interior
architecture
and
design
Nikita Sethna Portfolio
Contents 01
02
03
THE COLLECTIVE (CO-WORKING MEETS CO-LIVING) MFA THESIS PROJECT
Abstract Concept Development Space Planning Focus Areas
EVERLANE (TENANT IMPROVEMENT CORPORATE HQ ) INTERNSHIP - BOHLIN CYWINSKI JACKSON
Abstract Concept Development Space Planning
HOTEL LIT (BOUTIQUE HOTEL) MFA MIDPOINT PROJECT
Abstract Concept Development Space Planning Sustainability
THE COLLECTIVE CO-WORKING MEETS CO-LIVING
Two companies, on either coast of America contemplate a potential business deal - Airbnb and We Work; coliving meets co-working. They connect in fragmented encounters, first in emails and phone calls and then in their actual meeting - where the agreement unfolds in moments of collaboration, negotiation, and trust. This sort of transaction is not uncommon in San Francisco. In fact, the city is often lauded for its vibrant collection of dreamers, innovators, and collaborators. It is a place where people from across the world come together, talk about dreams and develop groundbreaking ideas. It is a place where every kid on the bus believes they've got the next best start-up service and where young entrepreneurs spend countless hours brainstorming business strategies on happy hour paper napkins. But perhaps most importantly, it is a place where memorable connections are made, both in the digital and real world. The space is a reflection of the common ethos of the two companies that have come together; collaboration and openness - all re not being alone. The purpose of space is to connect the local community of brilliant thinkers with out of town visitors and newbies. The space is dedicated to fostering those sacred moments of conversation, synchronization, and partnership. Primarily targeting today's modern millennial, with the 10 micro pods living facility residing in the abandoned church has roughly 70% of its square footage for 'social public spaces.'
01
CONCEPT Coconuts are known for their versatility of uses, ranging from food to cosmetics. Virtually every part of the coconut can be used. It has immense cultural and religious significance in certain societies, particularly in India, where it is used in Hindu rituals. It is referred to as (Sriphala) God's fruit. Coconut is a satvik fruit as is sacred, health-giving , pure and clean. They further also believed that it is a symbol of human ego. Therefore in a number of rituals you can observe the breaking of the coconut. It is believed that it represents breaking ones ego and humbling oneself before God. It is also known as Lord Shiva's third eye. It is these very features that relate it back to this project. The versatility of using every part of the space, re-purposing the old. From a sustainable stand point it servers as a cradle to cradle product, exactly what we aim to create with the form and function of this space. There are also visual similarities, the coconut and the domes of the exiting church have. The program being one to assist new beginnings and starting on the right foot. In a more literal sense when a coconut is broken it still has use and purpose, just as we humans do. An effort to further translate these dynamics into architectural geometry and function was the ultimate design goal.
DEVELOPMENT
Below: Illustration showing multiple uses of a coconut. Mind map showing initial brain storming
The initial thought process started from translating the concept into form and shape."
After dissecting the different characteristics of the coconut, ideas began to come to life. The first one being the visual simlarity of the shape of the cocnut to the existing doms in the church towers and he arches. The second one was of the outdoor area has a coir canopy which is tying back to the process of how coir is woven on a loom. This would create interesting shadows at different times of the day. The third one would be the trunk of the tree and how it has a very gradual step like formation, keeping it together but still
Top left clockwise: Concept interpretation sketches
giving it space. This was then translated into the human aspect of the target user of this space. Similarly by creating a seat seating it gives people the opportunity to mingle if they please to or else they can still maintain distance and not feel like they area alone. The fourth sketch is that of the broken cocnut and how its put to use when in different pieces and it relates back to the different huddle spaces of creating space with a space.
