Portfolio of Nicholas Banks

Page 1

THE PORTFOLIO OF Nicholas Daniel Banks


THE PORTFOLIO OF Nicholas Daniel Banks II


Professional Practice PDR .....................................2 Counter Craft .........................4 FKP ......................................6 Mijares Mora.........................8

Studio Yellow House Canyon Winery ..10 Rethinking the Lubbock Fair .......14 Upper Kirby YMCA .................16 SataFe Trail ...........................20 The Lion & The Mouse .............22

Skills Hand Rendering .....................24 3D Rendering ........................26 Revit .....................................28


PDR

TIGER GYM LOCKER ROOM OPTION 1

EXXONMOBIL 2 Houston Center 909 Fannin Street, Floor 39 Houston, Texas 77010 713 739 9050 v 713 739 7246 f www.pdrcorp.com

Planning Design Research

2 Houston Center 909 Fannin Street, Floor 39 Houston, Texas 77010 713 739 9050 v 713 739 7246 f www.pdrcorp.com

Running Bond 1/3 Running Bond Stack Bond TIGER GYM LOCKER ROOM OPTION 1

Not for regulatory approval, permitting, or construction. Jack Andrew Patton,Texas No. 12628

Copyright @ 2011 by Planning Design Research Corporation

October 28, 2011

TIGER GYM LOCKER ROOM OPTION 1 October 28, 2011

Not for regulatory approval, permitting, or construction. Jack Andrew Patton,Texas No. 12628

Copyright @ 2011 by Planning Design Research Corporation

EXXONMOBIL 2 Houston Center 909 Fannin Street, Floor 39 Houston, Texas 77010 713 739 9050 v 713 739 7246 f www.pdrcorp.com

Planning Design Research

7

EXXONMOBIL

Wet Wall Tiles

2 Houston Center 909 Fannin Street, Floor 39 Houston, Texas 77010 713 739 9050 v 713 739 7246 f www.pdrcorp.com

Planning Design Research

7 Tiger Gym Locker Room Renovation

9 9 Tiger Gym Locker Room Renovation

Light Fixtures

TIGER GYM LOCKER ROOM OPTION 1 Not for regulatory approval, permitting, or construction. Jack Andrew Patton,Texas No. 12628

Copyright @ 2011 by Planning Design Research Corporation

October 28, 2011

Wet Area Wet Area

EXXONMOBIL 2 Houston Center 909 Fannin Street, Floor 39 Houston, Texas 77010 713 739 9050 v 713 739 7246 f www.pdrcorp.com

Planning Design Research

11 11 Tiger Gym Locker Room Renovation

Not for regulatory approval, permitting, or construction. Jack Andrew Patton,Texas No. 12628

Copyright @ 2011 by Planning Design Research Corporation

Daltile: City View

12x24

EXXONMOBIL

Floor Tile Planning Design Research

Seaside Boardwalk

October 28, 2011

Color Family Blues

Color Family Greens

Not for regulatory approval, permitting, or construction. Jack Andrew Patton,Texas No. 12628

Plan Overview: New Construction

6

Sizes: 6 Tiger Gym Locker Room Renovation

Women’s Entry Graphic Color Collections Early and Late Victorian, Treasured

Men’s Entry Graphic Interior/Exterior Color Collection SW Color

Copyright @ 2011 by Planning Design Research Corporation

18x18 Filed Tile 2 Tiger Gym Locker Room Renovation

RGB ValueR-17 | G-63 | B-96 SW7007 Ceiling Bright White

SW0015 Gallery Green Interior/Exterior

TIGER GYM LOCKER ROOM OPTION 1

October 28, 2011

2

3 3 Tiger Gym Locker Room Renovation

Wet Floor Tile

Women’s Accent Men’s Accent Wall / Ceiling Paint

4 4 Tiger Gym Locker Room Renovation

Plan Overview: Demo

Room Floor Tile Wall Paint / Entry Graphic

Lockers / Benches

Tiger Gym

Locker Room Renovation

SW6510 Loyal Blue

Color Strip 73

Interior

RGB ValueR-109 | G-135 | B-115

Color Collection SW Color Color Family Whites

RGB ValueR-233 | G-236 | B-232

Color Strip 140

Research ExxonMobil Pilot Surveys Connoco Phillips Post Migration Survey 2 Houston Center Survey

Partitions

Paint

Lighting

Design ExxonMobil: Tiger Gym ExxonMobil: 500 Bell Reconfigure ExxonMobil: EMIT Labritory

Materials Overview

Planning Buenos Aires BSC ExxonMobil Campus Relocation Connoco Phillips Reorginization

Wet Wall Tile

Skyline Gray

Desert Gray 4x8” Modern Dimensions

Arctic White 4x8” Modern Dimensions

Cypress/ Galaxy Women/Men 4x4” Semi-Gloss

Dry Area baffle/louver Verve™ IV

2–Lamp T5, Radial Blade Baffle, 99% Efficiency, 888 cd @ 135°

Wet Area razz ma tazz

direct/indirict wet label, vandal resistant CSA listed wet label IP65 IK 10++


Yes 37%

No 63%

Do you usually bring your lunch to work?

Yes 37% Yes Yes 37% 37% Yes Yes 37% 37%

>$15 <$5 3% $12-15 1%No No 63% 63% No 63% 7% No No 63% 63%

$9-12 >$15 <$5 >$15 <$5 >$15 <$5 35% 1% 3% 1% 3% >$15 <$5 $12-15 >$15 3% <$5 $12-15 1% $12-15 1% 3% 7% 1% 3% 7% $12-15 $12-15 7% 7% 7%

What is the main reason you bring lunch to work? (Right) On a typical day, how much do you spend when you buy lunch? (Left)

67% <$9

$9-12 $9-12 $9-12 35% 35% $9-12 $9-12 35% 35% 35%

On a typical day, where do you go to buy your lunch?

