Architectural Portfolio - 2024

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NICOLAS BRUESKE | ARCHITECTURAL WORKS

Master of Architecture + Candidate for the Masters of Science in Sustainable Design

Profile & Personal Statement

Hello! My name is Nicolas Brueske.

I am an experienced architectural designer, graduate student, and aspiring architect. On the following spread, you will find my current Curriculum Vitae, which outlines five years of professional practice, along with two professional degrees in architecture and sustainable design.

Over the last three years, I have engaged continuously in a process of site analysis and the development of built environments. During my journey at the University of Minnesota, I have had the oppurtunity to explore how architecture can be made to echo an understanding for community integration, and environmental stewardship. This process has aimed me towards fostering a deep connection with the history and relevance of each site. For me, this process began to significantly unfold during the development of the Maritime Museum.

The Maritime Museum, situated on a decommissioned Coast Guard station along Lake Superior’s north shore, was designed to integrate seamlessly into the natural landscape. Although most of the museum’s programming is located roughly 12 feet below ground level, architectural protrusions above the surface function as a continuation of the existing landscape, facilitating dialogue between the waters of the great lake and the dense forests of the Gunflint Trail. Growing up, I was always enchanted by how Grand Marais’ built environment functioned as a gateway to Lake Superior. To preserve the town’s ethos, I felt it was imperative to design a museum that could subtly house its program while accentuating the thematic elements of the existing harbor. This approach led the museum to become an exploration of integrating our built environment with the vernacular and ethos of the surrounding landscape, a concept deeply inspired by my childhood memories of visiting the harbor town and exploring its natural beauty.

Moving forward, my subsequent projects continued to focus on biophilic design, incorporating aspects of sustainability and resilience. The Resilience Center, designed for the community of Winona, Minnesota, began by analyzing the community’s pre-existing interest in gardening. The community’s gardening boxes, located on the south-east portion of a block, provided a means to cultivate their passion. However, this drive was often lost in winter due to weather conditions unsuitable for most plant life. This challenge informed the design intent of the Resilience Center, shaping the ethos of the entire project. Designed as a hybrid interior courtyard space, the Resilience Center provides year-round space for plant life, using the community’s passion for gardening to foster a sense of self-sufficiency in water, energy, food, and community independence. By integrating the greenhouse into the heart of the Resilience Center’s design, it became a community hub, demonstrating how a community’s interests can develop functional spaces.

Most recently, the Meander Center, focuses primarily on environmental remediation. During this project, phytoremediation processes were utilized to educate children about their role in environmental stewardship. Each pavilion offers children the opportunity to learn about natural processes they can implement, culminating in the final pavilion where students help design and develop micro-ecosystems along Battle Creek to filter effluent waters.

During my time working with peers and professors at the University of Minnesota, I have been consistently inspired to discover innovative methods through which architecture can drive positive change in our world.

Heading towards the final steps in architectural licensure, I am confident that the knowledge I have acquired academically and professionally will guide my career towards making a positive impact, emphasizing the value of our natural systems and their interplay with the built environment.

Self-Growth and Wellbeing

Outside of Architecture, I have developed a strong passion for running. Since the start of my running career in 2019, I have had the opportunity to participate in four marathons across Minnesota and will be running in the Boston Marathon this April.

Running has become a core practice for me in maintaining my personal wellness and self-care. This daily routine is foundational in providing me with the ability to reorient myself to my projects, ensuring that the work I produce is perceptive, meaningful, and culturally informed.

Nicolas Brueske 3

Curriculum Vitae Table of Contents

EDUCATION

Master of Architecture - MArch, Architecture

University of Minnesota - Twin Cities, Minnesota Sep 2021 - May 2024

Pursued a comprehensive program that covered the foundational knowledge required to become a professional architect, with a focus on complex and urgent issues such as globalization, climate change, social equity, and emerging sustainable technologies.

Master of Science in Sustainable Design, Sustainability Studies

University of Minnesota - Twin Cities, Minnesota Jan 2022 - December 2024

A graduate program emphasizing regenerative design concepts, aimed at improving the environment by addressing social issues and promoting human wellbeing.

