New Mexico Philharmonic 2014/15 Season Program Book 6 by New Mexico Philharmonic

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2014/15 Season

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Welcome .

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Table of Contents FEBRUARY 8, 2015

Program Program Notes Daniel Cummings Chancel Choir of First United Methodist Church FEBRUARY 14, 2015

Program John Morris Russell Jennifer Perez Svetlana Petkovic William Gruner FEBRUARY 15, 2015

Program Program Notes Bradley Ellingboe Umi Garrett Deborah Domanski Jennifer Perez Sarah Ihlefeld YOUR NMPHIL

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K H A C H AT U R I A N ’ S

S PA R TAC US BALLET Saturday, March 7, 2015, 6 p.m. Popejoy Hall Grant Cooper conductor New Mexico Ballet Company A bold and beautiful live ballet, based on the tale of Spartacus, the leader who headed a slave uprising against the Romans.

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Concert Program .

Sunday, February 8, 2015, 3 p.m.

Neighborhood Concert: Mozart, Bach & Haydn Daniel Cummings conductor and piano Chancel Choir of First United Methodist Church

Symphony No. 29 in A Major, K. 201 I. Allegro moderato II. Andante III. Menuetto: Allegretto–Trio IV. Allegro con spirito

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First United Methodist Church

Wolfgang Amadeus Mozart (1756–1791)

Making a Difference This performance is made possible in part by the generosity of the following:

First United Methodist Church

Clavier Concerto No. 4 in A Major, BWV 1055 Johann Sebastian Bach I. Allegro (1685–1750) II. Larghetto III. Allegro ma non tanto

I N T E R M I S S I O N

Missa Sancti Nicolai, Hob. XXII:6 Franz Joseph Haydn I. Kyrie (1732–1809) II. Gloria III. Credo IV. Sanctus V. Benedictus VI. Agnus Dei

The New Mexico Philharmonic

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Program Notes .

Program Notes Lori Newman

Wolfgang Amadeus Mozart Born 1756, Salzburg, Austria Died 1791, Vienna, Austria

Symphony No. 29 in A Major, K. 201 (1774) When Mozart was seventeen years old, he and his father, Leopold, traveled to Vienna, ostensibly in search of employment with the Imperial Court. The Mozarts cloaked their true intentions for the trip by also seeing friends and performing, but in the end, a position for the younger Mozart was what they sought. No such position was offered; possibly because Mozart was getting a little “long in the tooth” to play the role of wunderkind, and his antics were not nearly as adorable as they had been when he was a child. Regardless, the duo returned to Salzburg in the fall of 1773. While Mozart did not obtain a position in Vienna, the center of European culture at the time, he did procure a deeper understanding of the musical traditions and the musical future by surrounding himself in the music the city had to offer. Such luminaries as Gluck, Salieri, and Haydn were in their heyday at the time, and the composer took note. Revitalized and invigorated, almost immediately upon his return, Mozart composed his Symphony No. 25, often referred to as the “Little g minor.” This symphony was a great departure for the composer and incorporated the new concept of “Sturm und Drang,” made popular by Haydn. The following April came the Symphony No. 29 in A Major. It is this symphony that most scholars point to as Mozart’s first mature symphony. Mozart scholar Georges de Saint-Foix stated that, “In invention and scope, the A major Symphony is the most perfect product of the whole first period of Mozart’s career … After it, he will not do better, only different things.” And the British musicologist and critic Stanley Sadie describes the symphony as “a landmark… personal in tone, indeed perhaps more individual in its combination of an intimate, chamber music style with a still fiery and impulsive manner.” The Symphony is scored for the usual Salzburg instrumentation: two oboes, two horns, and strings. The first movement, written in sonata form, begins softly and

2014/15 Season

“… the most perfect product of the whole first period of Mozart’s career … After it, he will not do better, only different things.” —Georges de Saint-Foix

subdued and is characterized by an opening downward octave leap, repeated notes, and heavy use of the appoggiatura. The overall mood is light and joyous. The second movement is written for muted strings and the use of winds is fairly limited. It features dotted rhythms and the string writing is more chamber music than symphony. The Minuet offers great dynamic contrasts and, as in the second movement, features dotted rhythms, but in this turn, they offer a courtly and driving character. The Finale is spirited and filled with impressive violin flourishes; it hearkens back to the first movement with the use of the descending octave leap as a thematic element. ●

Johann Sebastian Bach Born 1685, Eisenach, Germany Died 1750, Leipzig, Germany

Clavier Concerto No. 4 in A Major, BWV 1055 (1738) Most likely written in the early 1720s as a concerto for the oboe d’amore, the Clavier Concerto No. 4 in A Major, BWV 1055 was reworked for harpsichord in 1738. In fact, all of Bach’s concertos for the harpsichord were originally written for other instruments, most likely the oboe, oboe d’amore, or violin. The original versions of these concertos in most cases did not survive. As with most works by the Baroque masters, little is known about the composition or premiere of their pieces. It is surmised that these concertos were most likely written for and premiered by the Leipzig Collegium Musicum, a group comprised of amateur instrumentalists and vocalists that Bach directed from 1729–1741. To be clear, “amateur” is not meant in the pejorative sense here: the Collegium’s members were highly skilled amateurs, students, and the occasional professional. The group performed weekly at Zimmerman’s

Coffee House in Leipzig, and while no official programs of the performances have survived, it is assumed that much of their repertoire included works by their director. The Collegium was fortunate to receive a new harpsichord in 1733, and it was heralded to be “the likes of which no one here has ever heard.” It is most likely for this instrument that Bach composed his harpsichord concertos of the late 1730s. The Concerto is written in the usual three-movement configuration of fast-slow-fast. The outer movements are lively and virtuosic, both employing ritornellos. The second movement, written in the relative minor, uses sparse accompaniment to let the fantasia style of the solo line sparkle. ●

Franz Joseph Haydn Born 1732, Rohrau, Austria Died 1809, Vienna, Austria

Missa Sancti Nicolai, Hob. XXII:6 (1772) The Missa Sancti Nicolai was written in 1772 for the name-day celebration of Prince Nikolaus Esterházy. The mass was written very quickly, within the span of about two weeks. Austrian folk song plays a large role in the mass, as Prince Esterházy was a fan of the music of his country. The work is noted for its “pastoral” quality with lilting rhythms and the idyllic key signature of G Major. The mass contains the standard six movements, although in his haste, Haydn did not write a Dona nobis pacem for the last movement. Instead, the players probably improvised it during the first performance. In later editions of the work, a Dona nobis pacem is included, written by Haydn’s copyist, Joseph Elssler. The work is scored for two oboes, two horns, strings, and organ, and the revised 1802 version adds trumpets and timpani. ● Program Notes ® Lori Newman

Concert Program .

Saturday, February 14, 2015, 6pm, Popejoy Hall

Popejoy Pops: A Perfect Valentine

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John Morris Russell conductor  Jennifer Perez soprano  Svetlana Petkovic tango dancer  William Gruner tango dancer

Popejoy Hall

Palladio

Karl Jenkins arr. P. Wiebe

“Je veux vivre” from Roméo et Juliette

Charles Gounod

Making a Difference This performance is made possible in part by the generosity of the following: Albuquerque Community Foundation

“O mio babbino caro” from Gianni Schicchi Selections from Les Misérables

Giacomo Puccini

Claude-Michel Schönberg arr. B. Lowden

Blue Tango

Romeo and Juliet Overture-Fantasia

Leroy Anderson

Peter Ilyich Tchaikovsky

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Waiting for Wings: Overture

Jason Robert Brown/Georgia Stitt

“Estrellita” “Till There Was You” from The Music Man

“Por una Cabeza”

Meredith Willson

Carlos Gardel/Alfredo Le Pera arr. J. Williams

West Side Story–Selections for Orchestra

The New Mexico Philharmonic

Manuel Ponce arr. F. La Forge

Leonard Bernstein arr. J. Mason

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Concert Program .

Sunday, February 15, 2015, 2 p.m.

NHCC: Protégé Series

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Bradley Ellingboe conductor  Umi Garrett piano Deborah Domanski mezzo-soprano “Orfeo”  Jennifer Perez soprano “Euridice”  Sarah Ihlefeld mezzo-soprano “Amore” NMPhil Collaborative Choir

National Hispanic Cultural Center

Piano Concerto No. 1 in e minor, Op. 11 I. Allegro maestoso II. Romanze—Larghetto III. Rondo—Vivace

Frédéric Chopin (1810–1849)

Making a Difference This performance is made possible in part by the generosity of the following: McCune Foundation

I N T E R M I S S I O N

Selections from Orfeo ed Euridice

Christoph Willibald Gluck (1714–1787)

OVERTURE

ACT II, SCENE II

ACT I, SCENE I

Ballo “È quest’asilo ameno e grato” “Che puro ciel!”

“Ah! se intorno a quest’urna funesta” “Chiamo il mio ben cosí” ACT I, SCENE II

“Gli sguardi trattieni” ACT II, SCENE I

“Chi mai dell’Erebo” “Deh! placatevi con me” “Misero giovane!” Ballo delle furie

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ACT III, SCENE I

“Che farò senza Euridice?” ACT III, SCENE II

“Gaudio, gaudio son al cuore” ACT III, SCENE III

Ballo “Trionfi Amore, e il mondo intero”

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Program Notes .

