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Welcome .
Table of Contents JANUARY 10, 2016
Program Program Notes David Felberg JANUARY 23, 2016
Program Program Notes Grant Cooper Kevin Vigneau YOUR NMPHIL
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Sponsor a Musician 2 Meet the Musicians 12 Orchestra 13 Board of Directors, Advisory Board, Staff 13 Donor Circles 14 Thank You 16 Legacy Society 16 Sponsors 17 Upcoming Concerts 18 Musical Fiestas 19
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Concert Program .
Sunday, January 10, 2016, 2 p.m.
NHCC: The Four Seasons of Buenos Aires
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David Felberg conductor & violin
National Hispanic Cultural Center
Rondo in A Major for Violin and Strings, D. 438 Franz Schubert (1797–1828) David Felberg violin
MAKING A DIFFERENCE This performance is made possible in part by the generosity of the following: The Honorable & Mrs. James A. Parker
The Four Seasons of Buenos Aires (Cuatro Estaciones Porteñas) I. Buenos Aires Summer (Verano Porteño) II. Buenos Aires Autumn (Otoño Porteño) III. Buenos Aires Winter (Invierno Porteño) IV. Buenos Aires Spring (Primavera Porteña)
Astor Piazzolla (1921–1992) arr. L. Desyatnikov
David Felberg violin
I N T E R M I S S I O N
Serenade for Strings in C Major, Op. 48 Pyotr Ilyich Tchaikovsky I. Pezzo in forma di sonatina: Andante non troppo—Allegro moderato (1840–1893) II. Valse: Moderato—Tempo di valse III. Élégie: Larghetto elegiaco IV. Finale (Tema russo): Andante—Allegro con spirito
The New Mexico Philharmonic
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Program Notes .
Program Notes Lori Newman
Franz Schubert
Born 1797, Vienna, Austria Died 1828, Vienna, Austria
Rondo in A Major for Violin and Strings, D. 438 (1816) When discussing Franz Schubert and his music, one is always left with a sense of what might have been. Schubert lived for a mere thirty-one years, was an incredibly prolific composer in that short time (touting over 1,000 published works), and always on the outside looking in. He found little to no success in his lifetime, save a circle of close friends who we able to recognize his undiscovered genius. Most of his works were unpublished prior to his death, and he died as he lived, in poverty. In his more than 1,000 works, Schubert never wrote a full-scale concerto for any instrument. The Rondo in A Major, along with a few other small works, are the only pieces written for solo instrument with orchestral accompaniment. The work was written while Schubert was a most unhappy teacher at his father’s school, one of the many unfulfilling and unsuccessful ventures the impoverished Schubert would be forced to undertake while waiting for Viennese society to take note of his music. They never did, of course. Schubert wrote the work for his brother, Ferdinand, who was an amateur violinist; although, it is a surprisingly virtuosic piece to be played by the untrained, so it would appear the word “amateur” held a less pejorative connotation in the early 19th century. The Rondo in A Major was never published in Schubert’s lifetime, remaining unpublished until 1897, more than 80 years after its composition. The work was originally written for just five parts–solo violin with a string quartet accompaniment. It is unknown if
“It was the great revelation of my musical life.” —Astor Piazzolla
Schubert intended for it to be played by only five musicians, or if he was merely trying to appeal to the publishing houses (who for the most part rebuffed him) by providing a work with flexible instrumentation. Regardless, symphony and chamber orchestras have since appropriated the work as their own. ●
Astor Piazzolla
arr. L. Desyatnikov
Born 1921, Mar del Plata, Argentina Died 1992, Buenos Aires, Argentina
The Four Seasons of Buenos Aires (Cuatro Estaciones Porteñas) (1965–1970; arr. 1999) “When I finished, Nadia took my hands in hers and with that English of hers, so sweet, she said, ‘Astor, this is beautiful. I like it a lot. Here is the true Piazzolla–do not ever leave him.’ It was the great revelation of my musical life.” These words from Astor Piazzolla’s memoir describe poignantly how Piazzolla had tried to distance himself from the tango, the music in his blood and the music of his homeland, in an effort to become a serious classical composer of art music. He felt the two were mutually exclusive. The “Nadia” mentioned here is none other than Nadia Boulanger, the famed French pedagogue, who Piazzolla had traveled to Paris to study with in the mid1950s. She encouraged him to incorporate his beloved tango into his scores, not shun it. And with that, neuvo tango was born. This “new tango” combines elements of tango, jazz, and classical music into a form previously unheard of in the classical canon.
“… I wrote from inner compulsion. This is a piece from the heart … ” —Pyotr Ilyich Tchaikovsky
The Four Seasons of Buenos Aires was not composed as a set of four works initially. The first, “Verano Porteño,” was written in 1965 as incidental music for the play Melenita de oro by the Argentine author and theater director Alberto Rodríguez Muñoz. The other movements were composed in 1970, and the four movements were rarely performed as a single work. Piazzolla scored it for his quintet comprised of violin, electric guitar, piano, bass, and bandóneon (an instrument similar to an accordion). After Piazzolla’s death, the violinist Gidon Kremer commissioned Russian composer Leonid Desyatnikov to arrange the work for solo violin and string orchestra. Kremer was looking for a companion piece to Vivaldi’s Four Seasons that he could program on the same concert. Desyatnikov took Piazzolla’s work, inserted quotes from Vivaldi’s, and created the version performed this afternoon. One of the wittiest borrowings from Vivaldi’s work is when Desyatnikov quotes Vivaldi’s “Winter” and inserts it into Piazzolla’s “Summer” to reflect the inversion of seasons between the hemispheres. ●
Pyotr Ilyich Tchaikovsky
Born 1840, Votkinsk, Russia Died 1893, St. Petersburg, Russia
Serenade for Strings in C Major, Op. 48 (1880) If you were to ask someone who was familiar with the works of Tchaikovsky to name two works that were the polar opposites of each other, you might get them to list the 1812 Overture and the Serenade for Strings. Yet Tchaikovsky wrote these works simultaneously in 1880. He would say of the two pieces: “The overture will be very loud and noisy, but I wrote it without any warm feelings of love and so, it will probably be of no artistic merit. But the serenade, on the contrary, I wrote from inner compulsion. This is a piece from the heart, and so, I venture to hope that this work is not without artistic qualities.” Initially, the Serenade was to be a symphony, later a suite, and ultimately continued on 6
The New Mexico Philharmonic
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Program Notes . continued from 5 a serenade. What exactly constitutes a “serenade?” As with many musical terms, it depends upon when the serenade in question was written. The serenade developed from a ditty to be sung to a lover (usually outside their window) in medieval times, to an outdoor celebratory work during the Baroque era, to a multi-movement work for orchestra whose emphasis was on melodic lyricism in the Classical and Romantic period. The serenade doesn’t hold composers to the same strict constructs of form and theory as a symphony, offering a nice respite from the formal confines of the symphonic genre. It was a popular form by composers such as Mozart, Brahms, and Dvořák. Tchaikovsky’s Serenade for Strings premiered privately at the Moscow Conservatory a month after its composition,
“The first movement is my homage to Mozart.” —Pyotr Ilyich Tchaikovsky
and the public premiere was the following year in St. Petersburg on October 30, 1881, with Eduard Nápravník conducting. Anton Rubinstein, Tchaikovsky’s mentor and famed Russian pianist and conductor, declared the Serenade for Strings Tchaikovsky’s best work. “The first movement is my homage to Mozart. It is intended to be an imitation of his style, and I should be delighted if I thought I had in any way approached my model.” This homage to Mozart opens and closes with a stately theme which hearkens
back to the 18th century outdoor serenade. The Sonatina itself begins at the fleet-footed allegro. The second movement Waltz is reminiscent of the great Tchaikovsky balletic waltzes of Swan Lake, Sleeping Beauty, and The Nutcracker. The heart and soul of the Serenade lies in the third movement Élégie which opens with the same ascending scale figure as the Waltz. The Finale contains two Russian folksongs–the first, lyrical and mysterious, which then gives way to the toetapping folksong of the Allegro. ● Program Notes ® Lori Newman
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Concert Program .
