Blackbird Magazine

Page 1

LOMOKINO

| ME

T

| KEVIN

U

AGRAM . INST

| LA

M E H RA

E VS

R E D ITH

NE A D N

SA INA RD

| KRIS

| TH ED I

U LOG

CAME

NA

DIY TLR

|A

|

Y

GALLERY T N E C I NIF MAG

| KE VIN DO OL E S TINIU

TIAN

GORDON STET

JALONEN

|

01 | 0 | RE U T EA F A N A

LEON

ARDO C A R D ARE LLI

| M

AK IN G


Blackbird 001



hello

DEAR READERS, THE FIRST BLACKBIRD ISSUE IS FINALLY COMPLETE.

003


hello

!

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004


Blackbird

DI GITAL EDIT ION

NOW AVAILABLE



camera review

!"#"$%&" movie camera

L

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

design I!"#O232,-02#-&#*#)->!'@"->!'#4)*&'-+#+*3"%*<# 6"%1#"*&1#'2#'%*6")#*%2/0.#@-'!#12/7#I!"#)-'')"# +*3"%*#!*&#*#%"'%2#."&->0#&/-'*()"#'2#)22,#(*+,# '2#'!"#4*&'<#@-'!#'!"#?*/CB)"*'!"%#$0-&!#M#@!-+!# *)&2#>22.#?2%#>%-47#I!"#+20'%2)&#*%"#,"4'#'2#*# 3-0-3/3<#@-'!#02#?*0+1#+20?/&-0>#(/''20&<#8/&'# &'%*->!'#?2%@*%.#%"*.1B'2B/&"#&"''-0>&7#

007

SHOOT A MOVIE OF 144 FRAMES ON ANY 35MM FILM


camera review

008


camera review

LOMOKINO MEANS ‘CINEMA’ IN GERMAN

009


camera review

point and shoot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

STANDARD 35MM FILM FAST FOCUSING APERATURE F/5.6 TO F/11 22MM WIDE ANGLE LENS 010


LOMOGRAPHY

WORKSHOP D*0'#'2#)"*%0#*(2/'#)232>%*4!1#2%#8/&'#(%/&!#/4#&23"#2).#'"+!0-F/"&g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

description ^;9#_+20+"&&-20&#^;:<#?%-"0.&#^`a#-0+)/."&#+*3"%*#!-%"<#20"#%2))#2?#$)3#*0.# *#;:b#.-&+2/0'#20#$)3#4%2+"&&-0>7#G2%#'!"#?%-"0.&#+20+"&&-20&#%*'"<#+20'*+'# U/&"/3#2?#O20.20#J2C#[?$+"#20#:9:#c::;`Edd

details X%2>%*33"#%/00-0>#?%23#G"(#B#T/)1# L/%*'-20#;!2/%#\:3-0/'"&# I-+,"'".#"6"0'e#R.6*0+"#(22,-0>#20)1 G""#4*1*()"#^;9#+20+"&&-20&#^;: U/&"/3#2?#O20.20 P!"+,#@"(&-'"#?2%#.*'"&#*0.#(22,-0>&7 @@@73/&"/32f20.2072%>7/,

011


The

TOY CAMERA Story REVIVE THE LOVE OF TOY CAMERAS AND LET THE LOVE AFFAIR GO ON.

!

