Nitelife February 2020 by NITELIFE

F E B 2020 . I S S U E : 145 . F RE E DOCUMENTING BRISTOLâ&#x20AC;&#x2122;S NIGHTLIFE CULTURE SINCE 2007

ISSUE 145

Sampa the Great 34 If you’re saying you don’t hear us clearly, then we’re going to be real specific.

FEBRuary 20 HIGHLIGHTS Our top gigs and clubnights this month 20-23

WORDS

Pet Shimmers 24 It’s okay to indulge all the weirdness and strangeness and extremities that you want.

Pet Shimmers 24 Joe Armon-Jones 28 Sub Focus 32 Boca 45 34 Win: Ritual Union 37 The Jam Jar 38 Sampa the Great 34 Drinks: Conversation Therapy 66

LIVE & CLUB LISTINGS

Full event listings this month 42-59

DRINKS GUIDE

Bristol’s favourite watering holes 68-72

Joe Armon-Jones

I had a voice and a sound that I didn’t want to force into other avenues.

Creative Director Carlos Javier | Editor Rachel Morris | Commercial Manager Jodie Guichard | Head of Photography Dominika Scheibinger | Design Manager Steve Hughes Live Photography Dominika Scheibinger, Paul Lippiatt, Alesha Hickmans Rigo Luchi and Mark ‘bub’ Watts nitelifeonline.com | @nitelifebristol | info@nitelifeonline.com

Cover image: Dominika Scheibinger

Presents

With Support From

TheBristol OldMonday England 17 Feb Disco 303 presents:

Revilo / Jon Leisure / Nicky Coins. Every last Friday of the month. 10pm - 2am. Noche Negra, Bristol. Free Entry All Night.

Official launch night: 31.01.2020 A night of House Classics & Anthems Find us above Pata Negra, 30 Clare Street, Bristol BS1 1HY

February Highlights Words: Brad Penhaligon

Bambalan Drag Queen Brunch Start the month in style as some of the best drag queens in the UK accompany you as you wine and dine. Their lineup will include RuPauls Drag Race UK contestant Vinegar Strokes, along with Crystal Lubrikunt, HAEM, Jolene Dover and Alyssa Van Delle as your hostess. 1 February // 10:30am – 1pm // £25 // Bambalan

Balkan Vs Cumbia: Insultanes & DJ Gypsy Box An explosive mix of Chilean beats with colourful carnival sounds from Insultanes, partnering the Hispanic electro king DJ GypsyBox, a firm favourite of the Balkan-Cumbia scene across Europe. Head down for a unique experience of Latin vibes. 1 February // 9:30pm – 12:30am // Free // Canteen

Lazy Habits + Diplomats of Sound DJs Old Market Assembly team up with award winning festival music venue Chai Wallahs for a series of monthly shows this year, the first being jazzy hip hop group Lazy Habits, along with Diplomats of Sound DJs spinning a variety of house, bass, afrobeat and hip hop. 1 February // 10pm – 2am // £10 // Old Market Assembly

Blue Moon Bingo A unique bingo experience hosted by Sister Ann of the Sisters of Perpetual Indulgence. Look forward to an evening of comedy and entertainment and maybe a big cash prize to top your night off. 2 February // 6pm – 10pm // Free // To The Moon

Anna Meredith A multi-talented composer, producer and performer of electronic and acoustic music, with a genre-bending sound she straddles different worlds of contemporary classical, art pop, techno, ambient and experimental rock. 6 February // 8pm – 10pm // £15 // Trinity Centre

DEEP MEDi The DEEP MEDi gang return to their spiritual home for 2020 with another certain sell-out showcase. Promising a lineup of dub legends, hours of bass heavy fun, and ringing ears for the following few days – don’t forget your earplugs! 7 February // 10pm – 5am // £12.50 // Lakota

Goodness: Lee Gamble + Cõvco Two experimental, forward thinking DJs of extreme talent with Lee Gamble - a champion of conceptual, immersive experiences, and Cõvco, a London based selector with a Gambleesque approach to her craft. 7 February // 10pm – 3am // £10 // The Island

Hotsteppas The 8-piece afrobeat collective are beloved in the city, and they’re bringing along a wicked crew including dancehall legend Blackout JA, along with another 8-piece reggae group Squeaky and the Roots Rebel Band. 7 February // 9:30pm – 2am // £4 // Full Moon & Attic Bar

Lawi With music plucked from a multi layered record collection full of well documented classics and obscure gems, Lawi’s sets build a rhythmic, free flowing continuity between funk, disco, r&b and jazz, Lawi’s sets are always linked by common threads of dance, eclecticism and straight up bangers. 7 February // 10pm – 3am // £3 - £4 // No. 51

A Night Of: Wu-Tang Clan A dedication to one of the greatest groups to grace the stage, expect to hear classic tracks such as C.R.E.A.M, Protect Ya Neck, Triumph and more, along with tracks from the solo projects that came from the group’s legendary members. 8 February // 10:30pm – 3am // £5 // The Lanes

Chop Shop: Coco Bryce + LMajor An unmissable Chop Shop showcase of new wave jungle and breakbeat. Dutch DJ Coco Bryce brings his hardcore inspired high energy selections with LMajor – a one to watch in the revival of breakbeat. Residents Dissafected head up the roster for an exciting rave rinse out. 8 February // 10pm – 3am // £10 // The Island

Colston Hall Presents: YACHT The experimental pop band who will be delivering their latest EP Chain Tripping – a project created through neural networks, generating raw musical data from their previous work such as I Thought the World Would Be Cooler, and Shangri-La. 12 February // 7.30pm - 11.00pm // £16.35 // Exchange

BRS Disco After the success of their open decks session last month, some talented fresh faces will be taking over to provide your monthly dose of disco, funk, house and garage. It may be on a wednesday night, but the promoters always give this event the Friday treatment, ensuring plenty of bangers to keep you on the dancefloor all night long. 12 February // 10pm – 2am // £5 // Love Inn

All Night Shubz: Uncle Drunk The monthly special continues with top DJs and MCs guaranteed along with great vibes every time. Catch special guest Nemo along with headliner Uncle Drunk for a night of dubstep, grime and trap. 13 February // 10pm – 3am // Free // £3 // Cosies

LowKey 002: Kinkajous - Hidden Lines London based group Kinkajous mark the release of their debut album, Hidden Lines, from last year following a string of successful EPs with a return to Bristol. They combine atmospheric electronica with sharp, high tempo jazz. 13 February // 8pm – 11pm // £5 // The Jam Jar

Moor Mother + Harrga A Philadelphia based post black metal band founded by Camae Ayewa, who bases her work on the influence of Maya Angelou, the Beastie Boys and Public Enemy. Expect to hear some tracks from their latest album Analog Fluids of Sonic Black Holes. 13 February // 7:30pm – 10:30pm // £13 // Exchange

SoyBomb + Joshua Zero The Berlin based alternate pop group mirror the hustle and bustle of the city with a mischievous and euphoric energy and gutsy live performances. Head down early for support from the talented Joshua Zero, who loves an intimate performance. 15 February // 9pm – 12am // £3 - £4 // Mr Wolf’s

Twin Peaks From a group of scruffy high schoolers with a dream to one of Chicago’s most essential bands, Twin Peaks are a five-piece with an incredible work rate and passion to keep pushing new, adventurous ideas. 17 February // 7:30pm – 11pm // £13 // Thekla

February Highlights Words: Brad Penhaligon

BIMM Bristol Live Showcase 20 talented acts, carefully selected through an audition process hit the stage, showcasing a range of original material over a range of various genres. Head down and show support to some of our cities emerging talent. 18 February // 7pm – 10pm // £3 // Thekla

The Murder Capital The highly rated Dublin based group head to Bristol as a part of their string of UK dates, and are hotly tipped for a big 2020 following a release of gritty punk-fuelled videos. With support from Egyptian Blue and Unorthodox Coolock. 19 February // 7pm – 10pm // £13.50 // SWX

Birds of Paradise Two Launch Birds of Paradise celebrate the launch of their second issue with a special gig featuring Brasher – a Bristol based punk rock quartet. Catch the support from other talented acts including Dirt, Phillip Russel and Black Flies. 21 February // 7pm – 10:30pm // £7 // Rough Trade

Toodles Record Release Party Following the release of their latest record Ghosts, Guilt & Grandparents, which covers issues such as loneliness, anxiety, and family relationships, local folk punk heroes Toodles & The Hectic Pity head to the Crypt at St. Pauls Church. 21 February // 7pm – 10:30pm // £5 // The Crypt

Cheeba AV Turntablist Showcase DJ Cheeba brings his mesmeric audio-visual performance with an excellent roster of skilled selectors lined up, including DJ Moneyshot, High Focus Records’ Fingerfood, and Papamoomin playing in the Full Moon bar, expect a variety of hip hop, funk and soul. 22 February // 8:30pm – 2am // £4 // Full Moon & Attic Bar

Pete On the Corner & LAANI Following the success of their collaborative event with Erratic Batting in November last year, Pete Buckenham’s On the Corner return with new global sounds, inviting Giles Peterson approved DJ LAANI from Worldwide.FM to the party. 22 February // 11pm – 3am // £4 // Crofters Rights

1% of one : Girl Ray A talented female three-piece from London, touring the UK following the release of Girl, their second album after Earl Grey in 2017. Their new project is an enjoyable breath of fresh air with a universal message of love and friendship. 25 February // 7:30pm – 10:30pm // £10 // The Fleece

Tamasene Tamasene is the brainchild of Elliot Ellison (Cousin Kula) joined by long term musical partner William Wells, as well Lawottim Anywar (Konketsu) & Joe Milkinson (Hotsteppas). Expect psychedelic soulful folk songs with a charmful simplicity. 25 February // 9pm – 11pm // Free // Gallimaufry

Hot 8 Brass Band The Grammy nominated group have performed with the likes of Ms. Lauryn Hill, Mos Def, and The Blind Boys of Alabama, and they return to Europe after the success of the Take Cover tour last year. 27 February // 7pm - 12am // £22.50 // O2 Academy

The Big Moon A London based punk-pop quartet taking influence from grunge and Brit-pop girl groups from the 90’s. Since their formation in 2014 they’ve supported performers such as Ezra Furman and The Vaccines. 27 February // 7pm – 11pm // £12.50 // The Fleece

Wizzarding Promotions: VODUN Experience the weird and wonderful world of VODUN, a soulful afro-futuristic group based in London. Fusing rock, soul and West African rhythms to an excellent standard with massively successful live shows. 27 February // 8pm – 11pm // £8 // The Old England

Dreadzone Nothing but dread at the Fleece as Dreadzone are joined by special guest Greg Dread. With a three-decade spanning career and a thick catalogue of roots-based dub music to spoil with, it’ll be anything but a dreadful night. 28 February // 7pm – 10pm // £19.50 // The Fleece

Goodness: Skee Mask One of the hottest underground dance music artists of 2019, Skee Mask headlines this one featuring vinyl junglist TASHA, techno and bass selector Shannen SP, Proc Fiskal and more. This night is packed with emerging talent in the electronic scene. 28 February // 11pm – 4am // £18 // Loco Klub

Samedia Shebeen A Scottish sensation returns to Bristol! Samedia Shebeen has gone from a touring tent to sold out venues across UK, Europe and beyond. Always packed with immersive décor and bringing sounds from Africa, Latin America, the Carribean and the Middle East. 28 February // 9pm – 3am // £8 // The Jam Jar

Bang 17th Birthday Bash Bang have been a huge part of the alternate rock and soul scene in Bristol with their dancefloor filling club nights across an array of the city’s favourite venues, and they mark their 17th birthday with a party that will make you feel like it’s still 2003. 29 February // 8pm - 12am // Free // To The Moon

Brizzle Boyz: Drag King Cabaret XVII The South West’s premier queer punk drag king cabaret night featuring some of the UK’s finest including Bae Sharam, Mr Wesley Dykes and others, with Oliver Assets and Roddy Jodphurs on hosting duties. 29 February // 8pm – 10.30pm // £12 // Trinity Centre

Garage Nation with Heartless Crew Running some of the best garage events in the country since 1997, Garage Nation have had some of the biggest acts in the genre shelling out to huge crowds. This time they invite the legendary Heartless Crew to Bristol for another classic night. 29 February // 10pm – 4am // £9 // O2 Academy

The Blast presents: Holy Goof, Redlight + more The blast presents the bass house heavyweight Holy Goof, who headlines an enormous lineup including Redlight, A.M.C, Chimpo and more for a night of high energy, bass heavy action. 29 February // 10pm – 6am // £20 // Motion

local talent

itâ&#x20AC;&#x2122;s okay to indulge all the weirdness and strangeness and extremities that you want

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That being said, they’re not (or no longer, in Oliver’s case) operating under the oft-

I’m making music I couldn’t have possibly imagined I’d have made

Words: Rachel Morris Photos: Dominika Scheibinger Pet Shimmers: 14 February, Thekla // 28 March, Ritual Union petshimmers.bandcamp.com @petshimmers

