1
NICHOLAS SCHROEDER
University of Notre Dame B.Arch 2011
3 NICHOLAS SCHROEDER 85 E. Oakland Ave. Apt. D, Columbus, OH 43201, USA nschroe1@alumni.nd.edu Tel: 419 202 0787
PROFESSIONAL EXPERIENCE
PROFESSIONAL SKILLS
Contract Design Assistant/ Designer September 2011-Present
Design and Productivity Applications: Drawing and drafting: AutoCAD, Google SketchUp Editing, rendering, and layout: Adobe Photoshop, InDesign, simple Kerkythea renderings Office productivity: Microsoft Office
Contribute design services on a contract basis at three architecture firms in Columbus, Ohio. Offices
William Heyer Architect, Columbus, OH Designer, October 2011- August 2012 Bogenrife Architecture, Columbus, OH Design Assistant, November 2011-August 2012 Brian Kent Jones, Architects, Columbus, OH Design Assistant, September 2011-November 2011
Responsibilities
Earlier employment
• Illustrate design concepts through renderings in watercolor and other media, sketching, and technical drafting. Tailor media to fit purpose: presentations, client meetings, in-house reviews • Generate and revise drawings, documents, and layouts in AutoCAD and InDesign, including construction documents • Prepare, print, and distribute media • Document existing site conditions through field measurement, sketching, photography, and pulling information from existing drawings and government sources • Draft as-built sets from field notes and compiled information • Create design proposals for small projects; develop ideas from preliminary or draft stages through revisions to construction documents • Prepare timesheets and invoices • Maintain flexibility in scheduling for periods of greater or lesser workflow • Sketchup models for 3D, topographical, & solar studies William Heyer Architect, Columbus, OH Architecture Internship, Summer 2009 Technicon Design Group Architecture Internship, Summer 2008
EDUCATION The University of Notre Dame Notre Dame, Indiana. 2006-2011 Bachelor of Architecture GPA: 3.28 Minor: German ND School of Architecture Rome Studies Program Rome, Italy. 2008-2009 Humboldt-Universität zu Berlin Berlin, Germany. Summer 2010 Deutsch Erleben Language Program
Design Problem-Solving: Site documentation and as-built drawing Site analysis Research and application of historical precedents Space planning and parti development Application/integration of traditional design solutions Experience researching and designing to ADA guidelines and building code standards Visual Communication and interpersonal: Technical drafting, hand and digital Freehand sketching Traditional and digital media Composition, layouts, basic graphic design Articulate written and verbal communication
LANGUAGE PROFICIENCY German- Proficient French- Intermediate Italian- Basic
INVOLVEMENT Notre Dame Marching Band, Concert Band Capital Pride Community Band, Columbus, OH Students for New Urbanism, Notre Dame Chapter Institute of Classical Architecture & Art
RECOGNITION Delta Phi Alpha German Honor Society Special Commendation for design studio Professor Aimee Buccellato, Spring 2010 Honorable Mention with Prize, Fairview Art Contest Fairview, Texas, Winter 2010 Summer Language Acquisition Grant, ND CSLC Spring 2010 for Summer 2010 Fagan Grant for research in Vienna ND School of Architecture, Fall 2010
INTERESTS Urban design and community building The works and life of Joze Plecnik Languages and language pedagogy German, French, Turkish, Portuguese, Latin French horn and woodwind performance
Professional work
2011-Present
HANSEL HOUSE, SOUTH BEND, IN. Watercolor Rendering, March 2011 For Jean Dibble and the Institute for Latino Studies at Notre Dame Through a printmaking class, I became acquainted with Professors Jean Dibble and Joe Segura, who eventually asked me to create this watercolor rendering of an existing structure in South Bend, IN, formerly known as the Hansel House, which will become a printmaking studio. The watercolor will be used by the Institute for publicity purposes, and in fundraising for the project renovations. I set up several meetings with the client at crucial stages of the process: an initial meeting to determine goals, an approval of the line drawing complete with value and color studies, and a penultimate meeting for modifcations to the watercolor. Professor Dibble was interested in the process, and asked me to document it through photographs at various stages, as well.
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1 The Process of a Traditional Rendering 1. As I was depicting an existing building, I was able to trace a photograph for the basic linework, and from there I was able to set up vanishing points for constructing further detail and other elements. 2. Layers of trace add information before the final linework is prepared. Here I am adding entourage 3. Mixing colors to create a unified palette for client approval 4. Protecting the borders of the drafted linework with tape 5. Skywash and underpainting to set up areas of shade and light before washes depicting materiality. 6. Intermediate stage of washes 7. The protagonist of the story, set about his work.
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WILLIAM HEYER ARCHITECT St. Colman of Cloyne Church Interior Improvements Washington Courthouse, OH I produced two watercolor paintings ( and one sanctuary option rendering) for proposed improvements to a Catholic church in central Ohio. Before and after photos copyright William Heyer, used with permission from www. heyerarchitect.com
7 TECHNICON DESIGN GROUP Rendering of a Residence Kalida, OH I was asked to prepare this watercolor rendering to depict the materials and character of a residence designed by Technicon Design Group in Ottawa, Ohio. WILLIAM HEYER ARCHITECT Jubilee Museum and Cultural Center, Columbus, OH This sketch in colored pencil, marker, and pastel, was produced to provide a quick illustration of an idea for the repurposing of an existing commercial building to house the collection of religious items held by an adjacent Catholic parish. 1. Perspective sketch of Jubilee Museum concept 2.Front elevation of a residence, watercolor, 11x17, for Technicon Design Group
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3. Detail of perspective of St. Colman of Cloyne proposed improvements
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WILLIAM HEYER ARCHITECT Residential Porch Design German Village, Columbus, OH Mr. Heyer and I produced this proposal for a residential porch in German Village, a historically significant area of Columbus. The client is a property owner and builder, who will do most of the work himself.
WILLIAM HEYER ARCHITECT Watercolor Rendering Shrine of Christ the King- Interior Perspective This interior perspective was designed to show interior improvements to an existing church in Chicago, IL I sought to capture the look and feel of improvments such as open-back pews, a new terrazzo floor, roman-bath inspired windows in the sanctuary, and a new altar designed by the staff of the Shrine
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WILLIAM HEYER ARCHITECT M채nnerchor ARB and Zoning Initial Packet I carried out site measurements with the help of Bill Heyer, and produced a site plan, existing building plan, and preliminary site improvement details for early zoning approval and architectural review board meetings.
