Portfolio 2024 - Nikoletta Zakynthinou-Xanthi by Nicole Zakynthinou-Xanthi

ARCHITECTURAL PORTFOLIO

ZAKYNTHINOU - XANTHI NIKOLETTA SELECTED WORKS | NTUA - SCHOOL OF ARCHITECTURE | YEAR 2024

Digital Portfolio Link: https://issuu.com/nikolettazx/docs/portfolio_nikoletta_zakynthinou-xanthi_reduced_gen

uni. projects

arch. competitions

URBAN SQUARE of KOLONAKI Concept Arch. Competition | Fall 2023 | xza-architects office | 1st PRIZE project manager: Xanthi T.

U R B A N R E G E N E R AT I O N o f A L E X A N D R A’s M E T R O S TAT I O N Concept Arch. Competition | Fall 2023 | xza-architects office | 1st PRIZE project manager: Xanthi T.

EYDAP New Office Premises Concept Arch. Competition | Spring 2022 | xza-architects office | 1st PRIZE project manager: Xanthi T.

THE GARDEN - Cancer Center Research Institute (CCRI) Closed Arch. Competition | Summer 2018 | xza-architects office | 2nd PRIZE project manager: Xanthi T.

C O A S TA L PAV I L I O N i n T h e s s a l o n i ki Student’s Arch Competition | Small scale Project | Spring 2017 | 1st HONOURABLE MENTION student’s team: Argyriou K., Galetakis G., Kalyfommatos P., Zakynthinou-Xanthi N.

prof. experience

THE VESSELS - New Cyprus Museum (NCM) Competition & Realization of the Project | Fall 2017 - 2021 | 1st Prize | xza-architects office project manager: Xanthi T.

pers. pursuit

Sketches

sculptures

table of contents

university projects

CITY MUSEUM at Lavrion SITE:

Lavrio Historical Center

SUBJECT: Cultural Center and City Museum TYPE:

Bachelor Degree Project

CO-LAB: Group Work DATE:

Spring 2018

The aim of the project is to provide the city a Museum that reveals the triple historical stratigraphy of Lavrio and a network of a Cultural Center that unfolds around a double-tiered urban square. The Museum is trying to bridge over the distinct historical periods of Lavrio, including the archaic times, the industrial era and nowdays. The main idea of the project is its vertical section that connect the separate levels, along with the spiral movement that starts with the entrance to the museum, reaches up high to the tower and ends at the central square.

Center delineation

Crosscut Section

Museum arrangement

Layered movements

One undivided Connection

M o de l - E a ste rn f ac ade

L o n g i t u d i n a l S ec t i o n

THE BOX - a Social Capacitor SITE:

Ano Patissia, Athens

SUBJECT: Local Cultural Center TYPE:

Master Degree Project

CO-LAB: Group Work DATE:

Fall 2018

A multifunctional public building integrated in the dense urban neighbourhood of Ano Patissia that consolidates common spaces within its structure, around a vertical void. The central atrium aims to enhance social interactions and create a dynamic community, open to visitors and residents of the neighborhood. Fluctuating intermediate spaces at the ground multi-leveled floor and in between enclosed spaces on the upper levels ignite movement choreographs, generate different visual communications, support unconventional relationships and include shared spaces of contemplation and collective gathering.

Th e F lu x

Sketches of the idea

S k e t c h - Vi e w f r o m t h e i n t e r i o r p a s s a g e A r c h i t ec t u ra l m od e l - s c a l e 1 : 2 0 0

N o r th f a ca de - Vie w f r o m t h e c i t y

South f a ca de - M o de l S c ale 1 :2 0 0

L on g t i t u d a l S e c t i on

Vi ew f r o m t h e n ei g h b o u r h o o d

M o de l e xp lo d e d Pa s s a ge be twe e n 2 ar eas

S l i de o f 2 vo l u m es

CU BE - Capaci t o r o f f u nct i o n s

Fi n a l F o rm - 5 Fa c a d e s

Ci t y a n d S p e e d T h e l i m i t be t we e n t he n e ig hbo u r h o o d and ra p id c irc u l a t io n M i cr o - M a c ro S c a l e

L o n g t i d u n a l P hot or e a l is t i c S e c t i on

ARTIGLIO / Towards the sea

ARTIGLIO SITE:

Peiraiki, Attica, Greece

SUBJECT: Littoral Intervention TYPE:

Master Degree Project

CO-LAB: Group Work DATE:

Spring 2019

The project aims to bring Piraeiki back to the sea. The project is driven by the idea of a fluid that flows from the city to the sea. That flux became more powerfull on the streets leading to the sea. Its strength here is such as to break the limit of the wall, and lengthen the road to the sea. This gesture is physically translated into straight paths that reach the warter, created with sculptural and red metallic walls. They scratch the ground and grab the sea. To these are added two horizontal paths, one at street level, like a sort of sidewalk interspersed with descending stairs, and one on the rocks.

SITE:

Pireo, Athens peninsula

SUBJECT:

Rethinking on the coast

TYPE:

Erasmus project

TEAM:

Nicole Zakynthinou-Xanthi, Artemi Stefanopoulu

The project aims to bring Piraiki back to the sea. The project is driven by the idea of a fluid that flows from the city to the sea. That flux became more powerfull on the streets leading to the sea. Its strength here is such as to break the limit of the wall, and lengthen the road to the sea. This gesture is physically translated into straight paths that reach the warter, created with sculptural and red metallic walls. They scratch the ground and grab the sea. To these are added two horizontal paths, one at street level, like a sort of sidewalk interspersed with descending stairs, and one on the rocks.

“ARTIGLIO” Are the nails of a dragon. A dragon that surrpasses every obstacle and reaches the horizon. Traces of “artiglio” are laying on the white rocks of Piraiki, seeking for moments of intimacy, ready to be inhabited. Ge n e ra l P l a n

R hin o M od e l

Project area

roject area is located betweenThe project area is located between a and the rowarea of historic buildingsthe sea and the rowarea of historic buildings Project Project eate a continous facade along thethat create a continous facade along the roject area is located betweenThe coast.project area is located between p rand o j e cthe t irow s loofc at e d be t we e n a and the row of historic buildingsTh theesea historic buildings eate a continous facade along theth that a continous e create se a an d t h e r ofacade w o f along h i st othe ric coast.

P ro j ec t A rea

build i n gs t h at c r e at e a c o n t i n uous f ac ade alo n g t h e c o ast .

Towards the sea

Towards To w ard sthet hsea e sea

roject overpasses the wall andThe project overpasses the wall and ally brings thethe city sea to the sea. physically thethe to the Th e p rTowards o jbrings e c t o ve rcity p asse s sea. t h e w all Towards sea

roject overpasses the wall andaThe overpasses nd pproject h y si c ally br i n gsthe t h ewall c i t yand to ally brings the city to the sea. physically brings the city to the sea.

th e se a.

Limit

An historical lower wall follow the cost. An historical lower wall follow the cost. It, as a limit, blocks the impulse of the cityIt, as a limit, blocks the impulse of the city Limit Limit to reach the sea. to reach the sea. An historical lower wall follow the cost. An historical lower wall follow the cost. AIt, ash iaslimit, t o r i blocks c a l l othe weimpulse r w a l lof the f o l lcity o wIt, as a limit, blocks the impulse of the city ttoh reach e c o athe s t .sea. I t , a s a l i mi t , b l o c k sto reach the sea.

Limit

t h e i mp u l s e o f t h e c i t y t o r e a c h the sea.

Lower path Lowe r pa th

Lower path

Two main directionality are created. OneTwo main directionality are created. One follows the coast through a lowered the coast through a lowered Athatgrid is Lower created. The first direc-that followsLower path path and shaded path, the other one, like anand shaded path, the other one, like an Two main directionality are created. One Two main directionality created. One tion of the beams is a lowered extension of the roads, is perpendicularextension of the roads,are is perpendicular that the coast through a loweredthat to it. follows to it. follows the coast through a lowered and shaded littoral path. The othand shaded path, the other one, like anand shaded path, the other one, like an er one, like extension of theextension of the roads, is perpendicular extension of thean roads, is perpendicular to it. to it. roads, is perpendicular to it.

S wi m m er ’s v i ew

POINT LIGNE PLAN - Social Blocks

https://issuu.com/nikolettazx/docs/_synth9_-_-_sin

SITE:

Olympic Village, Attica, Greece

SUBJECT: Urban Design - Micro-Macro scale TYPE:

Master Degree Project

CO-LAB: Group Work DATE:

Fall 2019

This project is located on the Olympic Village, a vast area created with aim to host the olympic athletes of 2004 and afterwards, provide shelter for eligible minorities with financial criteria. The purpose of the project is dual. On the macroscale, the village was perceived as a undivided organism. The proposal aims to create a center in the village that was absent before, while fixing the circulational issues of the grid and creating green spaces and multi-identity centers of urban life. On the micro-scale, 3 different sizes of houses, composed in 3 different types of Blocks are developped, enhancing the intimacy between the residents and their relationship with the city.

A N A L Y S I S

P R O P O S A L

Bl o ck s - U r ban Weav i n g Three different archetypes of Blocks are created - the Point, the Linear and the Atrium - , in order to control both the scale of the built environement, the scale and the flux of the public space in between and the circulational routes that connect them. They work as interdipendent unities but they are also autonomous: each unity contains multiple functions, such as residency, work spaces and leisure halls,covering for the social and cultural needs of their residents. These complexes induce a variety and richeness public and semi-public spaces that create a dynamic and vigorous living.

