D7B

E81

D79

E83

E78

C8O B89

IBC Executive Lounge (ground floor)

DB2

D92

D91

D88 C91

C92

C95t C95u C95v C95w

C93

B96

C94

MS52

MS53 MS54

MS55

A03

B27

B36

KAONMEDIA B16

A10 C31

B38

B41 A33

C22 C28u

C29

C28t C28v C28y C28w

DO1

B24

ARRIS B19 A16

37 38

33 34

29 30

25 26

21 22

First Floor Meeting Rooms G104

BO4

AO5

AO1 AO3

17 18

AO6

AO9

A18

A26

G107

A3O

G108

G109

A34

B52

A27 A30

G110

A33

B3Ou B3Ot

Atomos D25

B35

B43 B42

D4O

Panasonic Marketing Europe GmbH C45 Technicolor

C36

A46

A48

B44

B47

C42

C47

C49

B41

MS38

C51

A44

MS29

A14

A10 A12

D57

D45

B28

F51

A34

B12

D10

C11

Fujifilm Europe GmbH B20

A21

C21

D20

C25

D26

D21

B30

A30

B36

D31

D30

C31

A31 A34

D39

C35

A37

E30

E33

F30

E36

E37

F34

G29

A51

A41 A47

A48 A50

A53

A54

A55

D46

B52

B53

C72

A70 A73

A75

B75

C67

Sony A10 C73 C77

G37

F45

G4S

C75

E73 E75

D75

G53

G54

F55

Vitec Group E65

E77

F72

G55

G58

G61

F61

G64

F67

G68

F71

G74

F73

A20

F79

F78

G76

A03

B01

E01

D01

C01

B06

GO3 GO4 GO5 GO6

F01

D201

A12

A01 A02 A03 A04

A20

C01 C02 C03

C10

B20

A10

C11

C08 C15

C18

C17

B26

Broadcast Solutions GmbH E02

C36

C30

D01

E17

D14

F10

F05

F15

C37

D30

E26

D203

G11 G12 G14 G15 G16 G18

F11

F21

F32

JO2 JO1 D204 JO6 JO5 JO7

D14

C37

D30

F10

H15 H16 H17

H2O

MO5

LO2 LO3 LO4

E27A95

F16

A97

K06

D301

KO5

D302

D303

L12 L13 L14 L15

J1O

D304

D402

M24

D401

M28

LO9

L24 J14 J15

M3O

M31

M32 M33

F27

F37

PO2 PO3

PO4

NO6 PO5

NO8 D405

N12

D408

N16 N2O

KO2 K06

LO8

LO6 L10

KO1 KO5

MO5

LO2 LO3 LO4

ATEMEL12 D71L14

A91

P13 P14 P15 D407

N17 N18 P17

D503

D501

L17 L18 F76 L22 L23

J1O

L24 K14

D81 K16

K18K17

L3O

J2O

M3O

M29 M31

M32 M33

K13

Intel B65

B91

C90

PO4A77

PO5

N16 N2O

A81 P12

C91

F34

K14

J17

K18K17

P13 P14 P15

F71

C71

D201

D202

D203

D204

D301

D302

D303

D304

D402

D403

27-38 IBC D5 2017 FPLANFInal.indd 1

D401

D404

D405

D408

D406

D407

D502

D503

D501

D504

D508

D506

D507

Shenzhen Skyworth Digital Technology Co., Ltd. B61

C70

B75

C72

C65

B78

F86

D92

F90

C83

AWS Elemental

B78

C80

C95 C97

BS13

K16

BS27

C73 C74

AWS Elemental

C77

C83

C80

C85

L104

L103 L101

L102

Amtrium - Second Floor

Amtrium Restaurant (1st floor)

IABM Members Lounge

C85

B50

P16

Amtrium - First Floor

Taxis

P18

L104

A01

L103

14 - 18 September 15 - 19 Septmber

L101

L102

K2O

D92

Stairs

F94

F90

Amtrium Restaurant (1st floor)

D508

BS26

C71

A01

IBC Content Everywhere Hub

1 D505

BS27

BS12

CE Sales Office

C91

BS25

BS13

C75

C79

F94

BS24

Amtrium - First Floor

C77

C72

BS26

BS11

C69

C75 B75 F89

BS11

BS23

C67

B69

BS25

B50

M34 N21 N22 N23 N24 P24 P25 P26

Meeting Point

Amtrium - Second Floor

Step-free Access

Emergency Exit

Toilet

Cloakroom

Catering

First Aid

Wifi

Cash Dispenser

Information and Exhibitor Services

Smoking Area

IABM Members Lounge

FEATURE AREA

CONFERENCE

MEDIA CENTRE

Lost and Found: +31 20 549 1212 Emergency Number: +31 20 549 1234

Taxis

D507

Charging Point

Organisers’ & Sales Office

D506

Correct as of 1st August 2017

P21

M34 N21 N22 N23 N24 P24 P25 P26

14 - 18 September 15 - 19 Septmber

L3O

IBC Content Everywhere Hub

K2O

15 13

2 D505

C53

C74

C70

BS24

C79

FBO

F37

Elicium Fifth Floor

B72

BS23

BS10

BS10BS12

C51

C50

C69

A74

A77

F76

B69 D81

C95 C97

B68

A69

Hall 13 Meeting Rooms Elicium Fourth Floor

C49

Intel B65

P21

Elicium Third Floor

B66

BS22

PO7 PO8 PO9

N17 N18 P17

Elicium Second Floor

B64

C65

CE Sales Office

Visitor Registration Entrance Hall 14

A63

C63A65

C67

F33

E30

BS9

C43

C48

C52

BS21

BS8BS8

C73

FBO F89

B60

BS22

C45

B51

C53

A60

F70

ATEME D71

B68

B72

PO2 PO3

NO6

N12

M28

A59

A81

B66

A73

NO8

M16

M23

LO9

P16 D504 P18

F61 C52

F68

D69

B64

P12

PO8 PO9D502

C51

F59

Shenzhen Skyworth Digital D61 Technology Co., Ltd. B61

B60

Appear TV C61

BS21

BS7

B50

C49 Akamai Technologies B52

F49

F58

Elicium Fifth Floor

PO7 D406

C50

B53

NAGRA/Conax/SmarDTV/NexGuard C81

A95 A97

M1O

MO7

C42

B53

B51

C57

C65

A74

M21

F70M24

L13 L15 L16 L2O

H12 H11 H14 H13

H2O

F32

C90 F33

Eutelsat D59

B79

F71

B45

BS6

BS7

K13

J13

J2O

D404

M29

L17 L18 L22 L23

L16 L2O

M1O

MO7

G11 G12 G14 G15

F21

B91

F34

E30

M21Hall 13 Meeting Rooms M16 Floor Elicium Fourth M23

LO8

L10

KO1

A78

F68

C38

BS20

C35

C63

A69

F86 F15

E20

A91 E26

HO7 HO9

J14 H15 G16 J13 G18 H16 H17 NAGRA/Conax/SmarDTV/NexGuard F11 J15 J17 H18 H19 C81

A81

D20 D24 D27

D403

HO7 HO9

F27

E27

KO2

H12 H11 H14 H13

H18 H19

E20

D20 D24 D27

G1O

E13 E14

C15

MO4

Elicium Third Floor LO6

HO2 HO1 HO4HO3

EO5 E06 E09

D10 D11

D202

F03

F16

C20

C19

B27

A30

GOl

F02

BT Media & Broadcast D02

C11

E13

E14 OMNI REMOTES F05 founded E17 by Philips

NO2 NO3 NO4

B05

C03 New B07Visitor Registration Hall 13 Basement Entrance D

D10 D11

G80

Elicium Second Floor B04

C08

C36

C30

A30

LO1

A04

B26 B27

Visitor Registration Entrance Hall 14

IBC TV A08

C10

G75

EO5 E06 E09

D01

IBC Organisers’ C18 C17 Office (firstC19floor)C20

G71

Grand Cafe (ground floor) FirstG73Floor Restaurant (first floor)

C01 C02 C03

B20

A10

G63

G77

F76

A12

JO2 JO1

HO2 HO1

G1O

F47

F56

Intelsat Corporation C71

OMNI REMOTES founded by Philips A81

D69

Intelsat CorporationJO6 JO5 HO4HO3 JO7 C71

A59

A65

Cisco A71

MO4

B79

C55

Nevion B71

A76

B43

B49

C45A51 C48

F50

B49

B50

A63

C53

IBC Organisers’ Office (first floor)

LO1 GOl

A78

F40

A73

A60

A74

Great Britain & Northern Ireland B48

C43

F41

BS20

BS19

BS6BS5

C41

C42

C49

B59

NO2 NO3 NO4

Cisco A71

A74

A76

F38

C27 C33

C34

B37 B40

Ericsson

C55

C5B

Ericsson D61

Appear TV3 C61

F61

C30

B35

C41A45

B61

A62

B30

China A41

A69

C57

GO3 GO4 GO5 GO6

A01 A02 A03 A04

C50

B59

Nevion B71

New Visitor Registration Hall 13 Basement Entrance D

A51

C65

C53

C57

G49

B51

C28

C29

B32

C38

BS18

BS5

C21 C23

B33

F36

B45

D41

D51

A65

C51

A49

Grand Cafe (ground floor) First Floor Restaurant (first floor)

C55

A58

G45

F50

E53

Exhibitor Catering Point E71 (ground floor)

D66

C79 D73

G46

F51

E51

Canon Europe Ltd D60 B64

A69 B67

A68

D53

Paris E56

C61

B65

F41

(First Aid Hall 13 Elicium Basement)

D56

C59

F44

E45

D47

D52

C51

C54

D45 E42

C43

C40

China B61

Huawei Technologies Co. Ltd. A64 A06 A66

F38

D42 B45

B42

A58

A06

C5B

G43

A40

A01

IBC TV A08 B59

F35

D39

GreatC39 Britain & Northern Ireland B48

Akamai Technologies C51 B52

SES B51

F59 F58

A58

Exhibitor Catering Point (ground floor)

F34

B43

BS19

BS3 BS4

C24

B27

BS18

BS17

BS2

B21

A31

BS16

BS4

C13 C15 C19

Wyplay A28

C35

C34

B37 B40

A59

C49 C48

C16

F45

A51

C45

C12

B19

B20

C33

A30

A58

B61

A62

C30F33

B35

C30

F49

F56 C33

C41

B16

A19

C27 A26

BS15

C11

A18

C25

C28F29

BS3

C09

C25 Samsung D35

D30

C1O

B1O

B15

C29

BS15

BS17

BS2 C05

BO5

A16

F27

Evertz D31 B33

A49

F47

A05

C21

F13

F45

A54

K31

K40

BS16

C23

Net Insight B40 A51

J43

BS14

Korea A14

C24 F11

B27

C41

A41

A50

J42

C04

B06

A02

C19

A39

C31

A50

Sony C51 A10

B19

C29B32

A45

J40

K29

K30

C13 C15

C16

B30

ArabSat B38

H47

J31

Hall 1 Balcony Suites - First Floor

Grass Valley, a Belden Brand D11 B21

F41

A46

C27

Eutelsat D59B41

B40

C57

A52

A69

A50

G41

A38

C50

Ontario A41

A59 B59

E02

B20

ChinaC31 A41

K28

J30 J38u J38t

C11 C12

B15

B16

A31

B30

C25

Paris B39

B49

A47C55

A65

Harmonic B20

H40

G47

G45

C35 B32

Ontario A46

A58

C48

B51

A44

C32

DO1

B28

A33

B29

B31

C29

Humax C27

A29

C21

C28

D51

C51 SES B51

A51

C49

B49

A49

A47

Exhibitor Registration Holland Entrance Entrance C

A52

JVCKENWOOD F31

A52 A54

C45

Huawei Technologies Co. Ltd. A06

F38C15

F50 A52

Paris A36

(First Aid Hall 13 Elicium Basement)

B40

A40

F40

B21

B30

B22

H37

H39

C09

C37

C11

C1B

C28u

ARRIS B19

H30

C05

C23

Wyplay A28

A30

A32

C29

A29

C49

A31

A49

C41

B41

C1O

B19

A32 A34

F35

Hall 1 Balcony Suites - First Floor

Avid J20

BS14

C28t C28v C28y C28w

A19

C69

B28

MS39

C33

Paris B39

Ontario

A46 IBC Organisers’ Office (first floor)

G25 G27

B32

Ontario A41

G21

ARRI F21

F20

E28

Net Insight B40

A41

MS38

C35 A31

F11

E20

C32

B31

Paris A36

E16

E1O

MS37

Europa Foyer

E5O E51 E52 E59 Conference

A21

C41

A24

A18

F36

D41

B20

China A29

A16

B31

C67

B67

B1O

A30

C31 B30

D39

Dolby Laboratories, Inc. A11

A20

B29

G111

A29

C39

KO1u

K21

G38

G41 G43

C1O

B1O

A30

F34

B11

MS29

A50

C27

C29

G110

3, 4

A20

D59

A32

G11

A26

IBC Organisers’ Office (first floor)

A24

F41 F45

Europa Foyer

G111

rence

Belgium F42

D41

D46

B48

A49

D42

A46

C25

G109

A39

MS36 MS27

Technicolor MS7

B62

A09

A20 A06 B09

A26

A27 C59

C26

MS34 MS35

MS17

MS5

C28

A16

KO1t

K11

J15t

Blackmagic Design H20

Adobe G27

G37

C04F49

F41

C13

C22

A14

B24

A23

F33

B61

MS33

A44MS23

MS15

C21

C26

B20

A21

IBC IP Showcase E106 A30

F37

MS39 C49

F35

A42t

MS7

B49

B39

B44

A41

C1B

B21

G108

A20

F33

Belgium D31

MS36

MS5

C4O

B45

D30

C33

C15

ArabSat B38

B30

A33

BO5

A21 Korea

B1O

F29

C63

A61

C37

J07

K31 J15u

C11

C12 A15

KAONMEDIA B16

C46

D30

MS32

MS13

MS2

MS4

F27 F29

MS37

B19

G107

F23 F24

D29

GB & NI Pod A42

C1O

MS3

Dolby Laboratories, Inc. A11 G106

D26

C27

Riedel Communications GmbH & Co.KG A31 MS35

MS27

MS31

A40

C11

F21

A38

MS17

MS1

B11

G105

F20

C25

MS34

D3O

MS4 C32

C20 Axon Digital Design A21

MS33

MS23

B1O

B06

F39

A05

F27

A18

Samsung B45 D35C60

C30 AO8 A1O

J14

H35

G30

F31

D39

F13

A21

B52

ASPERA, an IBM company G20

F33

C10

A11

A08

A03

A10 C31

C41

B40

A63

B31

G104

A16

Diamond Lounge (ground floor) MS30

E30

A02

B01 B02 B03 B05 B06 B07

B39

Israel Export Institute B56

A62 A64

J03 J05

JO1

J15v J15w

H15

K25

D31

C30

C26

Evertz D31

B41

C31

A29

MS10

C69

A03 A04 A06 A07

F11

China B37

B38

A33

A54

A32

C67

B67

First Floor Meeting Rooms

A09

B27

B36

A31

C29

H09

K40

H1O

G15

G23

Rohde & Schwartz E25

D30

C21

B30

A27

A48

H05

HO1 H03

J43

D25

C28

B42

C18

B26

A29

A52

C59

C63

B28

Auditorium Entrance G

B62

D15

D12

A28

D12

MS15

D15

C23

B27

B26 B28

C1O

A26

MS13 D1O

D13

C17

MS3

D2O

A31

B12

B10

A4O A44

IBC IP Showcase E106

C15

Ross Video Ltd C1O

A61

AO8 A1O

A16

A24MS32

DO1

CO2

B4O

A35 A36

MS30

MS31 B12

China B24

A32

MS10 1

5 6

A1O

MS2

B10

A25

9 10

E02

A01

A46

C60

G09

J42

K27

B40

A45 A49

C17

B19

B25

A40

K30

G07

G11

K29

B29

B33 B35

A41

C27

Harmonic B20

B61

A63

C27

B30

Grass Valley, C16 Brand B15 a Belden D11

China A19

A26

C46

B45

Conference Registration Forum Lounge Entrance E

4 3

A12

China B22

G106

13 14

8 7

Conference

BO8

AO8 A18

12 11

MS1

AO4

G105

16 15

A31

D21

A18

A17

A28 Humax A30

G12

AJA Video Systems F11

J40

G16

C21

BO5

A60

A62 A64

Diamond Lounge (ground floor)

Auditorium IBC Launch Pad 20 36 32 28 G 24 Entrance 19 35 31 27 23

A30

A24

B22

A23

J31 G05

F07

E21 B26

Quantum B27

C23

A22

A21

F06

H47

C19

A18

K28

J30

F04

H40

ChyronHego D11

C12

A16

A60 A01 MS68

J15t

J38u J38t

FO1

D07

D05

B21

Vizrt A20

A44

Israel Export Institute B56

C11

B13

D03

H39

G47

G45C1O

B12

A15

C13

A21

B40 IBC Executive Lounge (ground floor)

A52

BO5

D01

C03

G41 G43

B11 F49

H30

G38

CO1

BO1

F41

A12

A1O

A09

A08

A07

China A21

C41

A46

A02

A06

A05

A20

B39

Emerald Room & Lounge (1st floor)

A31

A54

40 39

KO1u

K11

C11

C12

China A29

B1O

C26

China B37

MS62

Conference Registration Forum Lounge Entrance E

KO1t

Avid J20

H37

H35 G37

A14

A44

E96

A04

A14

A15

A06 B09

C21

B30

A29

A48

MS50 MS51

C10

A11

A20

B01 B02 B03 B05 B06 B07

B26

A27

A40

E95

D96 D97 D9B

A02

A23

E98

D93

D90

J15u

K21

Adobe G27

C18

B25

A28 A30

Press Registration Jade Lounge Entrance F

E92

J07

Blackmagic Design H20

F33 F39

A08

A01

A23

E97 B92

C17

B19

A24

E94

C90

B91 B93

A98

China A19

A03 A04 A06 A07

C16

B15

A17

A26

E91

D89 E90

J14

H1O

G15

G30

F31

B42

E93

EVS Broadcast Equipment B90

CB1

A45 A49

E85

DB3

J03 J05

JO1

J15v J15w H15

ASPERA, an IBM company G20

A18

A22

E89

B81

A96

A16 A18

Media Centre F004

E75

D77 E76

B40

China A21

E74 D75

G12

E30

D39

BO5

A20

E73

H09

K27

C19

E61

E72

H05

HO1 H03

K25

D31

A16

E69 D71

G09

G23

Rohde & Schwartz E25

D30 C30

IBC Partners’ Pavilion

D65

C70

A69

A41

E62

D60

C65 A66

A68

D25

C28

B33

B30

B35

F57

E60

D61

C27

A14

D5O

C55

A52

A31

G14

F51

E49 F54

C51

A30

F18

E40 E47

C49

C48

B45

F11

D21

IBC Future Reality Theatre

F14 F15

E43

B41 B40

A41 A44

G12

E41

A40 A42

IBC Future Zone

F1O

G07

G11

G16

C21

Quantum B27

G1O F12

G05

F07

B29

G09

E37

F06

AJA Video Systems F11

GO5 G06

GO8

E35

C12

B26

E33

D36 E32

B37

Great Britain & Northern Ireland B38

E25

F04

E21

G03 G04

G02

E34

D28

C30

B35

GO1

FO1

D07

D05

ChyronHego D11

B21

Vizrt A20

FO5

E27

C23 C29

A28 A30 A32

E19 D15

C25

C24

C22 B28

B27

E17

D16

C20 C21

B23

B31

B30

A26

D12

C07

C06

A14 A16

E11

C11

B13

A15

EO5

National Information Society Agency D1O

C05

D03

C1O

B12

E06

A09

D01

C03

CO1

BO1

B11

A14

AO8

A09

A08

A07

A12

A1O

Stairs

Meeting Point

Step-free Access

Emergency Exit

Toilet

Cloakroom

Catering

First Aid

Wifi

Cash Dispenser

Information and Exhibitor Services

Smoking Area

Organisers’ & Sales Office

Charging Point

CONFERENCE

FEATURE AREA

MEDIA CENTRE

Lost and Found: +31 20 549 1212 Emergency Number: +31 20 549 1234 Correct as of 1st August 2017

02/09/2017 21:08

7 A02

Full Colour

A04

A06

A05

A09

A08

A07

theibcdaily

BO5

A14

White

C11

B13

D05

FO1

D07

F06

G05

F07

D21

H05

HO1 H03

H09

J03 J05

JO1

J07

KO1t

KO1u

J15v J15w H15

G16

C21

G09

G11 J14

J15u

K11

J15t

For the latest show news and updates follow

H1O

G15

E21 B26

G07

G12

AJA Video Systems F11

B21

Vizrt A20

F04

ChyronHego D11

C12

B12

A15

D03

C1O

B11

A12

A1O

D01

C03

CO1

BO1

Rohde & Schwartz E25

ASPERA, an IBM company G20

Blackmagic Design H20

Avid J20

Halls 1, 2, 3, 4, 5 & 6 theibcdaily Quantum B27

A30

OUTLINED

A31

C27

B40

A45 A49

D25

C28

B33

D31

C30

F41

F39 C10

A11

A16

C12

A18

BO5 A17 China A19

A20

B15

C16

B19

C17

A03 A04 A06 A07

A01

B26

A27

B30

A28 A30

B27

C23

C28u

C29

C28t C28v C28y C28w

DO1

KAONMEDIA B16

A10 C31

ARRIS B19

A44 A46

B41 A33

A48 A52

Grass Valley, a Belden Brand D11

A23

B24

C60

B52

C63

Humax C27

Harmonic B20

A27

F13

B16

A62 A64

B61

A61 B62

A63

B28

Samsung D35

A29

C69

D39

B1O

A09

A40

C11 B11

A16 Dolby Laboratories, Inc. A11

C1O

B19

C15

C1B

A46 B21

B20

A21

A24

C28

C29

C32

F47

D51

Net Insight B40

A41

A31

B32

F49

Ontario A41

C41

Eutelsat D59

A59

F59

C55

F61

C57

A60

A63

B64

A65

B66

B51

C50

A51

B59

C5B

A73

A62

C53

Intelsat Corporation C71

A78

OMNI REMOTES founded by Philips A81 IBC Organisers’ Office (first floor)

LO1 GO3 GO4 GO5 GO6 HO2 HO1 HO4HO3

JO2 JO1 JO6 JO5 JO7

KO2 K06

KO1 KO5

LO2 LO3 LO4

A91

F15

E20

F16 E26

E27 F34

E30

M24

oor D405

D408

D406

D407

M28

LO9

C65

BS26

BS12

BS13

BS27

C67 C69

B72

B69

C70

B75

C72

C74 C75 C77

A95 A97

B91

C90

PO2 PO3

PO4

NO6 NO8

N12

PO5

B78

AWS Elemental

C80

C83 C85

B50

F70

ATEME D71

Amtrium - First Floor

C91

C95 C97

D81

FBO

F86

F89

D92

F90

A01

F94

L104 L103 L101

L102

Amtrium - Second Floor

Amtrium Restaurant (1st floor)

IABM Members Lounge

P12

PO7 PO8 PO9 P13 P14 P15

P16

AdvancedTaxis Media Workflow Association

Allgolden UG ....................................... 12.F79

Anton Bauer........................................ 12.E65

(AMWA) ................................................. 6.A07

ALPHA NETWORKS ............................... 5.A28

ANYWARE VIDEO ................................ 8.B36c

G11 G12 H14 H13 24i Media ............................................14.D30 G14 G15 L24

Accenture ............................................. 2.B41 M32 M33 M34 N21 N22 N23 N24 P24 P25 P26

Advantech........................................... 11.C32

Alticast Corp. ........................................ 1.F36

AOTO ................................................... 11.C36

K13 J14 H15 G16 25-Seven Systems ...............................8.D47 J13 K14

AccepTV ............................................... 2.B39i

Advantech Wireless ............................. 1.F40

Amagi Media Labs Pvt. Ltd ................. 2.B19

14 - 18Corp. September Apace Systems ........................... 7.K27

2Sens ................................................... 3.B56l J17 H18 H19

ACCESS Europe GmbH .......................14.D14

AEQ........................................................ 8.C55

Ambient Recording GmbH ................. 12.E33

15 - 19 Septmber Apalya Technologies......................... 14.M10

2wcom Systems GmbH ....................... 8.E78

Everywhere Hub Accusys Storage LTD........................... 7.J31

Aeta Audio Systems............................. 8.A24

AMD….. ................................................ 7.H35

APANTAC .............................................. 8.E37

AceOffice Marketing Inc........3.A19, 3.A21, 3.B37, 3 ScreenF32Solutions ..........................15.MS30 CE Sales

AEV Broadcast - SIEL........................... 8.A34

amily GmbH .......................................... 8.E30 Stairs

Aperi...................................................... 2.C21 Meeting Point

J1O

L16 L2O

H12 H11

G18

F11

H16 H17

H2O

F21

J15

J2O

K16 K18K17

L3O

ABV International ................................. 5.B20 P18 L17 L18 L22 L23

M29

M3O

N16

N17 N18 P17

IBC Content

K2O

F27

3D StormF33............................................... 7.K21

5.A41, 6.A29, 11.B22, 11.B24, 12.B61

Agama Technologies ........................... 5.B72

AMIMON Ltd. ......................................12.G41 Apollo Microwaves .............................. 5.C09 Emergency Exit Step-free Access

42F37 Consulting Media & Telecom ......... 2.B20

ACE MEDIAS TOOLS ........................... 2.A36a

AheadTek............................................ 10.F33

Amino.................................................. 14.K20 Toilet

4MOD .................................................. 14.C15

Acetel Co., Ltd. ..................................... 2.A09

Airgain 15 9 ...............................................15.MS3

First Aid Amlogic Co., Inc. .................................. 5.A28 10.F42a Catering Appiness ...........................................