Saturday, January 23, 2016, 6 p.m.
Popejoy Classics: Mozart, Mozart, Mozart!
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Grant Cooper conductor Kevin Vigneau oboe
Popejoy Hall
Symphony No. 1 in E-flat Major, K. 16 Wolfgang Amadeus Mozart I. Allegro molto (1756–1791) II. Andante III. Presto
MAKING A DIFFERENCE This performance is made possible in part by the generosity of the following: Southwest Gastroenterology Associates
Oboe Concerto in C Major, K. 314 I. Allegro aperto II. Adagio non troppo III. Rondo: Allegretto
W.A. Mozart
The Honorable & Mrs. James A. Parker
Kevin Vigneau oboe
I N T E R M I S S I O N
Symphony No. 36 in C Major, “Linz,” K. 425 I. Adagio—Allegro spiritoso II. Andante III. Menuetto IV. Finale: Presto
The New Mexico Philharmonic
W.A. Mozart
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Program Notes .
Program Notes Lori Newman
Wolfgang Amadeus Mozart Born 1756, Salzburg, Austria Died 1791, Vienna, Austria
Symphony No. 1 in E-flat Major, K. 16 (1764) It’s not often that one can attribute a symphonic work’s genesis to a severe throat infection, but in the case of Mozart’s Symphony No. 1, that is indeed the case. Mozart was on the first leg of the grand European tour that his father, Leopold, had arranged for him and his sister, Anna Maria (“Nannerl”), between 1763 and 1766. These tours (think of them as an early form of Toddlers and Tiaras, but with slightly more willing participants) were a way to bring the two prodigies to the fore of polite society and the aristocracy, not to mention a way to make a significant amount of money for the family. While in London in 1764, Leopold became seriously ill with a high fever and acute throat infection. The family moved to nearby Chelsea to provide Leopold with a comfortable, quiet place to recover. During this time, the children were unable to practice their instruments as not to disturb Leopold’s recovery process. Nannerl reminisced, “Our father lay dangerously ill; we were forbidden to touch the keyboard. And so, in order to occupy himself, Mozart composed his first symphony with all the instruments of the orchestra, especially trumpets and kettledrums. While he composed and I copied he said, ‘Remind me to give the horn something worthwhile to do!’” It is more than likely that the work that Nannerl describes is in fact not the Symphony No. 1 in E-flat Major, but another work whose manuscript did not survive. The original score for the Symphony No. 1 is in Mozart’s hand, not Nannerl’s, so there were more than likely other symphonies written around this time whose sketches were lost to history. Not to mention, the Symphony No. 1 is scored for only oboes, horns, strings, and continuo–no “trumpets” or “kettledrums” are present. The Symphony is written in the early classical archetype of three movements in a fast-slow-fast configuration. Mozart’s early symphonies were influenced by the works of composers such as Johann Christian Bach (youngest son of the master Johann Sebastian Bach) and Carl Friedrich Abel. The work is compact and full of triadic themes. Mozart had yet to perfect the concept of
“Remind me to give the horn something worthwhile to do!’
—Wolfgang Amadeus Mozart
thematic development, so once stated, the themes often repeat the material verbatim. The outer movements are bright and energetic, while the second movement is written in the relative key of c minor, offering a suitably dour contrast. ●
W.A. Mozart
Oboe Concerto in C Major, K. 314 (1777) Written toward the end of Mozart’s dreary time serving the Salzburg court, the Oboe Concerto in C Major was composed for Giuseppe Ferlendis, an oboist who joined the court orchestra in April of 1777. It is believed that Mozart never heard Ferlendis perform the work, as Mozart resigned his position in Salzburg soon after the Concerto’s completion. After his resignation, Mozart went to several other European countries looking for work. While in Mannheim, he passed his Oboe Concerto onto Friedrich Ramm, principal oboist of the Mannheim Symphony. Ramm took the work and ran with it. Mozart wrote in February 1778, “Herr Ramm played for the fifth time my oboe concerto written for Ferlendis, which is making a great sensation here. It is now Ramm’s cheval de bataille [war horse].” Soon thereafter, however, the Oboe Concerto was lost. Laying in its wake was an arrangement for flute that Mozart tried to pass off as an original work when amateur flutist Ferdinand de Jean commissioned him to write four flute quartets and three flute concertos in December of 1777. According to many sources, Mozart detested the flute, in addition to being prone to fits of laziness and flightiness, so this commission was particularly difficult for him to complete. So, he just didn’t. Mozart provided de Jean with a scant three quartets and one concerto—a reworking of the Oboe Concerto. “Reworking” is a generous term, as the differences between the two concertos are negligible. As expected, Mozart never got paid for the commission. The work survived in its flute iteration, but the Oboe Concerto was lost for more
than 100 years. That is until 1920 when the director of the Salzburg Mozarteum Archives, Bernhard Paumgartner, found an orchestra part in Mozart’s hand that listed as its title “Concerto in C—Oboe Principale.” Upon further investigation, Paumgartner realized that the work was nearly identical to the Flute Concerto, and the Oboe Concerto was unearthed to grateful oboists everywhere. ●
W.A. Mozart
Symphony No. 36 in C Major, “Linz,” K. 425 (1783) “On Tuesday, November 4, [1783] there will be an academy [concert] in the theater here and, as I have not a single symphony with me, I am writing a new one at breakneck speed.” Mozart wrote this in a letter to his father upon arriving in Linz. Linz was a stop on the way home to Vienna from Salzburg, where Mozart and his relatively new wife, Constanze, had been visiting Leopold Mozart for the first time. Leopold did not approve of the marriage and Mozart’s sister, Nannerl, deemed Constanze “a most unsuitable girl.” This would seemingly be why the Mozarts were married in August of 1782 but did not embark upon the Salzburg sojourn until nearly a year later. They stayed in Salzburg throughout the rest of the summer into early autumn, and from all accounts, the stay was polite, but not necessarily welcoming. Mozart and Constanze left Salzburg on October 27 and traveled to Linz upon the invitation of their friend Count ThunHohenstein. “Breakneck speed” from the opening quote is indeed apt: The Symphony No. 36 was composed, copied, and rehearsed all within a four-day span of the Linz “layover.” The work premiered on November 4, 1783, with other notable performances in Vienna in 1784 and Prague in 1787. While the Symphony No. 1 owes its style to J.C. Bach, the “Linz” Symphony has the marks of Joseph Haydn all over it. From the choice of key to the slow introduction in the continued on 10
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Program Notes . continued from 9 first movement, Mozart uses “Papa” Haydn as his model and the resultant work is Mozart at his most grand. The slow introduction of the first movement is filled with harmonic tension, with several keys and modes fighting for dominance. This leads directly into the majestic and resplendent first movement, containing passages filled with technical bravura and mature interaction between winds and strings. In the second movement, Mozart takes what could have been an ordinary symphonic Andante, adds trumpets and timpani, and gives the whole movement an unexpected sinister undercurrent. The minuet is full of eighteenth-century affectedness, while the trio offers a charming oboe and bassoon duo. The finale is rife with thematic material, offering a portent to the finale of the “Jupiter” Symphony which would come five years later. ● Program Notes ® Lori Newman
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Artists .
