Writing the City Presentation

Page 1

10 1 3 7 Dr. Shelagh McCartney PLE 755 10/29/2014

Speculative Procedures

Erik Lynch-Christensen Nikolas Koschany Manuel Rivera Lenoardo Petruniti


10 Speculative Contents //identity //culture //resurgence //internet //communications //centricity //landscape //housing //innovation //conclusion //questions


10

//identity

Koolhaas, Rem.Small, medium, large, extra-large : Office for Metropolitan Architecture..Monacelli Press,1995.

a

-Rem Koolhaas

i v

n

t

o i a g

ing Identity becomes like a lighthouse - fixed, overdetermined: z i l a ab it can change its position or the pattern it emits only at the cost of de-st n


10

1

//culture

//identity

These Cores will act as catalysing elements, so that highest

l develop wil

-Rem Koolhaas

ommunity c e

life of th e th

identity identity identity identity

around them -José Luis Sert

.

Convergence is possible only at the pri¢e of

Monuments are the expression of man’s cultural needs. They have to satisfy the central demand of the people for translation of their collective force into symbols. -José Luis Sert

Density

in isolation

Instead of consciousness, as its original inventors may have hoped, it creates a new unconscious. It is modernization's little helper. -Rem Koolhaas

is the ideal Koolhaas, Rem.Small, medium, large, extra-large : Office for Metropolitan Architecture..Monacelli Press,1995 Sert, José Luis; Leger, F. and Giedion, S. Harvard Architecture Review. Harvard Graduate School of Design, 1984


10

//resurgence

Together, all attempts to make a

New beginning have only discredited the idea of a new beginning. -Rem Koolhaas

...Propositive Projects take as starting point a critical understanding of reality on the basis of which they formulate systems of or transformation. -Busquets stretched

As the concept of city is distorted and beyond precedent, each insistence on its primordial condition - in terms of inlages, rules', fabricationirrevocably leads via nostalgia to irr ele -Rem Koolhaas van ce. Koolhaas, Rem.Small, medium, large, extra-large : Office for Metropolitan Architecture..Monacelli Press,1995.

Busquetes, J. (2006). Speculative Procedures. Cities: 10 Lines - A New Lense for the Urbanistic Project. Harvard Graduate School of Design.


10

//resurgence

Now switch off the sound - silence, a welcome relief - and reverse the film mlfi eht esrever dna - feiler emoclew a ,ecnelis - dnuos eht ffo hctiws woN -Rem KoolhaassaahlooK meR-

Koolhaas, Rem.Small, medium, large, extra-large : Office for Metropolitan Architecture..Monacelli Press,1995.


10

//resurgence

2014


10

//internet

1

//communications

Public life seems to be slipping away... -Mitchell William

Radio, movies, television and printed information are today the whole field of communication. -José Luis Sert

It’s extraordinarily efficient but it also eliminates occasions that going to the track had provided, for making contacts, s o c i a l i z i n g, building trust, and doing deals. -Mitchell William

Sert, José Luis; Leger, F. and Giedion, S. Harvard Architecture Review. Harvard Graduate School of Design, 1984 Mitchell, W. J. (1999). E-topia : 'urban Life, Jim--but Not As We Know It'. Cambridge, Mass: MIT Press.


10

//centricity

The city today is a dying thing because it is not Geometrical -Le corbusier

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition -Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

-Le corbusier

-Le corbusier

-Le corbusier

The Result of a true Geographic Layout is Repetition

-Le corbusier

obsession

oncentric Co cC n tri

-Le corbusier

Conc en

The persistence of the present

The Result of a true Geographic Layout is Repetition The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition -Le corbusier