Right: Sketch showing improved planting beds with an illustration of proposed landscaping Facing page: Site plan sheet for initial submission showing proposed improvements Following page: Proposed details, originally presented in packet form on 8.5x11 sheets. Clockwise from left: proposed gates to meet requirements for serving alcohol; new railing for north steps; loop fence parking screen; partial South elevation & accessibility ramp.
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Bogenrife
BOGENRIFE ARCHITECTURE, Architect of Record; Brian Kent Jones Architects, Design Architects.
Architecture
LLC
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6 7
Vesha Law Offices Dublin,OH This 11 x 17 packet was put together for a hearing before the stringent ARB of Dublin, Ohio. As part of the proposal, a historic house is being converted into a law office, including interior and exterior improvements. A new porch will be added and the current on-site parking will be improved, as well.
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10 9
3
11
2 1
Tree Survey Data
A
TREE PROTECTION PLAN
Number
DCH*
Species
Condition and Treatment
Replacement
1
14”
Norway Spruce
Poor (mostly dead)-Remove
Do not replace
2
17”
Norway Spruce
Poor (mostly dead) - Replace
Acer palmatum Bloodgood
3
13”
Oak
Good - Protect (Ex street tree)
-
4
26”
Norway Spruce
(Adjacent property) - Protect
-
5
26”
Norway Spruce
(Adjacent property) - Protect
-
6
10”
Juglans nigra
(Adjacent property) - Protect
-
1’ = 20’
Tree Protection Notes: 1. Tree protection fencing must be installed as per the approved site plan. 2. A request for a tree fencing inspection must be called into the Planning Division prior to any construction activity (614-410-4600). 3. Tree fencing must remain in tact until permission has been granted by the Landscape Inspector to remove or relocate any portion. 4. Removal or relocation of the fence or any encroachment thereof, without permission, will be subject to fines and a stop work order may be issued until City staff has determined compliance with City Code.
7
8”
Juglans nigra
Good - Protect
-
8
9”
Juglans nigra
Good - Protect
-
9
10”
Gleditsia triacanthos
Good - Protect
-
10
6”
Juglans nigra
Good - Protect
-
11
9”
Juglans nigra
Good - Protect
-
* Diameter at Chest Height
VESHA LAW FIRM
Architecture
Tree Protection Plan
16 July 2012
Bogenrife
Architecture
LLC
I.P. FOUND EX. 21” TALL STONE WALLS - TO REMAIN
LLC
EXISTING BENCHES TO REMAIN
EX. STORM SEWER
PROPOSED GROUND-MOUNTED ACCENT LIGHT- SEE “LIGHTING SPECIFICATIONS” SHEET
PROPOSED GASLIGHT SEE SPECIFICATIONS PG 22
Page 12 of 24
Dublin Architectural Review Board Submittal
38 SOUTH HIGH STREET, DUBLIN, OHIO 43017
Bogenrife
USE ORANGE PLASTIC CONSTRUCTION FENCE
EX. WASTE RECEPTACLE
HISTORIC PLAQUE TO BE MAINTAINED
EX. SIGN POST TO REMAIN
MIN. SIDE YARD SETBACK 3’
EX. CONCRETE WALKWAY TO REMAIN
A
A
B
EX. CONCRETE PATIO TO BE REMOVED
EX. UTILITY POLE
EX. ASPHALT PARKING AREA
MIN. REAR YARD SETBACK 5’
C
EX. STOP SIGN TO REMAIN
C
EX. CATCH BASIN EX. STREET SIGN TO REMAIN
A EX. STORM SEWER PROPOSED GROUND-MOUNT ACCENT LIGHT- SEE “LIGHTING SPECIFICATIONS” SHEET
EX, UNDERGROUND WATER LINE
PROPOSED COACH LIGHTS SEE SPECIFICATIONS PG 22
EX. UNDERGROUND ELECTRICAL SERVICE
A
A
1’ = 10’
38 SOUTH HIGH STREET, DUBLIN, OHIO 43017
EX. GAS METER TO BE RELOCATED
Dublin Architectural Review Board Submittal 16 July 2012
Page 9 of 24
Lighting Plan
VESHA LAW FIRM
38 SOUTH HIGH STREET, DUBLIN, OHIO 43017
MIN. SIDE YARD SETBACK 3’
AIR CONDITIONING UNIT TO BE RELOCATED
EXISTING SITE PLAN
1” = 20’
NOTE: PLOT BEARINGS NOT AVAILABLE. BEARINGS ASSUMED PER CITY OF DUBLIN STREET IMPROVEMENT PLAN - SEE ATTACHED LEGAL DESCRIPTION FOR PROPERTY ORIENTATION
PROPOSED LIGHTING PLAN
VESHA LAW FIRM
EX. UNDERGROUND GAS SERVICE
EX. O.H. ELECTRIC EX. WATER VALVE TO REMAIN ACCESSIBLE RAMP
IP FOUND NOTE: LETTERS FOR LIGHT FIXTURES CORRESPOND TO LIGHT FIXTURE CUTS ON “LIGHTING SPECIFICATIONS” SHEET. FIXTURES ARE ALSO ON “SPECIFICATIONS “ SHEETS.
EX. WATER LINE TO REMAIN
NOTE: SEE LANDSCAPE AND TREE PROTECTION PLAN FOR INFORMATION REGARDING TREES.
