Portfolio - Select Works

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Select Works Nicola Kumar 2006 - 2011


Intent

Nicola, a recent graduate of the Savannah College of Art & Design, is seeking practical experience in the field before pursuing the M.Arch. She was born and raised in Trinidad & Tobago, and was fortunate enough to be granted Architectural job opportunities there, before embarking on her studies. This propelled her to investigate and incorporate vernacular materials, methods of construction and passive cooling techniques, used in the Caribbean, into many of her designs. Growing up in a developing country, also played a role in the actualization of her design philosophy; to use her extensive knowledge and talent to improve the quality of living of people in lower income brackets, thereby making intelligent design accessible to those not typically able to afford it. It’s important for her to always consider the needs of the person allowing her to shape their space first, as well as the person that will be affected by her design. There by her design aesthetic is unique to every project, shaped by the project, and never an imposition. It’s an Architecture for the people. As her philosophy developed so did a strong interest in the field of community design and disaster relief. Her independence and full responsibility for herself have driven her to a higher level of maturity than many of her peers, a quality that differentiates her from other job applicants. An internship at an Architectural Firm will allow her to obtain knowledge and experience in the field, and help her to support herself, while also being able to allocate funds towards, becoming a LEED accredited professional as well as establish her NCARB record, in order to commence the Intern Development Program.


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Intent - ResumĂŠ

Foundations

Human Factors

Environmental Context

Structural Systems

Non-Urban Context - Building Systems Integrated

Artwork


Profile Name Nicola Kumar Address 1705 Habersham Street, Savannah GA 31401.

ResumĂŠ

Phone 912-272-3264 E-mail kumar.nicola@gmail.com

Education Savannah College of Art and Design Savannah, Georgia, US. [Anticipated] Masters of Architecture Sep 2012 - May 2013 Savannah College of Art and Design Savannah, Georgia, US. Bachelors of Fine Arts, Architecture Jan 2006 - Sep 2011 Holy Name Convent Secondary School Port of Spain, Trinidad & Tobago. Caribbean Examination Council General Certificate of Education Sep 1997 - Jun 2004

Design Experience Freelance Graphic Designer [Jul 2004 - current.] Branding, promotional materials and web design. CDA Architecture - Port of Spain, Trinidad. [Jul 2007 - Aug 2007] Architectural Intern Developed a working knowledge of residential design, prepared construction documents; gained knowledge of the role of the Architect as project manager. Accompanied junior architect on site visits and assisted with project presentations. OBM International - Port of Spain, Trinidad. [Aug 2005 - Dec 2005] Architectural Research Assistant Developed a working knowledge of Mixed-Use design, prepared Construction Documents, was responsible for research and development for a tender project for revitalizing the City of Port of Spain Transportation hub. Gained Knowledge of Quantity Surveying, Feasibility Studies, and Cost Analysis. Accompanied the Principal Architect on Site visits. Gained exposure to presentation media such as video walk- through animation. The Synthesis Group - Port of Spain, Trinidad. [Aug 2004 - Dec 2004] Architectural Draftsperson Enhanced knowledge of AutoCAD for use in drafting. Gained knowledge pertaining to Site Planning, Construction Documents, Office Computer Aided Drafting Standards, and the use of sketching as a necessary medium for preliminary design.


Recognition Trinidad & Tobago National Panorama Finals 3rd Place - Caribbean Airline Invaders [2011] U.W.I. SPEC Half Marathon Top 5 - University Students/ Top 25 - Ladies [2010] Savannah College of Art and Design Combined Honors Scholarship [2006 - 2011] Savannah College of Art and Design Dean’s List [2006 - 2011] Academy of Art University Summer Portfolio Grant - 75 % tuition awarded for study [2002] Trinidad & Tobago Art Society Grant Art Workshop in Fine Arts [2000] Secondary Schools Drama Festival Honorable Mention - Antagonist - Ti-Jean & his Brothers [2000] Trinidad & Tobago Music Festival 1st Place - Junior Choir [1998]

Community Salsa Demos/Classes for boys & girls club & teens, Savannah GA [Jun 09 - Aug 09] Tutor - Belmont Orphanage, POS Trinidad [Jun 05 - Aug 05] Mentor - Credo House, POS, Trinidad [Sep 04 - Jul 05] Tutor - Mary Care Centre, POS, Trinidad [Jan 03 - Jan 04]

Skills OS Autodesk Adobe Microsoft Familiar

Windows, Mac Revit, AutoCAD Photoshop, Acrobat, InDesign, Illustrator Word, Excel, Power Point Google Sketchup, Bentley Microstation

Practical

Model Building [wood shop & laser cutting], Sketching, Hand Drafting, Presentation Materials.

