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II. Community within Chinese Cultural Values
to their overall presentation of their collection on social media, which includes design
product, inspirations, and captions. Whereas analysis on YanYan Knits focuses more
heavily on visual design elements, the case study on Bobblehaus further incorporates
analysis based on their blogs and physical pop-up stores. Both utilize lived experiences as
foundations for their design inspiration and highlight different forms of Chinese and
Chinese American culture respectively.
PART 2: BACKGROUND & CONTEXT
What is a community?
Community is a key construct in social thought.84 Some are born into a
community and some find their chosen one, but humans as social creatures seek out like-
minded individuals to create social groupings with. The desire to seek or be a part of a
community affects human behavior and consciousness, thus influencing our actions and
social interactions. Community is a social group in which those who share similar values
such as religion, customs, or identity gather together to form a collective. Core values of
community relate around shared consciousness of kind, shared rituals and traditions, and
moral responsibility. As Anderson notes that nationality and communities command
profound “emotional legitimacy,” the ties that one feels towards their identity are deeply rooted.85 Cultural identity, then, is crucial in the formulation of nationhood and
community in this sense. Community is important because it allows for a sense of
belonging, but it also has boundaries between itself and other nations, formulating a distinctive identity of ‘us’ and ‘them.’86 According to habitus, people tend to gravitate
towards those with similar background or identities as their own, naturally forming an
identity.
For those with diasporic identities and those who can be classified with “third
culture” identities (raised in a culture other than the culture of their family or nationality),
seeking a like-minded community becomes a key value. The complex imaginings of
“community” and “isolation” relates to ideas of “self” and “other,” creating distance
84 Muniz, Journal of Consumer Research 27, 412. 85 Anderson, Imagined Communities, 6. 86 Anderson, Imagined communities, 7.
between those who are diasporic and those who are not.87 This further affects the
construction of their social identities, motivating them towards their homeland or further
distancing themselves from it. Diasporic movements are based in distance, but “also paradoxically reiterate closeness and return.”88 With an increase in multiculturalism and
diasporic movements, representation is needed to seek out those who are like-minded. As
Hall highlights, this differentiation is what forms communities and identities. Community
becomes similar to a comradeship, making kinship and closeness possible within diasporic or multicultural individuals.89 Both YanYan Knits and Bobblehaus occupy bi-
cultural viewpoints: with influence from America and China, their respective co-founders
have felt the impact of both cultures. Through their experiences, they seek to build their
own community of like-minded people.
Community within Chinese Cultural Values
Anderson too notes that the foundation of imagined communities lie in cultural roots.90 Within Chinese culture, community is foundational to the makeup of its society.
As a key pillar of Chinese society, it is crucial to examine how Chinese cultural values
extend its roots into the formulations of brand communities for Chinese designers. While
communities may have previously been confined to physical locations, digital
communities can easily be created nowadays. In the 21st century, “as transportation and
communication technology has brought people and physical objects closer, the advances
87 Goh, Robbie B. H., and Wong, Shawn. Asian Diasporas : Cultures, Indentity, Representation. Hong Kong: Hong Kong University Press, 2004, 11. 88 Ibid. 89 Anderson, Imagined Communities, 7. 90 Anderson, Imagined Communities, 7.