SPACE PLANNING
The space is vertically divided into three levels. Level one house the outdoor area along with the organic gardens, which then connect you to the indoors which lead to the living kitchen. The living kitchen has visual connection with the co-working area as well as the living room area. It offers a variety of seating options. The co-working space can be accessed from two given points. One from the main entrance and the other from the living room. The living room is divided into eight huddles and one key highlight which is the hammock garden which is a organically structured net mesh which people can sit or lay on with getting a closer look at the detailed intricate work that exists on the dome of the structure.
Below: Building section showing vertical stacking
LEVEL
PROGRAM DESCRIPTION
3
Balcony: Private Space
2
Micro Private Pods, Shower, Toilets : Private Space
1
Outdoor Seating : Public Space Organic Garden Pits: Semi Public Space Living Kitchen/Cafe: Public
Co-Working: Semi Private Living Room: Semi Private
C E D A B
Level 1 - Floor Plan
The collective is an illustration of adaptive reuse. A abandoned church was brought back to life. The project is a collective between two very forthcoming concepts to support todays millennial lifestyle. On level one we have the outdoor area which is the first thing a user would encounter when entering the premises. They would then enter into the living kitchen which is adjoining to the living room. They then have a number of dining options, from bar seating to banquette to grab and go. They can further experience the intricate details of the architecture in a more visual and tactile form by engaging in the hammock gar-
Level 2 - Floor Plan
den. Further they will be giving a choice of a variety of eight different seating options to accommodate the level of privacy and comfort that they desire. If a user is more interested in staying outdoors the provision of that is also made with a number of seating and lounging opportunities. For the people interested in the co-working aspect of the project they is a semi private meeting room within a shipping container outdoors as well. A guest who is present for only the co-working space will be given an access card to enter the zones. The co-working space also has the underlining design intention of promoting human
A. Living kitchen B. Co-working space C. Living room D. Outdoor area E. Micro private pods
interaction. Therefore the spaces are designed with keeping privacy and different work styles in mind yet having a very open overall design approach. This helps to encourage people to increase the level of collaboration. Moving to the mezzanine level, there are ten micro private pods that are housed there. The residents will be given access to the entire space including the kitchenette on level one which is adjoining the living kitchen. They have twenty four hours access to the entire facility.
SPACE PLANNING
1. 2. 3. 4. 5. 6.
LIVING KITCHEN
Banquette seating Grab and go Bar seating Dish washing and pantry Kitchenette Open Seating
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Conference room Meeting room Individual pods 6 person long table 5 person round table 8 workstations 10 person banquette seating 8 person high table Informal lounge Step seating Waiting lounge
CO-WORKING SPACE
1. 2. 3. 4. 5. 6. 7. 8. 9.
LIVING ROOM
Hammock garden Huddle 01 Huddle 02 Huddle 03 Huddle 04 Huddle 05 Huddle 06 Huddle 07 Huddle 08
1
5
1
4
6
3
2
7 9
8
2 3
3
1 2
4
5
4 6 7
6
8
10
11
5 9
The living room is a space which has various dining options with meals that can be prepared from home style recipes giving by customer to the chef and the ingredients can be picked from the organic garden pits.
The co-working space is a space which provided different meeting and working options with private, semi-private and public spaces with it self to encourage collaboration.
The living room is a space that is made up of eight different lounging option; private, semi-private and public options to suit each one's needs. The main element is the hammock garden below the dome.
1. 2. 3. 4.
OUTDOOR AREA
Outdoor meeting area Grab and go Farm table Fire pit
1. 2. 3. 4. 5. 6. 7. 8.
Pod 01 Pod 02 Pod 03 Pod 03 Pod 04 Pod 05 Pod 06 Pod 07
9. 10. 11. 12. 13.
LIVING ROOM
Pod 08 Pod 09 Pod 10 Toilets Shower
12
8
11 7 10
1
9
2 8
7 5 4
3
4
6 6
5
3 1
2
The outdoor spaces are created to encourage people to be outdoors with seating design to facilitate conversation.