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012


Analogue

1949 KODAK BROWNIE HAWKEYE FLASH CAMERA

1950S CONWAY SUPER FLASH CAMERA

1954 KODAK BROWNIE HOLIDAY FLASH CAMERA

1955 SPUTNIK STEREO CAMERA

TIMELINE 1956 SABRE “620” CAMERA

1957 HALINA CAMERA

1960S DIANA CAMERA

1961 IMPERIAL SIX-TWENTY CAMERA

1965 POLAROID SWINGER CAMERA

1965 KODAK INSTAMATIC 304 CAMERA

1972 POLAROID SX-70 CAMERA

1977 POLAROID 1000 CAMERA


1980 COSINA CX-2 CAMERA

1982 HOLGA CAMERA

1982 LOMO L-CA CAMERA

1983 LUBITEL UNIVERSAL 166+ CAMERA

2000 SUPERSAMPLER CAMERA

2005 FISHEYE LENS CAMERA

2006 LOMO L_CA+ CAMERA

2007 DIANA+ CAMERA

2007 DIANA F+ CAMERA

2008 BLACKBIRD, FLY CAMERA

2009 SUPERHEADZ GOLDEN HALF CAMERA

2009 SUPERHEADZ DEMEKIN FISHEYE 110 CAMERA

2010 SPINNER 360 CAMERA

2010 SPROCKET ROCKET CAMERA

2011 LA SARDINA CAMERA

2011 LOMOKINO CAMERA


lomokev aka

KEVIN MEREDITH interview

# I"))#3"#*#)-'')"#*(2/'#12/%&")?7# 5#*3#*#4!2'2>%*4!"%#(*&".#-0#J%->!'20<#iQ7#5#)-,"# '2#&4"0.#*#)2'#2?#'-3"#4*&&-0>#20#31#,02@)".>"# 2?#4!2'2>%*4!1#@!"'!"%#'!*'#("#'!%2/>!#@%-'-0>#2%# '"*+!-0>7#5=6"#@%-''"0#\#4!2'2>%*4!1#(22,&7#5#*)&2#'"*+!# *))#26"%#'!"#iQ#*0.#&23"'-3"&#*(%2*.7#5#*3#*0#*6-.# /&"%#2?#&2+-*)#3".-*#*0.#42&'#31#4!2'2&#*0.#'!2/>!'&# *))#*%2/0.#'!"#50'"%0"'#/&/*))1#/0."%#'!*'#0*3"# O232,"67# # h2@#.-.#12/#$%&'#>"'#-0'2#*0*)2>/"#4!2'2>%*4!1g#G-%&'# +*3"%*g# D!"0#5#>2'#-0'2#*0*)2>/"#4!2'2>%*4!1<#*0*)2>/"#@*&# '!"#20)1#'14"#2?#4!2'2>%*4!1#12/#+2/).#.2<#*&#-'#@*&# ;``d7#O20>#&'2%1#(/'#5#$%&'#%"*))1#&'*%'".#&!22'-0># @!"0#5#&'*%'".#*0#*%'#*0.#."&->0#NVjk#*'#+2))">"7# D"#@!"%"#>-6"0#*#)-&'#2?#3*'"%-*)&#'2#>"'#?2%#'!"# +2/%&"#*0.#20"#2?#'!"#'!-0>&#20#'!"#)-&'#@"%"#*0#HOY7# 5#.-.#02'#,02@#@!*'#*0#HOY#@*&#*0.#*'#;l#!*.#0"6"%# 2@0".#*#+*3"%*<#5#>2'#*0#HOY#!*.#31#$%&'#)"&&20#*'# +2))">"#*0.#8/&'#>2'#-'<#5#@*&#20"#2?#'!"#20)1#&'/."0'&# 02'#'2#!*6"#()*0,#m#26"%#"C42&".#?%*3"&#20#'!"#$%&'# $)37#5#8/&'#>2'#-'7# D!*'#-&#12/%#?*62/%-'"#'!-0>#*(2/'#'21#+*3"%*&g# 5#.20='#*+'/*))1#/&"#'21#+*3"%*&#20#*#.*1#'2#.*1#(*&-&#5# /&"#*#)232#OPR#@!-+!#+*0='#%"*))1#("#+20&-."%".#*#'21# +*3"%*#*&#-'&#3*."#2?#3"'*)#*0.#!*&#*#)->!'#3"'"%7#5?#5# !*.#'2#4-+,#&23"'!-0>#*(2/'#'21#+*3"%*&#-'#-&#'!"#?*+'# '!*'#'!"1#+*0#*+'#*&#>*'"#@*1#.%/>#'2#4!2'2>%*4!1#*&# &23"#2?#'!"3#*%"#6"%1#+!""4#*0.#*++"&&-()"7# D!1#.2#12/#&!22'#$)3g# 5#)-,"#'!"#%"&/)'&#$)3#>-6"&#3"7#5#,02@#'!*'#-?#5#&!22'#*# 4!2'2#@-'!#Q2.*,#X2%'%*<#'!*'#-'#@-))#'/%0#2/'#'!"#@*1# 5#"C4"+'7#[0+"#5#>"'#$)3#."6")24".#*0.#&+*00".#*))#5# !*6"#'2#.2#-&#%"326"#./&'#*0.#&+%*'+!"&#*0.#5=3#.20"7# L->-'*)#-&#02'#'!*'#"*&1<#12/#!*6"#'2#@2%,#20#.->-'*)#$)"# '2#3*,"#-'#)22,#0-+"7#

015

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016


object of desire

MUNNY KO DA K

BROWNIE FLASH


object of desire

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018


object of desire

JULIEN RITTER PRESENTS.