Bachelor of Design in Architecture

University of Minnesota - Twin Cities, Minnesota Fall 2014 – Winter 2016

Studied, interacted with, and reiterated architectural practices. Integrating a variety of design disciplines into the architectural process.

WORK EXPERIENCE

Architectural Designer

Wilkus Architects | Hopkins, MN | Mar. 2022 - Sep. 2022

Designed and developed outpatient healthcare facilities. Collaborated with a team of architects, designers, and engineers.

Architectural Technician

Life Time | Chanhassen, MN | Nov. 2018 - April 2020

Created new and existing club locations in Revit. Renovated and expanded current clubs. Maintained quality control standards on every project.

BIM Technician

Nor-Son | Baxter, MN | June 2018 - September 2018

Drafted commercial buildings in Revit and Autocad.

Drafting Consultant

VAA | Plymouth, MN | March 2017 - June 2018

Drafted agricultural buildings in Revit and Autocad.

NCARB CERTIFICATION PROGRESS

Passed Exams Upcoming Exam

Practice Management Project Management

AXP Hours

Total Approved Hours: 6013.75

83.5 Remaining in Practice Management***

MARITIME MUSEUM

Grand Marais, MN

06
16
FUN PALACE
Theoretical
22
26
33
34
37 THE MEANDER
RESILIENCE CENTER Winona, MN
- 15
- 21
+ APPARATUS
Project
- 25
-
PROFESSIONAL PRACTICE Commerical & Industrial
-
Pigs Eye Regional Park, MN
Brueske 5
Serpentine North Gallery | London 3×3 Travel Abroad | 2023
Nicolas
Project Inspiration & Precedent

The Meander Center

PIGS EYE REGIONAL PARK, MN

INTRODUCTION

In the 1970s, Pigs Eye Regional Park was once a dumping ground for PFAS pollutants and other harmful chemical compounds. This history has left the park plagued with environmental ramifications, resulting in unsafe conditions for wildlife, humans, and the broader ecosystems reliant on the Mississippi River.

To address these issues, the Meander Center was developed as part of a remediation effort for a section of Pigs Eye Regional Park. It functions as a natural filter, purifying the effluent waters from the creek before they join the Mississippi River watershed.

Along the creek, each pavilion offers panoramic views that trace the phytoremediation process. This process cleanses the effluent waters using strategic, natural methods.

The Meander Center not only showcases this process of natural recovery but also educates visitors and students from Battle Creek Middle School. Its goal is to inspire the next generation to understand and contribute to the restoration of our planet, emphasizing the importance of the critical hydrological cycle.

TORTUOUS MEANDERS

GUIDING THE CREEK

In the early design phase, extensive research was conducted on Battle Creek’s original path through the park. Data on PFAS levels found along the creek’s left bank were overlaid to help restore its pre-industrial route.

The reconfigured meanders are also intended to pass through areas with high PFAS contamination. Channeling the creek through these zones enables the removal of PFAS-rich clay loams. These are then processed into PFAS-defluorinated clay bricks, innovatively converting harmful contaminants into sustainable materials for constructing the pavilions’ interior walls.

1940
1957 2023 1945

PFAS Pollutants

W.N. 2001000134

PFAS Pollutants

W.N.2001000135

PFAS Geo-locations and Existing Creek Pathway

PFAS Removal and Stream Redirection Proposal

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BATTLE CREEK FLOW DIAGRAM

Site Model

Pavilion 1 - Assembly Hall

SCALE: 1/4" = 1'-0"

Pavilion One | Assembly Hall

Pavilion 1 - Assembly Hall

1/4" = 1'-0"

Pavilion 2 - Tactile Learning

1/4" = 1'-0"

