APRIL/MAY 2019
Maya Deren– Meshes of the Afternoon
nwfilm.org
SPRING ADULT CLASSES & WORKSHOPS Hands-On Learning for Creatives & Community Members REGISTRATION NOW OPEN Assistant Editing with Avid
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Starts April 22 (7 weeks)
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April 20 (half day)
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Art of Filmmaking I
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Starts April 10 (12 weeks)
April 27-28 (2 days)
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International Screenwriter’s Association (free)
April 27 (half day)
March 21, April 18, May 16 (evening)
Use a light kit to create various effects
Third Thursday gathering of ISA Portland Chapter
Bolex Camera Orientation
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April 20 (half day)
Starts April 16 (10 weeks)
16mm loading, metering and film stocks
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Working With The Film Composer
Starts April 23 (5 weeks)
May 18 (1 day)
Basics of editing with Adobe Premiere
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NWFC APR/MAY 2019
How to find, hire and work with a film composer
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NWFILM.ORG PROGRAMS RUN JUNE 17- AUGUST 16 APR/MAY 2019 NWFC
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Northwest Tracking The Film Center’s Northwest Tracking program showcases the work of independent filmmakers living and working in the Northwest—Alaska, British Columbia, Idaho, Montana, Oregon, and Washington—whose work reflects the vibrant cinematic culture of the region. Whether presenting single artist retrospectives, new features, documentaries, or inspired collections of short works, Northwest Tracking offers testimony to the creativity and talent in our flourishing media arts community. All screenings will feature a visiting artist
Thursday, April 11, 7 pm This Mountain Life, British Columbia, 2019 dir. Grant Baldwin (76 mins., documentary, DCP)
A portrait of some of the individuals who seek adventure in the wild, mountainous terrain that comprises over 75% of British Columbia.
Wednesday April 24, 7pm, Reception at 6pm The Last Gospel of The Pagan Babies, Oregon, 2017 dir. Jean Donohue (92 mins., documentary, DCP)
The Pagan Babies, a loosely connected group of artists and drag queens, helped re-shape the old-world gay scene in 1960s Kentucky. Through interviews, archival footage, and photography, director Jean Donohue presents a sweeping story of growing up in the closeted, genteel South and its transformation through gay liberation in the sixties and seventies. Presented in partnership with Q Center.
Wednesday May 1, 7 pm Prospect, Washington, 2018
dir. Zeek Earl and Chris Caldwell (100 mins., sci-fi, DCP)
Featuring a star cast including Jay Duplass and Pedro Pascall, this engaging science fiction thriller tells the story of a young girl, Cee, played by the up-and-coming Sophie Thatcher, as she fends for herself on an alien moon filled with rogue outlaws and mercenaries.
Thursday, May 2, 7 pm, Reception at 6pm Karen Doesn’t Dream, Oregon, 2018
dir. Zach Huckaby (107 mins., drama, DCP)
Dealing with bouts of insomnia while working at an adult video store and selling alcohol to the local high school kids, Karen is introduced to a shadowy world in which people are videotaped sleeping without their consent. While these tapes provide her solace, they also mark the start of her world unraveling.
Prospect
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NWFC APR/MAY 2019
Saturday, May 18, 2pm The Native Wisdom Documentary Film Series Oregon, 2019
dir. Tim Keenan Burgess and Lawrence Johnson (340 mins., documentary, DCP)
Presented in conjunction with Portland-based nonprofit Wisdom of the Elders, this short series explores how climate change is affecting native First Foods and culture in Oregon, while celebrating the Native artists, scientists, and cultural leaders that are guiding people into a new era. This program includes two feature films. Native Wisdom: The People of Oregon’s Interior is an in-depth look at the Confederated Tribes of Umatilla, Warm Springs, and Grand Ronde: their changing environments, habitat restoration activities, and the beauty of the tribes’ traditional arts, music, and storytelling. Native Wisdom: The People of Oregon’s Coast features tribal elders, indigenous scientists, and cultural leaders from the Oregon Coast, including the Confederated Tribes of Siletz Indians of Oregon, Tribes of Coos, Lower Umpqua and Siuslaw Indians, and the Coquille Indian Tribe, as they share observations on climate change’s effects on traditional First Foods, and the importance of their cultural traditions such as music, basket weaving, and wood carving.