53% >$9

67% 67% 67% <$9 <$9 67% 67% <$9 <$9 <$9

$5-9 54%

Other Other Other 15% 15% Other Other 15% 15% 15% Tunnels Tunnels Tunnels 6% 6% Tunnels Tunnels Never 6% 6% 15% 6%

Food Court The Shops 79%

Often Food Court 30% Food Court --Food Court The Shops The Shops Food Court The FoodShops Court -79% 79%Shops The The Shops 79% 79% 79%

Income over $80K 57% Coffee Shop Once a Week 63% Spend $5-12 on lunch 89% Work at 4HC 31% Work at 2HC 25% Seldom

Often Often Often 30% 30% Often Often 30% 30% 30%

For more information call 713.739.9050

www.pdrcorp.com If there were more or better options, I would consider ordering take out for Confidential Material Š Copyright 2013 Center. dinner or dining at Houston

Cost 57%

Cost Cost Cost 57% 57% Cost Cost 57% 57% 57%

Food Court The Shops 79% Never 15% Often 30%

Post-Occupancy Survey 2012

Seldom 55% Income over $80K 57% Coffee Shop Once a Week 63% Spend $5-12 on lunch 89% Work at 4HC 31% Work at 2HC 25%

Income Income over over $80K $80K 57% 57% Income over $80K 63% 57% Coffee Once aa Week Coffee Shop Shop Once Week 63% Agree Income over $80K 57% Coffee Shop Once a Week Income over $80K 63% 57% Spend $5-12 on 89% Spend $5-12 on lunch lunch 89% 60% Coffee Shop Once Week 63% Spend $5-12 onaaatlunch 89% Coffee Shop Once Work 4HC 63% 31% Work atWeek 4HC 31% Spend on Work atlunch 4HC 89% 31% Spend $5-12 $5-12 onat lunch 89% Work 2HC 25% Work Work at at 2HC 4HC 25% 31% Work at 2HC 25% 4HC 31% Work at at 2HC 2HC 25% 25% Work

I like the restaurant options located in The Shops.

Executive Summary

Convenience Bored of Bored of options options $5-9 24% of Bored options 54% 11% 11% of Bored Bored of options options 11% 11% 11% Food Food Food preference preference Food preference Food 8% 8% preference preference 8% 8% 8% 67% 53% Convenience Convenience Convenience <$9 >$9 24% 24% Convenience Convenience 24% 24% 24%

Tunnels 6%

Seldom Seldom 55% 55% Seldom Seldom 55% 55% 55%

Houston Center Survey

$9-12 35%

Bored of options 11% Food preference Cost 8% 57% Convenience 24%

Other 15% 53% 53% 53% >$9 >$9 53% 53% >$9 >$9 >$9

Never Never Never Seldom 15% 15% Never Never 15% 55% 15% 15%

Would you patronize a full service breakfast restaurant if it was in The Shops?

>$15of <$5 Bored options 1% 3% $12-1511% 7% Food preference 8%

$5-9 $5-9 $5-9 54% 54% $5-9 $5-9 54% 54% 54%

Other 15% Tunnels 6%

Yes 37%

No 63%

Neutral Agree 33% 60%

Agree Agree 65% Agree Agree 60% 60% Agree 60% Agree 60% 60%

Neutral Neutral Agree Neutral 25% Neutral 33% 65% 33% Neutral 33% Neutral 33% 33%

Agree Agree Agree 65% 65% Agree 65% Agree 65% 65%

Neutral Neutral Neutral 25% 25% Neutral 25% Neutral 25% 25%

Disagree 7%

Disagree Disagree 10% Disagree Disagree 7% 7% Disagree 7% Disagree 7% 7%

Neutral 33%

Executive Summary ConocoPhillips and Phillips 66 Houston Repositioning Project

Disagree 7%

Neutral 25%

Disagree 10%

All Rights Reserved

Disagree Disagree Disagree 10% 10% Disagree 10% Disagree 10% 10% Analysis | Dining 11

Additional Comments and Questions

5HVXOWV EHORZ VKRZ WKH VXUYH\ UHVSRQVHV VKRZQ E\ MRE IXQFWLRQ DQG DJH JURXS -RE )XQFWLRQV LQFOXGH IRXU FDWHJRULHV $GPLQLVWUDWLYH 0DQDJHU 3URIHVVLRQDO 6XSHUYLVRU DQG 7HFKQLFDO $JH *URXSV DUH VHSDUDWHG E\ WZR FDWHJRULHV *HQ ; ZKLFK LQFOXGHV \HDU ROGV DQG %RRPHUV ZKLFK LQFOXGHV \HDUV RI DJH

33%

Manager

82%

The trending responses, in order of importance, were placed in the following Professional Everyone72% 73% categories: Supervisor Admin

66%

33%

1) Great work / Great job: Technical 71% 82% Manager Everyone73%the success of the This category Gen Xwas comprised of comments regarding Professional 72% 81% overall move process. Comments this category were Admin 33% varied, but all in68% Boomer Supervisor 66% complimentary as a whole. Manager of the project teamEveryone 82% 53% Everyone71% 73% 72%