Program Notes Lori Newman

Frédéric Chopin

Born 1810, Żelazowa Wola [near Warsaw], Poland Died 1849, Paris, France

Piano Concerto No. 1 in e minor, Op. 11 (1830) Frédéric Chopin wrote only six pieces that required orchestra, all of them included solo piano, and they were all written before his twenty-first birthday. There’s much debate as to why Chopin composed so little for the orchestra: some say he didn’t have the chops for orchestration or the ability to write in large-scale classical forms, some say his particular brand of concertizing didn’t lend itself well to battling the orchestra for attention, and others think that it boiled down to the fact that he just didn’t have to. Let’s delve a little deeper into each of these. With regards to the question of Chopin’s talents, it is possible that Chopin has gotten a bum rap. His works for piano and orchestra are compared and contrasted with the piano concerti of Mozart and Beethoven. When Chopin was studying at the Warsaw Conservatory, the works of neither of these composers would have been part of his education. Chopin would instead study the works of Carl Maria von Weber, John Field, and Johann Nepomuk Hummel. Those names would have composed their works for piano and orchestra as vehicles for the soloists, not with the interplay that

the orchestra and soloist would share in the works of Mozart and Beethoven. And that is exactly one of the major complaints with Chopin’s piano concertos: too much piano, not enough orchestra. With regards to the classical forms with which Chopin uses, he is criticized for not sticking to the structural rules of sonata form. True enough, but again, his models were more concerned with the soloist’s role in the concerto and perhaps, to a small degree, less about the rules of sonata form. Could Chopin not compete with an orchestra? Possibly. During the first part of the nineteenth century, the “virtuoso composer” came into fashion with the likes of Paganini and Liszt. These touring soloists were expected to play virtuosically as well as compose their own music as a vehicle for their touring. The revolutionary nature of Chopin’s piano works is not doubted, but his virtuosity was more subtle, less flashy than the aforementioned virtuosi. The famous composer Hector Berlioz once said of Chopin’s playing, “It is necessary to hear him at no great distance, rather in the salon than in the theater.” So, perhaps writing bombastic works in which he would be in direct competition with the orchestra was just not for Chopin. The third consideration of why Chopin wrote so little orchestral music was that he just didn’t have to. Well, no, he didn’t. Chopin left Warsaw in 1830 at the age of twenty, and by the mid-1830s, he had settled comfortably into the Parisian social scene. He was a mainstay in the Paris salons, and his solo concerts in these venues were very

“It is intended to convey the impression which one receives when the eye rests on a beloved landscape that calls up in one’s soul beautiful memories, for instance, of a fine moonlit spring night.” —Frédéric Chopin

popular. There was no need for him to write in a genre in which his particular talents would not shine. Chopin’s Piano Concerto No. 1 in e minor premiered on October 11, 1830, in Warsaw with the composer as soloist. This was the last performance Chopin would give in Warsaw, and the concerto was met with “deafening bravos,” in Chopin’s words. The First Piano Concerto was actually written after the Second Piano Concerto, but published first, thus its numbering. The first movement opens with an extended orchestral introduction: a full four minutes of orchestral introduction (Decades later, Johannes Brahms would also be blasted for the long introduction in his First Piano Concerto). But after the orchestra’s moment in the sun, it is really all about the piano thereafter. The piano dances and sings in contrasting virtuosic and lyrical sections. Because of the all-consuming solo part, Chopin felt no need to include a first movement cadenza as tradition would dictate. The second movement is a stunning Romance in the style of a Nocturne. Again, the piano dominates. So much so, there are less than fifteen measures in which the piano is not playing. Chopin said of this contemplative movement, “[It is] of a romantic, calm and partly melancholy character. It is intended to convey the impression which one receives when the eye rests on a beloved landscape that calls up in one’s soul beautiful memories, for instance, of a fine moonlit spring night.” Chopin’s Polish heritage shines in the finale. The basis for the syncopated and stylized Rondo is the krakowiac, a Polish folk dance. Again, the soloist is front and center with dizzying and dazzling piano writing. ●

Christoph Willibald Gluck

Born 1714, Erasbach [now Berching], Germany Died 1787, Vienna, Austria

Selections from Orfeo ed Euridice (1762)

Orfeo ed Euridice is one of the most significant and historical operas in music history. While Gluck’s name may not be as recognizable as many other composers, in his time, he was an extremely successful and influential composer. What makes Orfeo so revolutionary is that it is the first of the socalled “reform” operas of Gluck, along with the librettist Ranieri de’ Calzabigi. continued on 10

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Program Notes . continued from 9 What was opera reform? It was brought about by Gluck who was troubled by the state of opera in the mid-1700s. In his mind, opera seria (serious opera) had become too convoluted and revolved far too much around the singers and their egos, and opera buffa (comic opera) was just plain stale. He and Calzabigi created a manifesto, and in it, they outlined their new operatic vision. Briefly, here were the items they were most concerned in changing: 1) Removing da capo arias. Da capo arias repeat already performed music and text to stick to an established form. Gluck argued that singing the same thing again, just for the sake of tradition, stalled the drama. 2) No more extended and virtuosic cadenzas that served only to strut the singers’ vocal chops. 3) Keep the drama center stage with simple and direct expression. He did this by making recitatives and arias more similar in nature by making the recitatives less choppy and more lyrical. 4) Making the overture an integral part of the opera. 5) Bringing back the chorus to help serve the drama. So, Gluck’s main interest was enhancing the drama and creating new forms and models which did so. He stated, “I believed that my greatest labor should be devoted to seeking a beautiful simplicity … and there is no rule which I have not thought it right to set aside willingly for the sake of an intended effect.” We can find an obvious manifestation of Gluck’s opera reform in the small cast, containing only three characters and a chorus. The players include: Orfeo, a musician and poet, whose instrument is the lyre (harp); Euridice, his beloved and deceased wife; and Amore, the goddess of love. The opera opens with a gathering of mourners at the gravesite of Euridice, among them: shepherds, nymphs, and Orfeo. The opening aria, “Ah! se intorno a quest’urna funesta,” is a lamentation of Eurdice’s death and is sung by the chorus. Orfeo is so grief-stricken he is only able to painfully call out Euridice’s name.

“I believed that my greatest labor should be devoted to seeking a beautiful simplicity … and there is no rule which I have not thought it right to set aside willingly for the sake of an intended effect.” —Christoph Willibald Gluck

Orfeo sends the mourners away and sings his own lamentation in “Chiamo il mio ben cosí.” He then castigates the gods for taking his wife away from him and vows to rescue his beloved from the underworld. Hearing Orfeo’s cries, the god of love, Amore, enters and tells Orfeo that Jove has heard and been moved by his plight. He will allow Orfeo to go to the underworld to retrieve Euridice. There’s a catch, however: Orfeo must not look at Euridice, nor explain why he avoids her gaze, or Euridice will immediately die again (“Gli sguardi trattieni”). Orfeo accepts the challenge and begins his journey. Act II opens at the gates of Hades. The chorus, acting on behalf of the specters and furies that guard the entrance to the underworld, asks who dares to try and cross the threshold (“Chi mai dell’Erebo”). His request for entry is rebuked. Orfeo begins playing his lyre and begging for admittance (“Chi mai dell’Erebo”), while the furies question why anyone would want to be granted access to the underworld (“Misero giovane!”). Eventually, they allow Orfeo to go through to the Elysian Fields. Scene II opens in

Orfeo must not look at Euridice, nor explain why he avoids her gaze, or Euridice will immediately die again. 10

2014/15 Season

the splendor and beauty of the Elysian Fields. Euridice sings of the happiness she feels living in Elysium and the peace it brings her (“È Quest’asilo ameno e grato”). Meanwhile, Orfeo is also taken by the exquisite surroundings, although, since he is experiencing this without Euridice, his happiness cannot be complete (“Che puro ciel!”). Orfeo beseeches the spirits to bring Euridice to him, and they do. Without looking at her, he leads them out of the underworld. Act III opens in a dark labyrinth back to Earth. Euridice is excited to be going back home but questions Orfeo about his refusal to look at her. Orfeo can’t explain, and Euridice worries that her beauty has faded and Orfeo no longer loves her. Orfeo fights the urge to look at her despite her pleas and protestations. Finally, as she comes closer to him, he steals a glance. As promised, Euridice immediately dies. In despair, Orfeo wonders how he will live without her (“Che farò senza Euridice?”). He decides life without Euridice would be unbearable, and the only thing he can do to stop his pain is to kill himself. Scene II opens with the return of Amore, who stops Orfeo from harming himself. She is so taken by his devotion that she returns Euridice to him, and the three of them return to Earth (“Gaudio, gaudio son al cuore”). Scene III takes place in the Temple of Love where the newly returned trio and the nymphs and shepherds sing and dance to the power of love (“Trionfi Amore, e il mondo intero”). ● Program Notes ® Lori Newman

Artists .