Attributes Positive attitude, strong work ethic, effective time management, adaptable, detail oriented, keen researcher, analytical thinker, effective written communication, fast learner.

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Foundations



Architectural Drawing

“The most compelling reason to learn how to draft by hand is that it is a way to personalize the design process and resulting documentation.� Christine Cavataio


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Residence Designed by Professor Gene Hutchinson

Site Plan 12


Floor Plan

Sections

Elevations 13


Fundamentals

“First, the Architect must learn how to think in terms of space and communicate spatial ideas� - Jonathan Friedman

All Projects done during Fundamentals I employed the use of a kit of parts consisting of linear elements, panel-based (planar elements) and module-based (solid elements).


Dialogue Spatial Unity was created by choosing a parti then investigating the concept of binary pairs to create dialogue.

Parti Diagram Axonometric

Volume A 3” contiguous mass was built to display a hierarchy of Volume.

Axonometric (Solids & Voids)

Transformation A 4“ cube of solids and voids was transformed using processes such as, translation, rotation folding, reflection and enlargement. The end result was a 9” cubic volume.

Axonometric (4” cube prior to transformation) 15


Time Piece

A set of architectural spaces in which people may observe and appreciate the cycles of time, revealed by the weather, night and day, the seasons and memory With a passage linking a 4� place of entry to a 6� place of arrival. 16




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Human Experience



Residential

Building Typology Single Family Residential

Location Savannah River Landings, Savannah Ga.

Site Description Corner lot, surrounded by three streets, two running from West to East to the North and south of the site and one running from North to South to the East of the site.

Client A yoga Instructor

Scale The lot is 24 feet wide and 90 feet long. About 85-90% of the lot is covered. Each floor is 12 feet in height, but the building is 40 feet tall, due to sloping

Users The Client and her Friends and Family


We shape Architecture; thereafter Architecture shapes us. Conceptual Thinking The central concept that drives the project is holism; the idea that Architecture can fulfill the needs of man’s mind body and soul.

Design Process The logical design process was a study of the inter-relativity between the body, mind and soul. A hierarchy of spaces was developed loosely on the Maslow’s hierarchy of needs, and programming needs then followed.

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Schematic Design

To achieve balance in life one must fulfill the needs of the mind, body and soul. To achieve Balance in Architecture the client, program and environment must be considered equally. The gestural sketch played a major role in determining circulation patterns. The greatest design challenge was determining how to design based on the sketch, which was very organic in nature, while conforming to the rules of the site. The project is radially organized around the core circulation patterns. The building form was determined through a series of transformative approaches sliding or shifting, mirroring, enlarging and rotating the walls to form a dynamic path throughout the building. The ideas of phenomenology and place making also influenced my design. Since my central concept is about fulfilling man’s needs through Architecture and phenomenology is about individual experience and perception of Architecture, I wanted to create a space that would foster unique experiences every time. 24


Sketches & Sketch Model

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Northern Facade

Graphite (18”x 24”) 26


Plans

Balcony

Meditation

Painting Studio

Library/Office

Veranda

Dance Studio

Secondary Entry

Kitchen Primary Entry Dining Room

Tertiary Entry

Master Bedroom

Living Room

W.C

Master Bathroom

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Elevations and Sections

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E

xtensive outdoor spaces, within the design, benefit the environment; The form of the building is ideal for rainwater collection for irrigation and flushing. The large open spaces are used for extensive green roofs. The central atrium is used for natural ventilation and day lighting. Vegetation is used on the indoors to control humidity and create a microclimate. The master bedroom is naturally heated because it is located below grade. The sloping roof on the south façade is used for solar panelling. By implementing many passive strategies, operating costs is minimized while, delineating the site to create interest with dynamic forms. Man, landscape and building are all interrelated in the same way that mind body and soul are interrelated. The use of an uncovered ‘atrium’ is the centre of circulation between mind, body and soul. It is a transition space between indoor and outdoor spaces bringing the user to the outdoors during the journey. Vegetation and reflecting pools in the central atrium aid the transition from outdoor to indoor. Vegetation is also utilized as a space making element primarily on the third floor it outlines the path of travel. 31


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Environmental Context



Worship

Building Typology Church and Fellowship Hall.

Location Pass Christian, Mississippi.

Site Description L- Shaped, the site is surrounded by four streets; two running from East to West, one to the North and a highway (US 90) to the south of the site. One runs from North to South to the East of the site where another street terminates at a parking lot.