Joe Armon-Jones THE SUPREMELY TALENTED JAZZ KEYBOARDIST ON HIS NEW ALBUM, GOING SOLO AND CONNECTING THE WORLDS OF DUB AND JAZZ. Autumn saw the release of the highly anticipated, second solo studio album Turn to Clear View, from London keyboardist, producer and Ezra Collective member, Joe Armon-Jones. Featuring a whole host of musicians, including UK jazz artists Moses Boyd and Nubya Garcia, UK hip hop talent Jehst and US MC and singer Georgia Muldrow, Joe’s new album offers up a neat balance of jazz and hip hop, with some dub-heavy bass punctuating the sound. Joe Armon-Jones will be performing at Fiddlers this February via Bristol’s Worm Disco Club, who are fast becoming a flagship platform for UK jazz talent. We took the opportunity to chat with the jazz pianist Joe on the run-up to his Bristol gig, to find out the inspiration behind the sound of his new album and why the performer decided to work on solo material. ‘I’ve never played this music out before, so this tour will be the first time I’m taking it to the stage’ Joe admits as we begin to discuss what fans can look forward to from the live show. ‘I enjoy mixing it up with who I perform with as well. Each date on the tour has a different lineup for the band. It’s an opportunity for me to play with the people I want to play with, so expect a few surprises. It might be people from the album, or it might be other musicians you already know in some shape or form. ‘I think it’s important to improvise and enjoy ourselves on stage. It’s great not to think about what we performed the night before, because it means we can create something new.’ Joe’s latest album Turn to Clear View has received a hugely positive response since its release in September last year, with airplay on BBC 6 Music and many music lovers within the UK jazz scene and beyond shouting its praises. But aside from his solo projects, Joe is renowned for his part in Ezra Collective, alongside other projects already at the heart of the UK jazz scene. Joe reflects on why he chose to start a solo project: ‘I’ve been making music for a long, long time, but the first time I actually started writing my own material separate to Ezra Collective and the other bands I was playing in, was two years ago now, for my first solo album Starting Today. ‘I had a voice and a sound that I didn’t want to force into other avenues. When you write your own music, it is a completely different experience. I like being part of Ezra Collective and playing with different bands still, but it’s also nice to have the experience of directing a band and leading people. It’s good to put my creative vision across, without having to compromise it.’ Turning our focus back on Joe’s latest album Turn to Clear View, we discuss how his new release champions so many elements of different genres, including dub, hip hop and jazz, and how the mixing pot of sounds came to life in album.

PREVIEW

I had a voice and a sound that I didn’t want to force into other avenues

‘When I write music, I tend not to decide what genre it is going to be until I’m actually playing with the band. I leave those directions open. When we play I’ll take influences from whatever I’m listening to, whether it be dub, hip hop, jazz or a fusion. If we’re improvising then the stuff everyone is listening to that week is going to go into the album. Everybody’s influences make an impact. ‘One thing I am trying to push for at the moment is to build the connection and collaboration between the dub scene and the jazz scene. I’ve been making tunes and I reach out to soundsystems all across the world and send them exclusives – I like that music scene, I’m into it. ‘For the London date of the tour at Electric Brixton, we’re actually going to be bringing Unit 137 Sound System and the crew featuring a whole load of names from the London dub scene. Hopefully it’ll be a meeting of minds from all scenes.’ Along with its mixture of sounds, Turn To Clear View also hosts an extraordinary array of feature musicians on the album, reflecting Joe’s personal friendships with other musicians and his varied musical tastes. ‘I mainly chose people who I love and respect, and get along with. Asheber who sings on the album’s opening track is a prime example of someone like that – he tours with us and will be joining us in Bristol, too. ‘There’s also other names like Nubya Garcia, Moses Boyd, David Mrakpor, Dylan Jones and Kwake Bass. People like Jehst I have known for a while now, and Quake Bass also used to play the drums in Jehst’s band, so there’s a lot of connections there.’ ‘Jehst is one of my favourite MCs, so it was really nice to work with him on the track The Leo & Aquarius. The same goes for Georgia Muldrow, she is one of my favourite MCs in the world and when I first met and showed her my music, I felt comfortable straight away to ask her to be part of Yellow Dandelion. As we wrap up our chat, Joe lets us know what else he has up his sleeve for 2020: ‘Aside from the tour kicking off, Maxwell Owin and I have been in the studio a lot recently. I’ve got a lot of music up my sleeve in terms of collaborations, so look out for new projects at some point. I’m not working another solo album at the moment though, I think I’m going to let Turn to Clear View and Starting Today time to marinate for a little bit.’

Words: Abi Lewis Photos: Fabrice Bourgelle Joe Armon-Jones: 8 February, Fiddlers joearmonjones.com @joeajkeys 29

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SUB FOCUS SUB FOCUS PULLS NO PUNCHES WITH HIS HEAVYWEIGHT SOUND AS HE ENTERS A THIRD DECADE AT THE TOP OF THE DRUM AND BASS LADDER.

Discovered by the godfather Andy C in 2003 and emerging on Ram Records two years later, Sub Focus’ uncompromising sound has gone on to achieve unprecedented underground and commercial success. Drawing influences from jungle, dubstep, house and everything EDM, his euphoric take on drum and bass and his devotion to creating a spectacular audio-visual show sits the Guildford artist in a league of his own. The legendary producer and DJ enters the new decade armed with brand new music, an unmissable live show and a calendar already jam-packed with massive performances across the globe. A regular fixture on his club circuit, Sub Focus makes another highly anticipated pit-stop at Motion, headlining a monster lineup for the first RUN event of the 20’s with an extended two-hour set. Speaking to Nitelife, Sub Focus told us: ‘I’m really looking forward to RUN, I love coming down to Bristol and the venue is incredible – one of my favourite places in the UK to play. ‘This time I’m doing a bit of an extended set as well which is nice as it allows me to play some more unusual tracks and dig a bit deeper to play some different stuff. ‘I listen to a massive amount of music and it’s nice to be able to play some underground and more deep stuff in my sets, 32

there’s so much strength across all the sub-genres of drum and bass. ‘I don’t mind one-hour sets, but they are a totally different thing and they definitely lead you to playing one certain way, and that’s what can be frustrating in a way for some DJs. You have to get in all your anthems in that short space of time, so I think it is healthy to do the longer sets and explore the music.’ Sub Focus’ influences beyond drum and bass allow him to make both an eclectic mix of the heaviest tunes whilst cultivating an impactful musical journey with his selections. Within his extensive backlog of releases sit a number of unique tracks featuring captivating build-ups rich with atmosphere, the likes of 2019 Virgin-released Solar System and the 2013 Ram Records hit Endorphins. ‘I’m trying to get a balance in my sets, I think some drum and bass now can be quite hectic. ‘Whilst it’s still technically impressive to play three tracks at once and I can go there if I want to, I think there’s something to be said for just letting a tune play, almost creating down moments in sets and creating a feeling of a journey through it. ‘Sometimes that’s a bit lost in DnB mixing as its very full on and you can find the songs to match quite easily, so people end up playing loads of songs at once.

‘It’s something I think I picked up from house music that I really like, creating those down moments and throwing the crowd off a bit.’ The mixing don will once again be swapping the decks in favour of a stunning full live production this year, its first outing since 2018 when he took the live show to 02 Academy Brixton and Manchester’s Victoria Warehouse. This time introducing an all-new show in April when he presents ‘Circular Sound’, billed so far for one night only at the iconic Printworks venue in the capital city. Details of production on the night are being kept under lock and key for now, but the hype garnered lead to a complete sell-out within a week of its presale - it promises to be a massive night. ‘I can’t tell you too much yet because we haven’t announced details of the production or line-up yet but it’s going to be something new and I want to really surprise you. I’ve done the live show a lot, so I wanted to try something different. ‘I love Printworks as a venue too, I think I’ve been there every week in the last month actually to just check out different shows, I’ve wanted to do my own night there for a while so it is a dream come true and it’s amazing it sold out so quickly.’ It’s clear, the incredible response to the announcement of ‘Circular Sound’ shows the potential to take it on the road

some drum and bass now can be quite hectic with additional dates, and it’s something its creator wants to explore. ‘I’d definitely like to, but of course there’s no details to reveal yet, but for sure we want to do that. ‘I’m just excited to get it off to a good start for now though, there’s a lot of work that goes into it with the production and the tracks, a lot of work.’ With Sub Focus fast approaching 20 years in the industry, he lends his ability to evolve his signature sound and surrounding himself with fresh ideas and inspiration as key to staying motivated - and staying at the top.

The success of Desire sprang a handful of special back to back sets between the pairing, including dates from UK Festivals to Ibiza’s world-famous Amnesia nightclub, to the brand-new Titan Warehouse rave in Cardiff. Sub Focus has been a regular champion for unique B2B’s, citing it as another way to keep the music fresh and fun after 17 years in the game. In 2019 fans saw the artist join forces with both Wilkinson and Dimension for BBC Radio 1 Big Weekend, as well as teaming up with UKF and mixing alongside Metrik and Culture Shock from the roof of Fabric in London. ‘I really like them! We have actually announced that Culture Shock, Dimension, 1991 and I are doing a joint US tour in February.

In September 2019, Ram and Virgin Records presented Illuminate, the first track in an ongoing collaboration between him and fellow producer, the dance music titan Wilkinson.

‘It’s all about just enjoying things and creating a crew vibe, I feel like people enjoy seeing the combinations of when we all work together, and you can hear the different influences in the tunes.

‘We have been working on some great tracks together but that’s about as much as I can tell you so far.

‘It’s a good vibe and it keeps it really fun for me as well, and that reflects on the performance.’

‘I’ve got loads of solo music dropping in 2020 too, a lot of it I’m working on for Circular Sounds.

As well as being a year of remixes, collaboration tracks and unique live performances, last year also marked a decade since the first of his just two album drops.

‘It’s been nice working with Mark (Wilkinson) though, through the years most of my work was on my own and I’ve really enjoyed doing more collaborations recently with the likes of him and Dimension. ‘The studio I’m at currently it’s me, Dimension and Culture Shock all in the same place and they’re all good mates of mine so it feels like a family vibe in the studio. ‘That’s something I’ve always aimed to thrive off, having a lot of company and also competition around me.’ The most successful of his recent collaborations was the 2018 smash hit Desire, co-produced alongside Dimension, the track achieved silver certification and peaked at 8 on the UK Dance charts. The vibrant track which expertly embodies both producers unique style took the drum and bass scene by storm, as well as receiving huge commercial support. ‘I didn’t expect it at all, I think that it was a really nice surprise it did well because it is a club track really, so we saw it like that. ‘I think it’s nice because we got good radio and Spotify support for it despite it being uncompromising and it made me feel that it’s so important to stick to your guns and do whatever you want to do. Words: Alfie House Sub Focus: 8 February, RUN 2020; Motion subfocus.com @subfocus

‘It’s the first track we had done together and we both tried to put in our best possible elements, I really rate what Dimension is doing at the moment and we definitely want to do something together again.’

‘I don’t want to be compromising in any way with the music I put out, I want to put out good club music and that’s what people really respond to.

The self-titled collation of 13 tracks, Sub Focus, was released all the way back in September 2009, before he followed that up with the release of Torus four years later in 2013. Since then, Sub Focus releases have been a steady stream of singles like hit Take It Up and the lesser known heavy club tracks such as Love Divine, but a third instalment of a Sub Focus album has so far eluded shelves. ‘It’s pretty mad, in 2003 I put out my first track and it’s been ten years since my first album. I’m really enjoying it at the moment, and I feel really lucky to be in this position and I’m just loving making music. ‘I definitely want to make another album. For the last few years I’ve just been doing singles, but I’m interested in doing more long-playing stuff for sure. ‘Speaking as someone who’s done albums for a really long time, it’s nice to be out of that cycle now, you don’t just release an album and then tour it for a bit but you’re constantly experimenting with release formats instead. ‘I do think there’s still a place for them and I’ve got a few concepts I want to do as Sub Focus, but they’re a big statement and a lot harder to put together, I’ve got to feel really good about it.’ It’s unlikely we’ll see anything like that this Sub Focus’ stay at the upper echelons of dance music looks destined to continue throughout 2020 - and if he’s got anything to do with it, the rest of the decade. 33

20 questions

with

Boca 45 Boca 45 has big plans to take 2020 by storm. A well renowned figure on Bristol’s ever-thriving vinyl scene, the DJ, multi-instrumentalist and producer has become one of the most in demand names in the industry thanks to his skilful fusion of forward thinking production techniques with old-school beats and soulful vintage sounds. Having signed to Nas’ label Mass Appeal, and musically partnering with Banksy, Sergio Pizzorno of Kasabian, MC Emskee and Louis Baker (to name but a few) throughout his career, it’s abundantly clear that Boca 45 is no stranger to the business. Also known as DJ Scott Hendy, Boca 45 smashed 2019 with the semi-autobiographical LP Forty Five, a soundtrack of era-spanning, genrebending tunes. Wanting to keep up the same fiery momentum this year, the Bristolian announced a brand new project Donuts, a series of five limited-edition, coloured vinyl 45s – 300 per record, stamped and numbered - that will be released incrementally throughout 2020.