Daniel Cummings conductor and piano Daniel Cummings recently returned to New Mexico from Southern California where he was active as a conductor, composer, and pianist. He has conducted such luminaries as the world famous Boston Brass, international trumpet virtuoso Jens Lindemann, and legendary guitarist Angel Romero. Active in opera and musical theatre, Dr. Cummings has conducted performances of Gianni Schicchi, A Midsummer Night’s Dream, Die Zauberflöte, Suor Angelica, L’elisir d’amore, and West Side Story. He has served on the faculties of the Hawaii Performing Arts Festival, where he taught Musical Theatre and Collaborative Vocal Piano, and the UCLA Summer Music Academy, where he was an Administrative Assistant and Chamber Music Coach. As a pianist, Daniel is active in chamber music and performs frequently in instrumental and vocal recitals. In 2011, he collaborated with baritone Aram Barsamian in a unique song recital entitled “Laura: a story of unrequited love as told by Francesco Petrarc.” He has worked with Rakefet Hak, Betty Buckley, Len Cariou, Martin Katz, and Margo Garrett. He worked as conducting assistant to John Mauceri of the Hollywood Bowl Orchestra and served as rehearsal pianist for their production of Sunset Boulevard. Dr. Cummings has also worked as assistant music director for Musical Theatre Southwest of New Mexico, staff accompanist for the College Light Opera Company in Falmouth, Massachusetts, and music director and arranger of the Carol Burnett Awards at UCLA. As a composer, Daniel has written film scores, concerti for piano and clarinet, choral works, songs and song cycles, and over one hundred arrangements of hymns and folk

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songs for various ensembles and singers. His most recent commission is from Stage It Performing Arts Studio in Oakville, Ontario, for an original musical theatre piece for the senior music theatre performance class. He is a staff composer and arranger with Fall of Ai Productions in Los Angeles. Daniel received his Doctor of Musical Arts from UCLA in Orchestral Conducting in June 2007. His other degrees are a Master’s degree in Choral Conducting from UCLA and a Bachelor’s degree in Composition from UNM. He served as music director and conductor of the La Sierra University Symphony Orchestra from 2007 to 2011. While at La Sierra, Dr. Cummings also taught piano proficiency, orchestration, composition, and piano. In addition to his work as pianist with the New Mexico Symphonic Chorus, Daniel teaches piano and composition at the New Mexico School of Music and is the Resident Music Director for Landmark Musical Productions. ●

Chancel Choir of First United Methodist Church The Chancel Choir at First United Methodist Church is the foundation of the Music Ministry. Established over fifty years ago by the late Harry Hook, the choir leads worship each Sunday at the traditional service and presents music from the great sacred choral literature from the past and present. The Chancel Choir also prepares and presents major works for chorus and orchestra throughout the year. Past presentations have included Lux Aeterna by Morten Lauridsen, Requiem by John Rutter, Choral Fantasy by Beethoven, Requiem by Mozart, Mass in C Major by Beethoven, Elijah by Mendelssohn, and the “Lord Nelson” Mass by Haydn. ●

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Artists .

John Morris Russell conductor The 2014/2015 marks John Morris Russell’s fourth full season as Conductor of the Cincinnati Pops, one of Cincinnati’s most treasured assets and one of the world’s most respected pops orchestras. Consistently winning international praise for his extraordinary music-making and visionary leadership, he was recently named Music Director of the Hilton Head Symphony Orchestra, in Hilton Head, South Carolina. He completed his role as Music Director of the Windsor Symphony Orchestra in Ontario, Canada, at the end of the 11/12 season, whereupon he was named that orchestra’s first Conductor Laureate. With his position at the Pops, Mr. Russell leads performances at Cincinnati’s Music Hall and the Riverbend Music Center; additionally, he conducts the orchestra in concerts throughout the Greater Cincinnati region as well as on tour—serving as a musical ambassador to help cultivate the reputation of the Cincinnati region as one of the world’s leading cultural centers. No stranger to Cincinnati audiences, for many seasons John Morris Russell served as Associate Conductor of the Cincinnati Symphony Orchestra. He was recognized for his innovative programming and commitment to attracting new and diverse audiences to orchestral music; creating the Classical Roots: Spiritual Heights series, which brought the music of African-American composers and performers to thousands of listeners in area churches; and was also the co-creator of the Christmas spectacular, Home for the Holidays. ●

2014/15 Season

Jennifer Perez soprano Jennifer Perez, soprano, holds a Bachelor of Music from The University of New Mexico and is currently working toward her Master of Music (Vocal performance concentration) under the vocal instruction of Dr. Michael Hix. She has performed lead roles with several Santa Fe Opera Community Outreach programs, including children’s operas directed by John Bradley and opera workshops and presentations directed by SFO Lecturer Oliver Prezant. Her operatic roles include Gretel in Humperdinck’s Hansel and Gretel, Luigia in Donizetti’s Le convenienze ed inconvenienze teatrali (Viva la mamma), Letitia in Menotti’s The Old Maid and the Thief, and the Queen of the Night in Mozart’s The Magic Flute, as well as scenes from Offenbach’s The Tales of Hoffmann as Giulietta and Mozart’s Così fan tutte as Fiordiligi. Her choral experience includes: participation as a soprano section leader in the UNM Concert Choir during her undergraduate studies, as a soprano soloist in the 2010 ACDA Denver conference, Mozart’s Requiem for the Festival Internazionale della Cultura Bergamo in Italy, Haydn’s “Lord Nelson” Mass, Britten’s A Ceremony of Carols, Poulenc’s Gloria, and Vaughan Williams’s Serenade to Music. Outside of the university, Ms. Perez enjoys participating in the musical community of Albuquerque as soprano section leader at St. Paul Lutheran Church and as a member of Albuquerque’s Polyphony choir, directed by Maxine Thévenot. She is also an active member of The Santa Fe Desert Chorale, directed by Joshua Habermann and The New Mexico Bach Society, directed by Franz Vote. ●

Svetlana Petkovic tango dancer Svetlana Petkovic studied classical ballet in the former Yugoslavia and at the famous Vaganova School of Ballet in St. Petersburg, Russia, going on to perform throughout Europe as a professional ballerina. A diverse dancer, she started studying Argentine Tango ten years ago and has since performed and taught throughout the United States. She teaches locally at the tangoXchange at 302 Central Ave SE in Albuquerque. ●

William Gruner tango dancer William Gruner has studied and performed Argentine Tango for over twelve years with some of the greatest names in tango such as Ozvaldo Zotto, Pablo Varon, Pablo Pugliese, and Miguel Zotto to name just a few. ●

Artists .

Bradley Ellingboe conductor Bradley Ellingboe is Director of Choral Activities at the University of New Mexico. He has led a wide-ranging career in the world of singing, including accomplishments as a choral conductor, soloist, composer, scholar and teacher. As a choral conductor, he has led festival choruses in 40 states and 14 foreign countries. He made his operatic conducting debut in December 2011, leading the worldpremiere of Stephen Paulus’s opera Shoes for the Santo Niño in a joint production by the Santa Fe Opera and UNM. As a bass-baritone soloist, he has sung under such conductors as Robert Shaw, Helmuth Rilling, and Sir David Willcocks. Ellingboe has over 130 pieces of music in print, including the Requiem for Chorus and Orchestra, which has been performed more than 300 times in this country and Europe, and his newest work, Star Song, which premiered in December of 2013. Star Song had its New York debut (Lincoln Center) in May of 2014 and its European debut (London, Oxford, Bath) in July of that year. For his scholarly work in making the songs of Edvard Grieg more accessible to the English-speaking public, he was knighted by the King of Norway in 1994. As a teacher, the University of New Mexico Alumni Association named him Faculty of the Year in 2008. Bradley Ellingboe has been on the faculty of the University of New Mexico since 1985, where he is Professor of Music and Regents Lecturer. He has served as Chairman of the Department of Music. In the fall of 2005, Ellingboe stepped down from his post as Head of the Voice Area and assumed the title of Director of Choral Activities. He is a graduate of Saint Olaf College and the Eastman School of Music and has done

further study at the Aspen Music Festival, the Bach Aria Festival, the University of Oslo, and the Vatican. Since 2000, Ellingboe has won annual awards for his choral compositions from ASCAP, the American Society of Composers, Arrangers, and Publishers. His choral music is widely sung and is published by Oxford, Augsburg, Walton, Hal Leonard, Mark Foster, Choristers Guild, Alliance, Concordia, and particularly the Kjos Music Company, for whom he edits two series of choral octavos. His music has been performed and recorded by such groups as the Santa Fe Desert Chorale, Philip Brunelle’s VocalEssence, the Saint Olaf Choir, the Harvard Glee Club, Craig Hella Johnson’s Conspirare, and the choirs of the University of Michigan and Luther College, among many others. He has prepared choirs for such luminaries as Dave Brubeck, Moses Hogan, Alice Parker, Morten Lauridsen, René Clausen, and Robert Ray. At the request of composer Libby Larsen, the UNM Women’s Chorus, “Las Cantantes,” recorded all Larsen’s music for treble chorus. He was asked to guest conduct the Santa Fe Desert Chorale in a series of concerts in December 2011. An active church musician, Ellingboe was Director of Music at St. Paul Lutheran Church of Albuquerque from 1990–2009. He has given workshops for the AGO, PAM, ALCM, and NPM. He has been on the summer faculties of Saint Olaf College, Southern Methodist University, and Montreat. He was a member of the national board of the Choristers Guild from 2004–2011. Professor Ellingboe is the editor of Choral Music for Sundays and Seasons (2004), published by Augsburg Fortress Press. He is also editor of two books of songs by the Norwegian composer Edvard Grieg: 45 Songs of Edvard Grieg (1988) and A Grieg Song Anthology (1990) published by Leyerle Publications. ●

Umi Garrett piano Hailed by The Huffington Post as “a budding musical genius,” 13-year-old American pianist Umi Garrett is gaining acclaim from all over the world for her exquisite musicality, emotional and mature sound, flawless technique and virtuosity, and gracious stage presence filled with poise and charm. Of her performance of Chopin’s Piano Concerto No. 1 with the Winnipeg Symphony in November 2013, the Winnipeg Free Press wrote “In addition to displaying bravura technique, the young soloist also possesses an extraordinary musicality.” Umi’s performance with the Pasadena Symphony Orchestra was praised by The Crescenta Valley Weekly: “Garrett is the real thing.” Recently, Umi was granted a prestigious title of the Young Steinway Artist, an honor only awarded to today’s most acclaimed young artists. Among her honors are First Prize at the 13th Osaka International Music Competition in Japan, the Chopin International Competition Chopin Plus in Budapest, Hungary, and the Bradshaw and Buono International Piano Competition in New York in 2012. She was also the Grand Prix winner of the Chopin International Competition in Hartford, Connecticut, in 2010, and was subsequently invited to perform at Carnegie Hall’s Weill Recital Hall in New York. Umi was eight years old in May 2009 when she made her public broadcast appearance on NBC’s The Ellen DeGeneres Show. Ellen DeGeneres declared: “She is going to be very well known,” and Umi has captivated the audiences around the world since her early age. Umi made an orchestral debut with the Desert Symphony in California at the age of eight, and she made her appearance with Keith Lockhart and the Boston Pops continued on 14