Technical Professional

33% Admin X 81% 2) IT andGen Telecom Improvements: Admin 33% Supervisor THE LEVEL OF SOUND IN THE OFFICE 66% DOES NOT 53%TO Manager Boomerwas 68%WORK This category comprised ofMY comments regarding the82% functionality of Manager INTERFERE WITH ABILITY GET DONE. Technical 71% printers, computers, monitors, headsets and Professional Everyone52% 53% telephones. Professional 72% Gen X Supervisor Supervisor Admin Boomer Insufficient Technical Technical Manager

66%

33%

81%

100%

68% 3) Furniture: 57% 71% 53% This category was comprised of comments Everyone53% regarding furniture configuration, Gen X X 69% Gen 81% Professional ergonomic setup, improper connections 52% regarding Unix stations, higher 33% Admin Boomer 32% Boomer 100% (do cubicleSupervisor walls for privacy, and dysfunctional secure68% storage and drawers 53% Manager Everyone53% not open / close easily). Technical 57% Everyone92% 52% Professional Gen X 69% 33% Admin 66% Admin Supervisor 100% Boomer 32% 53% Manager 94% Manager Technical 57% 52% Professional 93% Professional Gen X 69% Everyone92% Supervisor 100% 100% Supervisor T HE LIGHTING IN MY WORKSPACE 66%IS Admin Boomer 32% Technical 57%I DO. APPROPRIATE FOR THE WORK 100% Technical 94% Manager Gen 69% Everyone92% 100% Gen X X 93% Professional Boomer 32% 66% Admin Boomer 79% 100% Supervisor 94% Manager Everyone92% 100% Technical Everyone53% 93% Professional Gen X 100% 66% Admin 33% Admin 100% Supervisor Boomer 79% 94% Manager 47% Manager 100% Technical 93% Professional 41% 53% Professional Everyone Gen X 100% 100% Supervisor Supervisor 66% Boomer 79% 33% Admin 100% Technical Technical 43% 47% Manager Everyone53% Gen X X 100% Gen 46% AIR QUALITY I AM PLEASED WITH41%THE Professional Boomer 79% Admin IN OUR SPACE.33% 42% Boomer Supervisor 66% 47% Manager Everyone Technical 43% 53% 41% Professional Gen X 46% 33% Admin Supervisor 66% Boomer 42%47% Manager Technical 43% 41% Professional Gen X 46% Supervisor 66% Boomer 42% Technical 43%

Executive Summary

Survey & Testing Results West Houston Pilot Project (MOSAIC)

Gen X

ExxonMobil/USRESS/GREF/CHEMICAL

Boomer

October 2011

46% 42%

COMFORT OF FURNITURE IN MY WORK SPACE

3 4 2IMPORTANCE LEVEL11 OF1.83 2 3 4 Admin 1 1.83 2 MOST 3 4 1 1.83 2 3 4 LEAST Admin 1.83 Admin Manager Admin 33% Admin Manager Manager Professional Manager Manager Professional Professional Supervisor Professional Professional Supervisor Supervisor Supervisor Technical Supervisor 33% Admin Technical Technical Technical Technical Manager Gen Gen XGenXX Professional Gen 33% Admin Boomer Gen X X Supervisor Boomer Manager Boomer Technical Boomer Boomer Professional 66% Admin Gen X 33% Admin Supervisor 1 2 3 4 Manager Boomer Manager WORKSPACE LIGHTING 1IN MY 3 4 2 2.49 TechnicalAdmin 1 2 2.49 3 Professional 3 4 1 2 2.49 4 Admin Professional 2.49 Admin GenManager X Admin Supervisor 66% Manager Supervisor 66% Admin Manager Professional Boomer Manager Technical Professional Technical Manager Professional Supervisor Professional Gen X Gen X Supervisor Professional Supervisor 66% Admin Supervisor Boomer Technical Boomer Supervisor 66% Technical Manager Technical Technical Everyone57% Technical ProfessionalGen X Gen X X Gen 66% Admin 0% Admin Supervisor 66% Gen X X Gen Boomer Manager Manager 53% Boomer Technical Boomer Professional Professional 45% 57% Everyone Boomer GenBoomer X Supervisor 0% 66% Supervisor Admin 0% Boomer Technical SOUND LEVELS Technical 1 2 IN3 THE 4 OFFICE53% Manager 32.79 4 Everyone 57% Gen X XAdmin 11 22 2.79 Gen 38% 45% 3 Professional 3 4 1 2 2.79 4 Admin 2.79 Boomer Admin 0% Admin Manager Boomer 32% Admin Supervisor 0% Manager Manager 53% Manager Professional Everyone Manager Technical Everyone57% 57% Professional Professional 45% Professional Supervisor Professional Gen X 0% 38% Admin Supervisor 0% Admin Supervisor 0% Supervisor Boomer 32% Supervisor Technical Manager 53% 41% Manager Technical Technical Professional 45% Technical Professional 41% Everyone 57% Technical Gen XGen X 38% Supervisor Supervisor 33% Gen0% X 0% Admin Boomer 32% Gen Technical Gen X X Technical 41% Manager Boomer Gen X 38%Everyone57% 35% GenBoomer X Professional 41% Boomer Boomer Boomer 0% Admin Boomer 26% 32% Supervisor 33% AIR QUALITY IN OUR SPACE 41% . Manager Technical 1 2 3 4 Everyone57% ProfessionalAdmin 1 2 32.9 4 41% 2.9 35% Gen X 0% 3 Admin 1 2 4 3 4 1 2 2.9 Admin Supervisor 2.9 33% Admin Manager Boomer 26% 41% Manager Admin Manager Technical Manager Professional Professional 41% Manager Professional 35% Gen X Professional Supervisor Supervisor 33% Professional Supervisor Boomer 26% Technical Supervisor Supervisor Technical Technical 35% Gen X Technical Technical Boomer 26% Gen X Gen X Gen Gen X X Boomer Boomer Boomer Boomer