Client Trinity Episcopal Church

Scale On it’s longest edges, the site is approximately 400-500 feet wide and 700-800 feet long.

Users The Community of Pass Christian


Architecture should relate form and plan to the site, region and the climate.

T

he benefits of being close to water also have a price: increased risks to property and life related to storms. In 1969, Pass Christian suffered a direct hit by Hurricane Camille, the only Category 5 hurricane to ever make landfall in the continental United States. Then in 2005 as much as 90 percent of the town was destroyed by Hurricane Katrina, requiring a total rethinking of where and how to rebuild. There is a very intense desire in this community to build and to restore at least the atmosphere the town once had. There’s no better symbol of renewal than Trinity Episcopal Church, a Gulf-front landmark built in 1851. Destroyed by Hurricane Camille in 1969, it was rebuilt 14 feet above sea level—still not high enough to elude

Katrina’s 36-foot surge. The frame of the church edifice was left intact, while other buildings on site were completely destroyed. The task: Design a new skin of the church while responding to the many problems on the site. The most obvious problem of the site is its location. It is located on the Gulf Coast and as a result is prone to rising sea levels, since it is a mere ten to 12 feet above sea level. The fact that the site is in such a low lying area, makes any structure built on it susceptible to catastrophic damage due to the tidal surge in excess of thirty feet. As a result of this, Pass Christian has implemented the smart code, and all finished floor heights of buildings are required to be at least twenty two feet above sea level. Both buildings on the site are designed with that in mind.

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Site Analysis Topography

Sun & Wind 38

Vegetation


Circulation

Sensory Analysis & Existing Features 39


Design Process - Site

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Design Process - Fellowship Hall

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Design Process - Skin Flying Buttress Double skin

Double Skin supports ramp that wraps around the church (procession - Road to Calvary stations of the cross)

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Justification of Site Design The soil has a naturally low fertility level and poor water-holding capacity. As a result of the hurricane, the soil is struggling to recover from millions of gallons of salty sea water that soaked into it in the storm, as well as erosion due to the high volumes of water moving at a faster rate than the rate of infiltration. The use of plants to stabilize soil and reduce erosion is one of the oldest of biological engineering land management techniques. This approach attempts to create conditions similar to a stabilized natural site. Native plants were chosen to provide long-term protection, because native vegetation is adapted to the conditions of the site and has the greatest probability of persisting over extended time periods. . Salt tolerant crops grown immediately on the site were chosen. Examples of these are sea oats, salt meadow cordgrass, cabbage palm, as well as the ever present live oak.

Storm Water collects to the southern end of the site; Placing a drainage system there combining a few different methods was a solution to the problem. Every site has an existing natural drainage system, by following it using streams of dry creek beds, the water will be guided to a wetland area. Wetlands provide water storage, filtration and offer protection from floods. The basin will be a wetland area consisting of 50% chip bark, 20% gravel, 15% sand, and a miscellaneous amount of straw, peat moss, sewage sludge and aged manure, which will temporarily store the water, allowing sedimentation and other pollutants to settle without infiltrating, then allow it to flow out to a separate area of permeable soil to allow fast infiltration. Second Street, which runs all the way through Pass Christian, terminates on the parking lot of the Church site. This is visually confusing as the parking lot is not clearly defined on the site and is deceptive as driver may think the road continues on to the site. Using the existing tree on site as the focal point of the end of the Street, a semicircular drop off point with a pair of parallel pathways bordering a water collection pond leading to the new fellowship hall. Parking was rerouted to the north western tip of the site away from the school and can be accessed from Henderson Avenue to the West of the site and St. Louis Street to the North of the site. Capitalizing on the ocean view and incorporating it into the church worship was achieved by relocating the transepts to the southern end of the church and the entrance to the church now faces St. Louis Street directly opposite the cemetery making access to the cemetery easier in the event of funerals. The approach to the church is now grander with rhythmic placement of another semicircular drop off point, and a wrap around staircase. The issue of noise from the bordering railroad track to the North of the site was addressed to the north of the Cemetery with a Noise Barrier wall in combination with planted buffers called Earth Berms. 44


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Final Design - Fellowship Hall

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Final Design Eastern Elevation

Sustainable Building Strategies - Church Skin

Sustainable Site Strategy - Drainage System 48

Sustainable Building Strategies - Fellowship Hall


Longitudinal Section

Transverse Section

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Model - Fellowship Hall

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Structural Systems



Exhibition

Building Typology Cultural Research Institution

Location Sao Paolo, Brazil.

Site Description Triangular site directly adjacent to the architecture school FAU, USP or Faculdade de Arquitetura e Urbanismo.