NOTE: ABBREVIATIONS EX = EXISTING IP = IRON PIN O.H. = OVER HEAD
Dublin Architectural Review Board Submittal 16 July 2012
Page 5 of 24
Existing Site Plan
15
Bogenrife
Architecture
LLC
PROPOSED GROUNDMOUNTED ACCENT LIGHTSEE DETAIL
EXISTING SIGN POST TO BE REUSED - SEE “PROPOSED SIGNS” SHEET
PROPOSED PLANTING BED PROPOSED REFUSE SHED - SEE “PROPOSED REFUSE SHED” SHEET PROPOSED CONCRETE CURB - SEE “ SITE DETAILS” SHEET
EXISTING BENCHES TO REMAIN
MIN. SIDE YARD SETBACK 3’ PROPOSED CONCRETE CURB & CURB CUTS - SEE “SITE DETAILS” SHEET
PROPOSED GROUND-MOUNTED ACCENT LIGHT - SEE “LIGHTING PLAN” PROPOSED TRENCH DRAIN (DAYLIGHT TO ALLEY)
PROPOSED GREEN SPACE RELOCATE GAS METER SEE PROSED SITE PLAN
BUILDING CALCULATIONS LOT AREA:
5581 SF
BUILT AREA EXISTING BUILDING & PORCH 1,311 SF PARKING 2,388 SF SIDEWALKS & FRONT PATIO 456 SF TOTAL 4,155 SF % IMPERVIOUS: 74% MAX. PERMITTED IMPERVIOUS COVERAGE
PROPOSED 1,560 SF 2,377 SF 456 SF 4,393 SF 73.8% 75%
VESHA LAW FIRM
38 SOUTH HIGH STREET, DUBLIN, OHIO 43017
PARKING REQ: 5 spaces (2.5 spaces/1000 SF) PROVIDED: 5 on-site, 1 on-street REQ. ACCESSIBLE SPACES: 1
AIR-CONDITIONING UNIT
PROPOSED CLAY PAVERS TO MATCH EXISTING HISTORIC DISTRICT STANDARD PAVER, SEE SPECIFICATIONS
MIN. REAR YARD SETBACK 5’
We are proposing to use public parking to meet the requirement for an accessible space. An on-site accessible space would require the installation of a very long ramp (over 90’ of length to accommodate the grade change not to mention the additional landings required, because of the space constraints of the site). The only other option would be to provide a lift. The lift is not required by code, because the size of the building is under the threshold requirements for elevators. Based on these factors we are not providing an accessible parking space on site. There will be an accessible entrance on High Street. PARKING SETBACK ENCROACHMENT North Side: varies from 0” to 6” South Side: 3’-0” BUILDING SETBACK ENCROACHMENT North Side Patio Encroachment: 0’-0” South Side Patio Encroachment: 3’-0”
NEW PORCH - SEE “PORCH DETAILS” SHEET NEW WALL MOUNTED SIGN SEE “PROPOSED SIGNS” SHEET
A
PROPOSED SITE PLAN 1’ = 20’
Dublin Architectural Review Board Submittal 16 July 2012
Page 6 of 24
Proposed Site Plan
Bogenrife
Architecture
SIDING - SEE ELEVATIONS
LLC
PAINTED WOOD CANOPY WITH STANDING - SEAM METAL ROOF. SEE DETAIL B THIS SHEET
B 15
FLASHING 2”x 6” NOM. WOOD LEDGER BOARD, PAINTED WHITE STANDING-SEAM METAL ROOF TO MATCH MAIN STRUCTURE 3/4” PLYWOODEXPOSED FACES PAINTED WHITE
PROPOSED WALL MOUNTED SIGN - SEE “PROPOSED SIGN” SHEET
2” x 6” NOM. RAFTER, PAINTED WHITE 3/4” WOOD FASCIA BOARD, PAINTED WHITE
PTD. WOOD BRACKET - SEE DETAIL B THIS SHEET
6”x6” NOM. WOOD BEAM, PAINTED WHITE
DOOR AND CASING SEE “SPECIFICATIONS” SHEET
6” x 6” NOM. WOOD BRACKET, PAINTED WHITE
A
PROVIDE NOTCHED JOINT 3/4” X 3/4” REVEAL 2” X 2” CHAMFER
B
PROPOSED CANOPY SCALE: 1/2” = 1’-0”
PROPOSED CANOPY DETAIL
WHITE PAINT COLOR WHERE INDICATED: BENJAMIN MOORE AC-40
SCALE: 1-1/2” = 1’-0” PRIMARY
VESHA LAW FIRM
38 SOUTH HIGH STREET, DUBLIN, OHIO 43017
- BEN. MOORE AC-40
Dublin Architectural Review Board Submittal 16 July 2012
A 16
Page 18 of 24
Proposed Canopy Over Rear Door
17 Bogenrife
Architecture
LLC SEE SECTION, DRAWING B THIS SHEET
NEW 4” REINFORCED CONCRETE SLAB
C
PROPOSED PORCH EAST ELEVATION SCALE: 1/4” = 1’-0”
PARGED CMU, PAINTED WHITE 99.96’ NEW 4” SLAB ON GRADE
99.96’ 99.96’
PROPOSED GRADE
BROOM-FINISHED CONCRETE SLAB
99.86’
99.86’
99.86’
1/8” PER FOOT SLOPE
99.74’
A B
SCALE: 1/4” = 1’-0” N
SCALE: 1” = 1’-0”
Page 20 of 24
Dublin Architectural Review Board Submittal
38 SOUTH HIGH STREET, DUBLIN, OHIO 43017
Architecture
PROPOSED PORCH PLAN
SECTION
VESHA LAW FIRM
Bogenrife
99.74’
Porch Details
16 July 2012
Bogenrife
LLC
Architecture
LLC
CEDAR POST AND CAP, PAINTED WHITE NEW CEDAR RAILING, PAINTED WHITE
CEDAR RAIL, PAINTED WHITE
WINDOW 2 Over 2 Aluminum-clad wood Windsor Windows& Doors
DOOR 2 over 2 Aluminum-clad wood Windsor Windows & Doors
WALL-MOUNT GAS LANTERN Copper finish Regency GL18 Beaumont
6” HALF-ROUND GUTTER & 4” DOWNSPOUT Galvalum Custom-fabricated by Cunningham Gutters