Pavilion 2 - Tactile Learning

Pavilion Two | Bioremedative Learning

Pavilion 3 - Hydro Remediation Exhibit

Pavilion 2 - Tactile Learning

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SCALE: 1/4" = 1'-0"
Rainwater
Phytoremediative
Battle
Duckweed Cat Tail Bulrush
PFAS Ceramic Firing Kiln Collection Roof + Cistern
Plant-life
Creek Meander SCALE: SCALE: 1/4" = 1'-0" PFAS Deflourinated Clay Bricks
Rainwater
Phytoremediative Plant-life Duckweed Cat Tail Bulrush
PFAS Ceramic Firing Kiln Collection Roof + Cistern
SCALE: 1/4" = 1'-0"
SCALE:
Phytoremediative
PFAS Ceramic Firing Kiln
Plant-life
Duckweed Cat Tail Bulrush
Bioswale Collection Basin Battle Creek Meander Pavilion Three | Natural History Exhibits
SCALE: 1/4” = 1’ SCALE: 1/4” = 1’ SCALE: 1/4” = 1’ A C B

FOSTERING ENGAGEMENT

Each pavilion is surrounded by Battle Creek’s shoreline, populated with phytoremediative plants such as Cattail, Bulrush, and Duckweed. This setup allows children and students to interact directly with these important species, offering a hands-on learning experience about environmental rehabilitation.

SHARING THE IMPACT

After learning about their potential impact on the hydrological cycle, visiting students will get the chance to collaborate with staff to create microwetland environments at key points along the creek.

These micro-wetlands offer a handson educational experience, showing students the real-world effects they can have, while also contributing to ongoing remediation efforts along Battle Creek.

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Nicolas Brueske

FORMING WITH THE LAND

Each pavilion will be constructed in concert with the creek, following the meandering pathway as both the students and the creek water undergoes a process of biophilic interaction.

While the restoration of the creek’s effluent waters is critical to the Meander Center’s success, the more holistic goal is to use our natural hydrological systems as an opportunity to encourage future generations to think positively about the impact they can have on our planet.

PFAS NEUTRALIZATION

Within each modeled pavilion, corrugated cardboard is used to represent the PFAS defluorinated clay bricks. These bricks function as a structural example of how existing problems in our environment, such as the contaminated soil within Pigs Eye Regional Park, can be strategically adapted into revolutionary solutions.

Discovered by Emy Bensdorp, the heating process for each brick breaks down carbon-fluorine bonds, rendering the contaminated soil harmless, and providing structural stability for each pavilion.

Resilience Center

Winona, MN

Winona, Minnesota

INTRODUCTION

Addressing the challenge of revitalizing Winona’s East Recreation Center into a net-zero building, this project centers on creating a self-sustaining community center. Underscoring the local interest in gardening, The Resilience Center prioritizes biophilic interaction, prioritizing the development of a communal greenhouse courtyard as the ethos of the design.

The greenhouse, located prominently at the entrance of the hub, transcends mere aesthetics. It is a vibrant, active space that cultivates a strong community bond with the environment. This feature exemplifies sustainability as more than a theory; it’s a tangible, daily experience.

JUNE MARCH & JUNE
DECEMBER PROJECT NORTH

INSIDE / OUTSIDE

Influenced by the idea of gradual transition, the courtyard greenhouse in the design allows for a fluid integration of different spatial typologies, each with varying levels of openness. The main courtyard is bathed in natural daylight, creating a luminous environment. Surrounding spaces also enjoy the benefits of natural light and peripheral plant life.

Moving further into the facility, the spaces gradually transition to more enclosed areas. The extent of this enclosure varies, tailored to meet the unique functional needs of each space.

ENCLOSED PARTIALLY OPEN TRANSPARENT
OPEN
ENCLOSED

SCHEMATIC DESIGN ITERATIONS

PASSTHROUGH

COURTYARDCUT-OUT

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SEFAIRA ANALYSIS BASELINE
SPATIALDIVISION
TUTORTUTOR TUTORTUTOR OFFICEOFFICE OFFICEOFFICE LOCKERSLOCKERS ACTIVITY ROOM 1 STORAGESTORAGE CAFECAFE RECEPTION GYMGYM STORAGESTORAGE HALLWAYHALLWAY MIXEDMIXED KITCHENKITCHEN KITCHENKITCHEN STORAGESTORAGE OFFICEOFFICE BREAK ROOM LOCKERSLOCKERS MIXEDMIXED FEMALE RR MALE RRMALE RR GREENHOUSE ELECELEC BATTERYBATTERY DRY GOOD / RESILIENCY STORAGESTORAGE GYM STORAGE BOILER RM MECHMECH ELEVELEV JANJAN GATHERING HALL
WAITINGWAITING OFFICEOFFICE GYM1GYM1 GYM 2 SCALE: 1/16" = 1'-0" FLOOR PLAN - FIRST FLOOR FIRST FLOOR PLAN
VESTIUBLE