David Felberg conductor & violin
Praised by The Santa Fe New Mexican for his “fluid phrases; rich, focused tone; rhythmic precision; and spot-on intonation.” Albuquerque native, violinist and conductor David Felberg is Associate Concertmaster of the New Mexico Philharmonic. He also serves as Artistic Director and co-founder of Chatter Sunday, Chatter 20-21, and Chatter Cabaret. He is Concertmaster of the Santa Fe Symphony and Music Director of the Albuquerque Philharmonic. He also teaches contemporary music at the University of New Mexico. His robust conducting career has included conducting the New Mexico Symphony Orchestra, New Mexico Philharmonic, Santa Fe Symphony, and many performances of contemporary music with Chatter. David performs throughout the Southwest as concert soloist, recitalist, and chamber musician. He made his New York debut in Merkin Hall in 2005. He received a Bachelor of Arts in History from the University of Arizona and a Master of Music in Conducting from the University of New Mexico. He has taken advanced string quartet studies at the University of Colorado with the Takács Quartet and was awarded a fellowship to attend the American Academy of Conducting at the Aspen Music Festival. David plays an 1829 J.B. Vuillaume violin. ●
The New Mexico Philharmonic
Grant Cooper conductor
Grant Cooper, Artistic Director and Conductor of the West Virginia Symphony Orchestra, was named to the position in March 2001 and officially began his duties as the ninth conductor in the WVSO’s history on July 1, 2001. From 1997–2007, Mr. Cooper served as Resident Conductor of the Syracuse Symphony, where he gave over 600 performances with that orchestra, appearing to critical acclaim on all the major series. Mr. Cooper is also Artistic Director of the Bach and Beyond Festival in Fredonia, New York. Mr. Cooper was born in Wellington, New Zealand, the son of a professional opera singer. He sang and acted in his first opera at age four and studied piano and music theory prior to college. After completing his degree in Pure Mathematics at the University of Auckland, his performing career took him to many of the major concert halls of the world, from Beijing to London. Following a performance at the Henry A. Wood Promenade Concerts at the Royal Albert Hall under conductor Claudio Abbado, Mr. Cooper was invited by Maestro Abbado to join the orchestra of La Scala as solo trumpet. Instead, Mr. Cooper accepted a fellowship from the Queen Elizabeth II Arts Council for study with Bernard Adelstein and Gerard Schwarz in the United States. This, in turn, led to performances at New York’s Carnegie Hall and at Tanglewood under Arthur Fiedler, where he also performed as principal trumpet under conductors Leonard Bernstein, Seiji Ozawa, and Sir Neville Marriner. Mr. Cooper was guest conductor of the XIVth Commonwealth Games closing ceremonies, appearing with Dame Kiri Te Kanawa as soloist. In Europe, his engagement as guest conductor for the Mozart Wochen of the Heidelberger Schlossfestspiele prompted
high critical praise. His appearances with the West Virginia Symphony Orchestra have generated considerable enthusiasm and acclaim across the whole gamut of programs, showing his deep affinity for repertoire of enormous stylistic range. Mr. Cooper’s collaborations with artists such as Hilary Hahn, Midori, Elmar Oliviera, and Deborah Voigt have, similarly, prompted critical praise for his skills as an accompanist. In their March 2009 Pops Concerts, the WVSO premiered Mr. Cooper’s original scores for two Charlie Chaplin films: The Immigrant and Easy Street. Mr. Cooper’s original concert work for soprano and orchestra entitled A Song of Longing, Though..., with poetry by Tom Beal, was premiered by the orchestra in April 2007 and was performed by the Chautauqua Symphony in 2010. Cooper was awarded the National Symphony Orchestra Chamber Music Commission following competitive adjudication as part of the 2010 American Residency program of the NSO. His new work will be premiered at the Kennedy Center in Washington, D.C., in 2012. Mr. Cooper is especially passionate about creating works designed to introduce young audiences to the orchestra, including such works as Rumpelstiltzkin for Narrator and Orchestra, Goldilocks and the Three Bears, Boyz in the Wood for Coloratura Soprano and Rap Singer, and Song of the Wolf. His educational music is an eclectic blend of modern and established styles with interactive participation of the audience, a compositional style that reflects his belief that orchestral music is a living, vital, and relevant part of our society, able to be appreciated by all. Mr. Cooper has recorded for Delos International, Atoll, Ode, Mark, and Kiwi Pacific recordings. As a conductor, a CD devoted to the premier recordings of the string music of New Zealand composer Douglas Lilburn has been enthusiastically received. Recently, Mr. Cooper released Points in a Changing Circle, featuring himself as trumpet soloist in works by New Zealand composers and a CD featuring three of his own works recorded with the Cayuga Chamber Orchestra on a disc titled Boyz in the Wood. With this, Mr. Cooper has reached the milestone of having CD recordings of him as conductor, performer, and composer, all currently available in the catalogue. Mr. Cooper resides in Charleston with his wife, Margie, and daughters, Jessica and Rachel. ●
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Artists . was awarded the Dean’s Prize for the outstanding member of the graduating class. He also studied with Ralph Gomberg and Laurence Thorstenberg at Boston University, where he earned his BM. The Cape Times has referred to Dr. Vigneau as “a consummate instrumentalist, who brings to the task technical facility, abundant musicality and a keen intellect.” ●