The micro pods are individual pods created with the essentials to have a lodging option for the users.
LIVING KITCHEN The rendering produced on the bottom helps illustrate the finish vision of the designer. The materials used in this space were selected keeping in mind the form and function of the space. The flooring is picked to create a stark contrast with the bare white canvas of the church. Also relating back to the concept of the coconut. Going one step lighter a beach shade of veneer is used to create a warm yet light seating experience. The pinkish paint that is shown on the wall is a product called American Clay which is once again sustainable in its formulation and application. The main ingredient is clay which is one of the oldest and most natural building materials. Clay offers durability, sustainability and beauty. It has zero percent mold growth, per test results from procedure ASTM D3273-00. Zero- Volatile Organic Compounds) VOC's. The longevity, recycled content and low maintenance of American Clay gives it (under the LEED-NC rating system, version 2.2).
Bottom: Building section (A - A') facing the living kitchen (dotted area shows the living kitchen).
Level 5 32' - 11" Level 4 28' - 9"
Level 3 17' - 7" Level 6 10' - 9" Level 2 9' - 7"
Level 1 0' - 0"
3A 2
1 A'
This view helps further illustrate how a coconut after being broken is still used to cooking an many other such processes. Its versatility and properties of adaptability and having common uses is loosely translated into the space. The dish washing and pantry area in this space is used a as a common facility and the living kitchen just as the coconut is there to blend in and accommodate the new. The kitchenette on the other hand is a facility to provide food for residents at all times.
CO-WORKING SPACE The rendering produced on the bottom helps illustrate the finish vision of the designer. The materials used in this space were selected keeping in mind the form and function of the space. The flooring is picked to create a stark contrast with the bare white canvas of the church. Also relating back to the concept of the coconut Grey carpet called monochrome in the color seal from Interface. It is also keeping with the over all sustainable strategy of the space. Cool carpet certified, no glue installation, no VOC's, no mold or bacteria when tested in ASTM E2471.Declare Label certified and U.S. Green Build Council's (USGBC) LEED credits. Up to one hundred and forty point LEED credits available. The leather is from Maharam called draft. Greenguard Gold Certified, LBC (Living Building Challenge) Red List Compliant, FR Free and PFC-Free. The Grey upholstery fabric is used from Maharam, called remix it has been tested for abrasion and has a one hundred thousand double rubs result certification. It is also keeping with the over all sustainable strategy of the space it contains bio-based materials.
Bottom: Building section (B - B') facing the co-working space(dotted area shows the living room)
Level 5 32' - 11" Level 4 28' - 9"
Level 6 10' - 9"
3 The aspect of how coconut coir is woven, is translated into this space it connects the two spaces besides it and within it, yet maintaining a visual path. The suspended unistrut frame work also shows us a visually similar projection. The perforated panels resemble the coir yarn when on the weavers loom. And the light that passes though at the initial stage just as it does for the visitor when they first enter the collective.
1 B
2 B'
LIVING ROOM The rendering produced on the bottom helps illustrate the finish vision of the designer. The materials used in this space were selected keeping in mind the form and function of the space. The flooring is picked to create a stark contrast with the bare white canvas of the church. Also relating back to the concept of the coconut. Going one step lighter a beach shade of veneer is used to create a warm yet light seating experience. The yellow upholstery fabric Divina by Kvadrat which is suitable for its application its has been tested for abrasion and has a forty five thousand cycles, Martindale method result certification. It is also keeping with the over all sustainable strategy of the space it contains bio-based materials. Greenguard Gold Certified, LBC (Living Building Challenge) Red List Compliant, FR Free and PFC-Free. The leather is from Maharam called draft. Greenguard Gold Certified, LBC (Living Building Challenge) Red List Compliant, FR Free and PFC-Free. The rug is from Maharam called Query and is also it contains bio-based materials.
Bottom: Building section (C - C') facing the entrance (dotted area shows the living room) ,view of the living room.