9.Solutions Technology ..................... 12.F72

Acorde................................................... 5.C49

AirTies Wireless Networks .................. 5.A73

Amos - Spacecom................................ 1.C65 Wifi

Actia Telecom....................................... 1.A32

AJA Video .............................. 7.F11 1 1Systems

Information aprile and Ampegon .............................................. 8.E62 consultingSmoking GmbH ....................... 8.E30 Area

A & C LTD ........................................... 12.E75

Actus Digital ......................................... 3.C69

Akamai Technologies .......................... 5.B52

Elicium Fifth Floor A.C. Entertainment Technologies ..... 12.E71

ADB ....................................................... 5.B60

AKD Sat-Comm .................................... 0.C01 2

Amptec..................................................8.D70 Aptoide................................................ 14.P14 Charging Point Organisers’ & Sales Office

Aaton - D501 TransvideoD505 ............................ 12.F30 D502 D506

Adder Technology ................................ 7.C30

AKG By Harman ....................................8.D60

Anevia ................................................... 5.B66 Limited ......................10.A42c FEATURE AREA CONFERENCEaQ Broadcast MEDIA CENTRE

ABC Poducts .......................................12.B53

Adobe .................................................... 7.G27

Akratek Elektronik ............................... 8.E04

Angelbird Technologies GmbH............ 7.J31

ABE Elettronica.....................................8.D38

adremes GmbH & Co. KG ..................... 8.E30

Aladdin................................................12.G80

Anglatecnic ........................................ 14.P13 Arbor Media+31 ..........................................7.D25 Emergency Number: 20 549 1234

ABonAir ................................................. 2.A58

AdsFluence, a division of

ALC NetworX ........................................ 8.F57

ANNOVA Systems GmbH...................... 3.B36

Correct as of 1st August 2017

ABOX42 ............................................... 14.C17

Aanicca Ventures Inc.......................... 2.A41i

Aldena ................................................... 8.A40

ANT Group SRL .....................................8.D65

Archiware GmbH .................................. 7.F06

ABS........................................................ 2.C48

Adtec .....................................................1.D01

ALi Corporation .................................... 5.C74

Antik Technology ............................... 14.L20

Arctic Palm Technology Inc. .............2.A46a

C53

BS25

BS11

Accedo ................................................ 14.E14 P21 M31 N2O

HO7 HO9

14 F10

M16

M23

L12 L13 L14 L15

M1O

MO7

M21

LO8

LO6 L10

n Part of IBC Content Everywhere Europe G1O

F05

C51

BS10

F76

NAGRA/Conax/SmarDTV/NexGuard C81

NO2 NO3 NO4 MO5

A77

B79

MO4

E17

BS24

A74

A81

Cisco A71

A74

A76

Grand Cafe (ground floor) First Floor Restaurant (first floor)

F71

F68

D69

Nevion B71

C57

Hall 13 sement)

C65

C55

A58

E14

BS23

C71

B68

A69

A50

E13

BS9

C79

A52

EO5 E06 E09

Shenzhen Skyworth Digital Technology Co., Ltd. B61 Intel B65

B61

C48

BS22

C73

Appear TV C61

A65

C51

A49

A47

GOl

B60

Ericsson D61

A59

C49

B49

Ontario A46

itor ing nt floor)

A58

C45

B41

B40

C52

F58

SES B51

A51

B59

Europa Foyer

C50

C63

A49

BS21

BS7

C43

C49

B53

C49

A52 A54

C33

Paris B39

C48

B51

F56

BS6

C45

F45 Akamai Technologies B52

BS20

BS8

B50

C35

Paris A36

C42

B49

F40

F50

C51

B31

B30

B45

F41 A51

C31 A29

A34

F38 D41

B29

A32

C38

A50

C27

B28

A30

B43

C35

C41 Great Britain & Northern Ireland B48

A45

C41

C25

B40

BS5

C27 C33

C34

B37

China A41

F35

A39

A44

C30

B35

F36

C39

C21

C26 A20

ArabSat B38

B30

A33

BS19

B32

F34

C30

C28

C29

B30

A31

BS18

C21 C23

B33

A30

C37 AO8 A1O

BS3 BS4

C24

B27

A26

F33

BS17

BS2

C15 C19

Wyplay A28

F29

D30

C31 B31

C67

B67

C16

B19

BS16

C13

C25

A60

Diamond Lounge (ground floor)

C12

B20

A30 A32

BS15

C09 C11

A18

A16

F27

Evertz D31

C29 C59

K31

B21

C46

B45

C1O

B15

B40

Israel Export Institute B56

A54

B22

K40

C05

BO5 Korea A14

F11 A21

J43

BS14

A18

C41

J42

K29

K30

C04

B1O

B39

B38

A31

J40

B06

A02

E02

A19 A40

H47

J31

Hall 1 Balcony Suites - First Floor

A05

C26

China B37

B36

A29

China A29

A06 B09

C21

A24 A26

A03

C22

H40

G47

G45

J38u J38t

C18

B25 A23

A20

B01 B02 B03 B05 B06 B07

China A21 A22

A21

A08

G41 G43

K28

J30

H39

C19

A16 A18

F49

H30

G38

K25 K27

C11 C13

A15

G37

F33

B42

H37

H35

G30

F31

D39

A14

E30

D30

B35

A41

Adobe G27

B29

B30

#IBCShow

K21

G23

D503

D504

D508

D507

27-38 IBC D5 2017 FPLANFInal.indd 2

Appear TV ............................................. 1.C61 Cloakroom Cash Dispenser Applicaster ......................................... 14.P17

Exhibitor Services

AnaCom, 14Inc. ........................................ 1.C97

Aputure ...............................................11.D10 ArabSat ................................................. 1.B38

Lost and Found: +31 20 549 1212

Arcadyan Technology Corporation ..... 3.B27

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Areplus.............................................. 12.E56d

Backstage Equipment, Inc. ...............12.A69

Bryant Unlimited ................................10.D15

Cobalt Digital Inc................................10.B44

Danmon Group Denmark A/S.............. 8.B51

ARET video and audio engineering..... 0.E01

Band Pro Munich GmbH ....................12.D21

BT Media & Broadcast .........................0.D02

Cobham................................................. 5.A18

Danmon Group Norway AS.................. 8.B51

OUTLINED Argosy ................................................. 10.C51

Bannister Lake ...................................2.A46b

BTESA - Broad Telecom ...................... 8.C20

Coemar Lighting SRL. ........................12.B45

Danmon Group Sweden AB ................. 8.B51

Arion Technology Inc ........................... 5.A81

Barco Silex .......................................10.D31a

BuyDRM ................................ 14.N22, 14.N23

COLEDER Display CO., LTD. ...............11.B45

Danmon Group Systems A/S ............... 8.B51

Arista..................................................... 8.A21

Barnfind Technologies......................... 8.A33

BW Broadcast Ltd ................................ 8.E73

Collabora ............................................ 14.L14

Datavideo Technologies Europe B.V. ..7.D39

Ariston BTS SA ..................................... 8.E05

Barrowa ................................................ 1.F35

Collabrik ............................................. 9.LP34

Datos Media Technologies S.A. .......... 8.B51

Arkena/TDF........................................... 1.B79

BBC Research & Development ............ 8.G10

C2m Solutions ....................................2.B39g

Coman Photo Equipment (Zhongshan)

DAVID Systems .................................... 3.A31

arqiva .................................................... 1.B61

BBright ................................................2.B39a

Caldero.................................................. 5.B61

Co., Ltd ................................................11.B04

dB Broadcast ......................................10.A28

ARRI .................................................... 12.F21

BCE - Broadcasting Center Europe ..... 7.G15

Calrec Audio ......................................... 8.C61

Comcast Technology Solutions ....................

DB BROADCAST.................................... 8.B45

ARRIS .................................................... 1.B19

BCNexxt ................................................ 2.A31

Camera Corps Ltd .............................. 12.E65

.................................................14.E26,14.P04

DDN Storage .........................................7.D05

Artec Technologies AG ........................ 7.C28

B-COM................................................... 8.G14

Camgear Inc .......................................12.G74

Comigo.................................................. 3.B52

De Sisti................................................12.B45

Artel Video Systems............................. 5.A65

BDI INV., LTD ........................................ 8.C22

Canara Lighting Industries

Comrex Corporation............................. 8.E75

Decimator Design ................................ 7.B35

Artesyn Embedded Technologies ....... 5.C12

BE - Broadcast Electronics.................. 8.C19

Pvt. Limited......................................... 12.F45

COM-TECH Italia SpA ........................... 8.C41

Dedo Weigert Film GmbH ..................12.D31

ARTS&CRAFTS EXHIBITION KFT. ......... 1.A51

Beamr ..................................... 3.B56n, 5.C50

Canare Europe ....................................12.G64

Comtech Telecommunications Corp. . 1.F80

DEEP Inc / Liquid Cinema .................... 8.G04

Arvato Systems .................................... 3.B38

Beenius ............................................... 14.C30

Canford ...............................................11.D01

Conax .................................................... 1.C81

Dega Broadcast Systems Ltd ..............7.D01

Askey Computer Corp.......................... 5.C30

Beijing Feiyashi Technology

Canon Europe Ltd...............................12.D60

Concurrent............................................ 5.A08

Dejero..................................................12.B42

ASL Intercom B.V. ..............................10.A38

Development Co., Ltd.......................12.B61c

Cantemo ..............................................7.K01t

CONTENT ARMOR ...............................2.A36d

DekTec .................................................. 2.B40

Aspectra B.V. ......................................12.B36

Beijing HDY Technology Development

Capella Systems................................... 3.B39

ContentWise ............14.G05, 14.G06, 14.K05

Dell EMC................................................ 7.H10

ASPERA, an IBM company .................. 7.G20

Co., Ltd. .............................................11.B22c

Capella Systems LLC ........................... 3.A46

Convergent Design.............................12.A34

Delta Meccanica s.r.l. .......................... 8.E39

Assia ................................................15.MS34

Beijing Hualin Stone-Tech Co.,Ltd ....12.G77

Caringo ................................................. 6.B03

Conviva ................................................. 5.B27

DELTACAST developer solutions......... 7.A14

Associated Press/AP ENPS .................7.D30

Beijing Iviking Technology Co., Ltd. ... 1.A01

Cartoni ................................................ 12.E30

Cooke Optics Ltd ................................12.D10

DELTACAST sport solutions ................ 7.A14

Astro Strobel Kommunikationssysteme

Beijing Novel-Super Digital TV

Caspian One Ltd. .......................5.B48, 8.B38

Coptrz.................................................... 9.LP2

Deltron Italia SRL ................................. 8.E35

GmbH .................................................... 3.C41

Technology Co., Ltd ............................. 5.B51

castLabs ............................................. 14.L02

coralbay.tv .......................................... 9.LP28

Deluxe ..................7.H30, 15.MS37, 15.MS38

ATB - Automatic Testing Box .............. 9.LP5

Beijing Realmagic Technology

CastPal Technology Inc.,Shenzhen .... 3.C26

CORDON ELECTRONICS ITALIA SRL .... 8.E35

Densitron ............................................10.D42

ATBIS Co., Ltd....................................... 2.C50

Co., Ltd. ................................................. 2.A32

CASTWIN............................................... 2.C50

Core SWX LLC..................................... 12.F55

DENZ ...................................................12.A26

ATEME ...................................................1.D71

Beillen/JIADE......................................12.A37

Casu .................................................... 12.C79

Corning Optical Communications LLC 7.J31

Desktop Technologies Pty. Ltd. .......... 8.E38

Aten ..................................................... 10.C20

BEL (Digital Audio) Ltd.......................11.D01

Cataneo GmbH ..................................... 3.A63

Cornwall UK ........................................ 6.C28y

DEVA Broadcast Ltd. ............................8.D79

Atende Software ................................ 9.LP21

Belden ...................................................1.D11

CatDV (Square Box Systems) ............. 7.J38t

Coship Electronics Co. Ltd................... 1.F50

Dexin Digital Technology Corp. Ltd. .3.B37d

ATES .....................................................2.B39f

Belinter Media LTD............................... 5.C42

Caton Technology Corp. ...................... 3.A24

Cosmolight .........................................12.B30

DHD ....................................................... 8.B31

ATG Danmon UK ................................... 8.B51

Benel B.V. Falcon Eyes ......................12.A47

Cavena Image Products AB................. 2.C32

COVELOZ Technologies Inc. ..............11.B08

Diagnal................................................14.N02

Athensa............................................... 9.LP11

BenQ Europe .......................................12.G48

CCBN ..................................................... 6.A03

Cowe Co., Ltd. ....................................5.A14d

DiGiCo UK Limited ................................ 8.C62

Atomos.................................. 11.D15, 11.D25

BES ......................................................10.D57

CCI Paris Ile-de-France .................................

CP Cases Ltd.......................................10.A44

DiGiDiA .................................................. 8.E89

ATTO Technology, Inc. ......................... 7.F41

BETSO ELECTRONICS s.r.o................... 8.E34

...............2.A36, 2.B39, 8.B36, 8.D82, 12.E56

CPI (Communications & Power Industries)..

Digigram ............................................... 8.C51

Audinate ............................................... 8.A15

Bexel ................................................... 12.E65

C-COM Satellite Systems Inc. ............. 5.C85

............................................................... 1.C51

Digispot System GmbH ........................8.D03

Audio AG ...............................................8.D70

BFE Studio und Medien Systeme GmbH.......

CCPIT Electronics & Information Industry

CPI ASC Signal ..................................... 1.C51

Digital Comm Link/ Digicaster .......... 9.LP39

Audio Ltd ..............................................8.D97

............................................................... 8.B70

Sub-Council .......................................... 8.A41

CPI SATCOM PRODUCTS ...................... 1.C51

Digital Film Technology GmbH............7.D07

Audio Wireless Ltd ............................... 8.E98

BirdDog ................................................. 6.C11

C-Data Technology Co.,Ltd................3.A21a

CRAFTWORK ......................................... 5.A28

Digital Forecast CO., Ltd ....................11.A18

Audio-Technica Europe .......................8.D61

BIRTV .................................................... 6.A04

CDN Video ........................................... 14.P09

Craltech Electronica, S.L. .................. 11.C02

Digital Multimedia Technology ........... 5.B10

Audisi / Stereo Tool / NewsBoss ........ 8.E38

Bit Audiovisual, Audio-Visual Technology

Cedar Audio Ltd....................................8.D98

CreateCtrl AG ........................................ 3.A40

Digital Nirvana.................................... 14.P25

Autocue............................................... 12.E65

Trade Fair ............................................. 6.B02

Cedexis .............................................. 14.M21

Creative Technology Ltd ....................11.D12

Digital Screens LLC............................ 14.C10

Autoscript ........................................... 12.E65

Bitmovin, Inc. ........................ 14.E17, 14.F33

CEITON - expertplace solutions GmbH.. 3.A29

CreNova Multimedia Co., Ltd............... 5.A74

Dimetis.................................................. 1.B30

AV Stumpfl GmbH ................................ 8.A59

Black Box.............................................. 8.B59

Celeno .................................. 3.B56h, 15.MS2

CRM.COM .............................................8.B38f

DirectOut Technologies ....................... 8.E85

Avateq Corp. .......................................2.A41a

Blackmagic Design ...................7.H20, 7.J14

Census Digital Inc .............................. 2.A41c

Crucial IP .............................................. 5.B21

Dishstone Electronics Co. Ltd ...........5.A41g

Aveco .................................................... 3.B67

BLT ........................................................ 8.A69

Cerevo Inc............................................. 2.C41

Crucial IP Inc. .....................................2.A41b

Disk Archive Corporation ................... 8.B38i

Avere Systems ..................................... 7.J43

Blue Lucy .............................................. 7.G07

CHINA HUAXIN ANTENNA..................... 1.C95

Cryptoguard.......................................... 5.B37

Dissolve .............................................. 9.LP32

Avid ....................................................... 7.J20

Bluebell Opticom ................................ 10.F24

China Starwin Science & Technology

Crystal........................................5.B48, 8.B38

DK-Technologies .................................. 8.E60

Avioon ................................................... 5.B06

Bluefish444........................................... 7.J07

Co.,Ltd ................................................... 5.C35

Crystal Vision ....................................... 2.C28

DLP - Digital Tech Co., Ltd .................. 7.A10

Avitech International Corporation .... 9.LP20

Blueshape ...........................................12.A20

Christy Media Solutions - Broadcast

Crystop GmbH ...................................... 5.C33

DM Broadcast....................................... 8.B45

Aviwest ................................................. 2.B31

BMS Broadcast Microwave Services Inc .....

Recruitment Specialists ...................... 6.C29

CS Computer Systems (Aviion) ......... 14.G04

DMG Lumiere......................................12.A40

AVL Technologies................................. 5.A45

............................................................... 1.A91

ChyronHego ..........................................7.D11

CSG International .................14.M24, 14.P03

DMT ......................................................5.A14f

AVMEDA ................................................ 7.C10

Bohemian Unicorn s.r.o. ...................... 0.B07

Cinedeck / cineXtools .......................... 9.LP7

CSTB...................................................... 6.B06

Dolby Laboratories, Inc. ...................... 2.A11

Avolon ................................................... 3.A62

Boris FX / Imagineer ............................ 7.K29

Cinegy ........................................7.A30, 7.A41

CTE Digital Broadcast .......................... 8.B08

Domo Broadcast, DTC.......................... 1.F41

AVP Europa ......................................... 10.E52

BR Remote LTD .................................. 12.F67

Cinela .................................................. 12.E33

CTM ....................................................... 7.F33

DONGGUAN HUAYUN INDUSTRIAL CO., LTD.

AVT Audio Video Technologies GmbH 8.E76

Bradbury Lab ...................................... 14.H14

Cinematography Electronics .............12.D73

CTP Systems......................................... 8.E83

............................................................. 3.A21c

AWEX - Wallonia Foreign Trade

Brainstorm............................................ 7.C12

Cineo Lighting ....................................12.D39

Cube-Tec International GmbH..5.C41, 8.F15

DoPchoice...........................................12.D39

and Investment Agency .....................10.D31

Bridge Technologies ............................ 1.F68

CinePower ..........................................12.A41

CueScript Ltd...................................... 12.F41

Doteck................................................... 2.C49

AWS Elemental ..................................... 5.C80

Brightcove ............................................ 5.B69

Cineroid...............................................12.G27

Custom Consoles Ltd ......................... 8.B38e

DOTSCREEN ........................................ 2.B39e

Axcen Photonics Corporation ............. 5.C15

Bristol/Vfx...........................................12.A41

Cinescope Ltd..................................10.A42d

CW Sonderoptic..................................12.B75

Double D Electronics Ltd ....................1.F58c

Axel Technology SRL ........................... 8.B81

Broadcast Bionics ................................8.D71

Cinfo ....................................................14.N16

Cyanview ..........................................10.D31c

Doughty Engineering Ltd ...................12.A58

Axia Audio ............................................8.D47

BROADCAST INDIA SHOW 2018........... 6.A08

Cires21 Live Streaming Solutions..... 14.K06

CYTAGlobal ........................................... 1.B22

DPA Microphones ................................8.D70

Axinom................................................14.H15

Broadcast Partners .............................. 8.C81

Cisco ..................................................... 1.A71

axle Video ............................................. 7.F04

Broadcast Pix ....................................... 7.A15

City-Producer ....................................... 7.G12

dâ&#x20AC;&#x2122;accord broadcasting solutions GmbH.......

............................................................. 12.C31

Axon Digital Design ...........................10.A21

Broadcast RF ......................................11.D12

C-Kur TV Inc .......................................5.A14b

............................................................... 3.A33

Dream Chip Technologies GmbH ......11.A03

Ayecka Communication Systems Ltd. 1.A97

Broadcast Solutions GmbH ......0.E02, 8.A74

ClassX SRL ........................................... 7.A02

DAIWA/Tokina ....................................12.A30

DSQN Investment Co., Ltd ................... 8.B20

Azden Corporation ............................... 8.E81

Broadcast Traffic Systems .................. 2.C18

Clear-Com...........................................10.D29

Dalet Digital Media Systems ............... 8.B77

DTL Broadcast Ltd .............................8.B38g

Azercosmos/Satellite Operator ........... 1.A30

Broadpeak ............................................ 5.C72

ClearView Imaging.............................12.A75

Damery .............................................10.D31k

DTS ...................................................15.MS10

AZURE SHINE TECHNOLOGY CO., LTD. 5.C13

BroadView Software .......................... 2.A46c

Cloudian................................................ 8.A11

Dan Dugan Sound Design.................... 8.C94

DVB .......................................................1.D81

BroaMan ............................................... 8.C60

Cmotion GmbH ...................................12.G46

Danmon Asia Ltd.................................. 8.B51

DVBControl ........................................... 3.B41

Brother, Brother & Sons ....................12.B52

COAX Connectors ltd.......................... 10.F41

Danmon Group ..................................... 8.B51

DVEO ..................................................... 2.A34

B B&H Photo, Video, Pro Audio.............11.A10

27-38 IBC D5 2017 FPLANFInal.indd 4

Draka Comteq Germany GmbH & Co.KG ......

