Assignment 01: Snow spectrums

Page 1

SNOW

SPECTRUMS + LINGUISTIC LANDSCAPES

REFLECTIONS ON FINNMARK STUDY TRIP 2014

EIMEAR TYNAN


SLICES OF KAUTOKEINO - LOCATION AND WATER ACCESSIBILITY (coast, rivers, marsh, lakes)

Svalbard

Barents Sea

Barents Sea

Norwegian Sea Kautokeino

No

lf o Gu

rw ay

fB oth

nia

130km

360km


SLICES OF KAUTOKEINO - LOCATION AND PLACE NAMES Dierbavàrri Vuovdimierovárri

Čoavjebohtosčohkat

Mierojávri

ovd age ai

Avjàšjàvri

Deallja

Jalgesčorut

Gu

ka

Hàvgajàvri

Hàvgavárri

Čunovuohppi

unojoh

nea tnu

Vuolgamašjàvri Nàrànàš

dasjoh

ka

Stuorajàvri

ka

joh

das bar

Geassàjàvri

Davit Č

Čà

Gaskavàrri Čunočearru

Bealjášvárri Muvravárri

Guovageaidnu Bàvvàljàvri

Ádjit

Suohpatluohkká Vuorašjàvri Vuorašvárri Nammajávri

Biltavealguolbba Suohpatjávri Gàlaniitu

Náibesjávri Čuonjáduottar

a hk

jo

be Sie

Geatkevárri

Rohtovárri 1km

Gárgatjávri

Joppevárri

Àdjetjàvri Geatkeskáidi

Unna Ádjihaš

Njallavárri Gárgatoaivi

Skáidi

Beahcegaš

Bealjášjávri

Jevdešjávri

Stuora Oaivvošváráš Gaskavárri


WALK TO SÀMI ALLASKUVLA/ SÀMI UNIVERSITY COLLEGE, KAUTOKEINO/ time 09.20 am

... AND THE WALK BACK TO THE CABIN VIA MUSEUM/ time 18.30

“Being in a vast area that is silent and unlit when darkness sets in takes one out of the normal conditions of urban and inhabited environments. One can sense peacefulness under these conditions, but one can also sense the foreigness of the environment that can inbue a feeling of insecurity” Sigridur Thorgeirsdottir in Conversations with Landscape (2010)


LECTUREː THE SILENT LANGUAGE OF SNOW by Dr. Inger Marie Gaup Eira “Arctic indigenous people, like Sámi reindeer herders use their language to describe their understanding of nature and how they deal with the specific knowledge about all kinds of natural phenomena, including snow and the winter environment” (Eira et al., 2010 ; Riseth et al., 2010)

THE QUALITY OF SNOW Consistency

Hardness

Water Quality

Ceavvi

časttas

njáhcu

“Hard compact snow”

“Hard snowdrift” (smaller than skálvi)

“thaw”

Layers geardni

Processes

Thickness

borga

borhkolat

“thin crust of snow” “falling of snow”

“deep snow of varying depth”

part of table shown at Dr. Inger Marie Gaup Eira presentation

TRACKS IN THE SNOW The terminology of snow extends to the different marks that are created upon it. Knowledge of the physical condition of the snow is crucial in determining the routes reindeer take and also the availability of food. The following list contains just a few examplesː čiegar čilvi doalli láhttu suovdnji

snow field which has been trampled and dug up by reindeer feeding there ice-covered area where reindeer have been grazing in mild winter winter road or track covered by snow but still distinguishable ski track grazing hole, hole dug by reindeer in the snow in order to feed from Diversity on Saami terminology for reindeer and snow, written by Dr. Ole Henrik Magga http://www.arcticlanguages.com/papers/Magga_Reindeer_and_Snow.pdf


ARTWORK* AT SÀMI ALLASKUVLA/ SÀMI UNIVERSITY COLLEGE, KAUTOKEINO (*images have been enhanced and colour inverted in Photoshop)


WALKING OVER THE BRIDGE IN KAUTOKEINO / stills from short video / time 13.20

Walking across the bridge over the frozen Guovdageaineatnu river revealed many different snow formations and accumulations. Different accumulations created different sounds. A short but interesting journey!


SNOW AND ICE SCULPTURES AT HOTEL THON, KAUTOKEINO/ time 22.00


BUS TRIP ː KAUTOKEINO TO ALTA ː TREES IN THE SNOW-SNOW IN THE TREES


BUS TRIP ː KAUTOKEINO TO ALTA ː PHOTOGRAPHS


ALTA MUSEUM The Rock Art shows communication between the world of the living and the worlds of the spirits, and gives insight into the cosmology of prehistoric hunters and gatherers. There is an exceptionally high number of human figures and compelling portrayals of prehistoric social life, dancing, processions, and rituals. Moreover, the Rock Art provides a unique testimony to the interaction of hunter-gatherers with the landscape. The panels show hunting, fishing and boat journeys, and are thought to represent micro-landscapes. A wide range of circumpolar fauna is depicted (reindeer, elks, bears, fish, whales, seabirds, etc.).

http://whc.unesco.org/en/list/352


REFLECTIONS Prior to the study trip I read a text that became more meaningful during the trip. “A thousand Plateaus”, calls for a change in our systems, particularly western systems. “As a model for culture, the rhizome resists the organizational structure of the root-tree system which charts causality along chronological lines and looks for the original source of ‘things’ and looks towards the pinnacle or conclusion of those ‘things.’ A rhizome, on the other hand, is characterized by ‘ceaselessly established connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles.’ Deleuze, Gilles and Félix Guattari. 1980. A Thousand Plateaus.

hierarchy control affiliation homogeneous vulnerable

It became apparant after the trip, that a hierarchal system governs Norway which, very much comes into conflict with the way Sámi people have traditionally lived and in many ways, in which Reindeer herders live today. Different cultures interact differently to nature and this affects the status that people put on the landscape. It is, I believe, this preoccupation with tightly, controlled systems that have lead to the contested power of Finnmark today. no order networks open system constellations resilient flexible adaptable multiple exchanges


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