Kevin Vigneau oboe
Principal Oboe of the New Mexico Philharmonic, Dr. Kevin Vigneau is also Professor of Oboe at UNM and has enjoyed an international career as an orchestral player, soloist, teacher, and chamber musician. Principal Oboe of the Cape Town Symphony Orchestra (South Africa) from 1986–1990 and Principal Oboe of the Orquestra Metropolitana de Lisboa (Lisbon, Portugal) from 1993–1996, he has been a member of the Santa Fe Opera Orchestra, the Opera Company of Boston Orchestra, the New Haven Symphony, and a fellow at the Berkshire Music Festival. Mr. Vigneau has performed as a chamber musician with Music from Angel Fire, the Banff Festival, the South African Broadcasting Society, the Mistral Wind Quintet, the Cassat Quartet, the Kandinsky Trio, and the Maia String Quartet. As a recitalist and soloist, he has performed in Rio de Janeiro, Lisbon, at Octoboefest in Iowa, at International Double Reed Society Conferences in Chicago and Phoenix, in Amsterdam, Johannesburg, Cape Town, the Azores, Taiwan, Canada, and at many colleges and universities throughout the United States. His solo CD, Oboe on the Edge: Modern Masterworks for Oboe, was released in 2008 on Centaur Records. He has also recorded the Richard Strauss Oboe Concerto with the Orquestra Metropolitana de Lisboa for EMI Classics, the Hidas Oboe Concerto with the UNM Wind Symphony on the Summit label, and 20th century wind quintets with the New Mexico Winds for Centaur. Dr. Vigneau holds a Doctor of Musical Arts from Yale University (1998) where he studied with Ronald Roseman and
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Meet the Musicians Frank Murry bass
Frank Murry loves hiking and skiing in beautiful New Mexico and is grateful for the wonderful musical opportunities here. A member of the New Mexico Philharmonic and the Santa Fe Symphony, he has also played chamber concerts with Chatter and Serenata of Santa Fe. Formerly a member of the Houston Ballet Orchestra and the Baton Rouge Symphony Orchestra, Frank was also Principal Bass of the Lake Charles Symphony, Rapides Symphony, and Texas Opera Theatre. Frank has performed with Houston Grand Opera, Shreveport Symphony, Ebony Opera, Houston Symphony, and festivals such as American Institute of Musical Studies, Orchestre Mondial des Jeunesses Musicales, National Orchestral Institute, Aspen Music Festival, and Sarasota Music Festival. Recently named Teacher of the Year by the American String Teachers Association, New Mexico Chapter, Frank has taught at Texas Southern University and Houston Community College. He is now a bass coach for the Albuquerque Youth Symphony Program. Frank enjoys playing jazz and composing music for jazz combo, bass ensemble, and for solo bass. Yoga and tai chi help Frank stay healthy while playing a physically demanding, beautiful beast of an instrument. Frank studied with Paul Ellison, earning his Master of Music degree from the Shepherd School of Music, Rice University. ●
NMPhil .
New Mexico Philharmonic
BOARD OF DIRECTORS Maureen Baca President
The Musicians
Al Stotts Secretary/Treasurer FIRST VIOLIN Krzysztof Zimowski Concertmaster David Felberg Associate Concertmaster Ruxandra Simionescu-Marquardt Assistant Concertmaster Sarah Tasker Joan Wang + Jonathan Armerding Steve Ognacevic Kerri Lay Linda Boivin Barbara Rivers Nicolle Maniaci Barbara Scalf Morris SECOND VIOLIN Anthony Templeton • Carol Swift •• Julanie Lee Justin Pollak + Michael Shu Ting Ting Yen+ Xinye Niu Roberta Branagan Sheila McLay Elizabeth Young Brad Richards Wei Jia ++ VIOLA Shanti Randall • Kimberly Fredenburgh •• Allegra Askew Christine Rancier Sigrid Karlstrom Virginia Lawrence Willy Sucre Joan Hinterbichler Lisa DiCarlo
CELLO Joan Zucker • Carol Pinkerton •• Carla Lehmeier-Tatum Dana Winograd David Schepps Lisa Collins Peggy Wells BASS Jean-Luc Matton •+ Mark Tatum •• Katherine Olszowka Terry Pruitt Derek DeVelder Frank Murry FLUTE Valerie Potter • Sara Tutland Jiyoun Hur ••• PICCOLO Sara Tutland OBOE Kevin Vigneau • Amanda Talley ENGLISH HORN Melissa Peña ••• CLARINET James Shields • Lori Lovato •• Timothy Skinner E-FLAT CLARINET Lori Lovato
BASS CLARINET Timothy Skinner
Ruth Bitsui Vice President for Operations
BASSOON Stefanie Przybylska • Denise Turner
Dr. Larry Lubar Vice President for Development
HORN Peter Erb • Nathan Ukens Julia Erdmann Hyams ++ Susie Fritts ++ Niels Galloway •••• TRUMPET John Marchiando • Mark Hyams Brynn Marchiando ••• TROMBONE Debra Taylor • Byron Herrington David Tall BASS TROMBONE David Tall
Roland Gerencer, MD Kory Hoggan Marc Powell Nancy Pressley-Naimark Jeffry Romero Steve Schroeder David Tall Anthony Trujillo Nathan Ukens Michael Wallace Richard White ADVISORY BOARD Thomas C. Bird Lee Blaugrund Clarke Cagle Robert Desiderio Steve Paternoster Heinz Schmitt William Wiley
TUBA Richard White •
STAFF Marian Tanau Executive Director
TIMPANI Douglas Cardwell •
Chris Rancier Executive Assistant & Media Relations
PERCUSSION Jeff Cornelius • Kenneth Dean Emily Cornelius HARP Anne Eisfeller •
Alexis Corbin Operations Coordinator & Personnel Manager Mancle Anderson Production Manager Alexander Onieal Head Librarian & Office Manager Danielle Frabutt Artistic Coordinator Byron Herrington Payroll Services Mary Montaño Grants Manager
Principal • Assistant Principal •• Associate Principal ••• Assistant •••• Leave + One year position ++
The New Mexico Philharmonic
Joan Olkowski Design & Marketing Lori Newman Website Maintenance & Editor Sara Tutland Ensemble Visits Coordinator
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Donor Circles .