The New Mexico Philharmonic

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Artists . continued from 13 sponsored by NPR’s From the Top when she was nine years old. Florida Weekly described ten-year-old Umi Garrett’s performance of Mozart’s Piano Concerto No. 23 in A Major, K 488 with the Charlotte Symphony and Toshimasa Francis Wada: “Umi Garrett wowed the sold-out crowd with her masterful performance. She simply blew this reviewer and the audience away with her performance, her fluid runs and countless trills flawlessly performed, joyous at one moment, prayerful at another.” An appearance with the Missouri Symphony and the conductor, Kirk Trevor, garnered young Umi Garrett an impressive review from The Columbia Daily Tribune that stated, “She played with the poise and supreme confidence of a veteran five times her age. She, the conductor, and the orchestra worked as one. The power of her tiny hands on the keys was mesmerizing. ‘Genius’ seems the best description.” Umi’s past engagements include the Wuhan Symphony Orchestra in China; the Liepaja Symphony Orchestra in Latvia; the Thayer Symphony in Massachusetts; the Indiana Chamber Orchestra in Indianapolis, Indiana; and solo recitals in Italy, Poland, England, Germany, Japan, and Panama Republic. Umi’s most recent season’s highlights include a return engagement with Kirk Trevor and the Missouri Symphony Orchestra, a debut concert with Nicholas McGegan with the Pasadena Symphony and Pops, and the Winnipeg Symphony Orchestra under the baton of Alexander Mickelthwate, as well as performing at La Ciudad de las Ideas, an international conference in Puebla, Mexico. In addition, Umi gave solo recitals during her concert tour in thirty cities in fourteen states throughout the United States during the 2013/2014 season. She also gave solo recitals on the transatlantic Crystal Cruise ship from Spain to Miami. Umi was also chosen as one of “The 12 Most Talented Prodigies” for 2013 by The Huffington Post. Umi is a frequent guest artist at the Festival Lato z Chopinem, the Chopin Summer Festival in Busko-Zdroj in Poland. ●

2014/15 Season

Deborah Domanski mezzo-soprano Ms. Domanski’s solo concert engagements include the alto soloist in Mozart’s Requiem with the Los Angeles Philharmonic under Maestro Esa-Pekka Salonen, the alto soloist in Beethoven’s Ninth Symphony with the Laredo Symphony, the Greenwich Choral Society’s performance of Rossini’s Petit messe solennelle, and with The Juilliard Choral Union in Vivaldi’s Gloria in Alice Tully Hall. As a Young Artist in the Juilliard Opera Center, she was a participant in the prestigious 2002 Juilliard Vocal Arts Honors Recital in Alice Tully Hall. As the 2002 competition winner at the Music Academy of the West, Ms. Domanski became the Marilyn Horne Foundation Awardee and was presented in recital, on national radio, and in a World Wide Web broadcast in October of that year. In January 2005, Deborah made her Weill Concert Hall debut as part of the Horne Foundation’s “The Song Continues” recital series at Carnegie Hall. She maintains her passion for the art of song recital and presents concerts and education programs around the world. In 2007, Deborah presented a recital in Delhi, India, entitled “Shaping the Invisible: Leonardo da Vinci’s Principles in Song.” After completing two years with the Pittsburgh Opera’s Young Artist Program, Deborah spent the summers of 2005 & 2006 with the Santa Fe Opera Apprentice Program, where her responsibilities included performing Mercedes in Carmen and covering Susan Graham in the role of Cecilio in Mozart’s Lucio Silla. ●

Sarah Ihlefeld mezzo-soprano Sarah Ihlefeld has established a reputation not only for her velvety, alto voice and radiant musicianship, but also for her warm personality and generosity of spirit. Sarah enjoys a varied career of opera, oratorio, choral, and recital performance, as well as teaching a talented studio of musical theatre students at Santa Fe University of Art and Design, where she has been on faculty since 2011. Sarah earned her Master of Music degree from Rice University after completing her Bachelor of Music degree from the University of Southern California, magna cum laude. Ever a champion of early music, Ms. Ihlefeld has performed with the Oregon Bach Festival, Houston Bach Society, New Mexico Bach Society, Aspen Music Festival, and the Salem Chamber Orchestra. Recent operatic performances include Szymanowski’s King Roger at Santa Fe Opera, Dido in Purcell’s Dido and Aeneas with the Santa Fe Symphony, Ramiro in Mozart’s La finta giardiniera, Mélisande in scenes from Debussy’s Pélleas et Mélisande, Olga in Weill’s Street Scene, and Eustazio in Händel’s Rinaldo. Ms. Ihlefeld also realized the role of Margaret Truman in the world premiere performance of Primiani’s Truman Project for OPERA America. In 2013, Sarah recorded two discs with Grammy-nominated professional chamber choir Conspirare and world-renowned classical label Harmonia Mundi. ●

APR

A N EV E N I NG W I T H

Ottmar Liebert Meet the Musicians Virginia Lawrence viola Virginia Lawrence, who prefers to be called Ginger, grew up in Michigan in an educated white-collar community where arts and culture were treasured. When she was in second grade, a violinist came to perform at her school. She was captivated by the sound of the instrument and began studying violin in the school music program. In high school, she transferred to viola, seduced by its warm sound and supporting harmonic role in the classical literature. As a student at Carleton College, Ginger concentrated on Music Theory and History, while pursuing viola studies with Dr. Harry Nordstrom. After three years, she ran away to join the Pink Garter Theatre in Jackson Hole, Wyoming, where she met and married her hippie partner. The couple came to New Mexico where Ginger attended UNM as a Music Ed major, studying with Dr. Kurt Frederick and playing in the Albuquerque Symphony Orchestra. They returned to Wyoming and dropped out for a few years, living off the grid in a primitive log cabin and raising two small children. However, summertime playing in the Grand Teton Music Festival was not enough to feed her soul through the long, cold winters spent skiing to and from the hovel in the woods, so the family returned to the beautiful skies and warmer climate of New Mexico and the New Mexico Symphony Orchestra. Ginger was librarian for the NMSO and performed with the Orchestra of Santa Fe, the Chamber Orchestra of Albuquerque, and the Santa Fe Symphony, where she was principal viola for a number of seasons. She continues with the Sunriver continued on 16 The New Mexico Philharmonic nmphil.org

Saturday, April 4, 2015, 6 p.m. Popejoy Hall David Felberg conductor Ottmar Liebert guitar The New Mexico Philharmonic, conducted by David Felberg, is joined by New Mexico’s own “million-fingered” guitar virtuoso—Ottmar Liebert, and Luna Negra! Get ready for an unparalleled night of Nouveau Flamenco music that will have you moving your feet to that incredible beat! Grammy-nominated, gold and platinum record certified Ottmar Liebert and Luna Negra rarely play with a full orchestra. Don’t miss this unique opportunity to see and hear them, live on stage with your NMPhil!

Reserved Seats

(505) 925-5858 nmphil.org 15

NMPhil . continued from 15 Music Festival every summer as well as the Santa Fe Symphony, and teaches viola privately. Daughter Anthea is a successful author of historical romance novels and young adult urban fantasy, and plays fiddle in the Irish band Fiddlehead. She lives in the Pacific Northwest with her husband and daughter Brynn, who is an accomplished keyboard and fiddle player and a freshman in high school. Son Colin is active in the Alaska tourism industry. He lives with his wife and daughter Nika, who started kindergarten this fall. Ginger plays an ergonomic viola made by David Rivinus in 2000. She is grateful for the opportunity to make a living doing something she loves that makes the world a better place. ●

Charitable Giving

Alternative Chartiable Gifts Options. We would like to invite you to consider an alternative way to make a charitable gift that might be very beneficial to you as well as to your New Mexico Philharmonic: the gift of stock. Gifting stock can provide huge tax advantages. Stock which you may have purchased at a very low cost can be gifted and be taken as a deduction at fair market value which can be much, much higher. You do not have to sell it nor pay capital gains tax on it, you simply gift it and receive a significant tax deduction. The NMPhil has an account with the Morgan Stanley/Smith Barney Brokerage Firm in Albuquerque, into which charitable gifts of stock may be received on our behalf. Several donors have already given the New Mexico Philharmonic shares of stock from their financial portfolios, based on their individual financial counseling. Perhaps the most meaningful benefit you will receive is knowing that you are helping to ensure that great symphonic music, performed by world-class artists, will continue to touch the souls of tens of thousands of music lovers as well as new generations of young musicians who will benefit from all the educational programs the NMPhil has to offer.

New Mexico Philharmonic is First Arts Group to Receive Quality New Mexico Piñón Recognition

Honored for Performance Excellence. We are delighted to announce that the NMPhil has received Piñón Recognition from Quality New Mexico’s Performance Excellence program. This recognition acknowledges that we are using systematic processes to attain excellence in our outcomes. The NMPhil is the first arts organization in New Mexico to receive Piñón Recognition. We have used systematic processes to create and establish the NMPhil and to manage it as a business focused on our audiences, our donors, and our results. Quality New Mexico, its practices, and its recognition of excellence are very well established across New Mexico, especially in the business community. This external recognition of our organization and its results has resonated extremely well with our business sponsors and partners. It is another confirmation that the NMPhil will be here for our audiences, patrons, and community for the long term. ●

CONTACT INFORMATION FOR THE NMPHIL BROKERAGE ACCOUNT Morgan Stanley/Smith Barney Andrew Vannis account manager (505) 889-2811

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“I cannot imagine Albuquerque, a city that strongly supports the arts, without a top-rate orchestra. We support them in creating a new and exciting option for music lovers.” —Richard J. Berry Mayor of Albuquerque

2014/15 Season

NMPhil .