E N T R A N CE A

E N T R A N CE B

G e n e ral U r b a n P l a n o f t h e O l y mp i c Vi l l a g e

C u l t u ra l M o s a i c s i n t h e O l y m p i c Vi l l a g e - p e r s on a l p hot o a r c hi ve

Typology A

Ty po l o g y B

Ty po l o g y C

POINT

LIGNE

PLAN

Typ ologie s of hous e s

R e c t a n g u l a r B l o c k - Pe d e s t r i a n’s v i ew

A t r i u m B l o c k - Per s p e c t i ve v ie w f r om t he u p e r r oa d

60 m²² 1-2 residents

90 m²² 3-4 residents

130 m²² 5-6 residents

A t r i u m B l oc k - Vie w t o t he c e n t ra l a t r iu m ΕΡΓΑΣΤΗΡΙ 1

ΕΡΓΑΣΤΗΡΙ 2

ΕΡΓΑΣΤΗΡΙ 3

ΕΡΓΑΣΤΗΡΙ 4

Plan of the linear synthetic complex - scale 1:200

T h e L in e a r B l oc k - Vi e w t o t he a t r i u m

At r i u m B l o c k - Th e En t ra n c e

At r i u m B l o c k - Th e Te rra c e

Urban Visions T h e id ea o f t h e cit y t h r o ug h U t o p ia s a n d t h e S y m b o l ic O rd er https://issuu.com/nikolettazx/docs/_-_

SITE:

Utopia

SUBJECT: Theoretical Dissertation Project TYPE:

Master Degree Project

CO-LAB: Individual Work DATE:

Spring 2021

This is an example of a built Utopia! We can aknowledge a rupture of historical, cultural or political continuity in this party-wall

ABSTRACT The perception of the city through the times, reveals all the cultural, civil and political characteristics that govern the societies and demonstrate modern culture. Utopian thinking, from the Renaissance and onwards, seeks to delineate the ideal features that should reshape social correlations, reconstructing Topos ethically and spatially. Designed architectural Utopias pursue this avant-garde, revealing in space and site - often urban -, this new social condition. A Principal statement of this thesis is that the social visualisation that delineates the Zeitgeist of the times, is constructed out of a triptych of the Real, the Imaginary and the Symbolic order; a theory of psychoanalysis formulated by Jacques Lacaan, in 1973. Therefore, the visionary constructions, especially those of the utopian cities, utilise elements of the respective Symbolic Order, either to persuade, using familiar forms, or to alter the imaginary, engraving a rupture with the established order. Thus, in the first part of this research, I will attempt to explain the way the Symbolic social Construction possesses topological transcripts: it transfuses political meanings to the space that shape the social perception, thus the public space.

the Imaginary (I)

the Synthome (S)

Subsequently, we will examine the locus and the city, as a supreme field for the visionary projections of the society. The urban sphere conden es all those social correlations that identify the society and its politics, but also includes the spatial and structural matter that environ them. Architecture, therefore, forms the city, Utopia forms the vision and idea of it. Last, but not least, this research contains an analysis of utopian city designs, from the age of the Renaissance to Post-Modernism, which reveal this relationship between the city, the Topos, and the Utopia, aiming to understand not only the urban evolution, but how architecture and urban planning attempted to answer the philosophical and ethical question of living at the most complex social structure, the city.

the Symbolic (S)

the Real (R)

We perceive the world according to the Borromean knot of Jacques Lacan. Three interlocking rings -the registers of the Symbolic, Imaginary and Real-constitute our mental integrity, bearing our ideological, cultural and Political characteristics. Utopias strike the regimal status by reversing the Symbolic Order.

“Anywise, the city itself possesses cues of Utopia [...]” - Le Corbusier, Urbanisme, 1925

A. RESEARCH OBJECT

D. METHODOLOGY

This lecture focuses on Utopia in Architecture, as a request for change and redefinition of modern life and habitation. It poses two questions:

This endeavor required, on the one hand, understanding how social vision is constructed and projected onto a Place, common and lived, one like the city. On the other hand, it explored how this vision transforms into an architectural proposals for the space of the City and Utopia: Urban designs that shape the aforementioned relationships, social and class, but deeply of cultural-civilizational and political nature. These are efforts that attempt to address the urban problem spatially and symbolically and sometimes ethically. Indeed, at certain periods, utopias represent the primary manifestation of contemporary Political Zeitgeist.

a. How is the vision of a new city constructed, and b. How does social vision and the Symbolic Order get spatially transcribed into public urban space and Architecture, through utopian city planning.”

B. RESEARCH MOTIVΕ We stayed in our homes, or better yet, within a room, for a long time. The pandemic undeniably left a profound and tangible imprint on all aspects of social life worldwide. It created new conditions in the city and public space; realms inherently mediating social relations and human activities; the urban and metropolitan centers of the world were temporarily deserted. The pandemic questioned, in a ... rather novel way, the culture humans have constructed, the urban spatial structure, and the social and political life within it. Consequently, this leads to inquiries about the evolution of cities and ultimately, the role of architectural thought and design. The motivation, therefore, stemmed from a deeper and broader need to answer the question: ‘how do I re-inhabit the world, and how does architecture transform this need into an idea, design, and ultimately, a Place?

C. PURPOSE This lecture aims for understanding and change. It is an effort to demonstrate that the architectural formation of a building, even more so of the city and its vision, is not an element of positive or technological suitability, nor a product of material-technological organization, nor some peculiar self-expression. Ultimately, it represents a complex expression of interrelated factors (social, political, economic, cultural), often of conflicting nature, as the city is not merely its built entity but a set of relationships that define urbanity. These relationships are fundamentally expressions of social, political, and cultural symbolism. The analysis of architectural Utopias leads to another position, one that suggests that Utopia, whether it’s the small utopia of urban scale or the grand Utopia of planned cities, has a Place, that of Architectural Thought and Design.

To demonstrate this, we proceed through three distinct stages: (a) Symbolic Order, as an expression of the prevailing ideology at any given time, shapes Architecture, the City, and the Landscape. [Chapter 1] (b) Topos and the city serve as highly visual mediums, and hence, the architectural Utopia of cities projects its vision onto them. [Chapter 2] (c) The analysis of urban planning designs for the City and Utopia demonstrates these relationships and qualities, and architectural design, along with these plans, aims to change the Symbolic, through the spatial reconstruction of the world and the way it employs the Symbolic Order. [Chapters 3, 5, 6]

Utopia in Cinematography Greek futurists

Metabolists

Post-Modernism

“FREE THE CITY!”

T h e un if ica t io n o f t h e Lyca b et t us h il l a n d t h e cit y o f A t h en s , t h r o ug h a F l uid C ul t ura l La n d s ca p e https://issuu.com/nikolettazx/docs/2023.05.02_reduced_reduced

SITE:

Lycabettus Hill, Athens, Greece

SUBJECT: Urban - Landscape Design TYPE:

Diploma Thesis Project

CO-LAB: Individual Work DATE:

Spring 2023

Modern cities raise requests for a vivid and active life in public places; on roads, in open squares and vivacious green enclaves. They claim rights on free expression and strive for socio-political fermentation, on grounds that introduce the sense of belonging and co-shaping. This diploma thesis discusses how Architecture and Loci can emancipate our empirical experience in metropolises, shape opinion and reflection on modern societies, through Matter, Art and Education, but also teach that inhabiting the city or nature, apart from being civil and cultural, is common and Political. The strategic selection of a site that constitutes a hybrid field of an urban and natural environment and that stimulates the interaction and convergence of the elements above, will enable the expatiation of the theoretical inquiries in space and place.

CONNECTION OF 2 URBAN NEIGBOURHOODS

A BRIDGE BETWEEN 2 FOLDING TOPOGRAPHIES

THE DISPERSION OF THE LY C A B E T T U S H I L L

SOLID & VOID

URBAN USES - THE EXTENSION OF THE NEIGHBOURGOOD

REFUGEE SETTLEMENTS & THE NEW MUSEUM

3 UNITIES - TRANSITIONING F R O M P U B L I C T O P R I VAT E

SCALE & URBAN ENVIRONMENT

LIMITS & CONNECTIVITY

URBAN NETWORKS & MOBILITY

3 PHASES OF CONSTRUCTION

A NEW PLACE - “THE 4TH CENTRALITY OF ATHENS”

Topographic Masterplan scale 1:1250

TH E “IN V IS IBLE D I A G O N A L”

Refugee settlements of Alexandras Avenue Supreme Civil & Criminal Court County Court of Athens

Attica Police Headquarters

Public hospital “Ag. Savvas”

School Block 1 & 2 School Block 3 School Block 4

“Panathinaikos” football stadium

Bird’s eye view of the area

4 On the occasion of the removal of the football stadium of “Panathinaikos” team, the “Kountouriotika” district - a neighbourhood that is traversed by Alexandras Avenue - seeks for a new identity. In parallel, a unforeseen spacial potential emerges, since the destruction of the stadium liberates the folding topography that lays on the foothills of Lycabettus hill. The existing urban environment attempts to control the dispersion of the coarse grounds while this natural force casts doubt upon the reign of the 21th century anthropogenic urban environment. This is a consolidation of Human and Natural creation. This diploma thesis attemps to bring these two forces into a dialectical correlation, through a transitioning fluid cultural landscape. The “Invisible Diagonal” - Entrance of Alexandras Park

mold model for the survey of the ground - sc. 1:1000

model - scale 1:500

LY C ABE TTU S HILL

filter CIT Y

N ATU R E LY C ABE T TU S P O RTAL

RE FU GE E S E TTLE ME NTS OF ALE XAND RAS AVE NU E

idea diagram

topographic model - scale 1:1000

model - scale 1:500

A linear, multi-leveled filter, an ephemeral construction, perfused by the horizontal eye, works on considerable levels.It connects the urban neighborhoods and their epicenters that have been separated, on account of the road axis, while reconstructing a new topography, though a cartesian kinetic system, alternates variegated circulation, educational and cultural uses, outlines a horizon and forms a permeable front for the city and its open spaces, which lay on the virtue of the untethered descending of the hill.

REFUGEE SETTLEMENTS OF ALEXANDRAS AVENUE

LY CAB E TT U S P O R TAL

CITY & TOPOGRAPHY MUSEUM at the upper level

Plan & View - scale 1:200

View from the neighbourhood

The community plaza

Heading towards the Lycabettus hill

A new Topos of multiple encounters is being born, pledged to the citizens, that attempts to bridge the different circumstances - urban or not -, to create common spaces and ways for heterogeneous identities to exist and to offer various empirical experiences, through a filter-regulator of the relationship between the city and nature.

Intermediate space of educational premises

Leisure & outdoor athletic activities

The public Amphitheater & Makerspaces

CONSTRUCTIONAL SECTION - SCALE 1:50 T HE ID E A O F A F L E X IB L E A N D R EV ER SI B LE O P EN SY STEM, TH R O U G H I TS C O N STR U CT IO N A L D E S IG N

The design concept is based on a unified bioclimatic canopy – a “filter” that mediates between the natural environment of the hill and the urban fabric of the city. It is influenced by the character of each area and creates a microclimate within. To ensure flexibility and cost-effectiveness in construction, this system is based on architectural tools like the grid, the repeatability of its structural elements, and the simplification of materials. The 3-meter spatial grid serves on multiple levels. On one hand, it supports the metallic canopy and all the enclosed spaces below, offering great adaptability in construction and their restructuring. More specifically, these spaces are grouped and isolated as separate systems, which, following the rules of hemp, unify internally and adjust in size according to community needs. On the other hand, it allows for the adaptation of external flows to the construction’s form, integrating natural and urban movements from various directions. This spatial grid enables the addition or removal of any construction, standard or with specific specifications, integrating it as part of the system, offering thus multiple benefits to the community. The canopy is designed as a grid of closed-section steel beams, behaving as a single entity, releasing the carrier and allowing its unconventional support. The dimensions of the canopy sections are set at 30x60 cm, where constructions can be attached and suspended. In other worlds, pillars bear the canopy, which respectively holds the alleged constructions. The bioclimatic facades, along with the canopy, regulate the temperature in internal and semi-open intermediate spaces, creating a microclimate pleasant for humans, allowing users to inhabit and arrogate the space. They are categorized into two types, high and low transparency, depending on their orientation, use, and the degree of privacy they enclose.