SCHEMATIC SECTION - EAST

East System Section at Green House

PRE-DESIGN

In the initial pre-design phases of the project, early explorations aimed to renovate the recreational facility while integrating a cohesive addition that leverages solar energy. This included aspects of daylighting, thermal efficiency, and electrical energy generation.

Initial iterations examined various placements for the greenhouse, ultimately resulting in a floor plan where it serves as the central courtyard of the Resilience Center, underscoring its significance in the overall design.

FIRST FLOOR 100' - 0" SECOND FLOOR 114' - 0" HALLWAY HALLWAY WELLNESS BATTERY ROOM (# MA) CAFE / DINING LOBBY GREEN HOUSE UNDERGROUND CISTERN TANK (37,000 GAL) INSULATED TANK (500 GAL PER.) MECHANICAL & PLUMBING DISTRIBUTION BEYOND UV CARBON PARTICLES WATER TREATMENT PROCESS PLUMBING BEYOND GEOTHERMAL HEAT EXCHANGE LOOPS BIORETENTION GARDEN SCALE:
1/16" = 1'-0"

Fun Palace + Apparatus

Studio Project

INTRODUCTION

During my first year in graduate school, my cohorts and I worked together to develop a re-imagining of Cedric Price’s Fun Palace concept. This project aimed to create adaptable programming capable of hosting a variety of installations.

During the later part of the semester, I created a Apparatus for our Fun Palace. The resulting design creates a dichotomy of two distinct circulation pathways that lead through introspection and extrospection thresholds. These thresholds are designed to gradually acclimate occupants to the space, promoting a sense of community and individual reflection.

The Fun Palace, Reimagined Graduate Design 1 - Group B

ASSEMBLY OF PARTS

Contingency Legend Supporter

Key PlanKEY PLAN
EAST ELEVATION

Maritime Museum

Grand Marais, MN

INTRODUCTION

Functioning with the intention of reducing the museum’s presence on the site, the Grand Marais Maritime Museum is located on the grounds of a decommissioned coast guard station. This museum functions primarily as a substructure, 12 feet below the ground.

In dialog with representatives from the Grand Marais, our studio sought to redesign the town’s decommissioned coast guard station into a vibrant and culturally sensitive maritime museum. Grand Marais functions as a historical small town along Lake Superior’s north shore coastline.

PRE-DESIGN

The Grand Marais Maritime Museum is composed of three distinct levels: A sub-floor situated 12 feet below ground, a publicly accessible aggregate roof 3 feet above ground, and an east-facing promenade elevated 9 feet above ground level. In selecting the structural system, cast-in-place concrete was essential to ensure the building’s envelope walls are impervious to water.

LOBBYLOBBY WELCOME DESK GEORGEGEORGE MORRISON EXHIBITEXHIBIT FILM EXHIBIT WET LAB WET LAB MECHANICAL ELECELEC DRY LAB OFFICEOFFICE MARITIMEMARITIME EXHIBITEXHIBIT MARITIMEMARITIME EXHIBITEXHIBIT HALLHALL EXHIBIT HALL VESTIBULE LAV.LAV. JANJAN South Section at Exhibit Hall 1/8” = 1’-0” SUB FLOOR
1/8” = 1’-0” EAST SECTION AT WET LAB | 1/8” = 1’-0” FIRST FLOOR | 3/32” = 1’-0”SECOND FLOOR | 3/32” = 1’-0” SOUTH SECTION AT EXHIBIT HALL | 1/8” = 1’-0” Sub Floor -12' - 0" Green Roof 0" YBBOLYBBOLTEWTEWBALMECHANICAL
|
SOUTH SECTION EAST SECTION Sub Floor Plan First Floor Second Floor
EAST ELEVATION