Everyone92% 94% 93% Everyone92% 100%

100% 94% Everyone92% 92% Everyone 100% 93% 100% 100% 94% 74% 94% 100% 93% Everyone92% 93% 100% 100% 74% 100% 94%100% Everyone92% 92% 93%100% 74% 84% 94% Everyone92% 100% 93% 92% 94% 100% 93% 92%

84% 85%

100% 92%

84%

D

COP

Gen X Professional Admin 0% Boomer Supervisor Manager Technical Professional Admin Gen X 0% Admin Supervisor Manager Boomer Manager Technical Professional Professional Gen X Supervisor Supervisor Admin Boomer Technical Technical Manager

74%

84%

33%

Supervisor Admin 0% Technical Manager

94%100% Everyone92% 93%100%

Gen X X Gen Professional Admin Boomer Boomer Supervisor Manager Technical Professional Gen X Admin Admin Supervisor Boomer Manager Manager Technical Professional Professional Gen X Supervisor Supervisor Admin Boomer Technical Technical Manager Gen X X Gen Professional Boomer Admin Boomer Supervisor Manager Technical Professional Gen X Admin Admin Supervisor Boomer Manager Manager Technical Professional Professional Gen X Supervisor Supervisor Admin Boomer Technical Technical Manager Gen Gen X X Professional Boomer Admin Boomer Supervisor Manager Technical Professional Gen X Admin Supervisor Boomer Manager Technical Professional Gen X Supervisor Boomer Technical

P66 32% 33%

33% 33% 32% 33% 32%

Move-01

Everyone59% Move-02 Move-03

65%

62% Everyone59% Move-04

Everyone65% Everyone Move-07 59% 62% 69% Move-08 59% 65%

0%

86% Move-10 59% Everyone65% 69% 77%

0%

100%

66%

59% 65% Everyone Move-12 69%

86%

77% 33% 66% 37% Move-13 59% 41% 86% 69% 30 50 77% 100 0 150 Amount of People Moved 66% 66% 37% 86% 43% Ideal Ratio Everyone33% 41% 77% 25-35 38% 28% 37% 21% Move-1 66% Everyone33% 41% 43% Everyone63% Move-2 28% 38% 33% 66% 21% 41% Move-3 65% 43% 28% Everyone62% 63% 38% Move-4 66% 66% 33% 21% Everyone 28%33%

0%

100%

100%

Everyone 69% 65% 62% Move-09 69% 66%

33%37% Move-11 32% Everyone33%

100%

Move-05 65% Everyone59% 62% 69% Move-06

200

250

The ratio of Move Coordinators by move 0% phase and company

85%

85%

85% 85%

85%

85%

85%

13

18

Move count by move and company with the amount Admin 0% of Move Coordinators Manager distributed evenly Professional

T

Admin

R AF

The conclusions combine the survey data and analysis and provide a HE FURNITURE IN MY WORK SPACE IS summary of theTConocoPhillips and Phillips 66 employee feedback regarding COMFORTABLE. the move process and provide goals achieved and lessons learned based Everyone 73% on the data.

Gen X Boomer

43% Move-5 65% 71% Everyone63% 62% 73% Move-6 47% 66% 65% Everyone63% Move-7 71% 62% 73% Move-8 66% 47% 65% 71% 62% Move-9 73% 66% 47% Move-10 71%

COP 38%

21%

P6633%

33%

73%

Move-11 47% Move-12 Move-13 0

10 30 40 50 20 Ratio of people moved per MC

60

70 Overview | Role of Move Coordinator 07

PDR


Counter Craft Renderings Developed a rendering standard for the company from the ground up. Continually built a material library and developed assets from scratch. Used limited resources and budget available to achieve photo like results. Typical 8-16 hour turnover on renderings. Used SketchUp, Podium, and Gimp to create desired results. Explored dynamic components to accelerate the modeling process. Shop Drawings Created shop drawings from food service consultant sketchech. Understood construction and many critical dimensions in fully framed and multi spec fabrication. Continually improved project standards and practices to enhance project turn-over. Other Projects Used architecture background to develop plans for office expansion. Created measured drawings of shop layout. Oversaw building construction and managed electrical and plumbing contractors.

4


Counter Craft


FKP Architects Texas Children’s Sky Bridge Worked closely with architect to develop one of a kind sky bridge. The multi storied bridge linked three buildings at different elevations, spanned across 5 lanes of traffic including the metro light rail, and remained true to the geometries of an ellipse. NICU Room Assisted the Build Out team to develop patient rooms. Created 3D models and multiple schemes, worked to develop an abstract painterly rendering technique for design presentations.

6


FKP Architects


Mijares Mora Architects Construction Documents Assisted in creating construction documentation for several school projects. Worked on a CD sheet that detailed an entry pavilion that eventually was constructed. Renderings Created Renderings that were used in client presentations and for design development. Fore example, when the communication of plan and section no longer worked for the client, I quickly created a classroom perspective to take to a client meeting the same day with positive results.

8


Mijares Mora Architects


Yellow House Canyon Winery MDS Thesis

Overview Today’s wine consumer desires more than just a great wine. They desire a brand, an image, and an experience. Wine tourism generates billions of dollars world wide and is on the rise. The Lubbock area currently supports three wineries at different scales of production. The new winery will include a boutique vineyard, wine production facility, visitor center, wine sampling, sales, and a restaurant. Key Skills

• Developed a Thesis Statement • Created a program • Conducted market research • Full building concept based on architectural theory • Large format presentation • Building plan, section, elevation • Details • Renderings • Diagrams

10


Single-Ply Roofing System Solar Shading

Glazing System

Detail 1

Steel Column

Section B - 3/32”=1’

A winery should be viewed as something permanent and well established as well as something that is warm and familiar the building can display these aspects through it’s interior and exterior materiality. Permanence – The building should have the perception of being sturdy and long lasting. To achieve this, the structure should be made of concrete and steel and incorporate stone and block masonry.