02/09/2017 21:08

Full Colour

Published on behalf of the IBC Partnership by

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Catch up on IBC2017 Conference, IBC Content Everywhere Hub and IBC IP Showcase

Transforming legacy, hybrid and in-cloud workflows

The Broadcast & Media industry’s most powerful global provider of solutions for managing valuable media assets.

www.ibc-tv.org

Stand 7.G05

Booth 7.J15A

marquisbroadcast.com

masstech.com

Hall 7

7 A02

A04

A06

A05

C03

CO1

BO1

BO5

A14

C11

B13

D05

FO1

D07

ChyronHego D11

F04

F06

G05

F07

D21

C21

C27

G09

H05

HO1 H03

H09

J03 J05

JO1

J07

KO1t

J14

J15u

K11

J15t

H1O

G15

K21

G23

Rohde & Schwartz E25

ASPERA, an IBM company G20

KO1u

J15v J15w H15

G16 E21

Quantum B27

G07

G11

G12

AJA Video Systems F11

B21 B26

Vizrt A20

D03

C12

B12

A15

D01

C1O

B11

A12

A1O

A09

A08

A07

Blackmagic Design H20

Adobe G27

Avid J20

D25

K25

B29

K27 A30

A31

C28

B33

B30

B40

A45 A49

C30

A24 A26 A28 A30

A44 A46 A48 A52 A54

H40

G47

G45

J38u J38t

H47

J40

J42

K29

K30

J43

K31

K40

C11

Hall 1 Balcony

Euro Light System ..............................12.D46

Fraunhofer FOKUS ................................ 8.B80

DVMR .................................................... 2.A36

Elecard .................................................. 2.C26 A21 C22

Farseeing Co., Ltd. ............................. 12.C72

Eurofins Digital Testing ....................... 5.B45

FAST LTA AG......................................... 8.A01

Fraunhofer Gesellschaft ...................... 8.B80

Electric Friends ..................................11.B28

Eurotek S.R.L ........................................8.D88

FASTCOM Technology SA .................... 2.A47

Fraunhofer HHI ..................................... 8.B80

Eutelsat .................................................1.D59

Fidus Systems Inc..............................2.A41d

Fraunhofer IDMT .................................. 8.B80

DO1 Media GroupE02 A02 Event ............................... 8.A46

C04 B06 FieldCast .............................................11.A33

Fraunhofer IIS....................................... 8.B80

Embrionix Design Inc........................... 8.B92

Event Rent Roadshow Productions .... 0.A06

Fiilex....................................................11.A04

Friend MTS ........................................... 1.A58

Emotion Systems ............................... 6.C28v

Evergent.............................................. 9.LP14

C1O FileCatalyst ........................................... 7.B21 B1O C09

Fujian Newland Communication Science

C26 EaselA27TV .............................................. 14.H17 B30

ARRIS EMS Technical Personnel Ltd ............. 1.B09

C11 12.F30 Evertz .........................................1.D31, 1.F29 Korea Film & Digital Time ............................

Technology Co.,Ltd .............................. 1.C91

Easy Media Suite.................................. 8.C92

B16 Inc...............................8.D74 ENCO Systems,

D11 EVS Broadcast Equipment........8.A96, 8.B90

C12 Filmlight ................................................ 7.F31 C13 B15

Fujifilm Europe GmbH ........................12.B20

Encompass Digital Media.................... 5.B75

Funke Digital TV ................................... 3.C60 FXLION ELECTRONIC CO., LTD. ..........12.A14

C16 DynacoreA17Technology Co.,B15Ltd. .........12.D45

C13

A15

A18

A03 A04 A06 A07

A08

C28u A20 China A19 China Drive C17 B03 B05 B06 B07 | Syslink GmbH .................. 7.B08 Dynamic Pool.............................. 7.H15B01 B02 ELEMENTS B19 A29 C28t C28v ELEMENTS SYSTEMS 8.A19 Dynamic GmbH... 0.F01, 12.F71 A01 C28y C28w A03 A06 ........................... B09 A21 China Perspective

C18

B25

B26 EardaA23Technologies .............................C21 5.C67

B1O

B27

China

B19

KAONMEDIA

A10

C19

C23

C29

A05

Grass Valley, a Belden Brand

C05

BO5

A14

Enensys Technologies ......................... 2.B30

C15 Exalux .................................................12.A70 C16 A18 Filmpark..............................................11.A34 A16 B16 B19 F11 F13 Flanders Investment & Trade ............ 10.F42 Exir Broadcasting................................. 8.D28 A19 C19

EBS New Media Limited .................... 14.P26 B39

B22 A21 Designs, Ensemble Inc. ....................... 8.B91

Explorer Inc. ......................................... 8.C04

Flanders Scientifi c, Inc. .....................10.B10 B21

C41 EBU (European Broadcasting Union) 10.F20

ENTER..................................................14.N03 Humax

F27 Exterity................................................ 14.H13

Flow Works GmbH ............................... 3.B39 C24

ECS srl Gruppo Optoplast B41 ..................11.A35 C46

C27 Equinix .................................................. 3.B25 Harmonic

Eddystone Broadcast Limited ...........8.B38d

ERECA ................................................. 11.C49

Edgeware............................................ 14.F15 B45

Ericsson ................................................1.D61

F&V Europe B.V. ................................. 12.F51 F33

C27 Foam Conversion Audio....................... 8.A46

G’Audio Lab .......................................... 8.G12

Israel Export Institute EDITSHARE ........................................... 7.C27

ERSTREAM VIDEO DELIVERY COMPANY C29 .......

A31 F.A. Bernhardt GmbH, FAB .................. 2.A21 D35

C30 Archive C33..... 7.J15w B35 & QLS FocalPoint Server

Gazprom Space Systems..................... 5.B78

B37 EasyBroadcast ................................... 14.C01 C31 B36

A29

Easyrig ................................................ 12.C75 A40

C12

G41 G43

H39

J31

Elber SRL ..............................................8.D37

BO5

A22

C10

F49

H30

G38

K28

J30

DVLab.................................................... 5.C21

A16

A20

F41

F39 A11

G37

F33

B42

H37

H35

G30

F31

D39

A14

A16 A18

E30

D30

B35 A41

D31

A18

B38

A31

A33

B20

B40

C60

B56

B52

B24

A23

A27

C59

B28

B20

Evertz Wyplay D31 .......................................11.D13 A28 F29 eyevis GmbH

F A26

C21

G. L Optics........................................... 12.F76

C25 Flussonic Media Server ..................... 14.E09

GatesAir ................................................ 8.C30

C28

C29

B30

B32

BS3 BS4

Flowcine ............................................. 12.C75 C23 B33

A30

Samsung

B27

Furukawa............................................12.G21

BS2

BS5 BS6

C63 EDL-REC................................................ 7.A04 A30

............................................................. 14.K14

Facebook 360 ..................................... 14.B26

Focusrite Audio Engineering LtdC35......... 8.A52

GB Labs Ltd ........................................ 7.J15u

BS7

A60

Egatel S.L ..............................................8.D44 A32

Es’hailSat - Qatar Satellite CompanyC31. 1.B59 D30

Facilis Technology Inc. ........................ 7.B40 China FonixB40...................................................11.A26 F34 F35

GearCam .............................................12.D52

BS8

A62 A64

A61 Egripment BV......................................12.A21

Espial .................................................... 1.F89

Factum Radioscape .............................8.D90

FOR-A Europe S.R.L ............................. 2.A51

Gearhouse Broadcast LTD.................10.B39

Force Servo........................................... 8.B28

Gefei Tech Co., Ltd/GraVue Co. .........11.B27

AO8 A1O

B61

B31

B62

D39

F36

A41

B43

C38

C41

C67 B67 EIZOA63Europe GmbH ............................... 5.C04 C69

C30 Etere ...................................................... 8.B89

Fal Systems Ltd.................................... 0.F02

EKT ........................................................ 5.C48

C37 Etilux .................................................10.D31b

A45 Fara Afrand........................................... 8.A26

Elastic Media ....................................... 3.B56j

C39 B38 ETL Systems 1.A33 B30 ......................................... A33

Great Britain C42 B45 C43 & Northern Ireland Fortyeight.tv .....................................10.D31d B48 C45

F41 farmerswife .......................................... 6.A14

Fraunhofer Digital Media Alliance ...... 8.B80

A09

B1O

C11 B11

A16 Dolby Laboratories, Inc. A11

B19

C1O C1B

27-38 IBC D5 2017 FPLANFInal.inddC26 5 A20

A29

C34

B37

B21

C15

ArabSat

A40 A44

D41

A51

A41

Net Insight B40

F50 D51 F56

C49

F47

F49

GEN ENERGY .......................................5.A14a Genelec OY ...........................................8.D61

C49

B50

Akamai Technologies B52

BS10 BS11

F45 C41

A46

C48

B49

F40

A39

C21

C25

F38

BS9

B51 B53

C50 C52

C51 C53

BS12

02/09/2017 21:08

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General Dynamics SATCOM Technologies ...

Hitachi Kokusai Electric Turkey Yayıncılık

Intek Digital., Inc. ................................. 5.C38

LCA - Lights Camera Action ..............12.D39

Media Broadcast Satellite GmbH ........ 1.B79

............................................................... 1.A41

Sistemleri A.S. .................................... 12.F38

Intel ....................................................... 5.B65

LDA Technologies ................................ 5.B21

MEDIA BROADCAST TECHNOLOGIES (MBT) .

OUTLINED Generic Robotics Ltd............................ 8.F17

Hitomi Broadcast ................................. 2.C35

Intelsat Corporation ............................. 1.C71

LEADER ELECTRONICS CORPORATION .........

.............................................................8.D82a

Geniatech Inc,Ltd ............................... 5.A41e

HMS GmbH............................................ 3.A33

International Datacasting Corporation .........

.............................................................12.A10

Media Excel ........................................ 14.P05

Genmix Technology ............................. 5.C73

Homecast Co., LTD ............................... 1.A27

.............................................................. 2.A41l

LeaseWeb ........................................... 14.G16

Media Links EMEA ............................... 1.C31

GeoGuard ........................................... 14.M23

Horizon Teleports ................................. 5.C65

International Moving Image Society... 6.B01

Lectrosonics, Inc.................................. 8.C73

Media Motive SRL ................................ 3.A48

Geritel Giomar ...................................... 8.E33

HP Inc.........................................3.A17, 3.B05

Interra Systems .................................... 7.B13

LEDGO TECHNOLOGY LIMITED...........12.G68

Media Orchestration from Sensor to Screen

Gigatronix Ltd .....................................11.B47

HS-ART Digital / DIAMANT-Film Restoration

Intertrust ............................................... 5.B15

Leica Camera .....................................12.B75

(MOS2S) ................................................ 8.G06

GkWare e.k. .......................................... 2.C51

............................................................... 5.C41

Intinor ................................................. 14.J14

LEMO Connectors...............................12.D42

Media Utilities B.V. ............................... 8.B31

Glensound............................................. 8.E72

HTS Ltd.................................................. 8.A82

INTOPIX ..............................................10.D31f

Levels Beyond .................................15.MS29

MEDIABILITY.........................................8.D12

Glidecam Industries, Inc.................... 11.A31

Huawei Technologies Co. Ltd............13.A06

INTV....................................................... 8.A14

Levira .................................................... 1.B79

MEDIACTIVE........................................ 2.B39c

Global Distribution ............................... 7.J31

Hubee .................................................. 14.L04

Inverto................................................... 5.C83

Leyard ...................................9.MS50, 11.C40

MEDIAGENIX ......................................... 3.C59

Globecast .............................................. 1.A29

Hudson Spider ....................................12.D39

Inview .................................................14.D27

-LGDS- Les Gens Du Son ..................... 9.LP9

Medialooks ........................................... 3.B39

GLOOKAST ............................................7.D03

Huizhou Fosicam Technology Co., Ltd

IO Industries Inc. ................................12.D75

Liberty Global .......................................1.D39

MEDIALOOPSTER................................ 9.LP16

Glyph Production Technologies .......... 7.J31

...........................................................11.B22a

IPcopter GmbH & Co. KG...................... 5.C33

LIGHT & MOTION.................................12.D46

Mediamorph ......................................... 1.B79

GMIT - A Rohde & Schwarz Company.. 14.K18

Humax................................................... 1.C27

IPE .......................................................11.D30

Lightstar (Beijing) Electronic Corporation ...

MediaNet Vlaanderen ....................... 10.F42j

Gold Best .............................................. 5.C52

Hybrik, Inc ..........................................14.N04

Irdeto.....................................................1.D51

.............................................................12.G54

MediaPower ......................................... 7.J01

Good Mind Industries Co., Ltd............. 2.A52

Hyundai Fomex Co. Ltd ......................11.B10

Iris Gateway Satellite Services Ltd ..... 1.B22

Lilliput (Zhangzhou) Electronic Technology

Mediaproxy........................................... 7.J07

IRT ....................................................... 10.F51

Co., Ltd. ..............................................12.B61f

Mediaware............................................ 5.A26

Google .....................14.A01, 14.A02, 14.A03,

...................................14.A04,14.A10, 14.A12

IABM 8.F51a, 8.F54, IABM Members Lounge

Israel Export Institute .......................... 3.B56

Limecraft .......................................... 10.F42c

Megahertz........................................... 12.F20

Goonhilly Earth Station Ltd.................6.C28t

IB/E OPTICS Eckerl GmbH..................12.D21

Itelsis .................................................... 8.E19

Limelight Networks............................ 14.G01

Meinberg............................................... 8.B25

GORGY TIMING ...................................8.B36b

IBC Content Everywhere Hub Theatre14.J10

iWedia ................................................... 5.B40

Linear Acoustic ....................................8.D47

Merapar ................................................ 3.A54

Gospell Digital Technology Co., Ltd., .. 3.C67

IBC Future Reality Theatre .................. 8.F11

iZotope, Inc ...........................................8.D70

Litegear Inc.........................................12.D39

Merging Technologies ......................... 8.E96

Grabyo................................................. 14.K17

IBC Future Zone Smart AV Tunnel ...... 8.G09

IZT GmbH .............................................. 8.A68

Litepanels ........................................... 12.E65

Metrological ....................................... 14.E20

Gracenote ........................................... 14.H20

IBC IP Showcase .................................. E106

Lith Technology Co., LTD .................12.B61b

METTLE PHOTOGRAPHIC EQUIPMENT

Grass Valley, a Belden Brand ..............1.D11

IBC Partners’ Pavilion .......................... 8.F51

J.L. Fisher ........................................... 12.C40

Livestream .......................................... 14.F27

CORPORATION ..................................12.B61e

Graymeta .............................................. 8.C21

IBC TV .................................................13.A08

Jampro Antennas, Inc. ........................ 8.B96

LiveU ..................................................... 3.B62

METUS................................................... 7.A09

GREAT Britain and Northern Ireland NXTech

IBM ..................15.MS13, 15.MS31, 15.MS32

JBL by Harman .....................................8.D60

LiveWeatherViews ............................. 9.LP37

Microfilms .......................................... 12.F61

Pod Zone .............................................10.A42

IBM Cloud Object Storage ................... 7.G19

JetHead Development Inc. .................. 5.A28

Livewire Digital Ltd ............................ 5.B48c

Micromedia AG..................................... 8.B31

GREAT Britain and Northern Ireland Pavilion

IBM Watson Media ............................ 14.M16

Jiangsu Dongsheng Electronics Technology

LLC, Videosolutions Group .................. 7.A06

Microsoft ..........15.MS1, 15.MS35, 15.MS36

....................................................5.B48, 8.B38

Ideal Technology (Shenzhen) Co.,Ltd..3.A19b

Co., Ltd. ............................................... 3.A19c

LMP Lux Media Plan .......................... 10.F21

Microtech Gefell GmbH........................8.D77

Greenwave Systems .......................... 14.P15

IDX Technology Europe ..................... 12.C25

JK Audio..............................................12.G11

LockitNetwork GmbH......................... 12.E33

MICROWAVEFILTERS & TVC ................ 8.A09

Grip Factory Munich (GFM) ............... 12.E75

IEC TELECOM EUROPE........................ 2.A36e

JLCooper Electronics ........................... 7.C03

Logickeyboard...................................... 7.F49

Miller Fluid Heads (Europe) ltd..........12.D30

Gsertel................................................... 8.E26

IEEE ....................................................... 2.A50

JMR Electronics Inc ............................. 7.J05

LS telcom .............................................. 8.E43

Minerva Networks................................ 5.C34

GSS.................................................... 12.E56b

IEEE Broadcast Technology Society.... 8.F51b

JOANNEUM RESEARCH - VidiCert ....... 5.C41

LSI Projects Ltd ..................................12.A53

Minglvision ........................................... 8.F14

G-Technology ............................6.A15, 7.J31

IET - The Institution of Engineering and

JoeCo Limited....................................... 8.E97

LTO Program......................................... 6.A21

Minnetonka Audio................................8.D47

GT-SAT International s.a.r.l. ................ 3.C69

Technology .............................. 8.E90, 8.F51c

JU- SOFT CO., LTD ................................ 8.A08

LUCI- Technica Del Arte BV ................. 7.A45

Mirada................................................... 5.A63

Guangdong Nanguang Photo&Video

Ifootage international (HK) Limited .. 11.B40

Junger Audio ......................................10.A49

Luma Tech ..........................................12.D52

MiraVid................................................ 14.L03

Systems Co .,Ltd ................................ 12.E10

Igalia ...................................................14.N17

Justek Technology Co., Ltd ................. 2.A24

Luma Touch........................................ 9.LP19

MIS ........................................................ 2.A16

Gulfsat Communications Company .... 5.B49

Igloo Vision Ltd..................................... 8.F12

Jutel ...................................................... 8.E91

Lumantek.............................................. 3.C63

MISONICS............................................11.A06

Guntermann & Drunck GmbH.............. 1.B10

IGP b.v. ................................................ 1.F58d

JVCKENWOOD..................................... 12.F31

Lume Cube............................................ 6.B05

Mistserver........................................... 14.K13

Guramex ............................................. 10.C33

IHSE GmbH............................................ 7.B30

JW Player............................................ 14.E27

LUMENS ............................................ 12.E56a

mLogic LLC ........................................... 7.J31

Luminex Network Intelligence ........ 10.F42d

MNC Software .................................... 8.C95v

Ikegami Electronics (Europe) GmbH.12.A31

Haivision ................................ 14.L16, 14.L17

Ilionix .................................................... 3.B39

K2E ....................................................... 5.A14i

Lund Halsey .......................................... 2.B10

Mobibase ............................................ 14.P08

HANGZHOU XINGFA TECHNOLOGY CO., LTD.