SOUTH SECTION

South Section at Exhibit Hall

1/8” = 1’-0”

CAFE VESTIBULE ENTRANCE PRE-EXISTING COAST GUARD STATION COURTYARD PROMENADE ARTIST POINT HALLWAY WET LABS EXHIBIT
Nicolas Brueske 31
-12'
Sub Floor
- 0"
Green Roof 3' - 0" YBBOLYBBOLTEWTEWBALBALMECHANICAL EAST SECTION Promenade Maritime Exhibit

SECTION STUDY

Exhibit x Promenade

To maintain open spaces for the maritime exhibits, a cantilever system provides gravitational bracing against the transfer columns and slab bands.

This structural support system utilizes shear walls and columns within the base of the coast guard station as an anchor in developing a counterweight to the transfer conditions.

Additionally within this section, a detailed overview is given on the retaining wall system that surrounds the museum. By developing a wide base for the soil and gravel to sit on, the L-Shaped shear wall uses the mass from adjacent gravel and dirt to retain itself against surrounding lateral soil loads.

1/4" = 1'-0"

Nicolas Brueske 33
90'-0" Sub Floor 103'-0" 1st Floor 106'-3" 2nd Floor 13' 8' 10' - 2" 2' - 3" 3'6" 8' - 0" GRANULAR FILL GRAVEL WEATHER BARRIER RIGID INSULATION - 3" SITECAST CONCRETE SHEER WALL, TYP. ALONG PERIMTER REBAR, TYP. 2x4 BLOCKING FURRING STRIP FIBER CEMENT CLADDING WALL SECTION AT RETAINING WALL | 1/2 ” = 1 ’ -0 ”
| NTS 82'-0" Sub Floor 103'-0" 1st Floor 106'-3" 2nd Floor 13'10" 5'9" 13' 8' 8' - 0" 10' - 2" 2' - 3" 3'6"
PERSPECTIVE ELEVATION
Detail Wall Section - South Nicolas Brueske

Practice in Architecture

2016-2018

Over the course of five years in the commercial architecture industry, I have honed a diverse skill set and developed key strengths, significantly advancing my professional expertise. Initially, as a Drafting Technician at VAA, I focused on designing agricultural facility layouts, with strict adherence to International Building Codes and OSHA guidelines. This foundational role was crucial in shaping my detail-oriented approach to architectural projects.

Later, my time working with Norson’s architectural team as a BIM Technician expanded my expertise, particularly in the realm of effective collaboration. Working closely with the in-house construction team, I learned the critical importance of clear communication in transforming architectural designs into reality. This experience emphasized the value of continuous dialogue throughout the construction process for achieving successful project outcomes.

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Nicolas Brueske Typical Agricultural Building Project VAA Engineering Saint Andrews Church Renovation Nor-Son Builders

Practice in Architecture

Pre-Renovation : Life Time Fitness tenant space

Post-Renovation : Life Time Fitness tenant space

2018-2021

Having experienced all phases of the design process in previous years, I started to recognize patterns while working with the architectural team at Life Time as an Architectural Technician II. Through these patterns I was able to begin prioritizing tasks by importance throughout the project lifespan.

It was through this exposure at Life Time that my foundation for an adaptive workflow, and precise task prioritization originated. This process helped alleviate pressure from my project leads, which in turn made our projects more efficient, while not compromising on quality.

Navigating my career in the architectural industry has been filled with continuous learning, and skill refinement. Coupling this work experience with my time in graduate school has enabled me to achieve a well-rounded balance of technical proficiency, collaborative strength, and strategic project development.

LIFE
Nicolas Brueske 36
TIME FITNESS
Corp. II Construction Life Time Fitness

By keeping hold of all the conceptual and professional values I have gained throughout the years, I plan to use these experiences as a springboard towards furthering my architectural expertise throughout projects to come.

Thank you for viewing my portfolio!

nbrueske@gmail.com (218) 820-2850

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