Single-Ply Roofing System Solar Shading

Detail 2 Concrete Slab

Transparency – Glass should be used to allow for natural lighting and for the viewing of the production process from the outside. The building should have adequate glazing toroofing observe the internal working from EPDM membrane Ridged insulation (tapered for drainage) a distance.

Glazing System

Detail 1

Structural Beam Open Web Steel Joist

Galvanized metal dam Treated wood nailer Metal fascia

This can be observed in elevation. The north and south Solar Shadier elevations provide transparency and views into the facility, while the east and west elevations are solid and structural providing a image of permanence.

Section 3 - 3/32”=1’ Steel Column

Structural steel beam

Concrete Beam

Flashing Mullion Wood Finishing Insulated Glass

Detail 1 - 1 1/2”=1’ A winery should be viewed as something permanent and well established as well as something that is warm and familiar the building can display these aspects through it’s interior and exterior materiality. Permanence – The building should have the perception of being sturdy and long lasting. To achieve this, the structure should be made of concrete and steel and incorporate stone and block masonry.

1/16”=1’

Wall Section 2 - 3/4”=1’ Detail 3

Single-Ply Roofing System Solar Shadier

Mullion

Detail 2

Welding plate Flashing Concrete Metal decking Metal fascia

Concrete Slab

Elevation East - 1/16”=1’

Transparency – Glass should be used to allow for natural lighting and for the viewing of the production process from the outside. The building should have adequate glazing to observe the internal working from a distance.

Structural Beam

Corrugated Wall

Open Web Steel Joist

Detail 2 - 1 1/2”=1’

This can be observed in elevation. The north and south elevations provide transparency and views into the facility, while the east and west elevations are solid and structural providing a image of permanence.

Exploded Axon Dining Area - nts

Concrete Beam

Glazing System

1/16”=1’

Elevation West - 1/16”=1’ Wall Section 2 - 3/4”=1’

Single-Ply Roofing System

ation East - 1/16”=1’ Solar Shading

Fully Closed

Detail 3 YELLOW-HOUSE CANYON WINERY: This is a proposal forSystem a new winery in Lubbock, TX that is located at Erskine St. Single-Ply Roofing Solar Shadier and Avenue Q on a parcel of land that is approximately 14.6 Acres. Parking will be handled along the top of the canyon and visitors will enter and descend into the building from this location. The building is thoughtful of the existing topography and avoid the disruption of the natural landscape. Another challenge is that a portion of the site is in a flood zone, to offset this, the building will be as close to the canyon wall as possible and elevated above this flood plane. Vineyards will also be included on the site in the southern portion, approximately 6.2 acres of land are available for this, if more is necessary Corrugated Wall the land around the building can also be utilized as vineyards.

Partially Open

Today’s wine consumer desires more than just a great wine. They desire a brand, an image, and an experience. Wine tourism generates billions of dollars world wide and is on the rise. The Lubbock area currently supportsEPDMthree wineries at roofing membrane different scales of production, I believe there room for more. The south plains region is a unique growing area that proRidged insulation (tapered for drainage) EPDM is roofing membrane Galvanized metal dam vides grapes and juice for many wineries Ridged in Texas. as agricultural insulation The (taperedquality for drainage)of grapes and varieties continue to improve Treated wood nailer Metal fascia experimentation continues to explore the Galvanized possibilities of the area. As the area continues to develop it will create a distinct metal dam Glazing System Solar Shadier Treated wood nailer profile and character that is distinctly West Texas.

Glazing System

Detail 4

Metal fascia

ation West - 1/16”=1’

– Architecture r a new winery in Lubbock, TX thatTopic is located at Erskine St. as a critical regionalism 6 Acres. Parking will be handled along . the top of the canyon location.Steel The building is thoughtful of the existing 175' %#0;10 9+0'5 Column –topography By clearly defining the production Structural steel beam process, hallenge is that a portion of the site isAssertion in a flood zone, to offset cholas ible and Banks elevated above this flood plane. also Flashing stepsVineyards in winewill production. y 6.2 acres of land are available for this, if more is necessary Mullion Fall s. 2008 Wood Finishing MDS II 5692

1

visitors will be able to better comprehend the

1

1

Corrugated Wall

Marginal Practice

Steel Beam

Warehouse Architecture – The interior of the building should have the feel of a warehouse. Large open space that lends itself to flexible uses and configurations.

Is critical of modernism but refuses to abandon the emancipatory and progressive aspects of it. Favors small rather than big. Mullion

The building roduction proBeam zed withinStructural the mal backtrackat another.

Open Web Steel Joist Warehouse Architecture – The interior of the building visitation anfeel of a warehouse. Large open space should haveisthe minent visitor’s that lends itself to flexible uses and configurations.

he production ation it should order to make ations to enter

Silo Formation – Objects within the building should be arranged to create the imagery of the grain silos found in proximity to the site. Potential objects are wine Concrete Beam tanks.

Shading – To maintain a constant internal temperature throughout the sun’s daily and annual cycles while reducing the requirement for active heating and cooling systems shading devises such as awnings and solar film should be used.