New Mexico Philharmonic

BOARD OF DIRECTORS Maureen Baca President

The Musicians

Thomas C. Bird Secretary Treasurer FIRST VIOLIN Krzysztof Zimowski Concertmaster David Felberg Associate Concertmaster Ruxandra Simionescu-Marquardt Assistant Concertmaster Phillip Coonce + Joan Wang Jonathan Armerding Steve Ognacevic Kerri Lay Linda Boivin Barbara Rivers Nicolle Maniaci Barbara Scalf Morris

CELLO Joan Zucker • Carol Pinkerton •• Carla Lehmeier-Tatum Joel Becktell Dana Winograd David Schepps Lisa Collins Peggy Wells BASS Jean-Luc Matton • Mark Tatum •• Katherine Olszowka Terry Pruitt Derek DeVelder

SECOND VIOLIN Anthony Templeton • Carol Swift-Matton •• Julanie Lee Justin Pollak Michael Shu Ting Ting Yen Roberta Branagan Sheila McLay Susan French Brad Richards

FLUTE Valerie Potter • Sara Tutland Jiyoun Hur •••

VIOLA Kimberly Fredenburgh •• Allegra Askew Christine Rancier Sigrid Karlstrom Virginia Lawrence Willy Sucre Joan Hinterbichler Lisa DiCarlo

ENGLISH HORN Melissa Peña •••

PICCOLO Sara Tutland OBOE Kevin Vigneau • Amanda Talley

CLARINET James Shields • Lori Lovato •• Sunshine Simmons E-FLAT CLARINET Lori Lovato

BASS CLARINET Sunshine Simmons

Ruth Bitsui Vice President for Operations

BASSOON Stefanie Przybylska • Denise Turner

Dr. Larry Lubar Vice President for Development

HORN Peter Erb • Nathan Ukens Dana Sherman Niels Galloway •••• Julia Erdmann Hyams++ TRUMPET John Marchiando • Mark Hyams Brynn Marchiando ••• TROMBONE Debra Taylor • Byron Herrington David Tall

Anne Eisfeller Roland Gerencer, MD Eric Herrera Marc Powell Steve Schroeder Al Stotts Anthony Trujillo Nathan Ukens Richard White ADVISORY BOARD Lee Blaugrund Clarke Cagle Robert Desiderio Steve Paternoster Evan Rice Heinz Schmitt

BASS TROMBONE David Tall

STAFF Marian Tanau Executive Director

TUBA Richard White •

Chris Rancier Executive Assistant & Media Relations

TIMPANI Douglas Cardwell •

Alexis Corbin Operations Coordinator & Personnel Manager

PERCUSSION Jeff Cornelius • Kenneth Dean Emily Cornelius HARP Anne Eisfeller •

Mancle Anderson Production Manager Rachael Brown Head Librarian & Office Manager Danielle Frabutt Artistic Coordinator Byron Herrington Payroll Services Marti Wolf Marketing Advisor, PR & Promotions Mary Montaño Grants Manager

Principal • Assistant Principal •• Associate Principal ••• Assistant •••• Leave + One year position ++

The New Mexico Philharmonic

Joan Olkowski Design & Marketing Lori Newman Website Maintenance & Editor Sara Tutland Ensemble Visits Coordinator

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Donor Circles .

Donor Circles Thank You for Your Support

BENEFACTOR CIRCLE Donation of $50,000+ Albuquerque Community Foundation Anonymous Lee Blaugrund City of Albuquerque

BEETHOVEN CIRCLE Donation of $25,000– $49,999

Bernalillo County Commission The Meredith Foundation McCune Charitable Foundation Marc Powell & Holland Sutton

MOZART CIRCLE Donation of $10,000– $24,999

Anonymous Anonymous APS Foundation The Computing Center Inc., Maureen & Stephen Baca Suzanne S. DuBroff, in memory of Warren DuBroff Holman’s USA, LLC, Anthony D. Trujillo Lockheed Martin/Sandia National Laboratories The Lumpkin Family Foundation Music Guild of New Mexico & Jackie McGehee Young Artists’ Competition for Piano & Strings The Honorable & Mrs. James A. Parker PNM Resources Foundation Popejoy Hall Vein Center of New Mexico, Dr. Ole & Sheila Peloso Wells Fargo

BRAHMS CIRCLE Donation of $5000–$9999

BNSF Railway Foundation Andrea Escher & Todd Tibbals Elaine & Frederick Fiber Ann & Gordon Getty Foundation Hancock Family Foundation F. Michael Hart Home2 Suites by Hilton, Roxanne Schumaker Hunt Family Foundation Virginia Lawrence Dr. & Mrs. Larry Lubar John Moore & Associates, Inc. Bob & Bonnie Paine Jerald & Cindi Parker Payday, Inc. Real Time Solutions, Steve Schroeder Sandia Foundation, Woodward Grant Sandia Laboratory Federal Credit Union, Robert Chavez

2014/15 Season

Scalo Northern Italian Grill, Steve Paternoster Southwest Gastroenterology Associates Melissa & Al Stotts U.S. Bank Foundation Dr. & Mrs. Albert Westwood William Wiley Dr. Dean Yannias

CHOPIN CIRCLE Donation of $3500–$4999 Anonymous Bank of Albuquerque Eugenia & Charles Eberle Eye Associates of New Mexico Cynthia & Thomas Gaiser Mary & Sam Goldman Howard Henry The Law Firm of Keleher & McLeod Cynthia Phillips & Thomas Martin Marian & Jennifer Tanau Barbara & Richard VanDongen

GRACE THOMPSON CIRCLE Donation of $1933–$3499

Albuquerque Community Foundation, Chester French Stewart Endowment Fund George Boerigter Paula & William Bradley Fred & Lori Clark Richard & Margaret Cronin Bob & Greta Dean Virginia & Richard Feddersen Firestone Family Foundation Bob & Fran Fosnaugh Eiichi Fukushima Roland Gerencer, MD Keith Gilbert Helen A. Grevey & Jay D. Hertz Mary Herring & Robert Stamm Lexus of Albuquerque Erika Blume Love Marriott Albuquerque Menicucci Insurance Agency Microsoft Sara Mills & Scott Brown Marvin Moss Ruth & Charles Needham Beverly Rogoff Ellen Ann Ryan Alicia & Russell Snyder Kathleen & David Waymire

BACH CIRCLE Donation of $1000–$1932 Leah Albers & Thomas Roberts Albuquerque Community Foundation, Robert J. Stamm & Mary Herring Stamm Fund Dave & Maureen Anderson Kirsten J. Anderson Anonymous Anonymous Christopher Apblett Ruth & Edison Bitsui Nancy & Cliff Blaugrund Deborah Borders

Dr. Marythelma Brainard & Dick Ransom Pat & Carter Broyles Bueno Foods, Jacqueline Baca & Ana Baca Bill Byers Jonathan Miles Campbell Barbara & David Cappel Century Bank Cliff’s Amusement Park, Linda & Gary Hays The Collister Family, in memory of Joan Allen Daniel & Brigid Conklin, in memory of Dr. C.B. Conklin Cathy Conrad Krys & Phil Custer D’Addario Foundation Clare W. Dreyer Clare W. Dreyer, in memory of Joan Allen David & Ellen Evans Joan Feldman The Financial Maestro, LLC, Joann MacKenzie Frank & Christine Fredenburgh French’s Funerals Gertrude J. Frishmuth, MD Kate Fry & Robert Bower Katherine Garland David & Tanner Gay GE Foundation Barbara & Berto Gorham Helen A. Grevey & Jay D. Hertz, in memory of Joan Allen Madeleine Grigg-Damberger & Stan Damberger Stuart Harroun Jonathan & Ellin Hewes The Hubbard Broadcasting Foundation Innovative Business Controls, Tom Gautsch Chris & Karen Jones Stephanie & David Kauffman Connie Krelle Stephanie & Ken Kuzio Dr. Benjamin D. Lane Lieber’s Luggage Myra & Richard Lynch Kathy & John Matter Joan McDougall Jackie & C. Everett McGehee Ina S. Miller Mark & Susan Moll Claudia Moraga Diane M. Mueller Carol & Gary Overturf Julia Phillips & John Connor PNM Resources Foundation, Matching Grants William P. Poteet, in memory of Horace Monroe Poteet Matthew Puariea Carolyn Quinn & John Crawford Mary Raje, in memory of Frederick C. Raje Jacquelyn Robins, in honor of Melvin Robins’s 92nd birthday Melvin Robins James & Sandee Robinson Barbara & Heinz Schmitt Stephen Schroeder Thomas Seamon Meryl & Ron Segel Serafian’s Oriental Rugs

Katharine & Gregory Shields Janet & Michael Sjulin Vernon Smith Susan Spaven Conrad & Marcella Stahly Patricia & Luis Stelzner Jane & Doug Swift Lynett & David Tempest Brooke Tully & Thomas Bird Betty Vortman Tony & Susan Waller Lance Woodworth