3 C' This view helps further illustrate how a coconut after been broken and scattered into multiple pieces is still put to use and at time has more function after being split up. Adapting this very phenomena into the living room, the project has created eight huddle space, creating space with in space with no major visual barriers, but just by setting areas by materials and a few movable object.
2
1
C
OUTDOOR AREA The flooring was laid with new grass to create an inviting outdoor experience. The lounge chairs are arranged around the fire pit. They are madeof rattan, which help people relax while being around the fire. The chairs and the bar stools have a perforated white powder-coated metal seat which allows the air to pass thought, letting the skin breath. The contrast of the paver blocks and the grass is to create natural earthy tones, which house an inviting atmosphere.
Bottom: Outdoor elevation facing the shipping container
The process of weaving coconut into coir is what is the inspiration for this over head canopy installation. The raw coir will act as a partial light barrier as well as help in creating beautiful shadows depending on the time of the day. The characteristics of the coir resemble that of the target user. Its advantages are agro-renewability, biodegradability and a good blend of strength, length, extensibility, moisture regain, and high durability or resistance against sunlight, saline water, microbes.
2 D 1
MICRO PRIVATE PODS The rendering produced on the bottom helps illustrate the finish vision of the designer. The materials used in this space were selected keeping in mind the form and function of the space. The flooring is picked to create a stark contrast with the bare white canvas of the church. Also relating back to the concept of the coconut and the fibrous tactile lines on its surface. Going one step lighter a beach shade of veneer is used to create a warm yet inviting material for the flooring of the pods. The Grey upholstery fabric is used from Maharam, called remix it has been tested for abrasion and has a one hundred thousand double rubs result certification. It is also keeping with the over all sustainable strategy of the space it contains bio-based materials. Greenguard Gold Certified, LBC (Living Building Challenge) Red List Compliant, FR Free and PFC-Free. Compliant, FR Free and PFC-Free. The bedding used is a color in the similar family as the stool upholstery fabric, to obtain a cohesive color palette.
Bottom: Coconut deconstruction into organic shaped pods.
The pods are inspired by the half broken coconut. The characteristics of how after it is broken is put to more use and the juices from within are then brought to the surface. The same way it is translated to the target users and their journey and how if they are shaken from their comfort zone(home) and put into a new home -they will shine.
EVERLANE EXCEPTIONAL QUALITY, ETHICAL FACTORIES, RADICAL TRANSPARENCY
Radically Transparent Everlane is a company that believes in their customers having a right to know how much their clothes cost to make. They reveal the true costs behind all of our products, from materials to labor to transportation. And then offer them to you, minus the traditional retail markup.
Designed to Last At Everlane, They are not big on trends. They want you to wear their pieces for years, even decades, to come. That’ s why they source the finest materials and factories for their timeless products.
Ethical Approach They spend months finding the best factories around the world— the same ones that produce your favorite designer labels. They visit them often and build strong personal relationships with the owners. Each factory is given a compliance audit to evaluate factors like fair wages, reasonable hours, and environment.
CONCEPT The project was a tenant improvement for their existing headquarters. They wanted to reflected the previously mentioned ethos of the company into the space planning of their company. The transparencies in the terms of having minimum visual barriers, optimum level of collaborating and clean minimalistic yet functional design elements. They did not want any hierarchy in there seating arrangements.
DEVELOPMENT
Top to Bottom(L-R): Floor plan, Stair axonometric view, Reboot desk configuration (Revit)
8/29/2018 5:31:28 PM
1 A600.2
The overall floor plan need to accommodate 200 workstations along with take over certain area of the property which were previously not in use. Creating a statement staircase the new entrance was the man key focus of my internship along with other responsibilities.
STAIR AXON SCALE:
Clockwise staring left: Stair option with ribbon geometry (view from reception), View from storage, view from lounge (Revit)
The inspiration for this stair case was a ribbon tying the new and the old together. Which form them was the new people and the new space with the old exiting space with the existing employees.