Donor Circles
Thank You for Your Support BENEFACTOR CIRCLE Donation of $50,000 + Albuquerque Community Foundation Anonymous Lee Blaugrund City of Albuquerque
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2015/16 Season
Ruth & Charles Needham Beverly Rogoff Ellen Ann Ryan Alicia & Russell Snyder Melissa & Al Stotts Jane & Doug Swift Kathleen & David Waymire Dr. & Mrs. Albert Westwood Lance Woodworth
BACH CIRCLE Donation of $1000– $1932 Leah Albers & Thomas Roberts Albuquerque Community Foundation, Robert J. Stamm & Mary Herring Stamm Fund Kirsten J. Anderson Anonymous Anonymous Anonymous Anonymous, in honor of Adrianna Belen Gatt Christopher Apblett Stephen & Maureen Baca, in memory of Deborah Cazzola Nancy & Cliff Blaugrund Deborah Borders Robert Bower Dr. Marythelma Brainard & Dick Ransom Pat Broyles Bill Byers Dawn & Joseph Calek Jonathan Miles Campbell The Collister Family, in memory of Joan Allen David & Mary Colton Daniel & Brigid Conklin, in memory of Dr. C.B. Conklin Cathy Conrad John Crawford Krys & Phil Custer Clare W. Dreyer Clare W. Dreyer, in memory of Joan Allen Mary Lou Edward David & Ellen Evans Elaine & Frederick Fiber Gertrude Frishmuth David & Tanner Gay GE Foundation Barbara & Berto Gorham Jean & Bob Gough Helen A. Grevey & Jay D. Hertz, in memory of Joan Allen Stuart Harroun Mary Herring & Robert Stamm Jonathan & Ellin Hewes The Estate of Van Dorn Hooker The Hubbard Broadcasting Foundation Chris & Karen Jones Stephanie & David Kauffman Stephen Kaufman Stephanie & Ken Kuzio Dr. Benjamin D. Lane Myra & Richard Lynch
Kathy & John Matter Linda S. Marshall Joan McDougall Jackie & C. Everett McGehee Bob & Susan McGuire Ina S. Miller Mark & Susan Moll Diane M. Mueller George & Mary Novotny Carol & Gary Overturf Julia Phillips & John Connor, in honor of Ilya Kaler Matthew Puariea Carolyn Quinn & John Crawford Mary Raje, in memory of Frederick C. Raje Steve Ridlon, in memory of Casey Scott Jacquelyn Robins, in honor of Melvin Robins James & Sandee Robinson Barbara & Heinz Schmitt Steven Schroeder Gregory Shields Janet & Michael Sjulin Vernon Smith Susan Spaven Conrad & Marcella Stahly Jeanne & Sid Steinberg Patricia & Luis Stelzner Lynett & David Tempest Patrick Villella Betty Vortman Tony & Susan Waller Barbara & Eugene Wasylenki Julia Carson White Dolly Yoder
CONCERTMASTER CIRCLE Donation of $500–$999 John B. Aidun & Joan M. Harris Joan Allen John Ames Judith & Otto Appenzeller Mary & John Arango Stephanie & Leonard Armstrong Sally Bachofer Luis Baez & Andrea Yannone Daniel Balik Dorothy M. Barbo Richard K. Barlow Dennis Basile Hugh & Margaret Bell, in memory of Joan Allen Gay & Stan Betzer Sheila & Bob Bickes Nancy & Cliff Blaugrund, in memory of Joan Allen Jane Ann Blumenfeld David Brooks Susanne B. Brown M. Susan Burgener & Steve Rehnberg Gordon Cagle Jose & Polly Canive Edward B. Cazzola Edith Cherry & Jim See Betty Chowning Margaret & Tze-Yao Chu
Judith Clem Claudia Crawford, in memory of Clifford S. Crawford Gail Cunningham Marjorie Cypress & Philip Jameson Ann DeHart & Robert Milne, in memory of Joan Allen The Divas of ‘56, in memory of Stewart Graybill ExxonMobil Foundation The Financial Maestro, LLC, Joann MacKenzie Danielle Frabutt Pauline Garner & J. William Vega Lawrence Golden Sharon Gross Dr. Kirk & Janet Gulledge Lois Hall Bill & Carolyn Hallett Roger Hammond & Katherine Green Hammond Janet Harris Harris L. Hartz Margaret Harvey & Mark Kilburn Richard Henry Noelle Holzworth Lorna Howerton Martha Hoyt Carolyn & Hal Hudson Rosalyn Hurley Sue Johnson & Jim Zabilski John & Julie Kaltenbach Karen Kehe Marlin Kipp Meredith & Noel Kopald Susie Kubié La Vida Llena Rita Leard Jae Lee Maureen & Richard Lincoln Harry & Elizabeth Linneman Tyler M. Mason Thomas & Edel Mayer Donna McGill Kathryn McKnight John & Kathleen Mezoff Martha Miller Toots & Scott Obershain Steve Ovitsky Stuart Paster John Provine Christine & Jerry Rancier Dan Rice Deborah Ridley & Richard S. Nenoff Don & Barbara Rigali The Rodey Law Firm Ruth Ronan Edward Rose Nancy Scheer Norman Segel Sharon Sharrett Terrence Sloan Patty & Bill Snead Mary & John Sparks Charles & Flossie Stillwell Eberhard H. Uhlenhuth Tina Valentine Margaret Vining
Michael Wallace Patricia & Robert Weiler Judy Basen Weinreb & Peter Weinreb Carl G. & Janet V. Weis Patrick Wilkins Jane & Scott Wilkinson Drs. Bronwyn Wilson & Kurt Nolte David Worledge Andrea Yannone Michael & Jeanine Zenge
PRINCIPALS CIRCLE Donation of $125–$499 Albertsons Community Partners Program Ed Alelyunas ALH Foundation Inc. Gerald Alldredge Jo Marie & Jerry Anderson Anderson Organizing Systems Anonymous Anonymous Anonymous Michael & Katherine Anthony Paul & Mary Lee Anthony Robert & Marilyn Antinone Myrna T. Arguello & Genaro M. Roybal Lynn Asbury & John Wronosky Atkinson & Co. B2B Bistronomy David Baca Joel A. & Sandra S. Baca Mary E. Baca Thomas J. & Helen K. Baca Toni Baca Charlene Baker Stanley Baker Jan Bandrofchak & Cleveland Sharp Sheila Barnes Holly Barnett-Sanchez & David Foster Elinore M. Barrett Ellen Bayard & Jim O’Neill Edie Beck Helen Benoist Ruth & Edison Bitsui Leonie Boehmer Rog & Genelia Boenig Tim & Jackie Bowen Richard & Iris Brackett Susan Brake James & Ann Bresson Sheldon & Marilyn Bromberg Carolyn Brooks Mary & Jim Brown Fred Bryant Mary Letty Buchholz Miriam Burhans Drs. Kathleen L. Butler & M. Steven Shackley Clarke Cagle Thomas Cagle Laurel Callan Glo Cantwell Ann Carson Camille Carstens Robert Case