Image Engineering ............................. 12.E16

K5600 Lighting ................................... 12.E28

Lupo SRL............................................. 12.E51

Mobile Viewpoint ............................... 14.F21

.............................................................5.A41d

Image Matters ...................................... 5.B21

Kaltura .................................................. 2.B29

Lynx Technik AG .................................. 8.C70

MOG - Technologies............................. 7.G30

Hanjin Electronic Ind Co., Ltd. ...........5.A14h

Imagen Ltd. ........................................ 14.B27

KanDao lightforge Co.,Ltd ................... 8.A23

Harman Professional ...........................8.D60

Imagine Communications ................... 4.A01

KAONMEDIA .......................................... 1.B16

M2A Media LTD ................................. 14.M04

Molden Media GmbH ........................ 14.M31

Harmonic Inc ........................................ 1.B20

Imagine Products Inc........................... 5.C05

KATHREIN-Werke KG ........................... 8.C24

Macnica Technology............................ 2.A20

Montage..............................................5.A41a

Hawk-Woods LTD ................................ 8.A32

ImmersiaTV .......................................... 8.G05

Keepixo ................................................. 1.C29

MACOM ...............................................10.D12

Morpho, Inc .......................................... 5.A30

HD&P ................................................... 5.A14e

I-MOVIX.............................................10.D31e

KenCast................................................. 2.A29

Magewell Electronics Co., Ltd............. 8.A84

Moso Power.......................................... 3.B19

HE@D digital.......................................5.A14g

In Aria! Networks Ltd. - Speedcast ...5.B48f

Kino Flo/Cirro Lite (Europe) Ltd.........12.D26

Magine ................................................14.N20

MOST Mobile Satellite Ltd ................. 3.B56e

HEDBOX...............................................11.D20

INA - Institut National de l’Audiovisuel... 8.A63

KLOTZ AIS GmbH .................................. 1.A06

Make.TV ................................................ 3.B40

Mo-Sys Engineering Ltd ...................... 8.G03

HEDD|Heinz Electrodynamic Designs . 8.A30

Indiecam ............................................. 12.G53

KOBA 2018 (Korea E & Ex Inc)............. 6.B07

Mandozzi Elettronica S.A. ...................8.D35

Movicom, LLC .....................................12.G75

Heden .................................................... 9.LP6

IneoQuest, a Telestream company ..... 7.B26

Kontron ............................................... 14.J20

Manfrotto ............................................ 12.E65

MovieTech AG ....................................12.B53

Hedge ..................................................11.A32

INESC Tec ............................................. 8.F16

Konvision ............................................ 10.F35

Mark Roberts Motion Control Ltd ..... 12.F11

MPP Global ......................................... 14.K01

Hefei Radio Communication Technology

Inetsat ................................................... 2.C53

KOREA AVICS ....................................... 5.A14j

Marquis Broadcast .............................. 7.G05

Mstar Semiconductor, Inc. .................. 2.A08

Co., Ltd. ................................................. 1.A03

Infomir ................................................ 14.L09

Korea Pavilion ...................................... 5.A14

Marquise Technologies ....................... 7.H03

MTF Services LTD ..............................12.G45

Hewlett Packard Enterprise ............. 9.MS62

Innodisk ................................................ 7.H09

Kupo Grip ............................................12.G63

Marshall Electronics ..........................12.D20

M-Three Satcom - a business division of

HEXAGLOBE ........................................ 14.L10

INNOPIA Technologies, Inc. ................. 5.C16

Kxwell ...............................................11.B22d

Massive............................................... 14.B20

Giglio Group SpA .................................. 5.B35

HGST ..................................................... 7.F39

Innowave Technologies, S.A ............. 14.L15

Masstech Innovations, including SGL ....7.J15t

MTS Media Technical System ...........12.B53

HHB Communications Ltd ...................8.D56

Inovativ ...............................................12.D52

L3 Narda-MITEQ ................................... 1.E02

Masterplay GmbH ................................ 8.A16

MULTICAM SYSTEMS ....................... 12.E56a

Hi Tech Systems Ltd ..........................10.A43

Inovonics Inc ..................................... 8.C95w

Lacie...................................................... 7.J42

MASV.io .............................................. 2.A41e

Multidyne Video & Fiber Optic Systems...11.D40

Hibox Systems.................................... 14.L12

Inrevium................................................ 5.B21

LanParte Technology Limited ...........12.A50

MAT - MAD ABOUT TECHNOLOGY .....12.A64

Murraypro Electronics .......................8.B38h

Hide-a-mic............................................ 8.E34

Inside Secure..................................... 14.M29

LaON Technology Co., Ltd ................. 10.F23

Matrix Solutions ................................. 9.LP22

MusicMaster | ON AIR .......................... 8.E06

Hiltron GmbH ........................................ 5.B80

instaDIGITAL ....................................... 14.P07

Laowa Lenses .................................... 9.LP18

Matrox................................................... 7.B29

Muvi LLC ............................................. 14.E06

HiMedia Technology Limited............. 14.G03

InSync Technology............................... 3.A18

Lasergraphics ...................................... 7.F01

Matthews Studio Equipment Inc.......12.G71

Mux ..................................................... 14.L18

Hisilicon Technologies co., Ltd ........... 2.A49

InsysPlay .............................................. 9.LP1

LAWO..................................................... 8.B50

MaxLinear, Inc.................................15.MS23

MuxLab ................................................. 3.A30

Hispasat ................................................ 1.C37

Inteca GmbH ......................................... 8.C05

Layer 3 Systems................................... 1.A78

Maxon Computer GmbH ...................... 7.K30

MWA Nova GmbH ................................. 7.E30

27-38 IBC D5 2017 FPLANFInal.indd 6

Mogami UK ...........................................8.D56

02/09/2017 21:08

Full Colour

Published on behalf of the IBC Partnership by

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theibcdaily

Mware Solutions ................................ 14.F10

NovelSat................................................ 3.A27

PerceptionTV Ltd............................... 14.M34

Radionor Communications AS .......... 9.LP40

SatixFy .................................................. 3.B26

MX1 ....................................................... 1.B24

NTP Technology A/S ............................ 8.B52

Perceptiva Labs..................................8.D82c

Raidsonic Technology GmbH .............. 5.C23

Satmission............................................ 5.A19

NTT Group ............................................. 2.C58

Percon ................................................. 10.E51

OUTLINED RaLex Solutions ................................... 8.E69

SatService GmbH ................................. 1.F47

NAB Show ............................................. 6.A18

Nuance Communications .................15.MS4

Perfect Memory..................................8.B36a

Rambus Cryptography Research ........ 1.A40

Scale Logic ........................................... 7.H39

nablet GmbH ......................................... 7.A49

NUGEN Audio ........................................8.D56

Phabrix Limited ..................................10.B12

Rascular Technology Limited ............. 6.C19

SCALITY ................................................ 7.G16

NAGRA................................................... 1.C81

NXP Semiconductors ......... 9.MS54, 9.MS55

PhenixP2P Inc. ................................... 9.LP24

RatPac Dimmers ................................12.D39

Schill GmbH & Co. KG ........................ 12.C21

Nagra Audio.......................................... 8.E96

NyeTec Limited..................................... 2.C31

Phoenix7 Ltd......................................... 3.C21

Rausch Netzwerktechnik GmbH ......... 6.A20

Schneider-Kreuznach ........................12.D53

Phonak .................................................. 8.A48

RCS........................................................8.D16

Schoeps Mikrofone .............................. 8.C64

NAGRA................................................... 1.C81

nangu.TV............................................. 14.J15

O.C White Co. ........................................ 8.E27

Photon Beard......................................12.A41

RCW Technology Co. Ltd. .................... 5.C63

Schulze-Brakel Schaumstoffverarbeitungs

Nanjing Cleanwave Communication

Object Matrix Ltd................................6.C28u

Pilotfly .................................................11.A01

RED Digital Cinema ...........................9.MS68

GmbH ....................................................8.D75

Technology Co.,Ltd .............................. 5.B16

Ocilion IPTV Technologies GmbH...... 14.H19

Pixel Power........................................... 7.A31

Red Hat Ltd ......................................... 14.F16

SCISYS Deutschland GmbH ................. 8.B61

Nanjing Nagasoft Corporation...........6.A29b

OConnor .............................................. 12.E65

Pixellot ................................ 3.B56f, 15.MS39

REDCAP - 4K Videosolutions ............... 5.C43

Screen Subtitling Systems .................. 1.C49

NANJING YINGCHEN PROVIDEO EQUIPMENT

OCTOPUS Newsroom ........................... 7.G38

Pixit Media..........................................7.K01u

Reinhardt GmbH ................................... 8.A20

SCTE .....................................................8.F51e

CORP. LTD.........................................11.B24c

OFFHollywood..................................... 12.E65

Plaber S.r.l. - HPRC Cases ................. 12.C67

Remote Solution Co., Ltd. .................... 5.C53

SDVI Corporation................................ 14.H04

nanocosmos ....................................... 14.L13

OMB Broadcast .................................... 8.E95

Plastica Panaro ..................................10.D30

Research Concepts Inc...................... 1.F58a

SeaChange............................................ 1.F70

Nanuk By Plasticase Inc.................... 10.F37

OMNI REMOTES founded by Philips.... 1.A81

PlayBox Technology Europe Ltd ......... 1.A10

Revgo Global Inc. ................................. 1.F13

Seagate ................................................. 7.J40

Narda Safety Test Solutions GmbH..... 8.E24

Omnia Audio .........................................8.D47

PlayBox Technology Limited ............... 8.B71

Rezcom ................................................. 0.F03

Secced ................................................12.G73

National Information Society Agency .8.D10

Omniplayer/M&I Broadcast Services . 8.E17

Pliant Technologies LLC .................... 10.F29

RF-Design ............................................. 1.F45

Secure TV, LLC ................................... 9.LP38

National Information Society Agency (NIA) .

Omnistream ........................................3.B56k

Plisch - The Transmitter Company .....8.D32

RFE Broadcast srl................................. 8.C06

SED Systems ........................................ 1.A52

............................................................... 8.F10

Omnitek ..............................................10.A24

PLURA Europe GmbH ........................... 8.B73

RGBlink ...............................................10.A41

SEEDER ...............................................12.G76

Nautel.................................................... 8.C49

Onair Medya Ltd ................................... 8.A28

Pluxbox .................................................8.D96

Riedel Communications GmbH & Co.KG.......

SELFSAT................................................ 5.B33

ND SatCom ........................................... 5.A60

One Stop Systems ................................ 3.A16

Polecam .............................................. 10.C49

.............................................................10.A31

SemanticEdge GmbH ........................... 5.C53

NEC Corporation ................................... 8.B37

Onetastic SRL ....................................... 8.C31

Pomfort ...............................................12.A38

Rip-Tie, Inc ......................................... 12.E73

Sematron ...................................0.B04, 1.A78

NEETRA S.r.l. ........................................ 8.C02

Onframe ............................................10.A42e

Portabrace ..........................................12.D52

RiverSilica.......................................... 14.M05

Semtech Corporation ...........................8.D41

Neotion.................................................. 5.B53

Ontario, Canada ........................2.A41, 2.A46

Porta-Jib ............................................. 12.F30

RIZ - Transmitters Co. .........................8.D40

Sencore|Wellav......................................1.F76

NEP ...................................................... 14.A30

OOYALA ..................................14.D20, 14.P12

Portaprompt Ltd .................................12.G49

RJS Electronics Limited.................... 6.C28w

Senna innovation factory ..................12.G55

Net Insight ............................................ 1.B40

Open Broadcast Systems Ltd ............ 7.J38u

Portrait Displays/SpectraCal.............10.A26

RME .......................................................8.D70

Sennheiser Electronic GmbH & Co. KG .........

Netgem ................................................. 5.C70

OpenHeadend .....................................2.A36b

Postium Korea Co., Ltd. ..................... 11.A09

Robe Lighting .....................................12.B65

....................................................8.D50, 8.F18

NETIA..................................................... 8.C77

Opera TV ............................................. 14.A20

Prime Focus Technologies .................. 7.B12

RODE Microphones ..............................8.D56

SERAPHIC Information Technology

NETPA ................................................... 3.A20

Oppenheimer Camera Products........ 12.C73

Primestream .........................................7.D21

Rohde & Schwarz................................. 7.E25

(Shanghai) Co., Ltd. ...........................14.N12

NetUP .................................................. 14.J17

Optical Cable Corporation ................. 10.E59

ProConsultant Informatique ................ 2.B21

Roku .................................................... 14.G10

Servicevision ...................................... 12.C43

Network Innovations ........................... 5.A16

Optispeech.......................................... 14.H12

Prodys S.L............................................. 1.A39

ROOT6 Technology ............................... 7.E21

Servicios Especiales De Accion, S.L. .. 0.B07

NeuLion ............................................... 14.F34

Optiva Media ........................................ 3.C17

PROFITT Ltd .......................................... 7.A08

Rosco Laboratories ............................ 12.E45

SES ........................................................ 1.B51

NEURO MEDIA SOFTWARE ...............10.D31g

OptoMedia Technology Inc.................. 8.B26

Progira Radio Communication ............ 8.A50

Ross Video Ltd.........11.B08, 11.C10, 11.C23

Setplex LLC.........................................14.N06

Neutrik AG ............................................ 8.C90

Optoway Technology Inc. ................... 8.E41

Projects Department Ltd ...................12.A41

Rotolight .............................................12.G48

Sevenoak (Hong Kong) Technology Co.,Ltd .

Nevion ................................................... 1.B71

Oracle.................................................... 7.G37

Promax Electronica S.L. ...................... 8.E44

ROVER Laboratories ............................. 8.B67

...........................................................12.B61a

New Age Factory ................................ 9.LP30

Orban Europe GmbH ............................8.D93

ProMAX Systems.................................. 7.J01

rprobe ................................................... 8.E25

SGO........................................................ 6.A11

New Japan Radio Co., Ltd ................... 5.C71

ORCA BAGS Ltd. .................................12.D21

ProSup ................................................ 12.C77

RRIOO Technology Co.,Ltd................. 3.A21e

SGT ........................................................ 8.A98

New Tinxs ......................................... 10.F42b

Ortana Media Group Ltd .................... 8.B38c

ProTelevision Technologies ................ 8.C48

RSCRYPTO ............................................ 3.A22

Shanghai OTEC Technology & Information

Newtec .................................................. 1.A49

OSEE TECHNOLOGY CO., LTD. ............10.D59

Providius ............................................... 8.A42

RSG Media ............................. 14.J06, 14.J07

CO. LTD ................................................. 2.C29

NewTek ................................................. 7.K11

Osprey Video ........................................ 3.A60

Provision T.S Ltd .................................. 8.E93

RT Software Ltd ................................... 9.A01

Shanghai Tekcare Industrial Limited 12.B67

NEXGENWAVE ....................................... 5.C51

OVERLINE - Systems ............................ 8.E94

Provys ................................................... 2.B49

RT-RK .................................................... 5.B32

Shaoxing Rising Electronic Co., Ltd..3.A21b

NexGuard .............................................. 1.C81

Ovide Smart Assist.............................12.G43

PRO-X CO., Ltd.................................... 12.E53

RTS (Royal Television Society).......... 8.F51d

SHAPE ................................................. 12.C51

PSI Audio .............................................. 8.E96

RTS Intercom Systems ......................10.B48

Sharpstream........................................8.C95t

Pyras Technology Inc. ......................... 2.A52

RTW .......................................................8.D89

Shengzhen Yelangu Technology Co., LTD ....

Ruige ................................................... 12.E37

...........................................................11.B24b

Nexstreaming .....................................14.D24

NEXTO DI Co., Ltd. ..............................12.G37

P+S Technik .......................................12.B12

NGCodec ............................................... 5.B21

Packet Ship ........................................ 14.H11

NHK ....................................................... 8.G01

PacketLight Networks Ltd. .................. 6.A15

Qarva................................................... 14.E30

Russian Satellite Communications

Shenzhen BestView Electronic Co., Ltd........

Nice People At Work ..........................14.D01

PacketStorm Communcations ............ 2.C57

Qbit GmbH............................................. 8.E49

Company (RSCC) .................................. 1.B31

............................................................. 10.F45

Nicepower Tech. Inc ............................ 8.A22

PAG Ltd. ..............................................12.B36

Qligent................................................... 8.E47

ruwido ...................................................1.D69

Shenzhen C&D Electronics Co.,Ltd ..... 1.F90

Nila LED Lighting................................12.A48

Palladio Acoustics ...............................8.D11

Qorvo..................................................... 1.A46

Rycote Microphone Windshields Ltd .. 8.C64

Shenzhen Commlite Technology Co.,LTD ....

Nimbus, Inc. .......................................11.A48

Panaccess ............................................ 5.C42

Qtake...................................................12.G43

RYMSA RF............................................. 8.C65

...........................................................11.B22e

Ningbo Eimage Studio Equipment Co., Ltd ..

Panasas, Inc ......................................... 7.J31

Quadrille .............................................2.B39d

............................................................. 12.C54

Panasas, Inc. ........................................ 8.C07

Quadrus ................................................ 7.K25

S3 Satcom Ltd ...................................... 1.B91

CO., LTD. .............................................11.B26

Ningbo Haida Photo Supplies Co., Ltd.

Panasonic Marketing Europe GmbH. 11.C45

Qualstar Corporation ......................... 10.E50

Sachtler............................................... 12.E65

Shenzhen Datamax Technology Co,. Ltd......

SAE Inc................................................2.A41g

.............................................................3.B37a

SHENZHEN CRYSTAL VIDEO TECHNOLOGY

.............................................................11.A46

Panda O.S ............................................ 3.B56i

Quantenna Communications..........15.MS27

Ningbo Suncy Electric Appliance Co., Ltd ....

Paneda .................................................. 8.B23

Quantum ............................................... 7.B27

.............................................................11.A30

Panodic Electric (Shenzhen) Limited .. 3.B37e

Quantum5X Systems Inc. .................... 8.B02

Nippon Control System Corporation .10.A12

Panther GmbH .................................... 12.E20

Quicklink............................................... 3.B30

Nisi Filters...........................................12.A55

Paradigm .............................................. 1.F49

Quintech Electronics ............................ 1.F38

NKK Switches Co., Ltd. ........................ 8.A70

Parallax LLC ......................................... 0.B07

Qumulo...................................14.N24, 14.P24

NOA Archive .........................................8.D91

PathPartner .......................................... 5.B21

Quobis .................................................14.N18

Samsung...............................................1.D35

Shenzhen HS Fiber Communication

NoisyPeak ........................................... 14.H16

Paywizard Group plc.......................... 14.F32

Quobyte GmbH ..................................... 6.A20

Sanken Microphone Co.,Ltd ................ 8.C93

Equipment Co.,Ltd................................ 3.A26

Nokia ................................................15.MS17

PBI ......................................................... 2.A30

Qvest Media .......................................... 3.B40

Sans Digital Technology Inc................ 7.B42

SHENZHEN IKAN ELECTRONIC TECHNOLOGY

Nokia OZO ...........................................10.D26

PCCW Global ....................................... 14.J13

SAP Brand Impact .............................9.MS51

CO.,LTD .............................................11.B24a Shenzhen Konka Information Network

SAF Tehnika JSC .................................. 8.B24 Sagemcom............................................1.D41 Salsa Sound Ltd. ...............................10.A42f ‘SAM’ - Snell Advanced Media 9.A01, 9.A02 Sam Woo Electronics Co., Ltd. ..........12.G29 SAMdesk............................................ 14.M31

Shenzhen Gizomos Technology Co., Ltd ...... ............................................................. 11.A30 Shenzhen Gudsen Technology Co. Ltd ......... .............................................................11.B18 Shenzhen Hollyland Technology Co., ..11.A25

Nordija ................................................ 14.L06

PDMOVIE .............................................11.A05

R Systems International Limited......... 5.A28

SAPEC ................................................... 1.F27

Norigin Media AS ............................... 14.C11

Peak Communications Ltd. ................. 1.A65

R.V.R Elettronica .................................. 8.E36

SatADSL .............................................. 9.LP13

Co.,Ltd. .................................................. 5.B08

North Telecom ...................................... 1.A44

Pebble Beach Systems ........................ 8.B68

Rabbit Labs .......................................... 3.A44

Satcube ................................................. 3.C16

Shenzhen Liantronics Co., Ltd ..........11.B43

Norwia................................................. 10.C10

Peer5 ...................................................3.B56g

Radica Broadcast Systems Ltd. ........ 8.C95u

Novella SatComs Ltd.......................... 1.F58b

Peli Products ......................................12.A73

Radio Active Designs ........................... 8.B02

27-38 IBC D5 2017 FPLANFInal.indd 7

Satellite Interference Reduction Group Ltd.. ....................................................5.B48, 8.B38

Shenzhen New Glee Technology Co., Ltd. .... ............................................................... 2.C45

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F01

C20

C19

B27

F02

B07

E26

C03

BT Media & Broadcast D02

A30

Broadcast Solutions GmbH E02

C36

C30

C37

F03

C36

H18 H19

D203

F34

D301

D302

D303

C37

L12 L13 L14 L15

KO5

E14

J1O

E17

F05

F15

E20

K13

E26

K14

F16

K16 E30 K18K17

F34

Elicium Fourth Floor

D202

D203

D204

D301

D302

D303

D304

D402

D401

D405

D406

D502

D403

D404

D408

D407

D503

F37

Elicium Fifth Floor

D402

D401

D405

D406

D502

D501

D505

D506

D403

D404

D408

D407

D503

D504

D508

D507

Shenzhen Nicent Electronics Co., Ltd. 5.C45

Shenzhen Sunlight Electronic Technology

Sichuan Changhong Network Technologies

Simplylive LTD...................................... 7.G11

Small Town Heroes .......................... 10.F42e

Shenzhen NITZE Photo Industrial LTD12.E77

Co. Ltd. .................................................. 5.C19

Co., Ltd ................................................ 6.A29c

Singular.Live...................................... 14.M31

SmallHD .............................................. 12.E65

Shenzhen Olycom Technology Co.,

Shenzhen SVI Technology Co., Ltd. .. 3.A19e

Sichuan Jiuzhou Electric Group Co., Ltd ......

SintecMedia.......................................... 2.B32

SmarDTV ............................................... 1.C81

............................................................... 3.B45

Sinuta SA .............................................. 5.A02

Smart Fun ............................................. 2.C11

Ltd. ......................................................3.A19a

SHENZHEN TONGJIU ELECTRONICS

Shenzhen Raymo Electronics Technology

CO.,LIMITED ........................................3.B37b

SICHUAN VIDEO ELECTRONIC CO.,LTD 3.C31

SIRA-SISTEMI RADIO ........................... 8.C25

Smartclip ............................................14.N21

Limited ...............................................11.B22f

Shenzhen Vivant Technology Co.,Ltd5.A41c

Sielco SRL............................................. 8.A58

SIS LIVE................................................. 1.C55

SmartLabs .......................................... 14.C19

Shenzhen Ruijing Industrial Co., Ltd. . 1.A18

Shenzhen Xinghuoyuan Intelligence Tech

Sigma Corporation .............................12.B64

Sixty ......................................9.MS53, 14.C20

SMIT Corporation ................................. 1.F86

SHENZHEN SDMC TECHNOLOGY CO.,LTD .....

Co.; Ltd .................................................. 3.B61

Sigma Designs ..................................... 2.C33

SK Broadband ...................................... 8.A66

SMK Electronics (Europe) Ltd. ............ 5.B64

............................................................. 14.K02

Shooting Partners Ltd ........................11.B35

Signiant............................................... 14.L08

Skardin Industrial Corp. .......14.P16, 14.P18

SMPTE .................................................. 8.F51f

Shenzhen Skyworth Digital Technology

Shotoku Broadcast Systems ............. 12.E42

Signum Bildtechnik .............................7.D31

SKB Europe BV ..................................... 8.B03

SOC Technologies ..............................2.A46d

Co., Ltd. ................................................. 5.B61

SHOTOVER Camera Systems .............11.B49

Silicon Philosophies – DVDLogic Software ..

SKW....................................................... 8.B27

SOCIONEXT INC. ....................9.LP23, 9.LP27

Shenzhen Sonirock Tech Co., Ltd. .... 9.LP17

Shoulderpod ....................................... 9.LP12

............................................................... 6.A16

Sky Vehicle Technology ...................... 0.B04

SoftAtHome .......................................... 5.A51

Shenzhen Soonwell Pro-Video Equipment

Shure..................................................... 8.B35

Silver Brain .........................................11.B44

Skyline Communications..................... 1.A23

SoftLab - NSK ....................................... 7.A07

Simplestream .....................................14.D11

Slomo.TV............................................... 8.B40

SoftNI Corporation ............................... 1.B28

27-38 IBC D5 2017 FPLANFInal.indd 10

SI Media. ............................................... 8.B93

L3O F37

Elicium

F03

Co., Ltd. .............................................11.B22b

F27

Elicium Fourth Floor

02 D201

F21

K2O

Hall 13 Meeting Rooms Elicium Third Floor

L24

L1 L2

E27

Visitor Registration Entrance Hall 14

Elicium Second Floor

L16 L2OF10

E13

Hall 13 Meeting Rooms

Elicium Third Floor

D204

KO1

D20

J14 D24 D27 J13 J15 D30 J17

LO6 L10

EO5 E06 E09

J2O

F33

D202

E30

D30

H15 H16 H17

F27

E27

D201

C15

C20

H2O

F32

K06

D14

C18

C19

C30

A30

F21

F16

Elicium Second Floor

D24 D27

F11

D10 D11

C17

B26

G16 G18

Visitor Registration Entrance Hall 14

F15

E20

D20

F10

F05

E17

D01

HO7 C10 C08 HO9

KO2

H12 H11 H14 H13

G11 G12 G14 G15 A20

C01 C02 C03

C11

B27

E14

D14

C11G80 C15

B20

A10

E13

D10 D11

C08G75

B05

B06

D01

G1O

G63

G77

F78

A12

A01 A02 A03 A04

G61

G64

JO2 JO1 JO6 JO5 JO7

HO2 HO1 HO4HO3

G49

A12 F67 C01G68 C02 G71 C03

D66 C75

C72

B01

A04

Grand Cafe (ground floor) First Floor Restaurant (first floor)

New Visitor Registration G53 Hall 13 Basement F51 E51 G54 F50 Entrance D G55 E53

A01 A02 A03 A04 Canon Europe Ltd

A70 A75

G46 G4S

F61

C61

B64

A66

A01

Europa Foyer

D60

B65

A73

F41 F44

E45

D47

D52

C51

C54

China B61

A68

D45 E42

C43

C40

A55

A64

F38

D42 B45

B42

A47

A50

C5B

G41

A41

A48

B59

A58

E5O E51 E52 E59

G25

A38 A40

MS39

G111

Exhibitor Catering Point (ground floor) IBC Organisers’

G11

Sony A10 ARRI

E28

IBC TV A08

C50

Conference

F11

F20

A51

G110

F45

B51

3, 4

G27

D59

Huawei Technologies Co. Ltd. A06

A10 A12

F41

MS29

(First Aid Hall 13 F51 Elicium Basement) D57

Belgium F42

D41

D46

B48

A49

A20

Exhibitor Registration Holland Entrance Entrance C

C49

B41

A42t

A4O A44

B44

A41

C4O

B45

IBC IP Showcase E106

MS37

MS38

MS7

A52

G109

F37

GB & NI Pod A42

B4O B43

B39

F35

A49

A50Technicolor

G108

F33

Belgium D31

MS27

MS5

F27 F29

D30

C33

Riedel Communications GmbH & Co.KG A31

C32

B35

F24

D29

D15

C23

B27

B26

A31

A35 A36

A28

D2O

China B24

A25

D13

C17

China B22

A18

OUTLINED

C15

Ross Video Ltd C1O

C48

MS36 MS17

A47

Halls 12,13 & OUTSIDE EXHIBITION AREA AO9

B49

MS35

MS4

G107

B40

MS33

MS34 #IBCShow MS23

MS15

Ontario A46

G106

B41

MS32

MS13

G105 For the latest show news and updates follow MS3 F20

MS31

Ontario A41 MS2

Paris B39

MS30

Paris MS1 A36

Europa Foyer

D15

D12

C20

AO4 AO6

G104

A1O

CO2

First Floor Meeting Rooms

G111 White

40 39

B32

MS10

IBC Launch Pad

F35

02/09/2017 21:08

A58

G09

C57

G1O F12

F1O

Full Colour

(First Aid Hall 13 Elicium Basement)