The philosophy of the overall design and the idea of a flexible and open system are ultimately realized through the construction itself.

architectural competitions

URBAN SQUARE of KOLONAKI https://youtu.be/Oh8oRrJLehA

SITE:

Kolonaki Square, Athens, Greece

SUBJECT: Urban - Landscape Architecture TYPE:

Concept Arch. Competition

CO-LAB: Group Work DATE:

Sept. 2023

Occasioned by the installation of the new metro station and located on the crossroad of Lycabettus and Ardittos hills and among other eminent buildings of civic importance in the center of town, the square of Kolonaki is being regenerated. This proposal attemps first and foremost to maintain the innate urban character of this prominent athenian square while, on the other hand, suggests a two-leveled space which operates in multiple ways. Social and environmental sustainability, in accordance with architectural verity and a broader urban planning, are some of the principles that molded the concept of this design.

ROLE:

THE IDEA

The importance of Kolonaki square at the athenian urban grid

KALLIMARMARO STADIUM

URBAN GRID

The Alea promenade

KOLONAKI SQUARE

URBAN GRID

LYCABETTUS HILL

Central area and view to Lycabettus Hill

Associate architect at “xza-architects”, Architectural office, Athens, Greece

• Proposing ideas and solutions through the different phases of the process, coordinating the procedure and the material presented • Responsible for the 3D modeling (Rhinoceros) and the idea diagrams (Autocad, Photoshop, Rhinoceros, Indesign) • Partnership and collaboration with other associates, landscape architects, mechanical engineers & urban and transport planners

D IAG RAMS OF T H E PROPOSAL G. Public s tations of urban us e F. Emancip ation of the s cales through gradual trans itions

E. Active p res ence of nature, through urban and environmenta des ign D. Sp atial elements that comp os e the urban identity of the s quare 1 . t he c e n t e r 2 . t he a m p hi t he a t e r 3 . t he l oggi a 4 . t he a l l e y 5 . t he a d j a c e n t u r b a n fu n c t i on s

C. The emergence of the central s p ace, alinged with the urban axis of N-S

B. The liberation of movements and acces s

A. The op en p ublic s p ace and the p erp etual contact with the exis ting urban environment

Ground Floor Plan

South-west perspective view

1. Ordi n ary u s e

2. ve n u e o f s o c i al i zati o n

3. Ou tdo o r ac ti v i ti e s - e xhi bi ti o n s

4. p u bl i c as s e mbl y

Nocturnal depiction of the Proposal

U R B A N I S L A N D o f A L E X A N D R A’ S https://youtu.be/_UsL9y9_D5E

SITE:

Alexandra Anenue, Athens, Greece

SUBJECT: Urban - Landscape Architecture TYPE:

Concept Arch. Competition

CO-LAB: Group Work DATE:

Sept. 2023

IN THE LIMITS OF THE WIDER CENTRALITY OF ATHENS

AL EX AN

DR A’ S AN

EN UE

The Avenue of Alexandra in Athens, part of the large urban triangle, undergoes transformation with the expansion of metro stations. The proposal envisions an urban island hosting the metro, becoming a model for sustainable design. The plan incorporates environmental, energy, and bioclimatic principles, emphasizing open spaces, sociability, and greenery. The urban island’s role is to connect local and supralocal elements, balancing city scale with neighborhood integration. The proposal integrates green networks, public transportation, and cycling, emphasizing environmental cooperation. A unique aspect is the bioclimatic canopy, offering shadow as well as serving as a guiding urban tool for energy efficiency. Materiality and landscaping prioritize breathability, water absorption, and biodiversity. The proposal seeks to redefine the city positively through functional modernization and revitalization stimuli, emphasizing the intricate relationship between residents and public spaces.

ATOP THE FAST TRANSIT ALEXANDRA’S AVENUE THAT SEPARATES THE GREEN AREAS, NEIGHBOURHOODS AND THE NATURAL LANDSCAPE

OPPORTUNITY FOR REGENERATION AND RECONNECTION OF THE PUBLIC AREA AND SITES OF INTEREST

IN-BETWEEN THE NATURAL AND THE URBAN, THE HYPER-LOCALITY OF URBAN MOBILITY AND THE PRESERVATION OF THE NEIGHBORHOOD SCALE.

Three zones

METROPOLITAN SIDEWALK Master Plan

PARK

PEDESTRIAN ROAD

CANOPIES AS A SYNTACTIC URBAN SYSTEM

UNIT

GROUP

Circulation zones, the park and the entrance of the metro

NETWORK

MULTIPLICATION

Entrance from the pedestrian part of Asopiou street

ROLE:

CANOPY CONSTRUCTIONAL DETAILS

Associate architect at “xza-architects”, Architectural office, Athens, Greece

EYDAP - the bioclimatic canopy

S YN E R G Y O F N AT U R AL S O U R C E S

T H E R E S U R R E C T I O N O F T H E N AT U R AL E N V I R O N M E N T G R O U N D S C A P E | G R E E N S C A P E | WAT E R S C A P E

https://www.youtube.com/watch?v=JjcRent3qF0

SITE:

Galatsi, Athens, Greece

SUBJECT: Urban - Landscape Architecture TYPE:

Concept Arch. Competition

CO-LAB: Group Work DATE:

May 2022

The proposal chose an open building formation as a composition of building volumes (about 18.500m2), under a bioclimatic canopy, which intermediates between the natural environment of the hill, the urban fabric and is also influenced by the “industrial” characteristics of the facilities of EYDAP - the national water company of Greece. The new building was formed with a logic of a spatial succession of open and closed spaces and the alternation of bright and shadowy areas, which allow the environment to enter, as natural light and as a visual resource. The design philosophy of the office spaces embraces the modern perception that considers that workplaces do not simply “enclose” human activities but aim to create a multifaceted work “ecosystem”, enriched with alternative uses and images.

ENVIRONMENTAL - BIOCLIMATIC - URBAN DESIGN

An extensive environmental design (green-scape, ground-scape and water-scape) preceded the integration of the new building. A large masterplan was formulated to separate the 3 planned zones and their entrances with the aim of connectivity with the city, the restoration of the ground relief and the utilization of natural resources.

THE IDEA

Diagram of space distribution

The Masterplan

ZONING & ACCESS

The public Amphitheater

North-West Facade ENERGETIC/BIOCLIMATIC CANOPY

WORKING ENVIRONMENTS - the transition from public to private spaces

1. private offices

2. common - shared environments

3. open spaces

4. multi-functional islands

Perpective longitudinal Section

The Cafe

View from the garden - outdoor museum of EYDAP

View from the water tanks of EYDAP

The GARDEN - CCRI https://www.youtube.com/watch?v=O_gfRRIMf-I

SITE:

Nicosia, Cyprus

SUBJECT: Project TYPE:

Closed Arch. Competition

This is the Cyprus Cancer Research Institute. The idea of the project is a central garden, consecrated to the memoire of a prominent woman. The building that contain laboratory infrastructures, teaching classrooms, spaces for guests and an amphitheater, encircles that garden in order to give prominence to the memory and bring the users close to nature.

CO-LAB: Group Work DATE:

Oct. 2018

Interior view to the main space

CO N FI G U RAT I O N Sustainability survey Diagrams

Ground Floor Plan

The Institute’s Garden

RES EARCH

THE GARDEN

Coastal Pavilion in Thessaloniki SITE:

Thessaloniki, Greece

SUBJECT: Urban Project - Construction TYPE:

Student’s Arch. Competition

CO-LAB: Group Work DATE:

May 2017

Inspired from the waves of the sea and the strong winds of the area, this project is located on the coastal architectural redevelopment in the city of Thessaloniki. This contruction aims not only to embrace the linear and fast movement alongside the coast, but also to deviate this flow, by creating two facing cavities that function as an informative stop. The first cavity, where someone stands and sees the city, contains informations about the ephemeral events of the city, such as concerts, partys etc.. The second cavity hosts informations concerning the history and the design of the coast of Thessaloniki, as well as maps for the city. Consequently, while reading, someone can see through the grid of the construction, the view of the content reached. At night, the coastal pavilion turns into an enlighted urban scultpure.

The model

C l o c k w i se - A PLAY W ITH TH E DAYLIGH T This particular form tries to create a moving trace with the sunlight. In the morning and during the day, every edge of the sculpture points out the orbit of the sun, in an attempt to give the perception of time and space to the stroller. It is a time-space machine.

Plan with shadows Longtidunal Facade

Plans

Crosscut Facade

professional experience

The VESSELS - New Cyprus Museum https://www.youtube.com/watch?v=Vc8HjbVdmsI

SITE:

Nicosia, Cyprus

SUBJECT: Project TYPE:

International Arch. Competition & Realization of the Project

CO-LAB: Interdisciplinary Group Work DATE:

Fall 2017 - 2021

The museum is sited in Nicosia, close to the medieval city walls, in an intermediate space between the green and urban zones of the city, thus enabling the proposal, through a broad urban and environmental design to function in a unifying way and contribute decisively to the re-structuring and upgrading of the urban environment. The intention for highlighting the archeological finds from excavation and the past to the light and the present time, led to the emergence of the museum from the ground. This resulted in a new spatial stratigraphy, composed by three horizontal zones. The upper zone with the hovering body of the museum The Memory layer. The intermediate zone that welcomes the city - The City Layer.

In-between the Volumes

Bird’s eye

The three raised volumes follow the long sight-lines of the environment and are moulded in such a way as to adapt to the triangular plot and adjacent areas. The raised museum becomes a bridge that allows the city to pass through, and the elaboration of ground level shapes the extended public space of the building with dif-ferent qualities. The public square, the entrance area, the atrium, the yards, the platform for outdoor exhibitions, the educational garden, and the river park, create spaces that can host everyday life and multiple activities.