Stair Section 1
Stair Section
2
Stair Section 3
STAIR SECTION 4
ENTRY STAIR LEVEL 1
ENTRY STAIR LEVEL 2
Disclaimer: All drawing and ideas are not single handedly produced. It was team effect. As the role at Bohlin Cywinski Jackson was that of an intern
SCHEMATIC DESIGN
The site was one which had ample daylight. The sawtooth windows allowed us as designer to minimize the use of artificial lighting to the bare minimum. The creation of new Booth seating, as lounge option and informal meeting spaces were needs as a requirement. The addition of phone booths, with noise cancellation but yet have visual connections were designed. The spaces on the right are that of the new reception, which is what a person would encounter first when they entered the space. The second was that of the indoor garden with a built in kitchenette as well as lounge seating options. The third view is the remodel of the kitchen island the cabinetry and the bar stools.
Below left to right: Portable racks, Portable clothes rack (3Ds max), View of phone booths (Revit)
Below left clockwise: Floor plan, reception view, indoor garden view, kitchen view (Revit)
Disclaimer: All drawing and ideas are not single handedly produced. It was a team effect. As the role at Bohlin Cywinski Jackson was that of an intern
HOTEL LIT BOUTIQUE HOTEL, BROADWAY OAKLAND
Located in the Uptown neighborhood of Oakland, California. This hip boutique hotel will be 8-stories with 80 guest rooms, a lobby bar, restaurant, gym, event space, meeting rooms, courtyard, and rooftop garden & bar. This project will reflect the use of sustainable materials and building practices in order to achieve LEED status in a visually creative and historically educational way to create a fun, healthy environment for visiting customers to enjoy.
CONCEPT Black white or brown it really still matters even today? Sadly enough it does. Keeping this phenomena in mind, a concept based on the power of Melanin has be chosen. The power of this very molecule. We often perceive it as a bad quality. Here is where this changes. It is a lesser known fact that the presence of this very element keeps us from even getting fatal diseases such as cancer. Taking this very element and studying its structure got to the connection of the formation of soap bubbles and the mesmerizing concept of refraction of light. Which further forms shapes of sacred geometry; biophilic design. The second part of the concept is that of light seen by human being. The science of the rods and cones and the light waves they receive. This all connects back to the core aspect to make this concepts which have their roots in us and therefore come to life, leading us to sustainability. The project will incorporate the above mentioned elements to create a living, breathing and feeling experience for its guests.Â
DEVELOPMENT
The site was located in Oakland and a further study to understand the place better also helps derive the concept and the space planning for this project. Oakland id know of ts diversity, we see many races and cultures in the beautiful place. Another element that we notice predominantly is the bright use of color, be it in their for of street art or the cityscape itself. Oakland is also one of the very sustainable locations that exist in California. Tapping into this further the concepts of biommicry and biophia were explored.
Above left to right: Brainstorming illustration, Concept translation illustrations, Logo ideas.
The key elements which then helps to form the overall design were the anatomy of melanin in the human body and light with relation to the human eye. After further brainstorming certain key elements from the above mentioned two elements were illustrated and helped mold the design. As this was a commercial space, taking the interior architecture design process one step further the logo of this space was also designed.
Above left to right: brain and the human eye, rodes and cones, melanin, melanin relation to the earth, relation to the building, Eye sight and color
Diving deeper into how exactly the concept came to being. When we observe the human eye it primarily consists of two major elements namely the rodes and the cones. The when light falls on these which reflect color and make a human being view what we do. The second idea of how melanin has a relation to the earth and how as we go further to the equator the skin tone gets lighter. Merging these two ideas came about the idea of the first
half of the building would reflect the eyesight aspect of the concept, so as to the darkest colors would be the ones near the entrances which receives the most amount of sunlight and as you move inwards it gets lighter, following the same principle of the human eye and melanin. The forms and shapes of the rodes and cones are also something which we can further see translated into the design of the space.