IBC Future Reality Theatre

A76

G12Published on behalf of the IBC Partnership by

nisers’

oor)

G14

13 F51

Huawei Technologies Co. Ltd. A06

Halls 14 & 15

Exhibitor Catering Point (ground floor)

Sony A10

IBC Partners’ Pavilion

A12

A01 A02 A03 A04

LO1 GO3 GO4 GO5 GO6 GOl

A10

Media Centre F004

A20

B26

D10 D11

C11

C15

D14

C18

C30

C36

E14 E17

F10

F05

C37

D30

E26

G16 G18

F11

F15

F21

KO2 K06

KO1 KO5

J1O

H15 H16 H17

A91

MO5

LO2 LO3 LO4

M23 M24

L12 L13 L14 L15

J15

J13 J17

J2O

K14

K16 K18K17

F34

M32 M33

PO2 PO3

PO4

C91

PO5

C95 C97

K2O

PO7 PO8 PO9 P13 P14 P15

P16 P18

N17 N18 P17

A30

P21

N2O

M34 N21 N22 N23 N24 P24 P25 P26

A41

F37

BO5 A16 A18

A17 China A19

D301

B19

C17

D302

Emerald Room & Lounge D303(1st floor) D304

D402

D403

D401

D404

A24

Elicium Fourth Floor

Elicium Fifth Floor D405

D408

D406

D407

D502

D503

D505

D504

D508

A28 A30

D506

B39

B38

A31

C26

China B37

B36

A29

A40

D507

B27

B30

A27

A26

D501

C18

B26

A23

D204

C16

B25

A22

Elicium Third Floor D203

B15

China A21

Hall 13 Meeting Rooms

D202

IBC Content Everywhere Hub

CE Sales Office

Visitor Registration Entrance Hall 14

Second Floor

Vizrt A20

P12

A20

Press Registration Jade Lounge Entrance F

D92

L3O

F33

E30

M31

A12

K13

F27

E27

N16

M3O

M29

L17 L18 L22 L23

L16 L2O

N12

M28

LO9

D81

A1O A14

C90

NO8

M16

A07

NO6

M21

LO8

LO6 L10

A06

A05

NAGRA/Conax/SmarDTV/NexGuard C81

B91

A95 A97

M1O

MO7

A04

F86

NO2 NO3 NO4

L24 J14

A02

theibcdaily

H12 H11 H14 H13

H2O

F32

JO2 JO1 JO6 JO5 JO7

HO7 HO9

H18 H19

E20

D20 D24 D27

G11 G12 G14 G15

E13

F16

C20

C19

B27

A30

C08

G1O

EO5 E06 E09

D01

C10

C17

HO2 HO1 HO4HO3

C01 C02 C03

B20

IBC Organisers’ Office (first floor)

MO4

IBC TV A08

ATEME D71

B79

OUTLINED

New Visitor Registration Hall 13 Basement Entrance D

F57

A78

OMNI REMOTES founded by Philips A81

White

Grand Cafe (ground floor) First Floor Restaurant (first floor)

Intelsat Corporation C71

theibcdaily

F14 F15 F16 F17

Cisco A71

A74

A44 A46 IBC Executive Lounge (ground floor)

B41 A33

A48 A52

B40

Israel Export Institute B56

A54

C46

B45

C60

B52

C63

A60

Conference Registration Forum Lounge Entrance E

Diamond Lounge (ground floor)

Auditorium Entrance G

MS10

First Floor Meeting Rooms G104

MS30

MS3

MS15

MS23

A20

F23 F24

F27 G108

F29 F35

F37 Belgium F42

F41

Technicolor MS7

MS37

F45 F51

G110

G111

C1B

A21

B21

C28

A34

MS38

B28

27-38 IBC D5 2017 FPLANFInal.indd 11

C A29

B30

C32

B31

MS29

A31

MS39

B32

Ontario A41

Europa Foyer

A47

B49

A49

B41

B40

Ontario A46

Paris B39

Paris A36

A52 Conference

B29

C C48

C B51

C50

A50

5O E51 E52 E59

A32

G109 IBC IP Showcase E106

B19

A30

MS5

F33

um 31

MS27

B20

A24

MS36 G107

C1O

C26

MS34 MS35

MS17

C67

C B11

MS33

G106 MS4

B67

B1O

A09

Dolby Laboratories, Inc. A11

MS32 MS13

B62

A16

MS31

MS2

B61

A61 A63

AO8 A1O

MS1

G105

F21

A62 A64

A51

B59

A58

C5B

C 02/09/2017 21:08

A76

Full Colour

38 White

theibcdaily theibcdaily

For the latest show news and updates follow

#IBCShow

Softron Media Services ....................... 7.G12

Tata Communications.....................15.MS15

Tinkerlist.Tv...................................... 10.F42g

VideoElephant .................................... 14.F05

Soho Editors ....................................... 9.LP25

Tata Elxsi Limited................................. 1.A50

TiVo ....................................................... 5.A31

VideoFlow Ltd.....................................3.B56d

Solid StateOUTLINED Logic ..................................8.D83

Tatung Technology Inc. ....................... 3.B27

TIXEL ..................................................... 7.B01

Videomenthe ......................................2.B39h

XD MOTION ....................................... 12.E56c

SOLITON SYSTEMS............................... 2.B11

TBS Technologies International Ltd ... 5.C69

TMD Ltd ................................................ 2.B59

Videostrong Technology Co.,ltd. .......5.A41b

x-dream-distribution GmbH ................ 3.B39

Sonifex Ltd............................................ 8.E61

Teamcast .............................................. 2.B51

TMG ..................................................... 14.F11

Vidi GmbH ............................................. 2.C25

x-dream-media GmbH ......................... 3.B39

Sonnet Technologies ........................... 7.F07

TECH4HOME, LDA ................................. 3.C46

TMT Lab Inc. ........................................ 2.A41j

Vidispine ............................................... 3.A23

XenData ................................................ 7.H47

Sonosax ................................................ 8.E96

Technicolor......................... 15.MS5, 15.MS7

Tolifo (Dongguan) Photographic Equipment

Viewz ..................................................11.A44

XIAMEN CAME PHOTOGRAPHIC EQUIPMENT

sonoVTS GmbH..................................... 8.B44

Techno Mathematical Co., LTD ........... 3.A28

Co., Ltd ................................................12.A66

Vigour.................................................. 14.G18

CO., LTD ............................................11.B22g

Sony ....................................................13.A10

Technocrane S.R.O............................. 12.C35

ToolsOnAir ............................................ 7.G45

Village Island ........................................ 2.C55

X-jib....................................................... 8.E02

Spacepath Communications Ltd.......5.B48b

Tedial .................................................... 8.B41

Torque Video Systems ......................... 1.F34

Vimeo ................................................. 14.M07

X-Rite Photo Europe...........................12.G48

Spec TV ................................................. 7.A06

Tektronix.............................................10.D41

Toshiba ................................................. 6.C23

Vimmi Communications Ltd. ............. 3.B56c

Xstream A/S ....................................... 14.L22

Spectra Logic ....................................... 7.J30

TELE System Communications PTE Ltd........

Total Technologies, Ltd. ...................... 3.A52

Vimond Media Solutions.................... 14.L30

XTRMX .................................................. 8.B22

Spectral Edge ....................................10.A42i

............................................................... 5.C24

TradeCast.tv ....................................... 9.LP10

Vimsoft................................................11.A40

Xytech Systems.................................... 6.C22

Speechmatics....................................... 8.C23

Telebreeze ..........................................14.D10

TRedess ................................................8.D24

Vintage Cloud A/S ................................ 8.C01

Spideo ................................................. 14.H03

Telechips .............................................. 2.C27

Triada-TV .............................................. 8.A43

Vinten .................................................. 12.E65

Yamaha Commercial Audio................. 8.C71

Spin Digital ........................................... 1.F11

Teledyne LeCroy................................... 2.A10

Trilogy .................................................10.D29

VISICO Studio Equipment ..................11.A36

Yangaroo .............................................2.A41f

SPINNER GmbH .................................... 8.C29

Teleidea ................................................ 1.C90

TriVis Weather Graphix........................ 7.H01

Vision III Imaging, Inc. ......................... 8.F05

Yangzhou Jingcheng Electronics

Squadeo ..............................................2.B39b

Telekom Austria Group ..................... 14.M30

True Lens Services (TLS) ...................12.G61

Vision Research ................................. 12.F44

Co., Ltd. ...............................................3.A21d

Squared Paper Ltd ............................. 8.B38a

Telemetrics......................................... 12.F34

TRYO Communications ........................ 8.E40

VISLINK ................................................. 1.A69

Yegrin Liteworks ................................12.G25

SRTEK LTD ............................................ 0.A03

Telenor Satellite ................................... 1.A59

TSF.be ................................................10.D31i

Visual Research Inc. ............................ 7.A12

Yella Umbrella ...................................... 9.LP8

SSI COMPUTER CORP........................... 5.C25

TelergyHD ........................................... 14.F10

TSL ......................................................10.B41

VisualOn, INC ..................................................

Yellowtec .............................................. 8.B30

ST Video - Film Technology Ltd ........12.D66

Telesat .................................................. 1.C39

TTI ......................................................... 1.A54

..................... 14.G11, 14.G12,14.G14, 14.G15

YESTECH .............................................11.B42

Stage Tec Gmbh ................................... 8.C80

Telescript International ..................... 12.F73

Turksat.................................................. 5.C10

Vitec ...................................................... 7.G23

Yospace Technologies Ltd ................ 14.C18

Stampix............................................. 10.F42h

Telespazio........................................15.MS33

TV Control ........................................... 14.H02

Vitec Group ......................................... 12.E65

Yotta Media Labs ............................... 5.B48e

STARCOR .............................................. 5.C29

Teleste .................................................. 5.B68

TV Worldnet Ltd................................10.A42b

Vizrt ....................................................... 7.A20

YoYotta ..................................................7.J31

Starfish Technologies Limited ..........8.B38b

Telestream............................................ 7.B26

TV1 miniCASTERÂ® ............................... 1.A76

vMix ...................................................... 6.C13

Yuan High-Tech Development

Starline Computer GmbH..................... 7.H05

TELETOR, LLC ....................................... 7.A05

TVC ........................................................0.D01

V-Nova .................................................. 5.A28

Co., LTD................................................. 8.E92

Steadygum ........................................... 8.A12

Televiz.io (Tecsys Video Networks Ltd)........

TVIP ..................................................... 14.H09

V-Nova Ltd. .......................................11.B30u

YUYAO LISHUAI FILM & TELEVISION

Stereo Tool ........................................... 8.E38

............................................................3.B56m

TVLogic ............................................... 10.C27

Vocas ..................................................12.D56

EQUIPMENT CO., LTD. ......................12.B61d

Stirlitz Media ........................................ 7.H37

TELIA ................................................... 14.P21

TVStorm ................................................ 5.C79

Voice Technologies manufactured by Audio

Stoneroos ........................................... 14.L24

Telikos .................................................. 5.B30

TVU Networks....................................... 2.B28

Bauer Pro AG ........................................ 8.C73

Zacuto ................................................. 12.F55

StorageDNA .......................................... 7.G41

TELIKOU TECHNOLOGIES CO., LTD. ...12.A12

TW Electronics (Newbury) Ltd ............ 5.B43

VoiceInteraction ................................. 14.H18

Zappware NV ........................................ 1.A81

STORDIS GmbH..................................... 6.A15

Tellyo................................................... 14.H07

Twist Cluster .....................................10.D31l

Voices.com Inc. ..................................2.A41h

Zattoo International AG ..................... 14.C17

StoryMe.............................................. 10.F42i

Telmaco International Limited ...........7.J15v

Vortex Communications Ltd..............12.G11

Zaxcom, Inc. ....................................... 12.E33

Stream Circle........................................ 3.C18

Telmaco S.A.......................................... 7.K40

UEC Multimedia ....................9.LP29, 9.MS52

VOYSYS VR ........................................... 8.E11

Zeiss.................................................... 12.F50

Stream Labs ......................................... 7.G47

Telos Systems ......................................8.D47

UHP Networks Inc. ............................... 1.A95

VSN........................................................7.D25

Zenterio................................................. 5.C11

StreamGuys ........................................ 14.L23

Telsat srl ...............................................8.D37

Ultra Electronics GigaSat..................... 1.C57

VT3 ...................................................... 2.A36c

Zero Density Yazilim A.S. .................... 7.K31

Streampunk Media Limited.............10.A42g

Telstra ................................................. 14.F37

Ultra Media & Entertainment Pvt. Ltd9.LP35

Vualto .................................................. 14.C37

ZHANGZHOU SEETEC OPTOELECTRONICS

Streamroot.............................14.H01, 14.J02

TEM ....................................................... 8.E45

Unified Streaming .............................. 14.C36

VYDEOCORP .......................................... 9.LP3

TECHNOLOGY CO. LTD........................ 11.C42

Strong ................................................... 5.B61

Teracue GmbH....................................11.D13

Unilumin Group Co., Ltd.....................11.B35

VYUsync ...................................5.B21, 9.LP36

Zhejiang Guangda Pute Communication

STRYME ................................................ 7.J03

Teradek, LLC....................................... 12.E65

UniqCast ............................................. 14.J01

Studer by Harman ................................8.D60

Teralink Solutions- Post Luxembourg Group

Unique Business Systems .................11.A08

W.B. Walton Enterprises Inc................ 1.A62

Zhengzhou Generalink Lighting Equipment

Studio Network Solutions.................... 7.H40

............................................................. 9.LP26

Unitron Nv .......................................... 10.F42f

Ward-Beck Systems Ltd. ...................2.A41k

Co., Ltd. ...............................................12.A54

StudioTech............................................ 3.A61

Terrasat Communications, Inc............ 1.F61

Unity Intercom ....................................12.G11

WASP3D ................................................ 7.C21

Zhengzhou Sanhe vision technology CO.,

STYPE.................................................... 7.B11

Texel VR ..............................................3.B56a

Universal Electronics bv. ..................... 1.C41

Wave Science Technology................... 8.A44

LTD. ..................................................... 10.C25

Suitcase TV................................2.C10, 2.C15

TGL ......................................................12.A68

UPRtek ................................................ 9.LP15

WaveArt ................................................8.D38

Zhengzhou Taiying Video Equipment

Suitest ................................................. 14.E05

Thales Angenieux............................... 12.E36

UTAD, INESCTEC, University of Warwick......

Weather Metrics................................... 3.A64

Co,Ltd .................................................. 11.C47

Sumavision Technologies Co.,Ltd....... 1.C30

The Broadcast Bridge .......................11.B30t

............................................................... 8.F16

Wedel Software ....................................8.D92

ZHONGSHAN XINHUANG ELECTRONIC CO

Sundog.................................................. 9.LP4

The European Metadata Group ......... 14.J05

Utah Scientific ....................................10.A21

Well Buying Industrial Co., Ltd............ 8.A64

LTD ......................................................6.A29a

SUNSHINE TOP CO., LTD ...................... 5.C75

The Qt Company ....................14.C02, 14.C03

WeTek ................................................ 14.M28

Zhuhai Gecen Electronic Co.,Ltd .......3.A19d

Sunway Media...................................... 5.C28

The Slow Motion Camera Company . 9.LP31

VANTeC Danmon Group Portugal........ 8.B51

Wheatstone Corporation...................... 8.C91

Zhuhai Yuxun Coaxial Cable Co., Ltd 3.B37c

SURE Universal ...................................3.B56o

The Telos Alliance ................................8.D47

Varavon............................................... 12.C11

WILDMOKA ........................................... 3.B40

Zippy Technology Europe GmbH ......... 8.A86

Surface Heating Systems .................... 1.F59

The Telos Alliance TV Solutions Group8.D47

VBOX COMMUNICATIONS ..................3.B56b

Wildmoka.............................................. 5.A28

Zixi....................................................... 14.E13

Suydendorp Broadcasting Facilities... 0.A01

The Weather Company, an IBM Business ....

VDB Audio............................................. 8.C93

Winmedia............................................8.D82d

Zlense ................................................... 6.A06

Swedish Microwave AB....................... 1.F71

............................................................... 7.G18

Vecima Networks ................................. 5.C27

Wise Advanced Co., Ltd. ...................... 7.G09

Zodiac ................................................... 5.C48

SWISS TXT ............................................ 3.B15

THEFINE Co., Ltd................................. 5.A14c

Vector 3................................................. 7.C01

Wisi Communications .......................... 5.B50

ZOO Digital ..........................................5.B48d

SWIT Electronics Co., Ltd .................. 12.C61

THELIGHT-VELVET .............................. 12.C59

VECTRACOM .......................................8.D82b

Wisycom ...............................................8.D78

Zoom Corporation ................................ 8.A25

Switchcraft, Inc. .................................11.D45

THEOplayer ..........................14.M32, 14.M33

Velankani Electronics Private Limited 1.F33

Witbe ..................................................... 5.A69

Zoom Media........................................ 9.LP33

SYES ...................................................... 8.C74

Thimeo Audio Technology ................... 8.E38

Venera Technologies ........................... 7.G43

Wiztivi ................................................. 14.L01

Zoom UK ...............................................8.D56

Symply, Inc ........................................... 7.J31

ThinkAnalytics Ltd ............................... 1.A74

Venztech ............................................... 3.A26

WNM...................................................10.D31j

ZTE ........................................................ 5.B19

Synaptics .................................... BS16, BS26

thinklogical.........................................10.D46

Verimatrix ............................................. 5.A59

Wohler Technologies ........................... 8.A54

Zylight .................................................12.D47

SYRP Ltd ............................................. 12.F78

Thomson Broadcast............................. 8.C35

Verizon Digital Media Services ........... 7.C11

Wohler Technologies ...........................8.D56

System House Business partners ....... 8.B15

Thum + Mahr GmbH ............................ 8.B31

VESET SIA .............................................8.D31

Wooden Camera, Inc.......................... 12.E65

TICO ALLIANCE ................................10.D31m

Vestel ....................................................1.D30

Woody Technologies SAS .................... 3.B39

TAG V.S. ................................................ 1.F94

Tieline The Codec Company ................ 8.E74

Viaccess-Orca ...................................... 1.A51

Work Microwave GmbH ....................... 5.A77

TAKTIK ..............................................10.D31h

Tiffen International Ltd ...................... 12.F30

ViaLite Communications ..................... 1.A21

WorldCast Systems.............................. 8.C58

Talia Limited.......................................5.B48a

Tiger Technology ................................. 7.K28

Vidcheck, now Telestream UK ............ 7.B26

WorldDAB ........................................... 10.F27

Tally Technologies ............................... 7.J31

Tilta .....................................................12.G58

VIDELIO - Media .................................10.A16

Wowza Media Systems ..................... 14.C08

Tango Wave .......................................... 5.C77

Timeline Television Ltd........................ 9.A01

Video Clarity ......................................... 2.C57

wTVision ............................................... 7.B33

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Wyplay ....................... 5.A28, 14.P16, 14.P18 X

technology Co., Ltd. ............................5.A41f

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Satellite delivers broad coverage Azercosmos By Ian McMurray The satellite operator, wholly owned by the government of Azerbaijan, is at IBC to discuss strategic development plans, including enhancement of its coverage area and spectrum of services by launching Azerspace-2 at 45° East longitude in 2018. Currently, Azerspace-1 – which was manufactured by Orbital Sciences Corporation

of the US on a flight-proven Star-2 platform – is in orbit, and offers broadband and broadcast solutions to Azercosmos customers in Europe, Africa, the Middle East, the Caucasus and Central Asia. Planned to operate in orbit for at least 15 years, it was launched in February 2013 and is equipped with 36 transponders: 24 in C-band and 12 in Ku-band at 46° East longitude. In December 2014, Azercosmos took over

the rights to operate and commercialise Azersky, a high-resolution optical earth observation satellite, and entered into the commercial business of earth observation services, including geo-information services. The company says its mission is to render secure and reliable services, increase its market share based on strong and strategic partnerships, and create innovative capacity for future projects. 1.A30

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OUTLINED

Azerspace-1 is equipped with 36 transponders

Making talent look Radiant Schneider-Kreuznach By David Fox

Because you’re worth it: Schneider’s new Radiant Soft ﬁlter

The new Radiant Softs are the latest addition to SchneiderKreuznach’s range of Classic Soft diffusion filters. These are highlight controllers

capable of toning down skin imperfections, while still controlling contrast and blooming around inframe lights. Thanks to a proprietary new engineering technique, these water white glass filters offer an expanded palette of

in-camera effects. Available in strengths of ¼, ½, 1, 2, 3, 4, and 5, Radiant Softs prevent the need to reset the overall contrast grade of the scene after the desired diffusion is applied, said the company. They can improve skin tones at a low strength, and then add a highlight bloom effect when desired at higher strengths. 12.D53

IBC’s 50th Anniversary Charity Fundraiser Saturday 16 September 2017 To mark its 50th anniversary IBC is organising a charity football match to raise money for the Friendship Sports Centre and the Edwin van der Sar Foundation. Both charities provide support and rehabilitation, and improve the lives of children and adults faced with illness. Find out how you can take part or make a donation at show.ibc.org/charity-football-match.

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Crane on track for VR and AR applications OUTLINED

Shotoku Broadcast Systems By David Fox Graphica is a new range of manual tracked camera cranes for virtual or augmented reality developed with crane manufacturer CamMate. Shotoku claims that the cranes offer “industry-leading tracking capabilities in a portable package that is

scalable, stable and, most importantly, repeatable.” The system calculates positional data output from embedded physical rotary encoders designed specifically for VR applications, which are claimed to be free of the jitters, external markers and area limitations often associated with other positional tracking systems. Its encoders process data via the SPI interface to provide

realtime data output, and its SPi-Touch origin reset and two-point calibration function mean that complete calibration is needed just once and takes 20 seconds. There are seven models ranging in overall length from 2.5m to 12.4m, with a reach of 1.5m to 10m. They come with custom-made carry cases. Shotoku is also showing its SmartPed Robotic Pedestal, SmartTrack ceiling mounted rail track camera

Getting Creative about the enterprise VitecEV

By Ian McMurray The South Korean company’s focus at IBC is a new UHD scaling cross converter, given

THEFINE is targeting world markets with its UHD scaling cross converter

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12.E42

Presteigne invests in 4K test and measurement By David Fox

Core competence: VitecEV’s cloud-based streaming, archiving and managing system

users to stream to multiple online video platforms. It also allows for archiving of video in the cloud and monitoring video streams in real time. A web interface provides dragand-drop setup for creating source, destination and output channels. Core allows encoder and decoder setup to pass through firewalls, eliminating IT involvement. It is a

monthly service available as an add-on to Creative Studio or as an open platform that can be accessed by a variety of qualified encoders and decoders. VitecEV is also showing prompting systems, including iPad-based units from Autocue, as well as Vinten’s Vantage lightweight robotic camera head. 12.E65

Converter targets UHD transition THEFINE

system and Free-d2 Absolute Tracking System for VR and AR applications.