Forever championing the importance of physical releases, the Donuts series allows Boca 45 to direct his music away from potential lack of visibility within the streaming ether, but instead into the hands of the loyal vinyl community - an ethos appreciated and reciprocated city-wide. ‘With music streaming things can get lost and slip through the net, but I like to think that people still appreciate tangible vinyl releases, and the fact that each one of these Donuts are limited strictly to 300 numbered copies hopefully make them extra special’. The first track of the five releases hitting the market this February, Powerful, certainly lives up to its name, featuring the hypnotically and authoritatively soulful voice of Hannah Williams. With vocals sampled by Jay Z on the Grammynominated track 4:44, and subsequent work with the likes of Tyler the Creator, Guy Chambers and Pete Rock, Williams was an undeniable go-to for Boca 45 to seize his collaborative power with. Powerful’s huge brass lines, driving beats and jangly guitar samples collectively declare a track of explosive hip hop at its finest, providing Boca 45 a rightful platform to launch himself into the new decade and cement Donuts as an exciting and groundbreaking series for 2020.

What have you learned today?

What was the last book you read?

That 3D from Massive Attack was the first graff artist in the whole of the UK. That’s pretty mental!

The Lark Ascending by Richard King. I’m just about to start the Tricky autobiography, which will be interesting.

Which song by another artist most inspires you?

Recommended binge watch?

Changes weekly / daily but I was listening to Daily Operation by Gang Starr today – Primo was so on the top of his game in the 90s the way he flipped samples, and Guru’s vocals glued it all together. First piece of music you bought? Something like JoBoxers’ Boxerbeat, but shortly after Street Sounds Electro started to properly inform my musical taste buds. Most recent? The Danny Brown LP was bought for me for Christmas by my three sons (which is excellent). I’ve not had time to get to a record shop yet this year – it’s been a bit mental.

The Messiah. Life motto? Treat people the way you want to be treated. Cats or dogs? Got two cats, no dogs - but I love dogs also. Reggae or jungle? Reggae hands down. Pet peeve? Bristol car drivers who open their doors on you when you’re cycling past. Most relatable film character?

Who are your top three acts right now?

Has there ever been a film about The Wurzels?

Danny Brown (see above), Fontaines D.C. and anything that Edan is involved in.

What is the best piece of advice you have ever received?

Who is or was the most underrated artist, in your opinion?

Stop doing drag backs at football.

Edan. You’re at a house party and the dance floor is waning, what’s your go-to floor filler?

Favourite strange but true fact? I was a mascot at Bristol City when I was a kid. What is your oldest possession?

Anything by James Brown.

Street Sounds Electro LPs.

DJ reloads - yay or nay?

What are you doing tomorrow?

Rewinds occasionally, I only play vinyl 45s – is a reload the same thing? I haven’t got a clue!

Recording in the studio.

Do you listen to any music you think would surprise people? Of course! I’m as into 60s psych as I am hip hop, funk and soul – the beats I’m known for as Boca 45.

Words: Ciara Bains Photos: @thefotomatic Buy Donuts: 2020donuts.bigcartel.com Boca 45 live: 15 February, The Lanes @boca_45

HEATHER WOODS BRODERICK PLUS GUESTS

EMILY ISHERWOOD AIKO

THE CROFTERS RIGHTS THU 27 FEBRUARY Tickets available from headfirstbristol.co.uk

WIN 4 X TICKETS TO RITUAL UNION BRISTOL Marika Hackman • Dream Wife • Squid • Warmduscher • Pet Shimmers Following three successful years of solid lineups in Oxford, Ritual Union is heading west for its inaugural festival in Bristol on 28 March, offering an undeniably tempting selection of some of the most hotly-tipped names of the moment. Creating a circuit between Rough Trade, SWX and The Lanes, the day-long festival is set to see Bristol doing what it does best - communally celebrating live music and supporting artists from far and wide. Previous years have hosted The Comet Is Coming, Twin Peaks, Chastity Belt and Psychedelic Porn Crumpets - and with the move to Bristol, it seems like the festival is only upping its game even further. Teaming up with Crosstown

Concerts and Richard Walsh of 1% of One, Ritual Union have expertly curated a lineup boasting the likes of Marika Hackman, Dream Wife, Squid, Warmduscher, Talk Show and Lynks Afrikka. The day will also offer festival goers the chance to watch some of Bristol’s most exciting acts take to the stage, with predictably fiery sets from Lazarus Kane, Pet Shimmers, wych elm, Fenne Lily and The Shuks. Early birds tickets flew off the shelves in 24 hours, and with a limited capacity, the day is set to sell out quickly. Fortunately, we’re giving away 4 x tickets to Ritual Union to one lucky reader.

ENTER online

For a chance to win, head to nitelifeonline.com/win/ritualunionbristol

behind the scenes with

THE JAM JAR BRISTOL’S MOST GRASSROOTS VENUE, THE JAM JAR HAS FINALLY OPENED ITS DOORS AS A FULLY-FLEDGED LIVE MUSIC VENUE.

After years of trials and tribulations, including rejected licence applications and fundraising drives, Bristol’s muchloved grassroots venue The Jam Jar was finally granted their full premise license at the end of summer. Founded in 2014 by a community of volunteers, off the beaten track in Old Malt House, The Jam Jar has hosted some gone-down-in-history events – though they were few and far between. Now though, co-founders and directors Joel Williams and Hadie Abido are excited to wade into 2020 as a fully-fledged music venue for Bristol. He’d been renting a smaller space in Old Malt House, and on discovering that the biggest unit in the building had become available, he took a giant leap of faith and set about turning the warehouse into creative studios and an event space. ‘We made the jump from the small studio space to the huge one and formed a bigger group of people to enable that to happen’ Joel explains. ‘There were around 15 loose collective members – everyone just chipping in to turn this base into an event space. ‘We certainly begged, borrowed and stole time from all of our friends, and friends of friends. It was an exciting time. It was the first time anyone from our friendship circle had taken on a venture that was so inclusive.’ ‘From day one, we wanted the place to be a sustainable venture’ says Hadie. ‘We’ve always offered the space to community causes for free or really, really cheap and we try and maintain that now.’ ‘A charity bike ride to Cardiff overnighted here as a free place to stay recently,’ says Joel ‘30 or 40 of them and we gave them breakfast.’ ‘We took the Carriageworks projects to another level here as well’ says Hadie. ‘We got maybe 1500 people on board supporting blocking the development on Stokes Croft and giving it back to the community.’ This community aspect is a part of what’s contributed to The Jam Jar’s cult following. It can feel more like a part of your extended friendship network than a money-making business venture – in all likelihood because it’s not. Joel and Hadie are still running The Jam Jar on a voluntary basis, yet their sound quality can give any larger venue a run for its money. They’re also in the process of setting up a new lighting install above the dancefloor, so a lighting engineer can work the room depending on what’s going on down below. This kind of attitude meant that when they launched a crowdfunding campaign at the end of 2017 to help keep the project going, people wanted to give back. They received masses of support, with over £16,500 of their £20,000 target pledged. ‘I think a lot of the other venues come across as businesses, where they’re steadily employing people, steadily making money and they’re legitimate, operating businesses. Whereas we were quite obviously a totally independent start up’ says Joel. ‘Over the years, the improvement was quite a steep slope and I think people just saw that and valued it. The Jam Jar is incomparable to other music venues in the way that it is a grassroots, independent start up.’

We’re every day getting more and more resilient 38

Their plea for help also came at a time when closures had been announced for Lakota and Blue Mountain, we’d lost Surrey Vaults and other venues including Thekla were under threat.

‘There was a lot of fear in the Bristol music scene. It was almost a nightlife movement and we just happened to need twenty thousand pounds at that point’ Hadie explains. ‘That movement has died down a little bit, but the background is still there. The problems haven’t actually gone away for venues, we’re having grave conversations every other day about new flats popping up in the area and noise leakage. Even though we’re here, we need to keep thinking about it and keep investing in it. Unfortunately it’s a really difficult landscape for a venue to survive in.’ ‘There are some really exciting new projects started up by younger people in the industry who are being creative and problem solving’ says Joel. ‘I don’t think there’s a lack of music venues, fortunately, in Bristol at the moment. It’s hard for those people doing it and how the council actually manage the processes can be exhausting for grassroots people at the bottom, because it’s financial and legal support that really helps you get there. But people are doing it, still. I’m really positive about it. There’s too much stuff to go to – all year, it’s excellent. And I welcome new places and new people in the scene, for sure.’ ‘It’s refreshing to see people like Strange Brew, who are doing something cool’ says Hadie. ‘Other venues are becoming stronger, like The Fiddlers. And Colston Hall being in a bit of a hiatus period while refurbishing is beneficial, because they’re putting shows here and all over the place. It means that money is coming into these smaller independents that could really use it. At the end of one of those shows, we might be able to go away and buy a cable or a microphone, which means that we’re a lot more resilient when they go away.’ As the only full time people working on the project and the only ones left from the very beginning, Hadie and Joel wear and share many different hats when it comes to operating and growing The Jam Jar. ‘Strategically, we make decisions together,’ says Hadie ‘but when it comes to pulling the trigger on bookings, it’s Joel, and when it’s finance and legal stuff, I’ll go do the homework and then we’ll get back together and make the decision – so kind of two heads of the same Hydra.’ While Joel had clearcut plans to turn his music studies into a career, basing himself at The Jam Jar and working in music programming, music production and sound engineering; Hadie’s involvement in The Jam Jar was more of a happy accident. ‘I’d saved up some money and was going to go away for several years, but I got a visa rejected’ Hadie explains. ‘I’d helped Joel with some of the original events he’d done and we were part of the same friendship group, so then when my visa fell through, I said “well, I’m coming on board.” I was at a loose end and it gave me something to do – for better or worse!’ Five years on, it’s taken them a little longer than planned to get to this point – being unable to hold more than 21 events a year significantly stunting their growth – however, the organic way in which they’ve been forced to evolve may have been a blessing in disguise. They have even bigger and better plans than they started out with and an arsenal of new skills that will help secure The Jam Jar as a successful venue long into the future. ‘I was blindly optimistic and ambitious and positive about the whole thing’ says Joel. ‘From promoting events in the city with a lot of other venues, I struggled with some of the management I was dealing with and for selling out Squid Party with 600 tickets in advance, I barely covered the costs on the night. It was an amazing show with live music and electronic performance and multimedia, and I felt hard done by for all the effort. I thought maybe this is an opportunity to create our own space, where we can present this kind of entertainment, but not be at a loss.’ ‘Turns out it’s harder than it looks!’ Hadie laughs. ‘Now, our plans are way bigger moving into the future, to the point where they’re unrecognisable from what the plans were back then, which is amazing. We’ve still got a long way to go, but we’ve skilled ourselves up, we’ve got some incredible contacts, we know it all works now.’ With expansion often comes compromise, however Hadie and Joel are determined to keep the atmosphere at The Jam Jar the same – opening up the doors to new crowds, without losing any of the magic that made it so special in the first place. ‘If keeping the atmosphere and the vibe the same means having very competitive prices and inclusive programming, then that’s what we must do. We’re not going to drastically change as long as we’re here’ says Joel. ‘To be a responsible venue owner, there’s a lot that falls on your shoulders’ says Hadie. ‘You have a whole bunch of people who love coming here, we have what some people

describe as a cult following – they feel at home here. It feels like we’re keeping something good going at the moment.’ ‘I see the spirit and atmosphere in the organic growth of the space and the people who come here as our unique selling point’ says Joel. ‘The fact that we don’t have footfall and the vast majority of our events are ticketed means that if you come here, you’re coming here for the event. And you can tell that everyone in that room is into it, because the vibe – to be that cliché – is great.’ ‘We strive to keep the sound quality high too. It’s a big part of what we do’ says Hadie. ‘I can’t think of another venue the same capacity that I’ve ever been to with as high a production ability as us now’ says Joel. ‘Even though we’re still volunteering, the actual sound install is phenomenally good for the scale of shows we’re working towards. And that will be ongoing – we’re constantly trying to improve the user experience.’

most looking forward to, Joel says, is welcoming other collaborators on board. Already in the diary are events from Tropical Pressure Festival, Shambala’s Barrio Afrika, Chai Wallahs, Bedouin Soundclash via Boom Sound and more from Colston Hall. ‘The establishments, venues and promoters who were totally inspiring for us at the start of this project, now we’re opening the doors to them’ Joel says. ‘We started taking bookings in October and are booked up right through to April’ says Hadie. ‘If that continues, we can reinvest in the space and make it even better. There’s loads of untapped-into potential that we could like move into and do interesting things in. We’re every day getting more and more resilient.’

Now that they’re fully licensed, they’ve also expanded their bar menu – complementing their cans menu with five taps from local breweries: Lost and Grounded, Wiper and True, Bristol Beer Factory and New Bristol Brewery. They’re also increasing their in-house programme, keeping up the good work with their excellent Jam Jar Presents shows, as well as launching new midweek jazz and soulorientated series, LowKey. Though one of the things they’re

Words: Rachel Morris Photos: Martin Thompson @thefacecollective thejamjarbristol.com @TheJamJarBristol 39

LIVE GUIDE VENUES

51 STOKES CROFT 42 O2 ACADEMY 43 BAMBALAN 44 THE CANTEEN 45 COLSTON HALL 46 THE CROFTERS RIGHTS 47 EXCHANGE 48 THE FLEECE 49 FULL MOON & ATTIC BAR 50 THE GALLIMAUFRY 51 THE JAM JAR 52 THE LANES 53 MR WOLFS 54 THE OLD MARKET ASSEMBLY 55 SWX 56 THEKLA 57 TO THE MOON 58 TRINITY 59

51 stokes croft Instagram @51stokescroft // facebook.com/51stokescroft 51 Stokes Croft, Bristol, BS1 3QP // 01179 148 048 // 51stokescroft.com

From the same team behind Mr Wolfs, No.51s showcases a funkier genre, with disco, house, techno, breakbeat and general rhythms that lead to the dancefloor taking the bulk of their events. That’s not to say you won’t find the occasional live offering or open mic night. No.51s hides a very decent beer garden out back and regularly makes use of it with day and night parties through the year. They’ve also earned a reputation as one of the best pizza spots in town, with a wood-fired pizza oven on site and a creative kitchen team. A great spot all week for drinks, dancing and good vibes.