Donor Circles . Shirley & Ed Case Edsal Chappelle Elaine & Wayne Chew Kathleen & Hugh Church Virginia Clark Martin & Susan Conway Dianne Cress & Jon McCorkell Nancy Cutter, in memory of Joan Allen Stephen & Stefani Czuchlewski George deSchweinitz Jr. Janice Dosch Gale Doyel & Gary Moore, in memory of Joan Allen Patricia & Leonard Duda Susan & Daniel Dunne Jeff & Karen Duray Paul & Catherine Eichel Anne C. Eisfeller Eleanor D. Eisfeller Carol & John Ellis Mildred & Richard Elrick Stefanie English Peter & Emily Erb Stephanie Eras & Robert Hammerstein David & Frankie Ewing Jo Margaret & John Farris Leonard & Arlette Felberg Winifred & Pelayo Fernandez Heidi Fleischmann & James Scott Thomas & Mary Kay Fleming Edmund & Agnes Franzak Louis Fuchs Barb & Larry Germain Paul Getz Chuck & Judy Gibbon Drs. Robert & Maria Goldstein A. Elizabeth Gordon Carmoline & Bing Grady Paul & Marcia Greenbaum Julie Gregory Peter Gregory Dick & Suzanne Guilford Ron Halbgewachs John Harvey Betty Hawley & Donald Robbins John & Diane Hawley Stephen & Aida Ramos Heath Anne Hill Pamelia S. Hilty Susan Hinchcliffe Fred Hindel Bud & Holly Hodgin David & Bonnie Holten William B. Hughes Janet & Vincent Humann Ken & Cindy Johns, Johns Family Foundation, in memory of Joan Allen Nancy M. Johnson Robert & Mary Julyan Carol Kaemper Julius & Robin Kaplan Ira & Sheri Karmiol Thomas & Greta Keleher Ann King Karen & Bill Knauf Asja Kornfeld, MD & Mario Kornfeld, MD
Jennifer C. Kruger Karen M. Kupper Henry & Judith Lackner Rebecca Lee & Daniel Rader Linda Lewis Robert & Judith Lindeman Michael Linver Thomas & Donna Lockner Kenneth Luedeke Bruce Malott & Martha Wood Aabbee Mann Carolyn Martinez Paul & Judith Matteucci Sallie & Denis McCarthy Ronald & Barbara McCarty Roger & Kathleen McClellan Monica McComas Rohini & Jason McKee Karen McKinnon & Richard A. Stibolt Bernard & Mary Metzgar Phyllis Metzler Peggy Sanchez Mills & Jim Mills John Mims Christine & Russell Mink Mohinder & Deborah Mital Jan Mitchell William Moffatt James Moffitt Hossein Mojtahed James B. & Mary Ann Moreno James & Margaret Morris Rick Morrison Shirley Morrison & Cornelis Klein John & Patsy Mosman Lynn Mostoller Sharon Moynahan Lynn Mullins, in memory of Joan Allen Edward & Nancy Naimark Marilee Nason Donald & Carol Norton Ben & Mary Lee Nurry Rebecca Okun Alexander Onieal & Caleb James Wendy & Ray Orley Joyce & Pierce Ostrander The Honorable James A. & Janice Parker, in memory of Joan Allen The Ralph & Ella Pavone Family Trust James & Ann Pedone Sandra Penn Calla Ann Pepmueller Ross B. Perkal Richard Perry Lang Ha Pham Herbert & Judi Pitch Dan & Billie Pyzel Jane Rael Dick & Andy Rail Russell & Elizabeth Raskob T.D. Raymond Robert Reinke Lee A. Reynis & David W. Stryker Clifford & Sandra Richardson
Erika Rimson & David Bernstein Donald Robbins & Betty Hawley Shelly Roberts & Dewey Moore Gwenn Robinson, MD & Dwight Burney III, MD A. Rolfe & Dorothy Black, in memory of Joan Allen Paul Romo Kletus Rood Stuart & Mimi Rose, in honor of the wedding of Paul Silverman & Susan Mesuda Christine Sauer Warren & Rosemary Saur Brigitte Schimek & Marc Scudamore John Schlue Stephen Schoderbek Laura Scholfield Howard & Marian Schreyer Kathleen Schulz Carolyn Sedberry Barbara & Daniel Shapiro Archbishop Michael Sheehan Xiu-Li Shen Frederick & Susan Sherman, in memory of Joan Allen David P. Sherry, in memory of Rhoda Sherry Robert Simonson Walt & Beth Simpson Norbert F. Siska Carol Smith Dr. Fran A’Hern Smith Jane Snyder Steven & Keri Sobolik Robert St. John Marilyn & Stanley Star Alexander & Mary Ann Stone John Stover Carmen & Lawrence Straus Suzanne Taichert Larry Titman Stephen Tolber & Louise Campbell-Tolber Joan & Len Truesdell Jay Ven Eman Anna Y. Vigil & Clarence Gallegos Richard Vivian E. M. Wachocki Marianne Walck Harry Wallingford Jan Armstrong Watts Jeffrey West Kay West Trudy & Robert White Bill & Janislee Wiese Bill & Janislee Wiese, in honor of Joan Allen Walter Wolf David & Evy Worledge Don & Dot Wortman Sue Wright Janice B. Yates Mae S. Yee Albert & Donna Zeman Carol Zulauf
FRIENDS OF THE PHILHARMONIC Donation of $25–$124 Ron Abramshe Kelly Aldridge Edward & Nancy Alley, in memory of Joan Allen Carl & Linda Alongi, in memory of Joan Allen Jo Anne Altrichter & Robin Tawney Judith Anderson Eugene Aronson Janice J. Arrott Emil Ashe Edward & Leslie Atler Rosa & Joseph Auletta George Baca Jackie Baca & Ken Genco Renee Baca Diane & Douglas Brehmer Bailey E. Patricia Barbier Joyce Barefoot Sheila Barnes, in memory of Joan Allen Lois Barraclough Edward Barts Graham Bartlett Julian Bartlett Mary Beall Susan Beard Carla Beauchamp David & Judith Bennahum Debra & Kirk Benton Sarah & Joshua Benton, in memory of Joan Allen Mark & Beth Berger Dorothy & Melbourne Bernstein Alan & Bronnie Blaugrund, in memory of Joan Allen Ann Blaugrund & Bill Redak, in memory of Joan Allen Dusty & Gay Blech Henry Botts Karen Bovinette, in memory of Joan Allen Julia B. Bowdich, in memory of Joan Allen Joan Bowden J. M. Bowers Jeffrey & Teresa Brandon Charles Brandt, in memory of Jennifer K. Brandt Richard & Karla Bressan, in memory of Joan Allen Elizabeth Brower Billy Brown Carolyn Brown Dr. Lisa M. Brunacini & Rita M. Giannini Sandy Buffett Elaine Burgess Mary Ann CampbellHoran & Tom Horan James Carroll Ann L. Carson Joseph Cella Barbara & Roscoe Champion Ralph Chapman Kathy & Lance Chilton Jay & Carole Christensen, in memory of Joan Allen