Leader Electronics

By David Fox Creative Studio is a new fully integrated video capture and streaming system for conference room applications. Users can shoot HD or UHD video with either a PTZ or a robotic camera, with prompting, recording and monitoring of both audio and video, and storage for post production. It also offers simultaneous streaming to any number of internal or external distribution sites including Facebook, YouTube and Wowza. Production templates help users to position lights and backdrops to increase the professional look of their videos. Also new is Core, a cloudbased system that enables

Reality show: Shotoku’s new Graphica series of VR/AR tracked camera cranes

that terrestrial TV channels in Korea are gearing up for UHD broadcasts and the need for HDR support has increased. The company is also targeting territories beyond its home market. THEFINE’s cross converter is designed to resolve errors that the company says occur in the process of converting pre-existing Full HD broadcasts to UHD. Currently, it says, Full HD broadcasting

equipment used by most broadcasting stations are 3G interface (SDI), which is not directly compatible with UHD broadcasting equipment. The cross converter not only supports 12G SDI, but also HDMI 2.0a/b. High dynamic range images and passive HDR metadata can be inserted. Image verification and inspection in production and broadcasting sites can be done conveniently with these functions, the company notes. 5.A14

Presteigne Broadcast Hire has invested in Leader LV5490 4K waveform monitors, LV7390 4K rasterisers and LV5333 3G/HD/SD-SDI waveform monitors to meet rental demand for Ultra HD production. “We are seeing major growth in demand for 4K production equipment,” said Presteigne CEO Mike Ransome. “The LV5490 in particular has established itself as the Swiss Army knife of 4K test and measurement, both for engineers during setup and production crews during live shooting.” “The combination of 4K and high dynamic range has tremendous potential for our clients, as already demonstrated by recent technical trials at major sports OBs during the German Bundesliga and the Champions League final in Cardiff,” continued Ransome. “With their versatile feature

set, including the ability to handle HDR in Dolby PQ, Hybrid Log-Gamma and Sony’s Slog-3, the LV5490 and LV7390 enable our customers to ensure that their creations have the longest possible commercial life.” The LV5490 offers 4K, UHD, 3G, HD and SD test and measurement in a compact portable unit. Waveform, vector, five-bar and picture display can all be viewed at the same time on its 9-inch 1920x1080 LCD, with simultaneous viewing of up to four 3Gbps SDI inputs, including overlays. Recent additions to its feature set include the world’s first direct-digital 4K noise analyser. Measurement of noise in luminance or RGB component chroma channels can be performed in IP/12G/3G/UHD/HD/ SD. Data obtained from the input SDI signal is converted directly without intermediate analogue processing, allowing highly accurate and stable measurement. 12.A10

Leader’s European development manager Kevin Salvidge with Presteigne’s Mike Ransome

01/09/2017 14:13

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Managing assets OUTLINED

VSN

A new version of VSN’s advanced production asset management (PAM) tool, integrated within its VSNExplorer media and business process management product, is launching at IBC. It is designed for use within production environments, whether for news or TV shows. “The latest version of our advanced PAM software gives production teams continuous control of ongoing projects, while enabling them to organise metadata and assets into different categories, all from a single interface,” said Jordi Capdevila Espitia, marketing director of VSN. “Providing visibility into all production stages and workflows, this tool enables users to quickly check on a task’s status and project owners, detect bottlenecks and even publish and send media directly to social media channels.”

Demos address current trends Evertz By Ian McMurray

By Carolyn Giardina

VSN is showing a new version of its PAM tool

The company noted that prior to the introduction of this functionality into the VSNExplorer PAM, users were “unable to quickly review all ongoing projects, workflows and production stages”. The new VSNExplorer PAM tool also includes browsing and discovery of metadata and assets through a hierarchical tree view; custom and at-aglance management of all tasks, whether completed or in progress; user permission management; asset creation within the interface, including new VSNExplorer Wedit assets; downloadable EDL

files; tracking of assets across multiple media storage accounts, regardless of location; and selection of multiple customised views (table, list, etc.). According to VSN, this is developed in HTML5 to avoid the need for extra operating software to run it, and it interfaces not only with internal modules, such as VSN’s new Wedit tool for web video editing, but also with external non-linear editing systems, social media channels, archival services, programming partners, quality check systems and similar.

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Highlighting technologies that the company believes address the current trends in the broadcast media industry, Evertz is showcasing its solutions portfolio at IBC. Evertz is demonstrating how it is helping customers navigate the transition to IP with its Software Defined Video Networking IP-based solutions. The company offers support for SMPTE 2110 and AMWA IS-04, MAGNUM as orchestration and control for IP facilities, its range of 25GbE products, new evEDGE FPGA accelerated compute blades and the 5700MSC-IP IP-based Grand Master Clock and Video Master Sync Generator. Also on show is DreamCatcher, Evertz’s IP-

based capture, playout, replay, edit and packaging system. New tools on the platform include DC-LIVE-EDIT, a video/audio editing tool, and DC-MG, a media gateway and content management system that the company claims unlocks the full potential of a DreamCatcher network and 8K support. Evertz also has a big data analytics engine in the shape of inSITE, designed to provide real-time centralised operational intelligence for video broadcasters. Being demonstrated at IBC is inSITE’s support for cloudbased solutions and Amazon Web Services environments, which Evertz claims provides customers who are moving systems to the cloud with the visibility they need to maintain high service levels. 1.D31, 1.F29

7.D25 Big data analytics and IP solutions are among the Evertz portfolio

Stella Pro LED lights gain RF control Light & Motion/ EuroLight System By David Fox

Lights can be controlled at up to 60m indoors and 200m outdoors, and settings are remembered when the lights are powered off. Completely waterproof or weather resistant, the two lights can withstand a 1m drop on concrete and are compatible with a wide range of light modifiers and mounting

The new Stella Pro 5000 RF and Stella Pro 8000 RF lights have become the first video lights to include Elinchrom’s recently opened Skyport Protocol. The RF lights include an integrated Skyport Transceiver, which is controlled by the EL-Remote Control; a dedicated, wireless, 2.4GHz remote designed specifically for working with continuous lights. It provides users with 20 channels and control of up to four separate groups The Stella Pro 5000 (pictured) and 8000 RF lights now have and an infinite Skyport technology number of lights.

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systems. The integration of RF means that users can mount the rugged 5600K lights anywhere and have reliable wireless control. The lights have built-in Li-ion rechargeable batteries that allow them to run cord free for more than six hours. For extended use, they also connect to the included power supply and support D-tap and external batteries. The 5000 or 8000 lumen LED units have a TLCI score of 93, flicker-free design, 3-button interface for mode and menu control, dimming with continuous control, controlled focus from 120° down to 50° and 25°, and fast charge in two hours (80 per cent charged in 1.5hrs). 12.D46

Antenna ice is no problem Walton De-Ice By Ian McMurray

Nearly 20,000 Walton De-Ice earth station weather protection systems have been delivered for satellite networks. For larger and uplink type antennas from 3.7m to 32m in size, Walton’s Hot-Air De-Icing system uses what the company describes as a unique enclosure design which mounts behind antennas. For smaller antennas from 0.6m to 6.3m in diameter, Walton has shipped over 14,500 of its Snow Shield and Ice Quake antenna cover systems.

New developments in monitoring and control methods for actively controlling the antenna surface temperature for uplink-oriented antennas are being unveiled at IBC by Walton De-Ice. According to the company, the newest Temperature Control and Monitoring (TCS-2) system makes de-icing operation more efficient than ever, saving 1.A62 management and labour overhead for stations. The company’s products help protect critical broadcast, cable, and directto-home satellite networks from signal degradation, outages and downtime due to snow, ice and rain. Walton has shipped nearly 20,000 De-Ice systems

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Multiformat transcoder for Mac OUTLINED

Imagine Products By Ian McMurray

PrimeTranscoder is a new videotranscoding application for Mac OS from Imagine Products. As well as GPU acceleration, the company claims it offers many features that make it more robust than any other transcoding application at its price point. Michelle Maddox, marketing director, Imagine Products, said: “PrimeTranscoder is a powerful transcoding application that allows users to convert multiple

files to different formats at once. It recognises and converts more than 20 different HD, 4K and RAW camera formats, including ARRI, Blackmagic, Canon, GoPro, Panasonic, RED and Sony.” “While that’s happening, it can also create editable or sharable files,” continued Maddox. “By doing all those things simultaneously, PrimeTranscoder maximises time and makes for a more efficient workflow – and that’s what our customers have told us they need as they strive to compete in an evolving industry.”

Speed and stability are critical to the transcoding process, Imagine Products believes, and PrimeTranscoder’s GPU accelerator is said to make transcoding faster by allowing the application to take advantage of the computer’s graphics processing unit. In this way, customers get rapid file conversion without sacrificing any stability. PrimeTranscoder’s user interface is described as simple to use, and offers both standard and user-defined presets. 5.C05

Simply efficient: PrimeTranscoder offers a drag and drop workflow

USB capture for Ultra HD Compact CP.3 lenses look sharp Magewell

By Mark Hallinger

Marking its IBC debut, Magewell is showcasing the USB Capture 4K Plus external video capture device. The company claimed these devices are the easiest and most reliable way to bring 4K video signals into software applications for broadcast production, live streaming, encoding, interactive productions, medical imaging and more. The devices enable all types of computers, including laptops, to capture professional video and audio signals through a standard USB 3.0 interface, with driverfree installation and automatic input detection. Two models provide a choice of input connectivity.

Zeiss By David Fox

Plug-and-Play: The USB Capture 4K Plus external video capture device can be used in a variety of media operations

The USB Capture SDI 4K Plus captures video up to 4096x2160 at 30fps over its 6Gbps SDI interface, while the USB Capture HDMI 4K Plus supports 4K inputs up to 60fps via HDMI 2.0 connectivity, capturing them at 30fps. Both models offer loop-through connections, reducing workflow costs and complexity by enabling source signals to be sent simultaneously to additional displays or equipment without

the need for external splitters or routers. The devices support embedded audio as well as a separate analogue audio input and output for capture and monitoring. High-quality video processing such as up/down/ cross-conversion, graphic overlay and image adjustments are performed by the devices’ on-board FPGA, maximising host system CPU availability for third-party software. 8.A84

Fibre converters on Olycom menu Shenzhen Olycom Technology By Will Strauss Fibre optic signal converters, switches and boosters that are

44 IBC D5 2017 v1JRJMcK.indd 1

compatible with HDMI, SDI and DVI are being shown at IBC. The Olycom-developed devices transmit HD video signals over long distances, making them suitable for a range of applications including

digital signage and KVM. The converters can transform network signals to fibre and are capable of being used in harsh working environments, the company said. 3.A19

The ten-lens CP.3 series of primes are smaller than the previous Zeiss CP.2 range, with several other improvements. Matt Brooks, regional sales manager, Zeiss, said: “The lens design is exactly the same, but they have got different coating on the glass, which gives a much sharper image.” “The one thing that the CP.2 did suffer with is that in a cold environment the focus ring became sticky,” he continued, adding that this was something that has been rectified with the new lenses. The CP.3 is also lighter and more compact, making it more suitable for use on drones or for handheld applications,

according to the company. Each new lens is the same height, so follow focus and other controls can be in the same position, and all have the same diameter (95mm). The new lenses will cost a little more (about £3,000£4,000 each depending on focal length) than the previous range. The 15, 18 and 21mm lenses are T2.9, while the rest of the range (25, 28, 35, 50, 85, 100 and 135mm) are T2.1. All of the lenses now cover full-frame sensors (the 18mm CP.2 did not). There are also CP.3 XD models (for eXtended Data), which uses Cooke’s /i Technology but also includes lens distortion and shading characteristics, making it easier to correct for these in post. 12.F50

Matt Brooks shows oﬀ two of the new range of Zeiss CP.3 lenses

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Helm integration with Facebook Live Rascular By Carolyn Giardina The developer of PC-based video playout and media management systems is showing direct control of streaming content to Facebook Live, using its flagship control technology Helm. This can be achieved via Helm on a PC or via associated, deviceindependent web panels. The company noted that this could allow a tight integration for broadcasters and playout providers between broadcast devices and streaming content. Operators can control the streaming encoder and Facebook Live from a single screen. Helm communicates

with Facebook using the latter’s Graph API. Rascular is also showing its new web panel capabilities. Panels can be used in browsers on mobile and desktop platforms. They also facilitate the remote control of services and equipment for pop-up and OTT channels and could be integrated with cloud-based encoding technologies. For existing Helm users, existing panel designs can be converted to Web Panels. Alternatively, Helm allows the creation of new panels to the user’s specification.

Rascular’s control panel for Facebook Live

Rascular has also developed what it described as a cost-effective way to provide automated time-of-day router switching, using a self-contained, PC-based router control panel, which provides both manual and automated time-of-day switching.

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Archiving enhanced OUTLINED

Vintage Cloud By Mark Hallinger IBC sees the launch of a new service designed for companies that want to monetise their valuable archive assets but do not have, or wish to invest in, the equipment or personnel for this. As well as digitisation of archive analogue assets, indexing and the generation of metadata are also available to customers who have already digitised their archive, but who have not yet extracted the data from it that will maximise its value. The new service is based on Vintage Cloud Steenbeck, which can digitise separate image and audio at the same time at up to 4K resolution and up to 60fps. Steenbeck is highly tolerant of broken perforations, fragile splices,

and warped and brittle film. The all-in-one system has also been enhanced by the introduction of Smart Indexing. Vintage Cloud developed this software that uses AI and machine learning to automatically generate new metadata for easy search and categorisation. For material that has already been digitised, Smart Indexing is available as a standalone app for automatic content tagging. 8.C01

Fast: The new service simultaneously digitises separate image and audio archives

6.C19

LET’S TALK

stand 3.C59 (hall 3)

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BROADCAST MANAGEMENT

IN THE CONTENT-CENTRIC ERA

The reference Broadcast Management System SCHEDULING

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UltraBright monitors for HDR New playout and automation features OUTLINED

SmallHD

Athensa

By David Fox The new SmallHD 503 UltraBright is a 2200 nit, 10-bit, 5-inch 1920x1080 LCD that offers high resolution (at 443ppi it is higher than an iPhone). “It’s one of the brightest [monitors] on the market at the moment,” claimed Richard Payne, head of technology at distributor Holdan. Unlike SmallHD’s other 5-inch screens it offers a couple of function buttons for ease of use. The 7-inch 703 UltraBright, at 2300 nits, is even brighter, and has five

By Monica Heck

Handheld HDR: SmallHD’s 703 UltraBright Directors Kit

function buttons, allowing a little more flexibility. Both models have an HDR Preview mode. Both devices offer SDI and HDMI in and out (with cross conversion), plus a range of features, from waveform and

vectorscope to a choice of 3D LUTs for Raw or Log shooting. “The combination of the extra brightness of the screen, plus the look-up tables means they are very good for HDR,” said Payne. 12.E65

Astra 6X order just bright for sports Bexel

Alongside its sales and support partner X-Pert Multimedia Solutions, Athensa is showcasing playout and automation features as part of demonstrations of its Athensa Playout, Graphics and Ingest products. Alongside a new user interface designed to improve performance and offer customisation op-tions, Athensa has also added AJA support to its platforms to give customers a greater choice of video cards when acquiring their next server. RTMP support along with HEVC/h.265 sup-port is now also available.

NewTek NDI support for Athensa Playout is new at IBC 2017, alongside multichannel CPU consumption optimisation, so that multiple instances can run together in a single Core i7 CPU, when providing both SDI and IP streaming outputs. Also new is the support of audioonly content within Athensa Playout, for radio playout automation purposes, as well as the support of encrypted audio and/or video content and the complete integration of the platform with WideOrbit traffic systems. Other products on display include Athensa graphics, Channel-in-a-Box and Athensa Com-mercial Insertion for targeted advertising. 9.LP11

By David Fox The latest Litepanels Astra 6X LED lights will shine on a lot of sports productions thanks to an order for 300 from California’s Bexel, which is upgrading its lighting inventory for rental to OB productions at outdoor sporting venues. Lee Estroff, VP account development at Bexel, said: “The new Astra 6X panels are not only brighter, but they offer the versatility sports broadcasters need to light the announcers booth or just about any location for an on-camera shot or interview.”

Game on: Litepanels’ new Astra 6X LED lights given sporting chance

“Litepanels lights have been in our inventory for more than five years, and their quality and reliability have made them highly popular with our clients,” added Estroff. The recently introduced bicolour or daylight Astra 6X is 50 percent brighter than the first-generation Astra light

and six times brighter than Litepanels’ original 1x1 panel, yet draws less power (105W) than its predecessor, allowing for longer battery run time. It also delivers higher-quality colour rendering (with a TLCI of 95), and can be powered by professional camera batteries. 12.E65

Making a play for the complete 8K/HFR experience Spin Digital By Ian McMurray The German specialist in high-performance video codecs is in Hall 1 presenting a PC-based media player ready for 8K video up to 120fps. Spin Digital claims that the 8K HEVC/H.265 Media Player is the first solution for

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8K playback on PC platforms with HFR support, together with support for 10-bit video, HDR and wide colour gamut. The media player is based on Spin Digital’s HEVC/H.265 Decoder and Video Rendering Engine which has been optimised for maximum performance on recent PC platforms. As video resolution grows from Full HD to UHD/4K and

UHD/8K, frame rate needs to increase as well to maintain the dynamic image definition, said Spin Digital. For content with fast object or camera movement, the company believes that HFR is of paramount importance for providing smoothmotion representation and minimising motion related artefacts. 1.F11

NewTek NDI support for Athensa Playout is new for IBC

Managing HDR/SDR transitions Ericsson By Ian McMurray A new SDR to HDR conversion toolset is being launched by Ericsson that is designed to enable broadcasters to meet the complex requirements of delivering a consistent, highquality HDR live TV service. According to the company, if an HDR live channel is transmitting a mix of HDR and SDR content – such as SDR advertising, interstitials or news inserts – on an HDR TV in HDR mode, the SDR content will be incorrectly displayed. Relying on the television to switch modes between HDR to SDR to HDR

has significant quality risks, Ericsson claims. The newly launched Ericsson solution is introduced during encoding in the head end. It uses a process known as inverse tone mapping, which rebalances the chroma and luma of the SDR content, so it can be shown back-to-back with HDR content, without any need for the HDR TV to switch. Using Ericsson’s new ITM algorithm in the head end encoders means HDR service providers have full control over displaying both SDR and HDR and is less disruptive than having to deploy a new generation of third-party set-top boxes. 1.D61

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Teleport gets WTA certification

DPA Microphones

Cytaglobal

By Mark Hallinger

By Ian McMurray

The new d:vice MMA-A digital audio interface for ‘on the go’ content creators is on show for the first time in Europe. This preamp is aimed at content makers such as live and mobile journalists, and it works with any iOS device, Mac or PC. DPA said that the d:vice, when used with a DPA microphone, can capture or stream audio in quality previously only available in the studio, and claimed that it can act as a ‘mini sound engineer in your pocket’, when it’s not possible to have an experienced audio pro on site. The d:vice is a high-quality, two-channel microphone preamp and A/D converter offering mono, dual and stereo capabilities. DPA claimed such IBC 2017 Savea the Date Ad PRINT flexibility allows journalist to use the equipment for any unexpected situation that

The recent achievement of Tier 3 full certification under the World Teleport Association (WTA) Teleport Certification Program for its Makarios Teleport in Cyprus is a topic of conversation on the Cytaglobal stand. The WTA focuses on improving the business of satellite communications and is dedicated to advocating for the interests of teleport operators in the global 1.B22 telecommunications market. Christos Limnatitis, manager The Makarios Teleport has achieved WTA Tier 3 full certification of Cyta’s National and International Wholesale Division, said: “Cyta’s Makarios Teleport enjoys a privileged geographical location in Cyprus

Tiny: At about two inches in diameter, the d:vice is ultra-compact

might arise during their day. The d:vice allows users to set individual gain for two channels in an iOS environment, and comes with inter-changeable lightning and USB cables for connectivity. MicroDot inputs allow the d:vice to be connected to all DPA capsules, including the d:screet Miniature, d:fine revied date.pdf 1 01/09/2017 headset, d:vote in-strument, and the d:dicate recording microphones, including shotgun

microphones, via the optional MMP-G preamp. René Mørch, product manager, DPA Microphones, said: “The d:vice digital audio interface was designed with broadcasters and mobile journalists in mind, but can also be used by other content makers for recording music, filming on 11:21 location and during both live and recorded broadcasts.”

OUTLINED

with optimal conditions for satellite communications. It has extensive infrastructure and is well connected with Cyta’s international fibre network, providing ample capacity and dedicated links to major international nodes. “The Teleport offers extensive international reach and serves as a major telecommunications hub in the Eastern Mediterranean. It offers a range of satellite services in the global market including gateway and hosting services, satellite monitoring and control operations and VSAT services.”

8.D70

Pocket-sized sound engineer

Save the Date IBC2018 M

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RAI Amsterdam

The World’s Leading Media, Entertainment & Technology Show

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A thoroughly modern radio desk OUTLINED

Custom Consoles By Mark Hallinger The new EditOne-Radio desk is designed for use in radio interview suites, presentation studios and voiceover booths. Neil Reed, MD, Custom Consoles, said: “EditOne-Radio is a very versatile desk which can be configured to match a wide range of audio production environments, including live radio broadcasting. Developed from our established EditOne

edit suite desk, it shares the same modern styling and goes beyond traditional studio furniture construction by using sculpted MDF support panels rather than metal legs.” Studio guest work surfaces can be attached to the left or right side of the EditOne-Radio desk, or on both sides, bridging across to an optional pedestal accommodating up to 11 rack units of equipment. Three mounting points are located along the rear of the desk to accommodate a microphone

and flat screen display monitors. An additional mounting point can be used to support the guest microphone. The guest’s work surface is fitted with an acoustically damped surface to minimise noise. EditOne and EditOne-Radio are both available as flatpack workstations which can be assembled in less than an hour using the supplied Allen key and screwdriver. An on-site assembly service is available if required. 8.B38

Lighting designed to be Versatile Ledgo Technology By David Fox The new Versatile LED Light is a highly portable, flexible (foldable), rain proof, bi-colour

system that comes in two models. The V58C is offered in four versions, while the V116C, which is double the power and light output, has two versions. They can all be used with V-lock batteries or AC power.

The desk can match a range of audio production environments

A light on the tiles: Ledgo’s V58C Versatile LED Light in action

The colour of the softlight tiles is adjustable between 3200K and 5600K, and the brightness control can be via WiFi (using an app), 2.4GHz remote or dimmer. The V58C versions are: a 28.8W 600x350x20mm; 57.6W 1120x350x20mm;

Satellite line-up on show Turksat By Ian McMurray Turkey’s sole satellite operator, which manages and operates three satellites, is discussing the services it can offer to global customers. The Turksat 3A satellite enables Turksat to offer telecommunication services as well as direct TV broadcasting services though

Turksat operates three satellites serving the eastern hemisphere

a broad area including Turkey, Europe, the Middle East,

North Africa and Central Asia. With the help of its switchable

transponders, Turksat 3A acts as a bridge between Europe and Asia. The company said Turksat 3A’s Turkey coverage has been designed to provide very efficient gain for broadband applications such as VSAT services, giving customers low-cost, up-link systems. Turksat 3A is fitted with 24 Ku-band transponders and offers beginning of life power

57.6W 600x600x20mm; and 115.2W 1120x600x20mm, while the 115W V116C comes as either 1120x350x20mm or 600x600x20mm versions. They include collapsible square or rectangular frames, backing, diffusion and control box. 12.G68

of about 8kW. Turksat 4A was launched in 2014. With Turksat 4A, Turksat offers telecommunication and direct TV broadcasting services throughout Turkey, as well as in Europe, Central Asia, the Middle East and Africa. Turksat 4A provides Ku-band high-power direct TV broadcasting channels and both C- and Ka-band communications channels. Turksat 4B provides a total of 792MHz communications capacity, secured by 18 Ku band transponders. 5.C10

Aeos gets a handle on portable lighting Rotolight By David Fox The new Aeos bi-colour, location LED light uses an ultra-thin design (just 1cm thick) for improved portability. Sunny Kataria, UK sales manager, Rotolight, said: “It is a creative, portable light that

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allows you to be more flexible, a lightweight alternative to the larger Anova Pro.” Weighing less than 1.5kg, the design includes two aluminium handles for hand-held use. This is a response to the way that many customers already use the Anova, where someone holds it instead of putting it on a stand – this is particularly so for photographers

(the Aeos has a built-in flash that is 250 per cent brighter than its normal continuous output). Aeos can deliver output of 5,750 lux at 90cm, with a TLCI of 91, adjustable between 3150K and 6300K. The 42W light can run for three hours at 100 per cent power on a single 95Wh battery. Aeos does not have a traditional yoke, which typically

limits movement of the light to just 30-40º of tilt. Instead, it includes a professional level ball head, providing complete 360º rotation and 200º of tilt when mounted on a light stand. The solid aluminium ball head can support the full weight of the Aeos with battery and barn doors mounted, at any angle. 12.G48

Manipulating light: Sunny Kataria demonstrates the handy new Aeos

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The DNA of video delivery Streamroot By Anne Morris Over-the-top delivery firm Streamroot is showcasing the extension of its distributed video delivery solution. Streamroot DNA, an infrastructure-as-a-service solution, now supports iOS, Android and Chromecast as well as desktop operating systems. The company also provided an update on how Streamroot DNA has helped media groups and OTT providers globally to meet growing audience numbers, cut delivery costs and improve the user experience.