February Highlights

LAWI

VELVET MAGNETIC

7 Feb // 10pm – 3am // £3 - 4

20 Feb // 10pm – 3am // Free

With music plucked from a multi layered record collection full of well documented classics and obscure gems, Lawi’s sets build a rhythmic, free flowing continuity between funk, disco, r&b and jazz, Lawi’s sets are always linked by common threads of dance, eclecticism and straight up bangers.

Velvet Magnetic’s sets are an exploration into rhythm and vibrations across decades and Continents. Selected from an eclectic vinyl collection, they seek to connect mind and body, bringing good vibes and fluid movement for all those ready to go deep on the dance floor.

02 academy

Instagram @o2academybris // facebook.com/o2academybristol Frogmore Street, Bristol, BS1 5NA // 0117 927 9227 // o2academybristol.co.uk

A classic live venue, O2 Academy Bristol is designed entirely around what’s happening on stage. They recently refitted their sound desk to ensure perfect acoustics whether you’re in the mosh pit or the balcony – they even offer double pints at the bar, so you won’t need to return during a gig. As well hosting major touring acts, the venue is a key stop off point for artists on their way up, with early shows from the likes of Kings of Leon and Kendrick Lamar. After curfew, the venue can transform into a club, hosting regular student nights, as well as special one-offs, such as Kisstory or grime epic Eskimo Dance.

February Highlights

HOT 8 BRASS BAND

GARAGE NATION

27 Feb // 7pm - 11pm // £22.50 - £26.10

29 Feb // 10pm – 4am // £9

The Grammy nominated group have performed with the likes of Ms. Lauryn Hill, Mos Def, and The Blind Boys of Alabama. They return to Europe after the success of the Take Cover tour last year.

Running some of the best garage events in the country since 1997, Garage Nation have had some of the biggest acts in the genre shelling out to huge crowds. This time they invite the legendary Heartless Crew to Bristol for another classic night.

facebook.com/o2academybristol twitter.com/o2academybris instagram.com/o2academybris facebook.com/o2academybristol youtube.com/o2academytv twitter.com/o2academybris instagram.com/o2academybris youtube.com/o2academytv Sat 1st Feb • 10pm

Thur 12th Mar

Fri 17th Apr • 6.30pm

Mon 8th Jun

Innovation

Stiff Little Fingers

Lioness ... A.K.A The Amy Winehouse Experience

Lupe Fiasco

Sun 2nd Feb • SOLD OUT

+ TV Smith + The Professionals

Kano Tue 4th Feb

The Interrupters + Buster Shuffle + The Skints Wed 5th Feb • SOLD OUT

Steel Panther

Fri 13th Mar • SOLD OUT

Tue 21st Apr • SOLD OUT

Sat 14th Mar

Lamb of God

The Dualers

+ Kreator + Power Trip

Thur 19th Mar

+ Wayward Sons

Lightning Seeds

Mon 10th Feb • SOLD OUT

Fri 20th Mar • 6pm

The HU + FIRE FROM THE GODS F

Fri 21st Feb • 6.30pm

Ally Pally Student Darts Comes To Bristol

The Subways + Art Brut Mon 23rd Mar

Cigarettes After Sex Tue 24th Mar

Mon 24th Feb

Ash

Beartooth

Fri 27th Mar

+ The Amity Affliction + Higher Power Thur 27th Feb

Hot 8 Brass Band Sat 29th Feb • 10pm

Garage Nation + Heartless Crew Tue 3rd Mar

Testament + Exodus + Death Angel Thur 5th Mar

Example

James Bond – in concert Sat 28th Mar • SOLD OUT

I Prevail: The Trauma Tour + Dream State

The White Buffalo Sat 25th Apr • 10pm

Logan D & Majistrate Mon 27th Apr

Fri 18th Sep • 7.30pm

Rend Collective Scott Bradlee’s Post Modern Juke Box Tue 13th Oct

Black Stone Cherry Sun 18th Oct

The Chats Wed 21st Oct

Steel Pulse Tue 5th May

The Mission + The Rose of Avalanche Thur 7th May • 10pm

INVADERZ The Shires

Heels of Hell + Landon Cider Fri 6th Nov • 6.30pm

Soul II Soul Fri 4th Dec • 6.30pm

Heaven 17

Mon 18th May • SOLD OUT

BROCKHAMPTON Thur 21st May

Caribou

Brian Fallon & The Howling Weather

Wed 15th Apr

Wed 3rd Jun

Rak-Su

Ella Eyre

Sun 8th Mar

CASH: Paying Respect To The Man in Black

Sun 3rd May

Fri 8th May • 6.30pm

Mon 6th Apr

Fri 11th Sep • 6.30pm

The Fratellis

Sat 4th Apr • 10pm

Hybrid Minds Outline UK Tour

Volbeat

Thur 8th Oct Fri 24th Apr • 6.30pm

Roachford

Oh Wonder

+ A.A. Williams

+ Novacub

+ Problem Central

Fri 6th Mar • SOLD OUT

Sisters Of Mercy

Feeder

Thur 2nd Apr • 6pm

+ Kaitlyn Aurelia Smith

+ Dizzy

Thur 23rd Apr

Wed 17th Jun • 5.30pm

O2 Academy Bristol

ticketmaster.co.uk

Frogmore Street, Bristol BS1 5NA • Doors 7pm unless stated Venue box office opening hours: Mon - Sat 12pm - 4pm

ticketmaster.co.uk • seetickets.com • gigantic.com

o2academybristol.co.uk

February • 2020

Bambalan

Instagram @bambalanbristol // facebook.com/bambalanbristol Podium Level, Colston Tower, Colston Street, Bristol, BS1 4XE // @bambalanbristol // 0117 922 1880 // bambalan.co.uk

Arguably the best roof terrace in Bristol, Bambalan boasts amazing views over the city with resident DJs regularly pumping out tunes from the rooftop DJ booth. Bambalan’s music policy is funk, soul, house and disco – which matches their upbeat, good time attitude. As well as a delicious North African kitchen menu, Bambalan’s bar stocks a selection craft beers, ciders and happy hour cocktails, and is probably the best place in Bristol to get an Aperol Spritz. Bambalan boasts plenty of inside and outside space, plus table football and table tennis on the balcony.

February Highlights

BAMBALAN DRAG QUEEN BRUNCH

Start the month in style as some of the best drag queens in the UK accompany you as you wine and dine. Their lineup includes RuPauls Drag Race UK contestant Vinegar Strokes, along with Crystal Lubrikunt, Jolene Dover and Alyssa Van Delle as your hostess.

1 Feb // 10:30am – 1pm // £25

s n o i s s e S e c Terra BAMBALAN TERRACE

SESSIONS COMING SOON!

Party on the terrace with some of the biggest DJs in the world LINE UP COMING SOON PRE-REGISTER AT BAMBALAN.CO.UK @bam_ba_lan

bambalanbristol

@bambalanbristol

ANTI VALENTINES DAY DISCO

Non-stop action as Bambalan residents take over the terrace with a fine selection of funk, soul, house, disco and more, making sure you’re feeling full of love regardless of your relationship status.

14th Feb // 5pm - 10pm // Free

the canteen

Instagram @canteenbristol // facebook.com/thecanteenbristol Hamilton House, 80 Stokes Croft, Bristol BS1 3QY // 0117 923 2017 // canteenbristol.co.uk

The Canteen emerged out of the creative inspiration and collective efforts of a bunch of Stokes Croft and Bristol brilliants. One of the only spaces in Bristol offering live, free music every day of the week, The Canteen offers a varied program of live music and DJs lovingly curated by the Ear Trumpet Music crew. Expect folk, jazz and acapella ensembles during the week, with things ramping up from Thursday to Saturday, when you should come prepared to sweat it out on the dancefloor. Alongside a great bar selection, the kitchen offers a range of locally sourced food, with vegetarian, gluten free and vegan options.

February Highlights

INSULTANES & DJ GYPSY BOX

JINGU BANG

1 Feb // 9:30pm – 12:30am // Free

13 Feb // 9pm – 11:30am // Free

An explosive mix of Chilean beats with colourful carnival sounds from Insultanes, partnering the Hispanic electro king DJ GypsyBox, a firm favourite of the Balkan-Cumbia scene across Europe. Head down for a unique experience of Latin vibes.

A free-flowing funk five-piece based in the city and making their name this year, inspired by the likes of Herbie Hancock & The Headhunters, Jaco Pastorius and Weather Report. Catch their second gig of the year after they hit Bath.

1 Feb

11 Feb

21 Feb

Insultanes

Leo James

2 Feb

12 Feb

Indira Roman & Aji Pa Ti

13 Feb

Red Rocket Go

The Schmoozenbergs 3 Feb

Canteen Jazz Session 4 Feb

Nevada 5 Feb

All Of Us 6 Feb

Our Man In The Field 7 Feb

RSVP

8 Feb

The May Kings 9 Feb

Flats & Sharps 10 Feb

DeCyphers Hip Hop Session

Sol

Jingu Bang 14 Feb

Iguanas 15 Feb

The Balkanoes 16 Feb

Two Man Ting 17 Feb

Canteen Latin Session 18 Feb

David Celia & Marla 19 Feb

Paruski

20 Feb

Amun-Ramen

22 Feb 23 Feb

Beth Roberts & Rowan Elliot 24 Feb

Slim’s Blues & Roots Session 25 Feb

Liam & Sophie Duo 26 Feb

Gary Alesbrook Trio 27 Feb

Kevin Figes Quartet 28 Feb

The Scribes 29 Feb

Gnawa Blues All Stars

canteenbristol.co.uk * The Canteen, 80 Stokes Croft, Bristol BS1 3QY

Colston hall Presents Instagram @colstonhall // facebook.com/ColstonHall Colston Street, Bristol, BS1 5AR // 0117 203 4040 // colstonhall.org

While Colston Hall undergoes a £50m major redevelopment to transform the 150-yearold hall into a world class venue, the Colston Hall Presents series sees Bristol’s largest concert venue take flight across the city. Making use of a multitude of independent venues and spaces, Colston Hall are continuing to deliver a diverse programme of events from classical music to alternative rock. From the biggest names in the business to the most obscure, the Colston Hall team aim to push boundaries and keep us on our toes, with something on offer almost every night of the week.

February Highlights

COLSTON HALL PRESENTS: YACHT

COLSTON HALL PRESENTS: HMLTD

12 Feb // 8pm – 11pm // £16.35 // Exchange

21 Feb // 8pm - 11:30pm // £12 // Exchange

The experimental pop band who will be delivering their latest EP Chain Tripping – a project created through neutral networks, generating raw musical data from their previous work such as I Thought the World Would Be Cooler, and Shangri-La.

book

0117 203 4040 colstonhall.org

Colston Hall loudly and proudly presents great shows in venues across Bristol Fri 21 Feb

Sun 15 Mar

Lisa O’Neill

HMLTD

Bristol Folk House

Exchange

Yorkston Thorne Khan

Thu 6 Feb

Sun 23 Feb

Sun 2 Feb

SOLD OUT

Damien Jurado

Tue 17 Mar

Trinity

St George’s Bristol

CocoRosie

Fri 7 Feb

Tue 25 Feb

Anna Meredith

Sean McConnell The Crofters Rights Tue 11 Feb

Gill Landry The Wardrobe Theatre Wed 12 Feb

YACHT Exchange Thu 13 Feb

Moor Mother Exchange Fri 14 Feb

Fairport Convention Bath Forum Tue 18 Feb

Daddy Long Legs The Louisiana

Bristol Folk House

Mike McGoldrick, John McCusker and John Doyle Colston Hall Foyer Wed 26 Feb

A Winged Victory for the Sullen Trinity

Trinity Fri 20 Mar

Ziggy Alberts SWX Sat 21 Mar

Princess Nokia + Tkay Maidza Marble Factory Sat 21 Mar

Thu 5 Mar

Andy Shauf

Blanck Mass

Fiddlers

Loco Klub

Sun 22 Mar

Sat 7 Mar

Fly Pan Am

Andreya Triana

Colston Hall Foyer

Exchange Sun 8 Mar

Kathryn Roberts & Sean Lakeman Bristol Folk House

Tue 24 Mar

David Liebe Hart + GFOTY Jam Jar

NME once described them as ‘The UKs most thrilling band’, and they released some new work last year after some time away – as well as signing to new label Lucky Number. Expect a high energy showing with flavours of rock, punk, dub and EDM.

the crofters rights Instagram @Crofters_Rights // facebook.com/croftersrights 117-119 Stokes Croft, Bristol, BS1 3RW // 0117 2310 079 // croftersrights.co.uk

Situated in the heart of Stokes Croft, Crofters’ back room hosts everything from punk gigs to storytelling, comedy to experimental noise. Their music programme veers towards the underground and obscure, and hosts regular takeovers from some of Bristol’s best promoters. Open late every Friday and Saturday, the seperate bar area boasts an ever changing list of 17 keg and cask, draught beers and ciders. You can expect anything from tropical dance music to heavier house, techno, drum and bass and grime events, and their giant mirror ball attracts a good few disco nights too.

