PROJECT 3 - Portfolio
Design Studio 4 AR415 Final Portfolio Noah 1001438063 Lecturer : Ms. Yusra binti Zulkifli Mr. Huat Lim
4/27/2021
1
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
2
PROJECT 3 - Portfolio
contents
01 02 03 04 05 06 07 08 09
Prologue : Craft Museum Visionary Representation : Museum of Body Art Museum Intent Project 2 : Museum Display Exhibition Case Study : Dewan Tunku Canselor Design Development Narrative : Spatial Quality Assesment Drawings Perspectives
3
4 6 8 10 18 24 34 38 48
DESIGN STUDIO 4
CRAFT MUSEUM PROLOGUE THE OVERLOOKED ART OF TATTOOING AS A CRAFT FROM EAST MALAYSIA I have always been captivated and held a certain fascination towards the art of tattooing, as with many people from various cultures around the world. Body art such as piercing and tattoos are ancient traditions & practices originating from Polynesia. Long has it been forgotten that body tattoos are in fact, part and parcel of the indigenous East Malaysian tradition and plays a significant role in their culture. Especially when it comes to the Iban, Kadazan, Kayan, Kenyah, and Ulu tribes. Over the years, tribal tattoos have developed and evolved as it is becoming a common sight and a trend of blending traditional and modern designs, fashioning into a form of aesthetic appreciation and art. It takes great skill from an artist inking the intricate designs of modern tribal tattoos as it is delicate work, whilst at the same time ensuring no disrespect towards the intent behind the traditional artwork.
NOAH | 1001438063 | 27 / 4 / 2021
4
PROJECT 3 - Portfolio
An exhibit showcasing a tattooed silicon sleeve with Iban motifs at the Natural History Museum in Los Angeles 5
DESIGN STUDIO 4
VISIONARY REPRESENTATION MUSEUM OF BODY ART ETCHING MEMORIES ONTO SKIN Abstract What is tattoo? Before it becomes a mark, tattoo is a process. Its results can be a sign of identity, a rite of passage, a type of protection, a form of medicine, a memory made visible, or a piece of art to be collected and worm on the most intimate canvases, the human skin.
NOAH | 1001438063 | 27 / 4 / 2021
6
PROJECT 3 - Portfolio
The craft and origins of tattooing in Malaysia (and globablly) will be beautifully presented in dark galleries that comes alive with light projections and videos of tattoo ceremonies; interview footage of luminary practitioners and exquisitely lit detailed drawings and paintings done by local tattoo artists. The exhibit features specially commissioned, tattooed silicone forms which are fascinating; tastefully presented as art objects, though just a bit creepy because they are so realistically rendered. The hand-drawn art, the technology and tools of the trade offer the visitor a unique opportunity to understand the strikingly personal art of tattoos.
7
DESIGN STUDIO 4
MUSEUM INTENT MUSEUM OF BODY ART
HOW A MUSEUM CAN REDIFINE THIS NEGLECTED CRAFT IN THE MODERN DAY
An outlet for giving back to the community Every year groups of local tattoo artists would hold Fundraising Flashdays and charities. It all started in 2017 when Alvin Chong, a seasoned local tattoo artist organized a tattoo flash charity drive with several local studios for “Dignity Foundation” whereas they managed to raise RM14,000 to support refugee children throughout school. By proposing a museum of Body Art, the community has a proper space to conduct said charity events and etc. Promoting our local talent on an international scale Such a museum, would give these artist an outlet to express their art works to a wider range of audience and organizing their annual charity events and so on. The museum is also an effort to familiarise the public, locally and internationally with the yesteryear life of tribes people and the origins of the art of tattooing in the country, depicting their culture and art styles. Getting past the stigma Several decades ago, getting inked was considered taboo and was synonymous with various negative stereotypes, as one who sported tattoos were often labelled social outcasts and deviants due to usually being criminals and gang affiliated. Fortunately, time is constantly evolving, thanks to better awareness, whereas at one point, something that would be considered taboo is turning into a medium to express art. Individuals opt to immerse themselves into the art of tattooing for various reasons such as aesthetics or simply admiration of the art style of a particular artist and wish to inherit their work of art.
NOAH | 1001438063 | 27 / 4 / 2021
8
PROJECT 3 - Portfolio
9
DESIGN STUDIO 4
EXHIBITION DISPLAY PAVILLION FIBONACCI PAVILLION SPREADING AWARENESS OF BODY ART CULTURE THROUGH ARCHITECCTURE
The pavillion is designed based on the study of polyhedrons originating from my research on sacred geometry which has its roots relating to the museum’s intention. The history and origiin of body art or tattooing, with the basis of east malaysian tribes culture of tattooing as a craft. The aim of the pavillion is to be a displacable structure which can be moved from various cities and states within the country, to promote the museum with an array of postcards of which the public has the freedom to choose the amount to bring home. On the aforementioned postcards will be a selection of local artists showcasing their artwork (on the front) as well as information relating to the museum (on the backside).
NOAH | 1001438063 | 27 / 4 / 2021
10
PROJECT 3 - Portfolio
11
DESIGN STUDIO 4
EXHIBITION DISPLAY PAVILLION CONCEPT SACRED GEOMETRY & THE FIBONACCI SEQUENCE Sacred geometry is considered an ancient science that exploresand explains the energy patterns that create and unify all things and reveals the precise way that the energy of creation organizes itself. Geometry itself is a core part of mathematics, dating back to the 6th century BC. It was the core scientific principle behind much of ancient architecture, including Egyptian pyramids – and ancient Egyptians were among the first people to opt for geometric tattoos.
