SOUNDSCAPE: Ortakรถy BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
Etz Ahayim Synagogue
Ayios Fokas Church
Ortakรถy Mosque
SOUNDSCAPE : Ortakรถy
OVERVIEW
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
The interest of this exercise lies in the observing various sounds emerging from these religion. The connection or the path between the three points of importance in the area relation to the unique identity of these points. The movement of people and different times of the day , the ‘ezan’ prayer call, the ringing bell and the time of community interesting setting in Ortaköy. The entrances , setbacks, and boundaries of each establishments; along with their relationship to another is what this mapping and representation
SOUNDSCAPE : Ortaköy
OVERVIEW
different temples of will be mapped in ‘worshippers’ at prayer, all make an of these religious attempts to analyze.
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
OVERVIEW
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUND VARIATIONS JOURNEY AROUND THE RELIGIOUS QUARTER
SOUNDSCAPE : Ortakรถy
URBAN SOUND ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
Building with Sound Sound is a wave. It needs a source to be produced, for our case people and the city, a medium to be vibrated. Main aim of design was from the beginning to play with these unseen and exciting properties of sound. So, rather than designing a typical building we started designing possible configurations of these sound layers.
SOUNDSCAPE : Ortakรถy
URBAN SOUND ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
URBAN SOUND ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
CHURCH BELLS
RELIGIOUS PLACES CHURCH MOSQUE
INTRODUCTION
SYNAGOGUE
Sound is a wave. It needs a source to be produced, for our case people and the city, a medium to be vibrated. Main aim of design was from the beginning to play with these unseen and exciting properties of sound. So, rather than designing a typical building we started designing possible configurations of these sound layers.
church synagogue
market mosque
DESIGN
PEOPLE FLOW JOURNEYS
VIBRATION
SOUNDS ON SITE
EXPERIENCES
GRID
LAYERS
PLAN
SECTION
COMPONENTS
WATER
JOURNEYS RELIGIOUS PLACES
QUIET NORMAL
QUIET
HEIGHTS ACCORDING TO DECIBEL
PEOPLE NORMAL
TRAFFIC
LOUD
INTERACTIVE MODE
SMELLS
POLE ARRANGEMENT
MARKET
REAL-TIME MODE
LOUD
GRID
SITE SOUND
MOSQUE - USSAK
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
quiet
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
medium
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
loud
SOUNDSCAPE : Ortakรถy
ANALYSIS
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
plan | installation
plan | ortakรถy
MODE 1| real-time mode
MODE 2 | interactive mode
The real time mode of the installation shows the actual sound all over Ortakรถy. Captured in real-time by several sensors spread over Ortakรถy according to the grid in the plan.
The interactive mode of the installation shows the actual sound in in and around the installation. Captured in real-time by sensors in the installation, every pole represents the volume of sound around it in a light and colour scheme.
installation low volume
SOUNDSCAPE : Ortakรถy
low volume
DESIGN PROPOSAL
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
plan | installation plan | installation
plan | ortaköy plan | ortaköy
MODE MODE1| 1|real-time real-timemode mode
MODE MODE22| |interactive interactivemode mode
The The real real time time mode mode ofof the the installation installation shows shows the the actual actual sound sound allall over over Ortaköy. Ortaköy. Captured Captured in in real-time real-time byby several several sensors sensors spread spread over over Ortaköy Ortaköy according according toto the the grid grid in in the the plan. plan.
The The interactive interactive mode mode ofof the the installation installation shows shows the the actual actual sound sound in in in in and and around around the the installation. installation. Captured Captured in in real-time real-time byby sensors sensors in in the the installation, installation, every every pole pole represents represents the the volume volume ofof sound sound around around it it in in aa light light and and colour colour scheme. scheme.
low low volume volume
low low volume volume
medium volume medium volume
medium medium volume volume
high volume high volume
high high volume volume
SOUNDSCAPE : Ortaköy
DESIGN PROPOSAL
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
d all ad
plan | installation
plan | ortakรถy
MODE 1| real-time mode
MODE 2 | interactive mode
The real time mode of the installation shows the actual sound all over Ortakรถy. Captured in real-time by several sensors spread over Ortakรถy according to the grid in the plan.
The interactive mode of the installation shows the actual sound in in and around the installation. Captured in real-time by sensors in the installation, every pole represents the volume of sound around it in a light and colour scheme.
low volume
low volume
plan | installation medium volume
medium volume
MODE 2 | interactive mode The interactive mode of the installation shows the actual sound in in and around the installation. Captured in real-time by sensors in the installation, every pole represents the volume of sound around it in a light and colour scheme. high volume
SOUNDSCAPE : Ortakรถy low volume
high volume
DESIGN PROPOSAL
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
The height of the poles is by the maximum sound at the point of sensor
VOLUME & SOUND The light and colour code is according to the decibel scala and represents the volume
SOUNDSCAPE : Ortakรถy
DESIGN PROPOSAL
Janine Mirkes | Niharika Joshi | Belen Ilgin Kutlu
HEIGHT & DIMENSION
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI
Image 1
SOUNDSCAPE : Ortakรถy
DESIGN PROPOSAL
BELEN KUTLU | JANINE MIRKES | NIHARIKA JOSHI