Perspective Section

The Entrance at the multi-leveled ground floor

1 +7.70

0.10

ΔΞΙ4.Τ2

Ε135.Ξ/Ε1.9

8365ΤΓ75.1/Ε1.6

8354

8512

ΤΓ75.1/Ε1.6

+7.70 +7.50

ΠΩΛΗΤΗΡΙΟ ΜΟΥΣΕΙΟΥ

ΤΓ75.1

ΔΑΠΕΔΑ

ΤΟΙΧΟΣ 135mm ΑΠΟ ΜΟΝΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ, ΠΑΧΟΥΣ 12,5mm, ΚΑΙ ΞΥΛΟ ΚΟΝΤΡΑ ΠΛΑΚΕ ΘΑΛΑΣΣΗΣ, ΠΑΧΟΥΣ, 22.5mm και 12mm,

ΗΧΟΜΟΝΩΤΙΚΗ ΨΕΥΔΟΡΟΦΗ ΑΠΟ ΠΑΝΕΛ ΥΑΛΟΣΑΝΙΔΑΣ CLASS B', ΧΩΡΙΣ ΑΡΜΟΥΣ, ΑΝΑΡΤΗΜΕΝΗ, ΠΑΧΟΥΣ 25mm, ΛΕΠΤ. Α-8702.1

ΨΓΘ1

ΨΕΥΔΟΡΟΦΗ ΑΠΟ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ, ΠΑΧΟΥΣ 12,5mm, ΣΕ ΑΝΙΣΟΠΕΔΟ ΣΚΕΛΕΤΟ, ΜΕ ΘΕΡΜΟΜΟΝΩΣΗ, ΛΕΠΤ. Α-8704.3 ΞΥΛΙΝΟ ΑΠΟ ΜΑΣΙΦΚΟΙΝΗ, ΣΑΝΙΔΕΣ ΞΥΛΕΙΑΣ ΙΡΟΚΟ ΤΥΠΟΥ ΚΑΡΦΩΤΟ-ΚΟΛΛΗΤΟ 200mm, ΛΕΠΤ. Α-8512.1 ΤΓ180.1ΔΑΠΕΔΟ ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΠΑΧΟΥΣ 25mm, ΛΕΠΤ. Α-8646.2 ΞΥΛΙΝΟ ΑΠΟ ΜΑΣΙΦΚΟΙΝΗ, ΣΑΝΙΔΕΣ ΞΥΛΕΙΑΣ ΙΡΟΚΟ ΤΥΠΟΥ ΚΑΡΦΩΤΟ-ΚΟΛΛΗΤΟ , ΛΕΠΤ. Α-8511.4 ΤΓ75.1 ΔΑΠΕΔΟ ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΠΑΧΟΥΣ 25mm ΚΑΙ ΜΟΝΩΣΗ ΑΠΟ ΠΕΤΡΟΒΑΜΒΑΚΑ150mm 75mm, ΛΕΠΤ. Α-8642.1 Ε135.Ξ ΨΥ2.1

ΗΧΟΜΟΝΩΤΙΚΗ ΨΕΥΔΟΡΟΦΗ ΑΠΟ ΠΑΝΕΛ ΥΑΛΟΣΑΝΙΔΑΣ CLASS B', ΧΩΡΙΣ ΑΡΜΟΥΣ, ΑΝΑΡΤΗΜΕΝΗ, ΠΑΧΟΥΣ 25mm, ΛΕΠΤ. Α-8702.1

ΨΓΘ1

ΨΕΥΔΟΡΟΦΗ ΑΠΟ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ, ΠΑΧΟΥΣ 12,5mm, ΣΕ ΑΝΙΣΟΠΕΔΟ ΣΚΕΛΕΤΟ, ΜΕ ΘΕΡΜΟΜΟΝΩΣΗ, ΛΕΠΤ. Α-8704.3

ΔΞΙ4.Τ2

ΞΥΛΙΝΟ ΔΑΠΕΔΟ ΑΠΟ ΜΑΣΙΦ ΣΑΝΙΔΕΣ ΞΥΛΕΙΑΣ ΙΡΟΚΟ ΤΥΠΟΥ ΚΑΡΦΩΤΟ-ΚΟΛΛΗΤΟ 200mm, ΛΕΠΤ. Α-8512.1

ΔΞΙ3.Τ2

ΞΥΛΙΝΟ ΔΑΠΕΔΟ ΑΠΟ ΜΑΣΙΦ ΣΑΝΙΔΕΣ ΞΥΛΕΙΑΣ ΙΡΟΚΟ ΤΥΠΟΥ ΚΑΡΦΩΤΟ-ΚΟΛΛΗΤΟ 150mm , ΛΕΠΤ. Α-8511.4

0.17 0.20

0.17

0.41

0.20

0.07

1.00

0.41

0.18

0.55

0.25

3.05

550

1.50

0.55

1.95 3.25

0.25

1.50

1.10

0.20

0.80

1.10

ΑΚΟΥΣΤΙΚΟ ΕΠΙΧΡΙΣΜΑ ΛΕΠΤΟΚΟΚΚΟ, ΛΕΙΑΣ ΕΠΙΦΑΝΕΙΑΣ

E1.6

ΔΙΑΚΟΣΜΗΤΙΚΟ ΚΟΝΙΑΜΑ ΥΔΡΥΑΛΟΥ, ΜΙΑΣ ΣΤΡΩΣΗΣ, ΜΕ ΧΡΩΜΑ ΣΤΗ ΣΥΣΤΑΣΗ ΚΑΙ ΕΙΔΙΚΗ ΤΕΧΝΟΤΡΟΠΙΑ, ΠΑΧΟΣ 1.5mm

E1.7

ΔΙΑΚΟΣΜΗΤΙΚΟ ΚΟΝΙΑΜΑ ΜΙΑΣ ΣΤΡΩΣΗΣ, ΜΕ ΧΡΩΜΑ ΣΤΗ ΣΥΣΤΑΣΗ, ΤΕΛΙΚΗΣ ΛΕΙΑΣ ΕΠΙΦΑΝΕΙΑΣ

E1.9

ΕΠΑΛΕΙΨΗ ΜΕ ΜΗ ΠΤΗΤΙΚΗ ΒΑΦΗ

1.60

0.80

3.40 +19.45

+19.85

0.18

0.55

0.09

0.50

0.25

1,5%

ΜΕ ΧΡΩΜΑ ΣΤ ΣΥΣΤΑΣΗ, ΤΕΛΙΚΗΣ ΛΕΙΑΣ ΕΠΙΦΑΝΕΙΑΣ

1.00

ΣΤΟΜΙΑ ΕΠΙΣΤΡΟΦΗΣ ΚΛΙΜΑΤΙΖΟΜΕΝΟΥ ΑΕΡΑ

ΜΕΤΑΛΛΙΚΟ ΥΠΟΣΤΗΛΩΜΑ ΣΤΗΡΙΞΗΣ ΠΡΟΒΟΛΟΥ 100x100x5mm

0.55

0.45

0.55

0.45

2η Υποβολή βάσει παρατηρήσεων ....../......./...... εργ

NΟΕΜΒΡΙΟΣ 2021

3η Υποβολή - Σχέδια....../......./...... Προσφορών

....../......./......

ΚΥΠΡΙΑΚΗ

ΛΕΥΚΩΣ

ΥΠΕΥΘΥΝΟΣ ΟΜΑΔΑΣ ΕΡΓΟΥ ΑΡΧΙΤΕΚΤΟΝΙΚΗ ΜΕΛΕΤΗ ΥΠΕΥΘΥΝΟΣ ΟΜΑΔΑΣ ΕΡΓΟΥ

ΔΙΟΔΟΣ ΥΠΕΡΧΕΙΛΙΣΗΣ ΣΕ 4 ΑΝΤΙΔΙΑΜΕΤΡΙΚΑ ΣΗΜΕΙΑ ΤΟΥ ΔΩΜΑΤΟΣ ΣΤΗΡΙΞΗ ΑΞΟΝΙΚΑ ΣΤΟ ΠΛΑΤΟΣ ΤΩΝ 50cm

+17.80

ΣΥΝΕΡΓΑΤΕΣ ΑΡΧΙΤΕΚΤΟΝΕΣ

+17.70

ΣΥΝΤΟΝΙΣΤΗΣ ΑΡΧIT/ΚΗΣ ΜΕΛΕΤΗΣ

ΣΥΜΒΟΥΛΟΙ ΜΕΛΕΤΗΤΕΣ ΑΡΧΙΤΕΚΤΟΝΙΚΑ

+17.70

ΣTATIKΑ

+17.10

ΕΠΙΜΕΤΡΗΣΗ ΠΟΣΟΤΗΤΩΝ ΑΚΟΥΣΤΙΚA ΑΣΦΑΛΕΙΑ - ΥΓΕΙΑ ΕΙΔΙΚΟΣ ΦΩΤΙΣΜΟΣ ΣΗΜΑΝΣΗ ΚΥΚΛΟΦΟΡΙΑΚΑ ΥΔΡΑΥΛΙΚA ΠΥΡΟΠΡΟΣΤΑΣΙΑ ΦΥΤΟΤΕΧΝΙΚΑ ΕΡΓΑΣΤΗΡΙΑ

2.00

ΕΙΔΙΚΑ ΓΕΩΤΕΧΝΙΚΑ ΑΣΦΑΛΕΙΑ ΚΤΗΡΙΟΥ ΦΥΣΙΚΟΣ ΦΩΤΙΣΜΟΣ ΕΞΟΠΛΙΣΜΟΣ ΚΟΥΖΙΝΑΣ ΕΝΕΡΓΕΙΑΚΑ ΚΕΛΥΦΟΥΣ

+15.60

Γ' ΣΤΑΔΙΟ ΕΡΓΑΣΙΑΣ

+15.60

ΕΙΔΟΣ ΜΕΛΕΤΗΣ : ΤΙΤΛΟΣ ΣΧΕΔΙΟΥ :

+15.15

ΚΛΙΜΑΤΙΖΟΜΕΝΟΥ ΑΕΡΑ

+15.15

1.20

1.40

SEA Vessel

ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ, ΜΕ ΕΠΙΧΡΙΣΜΑ ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ, ΜΕ ΕΠΙΧΡΙΣΜΑ

ΗΧΕΙΟ ΟΡΟΦΗΣ ΗΧΕΙΟ ΟΡΟΦΗΣ

ΡΑΓΑ ΦΩΤΙΣΜΟΥ ΡΑΓΑ ΦΩΤΙΣΜΟΥ 34x25mm34x25mm (ΒΛ.ΦΩΤΙΣΜΟΥ) ΜΕΛΕΤΗ ΦΩΤΙΣΜΟΥ) (ΒΛ. ΜΕΛΕΤΗ 0.05

1.20

ΟΔΗΓΟΣ ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ 75mm ΟΔΗΓΟΣ ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ 75mm

ΣΤΟΜΙΟ ΠΥΡΑΝΙΧΝΕΥΣΗΣ ΣΤΟΜΙΟ ΠΥΡΑΝΙΧΝΕΥΣΗΣ ΤΥΠΟΥ ASPIRATING Φ=50mm ΤΥΠΟΥ ASPIRATING Φ=50mm

0.05

1.20 1.40

ΚΑΜΕΡΑ ΟΡΟΦΗΣ φ=100mm

ΚΑΤΑΙΟΝΗΤΗΡΑΣ ΤΥΠΟΥ

ΚΑΜΕΡΑ ΟΡΟΦΗΣ φ=100mm

ΚΑΤΑΙΟΝΗΤΗΡΑΣ ΤΥΠΟΥ ΨΕΥΔΟΡΟΦΗΣ Φ=85mm ΨΕΥΔΟΡΟΦΗΣ Φ=85mm

+15.15

ΕΞΑΡΤΗΜΑ ΣΤΗΡΙΞΗΣ ΣΚΕΛΕΤΟΥ ΓΥΨΟΣΑΝΙΔΑΣ ΕΞΑΡΤΗΜΑ ΣΤΗΡΙΞΗΣ ΣΚΕΛΕΤΟΥ ΓΥΨΟΣΑΝΙΔΑΣ

1.20

ΜΕΤΑΛΛΙΚH KOIΛΟΔΟΚΟΣ ΑΝΑ 1m ΜΕΤΑΛΛΙΚH60x100mm, KOIΛΟΔΟΚΟΣ 60x100mm, ΑΝΑ 1m

1.40

0.15

ΤΟΜΗ ΔΩΜΑΤΟΣ ΚΕΛΥΦΟΥΣ

1 : 20 ΤΟΜΗ ΔΩΜΑΤΟΣ ΚΕΛΥΦΟΥΣ

1 : 20

G G'