February Highlights

PETE ON THE CORNER & LAANI

MAI MAI MAI + KINLAW & FRANCO FRANCO

Following the success of their collaborative event with Erratic Batting in November last year, Pete Buckenham’s On the Corner return with new global sounds, inviting Giles Peterson approved DJ LAANI from Worldwide.FM to the party.

An Italian producer of ambient soundscapes and atmosphere honed from his experiences in assimilating himself with other cultures in Europe and the Near East. Supported by postindustrial trap duo Kinlaw & Franco Franco.

22 Feb // 11pm – 3am // £4

28 Feb // 8pm – 10:30pm // £7

exchange

Instagram @exchangebristol // facebook.com/exchangebristol 72 - 73 Old Market, Bristol, BS2 0EJ // 0117 930 4538 // exchangebristol.com

A versatile 250 capacity space offering an adventurous music programme up to seven nights a week. As well as hosting performances from internationally-revered artists, this venue is a key incubator of local talent. At the start of 2019, Exchange became Bristol’s first community-owned venue, run by its members. During the daytime, the space is open as a coffee shop, vegan kitchen and record shop (owned and operated by Specialist Subject Records). Exchange has a punk spirit at its core and delivers one of Bristol’s most diverse music programmes, bringing in some of the best boundary-pushing music across all genres.

February Highlights

MOOR MOTHER + HARRGA

MASSICOT + SLAGHEAP + JOHN PAUL

13 Feb // 7:30pm – 10:30pm // £13

26 Feb // 7:30pm – 11pm // £5

A Philadelphia based post black metal band founded by Camae Ayewa, who bases her work on the influence of Maya Angelou, the Beastie Boys and Public Enemy. Expect to hear some tracks from their latest album Analog Fluids of Sonic Black Holes.

A deathly energy is always present as the multiinstrumentalist quartet headline a show which also features the talented local group Slagheap, an energetic post punk girl group with a spunky attitude.

THe fleece

Instagram @fleecebristol // facebook.com/fleecebristol 12 St. Thomas Street, Bristol, BS1 6JJ // 0117 945 0996 // thefleece.co.uk

Steeped in local history, The Fleece has been a vital part of Bristol’s music scene since 1982. The grade II listed building has hosted many music legends on its stage, including Jeff Buckley, Radiohead, Oasis, Muse, Amy Winehouse, Queens Of The Stone Age and Ed Sheeran. The Fleece offers music seven nights a week, with live gigs from major touring artists as well as up-and-comings, a range of tribute acts, and regular clubnights. The 450-capacity venue has one of the best stage views around, whether you prefer to stand at the back or at the barrier; as well as a perfect dancefloor for clubnights.

February Highlights

1% OF ONE : GIRL RAY

THE BIG MOON

25 Feb // 7:30pm – 10:30pm // £10

27 Feb // 7pm – 11pm // £12.50

A talented female three-piece from London, touring the UK following the release of Girl, their second album after Earl Grey in 2017. Their new project is an enjoyable breath of fresh air with a universal message of love and friendship.

A London based punk-pop quartet taking influence from grunge and Brit-pop girl groups from the 90’s. Since their formation in 2014 they’ve supported performers such as Ezra Furman and The Vaccines.

THE FULL MOON & ATTIC BAR Instagram - @thefullmoonbristol // facebook.com/thefullmoonandatticbar 1 North Street, Stokes Croft, Bristol, BS1 3PR // 01179 245 007 // fmbristol.co.uk

This Stokes Croft hub presents a triplepronged attack, with a pop-up outdoor stage, DJs in the Full Moon pub and live action in Attic Bar. Musically, you’ll find a slight bias towards more sun-soaked sounds like dub and reggae, though you never know what you’ll find when you walk through Attic Bar’s doors. As well as curating their own impressive music calendar, Attic Bar also hosts regular takeovers from the likes of Tun Up! and AFT Records. Their annual Yard Party is one of the first and best events in the summer calendar, making great use of their huge courtyard.

February Highlights

HOTSTEPPAS & SUPPORT

CHEEBA AV TURNTABLIST SHOWCASE

7 Feb // 9:30pm – 2am // £4

22 Feb // 8:30pm – 2am // £4

The 8-piece afrobeat collective are beloved in the city, and they’re bringing along a wicked crew including dancehall legend Blackout JA, along with another 8-piece reggae group Squeaky and the Roots Rebel Band.

VP PRODUCTIONS PRESENT

2020

DESIGN: INKIE.CO.UK

DJ Cheeba brings his mesmeric audio-visual performance, with an excellent roster of skilled selectors lined up. The bill includes DJ Moneyshot, High Focus Records’ Fingerfood, and Papamoomin playing in the Full Moon bar. Expect a variety of hip hop, funk and soul.

the gallimaufry

Instagram @thegallibristol // facebook.com/TheGallimaufryBristol 26-28 The Promenade, Gloucester Road, BS7 8AL // 01179 42 7 319 // thegallimaufry.co.uk

Gloucester Road’s unofficial hub for innovative jazz, The Galli hosts weeknight residencies from two brilliant jazzorientated, technically-gifted improv groups: Waldo’s Gift Trio and Snazzback. Between them, they offer a combination of hip hop, afro funk, jazz, math and electronica. Friday and Saturday nights bring a selection of DJs and dancing until 1am, while the rest of week is reserved for wide range of carefully-considered live music in a relaxed setting. Entry is always free and you’ll find art and installations from Bristol creatives to enjoy throughout the venue.

February Highlights

SNAZZBACK

TAMASENE

Every Thursday // 9pm – 11pm // Free

25 Feb // 9pm – 11pm // Free

Their weekly Thursday night residency goes from strength to strength. Taking rhythms and melodies from their monthly Global Groove residency which has recently included Japan, Poland, India and East Africa, Snazzback bring something unique to the table every single week.

Tamasene is the brainchild of Elliot Ellison (Cousin Kula) joined by long term musical partner William Wells, as well Lawottim Anywar (Konketsu) & Joe Milkinson (Hotsteppas). Expect psychedelic soulful folk songs with a charmful simplicity.

FEBRUARY thegallimaufry.co.uk

every single night

MONDAY

FRIDAY

Hosted by Mike Dennis

Hosted by Manami & Neathway 7th Manami & Neathway 14th Mike Shawe (Hot Buttered Soul) 21st Balouu (Honey Club Records) 28th LMR (Cue)

Open Mic TUESDAY

Galli Live

4th Lewis Creaven’s Dharma Blues 11th Quinn Oulton 18th Seedling Sessions w/ Zahra O’Shea & Jake Morgane 25th Tamasene + Robi Mitch

WEDNESDAY

Waldo’s Gift

Hip-hop, math, jazz & electronica 5th Open Collaboration 12th Reworks: Fleetwood Mac 19th presents SWIMS 26th Synesthesia

THURSDAY

Snazzback

Afro-funk & psych-jazz 6th Global Groove Experiment 13th Open Stage 20th presents AVtrio + guests 27th 140BPM BeatTape

DJS

Feel Flows

SATURDAY

DJS

Satta Lites

Withdrawn, VMO$ & guests play beats, bumps & bass 1st Matt Light (Plaque) 8th Eldon (Ruby Yacht) 15th Titus 12 (Limbo Tapes) 22nd D Ham (Noods) 29th Birthmark (Cold Light)

SUNDAY

2nd Sydney Sessions + DJ Zakai 9th Simiah (Live) Double drum show 16th Shaku + Milon 23rd The Pocket Sessions Hosted by Ruth Royall

THE Jam JAR

Instagram @thejamjar_bristol // facebook.com/thejamjarbristol 4a The Old Malt House, Little Ann Street, Bristol, BS2 9EB // 07773 467795 // thejamjarbristol.com

Born out the drive, passion and sheer optimism of a collective of likeminded volunteers in 2014, The Jam Jar opened as a full time live music venue in September – and they’ve got big plans up their sleeve for their off-the-beaten-track corner of St Judes. By day, a creative studio space and by night, a fully operational music venue, The Jam Jar is close to the hearts of those who work, play and party there. Known for its friendly atmosphere, creativity, good music and top quality production, you can expect to hear sounds on the groovier side of the spectrum, from experimental jazz and folk, to tropical world music and ska.

February Highlights

LOWKEY 002: KINKAJOUS - HIDDEN LINES

SAMEDIA SHEBEEN

13 Feb // 8pm – 11pm // £5

28 Feb // 9pm – 3am // £8

London based group Kinkajous mark the release of their debut album, Hidden Lines, from last year following a string of successful EPs with a return to Bristol. They combine atmospheric electronica with sharp, high tempo jazz.

A Scottish sensation returns to Bristol! Samedia Shebeen has gone from a touring tent to sold out venues across UK, Europe and beyond. Always packed with immersive décor and bringing sounds from Africa, Latin America, the Carribean and the Middle East.

the lanes

Instagram @thelanesbristol // facebook.com/lanes.bristol 22 Nelson Street, Bristol, BS1 2LE // 01173 251 979 // thelanesbristol.co.uk

Set within a ten-pin bowling lane, The Lanes is a popular club night venue – particularly for those with an emo streak, as the home of Fat Lip clubnights and festival. Bands also regularly grace The Lanes stage and the venue works closely with a number of great local promoters, including BLG and Gravy Train. The Lanes’ Saturday night Department S events offer a gig-to-club experience, with live music from local and touring bands precursing a night of indie, rock and roll, and soul from John the Mod. Not forgetting round the clock bowling, karaoke and pool tables.

February Highlights

A NIGHT OF: WU-TANG CLAN

THE PRODIGY & DAFT PUNK PARTY

8 Feb // 10:30pm – 3am // £5

22 Feb // 10:30pm – 3am // £6

A dedication to one of the greatest groups to grace the stage, expect to hear classic tracks such as C.R.E.A.M, Protect Ya Neck, Triumph and more, along with tracks from the solo projects that came from the groups legendary members.

A tribute night to two legendary electronic pioneers who have paved the way for so many of our favourite artists. Expect to hear some classics including Breathe and One More Time, as well as other electro beats from the likes of Fatboy Slim and The Chemical Brothers.

mr wolf’s

Instagram @mrwolfsbristol // facebook.com/MrWolfs 32 St Nicholas Street, Bristol, BS1 1TG // 0117 923 2565 // mrwolfs.com

Open seven nights a week, Mr Wolf’s has one of the sweatiest dancefloors in town. With closing hours ranging from 2.30am up to 4am on weekends, Mr Wolf’s packs in a huge number of live music, open mic nights, live jams and DJs. An avid supporter of local talent, as well as from further afield, Mr Wolf’s is a great place to discover new bands and artists of every genre. The big brother of 51 Stokes Croft, this family-run venue has a dedicated team behind it, who are committed to furthering the local music scene.

February Highlights

SOYBOMB + JASPER STOREY + JOSHUA ZERO

STAN ELLIOTT PRESENTS: LOVERS HANGOVER

The Berlin based alternate pop group mirror the hustle and bustle of the city with a mischievous and euphoric energy and gutsy live performances. Head down early for support from the talented Joshua Zero, who loves an intimate performance.

Stan Elliot & The Easy Peelers mark their first show of 2020 with a heartbreak cure for the Valentine’s day loners with a fusion of rock and alternative-indie. With support from pop singer/songwriter Amber Dee, and intricate vocalist Susie Mills.

15 Feb // 9pm – 12am // £3 - £4

20 Feb // 9pm – 12am // £3 - £4

the old market assembly

Instagram @oldmarketassembly // facebook.com/oldmarketassembly 25 West Street, Old Market, Bristol, BS2 0DF // 0117 373 8199 // oldmarketassembly.co.uk

Situated in the heart of one of Bristol’s most up-and-coming nightlife hubs, The Old Market Assembly is an independent arts venue and restaurant hosting everything from local bands to wild parties with touring artists. Proudly associated with the LGBTQ+ scene, Old Market Assembly was the first venue in Bristol to sign up for the ‘Zero Tolerance’ campaign, committing to provide a safe, respectful space for anyone and everyone. With live music, DJs and cabaret every week, you can look to Old Market Assembly for some of the best in world music, hip hop and funk, ska, drag shows and more.

February Highlights

LAZY HABITS + DIPLOMATS OF SOUND DJS

DELE SOSIMI

1 Feb // 10pm – 2am // £10

29 Feb // 10pm – 2am // £10

Old Market Assembly team up with award winning festival music venue Chai Wallahs for a series of monthly shows this year, the first being jazzy hip hop group Lazy Habits, along with Diplomats of Sound DJs spinning a variety of house, bass, afrobeat and hip hop.

Described as ‘one of the most important voices of afrobeat’, and Fresh after selling out Londons famous Jazz Café, Dele Sosimi heads to Bristol to showcase his unbelievable afrobeat blueprint.