019


object of desire

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020


interview with

LEONARDO CARDARELLI

021


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diana f+ cross processed kodak E100VS

022


rua do lavradio rio de janeiro brazil diana f+ 75mm lens 160 film

023


pinhole diana f+ redscale film


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lc_a+ fuji sensia 200 cross processed 025


026


027


camera review

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specifications U*'"%-*)e#RJH#X)*&'-+ R4"%'/%"e#Gm;;

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029

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camera review

SHUTTER SPEED 1/125 SECOND

BUILD YOUR

OWN CAMERA

030


INTERVIEW

GORDON STETTINIUS

031


I NEVER HAVE REALLY EMBRACED LOMOGRAPHY. I DON’T REALLY CARE FOR THE MARKETING THAT LOMO DOES AS IT HAS ALWAYS MADE ME FEEL LIKE I AM TWELVE YEARS OLD.

bunnies 2009 032


INTERVIEW

hands off masturbation 2010 033


INTERVIEW

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034


george jones 2010

035


best friends day 2009

036


PRING’S ER’S H P A R G O T PHO NY MI S C E L L A

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037

ON

the SHELF

SAY CHEESE


MAGNIFICENT M A K I N G T H E M U N DA N E


carey dowse

039

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040


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042


belen moya

043


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melissa ramirez

044


adrianus windujati

045


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046


adrianus windujati

047


048


adrianus windujati

049


050


christina meyer X"%&20*))1<#5#'!-0,#)232>%*4!1# &'-))#!2).&#*%'-&'-+#6*)/"#-0#'!"# -0+%"*&-0>)1#.->-'*)#@2%).7# I!"%"#-&#*#(*)*0+"#2?#4*&&-20# *0.#3"+!*0-+*)s#"6"0#*#)-'')"# 2?#'!"#/0,02@07#5#$%&'#>2'#-0'2# )232>%*4!1#'!%2/>!#20"#2?# 31#+2))">"#+)*&&"&<#@!"%"#2/%# 4%2?"&&2%#&'-))#&*@#-'&#6*)/"7

051


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diana martinez 053


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054


teco cipriano D!"0#5#3*,"#*#)232#4!2'2#5#.20='#/&"#'!"# 6-&2%7#5#326"#'!"#+*3"%*#'2#'!"#&+"0"#*0.# 3*,"#*#+)-+,7

055


teco cipriano 5#.20='#'!-0,#'22#3/+!#-0#'!"#)->!'&<#*0>)"&<#"'+777 T/&'#+*'+!#'!"#-3*>"7

056


amanda coimbra D!*'#5#)-,"#*(2/'#'!"&"#+*3"%*&# -&#'!*'#5#!*6"#)-'')"#+20'%2)#26"%#'!"# "0.#%"&/)'s#"6"0#'*,-0>#+20'%2)#2?# &23"#'!-0>&#'!"#4!2'2&#*%"#*)@*1&# *#&/%4%-&"75#!*6"#*#h2)>*#;9:#PGV<# @!-+!#-&#'!"#+*3"%*#'!*'#'22,#'!"&"# 4!2'2&#5=3#&"0.-0>#12/7#5#!*6"#*# U%7#X-0,#L-*0*<#*0#R+'-20#H*34)"%# *0.#*#Y2(2'7

057


058


yelena palmer

059


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060


yelena palmer

061


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062



PINHOLE CAMERA

ON

the SHELF

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35MM FILM 064


HIRE

this

SPACE fred aldous studio

065


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SETTINGS SUNNY OVERCAST CLOUDY & PINHOLE

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ANALOGUE VS. INSTAGRAM I!"#(*'')"#("'@""0#*0*)2>/"#*0.#.->-'*)#+20'-0/"&#'2#>2#207

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078


SHOOT FILM LOMOGRAPHY REDSCALE NEGATIVE 100 REDSCALE NEGATIVE 100 SIZE: 35MM ISO: 100 EP: 36

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