O O'

01 2

3061

3051

3011

1 3070

V1 B1

V1 B27

V1 B2 V1 B3 V1 B4

V1 B26

V1 B5

04'

V1 B6 V1 B7

V1 B25

V1 B8

V1 B9

V1 B10

V1 B11

V1 B12

V1 B13

V1 B14

V1 B15

V1 B16

V1 B17

V1 B18

V1 B19

V1 B20

V1 B21

V1 B22

V1 B23

V1 B24

07 V2 B21

07'

V1 B30

07" 08' V2 B20

08 2 3041

V1 B29

3081

3071

V2 B19

V1 B28 V2 B26

1 3041

V2 B1

V2 B2

V2 B25 V2 B3

V2 B4

V2 B5

V2 B6

V2 B7

3061

V2 B8

V2 B9

10'

2 3081

V2 B10

3021

V2 B11

V2 B12

V2 B13

V2 B14

V2 B16

V2 B17

V2 B18

2 3021

11΄ 12

COSMOS Vessel

V3 B29

12΄ 12"

V3 B28

V3 B26

V3 B27

14' V3 B25

14" 15

1 3030

V3 B24

• Study of the construction of the vessels • Partnership and c ompositional design (Autocad) with other associates and mechanical engineers • Plan processing and designing in different scales of the project. • Responsible for the 3D modeling (Rhinoceros) of elements, in the interior exhibitional space of the volumes

V3 B1

V3 B2

V3 B3

V3 B4

V3 B5

V3 B7

V3 B6

V3 B8

V3 B9

V3 B10

V3 B11

V3 B13

V3 B12

3061

Plan of the Final Design

ΜΟΥΣΕΙΟΓΡΑΦΙΚA

ΘΩΜΑΣ ΤΣΟΥΚΑΛΑΣ ΣΤΕΡΓΙΟΣ ΓΑΛΙΚΑΣ

ΓΡΑΦΙΣΤΙΚΑ

0.25

ΑΚΟΥΣΤΙΚA POST-SPECTACULAR OFFICE - Σ. ΓΑΛΙΚΑΣ ΑΣΦΑΛΕΙΑ - ΥΓΕΙΑ G. RODITIS & PARTNERS - Γ. ΡΟΔΙΤΗΣ THETA ACOUSTICS LTD - Θ. ΝΙΑΟΥΝΑΚΗΣ ΕΙΔΙΚΟΣ ΦΩΤΙΣΜΟΣ FLOROS PANTELI ASSOCIATES L.L.C. - Φ.ΣΗΜΑΝΣΗ ΠΑΝΤΕΛΗ

E. DEKO & ASSOCIATES - ΕΛ. ΝΤΕΚΩ ΚΥΚΛΟΦΟΡΙΑΚΑ POST-SPECTACULAR OFFICE - Σ. ΓΑΛΙΚΑΣ ΥΔΡΑΥΛΙΚA DROMOS CONSULTING LTD - Κ. ΖΕΚΚΟΣ ΠΥΡΟΠΡΟΣΤΑΣΙΑ DROMOS CONSULTING LTD - Κ. ΖΕΚΚΟΣ ΦΥΤΟΤΕΧΝΙΚΑ INT FIRE (CYPRUS) LTD - Dr ΣΠ. ΣΠΥΡΟΥ ΕΡΓΑΣΤΗΡΙΑ LANDCO ΕΠΕ - Μ. ΚΑΝΤΑΡΤΖΗΣ ΕΙΔΙΚΑ ΓΕΩΤΕΧΝΙΚΑ Ε. ΒΑΣΙΛΕΙΟΥ - ΠΡΟΜΕΛΕΤΗ Α. ΣΑΚΕΛΛΑΡΙΟΥ ΑΣΦΑΛΕΙΑ ΚΤΗΡΙΟΥ Μ. ΚΑΒΒΑΔΑΣ ΦΥΣΙΚΟΣ ΦΩΤΙΣΜΟΣ ARION PLUS ΕΞΟΠΛΙΣΜΟΣ ΚΟΥΖΙΝΑΣ Α. ΤΣΑΓΚΡΑΣΟΥΛΗΣ XENEX - Δ. ΚΑΛΟΓΕΡΙΑΣ ΕΝΕΡΓΕΙΑΚΑ ΚΕΛΥΦΟΥΣ METABUILD

Γ' ΣΤΑΔΙΟ ΕΡΓΑΣΙΑΣ ΜΕΛΕΤΗ ΕΦΑ ΕΙΔΟΣ ΜΕΛΕΤΗΣ : ΑΡ ΤΙΤΛΟΣ ΣΧΕΔΙΟΥ :

ΚΕΛΥΦ ΚΕΛΥΦΗ ΜΟΝΙΜΩΝ ΕΚΘΕΣΕΩΝ Κ1, ΕΓΚΑΡΣΙΕΣ ΤΟΜΕΣ

ΗΜΕΡΟΜΗΝΙΑ

ΚΛΙΜΑΚΑ ΗΜΕΡΟΜΗΝΙΑ

ΝΟΕΜΒΡΙΟΣ 2021

1:50, 1:20 2021 ΝΟΕΜΒΡΙΟΣ

ΥΠΟΒΟΛΗ

ONOMA ΑΡΧΕΙΟΥ

S3- P2

NCM-DD-ZZ-DR-ARC-7010-P2

ΕΛΕΓΧΘΗΚΕ

ΤΜΗΜΑ

ΕΓΚΡΙΘΗΚΕ

ΤΜΗΜΑ

ΥΠΟΒΟΛΗ

S3- P2

ΕΛΕΓΧΘΗΚΕ

ΕΓΚΡΙΘΗΚΕ

Constructional sections of various scales and detail 4

0.25 0.15

0.20

ΚΑΜΠΥΛΗ ΡΑΓΑ, ΧΩΝΕΥΤΗ

ΚΑΜΠΥΛΗ ΡΑΓΑ, ΧΩΝΕΥΤΗ ΕΠΙ ΨΕΥΔΟΡΟΦΗΣ 34x34mm ΕΠΙ ΨΕΥΔΟΡΟΦΗΣ 34x34mm

0.20

ΚΑΤΑΙΟΝΗΤΗΡΑΣ ΚΑΤΑΙΟΝΗΤΗΡΑΣ ΠΛΕΥΡΙΚΟΥ ΤΥΠΟΥ ΠΛΕΥΡΙΚΟΥ ΤΥΠΟΥ Φ=85mm Φ=85mm

ΜΟΥΣΕΙΟΛΟΓΙΚA

XZA ARCHITECTS ΘΩΜΑΣ ΤΣΟΥΚΑΛΑΣ ΣΤΕΡΓΙΟΣ ΓΑΛΙΚΑΣ

Συνεργάτης : ΤΣΑΜΠΙΚΟΣ ΠΕΤΡΑΣ ΕΠΙΜΕΤΡΗΣΗ ΠΟΣΟΤΗΤΩΝ

ΠΡΟΒΟΛΗ ΔΟΚΑΡΙΟΥ

ΣΤΟΜΙΑ ΠΑΡΟΧΗΣ

ΜΟΥΣΕΙΑΚΟΣ ΣΧΕΔΙΑΣΜΟΣ

GEORGHIOU & ZEMBYLAS PARTNERS

ΓΡΑΦΙΣΤΙΚΑ

ΠΡΟΒΟΛΗ ΔΟΚΑΡΙΟΥ

ΣΤΟΜΙΑ ΠΑΡΟΧΗΣ +15.15 +15.15 +15.15 ΚΛΙΜΑΤΙΖΟΜΕΝΟΥ ΑΕΡΑ

ΣTATIKΑ YAP ARCHITECTS - Γ. ΑΝΔΡΕΑΔΗΣ FEREOS ARCHITECTS LLC - Π. ΦΕΡΑΙΟΣ - Αναπλ. Υπεύ VAP ARCHITECTS - Β. ΠΟΥΤΕΤΣΗΣ

PENELIS CONSULTING ENGINEERSΜΗΧΑΝΟΛΟΓΙΚA SA - Γ. ΠΕΝΕΛΗΣ ANDREAS EVRIPIDOU CIVIL ENGINEERS L.L.C. – A. Ε ΗΛΕΚΤΡΟΛΟΓΙΚA RHOMBUS STRUCTURAL ENGINEERS LLC - ΣΤ. ΕΥΣΤΡΑ GEORGHIOU & ZEMBYLAS PARTNERS

0.55

+15.60

+15.15

ΣΥΜΒΟΥΛΟΙ ΜΕΛΕΤΗΤΕΣ ΑΡΧΙΤΕΚΤΟΝΙΚΑ ΚΟΣΜΑΣ ΒΑΡΚΑΡΟΛΗΣ

ΗΛΕΚΤΡΟΛΟΓΙΚA ΜΟΥΣΕΙΟΛΟΓΙΚA

ΜΕ ΕΠΙΧΡΙΣΜΑ ΥΔΡΥΑΛΟΥ 3-5mm ΟΔΗΓΟΣ ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ 75mm

2.00

ΣΥΝΕΡΓΑΤΕΣ THEONI XANTHI XZAΑΡΧΙΤΕΚΤΟΝΕΣ ARCHITEC

ΑΡΧΙΤΕΚΤΩΝ:ΣΥΝΤΟΝΙΣΤΗΣ ΘΕΩΝΗ ΞΑΝΘΗ ΑΡΧIT/ΚΗΣ ΜΕΛΕΤΗΣ ΘΟΔΩΡΗΣ ΑΝΔΡΟΥΛΑΚΗΣ ΜΑΡΓΑΡΙΤΑ ΖΑΚΥΝΘΙΝΟΥ

ΜΗΧΑΝΟΛΟΓΙΚA ΜΟΥΣΕΙΑΚΟΣ ΣΧΕΔΙΑΣΜΟΣ

ΜΟΥΣΕΙΟΓΡΑΦΙΚA

0.55

0.45

ΔΙΕΛΕΥΣΗ Η/Μ ΠΑΡΟΧΩΝ

....../......./......