SWX

Instagram @swxbristol // facebook.com/swxbristol 15 Nelson Street, Bristol, BS1 2JY // 0117 945 0325 // swxbristol.com

SWX is Bristol’s largest city centre venue and hosts many of the biggest names coming through the city, from black metal bands to US rappers. With a state of the art sound and lighting system, the venue lives up to the high calibre of artists gracing its stage. SWX features an enclosed dancefloor for the more committed audience members, as well as raised platforms for those preferring a view over proximity. SWX is also home to two of the biggest student nights in Bristol. Codec and Farfetched integrate live performance from some of the industry’s biggest artists with three rooms of music and drinks deals.

February Highlights

THE MURDER CAPITAL

GENTLEMAN’S DUB CLUB

19 Feb // 7pm – 10pm // £13.50

22 Feb // 7pm – 10pm // £18.50

The highly rated Dublin based group head to Bristol as a part of their string of UK dates, and are hotly tipped for a big 2020 following a release of gritty punk-fuelled videos. With support from Egyptian Blue and Unorthodox Coolock.

One of the most respected names in the reggae dub scene following 13 years of tirelessly touring across the UK and Europe, hitting every festival under the sun. Everyone knows what to expect from them now, and they never disappoint.

thekla

Instagram @theklabris // facebook.com/theklabristol The Grove, Bristol, BS1 4RB // 0117 929 3301 // theklabristol.co.uk

Located on board a converted German cargo ship, Thekla is an award-winning live music and club space. From live toetapping Americana to hard-hitting house and techno, Thekla delivers an eclectic music programme covering all bases. As well as hosting major touring acts, Thekla is a champion of up and coming talent and has a knack for catching on to a good thing; with early shows from the likes of Mumford and Sons and Calvin Harris. With passionate crew members looking after both the live and club side of things, Thekla continues to be one of Bristol’s favourite venues, for nearly every genre.

February Highlights

TWIN PEAKS

WINSTON SURFSHIRT

17 Feb // 7:30pm – 11pm // £13

2 Mar // 7:30pm – 11pm // £11

From a group of scruffy high schoolers with a dream to one of Chicago’s most essential bands, Twin Peaks are a five-piece with an incredible work rate and passion to keep pushing new, adventurous ideas.

Embarking on a trailblazing tour around Europe this year, including dates in Brussels and Berlin as well as Bristol. Their feel good, funky, hip hop inspired sound has carried them a long way and will light up the Bristol crowd with ease.

14.02.20

(SANDY) ALEX G 17.02.20

TWIN PEAKS

05.03.20

27.03.20

09.05.20

28.03.20

15.05.20

WIKI

THE ICICLE WORKS

11.03.20

29.03.20

05.07.20

12.03.20

31.03.20

STRAY & THE GROUNDHOGS 07.03.20

21.02.20

LAURENCE FOX 22.02.20

THE RIFLES UNPLUGGED

GEORGIA ANAMANAGUCHI

RAT BOY

DARCY OAKE LOW HOUSE

23.02.20

13.03.20

01.04.20

25.02.20

14.02.20

04.04.20

16.03.20

11.04.20

17.03.20

15.04.20

02.03.20

18.03.20

18.04.20

03.03.20

19.03.20

JACK GARRATT BOY & BEAR

HANDS OFF GRETEL

26.02.20

X AMBASSADORS 28.02.20

THE MARCUS KING BAND

MR IRISH BASTARD

THE SHERLOCKS LOVE FAME TRAGEDY

SHAWN JAMES KORPIKLAANI

WINSTON SURFSHIRT

04.03.20

WOLF PARADE

DANKO JONES 21.03.20

SONS OF LIBERTY 26.03.20

L DEVINE OH MY GOD! IT’S THE CHURCH LEGENDARY SHACK SHAKERS 05.12.20

THE VAPORS

KOJEY RADICAL WILLE & THE BANDITS SPACE LARKINS PIGS PIGS PIGS PIGS PIGS PIGS PIGS 24.04.20

DARWIN DEEZ 25.04.20

LANTERNS ON THE LAKE

LEAF DOG

THE GROVE EAST MUD DOCK BRISTOL BS1 4RB

THEKLABRISTOL.CO.UK THEKLA.CLUB FT THEKLABRISTOL IY THEKLABRIS

to the moon

Instagram @tothemoonbristol // facebook.com/tothemoonbristol 27-29 Midland Road, Old Market, St Philips, Bristol BS2 0JT // 07845 700194 // tothemoon.cc

To The Moon is a superb little venue that can feel like a friends house with their chilled, friendly atmosphere. To The Moon takes great care in their drinks offer which includes local beers, classic cocktails and high quality spirits. They now proudly host Grano Kitchen who supply delicious proper Italian food. With an open-minded approach to music and events, the focus is on creating a fun, safe and welcoming environment for everyone. Events through the month can range from dub to disco and rum tastings to open decks nights.

February Highlights

BLUE MOON BINGO

BANG 17TH BIRTHDAY BASH

2 Feb // 6pm â&#x20AC;&#x201C; 10pm // Free

29 Feb // 8pm - 12am // Free

A unique bingo experience hosted by Sister Ann of the Sisters of Perpetual Indulgence. Look forward to an evening of comedy and entertainment and maybe a big cash prize to top your night off.

Bang have been a huge part of the alternate rock and soul scene in Bristol with their dancefloor filling club nights across an array of the cities favourite venues, and they mark their 17th birthday with a party that will make you feel like itâ&#x20AC;&#x2122;s still 2003.

TRINITY Centre

Instagram @bristoltrinity // facebook.com/trinitybristol Trinity Centre, Trinity Rd, Bristol BS2 0NW // 0117 935 1200 // trinitybristol.org.uk

Penetrating Old Market’s skyline and ear drums, Trinity is home of the soundsystem in Bristol, as the longtime hub of Teachings in Dub, as well some harder sounds on the soundsystem spectrum. The Grade II-listed converted church also provides the perfect natural acoustics for live performances, with a mixture of up-and-coming talent and some of the biggest names on the circuit, across every genre you could think of. As well as a varied music programme, you can also look out for monthly BUMP roller disco sessions, drum and bass workouts and outdoor events in the summer, including the much-loved Trinity Garden Party.

February Highlights

ANNA MEREDITH

BRIZZLE BOYZ : DRAG KING CABARET XVII

6 Feb // 8pm – 10pm // £15

29 Feb // 8pm – 10:30pm // £12

A multi-talented composer, producer and performer of electronic and acoustic music, with a genre-bending sound she straddles different worlds of contemporary classical, art pop, techno, ambient + experimental rock.

The South West’s premier queer punk drag king cabaret night featuring some of the UK’s finest including Bae Sharam, Mr Wesley Dykes and others, with Oliver Assets and Roddy Jodphurs on hosting duties.

PLAYING ALL YOUR GUILTY POP PLEASURES EVERY SATURDAY NIGHT

GUILTY GUILTY POP PLEASURES GUILTYPOP POPPLEASURES PLEASURES WITH FATHER WITH SPINOZA WITH FATHER FATHERSPINOZA SPINOZA FUNK FUNK THE BOAT, PLAYING FUNKTHE THEBOAT, BOAT,PLAYING PLAYING CLASSIC FUNK & SOUL CLASSIC CLASSIC FUNK FUNK & & SOUL SOUL POPCONFESSIONAL.CO.UK POPCONFESSIONAL.CO.UK GUARANTEED GUARANTEED ENTRY ENTRY TICKETS TICKETS AT AT THEKLA.CLUB THEKLA.CLUB

ONLY £5 £5 BEFORE BEFORE MIDNIGHT, MIDNIGHT, MORE MORE AFTER AFTER ONLY

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TOTALLY FREE BEFORE 10PM

DRINKS GUIDE VENUES

BAMBALAN 68 THE GALLIMAUFRY 68 THE GRAIN BARGE 69 HER MAJESTYâ&#x20AC;&#x2122;S SECRET SERVICE 69 HYDE & CO 70 LEFT HANDED GIANT 70 THE MILK THISTLE 71 NOCHE NEGRA 71 THE OLD BOOKSHOP 72 SMALL BAR 72

drinks

with

SAMPA ONE OF THE MOST EXCITING VOICES TO GRACE HIP HOP IN DECADES, SAMPA THE GREAT IS CALLING THE MUSIC INDUSTRY OUT.

Born in Zambia and raised in Botswana, rapper, songwriter and poet Sampa Tembo released her debut music project The Great Mixtape in 2015 while studying sound engineering in Sydney, Australia. People were quick to catch on, and following a series of singles including Estelle-collaboration HERoes Act 2, Sampa’s next mixtape Birds and The BEE9 won the 2017 Australian Music Prize – though frustratingly its message was lost on the industry it sought to call out. So when it came to her debut album The Return, Sampa did not mince her words. Across 19 tracks, Sampa calls out Australia’s problematic music industry, puts out a powerful message of self love and reclaims her cultural identity – making a physical and spiritual return to the places she was born and raised. Sampa’s skill as a rapper, in her delivery and musicality, is what hits you first on hearing her music; striking her powerful message into your aorta with hard-hitting hip hop bars, taking some shape from soul and R&B influences. She might chant black power and flip off the ARIAs, but Sampa is not trying to ride a wave of controversy – Sampa is here to tell her truth and fulfil her artistic calling. The Great is an allusion to where Sampa wants to go, not itself a claim to greatness, though there’s an almost Titanlike quality to her music, her presence and her work ethic that makes it easy to believe she will go down in history as one of them. She’s already sharing a lineup with artists at a level that most can only aspire to, playing alongside some of hip hop’s most influential pioneers at Beat Horizon Bristol last month. We meet Sampa at Motion before soundcheck and head round the corner for a chat at Moor Beer. An overarching theme for The Return is reclaiming your identity as a Zambian-born artist in the diaspora. What instigated that huge personal journey? A lot of that titling as an Australian artist was really frustrating in the beginning, but I chose to let it go and continue doing what I was doing. But it got to the point, especially after Birds And The BEE9 – which was really an emotional confrontation about being an artist in the Australian industry – where I was really frustrated. Then it dawned on me that I can’t expect people to tell my story. I hadn’t really shown people where I’m from, so it was more of a mission for me to fully tell my story, musically and visually. It’s just as weird as you living in India for two years and being called an Indian artist – it’s not based on something that’s factual. It’s a common story for people to go to the West or developed countries and just move their identity, and I wanted to make it a point that was not what I was doing. The Australian industry didn’t understand the extent of how racist that could be – to fully take someone’s identity away 64

from them. That was something that I had to solidify for myself and to myself, and then the rest of the world.

thoughts and be my happiest and most courageous – that’s a state of final form.

Were there any surprises on that inward-looking journey along the way?

It’s not that it’s a constant state, it’s acknowledging that state is there, where you feel the most human you’ve ever been. I want to be the most comfortable spiritually and also in the skin I’m in, which happens to be black.

There were moments this journey that were really confronting. When you think there’s something definite that you know about yourself, but it turns out some of those elements aren’t true, it’s a bit of a shock. You’re going back to the elements that you’ve defined your whole life by and some of them are being questioned – even to the smallest element of my Bemba sounding different or watered down to the point where Zambians think I’m not Zambian. I didn’t expect from this album to feel displaced myself. I had so much certainty in this and who I was writing it for, then I became the people who I was writing it for. In that sense, is the Sampa on this record and going forward a different Sampa than we’ve heard on previous releases? It’s a grown up Sampa. I think that comes from where you lessen the fear of how you’re willing to describe or express yourself through music, which was something that I was still finding. When BEE9 came out, I feel like I found what Sampa sounds like musically. The Return was more specific and more mature. It’s the Sampa whose grown a bit more and willing to share a lot more. I would never talk about love, that was mine, you could have the rest of the thoughts. But I was willing to open up and talk about that in the album, in songs like Leading Us Home. Final Form explores working towards the greatest version of yourself. Is this a real state that an artist can achieve and what will that look like for you? It’s knowing that you want to be at this state of your being – I know that I can be at that level and I know I’m willing to grow to be that level. Or I could final form on stage today, and be my truest form and express my most vulnerable

Do you have a sense of what’s next on that journey of self-discovery? Hopefully we’re moving less from the physical and more into the spiritual realm. I do dig in and out of it; on projects like BEE9, you’ll find both. I’m still describing myself as a woman, as a black woman, as an African woman. On the spiritual side: do I feel fulfilled in my purpose? My career is starting to grow, do I feel like I’m on the right path? Is this something I want to do forever? How do I feel about not being at home for most of the year and have I really taken home with me wherever I go? So it’s more on the spiritual side in terms of the questions that I will be asking. Who knows, maybe a project will come from that too. You won the Australian music prize for Birds and the BEE9, though you’re actively outspoken about a very problematic music industry, in Australia in particular. Did you ever second guess the rocking of the boat in that sense of calling out the industry you’re in? I did. I was surprised that I got the shortlist with a project that I thought would rub shoulders wrongly. For me, it got to a point where I thought, there’s no way I’m dealing with this alone. And also, I just want to be truthful about the space I’m in. I’m not going to stand up there and smile. If my truth is ‘I’m finding this really hard’, then I’m going to express that. I was really fearful of what would happen after BEE9, but to have that as a result was really shocking. After the year that I’ve had, ending with the ARIA awards, the eyes are on us and I feel they’re engaging in a conversation about change, rather than treating it like a trend.