1

1

1 4

2 2

Steel C channels

2

Structural steel beam

2

Tracks for doors

2 2

4

Wheels Steel frame for panels

2 2

Sliding Panel System

2

4

2 2 2

Sliding Panel System

Welding plate Flashing Concrete Metal decking Metal fascia

Stresses the territory surrounding the structure, recognizes the boundary not as an object but a shape.

Concrete Slab

cal regionalism using built form and materials to ex-

1

4

Detail 4 - 1”=1’

Bounded will be Consciously able to better comprehend the

Sliding Panel System

Detail 3 - 1”=1’

Thesis - Responding to the environment through critical regionalism using built form and materials to exInsulated Glass the wine making process. Detail 1 - 1 1/2”=1’

Site and region specific features are stressed uction facility, visitorClimate, center, wine sampling, sales, and isaavoided. restopography, and light – mechanization

he that s, winery, visitors visitor. The two with different

Beam Diagram - NTS MovableSteel Panel

Steel C channels Insulation Corrugated steel siding

e.Michael They Peters desire a brand, an image, and an experience. Wine press the e David rise. Driskill The Lubbock area currently supports threeimagery wineries at of e. The south plains region is a unique growing area that proty of grapes and varieties continue to improve as agricultural area. As the area continues to develop it will create a distinct

Detail 4

Fully Open

Corrugated Wall

Solar Shadier wine production facility, visitor center, wine sampling,Solar The new winery will include a boutique vineyard, sales, and a resShadier Support Welding Plate taurant. Precast Concrete Double Tees

Detail 5 Silo Formation – Objects within the building should be arranged to create the imagery of the grain silos found in proximity to the site. Potential objects are wine tanks.

4

Insulated Glass

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

1

3

Ground Floor Structural Plan - 3/64”=1’

Channels for glass Steel frame for panels Wheel Track System Concrete slab on grade

Track System 1

1

1

1

Detail 2 - 1 1/2”=1’

Sliding Panel System

Detail 5 - 1”=1’ Exploded Axon Dining Area - nts

2

2

2

2

2 2

1

2 2

1

2 2

Detail 5

Structural Key Track System

1- Concrete wall

Wall Section 12- Pre-Cast Double Tee Beams 3- Open Web Steel Joists 4- Wide Flange Steel Beam 5- Structural Steel

1

2 2

2 2

2 2

2

2

2

2

2 2 2 2 2 2

Wall Section 1 - 3/4”=1’ 2 5

5

2

Yellow House Canyon Winery 5 5 5 5

Wall Section 2 5

2 2 5


Topic Architecture as a critical regionalism. Entry Pressing

Shop C

Tasting

Bar

Kitchen

B

Thesis Responding to the environment Section 3 - 3/32”=1’ through critical regionalism using built form and materials to express the imagery of the wine making process.

A Dining

Plan Second Floor (Public) - 3/32”=1’ 1

2

4

Assertion By clearly defining the production Section be B - 3/32”=1’ process, visitors will able to better comprehend the steps in wine production.

5

3 Elevation South - 1/16”=1’

Offices

Crushing

Mechanical

Ageing

Shipping

Elevation North - 1/16”=1’ C

YELLOW-HOUSE CANYON WINERY: Th and Avenue Q on a parcel of land that is a and visitors will enter and descend into the and avoid the disruption of the natural land this, the building will be as close to the ca be included on the site in the southern port the land around the building can also be u

Filter

Storage

Bottling

Break Room

B

Storage

Today’s wine consumer desires more than tourism generates billions of dollars world different scales of production, I believe the vides grapes and juice for many wineries in experimentation continues to explore the p profile and character that is distinctly West

The new winery will include a boutique vin taurant. Fermenting Storage A

;'..19 *175' %#0;10 9+0'5 Nicholas Banks Fall 2008 MDS II 5692 Michael Peters David Driskill

Topic – Architecture as a critical regio . Assertion – By clearly defining the pro steps in wine production.

Thesis - Responding to the environme press the imagery of the wine making

Plan First Floor (Manufacturing) - 3/32”=1’ 1

2

4

Site and region specific features are stressed

5

Climate, topography, and light – mechanization is avoided.

3

Marginal Practice Is critical of modernism but refuses to abandon the emancipatory and progressive aspects of it. Favors small rather than big.

Blower Pump Boiler Chiller

Shipping

Vent Vent

Vent

There are two circulation paths within the winery, that of the production cycle, and that of the visitor. The two should follow similar circulations, but with different start and ending points

Entry

Blower

Blower

Linear production process - The building should be organized to show a linear production process. The equipment should be organized within the production zones so that there is minimal backtracking. It should start at one end and finish at another.

Shop Ageing

Crushing

Taste

V

V

Blower

Blower V

Bottle

Drink

Storage

Visitor Circulation - Since public visitation is an important part of the facility a prominent visitor’s entrance should be separated from the production entrance. Unlike the production circulation it should begin and end at that same location. In order to make tours possible there will be several locations to enter production area from the public spaces.

V

V

Fermenting

V V

V

V

Consciously Bounded Stresses the territory surrounding the structure, recognizes the boundary not as an object but a shape.

V

V

V

V

V

Blower

V.I.P

Mechanical Plan - 1/32”=1’

Circulation Diagram Process - 1/32”=1’

Dine

Shading – To maintain a constant internal temperature throughout the sun’s daily and annual cycles while reducing the requirement for active heating and cooling systems shading devises such as awnings and solar film should be used.