ΑΥΓΟΥΣΤΟΣ 2021

0.6

+18.00

ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ ΠΑΧΟΥΣ 25mm, ΜΕ ΕΠΙΧΡΙΣΜΑ ΥΔΡΥΑΛΟΥ 3-5mm ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΟΔΗΓΟΣ ΚΟΙΝΗ ΠΑΧΟΥΣ 25mm, ΣΤΗΡΙΞΗΣ ΓΥΨΟΣΑΝΙΔΑΣ 75mm

1.95

1.70

0.45

ΠΕΡΙΟΧΗ ΨΕΥΔΟΡΟΦΗΣ ΠΕΡΙΟΧΗ Η/Μ ΨΕΥΔΟΡΟΦΗΣ ΔΙΕΛΕΥΣΗ ΠΑΡΟΧΩΝ

NΟΕΜΒΡΙΟΣ 2021 Π

ΥΠΟΥΡΓΕΙΟ ΜΕΤΑΦΟΡΩ ΤΜΗΜΑ ΔΗ

+18.00

1.50

0.55

0.45

ΑΥΓΟΥΣΤΟΣ Α Ν Α 2021 ΘΕΩ

ΝΕΟ ΚΥΠΡΙΑ

+17.10

0.55 0.45 0.55

ΦΕΒΡΟΥΑΡΙΟΣ 2021

+18.85

ΔΙΟΔΟΣ ΥΠΕΡΧΕΙΛΙΣΗΣ ΣΕ 4 ΑΝΤΙΔΙΑΜΕΤΡΙΚΑ ΤΟΥ ΔΟΚΑΡΙΟΥ ΣΗΜΕΙΑ ΤΟΥ ΔΩΜΑΤΟΣ ΣΤΗΡΙΞΗ ΑΞΟΝΙΚΑ ΣΤΟ ΠΛΑΤΟΣ ΤΩΝ 50cm ΤΟΥ ΔΟΚΑΡΙΟΥ

1.95

0.55

ΠΡΟΒΟΛΗ ΔΟΚΑΡΙΟΥ

1.70

+16.235

2.00

ΗΜΕΡΟΜΗΝΙΑ

+19.10

+17.80

ΜΕΤΑΛΛΙΚΟ ΕΛΑΣΜΑ

+16.85

+16.510

Α/A

1η Υποβολή

+17.10

ΟΠΕΣ ΔΙΕΛΕΥΣΗΣ Η/Μ ΑΓΩΓΩΝ +16.235

ΣΤΟΜΙΑ ΕΠΙΣΤΡΟΦΗΣ ΚΛΙΜΑΤΙΖΟΜΕΝΟΥ ΑΕΡΑ

ΜΕΤΑΛΛΙΚΟ ΕΛΑΣΜΑ

+16.85

ΠΡΟΒΟΛΗ ΔΟΚΑΡΙΟΥ

+18.70

60 ΜΕΤΑΛΛΙΚΟ ΥΠΟΣΤΗΛΩΜΑ ΣΤΗΡΙΞΗΣ 0.

ΜΕΤΑΛΛΙΚΗ ΡΑΓΑ ΑΣΦΑΛΟΥΣ100x100x5mm ΠΡΟΣΒΑΣΗΣ ΠΡΟΒΟΛΟΥ ΣΤΗ ΠΕΡΙΟΧΗ ΤΗΣ ΑΝΩΤΑΤΗΣ ΟΡΟΦΗΣ

+17.10

+16.510

ΟΠΕΣ ΔΙΕΛΕΥΣΗΣ Η/Μ ΑΓΩΓΩΝ

0.20

+18.70 0.20 ΜΕΤΑΛΛΙΚΗ ΡΑΓΑ ΑΣΦΑΛΟΥΣ ΠΡΟΣΒΑΣΗΣ ΣΤΗ ΠΕΡΙΟΧΗ ΤΗΣ ΑΝΩΤΑΤΗΣ ΟΡΟΦΗΣ

1.00

0.55

ΟΔΗΓΟΣ ΣΤΗΡΙΞΗΣ ΤΗΣ ΓΥΨΟΣΑΝΙΔΑΣ 40mm

ΦΕΒΡΟΥΑΡΙΟΣ 2021

ΑΡΧΙΤΕΚΤΟΝΙΚΗ ΜΕΛΕΤΗ

150

+17.52

ΟΔΗΓΟΣ ΣΤΗΡΙΞΗΣ ΜΕ ΤΗΣΔΙΑΚΟΣΜΗΤΙΚΟ ΓΥΨΟΣΑΝΙΔΑΣΚΟΝΙΑΜΑ 40mm ΜΙΑΣ ΣΤΡΩΣΗΣ,

ΗΜΕΡΟΜΗΝΙΑ

150

+17.52

0.25

ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ ΠΑΧΟΥΣ 25mm, ΜΕ ΔΙΑΚΟΣΜΗΤΙΚΟ ΚΟΝΙΑΜΑ ΜΙΑΣ ΣΤΡΩΣΗΣ, ΜΕ ΧΡΩΜΑ ΣΤ ΣΥΣΤΑΣΗ, ΤΕΛΙΚΗΣ ΕΠΙΦΑΝΕΙΑΣ ΔΙΠΛΗ ΛΕΙΑΣ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ ΠΑΧΟΥΣ 25mm,

ΣΚΥΡΟΔΕΜΑ Β' ΦΑΣΗΣ 1,5%

1,1%

Α/A

+18.85

150

ΓΑΡΜΠΙΛΟΔΕΜΑ ΡΥΣΕΩΝ 1,1%

0.25

0.15

0.09

0.50 0.50 0.25 0.15

+19.10

+19.45

150

ΤΣΙΜΕΝΤΟΠΛΑΚΕΣ 500x500mm, ΠΑΧΟΥΣ 40mm, ΣΚΥΡΟΔΕΜΑ Β' ΦΑΣΗΣ ΑΝΑΚΛΑΣΙΤΙΚΟΤΗΤΑΣ 50-60%

0.23

0.25

1,5%

0.20

0.25 0.42

0.41 3.05

1.70 1.70

0.45 0.20 0.15

0.20

1.95

0.15 0.15

0.15

ΣΤΗΡΙΓΜΑΓΑΡΜΠΙΛΟΔΕΜΑ BUZON DPH2 ΡΥΣΕΩΝ

0.10

0.50

1,5%

+17.60

0.25

2.00

E1.8

ΣΤΡΩΣΗ ΑΠΟ ΒΟΤΣΑΛΟ Φ25/50 ΤΣΙΜΕΝΤΟΠΛΑΚΕΣ 500x500mm, ΠΑΧΟΥΣ 40mm,

+17.10

+15.60

ΔΙΑΚΟΣΜΗΤΙΚΟ ΚΟΝΙΑΜΑ ΜΙΑΣ ΣΤΡΩΣΗΣ, ΜΕ ΧΡΩΜΑ ΣΤΗ ΣΥΣΤΑΣΗ, ΤΕΛΙΚΗΣ ΛΕΙΑΣ ΕΠΙΦΑΝΕΙΑΣ ΕΠΑΛΕΙΨΗ ΜΕ ΜΗ ΠΤΗΤΙΚΗ ΒΑΦΗ

....../......./......

ΕΛΑΦΡΟΣΚΥΡΟΔΕΜΑ ΡΥΣΕΩΝ 50-60% ΑΝΑΚΛΑΣΙΤΙΚΟΤΗΤΑΣ

ΕΛΑΣΜΑ ΣΤΗΡΙΞΗΣ ΥΔΡΟΡΡΟΗΣ

+17.80 +17.70

ΣΧ

ΔΙΑΚΟΣΜΗΤΙΚΟ ΚΟΝΙΑΜΑ ΥΔΡΥΑΛΟΥ, ΜΙΑΣ ΣΤΡΩΣΗΣ, ΜΕ ΧΡΩΜΑ ΣΤΗ ΣΥΣΤΑΣΗ ΚΑΙ ΕΙΔΙΚΗ ΤΕΧΝΟΤΡΟΠΙΑ, ΠΑΧΟΣ 1.5mm

E1.9

(ΒΛ. ΣΤΑΤΙΚΗ ΜΕΛΕΤΗ) ΣΤΗΡΙΓΜΑ BUZON DPH2

ΘΕΡΜΟΜΟΝΩΤΙΚΟΣ - ΑΚΟΥΣΤΙΚΟΣ ΜΕΤΑΛΛΙΚΟΣ ΣΩΛΗΝΑΣ Φ80mm

0.23

+17.60

ΚΛΕΙΔΑ

ΑΚΟΥΣΤΙΚΟ ΕΠΙΧΡΙΣΜΑ ΛΕΠΤΟΚΟΚΚΟ, ΛΕΙΑΣ ΕΠΙΦΑΝΕΙΑΣ

E1.6 E1.7

1.70

0.05%

ΣΤΡΩΣΗ ΑΠΟ ΒΟΤΣΑΛΟ Φ25/50

ΜΕΤΑΛΛΙΚΟΣΔΙΑΧΥΤΙΚΟΣ ΣΩΛΗΝΑΣ ΥΑΛΟΠΙΑΝΑΣ, Φ80mm

+17.10

ΜΟΝΙΜΗ ΕΚΘΕΣΗ Ι (TOPOS) 3.1.1.1

+20.10

ΡΥΣΕΩΝ ΚΥΚΛΙΚΟ ΕΛΑΦΡΟΣΚΥΡΟΔΕΜΑ ΥΠΟΣΤΗΛΩΜΑ Φ200

ΔΙΠΛΗΣ ΥΑΛΩΣΗΣ, ΠΑΧΟΥΣ 43mm, ΕΛΑΣΜΑ ΣΤΗΡΙΞΗΣ ΥΔΡΟΡΡΟΗΣ

ΜΟΝΩΣΗ ΟΡΥΚΤΟΒΑΜΒΑΚΑ 100mm +17.80 ΣΚΕΛΕΤΟΣ ΣΤΗΡΙΞΗΣ ΤΗΣ ΓΥΨΟΣΑΝΙΔΑΣ +17.70

ΜΟΝΙΜΗ ΕΚΘΕΣΗ Ι (TOPOS) 3.1.1.1

L1: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ

1 8354

+20.10

ΚΥΚΛΙΚΟ ΥΠΟΣΤΗΛΩΜΑ Φ200 (ΒΛ. ΣΤΑΤΙΚΗ ΜΕΛΕΤΗ)

0.08

ΕΠΑΛΕΙΨΗ ΜΕ ΜΗ ΠΤΗΤΙΚΗ ΒΑΦΗ

8366

L1: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ

8354

0.80

+20.15

0.55

ΜΟΝΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ ΠΑΧΟΥΣ 12,5mm, ΜΕ ΕΠΙΧΡΙΣΜΑ ΥΔΡΥΑΛΟΥ 3-5mm

Ε135.Ξ/Ε1.9

ΤΓ75.1/Ε1.6 +7.70

0.80

+19.40

+18.85

ΜΟΝΩΣΗ ΟΡΥΚΤΟΒΑΜΒΑΚΑ 100mm

ΤΓ100.1/Ε1.9

+7.50

0.05%

ΔΙΑΧΥΤΙΚΟΣ ΥΑΛΟΠΙΑΝΑΣ, ΔΙΠΛΗΣ ΥΑΛΩΣΗΣ, ΠΑΧΟΥΣ 43mm, ΘΕΡΜΟΜΟΝΩΤΙΚΟΣ - ΑΚΟΥΣΤΙΚΟΣ

= ΣΚΕΛΕΤΟΣ ΣΤΗΡΙΞΗΣ ΤΗΣ ΓΥΨΟΣΑΝΙΔΑΣ 0.

ΜΟΝΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ ΠΑΧΟΥΣ 12,5mm, ΜΕ ΕΠΙΧΡΙΣΜΑ ΥΔΡΥΑΛΟΥ 3-5mm

8512 ΔΞΙ4.Τ2

+19.85

3.05

0.20

Ε135.Ξ/Ε1.9

ΔΟΚΟΣ ΗΕΒ (ΒΛ. ΣΤΑΤΙΚΗ ΜΕΛΕΤΗ)

+20.15

+20.40

0.10

0.6

8366

ΔΙΑΚΟΣΜΗΤΙΚΟ ΚΟΝΙΑΜΑ ΜΙΑΣ ΣΤΡΩΣΗΣ, ΜΕ Χ ΤΓ75.1/Ε1.6 +7.70 +7.50

ΣΧΑΡΑ 33x33mm ΜΕ ΛΑΜΕΣ 40x3mm +20.40 ΜΕΤΑΛΛΙΚΗ ΓΩΝΙΑ ΣΥΝΔΕΣΗΣ

0.20

150 150

0.08

ΑΚΟΥΣΤΙΚΟ ΕΠΙΧΡΙΣΜΑ ΛΕΠΤΟΚΟΚΚΟ, ΛΕΙΑΣ Ε

ΔΙΑΚΟΣΜΗΤΙΚΟ ΚΟΝΙΑΜΑ ΥΔΡΥΑΛΟΥ, ΜΙΑΣ Σ ΚΑΙ ΕΙΔΙΚΗ ΤΕΧΝΟΤΡΟΠΙΑ, ΠΑΧΟΥΣ 1,5mm

ΔΟΚΟΣ ΗΕΒ (ΒΛ. ΣΤΑΤΙΚΗ ΜΕΛΕΤΗ)

3.05

1.00

ΣΧΑΡΑ 33x33mm ΜΕ ΛΑΜΕΣ 40x3mm

ΔΟΚΟΣ ΗΕΒ 200 (ΒΛ. ΣΤΑΤΙΚΗ ΜΕΛΕΤΗ)

ΦΩΤΟΒΟΛΤΑΙΚΑ ΠΑΝΕΛ ΜΕ ΚΛΙΣΗ 1.00

0.04 0.15+18.85

ΜΕΤΑΛΛΙΚΗ ΓΩΝΙΑ ΣΥΝΔΕΣΗΣ

ΔΟΚΟΣ ΗΕΒ 200 (ΒΛ. ΣΤΑΤΙΚΗ ΜΕΛΕΤΗ)

ΛΑΜΑΡΙΝΑ ΠΑΧΟΥΣ 3mm, ΚΟΒΕΤΑΙ ΣΥΜΦΩΝΑ ΜΕ ΤΗ ΚΑΜΠΥΛΗ ΤΗΣ ΚΑΤΟΨΗΣ

0.04 0.20 r=

3.25

1.50

1.60

0.12

0.20

ΛΑΜΑΡΙΝΑ ΠΑΧΟΥΣ 3mm, ΚΟΒΕΤΑΙ ΣΥΜΦΩΝΑ ΜΕ ΤΗ ΚΑΜΠΥΛΗ ΤΗΣ ΚΑΤΟΨΗΣ

ΦΩΤΟΒΟΛΤΑΙΚΑ ΠΑΝΕΛ ΜΕ ΚΛΙΣΗ

0.15 0.05%

0.18

150

L2: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ ΜΟΝΙΜΗ ΤΓ100.1/Ε1.9 ΕΚΘΕΣΗ Ι (TOPOS) 3.1.1.2 Ε135.Ξ/Ε1.9 Ε135.Ξ/Ε1.9

1.00

1.70

150

ΣΧΗΜΑΤΙΚΟ ΔΙΑΓΡΑΜΜΑ ΤΕΛΕΙΩΜΑΤΩΝ ΕΠΙΦΑΝΕΙΩΝ ΕΠΑΛΕΙΨΗ

0.25

0.15

+11.75

1 : 50

0.15

0.55

0.18

1.70

ΑΚΟΥΣΤΙΚΟ

ΔΙΑΚΟΣΜΗ ΚΑΙ ΕΙΔΙΚΗ Τ

ΔΙΑΚΟΣΜΗ

ΤΓ100.1/Ε1.6

ΨΥ2.1/Ε1.8

0.20

0.07

0.12

ΤΓ100.1/Ε1.7

ΔΞΙ4.Τ2

ΣΧΗΜΑΤΙΚΟ ΔΙΑΓΡΑ

0.25

L2: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ ΜΟΝΙΜΗ ΕΚΘΕΣΗ Ι (TOPOS) 3.1.1.2

ΕΓΚΑΡΣΙΑ ΤΟΜΗ Κ1

ΕΓΚΑΡΣΙΑΕΠΙΧΡΙΣΜΑΤΑ ΤΟΜΗ Κ1

ΕΠΙΧΡΙΣΜΑΤΑ

+19.40

0.05%

8512

0.15

+11.75

ΤΓ100.1/Ε1.7

1.00

0.80

1%ΣΗΜΕΙΑΚΗ ΣΤΗΡΙΞΗ ΟΔΗΓΟΥ ΑΣΦΑΛΟΥΣ ΠΡΟΣΒΑΣΗΣ ΔΩΜΑΤΟΣ ΦΩΤΟΒΟΛΤΑΙΚΑ ΠΑΝΕΛ ΜΕ ΚΛΙΣΗ

1.20

8354

E1.8

ΓΑΡΜΠΥΛΟΔΕΜΑ ΕΙΔΙΚΗΣ ΣΥΝΘΕΣΗΣ, ΜΕ

0.30

1.50

ΤΟΙΧΟΣ 135mm ΑΠΟ ΜΟΝΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ, ΠΑΧΟΥΣ 12,5mm, ΚΑΙ ΞΥΛΟ ΚΟΝΤΡΑ ΠΛΑΚΕ ΘΑΛΑΣΣΗΣ, ΠΑΧΟΥΣ, 22.5mm και 12mm, ΕΝΔΙΑΜΕΣΑ ΜΟΝΩΣΗ ΠΕΤΡΟΒΑΜΒΑΚΑ 80mm

0.80

1.70ΑΔΙΑΒΡΟΧΟΠΟΙΗΤΙΚΑ ΠΡΟΣΜΙΚΤΑ ΚΑΙ ΑΡΜΟΥΣ

+11.90

+11.75

8354

FOYER ΕΙΣΟΔΟΥ

ΔΞΙ4.Τ2 ΔΞΙ3.Τ2 ΤΟΙΧΟΙ

ΔΑΠΕΔΑ

0.12

1,2 8356

ΤΓ75.1/Ε1.6

ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ, ΠΑΧΟΥΣ 25mm ΚΑΙ ΜΟΝΩΣΗ ΑΠΟ ΠΕΤΡΟΒΑΜΒΑΚΑ 75mm, ΛΕΠΤ. Α-8642.1

ΨΥ2.1 1 : 50

ΨΕΥΔΟΡΟΦΕΣ

ΓΑΡΜΠΥΛΟΔΕΜΑ ΕΙΔΙΚΗΣ ΣΥΝΘΕΣΗΣ, ΜΕ ΑΔΙΑΒΡΟΧΟΠΟΙΗΤΙΚΑ ΠΡΟΣΜΙΚΤΑ ΚΑΙ ΑΡΜΟΥΣ ΣΗΜΕΙΑΚΗ ΣΤΗΡΙΞΗ ΟΔΗΓΟΥ ΑΣΦΑΛΟΥΣ ΠΡΟΣΒΑΣΗΣ ΔΩΜΑΤΟΣ ΦΩΤΟΒΟΛΤΑΙΚΑ ΠΑΝΕΛ ΜΕ ΚΛΙΣΗ

+11.90

+11.75

ΤΓ100.1/Ε1.6

ΔΙΠΛΗ ΓΥΨΟΣΑΝΙΔΑ ΚΟΙΝΗ, ΠΑΧΟΥΣ 25mm, ΛΕΠΤ. Α-8646.2

Ε135.Ξ

ΕΓΚΑΡΣΙΑ ΕΝΔΙΑΜΕΣΑ ΤΟΜΗ Κ2 ΜΟΝΩΣΗ ΠΕΤΡΟΒΑΜΒΑΚΑ 80mm

2 ΨΕΥΔΟΡΟΦΕΣ

0.30

Ε135.Ξ/Ε1.9

L1: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ ΜΟΝΙΜΗ ΕΚΘΕΣΗ ΙΙ (SEA) 3.1.2.1

0.20

1 : 50

ΤΓ100.1/Ε1.9

1 : 50

ΤΓ180.1

ΕΓΚΑΡΣΙΑ ΤΟΜΗ Κ3

Ε135.Ξ/Ε1.9

FOYER ΕΙΣΟΔΟΥ

ΕΓΚΑΡΣΙΑ ΤΟΜΗ Κ2

ΤΟΙΧΟΙ

0.20

1 : 50

0.05

ΔΞΙ3.Τ2

ΨΥ2.1/Ε1.8

1.00

8365

1 8374

ΤΓ75.1/Ε1.6

0.41

ΠΩΛΗΤΗΡΙΟ ΜΟΥΣΕΙΟΥ

ΕΓΚΑΡΣΙΑ ΤΟΜΗ Κ3

2.00

1.00

ΔΞΙ3.Τ2

ΤΓ180.1/Ε1.7

Ε135.Ξ/Ε1.9

8365

8353

Ε135.Ξ/Ε1.9 ΤΓ100.1/Ε1.9

L1: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ ΜΟΝΙΜΗ ΕΚΘΕΣΗ ΙΙ (SEA) 1 3.1.2.1 8366

ΤΓ100.1/Ε1.9

ΔΞΙ4.Τ2

+11.75

Ε135.Ξ/Ε1.9

1 8354

1,2

ΤΓ100.1/Ε1.6

ΤΓ75.1/Ε1.6

8356

ΤΓ100.1/Ε1.7

1.00

L2: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ ΜΟΝΙΜΗ ΕΚΘΕΣΗ ΙΙ (SEA)1 3.1.2.2 8366

ΤΓ100.1/Ε1.9

ΨΥ2.1/Ε1.8

ΤΓ180.1/Ε1.7

8511

8365

0.25

0.15

Ε135.Ξ/Ε1.9

+7.50

+8.93

0.65

+11.90

550

0.25

0.55 0.55

ΤΓ75.1/Ε1.6 ΔΞΙ3.Τ2 11.75 +11.75

+7.70

ΔΞΙ4.Τ2

8351, 8352

L1: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ ΜΟΝΙΜΗ ΕΚΘΕΣΗ ΙΙΙ (COSMOS) 3.1.3.1