HARDIPLANK SIDING W/ WOOD BATTENS Smooth finish siding with battens at 12” O.C. Painted Ben. Moore AC-40 “Glacier White” James Hardie
NEW 4” REINFORCED CONCRETE SLAB
PARGED CMU, PAINTED WHITE NEW 4” REINFORCED CONCRETE SLAB
PROPOSED GRADE
SCALE: 1” = 1’-0”
BASEMENT ACCESS (DOOR TO SWING INWARD) POURED CONCRETE STEPS
SCALE: 3” = 1’-0”
METAL ROOF Galvalum Custom-fabricated by Rogers Roofing Ribs 14” O.C., rib height 3/4”
1/2” x 6” CEDAR SIDING Minimum thickness: 1/4” Painted
SMARTSIDE TRIM Smooth, Painted LP Building Products
MOLDED CLAY PAVERS (existing Historic District standard paver) Bellcrest 530 Red Blend Belden Brick - Basketweave pattern
B WALL-MOUNT LANTERN 8.25” x 21.75” Black finish Kichler
PROPOSED PORCH HANDRAIL
A
SCALE: AS NOTED
PROPOSED PORCH-SOUTH ELEVATION SCALE: 1/4” = 1’-0”
WHITE PAINT COLOR WHERE INDICATED: BENJAMIN MOORE AC-40 PRIMARY
VESHA LAW FIRM
38 SOUTH HIGH STREET, DUBLIN, OHIO 43017
Dublin Architectural Review Board Submittal 16 July 2012
Materials Specifications
C 18
- BEN. MOORE AC-40
Page 23 of 24
A 17
VESHA LAW FIRM
38 SOUTH HIGH STREET, DUBLIN, OHIO 43017
Dublin Architectural Review Board Submittal 16 July 2012
Page 19 of 24
Proposed Railing
BOGENRIFE ARCHITECTURE Stone Laboratory Solar Canopy, Ohio State Univeristy Put in Bay, Ohio I helped produce a set of working drawings for a solar canopy and ground-mount photovoltaic arrays to be installed at the Ohio State Univeristy’s Stone Laboratory Gibraltar Island site. I also created a topographic model of the island in Google Sketchup for the purpose of siting and solar studies. The images shown here are from an intermediate stage of the model, finshed as a ‘clay model’ in Kerkythea. PROJECT NUMBER
OSU-120413
COLUMBUS, OHIO PREPARED FOR
UNIVERSITY ARCHITECT
PEACH POINT OSU OFFICE FOR PROJECT MEETINGS
PROJECT SITE
Bernard Costantino, AIA LAKE ERIE
COLUMBUS, OHIO LAKE ERIE
PREPARED BY THE OHIO STATE UNIVERSITY GIBRALTAR ISLAND PUT-IN-BAY, OHIO
PROJECT SITE
ARCHITECT -PROJECT LEAD BOGENRIFE ARCHITECTURE LLC 1443 SNOWMASS ROAD COLUMBUS, OH 43235 513.379.2454 STRUCTURAL ENGINEERS STEPHEN SCHAEFER & ASSOCIATES 815 GRANDVIEW AVE., SUITE 250 COLUMBUS, OH 43215 614-428-4400 VICINITY MAP
PROJECT MEP ENGINEERS METRO CD ENGINEERING 7003 POST RD, SUITE 204 DUBLIN, OH 43016 614-923-3930
CIVIL ENGINEER/SURVEYOR BEC ASSOCIATES 6622 WEST HARBOR ROAD PORT CLINTON, OH 43452 419-898-9200
QUALITY CONTROL TESTING GEOTECHNICAL CONSULTANTS INC 720 GREENCREST DRIVE WESTERVILLE, OH 43081 614-895-1400
N
7/27/2012 NO.
RECORD SET
DATE
DESCRIPTION
Stone Labs Solar Panels PREPARED FOR
THE OHIO STATE UNIVERSITY FACILITIES OPERATIONS AND DEVELOPMENT COLUMBUS, OHIO PREPARED BY
Bogenrife Architecture, LLC 1443 Snowmass Road,
Columbus, OHIO 43235
PROPOSED SITE PLAN
N
OSU PROJ. NO. OSU - 120413
FILENAME
DRAWN BY
SHEET
C1.2 DATE 07/27/2012
OF 11
19 PROJECT DESCRIPTION: 1.
SOLAR CANOPY AND GROUND MOUNT PV ARRAYS - NEW STRUCTURE CONNECTED TO ELECTRIC IN STONE LABORATORY.
2.
SOLAR THERMAL COLLECTOR INSTALLED IN EXISTING DINING HALL.
BARNEY COTTAGE
IMG SP1.1-2
IMG SP1.1-1
COOKE CASTLE
BUILDING CODE SUMMARY STONE COTTAGE
LAKE ERIE
PROJECT NAME:
STONE LABS SOLAR PANELS
PROJECT DESCRIPTION:
CONSTRUCTION OF A SOLAR CANOPY AND GROUND MOUNT PHOTOVOLTAIC ARRAYS
GOVERNING BUILDING CODE:
2011 OHIO BUILDING CODE (OBC)
USE GROUP: B (BUSINESS)
EXISTING
B (BUSINESS)
PROPOSED
2B
CONSTRUCTION TYPE:
DRAWING INDEX
DINING HALL
DRAWING NO.
COVER SP1.1
DASHED LINE SHOWS EXTENT OF WORK
HARBOR VIEW DORMITORY
CONTRACTOR RESTROOMS LOCATED ON FIRST AND SECOND FLOORS ON NORTH SIDE OF STONE LABORATORY
GENERAL NOTES 1.
CONTRACTOR STAGING AREA ON WEST SIDE OF STONE LABORATORY NEW ACCESSIBLE PATH NEW SOLAR CANOPY ON EXISTING FOUNDATION
GIBRALTAR HOUSE STONE LABORATORY BUILDING
LAKE ERIE
GROUND MOUNT PV ARRAYS (NEW) STONE LABORATORY MATERIAL DELIVERY. COORDINATE ALL DELIVERIES WITH UNIVERSITY MATT THOMAS (OSU) BAYVIEW OFFICE 878 BAYVIEW AVE. PUT-IN-BAY, OH 43456 419-285-1846 thomas.347@osu.edu SEE IMAGE IMG SP1.1-1 THIS PAGE.
DOCK DO NOT USE FOR MATERIAL DELIVERIES. UNIVERSITY WILL PROVIDE A BOAT SLIP FOR CONTRACTORS STAFF TRANSPORT CONTRACTOR TO PROVIDE THEIR OWN BOAT. COORDINATE LOCATION WITH MATT THOMAS. CONTACT INFORMATION LISTED UNDER MATERIAL DELIVERY. SEE IMAGE IMG SP1.1-2 THIS PAGE.