Thursday, May 23, 7 pm Zulu Summer, Montana, 2019
dir. Joseph Litzinger and Eric Michael Schrader (78 mins., documentary, DCP)
After realizing an out-of-the-blue request from a Zulu prince to visit the town of Butte, Montana is not a joke, DJ Dark Sevier welcomes Prince Sbo of Nongoma, South Africa. Prince Sbo and his two colleagues travel to Butte, and spend a summer in the mining town of 30,000, changing the lives of everyone involved.
Native Wisdom
Thursday, May 30, 7 pm *Reception at 6pm Whitman at the Whitsell, Oregon, 2019 dir. Marilyn Zornado and Various (100 mins., animation, DCP)
An evening of animation and poetry in celebration of American poet Walt Whitman’s 200th birthday. Presented in Partnership with Passages Bookstore. The next Portland Circuit screening will take place on May 16 at 7pm. Please visit NWFILM.ORG for announcement forthcoming
Zulu Summer APR/MAY 2019 NWFC
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Japanese Currents
This year’s 12th annual Japanese Currents series highlights recent noteworthy Nipponese films, ranging from anime to jidaigeki, documentary to comedy, all while exploring issues important to contemporary Japanese society. Collectively, these selections offer a fresh take on Japanese culture and showcase the wealth of creative invention at work in Japan today. Friday, April 5, 7 pm Tremble All You Want, Japan, 2017
Dir Akiko Ohku (117 mins., romantic comedy/drama, DCP)
Socially awkward 24-year-old Yoshika (Matsuoka Mayu) has never had a boyfriend, but still holds a flame for an unrequited crush from high school. When a colleague at work starts to take an interest in Yoshika, despite all her best efforts to dissuade him, he manages to strike up the beginnings of a relationship—until, suddenly, a new opportunity to pursue her old crush avails itself to Yoshika
Saturday, April 6, 12 pm Sennan Asbestos Disaster, Japan, 2017
dir. Kazuo Hara (215 mins., documentary, DCP)
Pathbreaking documentarian Hara continues his examination of unjust situations with this film about the legal proceedings and protests stemming from gross government malfeasance: not admitting to the dangerous health effects of asbestos in the country’s manufacturing sector.
Saturday, April 6, 4:30 pm Mirai, Japan, 2018
Dir. Mamoru Hosida (99 mins., anime/adventure/drama, DCP) Sibling jealousy leaves Kun feeling alone and ignored after the arrival of his new little sister Mirai. Escaping his new pressures by stepping out of time, Kun comes to realize the importance of family and his new role as big brother.
Mirai Cure
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NWFC APR/MAY 2019
Tremble All You Want
Saturday, April 6, 7pm Cure, Japan, 1997
dir. Kiyoshi Kurosawa (111 mins., mystery/horror, 35mm)
Detective Kenichi Takabe’s investigates a series of murders that share a distinctive calling card, but are being committed by separate, unrelated people who can’t remember their actions after the fact.
Sunday, April 7, 4:30 pm Mori, The Artist’s Habitat, Japan, 2018 Dir. Shuichi Okita (99 mins., drama, DCP)
Exploring the later days in the life of reclusive artist Morikazu Kumagai, this contemplative and funny film features exceptional performances by Tsutomu Yamazaki and Kirin Kiki, capturing the fleeting and delicate moments of nature in the artist’s garden and home.
The Night is Short, Walk on Girl
Friday, April 12, 7 pm We Make Antiques!, Japan, 2018
Sunday, April 14, 4:30pm Forgotten Planets, Japan, 2018
Take (100 Yen Love) directs this caper comedy about an underdog antiques appraiser who, after being tricked by a convincing forgery, teams up with the forgers to make an exceptionally ambitious forgery himself.
Two young women gradually find themselves adrift from their creative outlets and lost in modern Japan. Rui, a screenwriter, is slowly being cut out of projects and ignored by her boyfriend and creative partner, while Meiko’s promising acting career is stopped short by mental illness. Only the tentative bond between the two women seems to offer a path forward.
Dir. Masaharu Take (105 mins., comedy, DCP)
Saturday, April 13, 3pm Complicity, Japan/China/France, 2018
Dir. Takayuki Fukata (98 mins, drama, DCP)
dir. Kei Chikaura (116 mins., drama, DCP)
Chinese immigrant Chen Liang (Lu Yulai) is accidentally assigned to a job apprenticing for a soba noodle master (Tatsuya Fuji), quickly becoming enmeshed in the business and familial bonds—before the authorities begin tracking him down for a visa overstay.