ΤΓ100.1/Ε1.7

8511

+17.10

L3: ΤΕΛΙΚΟ ΔΩΜΑ

ΔΟΚΟΣ

1,2

550

0.80

8512

8353

+15.15

1.20

+17.10

0.05

450

0.6

1,5%

0.65

L1: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ ΜΟΝΙΜΗ ΕΚΘΕΣΗ1ΙΙΙ (COSMOS) 8366 3.1.3.1

+7.50

0.20

8353

0.15

ΠΡΟΒΟΛΗ ΔΟΚΑΡΙΟΥ

8374

ΤΓ100.1/Ε1.7

+17.70 1,1%

1.60

ΤΓ100.1/Ε1.9

8512

8255-8257

Ε135.Ξ/Ε1.9

550

1,2

1.20

+11.75

L2: ΕΚΘΕΣΙΑΚΟΙ 1 ΧΩΡΟΙ ΜΟΝΙΜΗ8366 ΕΚΘΕΣΗ ΙΙ (SEA) 3.1.2.2

ΤΓ100.1/Ε1.6

1.00

8359 Ε135.Ξ/Ε1.9

1,2

+11.75

+8.93

ΤΓ100.1/Ε1.9

450

+19.10

+18.70

+15.15

8365

0.25

0.15

Ε135.Ξ/Ε1.9

+19.45

150

0.65

0.10 0.20

Ε135.Ξ/Ε1.9ΤΓ100.1/Ε1.6

+11.90

8511

550

3.40

ΤΓ75.1/Ε1.6

ΔΞΙ3.Τ2

1.00

L2: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ 8351, 8352 8364 ΜΟΝΙΜΗ ΕΚΘΕΣΗ ΙΙΙ (COSMOS) 8366 3.1.3.2

+7.70 +7.50

1.20

11.75 +11.75

450

+17.10

L3: ΤΕΛΙΚΟ ΔΩΜΑ

+19.85

2.00 150

ΨΥ2.1/Ε1.8

ΤΓ100.1/Ε1.6

0.25

ΨΥ2.1/Ε1.8

ΔΞΙ4.Τ2

ΤΓ100.1/Ε1.7

ΔΟΚΟΣ 1%

+15.15

0.12

8512

8353

8366

ΤΓ100.1/Ε1.9

1,2

0.05

ΨΥ2.1/Ε1.8

8359

ΤΓ75.1/Ε1.6

Ε135.Ξ/Ε1.9

1.20

8374

0.25

+11.90

+11.75

ΤΓ100.1/Ε1.7

8255-8257

0.15

550

0.6

1,5%

+17.10

550

+17.10

ΟΠΕΣ ΔΙΕΛΕΥΣΗΣ Η/Μ ΑΓΩΓΩΝ

2.00 0.15

ΤΓ100.1/Ε1.7

ΣΤΕΓΑΣΗ FOYER

8511 +15.15Ε135.Ξ/Ε1.9

ΤΓ75.1/Ε1.6

450

ΨΔ/E1.6

2.25

ΔΞΙ3.Τ2

Ε135.Ξ/Ε1.9

ΤΓ100.1/Ε1.6

+11.75

8364

8366

ΤΓ100.1/Ε1.9

550

ΤΓ100.1/Ε1.7 +18.00

ΔΟΚΟΣ

Ε135.Ξ/Ε1.9

1.80

450

+17.52

ΨΥ2.1/Ε1.8

1.20

L3: ΤΕΛΙΚΟ ΔΩΜΑ

ΤΓ100.1/Ε1.6

ΤΓ100.1/Ε1.7

550

+15.15

0.12

8353

8365

+17.10

550

ΨΥ2.1/Ε1.8

L2: ΕΚΘΕΣΙΑΚΟΙ ΧΩΡΟΙ ΜΟΝΙΜΗ ΕΚΘΕΣΗ ΙΙΙ (COSMOS) 3.1.3.21

ΤΓ100.1/Ε1.1.9

400

0.55

1,2

+11.75

Ε135.Ξ/Ε1.9

550

1.60

ΤΓ75.1/Ε1.6

ΤΓ100.1/Ε1.6

400

ΨΓΘ1/E1.6

0.6

ΤΓ100.1/Ε1.7

ΔΟΚΟΣ

550

0.12

+11.90

1.20

+17.10

400

+15.15

1.95

+11.75

ΨΥ2.1/Ε1.8

550

+15.15

ΤΓ100.1/Ε1.6

8511

0.05

ΟΠΕΣ ΔΙΕΛΕΥΣΗΣ Η/Μ ΑΓΩΓΩΝ

ΤΓ100.1/Ε1.7

ΣΤΕΓΑΣΗ FOYER

Ε135.Ξ/Ε1.9

1.20

8374 1.80

0.15

8314

0.6

ΤΓ100.1/Ε1.7

1,5%

0.65

ΔΞΙ3.Τ2

8366

ΤΓ100.1/Ε1.1.9

ΔΟΚΟΣ

ΣΤΕΓΑΣΗ FOYER

8314

ΣΤΕΓΑΣΗ FOYER

r= +18.03

1,1%

+20.15 0.80

450

2.00 150

1,6%

0.30

1 8374

ΤΓ100.1/Ε1.7

0.15

ΤΓ100.1/Ε1.6

ΤΓ100.1/Ε1.7

8365

ΤΓ100.1/Ε1.6

L3: ΤΕΛΙΚΟ ΔΩΜΑ

Ε135.Ξ/Ε1.9

550

1,1%

1.95

450

ΨΓΘ1/E1.6 ΤΓ100.1/Ε1.7 +17.70

+17.52

ΨΥ2.1/Ε1.8

+17.10

0.05%

550

150

+17.70

+17.52 +20.40

ΟΠΕΣ ΔΙΕΛΕΥΣΗΣ Η/Μ ΑΓΩΓΩΝ

8310

1.80

+18.70

ΤΓ100.1/Ε1.7

0.30

550

150

1.10

450

150

1,5%

0.80

ΣΧ

ΠΡΟΒΟΛΗ ΔΟΚΑΡΙΟΥ

+18.70

ΤΓ100.1/Ε1.7 +18.00

ΔΟΚΟΣ

+19.10

ΚΛΕΙΔΑ

+19.10

150

ΨΔ/E1.6

8310

L3: ΤΕΛΙΚΟ ΔΩΜΑ

+19.45

ΤΓ100.1/Ε1.6

+19.45

150

ΤΓ100.1/Ε1.7

+19.85

ΔΟΚΟΣ

550

0.45 0.20 0.15

0.15

550

400

ΤΓ100.1/Ε1.7

1.10

1,2

450

ΨΥ2.1/Ε1.8

8353

+11.75

550

8511

+15.15

ΤΓ100.1/Ε1.6

+17.10 ΔΟΚΟΣ

1,5%

+17.10

ΟΠΕΣ ΔΙΕΛΕΥΣΗΣ Η/Μ ΑΓΩΓΩΝ

ΤΓ100.1/Ε1.7

550

ΨΓΘ1/E1.6

0.6

+15.15

ΤΓ100.1/Ε1.6

ΔΟΚΟΣ

8374

0.15

8373

ΣΤΕΓΑΣΗ FOYER

+17.70

+17.52 1,6%

1,1%

0.42

ΨΥ2.1/Ε1.8

150 150

ΤΓ100.1/Ε1.7

400

1.10

ΨΓΘ1/E1.6 ΤΓ100.1/Ε1.7 +18.00

1,5%

1.80

550

0.05%

8307

ΜΟΝΙΜΗ ΕΚΘΕΣΗ

ΨΓΘ1/E1.6

0.6

+18.03

+17.10

400

0.6

8305 150

0.80

1 150

1,6%

+20.15 0.80

550

0.15

ΨΓΘ1/E1.6

8314

+18.70

550

Intern at “xza-architects”, Architectural office, Athens, Greece

150

ΤΓ100.1/Ε1.7

+15.15

0.15

ROLE:

150

ΤΓ100.1/Ε1.7

+20.40 1,1%

+17.10

ΟΠΕΣ ΔΙΕΛΕΥΣΗΣ Η/Μ ΑΓΩΓΩΝ

+19.10

0.25

+19.10

0.45 0.20 0.15

150 150

ΤΓ100.1/Ε1.7

0.80

+19.45

ΣΤΕΓΑΣΗ FOYER

+17.52

ΔΟΚΟΣ

+19.45

550

0.15

450

1.10

550

0.42

450

550

+19.85 L3: ΤΕΛΙΚΟ ΔΩΜΑ

550 550

0.40

1,5%

+17.10 ΔΟΚΟΣ 1%

450

3.05 1.95

+20.15

0.60

550

ΤΓ100.1/Ε1.7 +17.70

ΤΓ100.1/Ε1.7

+20.40

1,6%

Η/Μ ΑΓΩΓΩΝ

+18.70

550

+17.52

+17.10 0.60 1%

ΟΠΕΣ ΔΙΕΛΕΥΣΗΣ +19.10

150

8310

150

ΨΓΘ1/E1.6

3.25 0.80

1,1%

+19.45

0.03

1,5%

ΔΟΚΟΣ

8304

ΜΟΝΙΜΗ ΕΚΘΕΣΗ

ΨΓΘ1/E1.6

0.6

+19.10

8316

+19.85

+20.15 0.80

+19.45 1%

0.25 0.42

0.40

8373

ΤΓ100.1/Ε1.7 +18.00 +17.70

1.95 3.25

ΨΓΘ1/E1.6

8316

150 150

3.05

+18.70

3.40 0.80

150

3.40

150

8310

ΤΓ100.1/Ε1.7

0.80

0.25 0.42

8307

ΜΟΝΙΜΗ ΕΚΘΕΣΗ

0.80 1%

1.70

ΨΓΘ1/E1.6

8305

+19.10

0.03

150 150

+19.45

+19.10

+20.40

8310 +19.85

+20.15

+19.45 1%

1.70

0.25 0.42

0.60

+19.10

8307

ΜΟΝΙΜΗ ΕΚΘΕΣΗ

+20.40

+19.85

+20.15 0.60

+19.45

8305

8316

ΜΟΝΙΜΗ ΕΚΘΕΣΗ

+20.40

F IN AL S TUDY O F THE M U S E U M

8316

1 8304

1.50

8307

0.45 0.20 0.15

ΜΟΝΙΜΗ ΕΚΘΕΣΗ

2.25

1 8305

1 8310

3011

3051

V3 B14

V3 B15

V3 B16

V3 B17

V3 B18

V3 B19

V3 B20

V3 B21

V3 B22

V3 B23

1 3031

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A Memorable Souvenir for the Alumni of the LFHED School

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