New Noise Magazine Issue # 54

Page 74

ANALOG BECAUSE CASSETTES RULE HARD AND NEVER REALLY AGE, T HE ANALOG CAVE IS HERE TO BRING YOU SOME OF THE BEST IN UNDERGROUND TAPES A ND COLLECTED VISION. A CASSETTE IS LIKE YOUR BEST FRIEND, YOUR MOST TRUSTED TRAVEL PARTNER, AND A SPECIMEN OF IMAGINATIVE FANTASY AND OTHERWORLDLY DIMENSION. POP ONE IN AND TRANSFORM. RIDE THE HIGHWAY ETERNAL.

DUA SALEH ROSETTA AGAINST GIANTS Dua Saleh is a Sudanese-American artist based in Minneapolis. Their music is direct, almost piercing, and at the same time, distant, like something far away that you can only look at, not touch or connect with completely. This makes for some real, intimate, and revealing art. Dua’s songs are born in the city’s dark and hallucinogenic clubs, and also hidden, as from some corner of a forgotten bedroom, in a forgotten neighborhood, in some forgotten world, that is right around the corner. It is this duality that carries the songs to a place that is hard to reach. They feel close and distant simultaneously, a stretch that keeps the listener close to the heart of their impressions. Dua’s poetry is anchored by a hybrid of glitch, hip-hop, neo-jazz, and broken genres that fuse purposely, allowing introspection into a unique mind, a complex impression of the evolving universe around us. ROSETTA is a beautiful wave of life. The angles and invisible syntax weave the very attributes of existence. This is the tape of the year!

72 NEW NOISE

BERNARD GRANCHER AVEUGLE ETINCELLE CASTLES IN SPACE Bernard Grancher’s compositions build out of the air without angles, without immediate form. They eventually coalesce, though, into multi-dimensional objects capable of a space that is both psychological and rhythmic: psychological in the electronic sense, cold, machine driven layers of nonlife, and rhythmic in the sense of fullness, real movement, life-centric. And so, there is a dichotomy that is at the heart of Aveugle Etincelle, and this is its charm, songs that are once alien and obtuse and then warm and panoramic. “Tu Brises Mon Coeur En Un Millard De Mondes Inhabitables” is a soft incantation, a tape loop that becomes a complex simplicity of air and inhabitance, while “Du Soleil A Perte De Vue” is inverted techno, a poem of industrialization that aims to fit with the natural world. There is much variance to this tape, as it lives within many time zones and performs a function that can be utilized in many ways: introspection, research, hallucination, and wonder. It is like a difficult philosophy, scientific, yet human.

WOVEN IN PROFESS POPNIHIL Profess opens up with the dark and catchy “Sad For The Season,” an electro-goth number that is poetry and punk. It is the ideal portal to enter Mariah Fortune-Johnson’s newest offering. As Woven In, Fortune-Johnson maximizes collage and the human mind. Her approach is both personal and universal, giving the art an extra dimension, one of intimacy and confession. Profess weaves tragic pop with synth-laden soundscapes, layering function atop function, collecting interaction, morphing it, laying it down as a path to follow. And the listener takes that walk, through short bursts of happenstance (“Stage”), minimal techno (“Spoken From The Heart”), and industrial literature (“I Don’t Love You”), to hip-hop (“Body”) and philosophical dissection (“Complex Body”), a neo-newwave descent into Fortune-Johnson’s direct impressions and being. Profess is captivating because it manages to present convolution as something magnetic, a continual variation in mood with a specific theme.

ANDREA CORTEZ THE SECRET SONG OF PLANTS AURAL CANYON Human beings are part of nature, not masters of nature. They are subject to the same laws that tigers, cockroaches, and redwoods are. There is no dichotomy in reality, only a human mind could create such a separation. Andrea Cortez plays the music of reality, the sound of the earth, the oneness of the universe. The Secret Song of Plants is a tape that could save of all. It is the rejection of fascism, the disintegration of hate, the aural experience of love and connection. Cortez is a music therapist, sound artist, multi-instrumentalist, and meditation instructor whose desire to implement positive change has led her to work with a diverse clientele. With this tape, she is inviting the whole world to take part in the practice of oneness. Her harp bends to the will of the plants that sustain all life, that create the color and the vastness of the potentiality of the human mind. Five songs offer peace and stillness, movement and life, a gift to an insane world. There are infinite attributes to existence, but only one substance, one center. This tape is a direct portal there.


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Articles inside

DEAFBRICK

3min
page 70

PIG DESTROYER

1min
pages 66-67

ANALOG CAVE

4min
pages 74-76

THE SHORTLIST

6min
pages 72-73

SILENT ERA

2min
pages 68-69

BELL WITCH

3min
page 71

KATAKLYSM

3min
page 63

JOHN SNODGRASS

3min
pages 64-65

L.A. WITCH

1min
page 62

METZ

4min
pages 54-57

DEVILDRIVER

3min
pages 58-59

THE MOUNTAIN GOATS

2min
pages 60-61

LYDIA LOVELESS

5min
pages 50-53

THE MENZINGERS

3min
pages 48-49

NECROT

4min
pages 44-45

NAPALM DEATH

3min
pages 42-43

GET DEAD

3min
pages 46-47

THE OCEAN

3min
pages 36-37

PALLBEARER

2min
pages 34-35

UNIFORM

3min
pages 40-41

CLASSICS OF LOVE

7min
pages 28-29

GREG PUCIATO

4min
pages 32-33

BALL OF LIGHT

3min
pages 26-27

TOUCHE AMORE

3min
pages 38-39

THE HOUSE THAT BRADLEY BUILT

4min
pages 30-31

ANNA VON HAUSSWOLFF

3min
pages 24-25

I VE GOT THE P.M.A

4min
pages 20-21

EXHALENTS

5min
page 15

HEATHEN

12min
pages 16-17

FIRSTBORNE

7min
pages 18-19

THE NEW WHAT NEXT

17min
pages 6-11

USA NAILS

5min
pages 22-23

BOTANIST

5min
pages 12-13

THE ATOMIC BITCHWAX

6min
page 14
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