Client --

Scale Approximately 12,600 sq. ft.

Users The students & faculty of the University and the General Public


Structure can define space,articulate circulation, and suggest movement.

B

uildings are the clearest expression of a people at a given historical period, exemplifying their way of living, their available technology and their artistic ideals. More durable than other cultural manifestations, Brazilian architecture often incorporates other art forms, such as sculpture, painting, furniture and popular art and artifacts. It makes up the great majority of listed items, even those which are listed simply because of their historical significance. In Brazil, the preservation of the country’s cultural heritage including Brazilian architecture, where it is of national importance, is the responsibility of the federal government, through the Institute for National Artistic and Historical Heritage. The purpose of the research institute is for the preservation and curation of Brazilian modernist architecture and design. The triangular site is directly adjacent to the architecture school FAU, USP or Faculdade de Arquitetura e Urbanismo. The site offers an important place for gathering.

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Collage Collage, being the art of bringing varied pieces together to form a new whole served as a method of comparative visual analysis for how structure relates to and is expressed by artists in diverse fields. Case studies examined precedents in Brazilian architecture. This project fluently inspected structure, interior experience, and landscape.

Conceptual Thinking Culture relates to a collective attitude. It’s the common thread of any given society, regardless of socioeconomic status, ethnicity or religious affiliation. Culture is based on the uniquely human capacity to classify experiences, encode such symbolically and teach such abstractions to others. It is usually acquired through enculturation, the process through which the older generation induces and compels a younger generation to reproduce the established lifestyle; consequently, culture is embedded in a person’s way of life. This is especially true today, as the students of the university are compelled to reproduce in the Brazilian Culture of Architecture. Concept board 10”x 10” 56



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Schematic Design

Site Geometry Diagrams

Building Footprint Diagrams

Massing Models 59


Final Design Site Plan

Eastern Elevation

Northern Elevation


Level 1

Level 2

Level 3 Western Elevation

Southern Elevation


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• Non-Urban Context • Building Systems Integrated



Community

Building Typology Air Rights Development/ Supportive Housing

Location Outskirts of Port of Spain, Trinidad

Site Description Long and narrow residential Site located in between two major traffic arteries, adjacent to the city landfill.

Client --

Scale 50-100 acres

Users Residents of the Area and General Public


Supporting Stable Living Conditions

O

nce an all-squatter’s community of people living in wooden shacks, Beetham Gardens was born more than 35 years ago out of the government’s decision to finance construction of concrete homes with running water, indoor plumbing, and electricity and even mail delivery. Five phases were built, between two main vehicular arteries, below sea level and next to a landfill. The Beetham Gardens today remains a poverty-stricken housing project afflicted by squatters who continue to erect illegal and unsightly structures, relentless gang warfare, the lack of basic amenities such as electricity and water, as well as the health hazards present such as the drains

of green stagnant water, clogged with rubbish, which breed mosquitoes and it’s location adjacent to a landfill. The government erected a wall along the slum’s frayed edges, blocking the view into a long troubled community that shares space with the murky waters of industrial waste, overgrown weeds and the constant stench of the nearby landfill. The five foot wall is simply a beautifying touch, but to those who live behind the wall, the structure means something else: It’s a symbol of years of broken promises, government neglect and the widening gap between the haves and have-nots.

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Location

Trinidad is the southern most island of the eastern Caribbean. It lies northeast of the South American country, Venezuela and south of Grenada in the Lesser Antilles. It shares maritime boundaries with other nations including Barbados to the northeast, Guyana to the southeast, and Venezuela to the south and west. Location - 10° 40’ N 61° 31’ W.

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Site Analysis

Figure Ground

Sensory Anaysis & Existing Features

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Schematic Design Problems • Physical Disconnect • Drainage • Landfill Stench • Landfill threatens ground water • Traffic within the capital • Poverty

Conceptual Master Plan

Design Solutions • • • • • • 72

Bridge over infrastructure to create connections Elevate Settlement above sea level Relocate Landfill and Rehabilitate land with wetlands After relocation use aquifer to generate electricity Provide parking and shuttles into the capital Sustainable growth of vegetables on site


Section Sketch

Proposed Grid based on prevailing winds

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Master Plan Community • Promotes equity. • Provides green open space and recreational facilities. • Promotes public health and encourages active lifestyles. • Reunites the diverse community of the Beetham with the neighbouring settlements. • Provides an exemplary illustration of efficient and innovative alternative land use. • Strategies and outcomes serve as a national model for the creation of new green open space in a dense urban environment. Economy • Creates jobs, including entry level, apprenticeship programs and local hire. • Provides an economic stimulus for investment in resource efficient infill development. • Creates an inviting gateway to the city. • Increases tourism. Energy and the Environment • Improves air quality and reduces the contribution to global warming. • Reduces automobile usage and fuel consumption, green house gas emissions and promotes energy efficiency and conservation. • Creates a Pollution free environment for users of the development because there is no vehicular access on site; primary mode of transport over highway is a street car, and also encourages bicycle use. • Utilizes 21st Century cutting-edge environmental technologies • Creates a transit oriented development utilizing existing bus route. Potential for monorail shuttles to city. • Reduces the heat island effect.