CONCERTMASTER CIRCLE Donation of $500–$999

Joan Allen Carl & Linda Alongi John Ames Judith & Otto Appenzeller Mary & John Arango Stephanie & Leonard Armstrong Sally Bachofer Daniel Balik Dorothy M. Barbo Richard K. Barlow Sheila Barnes Dennis Basile Hugh & Margaret Bell, in memory of Joan Allen Gay & Stan Betzer Sheila & Bob Bickes Nancy & Cliff Blaugrund, in memory of Joan Allen Jane Ann Blumenfeld David Brooks Susanne B. Brown M. Susan Burgener & Steve Rehnberg Gordon Cagle Dawn & Joseph Calek Jose & Polly Canive Edith Cherry & Jim See Betty Chowning Margaret & Tze-Yao Chu David & Mary Colton Claudia Crawford, in memory of Clifford S. Crawford Gail Cunningham Marjorie Cypress Ann DeHart & Robert Milne, in memory of Joan Allen The Divas of ‘56, in memory of Stewart Graybill Stephen R. Donaldson ExxonMobil Foundation Pauline Garner & J. William Vega Barb & Larry Germain Jean & Bob Gough Sharon Gross Dr. Kirk & Janet Gulledge Lois Hall Bill & Carolyn Hallett Janet & Donald Harris Harris L. Hartz Richard Henry Pamelia S. Hilty Martha Hoyt Carolyn & Hal Hudson Sue Johnson & Jim Zabilski John & Julie Kaltenbach Marlin Kipp Meredith & Noel Kopald Susie Kubié La Vida Llena Rita Leard Jae Lee

Maureen & Richard Lincoln Harry & Elizabeth Linneman Tyler M. Mason Thomas & Edel Mayer Bob & Susan McGuire Kathryn McKnight John & Kathleen Mezoff Martha Miller George & Mary Novotny Toots & Scott Obershain Steve Ovitsky John Provine Dan Rice Clifford & Sandra Richardson Deborah Ridley & Richard S. Nenoff Don & Barbara Rigali Ruth Ronan Edward Rose Nancy Scheer Stephen Schoderbek Norman Segel Sharon Sharrett Mary & John Sparks Patty & Bill Snead Jeanne & Sid Steinberg Charles & Flossie Stillwell Eberhard H. Uhlenhuth Tina Valentine Patrick Villella Margaret Vining Barbara & Eugene Wasylenki Patricia & Robert Weiler Judy Basen Weinreb & Peter Weinreb Carl G. & Janet V. Weis Patrick Wilkins Sylvia Wittels & Joe Alcorn, in honor of Adrianna Belen Gatt David Worledge Andrea Yannone

PRINCIPALS CIRCLE Donation of $125–$499

Dr. Fran A’Hern Smith John B. Aidun & Joan M. Harris Albertsons Community Partners Program Ed Alelyunas ALH Foundation Inc. Gerald Alldredge American Endowment Foundation Jo Marie & Jerry Anderson Anderson Organizing Systems Anonymous Anonymous Anonymous Paul & Mary Lee Anthony Marilyn & Robert Antinone Patrick & Leslie Apodaca Janice J. Arrott Lynn Asbury & John Wronosky B2B Bistronomy Joel A. & Sandra S. Baca Thomas J. & Helen K. Baca Toni Baca, in memory of Sylvester Baca Genevieve & Stanley Baker Jan Bandrofchak & Cleveland Sharp Margaret Barker & Clark Varnell Holly Barnett-Sanchez & David Foster Elinore M. Barrett

Donor Circles . Ellen Bayard & Jim Oâ&#x20AC;&#x2122;Neill William Bechtold Edie Beck Janice & Bryan Beck Helen Benoist Richard J. & Maria E. Berry June Best Douglas Binder Leonie Boehmer Rod & Genelia Boenig Dr. David & Sheila Bogost Henry M. & Jennifer L. S. Bohnhoff Peter Bond Joan Bowden Richard & Iris Brackett Susan Brake Charles J. Brandt Sheldon & Marilyn Bromberg Ronald Bronitsky, MD Carolyn Brooks Astrid Brown Mary & Jim Brown B. L. Brumer Fred Bryant Mary Letty Buchholz Miriam Burhans Drs. Kathleen L. Butler & M. Steven Shackley Lynne Byron Louise Campbell-Tolber & Steve Tolber Glo Cantwell Douglas Cardwell Ann Carson Shirley & Ed Case Edward B. Cazzola Elaine & Wayne Chew John & Barbara Chickosky Joan Chism Tanya Christensen Kathleen & Hugh Church Frankie Clemons Kenneth Cole Monica Collier Bethany & Christopher Confessore Martin & Susan Conway Marion Cottrell Douglas D. Cox Bob Crain Dianne Cress & Jon McCorkell Alyce Cummins Mollie & Bob Custer Nancy Cutter, in memory of Joan Allen Stephen Czuchlewski Hubert O. Davis Jr. George deSchweinitz Jr. Cdr. Jamie & Carol Deuel Fran DiMarco Catie S. Dixon Raymond & Anne Doberneck Janice Dosch Gale Doyel & Gary Moore James C. Drennan Patricia & Leonard Duda Duganne Family, in memory of Paul Duganne Susan & Daniel Dunne Patsy Duphorne Jeff & Karen Duray Mary Lou Edward Paul & Catherine Eichel Anne C. Eisfeller Eleanor D. Eisfeller Carol & John Ellis Mildred & Richard Elrick

Stephanie Eras & Robert W. Hammerstein III David & Frankie Ewing Jo Margaret & John Farris Leonard & Arlette Felberg Winifred & Pelayo Fernandez Janice Firkins Rona Fisher Heidi Fleischmann & James Scott Mary Kay & Thomas Fleming Denise Fligner Edmund & Agnes Franzak Kim Fredenburgh Melissa Freeman & Dr. Brad Raisher Louis Fuchs Gwen & Charles Gallagher Daniel & Elena Gallegos Lind Gee Chuck & Judy Gibbon Marc A. Gineris Drs. Robert & Maria Goldstein A. Elizabeth Gordon Mark Gorham Carmoline & Bing Grady Paul & Marcia Greenbaum Matthew & Amy Greer Julie Gregory Peter Gregory Dick & Suzanne Guilford Ron Halbgewachs Samuel & Leila Hall Roger Hammond & Katherine Green Hammond Margaret Harvey & Mark Kilburn Dorothy D. Hawkins John & Diane Hawley Martha Heard, in honor of Dorothy Pierson Stephen & Aida Ramos Heath Mary Herring & Robert Stamm, in memory of Robert D. Taichert Frank Hesse Fred Hindel Guy & Nina Hobbs Bud & Holly Hodgin Kiernan Holliday David & Bonnie Holten Suzanne Hood Mark Hoover Carol Horner Lorna & Henry Howerton Janet & Vincent Humann Margaret Hutchinson IBM International Foundation Joan Jander Olivia Jaramillo Ken & Cindy Johns, Johns Family Foundation, in memory of Joan Allen Carol Kaemper Ira & Sheri Karmiol Thomas & Greta Keleher Ann King Toni & Robert Kingsley Allene & Walter Kleweno Karen & Bill Knauf Asja Kornfeld, MD & Mario Kornfeld, MD Jennifer C. Kruger Karen M. Kupper Henry & Judith Lackner Nick Landers R. Jeffery & Jane W. Lawrence Rebecca Lee & Daniel Rader Linda Lewis

Madeleine Lewis Sherry Rabbino Lewis Robert & Judith Lindeman Michael Linver Thomas & Donna Lockner Verne Loose Major & Mrs. Kenneth Luedeke Bruce F. Malott Audrey Martinez & Paul Getz Carolyn Martinez John & Glenda Mathes Dr. & Mrs. Jack D. McCarthy Sallie & Denis McCarthy Sallie & Denis McCarthy, in memory of Ellie Sanchez & Jane McDonald Ronald & Barbara McCarty Pete & Lois McCatharn Kathleen McCaughey Roger & Kathleen McClellan Monica McComas Karen McKinnon & Richard A. Stibolt Cynthia & Paul McNaull Bernard & Mary Metzgar Joyce Miller Peggy Sanchez Mills & Jim Mills Christine & Russell Mink Mohinder & Deborah Mital Jan Mitchell Michael Mitnik William Moffatt James B. & Mary Ann Moreno Barbara Scalf Morris Shirley Morrison & Cornelis Klein Lynn Mostoller Lynn Mullins, in memory of Joan Allen Edward & Nancy Naimark Michael & Patricia Nelson Sharon & Richard Neuman Donald & Carol Norton Bernard Nurry Wendy & Ray Orley Joyce & Pierce Ostrander Del & Barbara Packwood The Honorable James A. & Janice Parker, in memory of Joan Allen Stuart & Janice Paster The Ralph & Ella Pavone Family Trust James & Ann Pedone Dr. Ole & Sheila Peloso, in memory of Robert Taichert Calla Ann Pepmueller Ross B. Perkal Richard Perry Lang Ha Pham Herbert & Judi Pitch Quinten Plikerd Prudential Foundation Matthew & Lisa Pullen & Family Jane Rael Dick & Andy Rail Christine & Jerry Rancier Russell & Elizabeth Raskob Maureen Reed Veronica Reed & LeRoy Lehr Robert Reinke Lee A. Reynis & David W. Stryker Steve Ridlon & Casey Scott Erika Rimson & David Bernstein