For example, this year alone Streamroot helped Eurosport deliver nearly 60 per cent of the traffic on the Eurosport Player, which saw record traffic volumes during the first two Grand Slam tennis tournaments. The company also supports Dailymotion’s VoD services, delivering 50 per cent of traffic in over 180 countries. According to Pierre-Louis Theron, co-founder and CEO of Streamroot, the company believes it is making a difference with its distributed approach to OTT video delivery and its pricing model, offering

Pierre-Louis Theron, co-founder and CEO of Streamroot: “Unlimited delivery for a ﬂat monthly platform fee”

“unlimited delivery for a flat monthly platform fee”. 14.J02

By David Fox A new top-end system, and a simple budget system for camera control, have been introduced by Telemetrics. The fully featured advanced control panel, the RCCP-1A, is designed for larger broadcast studios and legislative production centres. While the existing RCCP-1 control panel provides access to a variety of menu controls of broadcast cameras without the need for dedicated camera control units or external paint boxes, the RCCP-1A takes this further by adding powerful, unified

controls. The RCCP-1A also includes Telemetrics’ patent pending advanced auto-sensing technology that automatically keeps talent centred in the frame and intuitively follows their movement. Also new is the entry-level RCCP-M camera control unit, which combines an easy-to-use control interface with auto-sensing. It is aimed at non-technical staff working on cost-conscious productions.

It includes a full-colour 10.4-inch touchscreen interface, 3-axis proportional control pan/tilt/zoom joystick, and a large focus knob for precise camera control. Users can also upgrade to advanced controls as needed (including dual joysticks). It has support for studio cameras from Grass Valley, Hitachi, Ikegami, JVC, Panasonic and Sony, as well as PTZs from Telemetrics, Panasonic, Sony and Canon. 12.F34

By David Fox The new Lomo Illumina MkIII high-speed prime lenses are a complete ‘military spec’ redesign of the Lomo Illumina MkII lenses. According to GearCam, they will be the ‘toughest, most-durable, all-terrain cinema primes on the market’. Features include: a maximum focal length wide open of T1.3; sealed lens mechanics to cope with dirt, dust, sand

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theibcdaily

Dejero

OUTLINED

An update to the Dejero Core software shared by all of its transmitters and receivers now offers streamlined broadcast clip and asset management workflows. As the transmitters are often used to record clips, and not just for live workflows, many broadcasters have defined workflows automating the movement of the clips into their media management tools, using watch folders. This automation provides access to production staff who need to trim, apply overlays, and other pre-broadcast tasks, and the latest Core update simplifies and supports this clip workflow.

Clip and file transfer rates have also been upcapped to allow fuller bandwidth use for faster transfers. The algorithms for safely managing bandwidth usage across all servers, which prioritise live streams ahead of transfers, have also been enhanced to identify and manage bottlenecks, whether at an individual server or the network bandwidth available at the station. Bill Nardi, VP of broadcast integration and global support at Dejero, said: “The beauty of our Core software is that we are able to quickly and efficiently deploy new features and performance enhancements across our customers’ fleet of transmitters and receivers, further extending the capabilities of their equipment.” 12.B42

Core software is at the heart of all of Dejero’s transmitters and receivers

I gripped it MyWay Matthews Studio Equipment

Telemetrics’ new advanced RCCP-1A and entry-level RCCP-M control panels

Lomo gets tough with all-terrain primes GearCam

Core update streamlines workflows By David Fox

Camera control centred on the presenter Telemetrics

theibcdaily

and moisture; scratch resistant front and rear glass; locations of focus and iris rings match on all focal lengths; high weight load capacity for accessories, such as matte box or follow focus; and the longest warranty among prime cinema lens manufacturers (18 months), according to the company. The Lomo Illumina MkIII lenses also boast a classic Lomo vintage look, beyond Super

35mm frame coverage and ‘virtually zero breathing’. The 18, 25, 35, 50 and 85mm primes will be available in early 2018. 12.D52

The prime lenses open to T1.3 for shallow depth of ﬁeld

By David Fox The new MyWay Grip is a customisable setup based on a two-part, patentpending, locking rigging system, which allows crews to put together a unique rig from fewer interchangeable parts at lower cost. “Today stage and location set ups are getting more and more complicated and creative, often stressing out grips that are hampered by support equipment,” said Tyler Phillips, VP of marketing and product development at Matthews Studio Equipment. The MyWay Grip uses industry-standard pins, receiver and clamps with

For each and every highway: MSE’s MyWay Grip rigging system

custom connectors that attach to secure collars mounted on plates and clamps. This allows users to reduce the amount of dedicated rigging required on set, saving space, weight and set-up time. There are currently 13 different mounts available, from a $47 Nail-On Plate to a $140 Chain Vice Grip, and 13 attachments, including angled and straight pins, receivers and adapters. 12.G71

01/09/2017 14:20

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theibcdaily CamBall3 adds DMX, IP and motion control OUTLINED

BR Remote By David Fox The CamBall3 range of remote weatherproof cameras has been extended with three new models, with improved sensors, and features such as DMX, motion control and IP. The CamBall3 X adds 16-bit positioning and DMX control, which allows the camera to be integrated with a master show computer. It can still be controlled with any BR Remote controller, but can also be controlled via eight DMX channels, giving 16-bit precision in pan, tilt and zoom (plus focus and iris).

If the show computer can track follow spots, then it can track this camera. When used in Auto Tracking mode it can follow a designated artist very smoothly, including zoom and focus, thanks to BR’s PMS (Predictive Move Smoothing) algorithm, which predicts moves, smoothing between them, and copes with any missing data packets. The unit now has a 20x optical zoom matched to a larger, higher resolution Exmor sensor offering 3x better lowlight performance, making it more suited to indoor and other low light applications. Wide-angle or 30x lenses can also be fitted.

Core SWX By David Fox

Putting on a show: The upgraded CamBall3 has the DMX factor

For AR/VR use, the CamBall3 XM adds motion control via the Free D or Bradley M* format with metadata for VR and AR, while the upcoming CamBall3 XMi will add IP control and fibre inputs and outputs. 12.F67

Battery power, no charger necessary Dynacore Technology By David Fox Three new camera battery ranges have been introduced by Dynacore, including one that doesn’t need a charger. The DM range of mini Lithium-ion 14.8V batteries come in V-mount or Anton Bauer-compatible Gold mount versions, and are smaller and lighter, for use on compact cameras, such as the Arri Alexa Mini or Red Scarlet. Capacity ranges from 95Wh and 130Wh to the 155Wh/10.5Ah DM-155S, which weighs 800g and can deliver a maximum output of 150W/12A.

The new high-powered 14.8V DN-310S battery offers 310Wh/21Ah, and is designed for larger digital cinema cameras that need a big current draw (220W/18A). There is also a 170Wh/14Ah version (DN-170S or DN-170A), with a maximum output of 180W/15A. The new lineup also features batteries with built-in chargers (using Intelligent Microform Charger Technology), such

as the 130Wh DS-130SI. It means that when users need to travel light, there is no need to bring an extra charger for this V-mount 14.8V Lithium-ion battery, which has a built-in 5-LED energy status display, D-tap DC output, 5V/1A USB power output and weighs 1.15kg. There are also 95Wh and 150Wh versions, as well as Gold-mount variations. 12.D45

12.F55

The new HC9 Mini range comes in Gold-mount, Red and V-mount versions

ProSup/CaSu By David Fox

The new DM-155S, DN-310S and self-charging DS-130SI batteries from Dynacore

Enco Systems By Mark Hallinger

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The latest addition to Core SWX’s Hypercore line is the HC9 Mini, designed for today’s lighter and more mobile digital cine camera set-ups, such as the Red DSMC2 and Arri Mini. The 98Wh (14.8V) 12A batteries measure (9x12x5cm), weigh 861.8g, and come in three versions: V-mount; Red; and a Gold-mount version compatible with Anton Bauer chargers. An LED backlit runtime LCD on the front of the battery shows how much battery time is left and indicates remaining charge time while connected to a charger. The Red-specific version can communicate directly with a Red camera’s LCD/VF. The battery cells are encased in a rubberised housing, for protection against

impacts. The HC9 Mini is safe and legal for air travel. Core SWX also has a new line of Fleet Micro Chargers, which are claimed to offer “the fastest battery charging times in the industry” (four 98Wh packs in less than 2.5 hours), with versions supporting V-mount and 3-stud batteries; either two or four positions for each. There are four modes: Fast Charge; SafeFly, which discharges/charges batteries to 30 per cent (within IATA regulations for safe air transport); Test mode, to determine battery health and recharge performance; and Hypercine, which combines all packs and provides power to either an unregulated 12V-16.8V 4-pin XLR or regulated 28V 3-pin XLR DC output to power large-draw set-ups.

Unified LapTop Dolly and pedestal base

Automated live closed captioning advances The fourth generation of Enco’s enCaption software-defined speech-to-text voice recognition engine, enCaption3 R4, adds the ability to distinguish between multiple speakers, reducing the labour of live captioning in broadcast workflows. Like previous generations, enCaption3 R4 needs no re-speaking, voice training, supervision, or real-time

Hypercore batteries go Mini for Cine

The product can manage complex captioning

captioners, thereby eliminating human error. Building on this foundation, enCaption3 R4 integrates an algorithm with the intelligence to manage complex captioning situations where multiple subjects are speaking

at once, said Enco. enCaption3 R4 achieves this by isolating each speaker’s microphone throughout the live programme. Multi-lingual support is also built into the algorithm, and includes personalised and/or localised spelling capabilities to ensure greater accuracy. Ken Frommert, general manager of Enco, said: “With our new multi-speaker identification feature, hearing-impaired viewers will not only know what is being said, but also who is saying it.” 8.D74

The latest generation of LapTop Dolly is much more versatile, as it is not a mere dolly base limited to accept either tripods or riser/swivel support combinations. Now it can be equipped with receptacles for both, including Vinten and Sachtler’s removable pedestal columns – a feature requested by numerous OB productions. Other new features include: three 100mm bowls built into the platform so that low shots can be done more easily; additional receptacles to mount the operator’s swivel seat, allowing for more space behind the camera; twin tyres for all four wheels to cope better with uneven ground; and the cut-outs to mount camera tripods now work with most

manufacturer’s sticks – and use the manufacturer’s rubber hooks to provide stability and safety. The LapTop Dolly comes with its own track package of almost 6m of straight track. ProSup uses the seamless Tango lightweight track based on its centrefold collapsing system, which does not extend the tracks when folded for transport. 12.C77/12.C79

The new ProSup LapTop Dolly can take pedestals or tripods

01/09/2017 14:21

Let there be Sky.

S360-C: SkyPanel on an immense scale Introducing the new SkyPanel S360-C, the biggest and brightest LED fixture ARRI has ever produced. Not only is the S360-C powerful, but it is full of exciting features, making it one of the most versatile LED fixtures on the market. Features include full color control, lighting effects on a huge aperture, wireless DMX built in, a unique carbon fiber yoke, and much more. The S360-C is truly a beast of a light.

Explore the new SkyPanel: www.arri.com/skypanel360 SkyPanelÂŽ is a registered trademark of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.

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Waves gets live automixing OUTLINED

Dan Dugan Sound Design By Mark Hallinger The eMotion LV1 live mixing console from Waves has added Dugan automixing to its eMotion LV1 live mixer. The Dugan Speech System used in the console was developed by Waves in conjunction with Dan Dugan. The new automixing feature incorporates Dugan’s proprietary voice-activated

process and automatically controls the gains of multiple microphones in real time while reducing feedback, studio noise and comb filtering from adjacent microphones. The Dugan algorithm maintains a consistent system gain, even when multiple speakers are talking simultaneously, and provides perfectly matched crossfades without any compression or noise gating artefacts, according to Dan Dugan.

Automixing is integrated into the input channel strips of the LV1, so no patching is required. Combined with an eMotion LV1 mixing console, the Dugan Speech System can be used in applications such as broadcast news panels, talk shows, houses of worship, film and television dialogue recording, theatrical dialogue, or any kind of discussion panel or conference scenario involving multiple microphones and participants.

Miniature weatherproof lipstick camera Marshall Electronics

Whatever the weather: Marshall’s new IP67-rated CV225 makes a splash

By David Fox The new second-generation CV225 IP67 Lipstick Camera succeeds Marshall’s popular CV200 camera, with greater image clarity, enriched true colours, enhanced low light performance and the added ability to remotely adjust without reliance on screen display menus. Aimed primarily at outside broadcast use, for sports, reality shows or all-weather installations, its IP67-rated weatherproof design means it can withstand dust, sand or full submersion up to 1m for 30 minutes.

By David Fox A new 4K/Ultra HD on-camera LCD monitor with 3D LUT support has been released by Swit. The 7-inch S-1073H LCD panel has 1920x1200 resolution, and supports 3GSDI and HDMI input/loop output. It offers 4K 50p/60p monitoring and 3D LUT camera Log to Rec.709 conversion. The existing 17.3-inch S-1173, 21.5-inch S-1223 and 23.8-inch S-1243 studio monitors have also received a firmware upgrade to support

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The console with the Speech System cues multiple live microphones automatically and in real time and can automix all LV1 input channels simultaneously. ‘Dugan

The CV225 uses a new 1/3-inch high-speed 2.5 megapixel sensor to pack with a single full-sized 3G/HD-SDI (BNC) output in 1920x1080i, 1920x1080p and 1280x720p resolutions at 60/59.94/50/30/29.97/25 frames per second (with two models, for 50Hz and 60Hz countries). New proprietary pixel technology is claimed to give the CV225 ‘the lowest noise ratio on the market today’, resulting in sharp colour images, even in very low light conditions,

By Mark Hallinger

as low as 0.2 lux in colour. It also draws very low power in full 3G SMPTE 424M (2.97Gbps) 1080p modes. A 3m breakout cable allows for remote control and adjustment via Sony VISCA over RS485 twisted-pair wire, and it is compatible with the Marshall CV-RCP-100 Touchscreen RCP Unit using 3-pin XLR cable. 12.D20

17x17x17 3D LUT colour calibration and Log conversion, and can handle S-log2, S-log3, C-log, Log-C, V-log and J-log1 to Rec.709 conversion. Swit has also introduced a new, longer-range 5GHz panel receiver for wireless HD transmission. Where existing systems have a range of up to 700m, the new 17° directional panel antenna can extend transmission distance range in any given environment by up to 50 per cent, with strongly improved stability and transmission reliability, according to the company.

It has a built-in wireless receiver that can work with all Swit wireless transmitters, and also features a four-pin Lemo DC input and dust-proof switchgear.

mute’ and override groups are integrated into the LV1 mixer’s mute function, and three independent automixing groups are available. 8.C94

New immersive offerings for Halo Nugen Audio

Monitoring and wireless upgrades Swit Electronics

The LV1 utilises a custom-designed Dugan Speech System

A major new update for the Halo Upmix plug-in has been announced. The 3D Immersive Extension builds on the established Halo 9.1 Extension, adding further options beyond the existing Dolby Atmos bed track capability. The update adds Ambisonic compatible output as an alternative to channel-based output for VR, game and other immersive applications. This makes it possible to upmix, re-purpose or convert channel-based audio for an Ambisonic workflow. In addition, the Halo 3D Immersive Extension makes Halo the first upmixer to fully support Avid’s newly

announced Pro Tools version 12.8, now with native 7.1.2 stems for Dolby Atmos mixing. The combination of Pro Tools 12.8 and Halo 3D Immersive Extension will provide a more fluid workflow for audio post professionals handling multi-channel and object-based audio formats, according to Nugen. Jon Schorah, founder and creative director, Nugen Audio, said: “We are delighted to offer new options for engineers involved in the rapidly developing world of immersive audio and Dolby Atmos. The addition of Ambisonic output in the 3D Immersive Extension enables users to apply our unique algorithms in ever-diversifying contexts and workflows.” 8.D56

12.C61

Extending wireless range to 1,000m plus: Swit’s new 5G panel receiver

Halo’s extension provides Ambisonic output for VR, game and similar applications

01/09/2017 14:21

Business Knowledge for the Global Media, Entertainment & Technology Community

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A new Style compact zoom OUTLINED

Thales Angénieux By David Fox The new Optimo Style 48-130 T3 is the third lightweight compact zoom lens in the Angénieux Optimo Style line, joining the 16-40 T2.8 and 30-76 T2.8, the two other lightweight compact zooms of the range, and the 10x Optimo Style 25-250 T3.5. The 48-130mm lens weighs 1.95kg and has a close focus

at 0.94m. Angénieux claimed it to be an ideal lens for close-ups, portraits, or tight shots, whether handheld, on a Steadicam, remote heads, gimbals, rigs, or drones. It covers an image circle up to 34.6mm diameter (Red 8K helium sensor or Arri Open Gate, for example) with a constant T3 aperture throughout its zoom range, with no ramping when zooming in, minimal breathing, distortion or optical aberrations.

It offers 320º focus barrel rotation, and 0.8M gears on the focus, iris and zoom barrels. The PL mount is easily interchangeable with a Canon EF or Panavision PV mount and the lens can be used with the Angénieux Servo Unit with integrated motors for remote control. Angénieux has also introduced two stand-alone accessories for its anamorphic line. The two short zooms

Versatile switcher on show

DVLab

By Ian McMurray The new DSC938 Digital Video Switcher is being aimed at live broadcast, shows and presentations, as well as studio production. The DSC938 supports 14 sources – 10 external inputs, two internal video players and two internal still picture inputs – each with a corresponding button on the preview and program control console of the switcher. All these sources can be monitored by means of the built-in multiviewer with HDMI output, via any HD monitor or TV. The device also has the ability to use two chromakeys and a combined

The DSC938 is available as a rackmounted or portable system

image of up to four PiPs as an input. The DSC938 is available in two variants: either a rack mount base unit and

Style icon: The lightweight Angénieux Optimo Style 48-130mm zoom lens

(Optimo 56-152A2S and 30-72A2S) can be equipped with an uncoated front element offering a softer contrast image with additional flares around

Solar-powered RF beams WorldCast Systems

standalone control console; or as a portable, all-in-one video studio complete with monitor, weighing 7kg. 5.C21

Making its European debut is a solar-powered FM transmitter/ retransmitter. Offering hybrid AC power, SOLAR FM can broadcast for up to 10 hours over 10km on solar power alone and for even longer using its hybrid power source. Designed for areas with limited electrical infrastructure or for temporary installations, SOLAR FM can receive audio from a number of different sources, such as its inbuilt satellite and FM receivers or analogue and AES inputs, and broadcast to remote communities, festivals and disaster relief areas. A smartphone app provides full configuration capabilities

Beijing Iviking Technology

By Carolyn Giardina

By Ian McMurray

New Thunderbolt 3 editions of Sonnet’s Echo Express SEL and Echo Express SE I Thunderbolt-to-PCI Express (PCIe) expansion systems are on display. The compact SEL and SE I chassis use Thunderbolt 3 to enable data transfers up to 2,750MBps for both Mac and Windows computers,

An integrated receiver that supports multiple format signal input is being showcased on the Beijing Iviking Technology stand. Formats supported include DVB-S, DVB-S2, DVB, DVB-C, DVB-T and DVB-ASI input. Available outputs include RF, DVB-ASI, TS over IP, HD-SDI, CVBS, YUV and digital AES/EBU.

Echo Express SE I (right) and SEL (left) expansion systems oﬀer Thunderbolt 3 connectivity

and Echo Express III-R (2U rackmount) Thunderbolt-toPCIe expansion systems, as well as the new three-slot Echo Express SE III desktop system. 7.F07

Niche: The transmitter is designed for areas with limited electrical infrastructure

and enables daily scheduling of operations to make best use of solar power when available and rely on the AC connection when not. SOLAR FM is supplied as a turnkey system with solar panel, FM antennas, satellite dish or antenna and the robust FM transmitter. 8.C58

Multiformat receiver and insertion devices

Sonnet Technologies

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12.E36

By Mark Hallinger

Thunderbolt 3 editions join Echo Express family

supporting a variety of PCIe cards. Additionally, Sonnet is demonstrating Thunderbolt 3 editions of its three-slot Echo Express III-D (desktop)

highlights, while the Optimo 44-440A2S can be fitted with a special coated rear element that enhances blue flare.

Also on show is a logo and subtitle inserter, designed for digital TV transmission, IPTV and OTT that features IP and ASI input. Optionally, HDMI, SDI and AV inputs can be configured. Video formats supported include MPEG2, MPEG4, H.264 and WMV9 while, on the audio side, support is provided for MPGA, AAC, WMA, MP3, AMR and AC3. The unit is capable of handling two channels of 4K resolution, up to 12 channels of HD or up to 32 channels of SD. 1.A01

01/09/2017 14:22

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‘Future-proof’ platform for IP OUTLINED

Work Microwave By Ian McMurray The AR-61 demodulator for transport stream applications has been announced, part of the A-Series IP modem, demodulator and modulator family. The AR-61 is designed to provide high-quality video transmission with minimal satellite bandwidth occupation. According to the company, it is ideal for professional video

contribution and distribution use cases. Offering compliance with DVB-S2X, DVB-S2 and DVB-S, the platform is claimed to be entirely future-proof, enabling seamless migration to next-generation infrastructures and evolution to advanced functionalities for operators relying on legacy standards. Upgrades are possible via software licensing. For operators looking to transition to an all-IP workflow, Work Microwave

also offers the AX-60 IP modem, AR-60 IP demodulator and AT-60 IP modulator high-performance platforms for IP trunking and network infrastructure applications. Work Microwave said its devices are deployed by operators worldwide to support a range of applications within the satellite broadcast and satellite communications markets, including SNG/ contribution, direct-to-home, IP networking, teleport

Differentiation through user experience Broadpeak By Ian McMurray Multicast ABR technology is now being adopted by the industry, and Broadpeak is showcasing its benefits. With video consumption on every device ubiquitous, the company said it is addressing the fact that pay-TV operators and content providers are finding it increasingly hard to differentiate themselves and improve the user experience delivered over managed networks and OTT.

