Film

Mon March 16- $5 martinis, $5 domestic beer pitcher, $10 craft beer pitcher. HAPPY HOUR DRINK SPECIALS

Tues - 4-8pm: The Pocket 9pm-1am: Kung Fu RodeoTues-Thurs 2pm-2am • Fri-Sun noon-2am FROM OPEN-6PM Hours Monday 2pm-9pm

Wed - Get it in the can night - $1 domestic, $3 craft- w/DJ JR Monday Oct 25th - Jukebox Thurs -$2 off all drinks and $2 Labatt drafts w/DJ Ricky T Fri March 20 - Buckets of Beer starting at $8 (2-8pm) Tues Oct 26th- Open Mic Comedy from 8-9:30 then 10pm-2am Electric Open Mic Wed OCt 27th- DJ Coven $2 domestic drafts & $3 craft drafts from 9pm-close.

Happy Hour: The Chris Michels Band Then: The Isaac Ryder Band Thurs Oct 28th - Q100 Live Sat March 21 - The Isaac Ryder Band Fri OCt 29th - DJ DomiNate(No Covers) Sunday March 22 KARAOKE (10pm-2am) Fri OCt 30th - Stonehengz CD Release Party Sun Oct 31st - Soul Patch (9pm-1am)

941-1930 downtown TC check us out at unionstreetstationtc.net

TUES TRIVIA 7-9PM NFL TICKET EVERY SUNDAY 10 TVS - WITH SOUND ON! TO-GO ORDERS AVAILABLE 231-252-4157

Sun-Wed Noon-10pm Fri/Sat Noon-11pm

Thurs 4pm-10pm (kitchen open noon-9pm) closed Wednesdays DRINK SPECIALS (3-6 Monday-Friday): $2 well drinks, $2 domestic drafts, $2.50 domestic bottles, $5 Hornitos margarita SUNDAY - $6 Ketel One Bloody Mary & $4 Mimosas DAILY FOOD SPECIALS (3-6pm):

Monday - $1 chips and salsa Tuesday - $1 enchiladas Thursday - $5 fried veggies (cauliflower or mushrooms) Friday - $5 hot pretzels w/ beer cheese

221 E State St. downtown TC PATIO ENTERTAINMENT (6:30-9:30)

Thurs Oct 28th - Thisty Thursday Blues Fri Oct 29th- TC Guitar Guys Sat Oct 30th The Time Bombs

THURSDAY

Trivia nite • 7-9pm FRIDAY FISH FRY All you can eat perch THURSDAY Trivia nite • 7-9pm THURSDAY Trivia nite • 7-9pm GREAT TO SEE ALL OF YOU AGAIN! FOOD & DRINK SPECIALS FOR ALL FRIDAY FISH FRY All you can eat perch FRIDAY FISH FRY All you can eat perch Sporting Events! FOOD & DRINK SPECIALS FOOD & DRINK SPECIALS 231-941-2276 121 S. Union St. • TC. FOR ALL Sporting Events! FOR ALL Sporting Events! www.dillingerspubtc.com 231-941-2276231-941-2276 121 S. Union St. • TC. 121 S. Union St. • TC. www.dillingerspubtc.com www.dillingerspubtc.com BOOK YOUR CHRISTMAS PARTY FOR 2021!

HAPPY HOUR: Daily 4-7 Friday 4-9 HAPPY HOUR: HAPPY HOUR: Sunday All Day Daily 4-7 Daily 4-7

231-922-7742 121 S. Union St. • TC. Friday 4-9 Sunday All Day Friday 4-9 Sunday All Day www.dillingerspubtc.com 231-922-7742 231-922-7742 121 S. Union St. • TC. 121 S. Union St. • TC. www.dillingerspubtc.com www.dillingerspubtc.com

Business Card Design Concept: 3.5” x 2” Business Card Design Concept: 3.5” x 2”

Side 1

Side 1

THE LAST DUEL

2021 Dates Available for Weddings and Private Events!

Based on the true story of the last legally sanctioned duel in France that occurred in Normandy in the 1380s, The Last Duel is an a-list epic with true depth. Starring Matt Damon and Ben Affleck, Adam Driver, and Jodie Comer, and directed by Ridley Scott, the film is insanely entertaining and sensationally satisfying, all while broaching a subject matter that is deeply upsetting. I mean, it’s a film that is so much more entertaining than, really, any movie about sexual violence perhaps has any right to be, but that how’s great a director Scott is and how incredibly thoughtful, nuanced, and illuminating of a script — co-written by Affleck, Damon, and Nicole Holofcener — it is.