SPACE PLANNING Keeping the users and the employees in mind the space planning was done. Having not only a visually appealing space but also keeping functionality at the highest regard was the main driving force. The spaces were divided into private semi-private and public spaces.
Left to right: Flow diagram, Bubble diagrams (Level 01-02)
DN BACK LINE
CLOSET
4' - 6"
R
ELEVATOR R
MEN'S TOILET
3' - 0"
2'
2'
- 5"
MEETING ROOM - 01
WOMEN'S SAUNA ROOM
HEATER
BACK OF THE HOUSE
WOMEN'S TOILET
- 5"
MEN'S SAUNA ROOM
ELEVATOR MEN'S TOILETS
WOMEN'S TOILETS
MEN'S SHOWER
COCKTAIL BAR
CAN BE USED AS SALAD BAR SERVICE STATIONS
9' - 0"
PATIO
SIDE SEATING KITCHEN/BACK OF THE HOUSE
MEETING ROOM - 03
LOW HEIGHT DAY BED
COURT (OPEN TO BELOW)
BALL ROOM 3' - 0"
BOOTH SEATING
RESTAURANT
SIDE SEATING
4' - 0"
RECEPTION
SELF CHECK IN
R 2' - 5"
4' - 6" 0' - 6"
MEN'S TOILET WOMEN'S TOILET
SERVICE STATIONS
5' - 0"
LOBBY/SEATING
- 5"
2' - 0"
LUGGAGE STORAGE
TRAVEL SEVRICES
2'
1' - 6"
R
5' - 0"
KITCHEN
8' - 6"
JANITORS CLOSET
MEETING ROOM - 02
WOMEN'S SHOWER
OUTDOOR PLUNGE POOL
DRINING FOUNTAIN
3' - 6"
SOAP BUBBLES FEATURE
4' - 0"
ADA
4' - 0" 2' - 0"
FRONT LINE
STORAGE
ADA BAR
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HEATERS
GYM
OUTDOOR RESTAURANT SEATING
UP
BANQUET
UP
ELEVATOR RESTAURANT MANAGER'S OFFICE
WORK STATIONS
RECEPTION WITH WAITING
UP
LIFT
ELEVATORS
PRIVATE OFFICE - 01
HEATER
UP
PRIVATE OFFICE - 02
UP
DN
1 A808
MATS
DN
TRUE
TRUE
1
Level 01
Level 2 3/32" = 1'-0"
Level 02
Cocktail Bar Lobby Self Check-In Reception Travel Services Restaurant Restaurant Managers Office Luggage Storage
Kitchen Outdoor Plunge Pool Gym Spa Meeting Rooms Private Offices
Ball Room Banquet Patio Offices Meeting rooms
COCKTAIL BAR
DN
4' - 6"
BACK LINE
STORAGE
R
ELEVATOR R
MEN'S TOILET
3' - 0"
2'
2'
- 5"
WOMEN'S TOILET
- 5"
WOMEN'S SAUNA ROOM
HEATER
BACK OF THE HOUSE
MEN'S SAUNA ROOM
MEN'S SHOWER
COCKTAIL BAR
CAN BE USED AS SALAD BAR SERVICE STATIONS
LOBBY/SEATING
3' - 0"
BOOTH SEATING
RESTAURANT ADA BAR HEATERS
GYM
OUTDOOR RESTAURANT SEATING UP
ELEVATOR
UP
RESTAURANT MANAGER'S OFFICE
UP
LIFT HEATER
MATS
TRUE
Reclaimed Wooden planes
Raw concrete finish
Salvaged wooden slabs
Oak Veneer Stained glass window panes
Raw concrete finish
1
Cocktail Bar The over all aim that was set to become an super sustainable space with a high influence of biophilic design. The added green living walls have a added advantages to the space than just beauty. The end goal is therefor achieved by making the users happy and comfortable.