Claimed to be the first working ABR multicast solution delivered by a technology provider, Broadpeak said its nanoCDN multicast ABR solution has been deployed successfully by leading global operators for live multiscreen service delivery since 2012. According to the company, nanoCDN multicast ABR makes live HTTP video delivery to any device scalable by turning millions of broadband gateways, cable modems, WiFi routers and STBs into active components

of an operator’s content delivery infrastructure. By leveraging home networks, Broadpeak claimed operators can cost-effectively manage the consumption peaks of live multiscreen services for millions of simultaneous viewers using only a few megabits per second from their network. Several new use cases for nanoCDN are being shown at IBC, including zero latency for live video streaming as well as live HTTP TV service delivery via satellite. 5.C72

Mentor RG makes European debut Trilogy Communications By Heather McLean This subsidiary of Clear-Com is presenting the European debut of Mentor RG, a sync and test pulse generator (SPG) for reliable broadcast reference and test signals. The Mentor RG generates synchronised broadcast video, audio and timecode signals to a very accurate time signature, often provided by a GPS reference system, which is then passed onto the mission-critical automation system. The single box solution ensures

synchronisation of multiple signals in any broadcast or professional media application. The Mentor would typically be installed as the master reference generator in a TV station or an OB truck, claimed Trilogy. Since accurate reference signals are crucial to successful operations, it recommended two Mentors and a changeover should be used to give the ‘ultimate in redundancy’. All SD and HD reference and test signals are generated simultaneously for both 525 and 625 standards, with independent timing control for all outputs. The Mentor pays special attention to multiple

audio generators assignable for AES audio including DARS, embedded audio in the SD/ HD channels, Wordclock and analogue stereo audio. Stephen Sandford, product manager, Trilogy, said: “Generations of Trilogy SPG products are widely deployed in many broadcast studios around the world and are trusted for their accuracy and dependability. We are pleased to build on this legacy with the introduction of Mentor RG, providing Clear-Com and Trilogy customers access to this latest set of SPG capabilities.”

The AR-61 demodulator expands the Work Microwave family

management, governmental, and more. According to the company, its analogue and satcom solutions enable operators

to dramatically increase their flexibility, bandwidth and margins while reducing operational costs. 5.A77

PTZ cameras zoom into view Korea AVICS

By Ian McMurray The broadcast equipment specialist is demonstrating its KE/KA series PTZ cameras. According to the company, one of the key features of the KE Series is expandability. Outputs include 3G-SDI, HDMI, DVI-D and CVBS, and all can be used at the same time without converters. Korea AVICS also stated that the KE series is compatible with a range of third-party devices, offering support for RS-232, RS-422 and RS-485 communications and the VISCA, PELCO-D and PELCO-P protocols.

In addition, its Smart-Flip function allows the camera to have a tilt range up to 240°. The KE series enables up to 256 presets to be created. The KE-H2030L features 20x zoom, while the KE-S3060H delivers 30x. The KA series is at IBC for the first time. The new G20/ G30 models offer features such as genlock, tally, audio input, embedded audio and easier connection which allows each camera to be managed individually. The RM-KA200 controller’s two-way technology allows the control of up to 14 cameras, together with pan/ tilt speed adjustment. 5.A14

10.D29

The KA series of PTZ cameras is at IBC for the first time Mentor RG, a flexible sync and test pulse generator for broadcast reference and test signals

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Content pipeline and delivery issues hold up UHD rollout OUTLINED

By David Wood There’s no doubt that the rollout of Ultra HD services has been a lot slower and a lot stickier than the adoption of HD, and Saturday’s conference session on Ultra HD allowed senior figures from Sky, Sony Pictures Entertainment, Netflix, Ericsson and Molinare to air the reasons why. Sky chief engineer, broadcast strategy, Chris Johns said: “One of the problems is that we were pushed to do Ultra HD by the manufacturers. The screens came on the marketplace, but there wasn’t the content.”

Content is variable in quality and not always made by producers who know how to get the most out of 4K, added Johns. “If you look around, there is some fantastic stuff, but there is also mediocre 4K content made by people who don’t know how to shoot in 4K, and who don’t know the standards. It doesn’t sell the right message to the consumer,” said Johns. “We have to move forward carefully to make sure that we deliver a prime VIP 4K experience. If we don’t deliver the customer will push back against 4K.”

Richard Wilding, CTO Molinare TV & Film, said: “We are going to have to wait a long time to see the best of 4K. People don’t have enough experience in shooting 4K HDR yet.” Mark Horton, strategic product manager, encoding portfolio, Ericsson, added that in live events the lack of expertise in 4K production was sometimes an issue. Despite this, players such as Netflix and Sony Pictures Entertainment have no doubt about the business case for Ultra HD. Jimmy Fusil, manager, production engineering, Studio

By Carolyn Giardina Al Jazeera Media Network is demonstrating the initial phase of its live MediaCentral hybrid cloud rollout at the Avid stand. Following its move last year to standardise on Avid’s MediaCentral platform, the broadcaster is further

expanding this workflow, with an eye towards enabling better collaboration for faster story creation and delivery. “Avid is thrilled to feature Al Jazeera’s hybrid cloud breakthrough at IBC,” said Avid president Jeff Rosica. “It’s a perfect example of how cloud deployment of MediaCentral can erase disparity and silos from even the most distributed media organisations and

By Mark Hallinger

Al Jazeera’s director of technology and entertainment services, Ibrahim Hamid, (left) with Jeﬀ Rosica

streamline workflows that span the globe.” 7.J20

Sveriges Radio By George Jarrett

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product is acquired in 4K – with some films finished in Ultra HD HDR, said Bill Baggelaar, SVP Technology. Netflix’s Fusil added: “Consumers are very savvy and they see the quality of the content, even if it’s subliminal. Consumers will always prefer the better quality image.”

Disk Archive Corp

Swedish Radio goes back to basics One of the busiest content creation demonstrations around IBC has been the revolutionary way Swedish Radio has shrunk local journalism tools down to a set of brilliant basics, particularly the home and location production support surfaces. Jimmie Schewenius, who works on a pilot project based round Uddevalla, said: “We developed this surface for people like myself who are self-operators and radio hosts, and we do all the mixing by ourselves. We ended up with six big buttons to make it easy to use, and we built in all the functions we need. “Once you have learned to use the touchscreen interface in the studio, you also know how to use it on a story, because the

Technologies at Netflix, said: “For us our default is to produce in Ultra HD. Our thrust is to satisfy the consumer – we have a growing 4K library and we don’t face the same transmission issues as broadcasters because we don’t face the same delivery problems.” At Sony Pictures Entertainment, 90-95 per cent of

Archive alternatives, AaaS?

Al Jazeera in the cloud Avid

Senior industry ﬁgures discuss the slow adoption of Ultra HD

The company said its goal is solving the myriad issues facing the archive industry. Its ALTO Options: ALTO provides a secure, range offers a secure, high-performance LTO replacement high-performance big data, media archive and New and as-yet-unnamed, it content library with a century is a ‘hardware-as-a-service’ or lifespan, ultra-low energy ‘archive-as-a-service’ ‘product’ consumption, and significantly that is not cloud-based, but lower cost of ownership. on-premises hardware that is Hardware features include the essentially rented and becomes use of standard SAS disks, opex. This service provides an expandable chassis, a 64local speed and customer bit OS, hot swappable disks, oversight of the hardware fans and power supplies, and and data. The company is more. The system avoids accepting possible names for RAID rebuilds, robotics, heavy the service. Send your ideas to aircon, time lost rewinding, Name4AaaS@diskarchive.com. 8.B38 and repeated slot licence fees.

Distributor deal bears fruit HHB Communications By Mark Hallinger Jimmie Schewenius works on the pilot project

functions in the tablet version are the same,” he added. The OB pack has it all – mic, headphones, WiFi to the tablet from the bounding device pack, which has five SIM cards, plus Raspberry Pi single board computer carrying the open source audio codec.

“It almost functions everywhere,” said Schewenius. “I don’t have to have a colleague helping me back home in the studio. Interest here at IBC has been in the work surface and tablet, and what our colleagues think about us working in this way.” 10.F20 (EBU stand)

The company was recently appointed UK & Ireland distributor of Studer digital audio mixing consoles and media routing systems, and the arrangement has already produced a major sale. The Economist approached HHB and Hard Six Audio to install and build a new studio, featuring the compact Studer OnAir1500 radio production console.

Deal: Steve Angel, HHB group sales director; Karl Chapman, sales director, Harman; and Mark Hosking, broadcast global sales director, Harman

“We’re confident that HHB can demonstrate the benefits of our new mixing and media routing systems to a wider market,” said Studer’s Mark Hosking. 8.D56

18/09/2017 16:27

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Partnership with Talia announced OUTLINED

Arabsat By Ian McMurray At IBC, it was announced that Talia, a communications provider serving the Middle East, Africa, Europe and the Americas, is to partner with Arabsat on a new 10-channel video uplink to the Arabsat Badr-7 satellite located at 26°E.

The service will offer both SD and HD channel uplinks and will form the basis of a new high-power Ku-band neighbourhood over Iraq. Content will be up-linked from the Talia Teleport in Raisting, Germany and monitored for quality in the Talia NOC in Erbil on the Badr-7. With many content creators looking to new audiences, the neighbourhood of channels will

Ekstraklasa inks Tracabm deal ChyronHego By Carolyn Giardina Ekstraklasa Live Park, the broadcast arm of Polish football league Ekstraklasa, has signed an agreement with ChyronHego to equip all 16 of the league’s arenas with the Tracab image-based tracking system by the end of this year. Tracab was selected to provide live tracking of all movement of players and the ball on the field, and Ekstraklasa Park Live will use the resulting player performance data to enhance its live coverage of close to 300 LOTTO

Ekstraklasa matches. “It means that we will be collecting match data at the same level as other top European leagues,” said Marcin Animucki, vice president of Ekstraklasa. “This is also important in relation to the sale of our media rights, starting with the 2019/2020 season. “We want to share this data not only in TV broadcasts, but also in media reports, on our online channels and, in the future, on our mobile app. After installation of the system in all of our stadiums, we will also be helping coaches and coaching staff by providing them with unique fitness data.” 7.D11

Thoroughly modern radio Lawo By Mark Hallinger An all-new console matched to modern radio studios, enabling operators to mix and route audio using the same onscreen environment as other studio tools, is on stand. The console is called ruby, and it features AES67 and high-density MADI interfaces standard, with

expansion slots for mic, line, AES3 and studio I/O. The ruby surface blends physical faders and switches with multi-touch “soft” controls, presented alongside applications such as playout systems, phone queues and codecs. ruby is also a true AES67 console, with full dual-network redundancy and instantaneous recovery from any network fault. 8.B50

Spider insider: The parabolic fingers of the new Hudson Spider fold down to a very compact package, and its skeletal shape makes it less prone to shaking in the wind, said Paul Royalty, VP sales, Litegear, seen here between two Spiders. The versatile 400W fixture is light enough to use on a boom for walk and talk shots. 12.D39

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provide a voice and original Iraqithemed programming to millions of currently underserved and underrepresented citizens. Khalid Balkheyour, Arabsat president and CEO, said: “We have conducted cautious surveys during the course of selecting our teleport partner to launch the first Arabsat DTH platform from Germany. We’ve reached the conclusion that Talia, with its globally recognised

brand in terms of reliable satellite and terrestrial networks, will provide Arabsat international and regional broadcasters with the optimum quality of service. “Meanwhile, we have established a joint roadmap with Talia to develop Arabsat’s penetration into growing MENA markets, in which Talia has already established its distribution services and signal delivery for a significant number of premium video channels.” 1.B38

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Balkheyour: Talia will provide Arabsat with the optimum quality of service

Channel 4 News applauds IDS production timer IPE By Heather McLean One year after the implementation of IPE’s IDS production timer, Channel 4 News has plans to roll the technology out to ITV and Channel 5 in the UK. IDS was deployed by Channel 4 News for its lunchtime and evening bulletins as well as news flashes, following its hunt to find a replacement for its existing production timer that was obsolete, according to Martin Collett, programme director for Channel 4 News at ITN. Collett told The Daily: “We wanted a production timer with more flexibility and IDS turned out to be the only solution that covered everything. It’s in daily use, it never crashes and never goes wrong. It has definitely

Martin Collett from ITN shakes hands with IPE’s Reuben Such one year on from the implementation of IDS

improved our workflow. We’ve got lots of people who aren’t skilled in workflow who can now use the system. There’s no limit in what we can add to it. “With IDS we have gained additional functions on our previous production timer. Various elements in our bulletins had typically required certain details to be manually entered for each, but the IDS production timer calculates and enters those details for us automatically.”

Now the technology is set to be rolled out to Channel 5 and ITN, which have more complex timing requirements due to a number of regional elements and different segments. “We have also just added the ability to display the status of our talkback system, so any worrisome issues can now be addressed immediately,” noted Collett. 11.D30

Studio Berlin orders LDX for UHD Grass Valley By David Fox Studio Berlin has bought 41 LDX cameras from Grass Valley, plus six K-Frame Video Production Center switchers capable of producing in Ultra HD. The equipment will be used in both its new OB trucks (the first of which is on show in the outdoor exhibits – O.E02) and studios. The camera purchase is part of a three-year contract with Grass Valley, and Studio Berlin is planning to substitute a total of 70 LDK cameras with the new

Not switching from Grass Valley: Studio Berlin’s MD Nick Zimmermann

LDX models within that period. “We can now provide a native 1080p or 4K HDR acquisition in both SMPTE 2084 (PQ) and Hybrid Log-Gamma (HLG) formats. And, thanks to Grass Valley’s GV-eLicensing model,

we are now able to provide up to 23 XtremeSpeed (6x super slow motion) cameras if needed,” said Matthias Alexandru, Studio Berlin’s technical director. 1.D11

18/09/2017 16:06

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TVT/DMC moves forward with virtualisation Pebble Beach Systems By Mark Hallinger Media services company TVT, which acquired DMC in July, has been offering tours of its nearby facility for existing and prospective clients during IBC2017. Earlier this year, the company had announced the launch of a full-IP virtualised

playout platform, based on Pebble Beach Orca. DMC/ TVT’s fully virtualised softwaredefined ‘private broadcast cloud’ enables its customers to benefit from the agility and flexibility of an all-IP world, said Pebble. The platform will eventually be used by more than 80 channels. The all-IP architecture enables TVT/DMC to commission and deliver new

channels to market faster than ever before, said Pebble. Also new at IBC, and very much a part of the company’s Orca story, is Pebble’s integration with the NDI IP video standard, to remove possible objectionable monitoring delays that can be inherent to real-time video over IP virtualised workflows. NDI technology now provides

ES Broadcast Hire buys 100 Sony 4K cameras Sony By Neal Romanek UK systems integrator ES Broadcast Hire has bought 100 Sony HDC-4300 4K system cameras, two HDC-4800 ultrahigh frame rate cameras and two XVS-8000 4K switchers. It’s hoped the Sony technology will help future-proof ES Broadcast Hire’s offerings as the demand for 4K and HDR technology grows. Richard Scott, Sony head of media solutions, said: “ES Broadcast is an established customer for Sony on the

systems integration side and on the rental side, which is something they’ve been building up for a number of years. They’re actively growing their footprint across Europe to become a major player in the rental business, and this investment is part of that growth plan.

“The company is already present in Formula One, in football and tennis, and they’re looking to compete on a broader stage. This purchase positions them to be able to serve bigger, high-profile sporting events.” 13.A10

Pictured: Darren Thompson-Allott and Warren Taggart (ES Broadcast Hire), David Nortier (Sony), Edward Saunders and Ben Murphy (ES Broadcast Hire) and Richard Scott (Sony)

New operator TV adds value EKT

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low-latency confidence monitoring for virtualised Orca OUTLINED software-defined integrated channel systems. Pebble said this development increases Orca’s suitability for the playout of high value live, reactive channels and latency-sensitive applications. 8.B68

Forward: Tamas Vass, Pebble Beach Systems European sales director, and Jean-Louis Lods, SVP, technology, for the new TVT/DMC

Storage for media workflows FAST LTA By Mark Hallinger While the company’s Silent Brick movable storage has been around for three years – with customers mainly from backup and secure archiving – in the media industry workflows are essential. Because of this, FAST LTA is introducing a fully featured REST API for the Silent Brick system. This allows for integration of secure, movable disk or SSD storage into MAM applications and other workflow solutions. Silent Bricks feature sturdy, movable aluminium containers with 12 disks or SSDs each, offering up to 24 gross capacity per Silent Brick. The data on each Silent Brick is protected through ZFS dual

or triple parity, encryption and optional WORM sealing. The drive is a two-slot, 1U device with 10G Ethernet connection, ideal for taking footage on the road or securing data at location. The controller, offering five slots and expandable through shelves with 14 slots each, offers up to multi-petabyte capacity for media archiving. 8.A01

Courting media: The company has opened up its moveable storage for workﬂow integration in media applications

Generating HDR for the YouTube generation Atomos

By Ian McMurray By David Fox EKT celebrated its tenth birthday at IBC this year, as well as the launch of its latest 4K, HDR operator TV, complementing its recently announced 4K HDR Androidand Linux-based set-top boxes. Available in various sizes, the new SmartTV is designed as an addition to the content delivery strategy of any operator wanting to differentiate itself from the rest with a more complete customer offering. It may not be the first 4K/HDR TV to come to market, but as Jill Mulder, VP of marketing at EKT, explained, the company’s strategy is about hitting the sweet spot in terms of the affordability of the underlying technology. “These new announcements are all about our strategy of

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Mulder: Helping customers combat ongoing market pressures

delivering better value for our customers,” he continued. “We see it as our job to help our customers combat the ongoing pressures in this market and the operator TV is a great tool in the marketing mix to offer something new and compelling.”

Mulder is under no illusions that the 4K infrastructure has some way to go before the higher resolution becomes omnipresent. “So much needs to happen,” he said, but notes that consumer demand for Ultra HD still exists, despite the relative lack of content. 5.C48

Shooting HDR is getting easier, but making it viewable still presents difficulties. However, anyone uploading to YouTube in HDR should find it easier soon, provided they use Atomos recorders. Atomos has worked with YouTube’s development team to showcase HDR production and make it easier to upload either PQ or HLG in UHD or 4K. Together they have implemented a set of parameters for HDR signals for set-top boxes, gaming consoles and TV sets, and Atomos has defined a header structure compatible with YouTube from its ProRes files so YouTube’s servers will correctly encode it. They hope this will go forward as a standard.

Mark Naidoo – getting ready to unleash Inferno HDR on YouTube

Users of its seven-inch recorder/ monitors or 19-inch Sumo will soon be able to select Log mode, apply a transform and set a destination. They could choose PQ/BT.2020 or HLG before starting to record, and as soon as they close the file, the QuickTime wrapper will encase all the parameters YouTube expects for HDR. 11.D15/11.D25

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Prince Constantijn to Europe’s start-ups: “collaborate” OUTLINED

By Neal Romanek The first IBC Startup Forum got underway with media industry entrepreneurs from all sectors speed dating with select IBC exhibitors. The Startup Forum, produced in association with Media Honeypot, also featured a Dragon’s Den style pitching competition in which Startup participants could pitch their ideas to a panel of industry experts. The Startup pitch entrants were of such high calibre that the organisers found it extremely difficult to select a single winner. A second place prize went to South

Korean company Hecas, who demonstrated ultra low latency streaming. The winner was London-based Jukedeck, which is using machine learning to compose and adapt professional quality music. The Startup Forum also featured a slate of keynote presentations and panel discussions. Among the guests was HRH Prince Constantijn of the Netherlands, who is Startup Envoy for IBC. His panel ‘The Rules of Engagement’ shared wisdom on navigating the partnerships between start-ups and corporates in a rapidly fluctuating landscape. The Prince was asked about

HRH Prince Constantijn (third from right), ﬁelded questions at IBC’s inaugural Startup Forum

Amsterdam’s place in Europe as an innovation hub. He talked about the need for European collaboration and a vision that looked beyond cities. “Most of our markets in Europe are

too small for big venture capital firms to come here. So I don’t believe so much in this idea of competition. Each city needs to work on being attractive, but we can all be very complementary.

We all need to work to create much more entrepreneurially-friendly climates. We’ll all benefit from it. I don’t see this as a zero-sum game.”

Making the connection with 12G

Xcellis gains intelligence

Canare

Quantum

By David Fox 12G-SDI is beginning to take off in Europe, according to Tomasz Kolacsyk, general manager, Canare Europe, which has just introduced a range of 12G products, from cable to patchbays. The newly-designed coaxial cable can transmit a 12G signal up to 102m, which is the best result he knows of. It also

has two new 12G patchbays; the first customer for which is a huge US online-only broadcaster, which has bought large quantities of the units for its new studios. “12G is definitely coming, especially for cable. We’ve been selling it for a couple of months and we’re seeing a lot of success,” said Kolacsyk. It is mainly being bought for connections between 12G cameras and video switchers, but as 12G routers become

By Carolyn Giardina

Tomasz Kolacsyk shows oﬀ Canare’s new 12G-SDI cable

more widely available, that market will open up too. 12.G64

Quantum has introduced aiWARE for Xcellis, an on-premise and cloud version of the AI platform from Veritone. Bringing Veritone’s AI capabilities into a Quantum StorNext-managed environment, aiWARE for Xcellis was developed to give users access to Veritone’s cognitive services and applications.

Choosing a look makes the grade 50 years on Arri

By David Fox Creating a look in the days of film was simple. You picked a film stock, but the choice was limited. Today, ensuring that what the cinematographer wanted on set is what will emerge from the grading suite is more difficult. But Arri has an answer. “The Arri Look Library is a set of 87 looks in three intensities that are built into the camera in order to provide looks on set. It creates a really fast and fluid workflow into post and allows DoPs to influence the final look of the images,” explained Michael Jones, product manager, Alexa Mini.

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“It makes it easier for the DoP to communicate their intention to the colourist,” added Milan Krsljanin, Arri’s director of group business development. Pomfort (12.A38) has used the Arri SDK to create an iOS control app (via WiFi) for the Alexa and Amira range, and has added the Arri Look Library to make it simple to select a look. The Library is also available on an iOS app and as a physical swatch, with each look given a number, the same as selecting film stocks. “You have productions that don’t go into colour grading, and for them it is a good way to add a look. It is very creative and surpasses what was available for film, by far,” said Krsljanin. It has all the

looks familiar from film, such as bleach or day for night, and adds more designed by Arri’s senior colourist, such as looks from every decade. 12.F21

Look here: Michael Jones displays the Arri Look Library app and swatch

By Dick Hobbs

“The integration of AI with on-premise storage enables organisations to apply cognitive analytics to video and audio content, and generate more robust metadata without the cost and hassle of moving their extensive media libraries to the cloud,” Quantum’s senior director of media and entertainment solutions marketing Keith Lissak, said that this “opens up new possibilities for monetising these libraries.” 7.B27

transformation that digital technology had brought to the storage of video. “A 1960s era video tape recorder weighed many hundreds of kilos and cost many hundreds of thousands of dollars. Now a single half-gram SD card can provide all of that same capability with much higher quality.” Both men pointed to the transition to digital technology, accompanied by a move to software products, as the seminal change in the last 50 years.

Among the attendees at a reception to mark IBC’s 50th anniversary were two special guests. David MacGregor and Martin Salter both attended the 1967 convention – and every single IBC since. David recalled that “in 1967 I was involved in launching EMI’s model 2001 colour camera. It took four men to lift it, and a rack of electronics to make it work. And, of course, it produced pictures which were not as good as you get from your mobile phone today.” Martin agreed, Martin Salter and David MacGregor have attended every IBC pointing out the

18/09/2017 13:33

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TRANSPARENCY

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