Shelly Roberts & Dewey Moore Joan Robins & Denise Wheeler, in honor of Melvin Robins Gwenn Robinson, MD & Dwight Burney III, MD A. Rolfe & Dorothy Black, in memory of Joan Allen Jeffrey Romero Kletus Rood Elizabeth Rose Darryl & Jan Ruehle Jennifer A. Salisbury & Fred Ragsdale Christine Sauer Warren & Rosemary Saur Stephen Saxe Brigitte Schimek & Marc Scudamore Karen & John Schlue Howard & Marian Schreyer Kathleen Schulz Justine Scott Carolyn Sedberry Barbara & Daniel Shapiro Frederick & Susan Sherman Frederick & Susan Sherman, in memory of Joan Allen R. J. & Katherine Simonson Walt & Beth Simpson Norbert F. Siska Carol Smith Jane Snyder Steven & Keri Sobolik Susan Soliz SonicSEO.com, Inc., Becky & Arvind Raichur Eric & Maggie Hart Stebbins David & Rebecca Steele Dorothy Stermer Dodie Stevens Robert St. John John Stover Strategic Management Solutions, LLC, Sarah Dunn, in memory of Paula Basile Carmen & Lawrence Straus Mary Ann Sweeney & Edward Ricco Laurence Tackman Robin Thompson Larry Titman Wayne & Maryann Trott Joan & Len Truesdell Marit Tully & Andy Thomas Jay Ven Eman Kevin Vigneau Richard Vivian E. M. Wachocki Marianne Walck Harry Wallingford Jan Armstrong Watts Rob Weinstein Jamie L. Welles & Thomas Dellaira Kay West Liza White Trudy & Robert White Bill & Janislee Wiese Jane & Scott Wilkinson Bronwyn Wilson Karen & Johnny Wilson, in memory of Sylvester Baca Phyllis S. Wilson Sylvia Wittels & Joe Alcorn Walter Wolf Ann & Thomas Wood David & Evy Worledge Daniel & Jane Wright

Sue Wright Janice & Harvey Yates Mae S. Yee Yummi House Michael & Jeanine Zenge Nancy & Michael Zwolinski

FRIENDS OF THE PHILHARMONIC Donation of $25â&#x20AC;&#x201C;$124

Bill & Sall Aber Kelly Aldridge Jerry & Nadine Allen Edward & Nancy Alley, in memory of Joan Allen Carl & Linda Alongi, in memory of Joan Allen Arthur Alpert Jo Anne Altrichter & Robin Tawney AmazonSmile Roger Ames Judith & Chilton Anderson APU Solutions, in memory of Paula Basile Carolyn Aragon Eugene Aronson Ian & Denise Arthur Emil Ashe Edward & Leslie Atler Rosa & Joseph Auletta Betty Baca David Baca George Baca Jackie Baca & Ken Genco Justin Baca Mary E. Baca Patrick J. & Marie M. Baca Wendy E. & Mark C. Baca Diane & Douglas Brehmer Bailey Melanie Baise Charlene Baker Christopher & Ellen Baker, in memory of Zach Tropp Laura & Kevin Banks E. Patricia Barbier Joyce Barefoot Joyce Barefoot, in memory of Joan Parker Sheila Barnes, in memory of Joan Allen Lois Barraclough Graham Bartlett Mary Beall Susan Beard James F. & Yvonne G. Beckley Hugh & Margaret Bell Benchmark Real Estate Investments, Margaret Orona Debra & Kirk Benton Sarah & Joshua Benton, in memory of Joan Allen Mark & Beth Berger Richard Bernal Dorothy & Melbourne Bernstein Judy Binder Peggy Blackburn Katherine Blaker Alan & Bronnie Blaugrund, in memory of Joan Allen Ann Blaugrund, in memory of Joan Allen Rol & Samantha Blauwkamp Barbara & Philip Bock, in memory of Robert Taichert

continued on 20 The New Mexico Philharmonic

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Donor Circles . continued from 19 Katie Bock Paula & James Bonnell, in memory of Louise Coonce Joyce Bortner Henry & Nancy Botts Karen Bovinette, in memory of Joan Allen Julia B. Bowdich Julia B. Bowdich, in memory of Joan Allen Tim & Jackie Bowen J. M. Bowers Brad Boyce Enid Bradley Roberta Branagan Jeffrey & Teresa Brandon Charles Brandt, in memory of Jennifer K. Brandt Elinore Bratton Richard & Karla Bressan, in memory of Joan Allen James & Ann Bresson Elizabeth Brower Monica & Lee Brown Dr. Lisa M. Brunacini & Rita M. Giannini Sandy Buffett Elaine Burgess Jeanne Burgess Sherri Burr Charles Campbell Mary Ann Campbell-Horan & Tom Horan Elizabeth Canfield Elizabeth & Maria Canfield James Carroll Camille Carstens Mary Casarez & T. Paul Apodaca Joseph Cella Barbara & Roscoe Champion Scott & Landa Chapman, in memory of Zachary Tropp Suzy Charnas Judith Chazin-Bennahum & David Bennahum Kathy & Lance Chilton Betty Chowning, in memory of Ken Chowning Jay & Carole Christensen, in memory of Joan Allen Judith & Thomas Christopher Ralph & Elizabeth Churchill Paul Citrin Barbara & Aaron Clark Peggy Clark, in memory of Robert Clark Robert Clark Fredric & Rosalyn Cohen James & Joan Cole Valerie Cole Henry & Ettajane Conant Janelle Conaway Martha Cook, in memory of Lewis & Ruth Cook Philip & Kathryn Cooper Ralph Cover Claudia Crawford, in memory of Zach Tropp Mark Curtis Margaret Davidson & James Barbour, in memory of Joan Allen Daniel P. Davis Joan Davis Ann Dehart Jan & Jerry DeLange Margaret DeLong Candice & Daniel Demar Donald DeNoon

2014/15 Season

Desert Double Reeds, Rebecca L. Ray Jerry & Susan Dickinson Elizabeth & Thomas Dodson Darryl Domonkos Joanne Donsbach Ernest & Betty Dorko J.R. & Peggy Dotson, in memory of Joan Allen Gale Doyel & Gary Moore, in memory of Joan Allen Woodie Dreyfuss, in memory of Joan Allen E. Josephine Drummond Betty & Stuart Dubois Ken Duckert Stephen Dunaway Deborah Barba Eagan Sarah Earlow East Range Piedra Vista Neighborhood Association, in memory of Paula Basile Sondra Eastham Sondra Eastham, in memory of Joan Allen David Ted Eastlund Joy Eaton, in memory of C.J. Meg Patten Eaton, in memory of Joan Allen John Eckert Ida Edward Sylvia & Ron Eisenhart Helen Elliott Stefanie English Robert & Dolores Engstrom Roger C. Entringer Carlos Esparza Marie Evanoff Cheryl A. Everett David & Regan Eyerman Bill Fanning Helene K. Fellen Marie E. Fellin, in memory of Blaine Eatinger Rosario Fiallos Alan & B.J. Firestone Margaret Fischer Rona Fisher, in memory of Louise Coonce Stephen J. Fisher Robert & Diane Fleming Hahn Fletcher Elizabeth & Blake Forbes Beverly Forman & Walter Forman, MD James & Jean Franchell Douglas & Nancy Francis J. Arthur Freed Susan Freed Dan Friedman Aanya Adler Friess Jack Fuller Robert & Diana Gaetz Patrick & Patricia Gallacher Clarence Gallegos & Anna Y. Vigil Ann & Michael Garcia William Garrison Ann Gateley Jim & Margaret Gates Karen Gatlin Paula Getz Duane & Janet Gilkey Galen Gisler Todd A. Goldblum, MD Laurence Golden Donald & Diane Goldfarb Donald & Diane Goldfarb, in memory of Robert D. Taichert

Jim L. Gonzales Janice K. Goodman The Very Rev. J. Mark Goodman Dr. Thomas & Linda Grace Dr. Thomas & Linda Grace, in memory of Joan Allen Alice Graybill Erna Sue Greening Justin M. & Blanche G. Griffin Craig Griffith Insurance Agency Sharon Gross, in memory of Robert D. Taichert Virginia Grossetete Virginia Grossetete, in memory of Joan Allen Mina Jane Grothey Ellen Guest Charles & Betsy Gunter Herman Haase Vaux & Hilda Hall Bennett A. Hammer Marjorie Hardison Janet Harrington Joan & Fred Hart Marilyn Hartig John Harvey Arthur G. Hassall Allan Hauer Nancy Hayden, in memory of Paula Basile James Headley, in memory of Joan Allen Deborah L. Helitzer Rosalie & Leon Heller Rogene Henderson Holland Hendrix Sara Henning Mary Herring, in memory of Margaret Glasebrook Jonathan & Ellin Hewes, in memory of Robert D. Taichert Donna Hill Linda Hill & Peter Gordinier, in memory of Paula Basile Eileen Grevey Hillson & Dr. David Hillson, in memory of Joan Allen Kristin Hogge Barbara Holt Noelle Holzworth Lisa Hooper Tom Hopkins Helen & Stanley Hordes Cecilia & Mark Horner William Howe Rafael Howell Rick Hudson Linda Hummingbird Constance Hyde & James Houle Lois Jackson, in honor of Brynn & John Marchiando Nancy Jacobson Jerry Janicke Bette A. Johnson Eldon Johnson Eric R. Johnson Nancy M. Johnson Joyce D. Jolly Judy Jones Lawrence Jones Pamela Jones Robert Jones Robert & Mary Julyan Wilbur & Justin Kahn Summers & Norty Kalishman Julius & Robin Kaplan

Clayton Karkosh Joyce Kaser Greta & Thomas Keleher, in memory of Jackie Maisel Channing & Ida Kelly James Kelly C.R. Kemble David & Leslie Kim, in memory of Joan Allen Judith Allen Kim, in memory of Joan Allen Evy Kimmell Barbara Kleinfeld Barbara Kleinfeld, in memory of Robert D. Taichert Michael & Malva Knoll Larry & Diana Koester Herb & Shelley Koffler, in memory of Joan Allen Rosemary Koffman Philip Kolehmainen Katherine Kraus Flora Kubiak, in memory of Joan Allen Hareendra & Sanjani Kulasinghe Ethel & Edward Lane, in memory of Sylvester Baca David Lawrence Becky Lee Carla Lehmeier-Tatum Susan Lentz Greg Linde William J. Lock Ronald Loehman George Loehr Richard & Christine Loew, in memory of Joan Allen Nancy D. Loisel Rhonda Loos & Neal Piltch, in memory of Joan Allen Quinn Lopez Joel Lorimer Los Amapolas Garden, in memory of Richard Kavet Carol Lovato Betty Lovering Thomas Luley, in memory of Zach Tropp William Lynn Martha MacDonald Margaret Macy Stephen Maechtlen Robert & Linda Malseed Ronald P. & Monica M. Manginell Susan Margison, in memory of Paula Basile Jim Marquez Marita Marshall Walt & Ruth Marshall Carolyn Martinez, in memory of Joan Allen Brenda & Robert Maruca Paul & Judith Matteucci Joseph McCanna Andrew McDowell James McElhane Thomas McEnnerney Carol & David McFarland, in memory of Paula Basile Jackie & C. Everett McGehee, in memory of Joan Allen Virginia McGiboney Donna McGill Eugene McGuire Jane & David McGuire David McKinney, in memory of Joan Allen Leroy C. McLaren