NOAH | 1001438063 | 27 / 4 / 2021
12
PROJECT 3 - Portfolio
EXHIBITION DISPLAY PAVILLION DESIGN DEVELOPMENT SACRED GEOMETRY & THE FIBONACCI SEQUENCE
13
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
14
PROJECT 3 - Portfolio
15
DESIGN STUDIO 4
AXONOMETRIC DETAIL
NOAH | 1001438063 | 27 / 4 / 2021
16
PROJECT 3 - Portfolio
DRAWINGS
17
DESIGN STUDIO 4
CASE STUDY DEWAN TUNKU CANSELOR BRUTALIST ARCHITECTURE The Dewan Tunku Canselor is a reminiscent of Le Corbusier’s High Court building and the Secretariat offices in Chandigarh, India. As Malaysia is a tropical country with abundant sunlight and hot humid weather, Dewan Tunku Canselor is designed in a way that it has good air ventilation yet possess a balance of shade and lighting, which means being sufficiently lit without heating its interiors. Thus, the brise soleil is implemented. Similar to the monoliths in Chandigarh, Dewan Tunku Canselor is protected by a series of concrete louvers that allow good ventilation, yet keeping the sun and rain out. It helps reduce the usage of mechanical cooling within the interior spaces by allowing air circulating into the building yet providing shade. It reduces heat gain within the building by deflecting sunlight. As the bare facades and roof of the building are exposed concrete, it is non-reflective and does not cause thermal conductivity, making it suitable for its tropical context.
NOAH | 1001438063 | 27 / 4 / 2021
18
PROJECT 3 - Portfolio
19
DESIGN STUDIO 4
RESPONSE TO CLIMATE BRISE SOLEIL To control the amount of sunlight entering the building several ‘brise sole’ is implemented on the facade. Brise soleil is a type of solar shading system that uses a series of horizontal or vertical blades to control the amount of sunlight and solar heat that enters a building. The name ‘brise soleil’ comes from the French word ‘sun breaker’.
NOAH | 1001438063 | 27 / 4 / 2021
20
PROJECT 3 - Portfolio
FACADE NATURAL LIGHTING
To control the amount of sunlight entering the building several ‘brise sole’ is implemented on the facade. Brise soleil is a type of solar shading system that uses a series of horizontal or vertical blades to control the amount of sunlight and solar heat that enters a building. The name ‘brise soleil’ comes from the French word ‘sun breaker’.
21
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
22
PROJECT 3 - Portfolio
23
DESIGN STUDIO 4
DESIGN DEVELOPMENT SPACE PLANNING
NOAH | 1001438063 | 27 / 4 / 2021
24
PROJECT 3 - Portfolio
25
DESIGN STUDIO 4
DESIGN DEVELOPMENT CONTINUITY FROM PROJECT 2 FORM DEVELOPEMENT FROM THE FIBONACCI NUMBERS
NOAH | 1001438063 | 27 / 4 / 2021
26
PROJECT 3 - Portfolio
27
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
28
PROJECT 3 - Portfolio
29
DESIGN STUDIO 4
REFINED FORM + MASSING
NOAH | 1001438063 | 27 / 4 / 2021
30
PROJECT 3 - Portfolio
31
DESIGN STUDIO 4
REFINED FORM + MASSING
NOAH | 1001438063 | 27 / 4 / 2021
32
PROJECT 3 - Portfolio
33
DESIGN STUDIO 4
NARRATIVE A DAY IN THE MUSEUM Spatial Quality Assessment
NOAH | 1001438063 | 27 / 4 / 2021
34
PROJECT 3 - Portfolio
35
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
36
PROJECT 3 - Portfolio
37
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
38
PROJECT 3 - Portfolio
39
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
40
PROJECT 3 - Portfolio
41
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
42
PROJECT 3 - Portfolio
43
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
44
PROJECT 3 - Portfolio
45
DESIGN STUDIO 4
Building Structural System
NOAH | 1001438063 | 27 / 4 / 2021
46
PROJECT 3 - Portfolio
47
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
48
PROJECT 3 - Portfolio
49
DESIGN STUDIO 4
BRISE SOLEIL FACADE Brise soleil is a type of solar shading system that uses a series of horizontal or vertical blades to control the amount of sunlight and solar heat that enters a building. The name ‘brise soleil’ comes from the French word ‘sun breaker’. The main façades of the museum are covered with concrete brise soleil to serve as openings and give the main façade its overall unity. The façade is sheltered by a series of fixed square concrete louvers to provide protection from sun and rain, and at the same time enhance ventilation. The intention of brise soleil implemented on dewan tunku canselor function as a natural shading which in the same time control the amount of light and heat around the building.
NOAH | 1001438063 | 27 / 4 / 2021
50
PROJECT 3 - Portfolio
51
DESIGN STUDIO 4
PERMEABILITY & POROSITY Porosity ;The capability of a porous rock or sediment to permit the flow of fluids, air and light through its pore spaces.
NOAH | 1001438063 | 27 / 4 / 2021
52
PROJECT 3 - Portfolio
53
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
54
PROJECT 3 - Portfolio
55
DESIGN STUDIO 4
NOAH | 1001438063 | 27 / 4 / 2021
56
PROJECT 3 - Portfolio
57
DESIGN STUDIO 4
INTERIOR SPACES
NOAH | 1001438063 | 27 / 4 / 2021
58
PROJECT 3 - Portfolio
59