Judith & Thomas Christopher Paul Citrin Douglas & Carla Clark James & Joan Cole Randall & Valerie Cole Henry & Ettajane Conant Martha Cook, in memory of Lewis & Ruth Cook Miriam Corcoran PhD John & Mary Covan Ralph Cover Judith Crocker Nance Crow Betsy Cuneo Catherine Cunningham Sarah & John Curro Philip & Joan Dale Barbara David Margaret Davidson & James Barbour, in memory of Joan Allen Joan Davis Margaret DeLong Fran DiMarco Jerry & Susan Dickinson Thomas Domme Darryl Domonkos Stephen R. Donaldson Joanne Donsbach Ernest & Betty Dorko J.R. & Peggy Dotson, in memory of Joan Allen Dr. James & Julie Drennan Woodie Dreyfuss, in memory of Joan Allen Ken Duckert Patsy Duphorne Sondra Eastham, in memory of Joan Allen David Ted Eastlund Joy Eaton, in memory of C.J. Meg Patten Eaton, in memory of Joan Allen John Eckert Ida Edward Sylvia & Ron Eisenhart Wolfgang Elston Robert & Dolores Engstrom Roger C. Entringer Helen Erb Cheryl A. Everett Jane Farris & Michael Pierson Helene K. Fellen Rosario Fiallos Rona Fisher Stephen Fisher Elizabeth & Blake Forbes Beverly Forman & Walter Forman, MD James & Jean Franchell Douglas & Nancy Francis J. Arthur Freed Ron Friederich Jack Fuller Robert & Diana Gaetz Patrick & Patricia Gallacher Daniel & Elena Gallegos Michael Garcia Ann Gateley Karen Gatlin Paula Getz Duane & Janet Gilkey Donald & Diane Goldfarb
Jim L. Gonzales Janice K. Goodman Dr. Thomas & Linda Grace, in memory of Joan Allen Erna Sue Greening Justin M. & Blanche G. Griffin Craig Griffith Insurance Agency Virginia Grossetete Virginia Grossetete, in memory of Joan Allen Mina Jane Grothey Ellen Guest Charles & Betsy Gunter Herman Haase Janet & Stan Hafenfeld Bennett A. Hammer Janet Harrington Joan & Fred Hart Marilyn Hartig Allan Hauer William & Rossanna Hays James Headley, in memory of Joan Allen Deborah Helitzer Rosalie & Leon Heller Robert & Sara Henning Douglas & Joyce Hilchie Eileen Grevey Hillson & Dr. David Hillson, in memory of Joan Allen Barbara Holt John Homko Suzanne Hood Tom Hopkins Helen & Stanley Hordes Stephanie Horoschak & Paul Helman Linda Hummingbird Nancy Jacobson Joan Jander Jerry & Diane Janicke Olivia Jaramillo Sandra & Michael Jerome Eldon Johnson Eric R. Johnson Joyce D. Jolly Ann & Lawrence Jones Judy Jones Robert Jones Tracy Jones Phyllis Kaplan Clayton Karkosh Judy Kauffman Margaret Keller James Kelly C.R. Kemble David & Leslie Kim, in memory of Joan Allen Judith Allen Kim, in memory of Joan Allen Gerald Kiuttu Barbara Kleinfeld Sushilla Knottenbelt Herb & Shelley Koffler, in memory of Joan Allen Philip Kolehmainen Katherine Kraus Flora Kubiak, in memory of Joan Allen Hareendra & Sanjani Kulasinghe Stephen & Isadora Kunitz Mike Langner Susan Lentz Medeleine Lewis
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Donor Circles . continued from 15 Susan & George Lind William J. Lock George Loehr Richard & Christine Loew, in memory of Joan Allen Dwayne Longenbaugh Rhonda Loos & Neal Piltch, in memory of Joan Allen Quinn Lopez Joel Lorimer Betty Lovering Ed & Jeanne Lynch Stephen Maechtlen Robert & Linda Malseed Jim Marquez Anna Marshall Marita Marshall Walton & Ruth Marshall Carolyn Ross Martin, in memory of Joan Allen Tony Martin Carolyn Martinez, in memory of Joan Allen Michael Mauldin Pete & Lois McCatharn Stephen McCue James McElhane Jackie & C. Everett McGehee, in memory of Joan Allen Virginia McGiboney Eugene McGuire David McKinney, in memory of Joan Allen Millie & John McMahon, in memory of Joan Allen Cynthia & Paul McNaull Louise & Joseph Messina Bruce A. Miller Kathleen Miller Carolyn Mohoric Claude Morelli Letitia Morris Baker H. Morrow Cary & Evelyn Morrow Paula Mortensen Guy Frederick Morton Carolyn Muggenburg Brian Mulrey Cynthia & David Nartonis Jennie Negin & Harold Folley Bruce & Ruth Nelson Richard & Sharon Neuman Betsy Nichols & Steve Holmes Anne E. Nokes David & Marilyn Novat Richard & Marian Nygren Scott Obenshain Marilyn Jean O’Hara Gloria & Greg Olson Bethe Orrell Margaret & Doyle Pargin Judyth Parker Howard Paul Larry Pearsall Margery Pearse
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Oswaldo & Victoria Pereira Timothy Peterson Barbara Pierce Barbara Pierce, in memory of Elise Schoenfeld Dr. Ed & Nancy Pierce, in memory of Joan Allen Beverly Pinney Martin & Cathyrn Pokorny Judy & Orville Pratt Charles & Theresa Pribyl, in memory of Joan Allen Shirley Puariea Noel Pugach, in memory of Chris Gelina Therese Quinn Mary Ellen Ratzer Marit Rawley David & Tracey Raymo Marjorie & Robert Reed Ray Reeder Patricia Renken Diane Reuler Ira J. Rimson Margaret E. Roberts Matthew Robertson Ralph, Stella & Stephen Rogers Bruce Roginson Beverly Rogoff, in memory of Joan Allen Rebecca Rose & Susan Matthew, in memory of Joan Allen Stuart & Mimi Rose, in honor of Cliff Blaugrund’s 70th birthday Bryan L. & Lisa Wood Ruggles Robert Sabatini John Salathe Evelyn E. & Gerhard L. Salinger Scott & Margaret Sanders Steve A. Schaefer David A. Schnitzer Ralph Schwab Judith Schwartz Roland & Justine Scott Arthur & Colleen M. Sheinberg Robert & Lelia Shepperson Barbara Shiller George & Vivian Skadron Suzanne & L.J. Slankard Conrad & Shirley Sloop Carl & Marilyn Smith Donald Smith & Patricia Fleming Smith’s Community Rewards Enid Solin Frederick Snoy Vera Snyder Jean & Allen Spalt Bill Stanton
2015/16 Season
Ronald & Patricia Stauber Geny Stein Elizabeth C. Stevens David & Jane Tallant Debra Taylor Phyllis Taylor & Bruce Thomson Emily Terrell Nina & Gary Thayer Maxine Thevenot & Edmund Connolly Patricia & George Thomas Alice Thompson Richard & Thereseann Thompson Betty Tichich & Fred Bunch Julie Tierney Jack Tischhauser Marilyn Toler John Tondl Hy Tran Jorge Tristani Deborah & Richard Uhrich Arthur & Sandra VallSpinosa Jean & Ross Van Dusen Jean Villamarin John Vittal & Deborah Ham Hilda Volkin, in memory of Howard C. Volkin Rose Walker Marmion Walsh Cynthia & Bill Warren Cynthia Weber Jean & Dale Webster Nicolette Westphal Joseph & Merida Wexler Mary White Wendy & Roland Wiele Keith & Jane Wilkinson Phyllis Wilson James Wilterding & Craig Timm Rosemary & William Winkler David Winter & Abagail Stewart Kathryn Wissel Stanley Yager Mary Young Janet Youngberg, in memory of Joan Allen Diana Zavitz, in honor of Lois Harwick Diana Zavitz, in honor of Pat & Ray Harwick Willie & Lisa Zimberoff, in memory of Joan Allen Andrew A. Zucker Anne & Michael Zwonlinski 12/16/2015