Millie & John McMahon, in memory of Joan Allen Elizabeth McMaster Cynthia & Paul McNaull Bonita Melcher & Dale Ferguson, in memory of Zach Tropp Sterrett & Lynette Metheny Phyllis Metzler Sandra Lee Meyer Celia Michael Thomas Miles Bruce A. Miller Carol Mills Nancy Mills John Mims Marcia Miolano Beatriz Mitchell Elaine Monaghan Mary Kay Moore Carlos Garcia Moral, in memory of Zach Tropp Letitia Morris Dorothy Morse, in memory of Joe Zoeckler Ted & Mary Morse Paula A. Mortensen Karen Mosier John & Patsy Mosman Carolyn Muggenburg Deborah Muldawer Brian Mulrey Jennie Negin & Harold Folley Bruce & Ruth Nelson Pauline & James Ney Betsy Nichols & Steve Holmes Anne E. Nokes Elizabeth Norden Jack Norris David & Audrey Northrop David & Marilyn Novat Richard & Marian Nygren Si Scott Obenshain Marilyn Jean Oâ&#x20AC;&#x2122;Hara Rebecca Okun Judith Oliva, in memory of Paula Basile Gloria & Greg Olson Gloria & Greg Olson, in memory of Louise Coonce Estherella Olszowka Margaret Palumbo Margaret & Doyle Pargin Judyth Parker Diane & Mark Parshall Joan & L. Parsons, in memory of Robert Taichert Marjorie Patrick & Michael Van Laanen Howard Paul Larry Pearsall Margery Pearse Ole A. Peloso, MD, in memory of Alan S. King, MD Sheila & Ole Peloso, in memory of Dr. Omar Legant Claire M. Peoples Anna Perea Maria Pereyra Timothy Peterson Barbara Pierce Barbara Pierce, in memory of Richard Kavet Barbara Pierce, in memory of Elise Schoenfeld Dr. Ed & Nancy Pierce, in memory of Joan Allen Dorothy Pierson Harvey J. Pommer

Thank You . Gladys & Glenn Powell Bettye Pressley Charles & Theresa Pribyl, in memory of Joan Allen Carol & George Price Shirley Puariea Noel Pugach, in memory of Joan Allen Gerard & Ellen Quigley, in memory of Zach Tropp Therese Quinn Tari Radin, in memory of Louise Coonce Chris Rancier, in memory of Charlyn Anderson Mary Ellen Ratzer Marit Rawley David & Tracey Raymo Marjorie & Robert Reed Ray Reeder Carol Renfro, in memory of Pat Fairchild Patricia Renken Diane Reuler Glenda Richardson Herbert Richter Margaret Rickert Sandy Rierson, in memory of Zachary Tropp Ira J. Rimson Hilda Ripley, in memory of Zach Tropp Jacob H. Rittenhouse Barbara Rivers Margaret E. Roberts Matthew Robertson Norman Roderick Alice & Larry Rodgers Barbara & Joseph Roesch Lorraine Roff Lorraine Roff, in memory of Louise Coonce Ralph Rogers Beverly Rogoff, in memory of Joan Allen Rebecca Rose & Susan Matthew, in memory of Joan Allen Estelle H. Rosenblum Bryan L. & Lisa Wood Ruggles Nancy Ruggles Harvey & Laurie Ruskin Ellen Ann Ryan, in memory of Robert Taichert John Salathe Evelyn E. & Gerhard L. Salinger Scott & Margaret Sanders Daniel Savrin, in memory of Zachary Tropp Frederick & Annette Schaefer, in memory of Zach Tropp Elaine Schepps Roger Schluntz Donald L. Schmierbach & Nancy Huning Schmierbach David A. Schnitzer Luann Schuhler, in memory of Zach Tropp Frederick Schwab Ralph Schwab Judith Schwartz Joan Scott Betty Cobey Senescu

Margaret & Frank Seusy Richard Shagam Donea Shane Donea Shane, dedicated to William D. Shane Jr. Dan Shawver Arthur & Colleen M. Sheinberg Robert & Lelia Shepperson Leslie N. Shultis Catherine Siefert Janet Simon Marion Simon Marsha & Don Simonson Raymond & Carolyn Sinwell, in memory of Zach Tropp George & Vivian Skadron MaryDee Skinner Terrence Sloan Conrad & Shirley Sloop Mr. & Mrs. Matthew Sloves Eleanor Slutts Donald Smith Harry & Patricia Smith Kirk Smith Smith’s Community Rewards Frederick Snoy Linda Snyder Vera Snyder Enid Solin Jean & Allen Spalt Spectra Energy Gwyn & Tracy Sprouls David Srite Jack Stamm Charlie & Alexandra Steen Donald Stehr Geny Stein Andrea Sterling Daphne Stevens Sally Stevens Grace & Sigurd Stocking Roberta Stolpestad, in memory of Paula Basile Andrew & Katie Stone Donald & Jean Ann Swan George Ann & Tom Tabor, in memory of Paula Basile David & Jane Tallant Debra Taylor Phyllis Taylor & Bruce Thomson Richard & Carolyn Tecube Nina & Gary Thayer Elisabeth Thibault Patricia & George Thomas Alice Thompson Richard Thompson Michael Thuot Julie Tierney Jack Tischhauser Jack Tischhauser, in memory of Sylvester Baca Marilyn Toler John Tondl Dean & Bonita Tooley Marian Trainor & David Dixon Deborah & Richard Uhrich United Bank of Switzerland

The New Mexico Philharmonic

Arthur & Sandra VallSpinosa Nancy Vandevender & J. Pace Walter Vandevender Jean & Ross Van Dusen David Vaughan Barbara Vayda, in memory of Zach Tropp Jean Villamarin Adriana Villar John J. Vittal Arun Wahi Cheryl Walker Sherry & Michael Walls, in memory of Paula Basile David Walsh Joan Wang, in memory of Charlyn Anderson Marilyn Warrant Cynthia & Bill Warren Barbara Waserman Cynthia Weber Paul & Suzanne Weber Jean & Dale Webster Iris Weinstein Alan D. & Elaine Weisman Thomas Wellems Justin Welter Debbie Wesbrook Jeffrey West Nicolette Westphal Maryann & Eugene Wewerka Mary White Sandra J. White Wendy & Roland Wiele William & Vicky Wilhelm, in memory of Zach Tropp John L. Wilson James Wilterding & Craig Timm Rosemary & William Winkler Kathryn Wissel Margaret Wolak Helmut Wolf Beulah Woodfin Dot & Don Wortman Helen Wright Donna Yannias Anne Yegge Mary Young Janet Youngberg, in memory of Joan Allen Diana Zavitz, in honor of Lois Harwick Diana Zavitz, in honor of Pat & Ray Harwick Albert & Donna Zeman Willie & Lisa Zimberoff, in memory of Joan Allen Dr. Linda R. Zipp Andrew A. Zucker 1/15/2015

JOIN A CIRCLE Donate Today. (505) 323-4343 nmphil.org/support

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The Legacy Society Giving for the Future.

Your continued support makes this possible. The Legacy Society represents people who have provided long lasting support to the New Mexico Philharmonic through wills, retirement plans, estates, and life income plans. If you included the NMPhil in your planned giving and your name is not listed, please contact (505) 323-4343 to let us know to include you. Maureen & Stephen Baca Nancy Berg Thomas C. Bird & Brooke E. Tully Edison & Ruth Bitsui Dr. & Mrs. Larry Lubar William A. Wiley

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Thank You for Your Generous Support Volunteers. Expertise. Services. Equipment.

The New Mexico Philharmonic would like to thank the following people for their support and in-kind donations of volunteer time, expertise, services, product, and equipment. CITY & COUNTY APPRECIATION

INDIVIDUAL APPRECIATION

BUSINESS & ORGANIZATION APPRECIATION

SUPPORT YOUR NMPHIL TODAY Donate. Volunteer. Advertise. Planned Giving. (505) 323-4343 nmphil.org/support

Mayor Richard J. Berry & the City of Albuquerque Trudy Jones & the Albuquerque City Council Maggie Hart Stebbins & the Bernalillo County Board of Commissioners Betty Rivera & the Albuquerque Cultural Services Department Mayling Armijo & the Bernalillo Economic Development & Cultural Services Amanda Colburn & the Bernalillo County Cultural Services Maryann Torrez & the Albuquerque BioPark Zoo

American Federation of Musicians, Local 618 Central United Methodist Church Classical 95.5 KHFM First United Methodist Church Natural Touch Photography, Guillermo Quijano-Duque Popejoy Hall Southwest Security St. John’s United Methodist Church St. Luke’s Lutheran Church

Lee Blaugrund & Tanager Properties Management Billy Brown Luis Delgado Robert Desiderio Rosemary Fessinger Jerrilyn Foster Ben Heyward Chris Kershner Rose Maniaci Jackie McGehee Robby Rothchild David Steinberg Brent Stevens Mike Swick Bob Tillotson Tom Tkach Gary van Zals

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nmphil.org

Thank You .