New Noise Magazine Issue #51

Page 45

20TH ANNIVERSARY

INTERVIEW WITH FOUNDERS JACOB BANNON AND TRE MCCARTHY BY MARIKA ZORZI

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T

here’s no real Deathwish sound, there’s really no Deathwish visual aesthetic,� says Jacob Bannon. “It’s bands that have their own, unique individuality and character, and we do our best to empower them.�

When Bannon (Converge, Wear Your Wounds) conceived of starting his own label with Tre McCarthy in the year 2000, their only mission was to support underground music. In 2020, having released and distributed over 600 titles, Deathwish Inc. celebrate their 20th anniversary in the suburbs of Massachusetts, where everything began. “When we started Deathwish, New England overall was in a really good place,� Bannon remembers. “You had a lot of bands in a variety of styles. You had the more straightforward, hardcore world; you had the more metallic hardcore world; you had our weird, punk-metal-hardcore-hybrid. You had bands like American Nightmare starting to take off. Converge, we were obviously doing our thing. Shadows Fall and Killswitch Engage were starting up. There was a lot of cool stuff happening at that time.�

“I remember thinking that would be the coolest thing because at the time I was working at a furniture store, and I was trying to become a junior designer at any place that would have me. And I was like, ‘Wouldn’t it be cool if I could just do my own thing, make enough that I can pay the bills, and everybody could be happy and live normal lives?’ And that was the goal. And that’s what we built. We’re not trying to be a monster conglomerate. We’re just trying to do good work,� he says. PHOTOGRAPHY BY CALEB GOWETT

The label has overcome many difficult moments over the years, but it has always carried forward the desire to support underground music. “We’ve survived,� McCarthy admits. “We’ve always had to fight tooth and nail to do what we are doing, and it’s always felt like an uphill battle. We came up in the fall of the CD, and we survived. We had a distributor go out of business and steal tens of thousands of dollars from us, and we survived. We’ve just figured out how to change and adapt to all that’s going on and struggled and persevered.�

“The mission has always been release tered all over it; we just want to get “I always have advice for anyone “Boston has always had a strong good music; treat artists fairly,â€? Ban- the records out there. We do stores who wants to start a label,â€? Bannon backbone of labels and bands, and non says. “We’ve just been trying to for other bands; I do a lot of print adds. “Just put out music that you the time of our inception was no build a good, ethical world. Trying work for other visual artists through believe in and that you love. Everyexception,â€? McCarthy adds. “The not to get bogged down in a lot of Deathwish. It doesn’t have to be like thing else is secondary. Be smart big ones at the time being Bridge 9, things that bog other labels down. ‘Jacob Bannon Presents.’ It’s just, sell about how you spend. Ego gets in Hydra Head, and Big Wheel Recre- We try to treat people fairly and as your art, and I’ll take care of it for the way of everything. So, try to ation. This is also around the Jane individuals. You just make a good you.â€? be ego-less and try to just put out Doe era for Converge,;American and healthy environment, make evgood-quality records. Try to comNightmare and Hope Con were at erybody happy.â€? “I went to art school, and I was al- municate clearly. Every band is diffull strength, Cave In and Piebald ready putting out Converge records ferent. Every person is different. No too. There was also the huge, more “Honestly, all I’ve ever really wanted by then, but that wasn’t really what one is going take a conversation the punk side of things happening with to do is help awesome people do I was concerned with,â€? Bannon con- same way, so you can’t approach bands like The Trouble. Boston has awesome things,â€? McCarthy says. tinues. “What dreamed of was hav- every band the same way. You don’t always been an awesome place for ing a place that I could go to work approach every relationship in your hardcore.â€? “One thing that’s different about us is every day where I could make art, life the same. It’s the same deal. You that we don’t care about ego,â€? Ban- make music, I could have like-mind- learn the best ways to communiSince the beginning, Bannon and non adds. “So, we help out bands ed people there and have it be a cate with people, treat them with McCarthy have always had a clear and labels all the time, and we healthy environment. That’s what I respect, and that’s it.â€? đ&#x;’Ł đ&#x;’Ł đ&#x;’Ł idea of how ​​ Deathwish should be run. don’t have to have our logo plas- envisioned.â€?


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Articles inside

FOTOCRIME

3min
page 68

ANALOG CAVE

4min
pages 74-76

DEREK SANDERS

6min
pages 69-71

HUMAN IMPACT

6min
pages 66-67

THE SHORTLIST

4min
pages 72-73

BRIAN POESEHN

4min
pages 62-63

KVELERTAK

3min
pages 64-65

IGORRR

3min
pages 60-61

BODY COUNT

4min
pages 52-53

MIDNIGHT

3min
pages 54-55

SILVERSTEIN

8min
pages 50-51

MY DYING BRIDE

4min
pages 58-59

MYRKUR

2min
pages 56-57

20 YEARS OF DEATHWISH

4min
page 45

FOUR YEAR STRONG

11min
pages 46-49

PEARS

3min
pages 32-33

DARK THOUGHTS

7min
pages 34-39

THE CHATS

6min
pages 30-31

ENVY

3min
page 44

THE BOMBPOPS

5min
pages 42-43

THE BLACK LIPS

3min
pages 40-41

WORRIERS

3min
pages 28-29

THICK

2min
pages 26-27

HABIBI

5min
page 14

HEY, CHELS

3min
page 25

THE FRIGHTS

6min
pages 15-17

INSECT ARK

11min
pages 22-24

THE NEW WHAT NEXT

17min
pages 8-11

MAMALEEK

5min
pages 12-13

PHOTOGRAPHY OF EDWARD C. COLVER

3min
pages 6-7

BLACKWATER HOLYLIGHT

11min
pages 18-21
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