Even with Damon’s worst-in-a-generation mullet, Affleck’s bleach blonde facial hair (think Fred Durst) and pageboy haircut, along with accents that I guess you could call British-French adjacent, within the context of the film’s world, these otherwise jarring, goofy, and ridiculous touches don’t cause you to skip a beat. The film’s prologue sets the scene for the titular duel as Affleck and Driver don their armor and prep their horses, and the crowd gathers. It then shifts to an incredibly inspired storytelling device that flashes back to what led to this moment, not one, not two, but three separate times. By employing this Rashomon-style technique, Scott gives us something so much more richly textured and revealing of human nature and perception. A true triple-hander, the three chapters of the film are titled “the truth according to … ” each of the three main characters: Damon’s Jean de Carrouges; his former friend, Jacques le Gris (Driver); and his wife, Marguerite (Comer). The first chapter lays the groundwork and can take a bit of acclimation, but by the second chapter, you’ll be hooked — that’s how many layers the various retellings bring to our understanding of the characters and their relationships. Each glance, each moment you see played out multiple times is a resonant experience. And by the time you get to Marguerite’s version of events, you’ll be floored. The payoff is immense. It’s a fascinating exercise as we ponder not only how these characters see each other, but how they perceive themselves. Carrouges’s version of events goes first, and he seems to be a brave and honorable man and devoted husband, while le Gris is the roustabout libertine who sucked up to the right powerful man. But then things shift, and perceptions give way to a dumb, dull, and sniveling Carrouges and a smart, savvy, and hardworking le Gris. There is so much to dissect between le Gris and Carrouges as money and power turn the friends to foes. But then Marguerite, and her brutal rape, enter the chat, and the story truly becomes something else. It must be noted that the film takes an unambiguous stance about the rape, from everyone’s perspective. And it also acknowledges that Marguerite’s story is THE TRUTH; those words linger longer on the screen than in the previous chapters. The third chapter is an absolute triumph. It’s breathtaking and feels like you’re seeing a film from a woman’s perspective for the first time. It takes a genre we’re so familiar with — i.e., brawny historical epics — and flips the paradigm. And thanks to the profound subtlety of Holofcener’s voice, you see how women bear all the pain, burden, and injustices of these “heroic men.” Comer is masterful, deftly demonstrating her character’s inner strength and smarts. With only a few details, she offers a complete portrait of her character — born to a disgraced noble father, married off for her dowry — and all the indignities she must patiently endure. After the rape, Marguerite demands justice, not quite realizing it doesn’t exist for women. Her husband opts for a duel to the death, leaving the decision of whether or not she is telling the truth in “God’s hands.” He makes this decision not so much to defend her honor but as an excuse to get revenge on his enemy. Yet if her husband loses, she will be shamed, tortured, and burned at the stake. She is, after all, nothing more than property in the eyes of the law. As one character explains early in the film, “There is no right; only the power of men.” Marguerite was probably better off not saying anything. And for a setting so far removed from modernity, it proves bracingly relevant. Marguerite is told rape cannot cause pregnancy, which is, unfortunately, a statement not far removed from those made by legislators today. The Last Duel’s critique is not only limited to rape culture but also religion, nobility, and of course, the patriarchy in general. The film is one long lesson in the ridiculousness of a system of living that is built upon an unending cycle of war — men being sent to their deaths in the name of other powerful men, swearing their life and loyalty to a king who is nothing more than a clueless 16-yearold boy — and the hollowness of religion. Yet for such heavy topics, a darkly humorous streak runs throughout the film, especially in le Gris and Carrouges’ chapters. Affleck is perfection as Count Pierre de Alencon, a debaucherous hedonist prone to throwing orgies. He takes the lothario le Gris under his wing, spurring Carrouges, because he is simply “no f**cking fun!” At 152 minutes, the time flies by. It is suspenseful, powerfully delivers its message without having to ram it at you with a blunted lance, and its woman’s voice is acutely felt. And unlike Rashomon, where the question of the truth is more uncertain, The Last Duel offers an argument that there is perhaps one true version of events; just not the one you’ll find in the history books.

= black = pantone color 556c 231-883-5444 | party@pinehalltc.com 231-883-5444 party@pinehalltc.com = Contour path / outline (will not print) 1776 High Lake Rd Traverse City, MI 49696 1776 High Lake Rd. Traverse City

= black = pantone color 556c = Contour path / outline (will not print) 231-883-5444 | party@pinehalltc.com