JOIN A CIRCLE Donate Today (505) 323-4343 nmphil.org/support
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LEGACY SOCIETY GIVING FOR THE FUTURE Your continued support makes this possible. The Legacy Society represents people who have provided long lasting support to the New Mexico Philharmonic through wills, retirement plans, estates, and life income plans. If you included the NMPhil in your planned giving and your name is not listed, please contact (505) 323-4343 to let us know to include you. Jo Anne Altrichter & Robin Tawney Maureen & Stephen Baca Nancy Berg Thomas C. Bird & Brooke E. Tully Edison & Ruth Bitsui Bob & Jean Gough Peter Gregory Dr. & Mrs. Larry Lubar Jeanne & Sid Steinberg Betty Vortman William A. Wiley Dot & Don Wortman 11/18/2015
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Thank You for Your Generous Support Volunteers, Expertise, Services, & Equipment
The New Mexico Philharmonic would like to thank the following people for their support and in-kind donations of volunteer time, expertise, services, product, and equipment. CITY & COUNTY APPRECIATION
City of Albuquerque Trudy Jones & the Albuquerque City Council Maggie Hart Stebbins & the Bernalillo County Board of Commissioners Betty Rivera & the Albuquerque Cultural Services Department Mayling Armijo & the Bernalillo Economic Development & Cultural Services Amanda Colburn & the Bernalillo County Cultural Services Maryann Torrez & the Albuquerque BioPark Zoo
BUSINESS & ORGANIZATION APPRECIATION Central United Methodist Church First United Methodist Church St. John’s United Methodist Church St. Luke Lutheran Church
INDIVIDUAL APPRECIATION Lee Blaugrund & Tanager Properties Management Billy Brown Luis Delgado Robert Desiderio Rosemary Fessinger Jerrilyn Foster Chris Kershner Rose Maniaci Jackie McGehee Brent Stevens
SUPPORT YOUR NMPHIL TODAY Donate. Volunteer. Advertise. Planned Giving. (505) 323-4343 nmphil.org/support
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Thank You .
Sponsors & Grants Sound Applause
The concerts of the New Mexico Philharmonic are supported in part by the City of Albuquerque Department of Cultural Services, the Bernalillo County, the Albuquerque Community Foundation, and the McCune Foundation. Interested in becoming a sponsor of the NMPhil? Call Today (505) 323-4343.
Albuquerque Community Foundation albuquerquefoundation.org
Bank of Albuquerque bankofalbuquerque.com
Bernalillo County bernco.gov
Century Bank mycenturybank.com
City of Albuquerque cabq.gov
Computing Center Inc. cciofabq.com
D’Addario Foundation daddariofoundation.org
Hancock Family Foundation nmhff.org
Holman’s USA holmans.com
Hunt Family Foundation huntfamilyfoundation.com
John Moore & Associates johnmoore.com
Keleher & McLeod keleher-law.com
Lexus of Albuquerque lexusofalbuquerque.com
Lockheed Martin lockheedmartin.com
New Mexico Arts nmarts.org
PNM pnm.com
Real Time Solutions rtsolutions.com
Recarnation recarnationabq.com
Sandia Laboratory Federal Credit Union slfcu.org
Sandia National Laboratories sandia.gov
Scalo Northern Italian Grill scalonobhill.com
SWGA, P.C. southwestgi.com
United Way of Central New Mexico uwcnm.org
U.S. Bank usbank.com
Vein Center of New Mexico veincenternm.com
Wells Fargo wellsfargo.com
The New Mexico Philharmonic
Menicucci Insurance Agency mianm.com
you’re going to love your site. www.rtsolutions.com
SUPPORT YOUR NMPHIL Donate. Sponsor. Advertise. (505) 323-4343 nmphil.org/support
Music Guild of New Mexico musicguildofnewmexico.org
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Upcoming Concerts Reserved Seats
CELEBRATE THE ELECTRIFYING
FIFTH ANNIVERSARY SEASON OF THE NEW MEXICO PHILHARMONIC Popejoy Classics Popejoy Hall 203 Cornell Dr NE Albuquerque, NM 87106 (505) 925-5858 unmtickets.com Popejoy Pops Popejoy Hall 203 Cornell Dr NE Albuquerque, NM 87106 (505) 925-5858 unmtickets.com NHCC Sunday Classics National Hispanic Cultural Center 1701 4th Street SW Albuquerque, NM 87102 (505) 724-4771 nationalhispaniccenter.org Neighborhood Concerts Venues in Albuquerque (505) 323-4343 nmphil.org
2015/16 Season
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2015/16 Season
OUR MISSION IS OUR VISION The New Mexico Philharmonic enriches the lives of New Mexicans through musical excellence, educational opportunities and community engagement.
OUR VALUES GUIDE OUR ACTIONS Excellence in all our practices. Responsibility in all our actions. Service to our communities— centered around our musicians and our patrons.
MUSICAL FIESTAS Join us for Sunday afternoon fund-raising events at private homes that feature our guest artists in an intimate performance setting, which includes dinner and wine. This is your chance to meet the guest artists in person. March 20, 2016, Time TBD Olga Kern piano Private Home TBA $200/person May 1, 2016, 4 p.m. Rachel Barton Pine violin Private home of Teresa & Jim Edens $150/person Part of the ticket cost is tax deductible to the extent allowed by the law. Call for more information and to reserve your tickets.
Reserve Tickets
(505) 323-4343
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