Circulation Diagram Public - 1/32”=1’

d paving that reduces heat ed parking lot, and should e parking area.

gional Forms

Section C - 1/16”=1’

Section A - 1/16”=1’

Site Section 1:20

12

Section 1 - 1/16”=1’


the land around the building can also be u Storage

al

Bottling

Break Room

Shipping

Ageing

B

Storage

Today’s wine consumer desires more than tourism generates billions of dollars world different scales of production, I believe the vides grapes and juice for many wineries in experimentation continues to explore the p profile and character that is distinctly West

The new winery will include a boutique vin taurant. Elevation West - 1/16”=1’

Elevation North - 1/16”=1’

Fermenting

C

Topic – Architecture as a critical regio

Storage A

Break Room - 3/32”=1’

B

Storage

1

2

4

3

. a new winery in Lubbock, TX that is loc YELLOW-HOUSE CANYON WINERY: This is a proposal for ;'..19 *175' %#0;10 9+0'5 Assertion – By clearly definingalong the pro and Avenue Q on a parcel of land that is approximately 14.6 Acres. Parking will be handled the and visitors will enter and Nicholas descend into the building from thissteps location. The building is thoughtful of the e Banks in wine production. and avoid the disruption of the natural landscape. Another challenge is that a portion of the site is in a f Fall to 2008 this, the building will be as close the canyon wall as possible and elevated above this flood plane. MDS II 5692 portion, approximately Thesis - Responding the environme be included on the site in the southern 6.2 acres of land are to available for this, if Michael Peters the land around the building can also be utilized as vineyards. press the imagery of the wine making David Driskill

Two circulation paths exist withinToday’s the wine consumer desires more than just a great wine. They desire a brand, an image, and an tourism generates billions of dollars world wide and is on the rise. The Lubbock area currently suppor different scales of production, I believe there is room for more. The south plains region is a unique gro winery, one representing the producSite andThe region specific stressed vides grapes and juice for many wineries in Texas. quality offeatures grapesare and varieties continue to imp 5 continues to explore the possibilities of the area. As the area continues to develop it w tion cycle, and one the visitor. experimentation profile and character that is distinctly West Texas. Marginal Practice Climate, topography, and light – mechanization is avoided.

Is critical of modernism but refuses to abandon the emancipatory

The new winery will include a boutique vineyard, wine production facility, visitor center, wine sampling and progressive aspects of it. Favors small rather than big. taurant. There are two circulation paths within the winery, that Consciously Bounded

Shipping

Storage V

Blower

A

Blower V

Bottle

Storage

Fermenting V

of the production cycle, and that of the visitor. The two should follow similar circulations, but with different start and ending points

Entry

Linear production process - The building should be organized to show a linear production process. The equipment should be organized within the production zones so that there is minimal backtracking. It should start at one end and finish at another.

Shop

Ageing

Crushing V

V

Linear Production Process Topic – Architecture as a critical regionalism . The building should be organized to ;'..19 *175' %#0;10 9+0'5 Assertion – By clearly defining the production process, visitors will be able to better comp Nicholas Banks stepsThe in wine production. show a linearFallproduction process. 2008 Thesis - Responding to the environment through critical regionalism using built form and m equipment should be organizedpress within the imagery of the wine making process. the production zones so that there is minimal backtracking, ItSitestarting at and region specific features are stressed oneDiagram end and at another. Marginal Practice Circulation Public -finishing 1/32”=1’

Blower

4

3

Taste

Drink

V.I.P

5

MDS II 5692 Michael Peters David Driskill

Visitor Circulation - Since public visitation is an important part of the facility a prominent visitor’s entrance should be separated from the production entrance. Unlike the production circulation it should begin and end at that same location. In order to make tours possible there will be several locations to enter production area from the public spaces.

Dine

Climate, topography, and light – mechanization is avoided.

Circulation Diagram Process - 1/32”=1’

Stresses the territory surrounding the structure, recognizes the boundary not as an object but a shape.

Shading – To maintain a constant internal temperature throughout the sun’s daily and annual cycles while reducing the requirement for active heating and cooling systems shading devises such as awnings and solar film should be used.

Warehouse Architecture – The interior of the building should have the feel of a warehouse. Large open space that lends itself to flexible uses and configurations.

Is critical of modernism but refuses to abandon the emancipatory and progressive aspects of it. Favors small rather than big.

Shipping

There are two circulation paths within the winery, that of the production cycle, and that of the visitor. The two should follow similar circulations, but with different start and ending points

Entry

Linear production process - The building should be organized to show a linear production process. The equipment should be organized within the production zones so that there is minimal backtracking. It should start at one end and finish at another.

Shop Ageing Taste

Drink

Storage

Visitor Circulation - Since public visitation is an important part of the facility a prominent visitor’s entrance should be separated from the production entrance. Unlike the production circulation it should begin and end at that same location. In order to make tours possible there will be several locations to enter production area from the public spaces.

Section A - 1/16”=1’

V.I.P

1/32”=1’

Visitor Circulation Since public visitation is an important part of the facility a prominent visitor’s entrance should be separated Section C - 1/16”=1’ from the production entrance. Unlike the production circulation it should begin and end at that same location. In order to make tours possible there will be several locations to enter the production area from the public spaces.

Dine

Site Section 1:20 Circulation Diagram Public - 1/32”=1’

Section C - 1/16”=1’

Consciously Bounded

Stresses the territory surrounding the structure, recognizes the boundary not as an object but a shape.

Silo Formation – Objects within the building should be arranged to create the imagery of the grain silos found in proximity to the site. Potential objects are wine tanks.

Shading – To maintain a constant internal temperature throughout the sun’s daily and annual cycles while reducing the requirement for active heating and cooling systems shading devises such as awnings and solar film should be used.