You won the 2019 ARIA Award for Best Hip Hop Release for Final Form, the first woman to win in a hip hop category and with a song that is powerfully pro-black. Are you seeing real change on the ground? Not really. I mean, we won that award, myself and Kaiit [Aboriginal artist Kaiit won Best Soul / R&B Release] and it was shown during an ad break. That says something. This was a moment to say we are changing – and they chose to do it then. What does that say? So, you know, we won’t hold our breath, but we do know that people outside of Australia do hear our message and our music. Time’s Up is another powerful track on the record, musically and in its message. Is it a call to action? Yeah, that was a confrontation. That was, I hit them up – where we do actually say ‘F the ARIAs’. It’s definitely that we’re not afraid now to openly call you out. We are going to be honest about what we feel, what makes us feel that way, who is making us feel that that way. Because if you’re saying you don’t hear us clearly, then we’re just going to be real specific. It’s a final call out between an artist whose been doing music for a little bit and an artist that’s just starting out. I’m telling him the realness of what he’s about to get into, and he’s reminding me of the passion of starting and wanting to do this and this, without really knowing about the barriers that come with wanting to do such things. It’s an open conversation between black artists of different ages in an industry that has created barriers for both of them, at whatever levels they are. It’s saying, if you want to succeed the way you want to succeed, we’ve got to call this out together, and I’ll show you that I’m there with you. Without those role models you can see yourself in to look up to, what brought you to the point of saying, I am going to make hip hop here in Australia? I wanted to be an artist, but I didn’t say it out loud to my parents. A compromise between me and my dad was that I’d do sound engineering. Once that was done and it was time to go home, I thought I had to at least try. It was moreso me accepting that I’m an artist than anything. I was doing The Great Mixtape on the side at school without telling anyone, Australia just happened to be where I was when I released it. I think the inspiration that first put the thought in my mind that I could actually do that was when I saw Lauryn Hill on TV – someone who looked like me, doing hip hop and doing it very well, even better than some of the guys. So for me, that was my permission slip. I’d do it, even though I wasn’t in the limelight, in my room I’d write songs and raps. You’re here for Beat Horizon – representing the future sound of hip hop, alongside some of the genre’s greatest pioneers. Did that feel like a significant acknowledgement of your work within hip hop music? Definitely. People like Talib Kweli, Raekwon, all the people I used to listen to when I was young, being on the same bill as them is definitely a huge nod and I’m very grateful for it. But also I’m still grateful to learn from these people, if I can get the chance. It’s a very humbling nod to the work that Final Form and the whole album did, and the level up it gave me – personally and within the industry. In the same vein, Ninja Tune is a really aspirational label and puts you in the ranks of many great artists across many genres. What did that signing mean to you and what’s it been like working with them? It’s been so dope, even just to get that acknowledgement from them, that there’s potential in your work and people are willing to put time and energy into making sure other people hear it. Ninja has been really amazing. We got to work with them on BEE9 and The Return and are continuing talks onwards. They’ve been so amazing pushing the story – and making sure they ask us about what we want to be pushed forward. We create the stories, we tell them we’re going to Botswana and this is the story we want to tell, and they really support that. That’s really refreshing, there is always a fear as an artist that someone else wants to tell your story for you, or water down the story that you have. And they’ve been really supportive of the expression, 100%.

Words: Rachel Morris Photos: Dominika Scheibinger Location: Moor Beer sampathegreat.com @sampa_the_great 65

A Grand Proposal: Conversation Therapy and the Art of the Feels A long overdue conversation about service and etiquette, from both sides of the wall.

In any environment that peddles hooch, the possibility of horseplay exists

February is a month that is silly for lots of reasons. It mocks you relentlessly with chill winds and bone freezing rain, nothing good is on at the cinema and the heckling, relentless voice in your head chastises you once again for another failed dry January. Cartoon cherubs nock arrows with heart shaped heads to their fearsome bows and go for the kill-shot and despite all of that is so fundamentally wrong with the idea I can’t help but think of love. I think of love, communication, heartfelt conversations with yourself and your loved ones, but most of all, I think of the relationships that truly sculpt our daily lives. Our relationship with our bartender (or waitress, chef, server, maitre d’, pot-wash or bouncer) and how that conversation needs to be appraised on both sides, for the good of preserving the fabric of this delicate social tapestry. It only takes a simple google search to come up with any number of articles and lists that run with a title something like this: ‘If you do 10 or more of these things, then your bartender hates you’. Lists are stupid. These comments are damaging to the industry for a number of reasons: 1. It makes customers feel like the bartender hates them. 2. It breaks the illusion that the bartender doesn’t hate them. 3. It engenders a hostile work ethic that causes hospitality staff to focus more on the things that people do wrong rather than all the wonderful things that people do right. In any environment that peddles hooch, the possibility of horseplay exists, but it doesn’t mean that’s all there is. I mean, if I had a pound for every time I’d been punched in the face I would have at least seven pounds (I am fairly punchable) but you would chalk this up to the actions of the (seven) individual(s), and not the entire area (but I am looking directly at you, Saturday night on Park Street). The sort of negative outlook peddled by this sort of list article has no place in a bar or restaurant (particularly in February) and mercifully most people seem to be on the right side of this issue. But a conversation still needs to be had. If ever you have found yourself in a cocktail bar, there’s a good chance you have experienced some of the following feelings:

1. It’s intimidating, but for reasons not immediately obvious. Also, waistcoats are naturally intimidating. 2. You don’t know what any of the ingredients listed are, so you opt for something well known – a mojito perhaps? Did that waiter just roll his eyes? 3. You hate the drink, but you’re too polite to say anything. Last issue, I mentioned that in a bar you don’t have to know anything, so all of those feelings are justified. Feel intimidated? I had no idea what was going on when I first stepped into a cocktail bar. Also, waistcoats are scary. Bartender rolling his eyes at the prospect of making a mojito? He’s an idiot! An itchy-eyed chump who doesn’t represent the enormous talent pool and kindness of spirit that exists in bars all around Bristol! Mojitos are easy to make and delicious. Don’t like the drink? It’s fine! Just say and any bar worth their salt will mix you something else. Like the secret to success in any number of situations ranging from hospitality to romantic, communication is key. A surprising number of negative Tripadvisor or Google reviews can be zoomed in on and it is often the problem of a lack of conversation on varying sides that leads to anger and frustration. An overtly emotional approach to these situations is never the best (especially when the emotion usually boils up to furious, teeth grinding anger) but a little bit of empathy can go a long way. We all have bad days, both in and out of the industry, so a little compassion can go a long way. As a city, we have the opportunity and the power to shift the dynamic that still tickles the beard of this great billy goat we call socialising (some people do call it that!). Don’t be afraid to call out mistakes, but don’t be horrible about it. And don’t paint all guests with the brush of the few idiots determined to spoil somebody’s evening. Only by having these (sometimes painful) conversations can Bristol continue to grow into the nationally recognised food, drink and music billy goat that it is. I work in a bar. I don’t hate you. In fact, I would go so far as to say I love you. I love you as if you were my own children. My own drunken, weird, anarchic children. Words: Michael Sharpe

Bambalan

The Gallimaufry

Instagram @bambalanbristol // facebook.com/bambalanbristol Podium Level, Colston Tower, Colston Street, Bristol, BS1 4XE // 0117 922 1880 // bambalan.co.uk

One of the newer strings to the bow of Bristol’s legendary Hyde and Co group, Bambalan almost needs no introduction. Perfectly placed just off of the fountains, Bambalan really does have it all. Stunning vista’s over Bristol’s central walk match perfectly with delicious sharing drinks and exquisite food offerings. From private hire and brunches, to effortlessly effective post work facilities, it really does take some determined effort to deny it’s clear relevance.

draught

1/2 pint / 2/3 pint / Jug

Accommodating staff and a slew of options for private hire make this unsung hero one of the must see stops of the city. It shines in summer, but their offering is potent enough to satisfy the needs of even the most discerning winter guest.

FIZZ Pere Ventura Tresor Brut 5.5 / 28

A L W AY S

WHITE

Artolas White 3.9 / 7.25 / 14.5 / 21.5

Smooth, American pale session lager made by VICE | 350ml can | 5% abv

Mancura Etnia Sauvignon Blanc 4.25 / 8 / 16 / 23

Fresh, zesty, aromatic pale ale from West Coast of the USA | 330ml can | 4.5% abv

Vinho Verde 4.5 / 8.5 / 16 / 24.5

Roasted malt, dark chocolate & sweet sweet marshmallow | 330ml can | 5.2% abv

Rioja Blanco Conde Valdemar 30

Paciﬁco 4.5

Old Blue Last 4.5

Five Points Pale Ale 5.25

Tiny Rebel Stay Puffed Marshmallow Stout 5.75

Estrella Free Damm 3.5

Premium alcohol free beer. You’d never know it was 0%! | 330ml can | 0% abv

by the glass 125ml / 250ml / 500ml carafe / bottle

Vidigal, Portugal. Lush fruits & citrus, zingy lemony ﬁnish

Valle Central, Chile. Tantalising tropical fruit, clean, refreshing

Rioja, Spain. Fruit bomb of apples & pears. One for the terrace

Orchard Pig Reveller 4

ROSe

Norcott’s Raspberry & Orange Cider 5.5

Delicious and fruity. No artiﬁcial flavourings or sweeteners | 500ml bottle | 4% abv

Pieno Sud Rosata 3.75 / 7.25 / 14.5 / 21.5

Puglia, Italy. Refreshing rosé, red fruits, orange blossom, dry but full of flavour

Cornish Orchard Blush 5.5

Rosé Silicia 4.95 / 9.5 / 19 / 28

Crooked Alcoholic Sodas 5.5

Blood orange & Passion fruit | Peach & Pomegranate | 330ml can | 4.7% abv

MULLED CIDER £4

by the glass 125ml / 250ml / 500ml carafe / bottle

Planeta, Sicily. Like a pink Sicilian sunset! Beautifully light & fresh

RED

by the glass 125ml / 250ml / 500ml carafe / bottle

Artolas Red 3.9 / 7.25 / 14.5 / 21.5

Cornish Orchard Wassail mulled cider, spiced up with Mount Gay Rum, cinnamon, clove, orange

Vidigal, Portugal. Elegant spiciness, lush fruits & citrus, zingy lemony ﬁnish

Baluarte Roble 4.5 / 8.5 / 16 / 24

Navarra, Spain. Absolutely cracking wine from Ribera del Duero.

Cloof Inkspot 4.75 / 8.75 / 16.5 / 25

Darling, South Africa. Rich plum & cassis aromas. Super juicy & delicious

by the glass / jug

Conde Valdemar Rioja Crianza 34

Save The Bees 8.5

Rioja, Spain. Ripe black berries, warm vanilla, subtle spice. Excellent

Avallen calvados, apple juice, ginger beer

*50p of every bottle sold goes to bee conservation

Chocolate Espresso Martini 9

SPIRITS

Wyborowa vodka, Fair cacao, espresso, sugar

Down In Mexico 8.5

El Jimador tequila, Ancho Reyes, maraschino cherry liquor, lemon juice, grapefruit soda & salt

Jaffa Fizz 9

Blood orange Cointreau, Fair cacao, cava, orange zest

Flower Power 8.5/29

2 4 10 Greenalls blueberry gin, Boe violet gin, lemon juice, lavender syrup & soda water

Honeycomb Old Fashioned 8.5

2 4 10 Buffalo trace bourbon, Dubliner honeycomb whisky liquor & bitters

Orange, Spice & All Things Nice 8.5/29

2 4 10 Boe spiced orange gin, fresh lemon juice, ginger ale & orange bitters

Cherry Good 8/28

2 4 10 Cherry infused Wyborowa vodka, Lazaronni amaretto, cranberry & apple juice

Rum Is The Reason 8.5/29

2 4 10 House-spiced Mount Gay rum, Bristol Syrup Co. falernum, fresh lime juice, apple & pear juice, soda 2 4 10

Cocktail HOUR

2 4 10

Enjoy 2 cocktails for £10, every day from 4pm - 9pm

Offer applies to the same cocktail only.

+ Award-winning South West ciders

Quinta de Lixa, Portugal. Lip-smackingly fresh, effervescent & aromatic

Medium-sweet, gently sparking cider | 440ml can | 4% abv

Lightly sparkling fruity cider. The perfect sunshine drink | 500ml bottle | 4% abv

Every day from 4-7pm

AP NT

Local cask and keg ales

Pere Ventura Tresor Rosé 32

Golden, refreshing Mexican lager served with fresh lime | 355ml bottle | 4.5% abv

Aperol, sparkling shiraz, soda, blood orange

Whilst serving a wide selection of alcoholic beverages, The Gallimaufry also serve Clifton’s Coffee EQ blend and a great selection of British food with a curious twist.

Fresh, elegant flavours of strawberry, raspberry & cherries

Corona 4

Aperol Spritz-Winter Edition 8.5

Praised as one of Gloucester Roads most cherished bars, The Gallimaufry serve a wide assortment of locally sourced

beers, both bottled and on tap, whilst keeping a selection of beers on rotation each week. Their wine list is filled with premium flavours that will quench your thirst, along with their selection of locally distilled gin.

by the glass 125ml / bottle

Premium golden lager from Mexico | 330ml bottle | 4.5% abv

Cocktails

Step inside The Galli and prepare to be dazzled by the colourful paper shapes framing the venue and its welcoming bar as soon as you walk through the door. This independent establishment is not only one of the most understated, picturesque bars in Bristol, but its drinks, food and live music selection are also top of the league.