Saturday, April 13, 5:30pm Night is Short, Walk on Girl, Japan, 2017
Dir. Masaaki Yuasa (93 mins., anime/romantic comedy, DCP)
Yuasa’s (Lu Over the Wall) latest film is a free-wheeling adventure through Otome’s (voiced by Hanazawa Kana) alcohol-, passion-, and used book-injected evening as her college senpai (voiced by Hoshino Gen) struggles to spark a relationship through “coincidental” encounters.
Saturday, April 13, 8 pm The Kamagasaki Cauldron War, Japan, 2018 Dir. Leo Sato (115 mins., drama/comedy, DCP)
Shot on beautiful 16mm, this “humanity comedy” follows the characters and real inhabitants of Kamagasaki—an Osaka slum—as they search for a missing stolen cauldron, which is the icon for a local Yakuza clan.
Mori, The Artists Habitat APR/MAY 2019 NWFC
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Weekend Engagements & Special Screenings Saturday, April 20, 7 pm, Reception at 6pm Dirty Looks: 8 Years On, US, 2019 dir. Various (84 mins., experimental, 16mm/digital)
Queer film collective Dirty Looks compiles eight years of experimental screenings for a shorts program of signature delights that queer the pop cannon and (under) mine history for all of her unanswered questions. Dirty Looks curator and Creative Director Bradford Nordeen in attendance for post-screening discussion. Presented in partnership with Q Center. Visiting curator.
The Films of Maya Deren Friday April 26, 7pm Sunday, April 28, 4:30 pm Maya Deren Short Films
dir. Maya Deren (83 mins., experimental, 16mm/digital)
An evening of short films from pioneer in experimental and screendance filmmaking, Maya Deren, including landmark works At Land and Meshes of the Afternoon, as well as the lesser-understood The Very Eye of Night, made in collaboration with choreographer Anthony Tudor.
Saturday, April 27, 7 pm Sunday, April 28, 7 pm Maya Deren’s Divine Horsemen + two shorts
dir. Maya Deren (72 mins., experimental/documentary, 16mm)
Deren’s only feature, Divine Horsemen: The Living Gods of Haiti, is comprised of footage of Voudoun ritual she shot in Haiti between 1947 and 1952, which was then edited in 1985 by husband Teiji Ito, more than two decades after Deren’s death. Divine Horsemen plays with two shorts that examine the relationships between body, camera, and cinematic space. All projected on 16mm.
Funny Face
A Tribute to Stanley Donen (1924-2019) Friday, April 19, 7 pm Saturday, April 20, 2pm Singin’ in the Rain, US, 1952
dir. Stanley Donen (103 mins., musical, 35mm)
In classical Hollywood’s most famous musical, a ragtag group of silent film actors make the transition to sound—in fits and starts—all seen in glorious Technicolor and featuring some of the most memorable scenes in film history.
Saturday, April 20, 4:30 pm Funny Face, US, 1957
dir. Stanley Donen (103 mins., comedy/musical, DCP)
Audrey Hepburn and Fred Astaire star, respectively, as a Manhattan bookshop clerk and a fashion photographer on the prowl for the next big thing—which just so happens to be a “beautiful” and “intellectual” look...
Sunday, April 21, 5 pm Charade, US, 1963
Divine Horsemen: The Living Gods of Haiti
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NWFC APR/MAY 2019
dir. Stanley Donen (113 mins., comedy/mystery, 35mm) A Technicolor thriller par excellence, Charade stars Audrey Hepburn as a widow chased through Paris by three men (Cary Grant in full-charm mode foremost among them) trying to get something very valuable from her: the secret to a fortune buried during WWII.
Friday, May 3, 6 pm Saturday, May 4, 6 pm Sunday, May 5, 1 pm A Bread Factory Part One: For the Sake of Gold, US, 2018 A Bread Factory Part Two: Walk With Me a While, US, 2018 dir. Patrick Wang (240 mins., comedy/drama, DCP)
Wang’s two-part, packed-with-ideas film looks at gentrifying processes in the small town of Checkford, where an experimental theater troupe fights to hold onto their space in an age of changing attitudes toward art. Visiting Filmmaker.
Saturday, May 4, 3:30 pm, Reception at 5:30pm Northwest Film Center Student Screening US, 2019, dir. Various
Celebrate the many short films created by our students during the 2019 Winter Term, including Art of Filmmaking I, After Effects, Stop-Motion Animation, and live scene reads from both our Screenwriting Fundamentals and Advanced classes! This is a great opportunity to meet student filmmakers, Film Center instructors, and to hear about upcoming classes and networking events. Free and open to the public.