Level 1 East & Courtyard 3/32" = 1'-0"
Lobby and Reception The concept started with dark surfaces and went to lighter ones also with the used of absorbing natural day light. This is a way to passively heat the space. The green patch adds to the atmosphere bringing the outdoors into the space, the seats are all selected keep the concept of biophilic design in mind
9' - 0"
- 5"
R 2' - 5"
4' - 0"
RECEPTION
SELF CHECK IN
2'
MEN'S TOILET WOMEN'S TOILET
SERVICE STATIONS
5' - 0"
2' - 0"
TRAVEL SEVRICES
1' - 6"
R
5' - 0"
KITCHEN
8' - 6"
JANITORS CLOSET
LUGGAGE STORAGE
4' - 6" 0' - 6"
WOMEN'S SHOWER
OUTDOOR PLUNGE POOL
DRINING FOUNTAIN
3' - 6"
SOAP BUBBLES FEATURE
4' - 0"
ADA
4' - 0" 2' - 0"
FRONT LINE
RESTAURANT
DN
4' - 6"
BACK LINE
STORAGE
R
ELEVATOR R
MEN'S TOILET
3' - 0"
2'
2'
- 5"
WOMEN'S TOILET
- 5"
WOMEN'S SAUNA ROOM
HEATER
BACK OF THE HOUSE
MEN'S SAUNA ROOM
MEN'S SHOWER
COCKTAIL BAR
CAN BE USED AS SALAD BAR SERVICE STATIONS
LOBBY/SEATING
9' - 0"
- 5"
R 2' - 5"
3' - 0"
BOOTH SEATING
RESTAURANT 4' - 0"
RECEPTION
SELF CHECK IN
2'
MEN'S TOILET WOMEN'S TOILET
SERVICE STATIONS
5' - 0"
2' - 0"
TRAVEL SEVRICES
1' - 6"
R
5' - 0"
KITCHEN
ADA BAR HEATERS
GYM
OUTDOOR RESTAURANT SEATING UP
ELEVATOR
UP
RESTAURANT MANAGER'S OFFICE
UP
LIFT HEATER
MATS
TRUE
Wood slats Oak veneer American clay plaster
Biophilic adaptation for light fixtures Herringbone veneer
Restaurant – Looking Towards Reception
The initial concept is seen transcending from dark absorbent materials and colors to lighter reflecting shades. The ceiling is that of a branch of a tree and the movement which is seen when the wind hits it. This is due to us getting closer to the courtyard.
Restaurant – Looking Towards Kitchen
1
Level 1 East & Courtyard 3/32" = 1'-0"
The feeling of movement and nature is what this area in the restaurant is meant to capture. The lights have a branch like appearance and the herringbone visual texture bring us back to nature
8' - 6"
JANITORS CLOSET
LUGGAGE STORAGE
4' - 6" 0' - 6"
WOMEN'S SHOWER
OUTDOOR PLUNGE POOL
DRINING FOUNTAIN
3' - 6"
SOAP BUBBLES FEATURE
4' - 0"
ADA
4' - 0" 2' - 0"
FRONT LINE
ROOF TOP
Roof Top – Looking Towards Central Bar
Roof Top – Looking Towards Private Seating
The combination of artificial foliage and live creates an interesting continuity without actually adding plants everywhere
The black marble is meant to absorbs the heat and work well for the roof top. The natural textures once aging follows the previously mentioned concepts
MODEL ROOM
Kanso diamond cube mosaic in winter white matte, Ann Sacks
Natural Interior PaintEggshell Eggshell (513), Benjamin Moore
T H A N K Y OU F OR Y OU R TIME
Nikita Sethna Interior Designer T. +91 9833551933
E. nikita.sethna@gmail.com
W. https://issuu.com/nikita.sethna