GIBRALTAR ISLAND SITE PLAN
EXISTING UTILITIES: THE IDENTITY AND LOCATION OF THE EXISTING UNDERGROUND UTILITY FACILITIES (BASED UPON INFORMATION FROM EXISTING DRAWINGS) HAVE BEEN SHOWN ON THE PLANS. INVESTIGATION, SUPPORT, PROTECTION, AND RESTORATION OF ALL EXISTING UTILITIES AND APPURTENANCES SHALL BE THE RESPONSIBILITY OF THE GENERAL TRADES CONTRACTOR. NOTE: ALL EXISTING UNDERGROUND UTILITIES MAY NOT BE SHOWN ON PLANS. VERIFY LOCATION OF ALL EXISTING UTILITIES PRIOR TO BORING/EXCAVATION AND NOTIFY A/E PRIOR TO BORING/EXCAVATION IF DEVIATIONS AND CONFLICTS ARE DISCOVERED. GENERAL TRADES CONTRACTOR SHALL CONTRACT WITH CONSULTANT SPECIALIZING IN LOCATING UNDERGROUND PRIVATE UTILITIES OR USE IN-HOUSE PERSONNEL IF PERSONNEL HAVE MINIMUM 5 YEARS EXPERIENCE IN LOCATING PRIVATE UTILITIES. FINAL APPROVAL OF CONSULTANT SHALL BE COORDINATED AND APPROVED WITH A/E.
2.
MONUMENTS: ANY PROPERTY CORNER PINS OR PERMANENT SURVEY MARKERS DISTURBED DURING CONSTRUCTION SHALL BE RESET BY A REGISTERED SURVEYOR AT THE GENERAL TRADES CONTRACTOR'S EXPENSE.
3.
SIGNS, FENCES, DRAINAGE STRUCTURES, ETC.: ALL SIGNS, FENCES, SHRUBS, DRAINAGE STRUCTURES OR OTHER PHYSICAL FEATURES DISTURBED OR DAMAGED DURING THE WORK UNDER THIS CONTRACT SHALL BE RESTORED TO THEIR ORIGINAL CONDITION BY THE CONTRACTOR.
4.
VEGETATION: ANY VEGETATION DISTURBED DURING CONSTRUCTION INCLUDING LAWNS, TREES, AND SHRUBS SHALL BE REPLACED IN KIND.
5.
DISPOSAL OF EXCESS MATERIALS: A WASTE SITE HAS NOT BEEN PROVIDED FOR THE DISPOSAL OF EXCESS MATERIALS AND DEBRIS. HAUL OFF ANY EXCESS MATERIAL OR WASTE TO AN APPROVED LANDFILL. DO NOT DISPOSE OF EXCESS MATERIALS ON-SITE, INCLUDING BUT NOT LIMITED TO BURIAL OF EXCESS MATERIALS.
6.
OPEN EXCAVATIONS: IN THE EVENT THAT ANY UTILITY HAS TO BE EXPOSED, NO EXCAVATION SHALL BE LEFT OPEN OVERNIGHT OR UNATTENDED.
7.
OSHA REQUIREMENTS: IF ANY TRENCHING SHOULD OCCUR THE REQUIREMENTS OF THE OCCUPATIONAL SAFETY AND HEALTH ACT (OSHA) APPLY TO ALL EXCAVATION, TRENCHING, AND DITCHING OPERATIONS ON THIS PROJECT. ALL TRENCHES FOUR (4) FEET IN DEPTH SHALL BE SHORED IN COMPLIANCE WITH APPLICABLE FEDERAL AND/OR STATE REGULATIONS.
8.
SIDEWALKS, PAVEMENT: ANY SIDEWALKS OR PAVEMENT DISTURBED DURING CONSTRUCTION. REPLACE AND RESTORE TO ORIGINAL CONDITION OR BETTER AT GENERAL CONTRACTOR'S EXPENSE.
9.
PATCH AND SEED ANY GRASSY AREAS DISTURBED DURING CONSTRUCTION.
10.
LAKE ERIE WATER SNAKES (LEWS): REFER TO THE FOLLOWING WEBSITE FOR THE LAKE ERIE WATER SNAKE POST-DELISTING GUIDELINES FOR CONSTRUCTION, DEVELOPMENT, AND LAND MANAGEMENT: http://www.fws.gov/midwest/endangered/reptiles/lews/lewsMgmtGuidelines.html. PROPER PROTECTION PROVISIONS SHALL BE ADHERED TO INCLUDING BUT NOT LIMITED TO SHORELINE MANAGEMENT, EXCAVATION, EROSION CONTROL, AND TREE REMOVAL.
11.
APRIL 15TH IS THE EARLIEST DATE FOR BARGE ACCESS DUE TO WATER SNAKES.
SCALE 1"=50'-0"
DRAWING TITLE COVER SHEET GIBRALTAR ISLAND SITE PLAN
C1.1
SAND FILTER EXISTING CONDITIONS
C1.2
PROPOSED SITE PLAN
C1.3
SITE DETAILS
A1.1
SOLAR CANOPY ARCHITECTURAL PLANS
A1.2
SOLAR CANOPY ELEVATIONS/ STONE LABS PLANS
A1.3
SOLAR CANOPY SECTION
A1.4
SOLAR CANOPY DETAILS & STRUCTURAL NOTES
E1.1
PARTIAL ELECTRICAL SITE PLAN
E2.1
NO.
7/27/2012
RECORD SET
DATE
DESCRIPTION
BUILDING LEGEND
Stone Labs Solar Panels
CONTRACTOR STAGING AREA
PREPARED FOR
DOCK ACCESS
EXISTING BUILDING INCLUDED IN SCOPE OF WORK
THE OHIO STATE UNIVERSITY FACILITIES OPERATIONS AND DEVELOPMENT COLUMBUS, OHIO PREPARED BY
Bogenrife Architecture, LLC
EXISTING BUILDING, NO WORK 1443 Snowmass Road,
Columbus, OHIO 43235
SHEET
GIBRALTAR ISLAND SITE PLAN OSU PROJ. NO. FILENAME 120413_SP-1 OSU - 120413
DRAWN BY SB/ JFS / MHC
DATE 07/27/2012
SP1.1 OF 11
NO.
7/27/2012
RECORD SET
DATE
DESCRIPTION
Stone Labs Solar Panels PREPARED FOR
THE OHIO STATE UNIVERSITY FACILITIES OPERATIONS AND DEVELOPMENT COLUMBUS, OHIO PREPARED BY
Bogenrife Architecture, LLC 1443 Snowmass Road,
Columbus, OHIO 43235
SOLAR CANOPY ARCHITECTURAL PLANS OSU PROJ. NO. FILENAME OSU - 120413 120413_A1-1
DRAWN BY SB / TL
DATE 07/27/2012
SHEET
A1.1 OF 11
21
NO.