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition -Le corbusier

The Result of a true Geographic Layout is Repetition

-Le corbusier

The Result of a true Geographic Layout is Repetition

-Le corbusier

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

-Le corbusier

-Le corbusier

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

The Result of a true Geographic Layout is Repetition -Le corbusier

The Result of a true Geographic Layout is Repetition -Le corbusier

-Rem Koolhaas

The Result of a true Geographic Layout is Repetition

-Le corbusier

-Le corbusier

The Result of a true Geographic Layout is Repetition

ridge makes us all B and T u people n n el

The Result of a true Geographic Layout is Repetition -Le corbusier

The Result of a true Geographic Layout is Repetition

Contentric Co rt ic

ric ent nc

The Result of a true Geographic Layout is Repetition

-Le corbusier

Con ce n

-Le corbusier

The Result of a true Geographic Layout is Repetition

c ntri ce

-Le corbusier

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

-Le corbusier

The Result of a true Geographic Layout is Repetition

-Le corbusier

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

-Le corbusier

The Result of a true Geographic Layout is Repetition

-Le corbusier

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

The Result of a true Geographic Layout is Repetition

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

-Le corbusier

LE CORBUSIER .The City Reader.2nd ed..Routledge,2000. Koolhaas, Rem.Small, medium, large, extra-large : Office for Metropolitan Architecture..Monacelli Press,1995.


10

7

//centricity

//landscape

The level site is the ideal site.

-Le Corbusier

rat

o rpo

ity

ac

acc

in to

ea

Imagining an urbanism that is other nd than the status quo requires a c o mmodate new sensibility - one that has the ca p the inherent conflictual conditions between ecology and urbanism. -Mitchell William

The place was coMPlEx, but it was made uniform. It had contained many delights, but these were -Ian McHarg

LE CORBUSIER .The City Reader.2nd ed..Routledge,2000. McHARG, Ian.Design With Nature..J. Wiley,. Mitchell, W. J. (1999). E-topia : 'urban Life, Jim--but Not As We Know It'. Cambridge, Mass: MIT Press.


10

3

//housing

w

riu

m

s�

To introduce UNIFORMITY into the building of the city we must industrialize building. -Le Corbusier industrialize industrialize industrialize

lib

ui

it

The Building Cell understood in this sense represents the basic structure of a production program, from which is excluded any other standard component. The single building is no longer an "object."

“e q

-Manfredo Tafuri

in ith

The city of development does not accept

-Manfredo Tafuri

Now we are left with a world without urbanism, only architecture, -Rem Koolhaas ever more architecture. The Mass Designed

Mass Designed Mass Designed Mass Produced Environments Mass Produced Environments Mass Produced Environments

for an increasingly homogenized market of mass-consumers are no more than assemblies of material goods devoid of ________ meaning. -John Turner

The Squatter Settlement: An Architecture that Works Architecture of Democracy, Architectural Design, August 1968 TAFURI, Manfredo. Architecture and Utopia: design and capitalist development. M.I.T. Press, 1976. LE CORBUSIER .The City Reader.2nd ed..Routledge,2000. Koolhaas, Rem.Small, medium, large, extra-large : Office for Metropolitan Architecture..Monacelli Press,1995.

existential


1

10

//innovation

Free thinking did not find its shape in

rural regions

neither is it a product of press, radio or television, it owes more to the cafe table than to the school and, though other means have helped, it was mainly s p r e a d by the spoken word and born in the meeting places of the people. -JosĂŠ Luis Sert

...Interesting propositive projects are those that are capable of addressing work with an innovative, pioneering attitude, embracing the definition of and/or experimental procedures. -Busquets

Busquetes, J. (2006). Speculative Procedures. Cities: 10 Lines - A New Lense for the Urbanistic Project. Harvard Graduate School of Design. Sert, J. (1956). The Heart of the City: Towards the Humanism of Urban Life. Pellegrini & Cudahy.


10

//conclusion

We can leaveleave the theatre now... -Rem Koolhaas


10

//questions

/The past 7 years has seen a wide change in the use of public spaces due to the advent of the smartphones which bring formerly private activities to the public. Where do you see the use of public spaces going in the next 7 years? //Identity of the city, as discussed throughout this presentation, has been influenced in a multitude of ways through the design literature over time. How do you see the role of “identity” changing in an urban context with the further permeation of communication technologies in today’s society? ///In line 1 José Luis Sert identifies monuments as a testament to the collective past. In today’s society, much of what we produce is digital. Can we celebrate a collective history with digital devices rather than physical monuments, and if so, how?


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