Top quality Champagne method cava

BEER & CIDER

Simple, local dining has never been easier, tastier or more well situated. Ever evolving cocktail lists are sure to please any palate and the cheery service compliments the food style perfectly.

Freedom Pilsner 4.4% abv 3.5 / 4 / 14 Freedom Pale Ale 4.2% abv 3.5 / 4 / 14

Instagram @thegallibristol // facebook.com/TheGallimaufryBristol 26-28 The Promenade, Gloucester Road, BS7 8AL // 01179 42 7 319 // thegallimaufry.co.uk

25ml / 50ml

Beefeater Gin 40% abv 4 / 6.5 Botanist Gin 46% abv 4.5 / 7 Wyborowa Vodka 40% abv 4 / 6.5 Havana 3yr Rum 40% abv 4.5 / 7 Mount Gay Black Barrel 43% abv 4.75 / 7.5 OVD Demerara Rum 40% abv 4.5 / 7 El Jimador Tequila 40% abv 4.5 / 7 El Jimador Respasado Tequila 40% abv 4.75 / 7.5 Chivas Regal 12yo Blended Scotch Whisky 40% abv 4.5 / 7 Monkey Shoulder Whisky 40% abv 4.5 / 7 Jameson Irish Whiskey 40% abv 4 / 6.5 Buffalo Trace Bourbon 40% abv 4.5 / 7 Martel V.S. Cognac 40% abv 4.5 / 7

Cocktails £5 Elderflower Collins

Gin, elderflower, lemon & soda

Aperol Spritz

Aperol, Prosecco & soda

Jamaican Mule

Rum, bitters, lime & ginger beer

La Paloma

Tequila, lime, grapefruit bitters & Ting

Horse’s Neck

Bourbon, bitters & ginger ale

White wine 175ml £4 Red wine 175ml £4 Prosecco 125ml

£4.25 thegallimaufrybristol @thegallibristol

grain barge

Her Majesty’s Secret Service

Instagram @grainbarge // facebook.com/grainbarge Hotwell Rd, Bristol, BS8 4RU // 0117 929 9347 // grainbarge.com

Bristol’s love for a boat knows no bounds and Grain Barge feeds that thirst dutifully. Moored at Hotwells, the large converted barge offers views of the harbour from an open-air top deck, a main bar with panoramic windows, a below decks event space, and a great selection of food and drink – sourcing much of their menu from South West suppliers. The main bar serves a wide range of delicious drinks, including beers from sister company Bristol Beer Factory, as well as an everrotating roster of guest taps from around

Instagram @hmss_bristol // facebook.com/HMSSbar Whiteladies Gate, Whiteladies Rd, Bristol, BS8 2PH // 0117 973 3926 // hmssbristol.com

the world; plus plenty of tasty top-shelf spirits. There are a number of special nights throughout the week, including Wednesday Pie & Pint, Thursday Steak night and the newly introduced Curry & Quiz every Monday. The intimate Hold Bar downstairs hosts live music across a variety of genres, as well as open mic nights, poetry, exhibitions and one-off food and drinks specials, such as beer and cheese evenings or tap takeovers, and is a great space for private parties.

Tucked away near the entrance to Clifton Down station, prohibition-style cocktail bar Her Majesty’s Secret Service is one of Bristol’s best-kept secrets. It might look like nothing from the outside, but that’s the point. Discerning cocktail drinkers can step through a traditional red phone box to find a cosy, hangout and a highlyskilled bar team. The low lighting, chesterfield-style sofas and snug space all add to the authentic feel of a 1940s speakeasy. Bringing things

up to date, however, is their disco and funk inspired playlists and off-the-wall cocktails. The creative cocktail menu is currently inspired by the iconic sights and traditions of Britain, from the MI6inspired Careless Vespa martini to the Loch Ness Mobster, which lists 9g laughing gas as part of its recipe. The presentation of their cocktail is an art in itself, with drinks served in anything from an ink pot to a terrarium.

Happy hours!

FROM 17.00 - 19.00 DAILY

HAPPY HOUR(S) Happiness shouldn’t ever be restricted to just the one hour. We’re giving you two! Well two for £10 in fact, on these no-messin’ classics below Don’t see anything you fancy, don’t panic our regular menu is still available to choose from - outside of the oﬀer.

Floating bar & restaurant with three decks & panoramic views of the harbour from every table. Great choice of craft beers Seasonally inspired menu Sunday Roasts Hold Bar with Live Music and more Curry & Quiz Night every Monday

Hire our hold bar for your party, event or wedding

FRENCH 75

Bombay Sapphire - Lemon - Sugar syrup - Fizz!

ESPRESSO MARTINI

Finlandia vodka - Coﬀee Liquor - House Espresso magic

TOMMYS MARGARITA

Tequila - Triple sec - Agave Syrup

OLD FASHIONED

Woodford Reserve - Sugar Syrup - Bitters

AMERICANO

Martini Bitter - Martini Rubino - Soda

BEERS & WINES

SNACKS

CAN O’ PABST £4.5 CAN O’ GUINESS £4.5 GLASS O’ GRAPE £6 PROSECCO £6 BOILER MAKER £2.5

NOCELLARA OLIVES £3 SMOKED ALMONDS £3 BOMBAY MIX £2.5 HUMMUS & VEG CRISPS £4

IRISH COFFEE RICH, HEARTY AND OH SO, WARMING! Slane Irish Whiskey - Extract Coffee - Double cream - Nutmeg We’ve worked with Extract coffee and Slane Irish Whiskey on making this a real tasty treat for these chilly wintery evenings. The coffee is fresh, so on occasions we may run out of our daily allocation. We do advise snapping these up whist you can. £5 All of the time!

Hyde & CO

Instagram @hydecobristol // facebook.com/hydeandcobristol The Basement, 2 Upper Byron Pl, Bristol, BS8 1JY // 0117 929 7007 // hydeand.co

Hyde & Co has been a massive presence in the Bristol cocktail scene since its opening nearly a decade ago. It stands as one of the original speakeasy bars in Bristol and has been delivering consistent ambience, service and innovation. Hidden in plain sight, as it is, Hyde & Co has always been a well-kept secret. This allows autonomy and creative freedom for its bartenders, who experiment with mind bending flavour combinations

for their always impressive conceptual menus. The décor and aesthetic are highly reminiscent of the idea of the speakeasy. Low lit with sumptuous furniture and darkly dressed staff, it really is a place to escape the trappings of the world outside. It’s small, so call ahead and tumble back to a simpler time, where the bartender was a true hero and the guests all shone like stars.

Left Handed Giant

Instagram @lefthandedgiantbrewing // facebook.com/lefthandedgiant Wadehurst Industrial Park, St Philips Rd, Bristol, BS2 0JE // 0117 318 2102 // lefthandedgiant.co.uk

Bristol has given birth to some of the most varied and delicious beers in recent memory, gaining traction and interest nationwide. Of these beers, Left Handed Giant has been consistent in both the quality of its beers and its incredible artwork and design.

The site is located in Finzels Reach, which has its own history with breweries and other forms of production. The ideas being touted at LHG, however, are anything but old fashioned, with their artisan pizza focused on vegan and vegetarian options.

Much to the delight of anybody who enjoys truly excellent beer, LHG opened the doors to one of their most exciting new offering, the Brewpub.

Brewery tours are also available, with few venues in the city giving you the option to have a full insight into their production methods.

the milk thistle

Instagram @themilkthistlebristol // facebook.com/themilkthistle Quay Head House, Colston Ave, Bristol BS1 1EB // 0117 929 4429 // milkthistlebristol.com

Part of the Hyde & Co family, prohibitionstyle bar The Milk Thistle is hidden in plain site on Colston Avenue. Set within a historic building, the four-story cocktail bar, lounge and private function rooms can be found behind unmarked, double black doors. With an opulent, art deco style interior throughout and plenty of space for sitting or dancing, The Milk Thistle is open till 1am Monday through to

Thursday, with late night parties on weekends. Serving up the classics as well as their own creative concoctions; an experienced bar team and a wellstocked bar, including top shelf spirits and liquors, means customers are also welcome to order off menu. The top scoring bar in Bristol, Milk Thistle was recently voted number 16 in the Top 50 Cocktail Bars list.

noche negra

Instagram @patanegrabristol // facebook.com/patanegrabristol 30 Clare Street, Bristol, BS1 1YH // 0117 927 6762 // patanegrabristol.com

Twinkling just out of mind above the bustling crowds of Bristol’s Corn Street you’ll find Noche Negra, one of the best kept secrets the city has to offer. One floor above the immaculately presented and delicious tasting tapas of Pata Negra, Noche slumbers in anticipation. Effortlessly flirting the line between Pata Negra’s relaxed confidence and the out and out vibrance of the cities biggest clubs, it exists to impress.

Impeccable design paired with a slew of local talent, from DJ’s and chefs to ‘tenders and tearaways, Noche Negra stands as a beacon of undeniable quality in a sea of uncertainty. To top it off, private hire and event hosting is available in both Noche Negra and in the building’s elusive second floor haunt of Privada. Uncompromising music and uncompromising service. Come for the food, stay for the party. Savour.

NOCHE NEGRA ABSINTHE PINA COLADA - £9

P I N E A P P L E , C O C O N U T , M O U N T G AY E C L I P S E R U M , P E R N O D A B S I N T H E

SHERRY COBLER - £9 M A N G O , S H E R R Y , B E E F E AT E R G I N

PICK-ME-UP - £9

LILLET BLANC, ST GERMAIN, SUZE, TONIC

BUBBLE TROUBLE - £9

G R A P E F R U I T , L E M O N , B E E F E AT E R G I N , A P E R O L , C AV A

CLOVER CLUB - £9

R AS P B E R R Y , L E M O N , P LY M O U T H G I N , D R Y V E R M O U T H , E G G W H I T E

TOP NOCHE - £9

P A D R O N P E P P E R , A G AV E , L I M E , E L J I M A D O R T E Q U I L A , D E L M A G U E Y V I D A M E Z C A L

TORO BRAVO - £9

Y E L L O W P E P P E R , A P R I C OT , L I M E , E L J I M A D O R T E Q U I L A , L I L L E T B L A N C

CARAJILLO - £9

E S P R E S S O , M O U N T G AY E C L I P S E R U M , L I C O R 4 3

SMOKEY COKEY - £9

C H E R R Y , C O K E , C H I V AS 1 2 , L A P H R O A I G 1 0

PROSPECTOR - £9

HONEY, LEMON, VIOLET, BUFFALO TRACE BOURBON

JAZZ HANDS - £9

C U C U M B E R , S T R AW B E R R Y , L E M O N , B E E F E AT E R G I N , S W E E T V E R M O U T H

OLD MEXICO - £9

E L J I M A D O R T E Q U I L A , D E L M A G U E Y V I D A M E Z C A L , S H E R R Y , C H O C O L AT E

MAMACITA - £9

ORANGE, LIME, BLOOD ORANGE COINTREAU, EL JIMADOR TEQUILA

RASCAL - £9

M E TA X A , S H E R R Y , L A P H R O A I G 1 0 , B A N A N A

PLEASE TELL YOUR SERVER IF YOU HAVE ANY ALLERGIES.

The Old Bookshop

Instagram @the0ldbookshop // facebook.com/theoldbookshop 65 North St, Bedminster, Bristol, BS3 1ES // 0117 953 5222 // theoldbookshop.co.uk

It’s hard to miss The Old Bookshop on Bedminster’s North Street. With its colourfully inviting signage and windows, this cosy bar with vintage décor stands proud as being one of Bedminster’s humble treasures. The Old Bookshop offers a quirky atmosphere and friendly staff with a superb selection of drinks, from cocktails,

pints and spirits that can be enjoyed in the company of taxidermy creatures and curious trinkets that decorate the entire bar and walls. With its ever-evolving kitchen, award winning roast dinners and a unique selection of live entertainment. This bar is a feast for all the senses and is one of Bristol’s best family ran establishments.

Small Bar

Instagram @smallbar_bristol // facebook.com/smallbarbristol 31 King Street, Bristol BS1 4DZ // bristol@smallbar.co.uk // smallbar.co.uk

Based on Bristol’s famous strip of bars on Kings Street, Small Bar is one of Bristol’s hidden gems that deserve your attention. Grab yourself a pint of one of the finest craft ales Small Bar have to offer, and enjoy the warm and friendly atmosphere that’ll give you a relaxing drinking experience where you can enjoy the quality of each sip. Ran by passionate bar staff who are on a mission to find the perfect beer, Small

Bar proudly represent the breweries nationwide, with particular support for the South West local ale trade. With the staff’s knowledge and beer expertise, they’re always keen to have the best of the best on tap. So, take a seat outside, or grab a chair and sit at one of the many barrel tables scattered around the rustic wooden finished bar and enjoy Small Bar’s executive collection of good quality beer.

M O L LY (SONIC CATHEDRAL)

“Skeletal, celestial shoegaze (that) reﬂects the cold beauty of the Austrian Alps.” - Stereogum

PERFECT BODY + NOSSIENNES

Mon 17 February from 7.30pm at The Lanes Bristol. A Gravy Train & BLG presentation, by arrangement with El Borracho Bookings.

Free e-tickets available from headfirstbristol.co.uk / gravytrainrecordings.co.uk