Unashamed of Hope: The Power of the Untold Stories Project

By Chip M. O’Brien

What’s the point of storytelling?

What are stories for?

In early 2020, these questions held dire importance for the nonprofit organization Storytelling Arts, Inc. Before 2020, it had focused on bringing programs about folk tales to schools throughout NJ. Now the pandemic had shut down schools across the state.

event conducted over Zoom. Krapf describes the events as tentative, an experiment. Both storytellers and audiences enjoyed the personal stories program. When shutdown regulations receded, the concept reached its full incarnation as the Untold Stories of a Storied People project.

Faced with an existential threat, Storytelling Arts questioned its core mission. “We had to ask ourselves, in times of Black Lives Matter and COVID-19, are folktales the most relevant way to use storytelling?” remembers Linda Helm Krapf,

Executive

Director of Storytelling Arts. “Or is it time for us to begin thinking about personal stories?”

The idea for a new direction came from an unexpected source. Krapf’s last flight before the COVID shutdown took her through the Denver Airport, where she spied a Desmond Tutu quote on a poster. It read, “My humanity is bound up in yours, for we can only be human together.”

Krapf immediately recognized its relevance. “That told me we all have to get together and listen to one another,” she says. “Because the answers are with all of us together, not separate.”

The idea turned into an online storytelling

Phase One of the project began last year. A total of eight storytellers gathered from four NJ communities, Jersey City, Morristown, New Brunswick, and Trenton, to prepare for in-person performances. The project focused on people with profound life experiences whose stories had not been heard so those stories could be elevated and amplified.

One of those storytellers was Ron Ritzie, a lifelong resident of Morristown who has watched his childhood community change over the years. An accomplished artist, painter, and muralist, Ritzie had not yet committed his own story to words. The Untold Stories project and its training workshops gave him the opportunity to craft his story creatively, during a summer when many of his childhood haunts were being destroyed for new construction.

“It became a cathartic process,” Ritzie remembers. “I went into a search of going back to my childhood, childhood trauma. And it was very difficult because I thought,

I’m 64 years old. I felt that I had dealt with it all. And I had. But there were certain things that needed truth to be told to it, because there were two sides to a story. And I wanted to know the truth.”

As the storytellers worked together in workshops, many of their stories became more vulnerable and personal. For Ritzie, as for many of the storytellers, facing the truth of their stories activated emotions that they had buried for years. But allowing their buried stories to be seen, heard, and validated also proved liberating. “To tell you the truth, that last summer, I did nothing but cry,” Ritzie says, comparing the process to peeling the layers off an onion or a scab off a wound. “It was like that. And when I finally got to the root of the truth, I was okay.”

After completing their training, the continued on page 20