7/27/2012
RECORD SET
DATE
DESCRIPTION
Stone Labs Solar Panels PREPARED FOR
THE OHIO STATE UNIVERSITY FACILITIES OPERATIONS AND DEVELOPMENT COLUMBUS, OHIO PREPARED BY
Bogenrife Architecture, LLC 1443 Snowmass Road,
Columbus, OHIO 43235
SITE DETAILS OSU PROJ. NO. OSU - 120413
FILENAME
DRAWN BY
SHEET
C1.3 DATE 07/27/2012
OF 11
BRIAN KENT JONES ARCHITECTS Historic Farmhouse Documentation and Reuse New Albany, Ohio I single-handedly documented and drew two old farmhouses near the Wexner estate in New Albany, Ohio. After producing a set of as-built drawings to note the existing conditions of the site, I was asked to sketch proposals for the renovation and reuse of the farmhouse as potential housing for organic farm workers. While my design sketches may remain somewhere, I was unable to obtain them for this portfolio.
23 Right: Ground story plan Far right: 2nd story plan
WINDING HOLLOW MAINTENANCE EXTERIOR SHELL IMPROVEMENTS
BRIAN KENT JONES ARCHITECTS Winding Hollow Country Club Maintenance Building Improvements New Albany, Ohio Working from field measurments and a basic plan, I created a base drawing for improvements to this golf course maintenance structure. In drawing the elevations, I was responsible for the interpretation of the design sketches done by Paul Kelley and Brian Jones. The design was presented initailly in an 11x17 format demo packet. An aerial site plan and annotated photographs show the areas to be improved. The changes to the building are mostly cosmetic, to improve the image of the country club from the rural highway off which it is located.
AERIAL SITE PLAN, SUBJECT BUILDING HIGHLIGHTED. (NOT SHOWN TO SCALE)
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WINDING HOLLOW MAINTENANCE EXTERIOR SHELL IMPROVEMENTS DEMOLITION 1. Existing storage area walls to be demolished 2. Asphalt shingle roof to be removed and replaced with corrugated metal roof in silver color 3. Install metal “barn” siding, to be painted white
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4. Existing louvers and grates to be retained and painted white 5. Existing gutters to be removed
Highlights area to be removed
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Existing utilities meters
NORTH ELEVATION EXISTING 1/16” = 1’-0”
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3. NORTH ELEVATION: PROPOSED IMPROVEMENTS 1/16” = 1’-0”
WINDING HOLLOW MAINTENANCE EXTERIOR SHELL IMPROVEMENTS
WINDING HOLLOW MAINTENANCE EXTERIOR SHELL IMPROVEMENTS D INDICATES NEW DOOR (INOPERABLE) NEW SILDING BARN DOOR, OPERABLE ADDITION WITH METAL SIDING
1. Proposed central addition with gable end and lantern 2. Proposed roof overhangs with brackets 3. Proposed doors 4. Corrugated metal roof 5. Metal siding 6. Proposed silo and screen wall
EXISITNG CONDITIONS WITH METAL SIDING
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NEW SILO WITH SCREENING WALL
EXISTING CONDITIONS PAINTED WHITE
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PROPOSED IMPROVEMENTS 1/16” = 1’-0”
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An Addition to the Corcoran Gallery of Art Washington, D.C.
SITE The site for this studio is partially occupied by existing buildings, including an existing addition to the Corcoran. The proposal reworks the entire area outside the original
Ernest Flagg structure. One component of the site planning included a new building to house the Corcoran School of Art- this plan was not intended to be developed in detail due to time constraints of the project. PLAN On the North side of the building, the sidewalk line is held by a site wall that swells up in front of the entrance, as the built mass recedes to reveal a turning, sculptural portico with a small garden area. There is a grade shift of about a story
between the North and South street elevations surrounding the site. One challenge of this project was to mediate these levels and provide for accessibility. I began with a lobby at the lower South grade, and made a vertical transition with a monumental staircase, featuring a large sculpture group. Ready access is available at the south entrance. I sought to incorporate interesting and varied circulation spaces, which also become galleries in their own right. Particularly the middle point in the building has an exciting interplay of exterior/
interior spaces and views to other levels of the plan. The main level- on grade with the North Entranc- features ticketing in a large lobby, a monumental U-plan stair, a cafe and bookshop, and serveral galleries, in addition to the monumental circulation spaces, which join with the original plan at various points.
31 MATERIALITY I proposed a shift in materials from gloomy grey marble to a limestone and brick faรงade for the mural portions of the building, a palette which is used in a rhetorical way, examining the constructive logic of the building (a masonry wall of brick and stone cladding), a potential statement about the formality of materials with regard to function (limestone for galleries, brick for school) and a study in the relationship among column, wall, and opening. In the central mass containing a new lobby, limestone walls gradually peel away to reveal a system of encircling, enmeshed limestone and metal columns and their entablatures, with the thrusting, pedimented central volume eventually breaking free of the lower cladding material, save for limestone coping and ornament.
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Project for a Theater
Columbus, IN
OVERVIEW This projecet for a small civic theater was to be designed on a site adjacent to the Cummins Engine headquarters on Washington Street, currently surface parking and occasionally used for a farmer’s market. The focus of my design, having just come back from Italy, was to create a powerful, pedestrian-focused public space in the center of town. The front of the proposed theater is set to face a new paved piazza. Mixed-use buildings combine with the theater structure on site to create a planted pedestrian thoroughfare from a new proposed parking structure to the piazza. Fronting Washington Street, I proposed a colonnade opening out from the theater restaurant.
35 SITE Public space in downtown Columbus is defined by gridded streets and relativelyunenclosed public spaces around object buildings, such as the courthouse. Additionally, there are large areas of surface parking. The proposed urban devleopment in this project creates a well-defined, settpaved piazza in the center of town, hosting a mix of civic, retail/commercial, and residential functions. Areas for monuments or public sculpture are provided in the main square and along the proposed shopping street linking a proposed parking structure, acting as a kind of counter-piazza because of its enclosed views.
PLAN, SECTION, SITE The plan at left illustrates the main public level is given over to preparation spaces for floor of the theater, which is actually a the performers. Below is a photograph of storey above the ground. Patrons entering the site taken looking North on Washingon the ground floor, passing the box office ton Street. The site is currently a parking on the left, can make a perpendicular right lot. turn to be carried up the stairs to the upper lobby, or can turn right to access the elevator and the ground-floor restaurant (see section for clarification). On the main level, a dining and event area opens to a terrace overlooking Washington Street. Another terrace opens out onto the piazza. This collection of spaces can be easily adapted to hold large events in the civic theater space. Patrons pass through a vestibule area giving access to the toilets on their way to the main performance hall, and the rest of this
37 PRECEDENTS A blooming dinosaur found in the median of a shopping street in Santa Monica, California, far left, provides inspiration for planted public art in the medians of the new thoroughfare. The Jan Hus monument in Prague’s Old Town Square, one of my favorite sculpture groups, provides inspiration for a monument in the proposed Columbus square.