Section 1 - 1/16”=1’

Wall Secti

Section 1 - 1/16”=1’

Site Section 1:20

Yellow House Canyon Winery

Secti


Rethinking the Lubbock Fair Summary After an intensive study of the Lubbock Fair involving site visits and extensive discussions and research, we began creating a variety of initial concepts. Following Bernard Tschumi’s urban designing ideas of Composition, Complement, Palimpsest, and Mediation, eventually the plan of laying text over the site became the dominant idea of the project. Denying the fair by burying it in a mound of earth that slopes to the neighboring road provides a surface to embed the structure of the new program elements in a series of buildings. Key Skills

• Historical research of the site • Photo / Diagram study of the existing fair • SketchUp modeling • Photoshop compositing

F

BUILDING – Classic Fair: Antiques, Crafts, Cookies, Cakes, Pies, Preserves, Photography, Art, Quilts, Blue Ribbons, etc.

A

BUILDING – Music Fair: Auditorium, Stage, Concessions.

14

I

BUILDING – Modern Fair: Beer, Martinis, Wine, Bikini Contests, Grilling, Technology, Auto Show, Modern Art, etc.

R

BUILDING – Commerce Fair: Shopping, Knives, Sham-wow, Fried Food, Texas Merchandise, etc.


Rethinking the Lubbock Fair


Upper Kirby YMCA Program of Requirements Collaborated and developed a program presented to the Upper Kirby district to help with future development of planned YMCA center. The document considered and included: • Site Conditions • Parking Estimates • Site Development • LEED Study • Space Requirement

Building Schematic Design Developed a schematic design to present to the Upper Kirby district. Created sections, plan layout, and presentation materials. Revisit Documentation in REVIT Documentation for team project was lacking. Recreated project in REVIT to document and develop skills.

Group ha shi

las ho Ni c

Ba n

Ag

ak a

Affinity

Di st r i c t CA YM

Upp er

by Ki r

ks Brinn

Sustala-

lT ni e Da

The Upper Kirby District approached Texas Tech University graduate architecture students to come up with schematic designs for a YMCA facility. The Upper Kirby District currently owns and recently acquired approximately 4.09 acres of land adjacent to Levy Park. It is located at the intersection of Richmond Avenue and Wakeforest Drive. It is currently comprised of three office buildings and a small apartment complex which will be demolished and replaced with a new YMCA building. The vision is to create a civic campus of recreational amenities available to the surrounding communities. As well as a full service YMCA, this campus will host a ‘Journey to Learning Center’ (incorporating educational advancements), a health and wellness center, a language educational service, and an environmental education service.

Richmond Elevation

Richmond Section

16

WAKEFOREST RD.

EASTSIDE ST.

RICHMOND AVE

Wakeforest Section


Upper Kirby YMCA


1

1

Roof 1/16" = 1'-0"

Storefront elevation 1/8" = 1'-0"

18 2

-3D-_2 12" = 1'-0"

YMCA


1

East 1" = 10'-0"

2

North 1" = 10'-0"

3

West 1" = 10'-0"

YMCA Recreation Center Elevations

221 Issue Da Auth Check

Project Number Date Drawn By Checked By

4

South 1" = 10'-0"

3

Section 10 1" = 10'-0"

2

Section 8 1" = 10'-0"

A3.1

1" = 10'-

Scale

YMCA Recreation Center 1

Sections

Section 9 1" = 10'-0"

221 Issue Da ND Check

Project Number Date Drawn By Checked By

A4.3 Scale

Upper Kirby YMCA

1" = 10'-


Santa Fe Trail Collection A photo collection was made of objects in the earth (rocks) and then their subsequent void when removed. We then diagramed this process and the resulting diagrams and concepts eventually evolved into the basis of our design. Design Concept We created a series of concrete arms (their length varied depending on the diagram application to the path) that would support and elevated trail. These arms would also house wire panels that might have to be moved to continue down the path of the trail. The way-stations on the trail collapse and store themselves between two structural members. Key Skills

• Collecting field data on site using 3D laser scanner • 3D Animation • Model Building • Drafting

20


Santa Fe Trail


The Lion & The Mouse Story Board Identified story to tell and developed story boards depicting the scenes to be created. The storyboard style defined the art direction and theme of the characters. Create 3D Assets Created all 3D assets in this animation from scratch or combined images. For example, the lions material is carpet while the mouse is made of burlap. Record Audio Voice Overs Rehearsed and recorded several takes of audio, edited and adapted audio to work for each scene. Edit Used Adobe Premier to assemble audio and video. Created introduction and credit roll. Packaged to DVD format that could be used in standard DVD player.

22


The Lion & The Mouse


Hand Rendering

24


Hand Rendering


3D Rendering

26


3D Rendering


Revit Project

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 

Construction Documents Completed a set of construction documents within the guidelines of our construction document class. Produced

• Site Plans • Plans • Roof Plans • Door/Fixture Schedules • Reflective Ceiling Plan • Elevations • Wall sections • Building sections • Construction Detail • Elevator Detail

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          

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 

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





  









 































   







 







 









 

 









 







  

 

 



  

















 



 



 



 





  



  





  

 







   

  





 

   















 









 

  





28

  





   






 



 

















 

 

   





 

 

 



  



 

 











 

 

   

 



 

 





 













 





 



 



  























 







  



  



  

 

  

 





 



   

  



 

 



 

  

  

 







 





 

 

 

  

   







 

 

 



 

  

 





 



 





  



























  

  



  

  



 







 





 









 









  

 

 

 

  



  

 

 























    

  



 

  



  

 







 



    



 







Revit Project






THE PORTFOLIO OF Nicholas Daniel Banks 30


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