Sub-level Parking Plan Primary Road Access through site

Parking Nodes


Supporting Stable Living Conditions

S

upportive housing is a combination of housing and services intended as a cost-effective way to help people live more stable, productive lives. This type of housing is widely believed to work well for those who face the most complex challenges - individuals and families confronted with homelessness and who also have very low incomes and/or serious, persistent issues that may include substance abuse, addiction or alcoholism, mental illness, HIV/ AIDS, or other serious challenges to a successful life. Supportive Housing can be coupled with such social services as job training, life skills training, alcohol and drug abuse programs and case management to populations in need of assistance, including the developmentally disabled, those suffering from dementia, including Alzheimer’s disease and elderly people who are medically frail. It is intended to be a pragmatic solution that helps people recover and succeed while reducing the overall cost of care. Without supportive services, the tenant is likely to regress for the reasons that lead to their loss of housing in the first place.

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Schematic Design

Massing Model

Rooftop (green roof) Rooftop Terrace Housing Units Circulation towers Supportive Services 77


Program Matrix & Time of Use Diagrams

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Program Calculations

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Materiality

Terrazzo is a composite material poured in place or precast. It consists of recycled marble, quartz, granite, glass or other suitable chips, poured with a binder. It is cured, ground and polished to a smooth surface or otherwise finished to produce a uniformly textured surface. Durable, Low Maintenance, Low Embodied Energy, Recycle/Reuse Content, Zero V.O.C Off-Gassing, Indoor Air Quality, Local Sourcing.

West Indian Cedar is an aromatic wood that is in high demand in the American tropics because it is naturally termite and rot-resistant. Low cost due to its light weight and low energy consumption required to produce, transport and processing.

Bamboo is one of the most amazingly versatile and sustainable building materials available. It grows remarkably fast and in a wide range of climates. It is exceedingly strong for its weight and can be used both structurally and as a finish material.

Clay building blocks have been trusted to support innumerable projects island-wide and regionally. They facilitate faster construction and offer superior moisture resistance as well as present better thermal and sound insulation.

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Sun Studies

Summer 9am

Summer 12 noon

Summer 6 pm

Winter 9am

Winter 12 noon

Winter 6pm 81


Life Safety

Mechanical & Plumbing Plan

ZONE 1 - 7.79 t COOLING LOAD ZONE 2 - 5.16 t COOLING LOAD ZONE 3 - 11.63 t COOLING LOAD

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Sub-Level Parking Plan

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Floor Plans

Rooftop

Site with Level 1 plan 84


Level 1 (Supportive Services)

Level 2-6 (Apartments) 85


3D Section

Western Elevation at 2:30 PM

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Structural framing

Northern Elevation at 5:30 PM

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Sustainable Features

Rain water collection (Irrigation)

Daylighting

Natural Ventilation

Green wall System

Planter Box

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Planter Box Detail

Concrete Masonry Units Cedar Top Soil Rubble Geotextile Membrane

Lightweight Concrete Rebar Corrugated Metal Deck Continuous Shelf angle Welded Angles Clip Angle I-Beam

Open Web Steel Joist

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Artwork



Sketchbook

“This medium is simple, yet so rich in communicative potential that all human ideas can be expressed through it...� Jonathan Friedman


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Fine Art

“Art is the desire of man to express himself, to record the reactions of his personality to the world he lives in.” - Amy Lowell

2001 - Present In order of appearance: “Promotional Sticker for Egypt” - Acrylic Paint “Caribbean Student Association Logo” - Photoshop “Gestural Sketch of a boot” - Charcoal “Contour Line Drawing of Pots”- Graphite “Resting Skeleton”- Pen Reproduction “Mother & Child” - Acrylic Paint “Festival of Lights” - Mixed Media Collage “Self Portrait” - Collage Untitled - Plaster, Sand & Seashells


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I would like to extend my gratitude to my friends and family. Without the financial and emotional support, my educational pursuits would not have been successful.

Thank You !




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