Schizzi Romani Roma, Italia
IMMAGINI St. Ivo alla Sapienza; watercolor, A4 La Scala di Spagna dalla Via del Corso; The Spanish Steps from Via del Corso, watercolor, A4 Il mio banco di studio, posto della creatività; my studio desk, where these works were created. Monumento al Garibaldi sul Gianicolo. “Rome or Death” melodramatic inscription on a monument to (involving) Garibaldi on the Janiculum Hill. Veduta dal Gianicolo al Pantheon; View from the Janiculum Hill toward the Pantheon, the spiritual and physical navel of my time in Rome. S. Maria della Pace; watercolor, A4- near my favorite bar americano in Rome, La Botticella . NEXT SPREAD, FINAL IMAGE: CAPRICCIO Professor Lucien Steil taught us in graphics class about capricci, often-whimsical drawings composed of elements drawn from various sources to produce a fantastical place. The design process, he taught, is essentially the same- we take things that we know and experience and recombine them into something novel. This assignment, given several months into our time abroad, was to create a ‘hometown capriccio’, composed of significant elements from places we called home.
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IMMAGINI ‘Flying time’ over the Tiber-In the evenings in autumn and spring, great flocks of birds, possibly starlings (my friend, who coined the term ‘flying time,’ thought they were bats. They were not.) would form up in great, ever-shifting clouds of wings and bodies. Beautiful from afar, I would avoid walking under any tree in which these great hordes would alight for the evening. They liked many spots on the way to Trastevere. Mercato a Piazza del Popolo- A market in Piazza del Popolo. This famed piazza was an important joint in the circuit I loved to walk from the studio building. Winding through the narrow streets by the Pantheon to emerge in Via del Corso, I pushed through the chic crowds in Via dei Condotti, up to the Spanish steps, possibly my favorite spot in the city. Pausing a moment on the travertine or drinking from the boat fountain sunk into the piazza, I would slip through Via del Babuino, guarded by the sphinxes crouched next to works of art and old clocks in the windows of the galleries, until it opened up into this square. The last fork-Via della Ripetta- could take me past the junk shops and, eventually the cosmopolitan French-speaking church, Saint Louis, to our palazzo. The obelisk of the Fountain of the Four Rivers, Piazza Navona- the product of an afternoon sketch session with a good friend.
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CORNICE DETAIL
SITE PLAN AND ELEVATION
PLANS AND COLUMN DETAIL
MOCK-UP FOR FINAL PLATE
NEXT: ‘New Rome’ Rome, Italy
MASTERPLAN Under Ettore Mazzola, our spring semester studio of 17 worked to produce a masterplan for a new political quarter south of the historic center of Rome. Located along the Tiber, the new development depends upon the idea that the Tiber could be made navigable once again, to provide for traffic from the center and ultimately from Fiumicino airport. The idea is to move much of the Pienza, Italy political functioning that clogs the Centro Storico with traffic (the autoblu of the STUDIO politicians and the resulting closures and As an architecture class, we spent several roadblocks) into a vibrant new quarter near days drawing and analyzing the RenaisSan Paolo Fuori le Mura and l’Università di sance hill town of Pienza. In three studios, Roma Tre. we drew up a masterplan (each studio taking a portion) to provide for its future growth in a sustainable and beautiful way. Individually, we proposed specific buildings in the masterplan. I collaborated with three other students in the design of a small piazza on the edge of the new plan. I adapted a traditional palazzo-plan structure for use as a mixed-use courtyard building, providing space for retail functions and restaurants on the first floor, to focus on the particular food culture of the region. The axis of our development leads from the piazza, which also houses a high school and more retail, through the palazzo building, to open to a vista on the countryside through areas of student housing.
Pienza Masterplan
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Travel Sketches Europe
TWO VIEWS OF THE BERLINER DOM Summer 2010, Graphite and colored pencil SKETCH IN OLD TOWN SQUARE, PRAGUE Winter 2011, Pen on sketch paper
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das BODEMUSEUM Summer 2010. Graphite on sketch paper SKYLINE OF PRAGUE CASTLE Winter 2011. Pen on sketch paper RIGHT: NUßDORFER PFARRKIRCHE, Nußdorf, Vienna Winter 2011. Pen on sketch paper
NEXT: Fairview Art Contest Honorable mention with prize. Fairview, Texas Winter 2009 “THE MAGIC LANTERN� Digital, three 18x24 panels These sketches were produced as an entry for an art competition for three panels on the side of a movie theater in Fairview, Texas. The panels draw on themes from the history of film. This entry won an honorable mention and was awarded a small cash prize.
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Album Cover Art These concept sketches were produced for the album of a Columbus, OH band.
Illumination Design Project Fall 2010
For an Acoustics and Illumination class in Fall semester 2010, one of the final assignments was to design and construct a light fixture. Inspired by a music video, I created the concept sketches below, and set about building a prototype of the lamp. The leafy shadows of a mysterious forest are cast by magenta- and blue-colored LEDs, the beams intensified within the base with shiny foil. One of the most gratifying things about the project for me was that the design turned out ultimately very like what I had envisioned in the drawings I set out.
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PROCESS
PROCESS
SECTION
Project for a Culinary School
SITE PLAN
St. Joseph, MI
In the small, thriving downtown of the city of St. Joseph, Michigan, a number of prominent sites are given over to surface parking, including the two corner lots at the intersection of Broad Street and Lake Boulevard, on the bluff overlooking Lake Michigan. In my proposal, a planted median narrows the wide road way, beautifying it and making it more pedestrian-friendly. A monument and a new pavilion to house restrooms and a stair down the bluff, centerd on the main street, act as an important gateway to mediate the traffic on the two streets and the transition down to Silver Beach. The culinary school is organized around a courtyard, partially-paved and containing gardens for the growing of herbs for cooking. A colonnaded terrace extends along the lakefront street, providing restaurant seating and framed views from the court to the lake.
WALL SECTION
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2ND FLOOR PLAN
3RD FLOOR PLAN
GROUND FLOOR PLAN
57 BROAD ST. ELEVATION
LAKE BLVD. ELEVATION
Adaptive Reuse of an Adobe Structure Bernalillo, NM
OVERVIEW This project was an exploration of issues arising from a studio trip to New Mexico taken in Spring 2010 with Professor Aimee Buccellato. It examined a regional construction method- adobe structures- and the interplay of forces that have interacted to produce the architecture and urbanism of the American Southwest. ILLUSTRATIONS Above: exterior perspective of proposed transit center showing entrance to ‘Alameda’ district. Below-right, far-right: Views of the ruins of the Molino, members of class and Professor Francisco Uviña of the University of New Mexico Facing: Mixed-use, perpendicular street connecting rail stop to business and government ares of Bernalillo; Axonometric Site Plan; Photograph of rail development
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MASTERPLAN In consideration of principles outlined by Professors Norman Crowe and Chris Wilson of the University of New Mexico, our studio developed a masterplan for a new quarter in the heart of Bernalillo, New Mexico, a small town near Albequerque. Bernalillo recently received a stop on a new communter rail line designed to connect several cities in the region. Immediately adjacent to the platform are the remains of an old adobe electric mill.
SITE PLAN
URBAN AXONOMETRIC
Urban form in New Mexico is the result of several converging influences. The Laws of the Indes produced squares containing important public buildings. Commercial development in railroad towns resulted in the development of a business street and other spines parallel to the line of the rail. This plan for a new quarter in Bernalillo, referred to in the studio as the ‘Alameda’ district, seeks to synthesize those influences in a small mixed-use street that will serve as the gateway to the town.
WEST ELEVATION
SECTION
61 SOUTH ELEVATION
GROUND FLOOR PLAN
UPPER FLOOR
STRATEGY Adobe construction is extremely durable when it is properly loaded, coated, and maintained. In this light, I took a view of the remains of the Molino as ‘viable building stock,’ to be incorporated in a proposal adding value to the new Alameda Quarter developed as a group by the studio. I chose to explore a transit center that would serve to mediate the termination of the central street of the quarter, and would enhance the function and quality of the recently-built communter rail stop. The design provides for a large, multi-use concourse, containing a café, eating areas, and gallery space for rotating exhibitions.
WALL SECTION
63 INSPIRATION COMPONENTS VOCABULARY The regional vernacular language of the American Southwest was used rhetorically by John Gaw Meem and other artists in the early part of the twentieth century. This rich, multilayered tradition inspired the structural language of the Bernalillo Transit Center. In designing the concourse of the center, I drew on a Northern European market hall, les Halles Saint GĂŠry in Brussels, to open up a structural conversation between the ponderous adobe and heavy timber construction of the regional vocabulary, and the fluent, airy, and seemingly effortles support of a metal skeleton, set above.
A Museum of the Abolitionist Movement
South Bend, IN
OVERVIEW This studio considered a difficult river site in downtown South Bend, Indiana. Currently a park, the site would become part of a small museum district along the river, in combination with the Philip Johnson and John Burgee-designed Century center directly adjacent, and the building that once housed the College Football Hall of Fame. The site has immediate access to the Morris Theatre, and generally would become part of a more pedestrian-friendly downtown area. The purpose of the museum is to house collections relating to the American Abolitionist movement, in a city that is still struggles with racial inequality. The main formal spaces of the museum are organized axially, parallel to the river. In longitudinal section, the void of the workshop court alternates with the solid mass containing the rotunda, followed by the void of the atrium, another solid mass of galleries, and the void of another plaza. Much of this axis can be opened to create a continuous suite of spaces for large exhibitions and events. Circulation on two levels around the central atrium adds a layer of complexity to this sequence of spaces.
VIEW OF SITE FROM CENTURY CENTER
VIEW OF SITE FROM OPPOSITE BANK
65 SITE CONDITIONS The new museum is sited on a small park area between the levels of the street and the river, adjacent to the South Bend Century Center and nestled into the crook of the Colfax Avenue bridge. The studio made a large, foam-core sketch model of the site to display the topography, and each member then made a sketchmodel to perch on top of that during reviews. I made mine from foam core and printedout elevations which I watercolored right on the board. Held together mostly by tape, I called it ‘Old Ironsides.’ This rough sketchup model, rendered in Kerkythea, provides a more durable substitute. DESIGN PROPOSAL The street level of the museum seeks to create pedestrian interest with areas of planting, site walls, and access to the cafe/ bookstore area of the museum. To enhance the walking experience, I proposed to narrow the roadway, perhaps as part of a downtown-wide change in traffic patterns to reduce the number of large, one-way streets. The mural street front gives views onto a plaza below, to memorialize the struggles of those who suffered under slavery and segregation, and to preserve the memory of the park on the site.
SOUTH ELEVATION
The workers of the museum have been provided for through the design of studio, workshop, and administrative spaces around a ‘court’ with views on the river located on the south side of the building. These areas of the building have been articulated in plan and elevation with a more vernacular character, in contrast to more formal display and circulation areas. BELOW Process sketches for the memorial plaza and a building cross-section.
67 1ST FLOOR (STREET LEVEL)
GROUND FLOOR
2ND FLOOR
RIVER ELEVATION
ATRIUM STUDY STAIR HALL STUDY
69 WALL SECTION My ongoing fascination with load-bearing masonry structures led me to explore this solution, inspired by a wall section shared in a presentation by John Simpson of John Simpson and Partners, for the museum. Water penetrates the outer brick, which is thick enough that it evaporates without ever entering the protected space of the building. I find this kind of wall to be both beautiful and meaningful in a rhetorical sense- an extension, in a way, of the earth of the building site; enduring and sustainable.
LONGITUDINAL SECTION
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STREET ELEVATION
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September 2012 I will be adding to this portfolio as I continue to digitize, and organize my work to-date. If you are interested, please check back to see updated images and descriptions as they become available. If you would like to know more about my work, or especially if you would like to discuss how I could make a contribution to your design team, please do not hesitate to contact me by phone or by email. I am seeking a full-time position, but I am open to offers to collaborate on a contract basis as well. Reach out to me, and we can talk about the ways I can help you out.
NICHOLAS SCHROEDER
University of Notre Dame B.Arch 2011 CONTACT:
nschroe1@alumni.nd.edu nicholastschroeder@gmail.com tel: (419) 202-0787
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