Friday, May 17, 7 pm Sunday, May 19, 5 pm Trust, US, 1990
dir. Hal Hartley (107 mins., comedy/drama, 35mm)
Hartley’s sophomore feature is one of the most unforgettable films of the 90s, in which two Long Island misfits, Adrienne Shelly & Martin Donovan, fall in a unique kind of “love,” based on respect, admiration, and trust, while their dysfunctional families swirl around them. 35mm print from the Chicago Film Society. Double feature with
Amateur, US, 1994 dir. Hal Hartley (105 mins., drama, 35mm)
Hartley’s neo-noir is a languid, at times claustrophobic work in which an amnesiac with a checkered past (Martin Donovan), the woman he lured into pornography (Elina Löwensohn), and an ex-nun (Isabelle Huppert) band together against a shadowy underworld boss. 35mm print from the Chicago Film Society.
Tuesday, May 7, 7 pm - episodes 1-7 Wednesday, May 8, 7 pm - episodes 8-13 Friday, May 10, 7 pm - episodes 1-7 Saturday, May 11, 3 pm - episodes 1-13 Sunday, May 12, 5 pm - episodes 1-13 The Owl’s Legacy, France, 1989 dir. Chris Marker (340 mins., essay film, DCP)
Famed film essayist Marker’s magisterial examination of the role of the ancient Greeks in modern culture takes a freewheeling, dialogic approach to this biggest of societal questions, breaking down key components of any truly democratic society in typically inventive style.
A Bread Factory
Trust APR/MAY 2019 NWFC
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Three Colors: Red
Weekend Engagements & Special Screenings Continued... Krzysztof Kieślowski’s Three Colors Trilogy Friday, May 24, 6 pm Three Colors: Blue, France/Poland/Switzerland, 1993 dir. Krzysztof Kieślowski (98 mins., drama, 35mm)
Liberty is a key theme of the stunningly beautiful Blue, in which a composer’s wife (Juliette Binoche) must chart her own course following the tragic death of her husband and daughter.
Saturday, May 25, 4:30 pm Three Colors: White, France/Poland/Switzerland, 1994 dir. Krzysztof Kieślowski (92 mins., drama, 35mm) Focused on the concept of equality, with White Kieślowski offers one of the most comic films of his career, following a Polish immigrant (Zbigniew Zamachowski) who vows revenge on his wife (Julie Delpy) after she embarrassingly divorces him.
Friday, May 24, 8:30 pm Saturday, May 25, 7pm Sunday, May 26, 7 pm Babylon, UK, 1980
dir. Franco Rosso (95 mins., drama, DCP)
Rosso’s hard-hitting drama, never before released in the US, is an incendiary portrait of the Brixton reggae community on the verge of explosion—a terrifying portrait of UK race relations in the age of Thatcherism, but also an empathetic portrait of a musical community.
Friday, May 31, 7 pm Saturday, June 1, 7 pm Sunday, June 2, 4:30 pm Yours in Sisterhood, US, 2018
dir. Irene Lusztig (101 mins., documentary, DCP)
A chronicle of letters-to-the-editor of Ms. magazine— written in the 1970s and read by contemporary women from myriad backgrounds—illuminates where feminism has been, and where it’s going in the future. Visiting Filmmaker.
Sunday, May 26, 4:30 pm Three Colors: Red, France/Poland/Switzerland, 1994 dir. Krzysztof Kieślowski (99 mins., drama, 35mm)
In the lush Red, Irène Jacob plays a model whose neighbor (Jean-Louis Trintignant) becomes uncomfortably involved in her life—a tender final film that is one of Kieślowski’s great masterpieces. 10
NWFC APR/MAY 2019
Yours in Sisterhood
Head Cleaner: Cult and Genre Oddities Sunday, April 7, 7 pm Deep Red (Profondo Rosso), Italy, 1975 dir. Dario Argento (127 mins., horror, DCP)
Dario Argento’s (Suspiria) classic giallo horror follows a pianist (David Hemmings) as he investigates a murder he’s witnessed. A foreboding prediction, strange music, and a missing painting combine with untrustworthy memories to form a murder mystery horror that is as suspense-filled as it is gory. Content warning.
Sunday, April 14, 7 pm Darkman, United States, 1990
dir. Sam Raimi (96 mins., action, 35mm)
Sam Raimi’s 1990 superhero film follows the wrongly targeted and disfigured Dr. Westlake (Liam Neeson) as he transforms into Darkman—a superhero of a thousand faces—and seeks to protect his girlfriend Julie Hastings (Frances McDormand) from the machinations of the developer Louis Strack (Colin Friels). Content warning.
Sunday, April 21, 7 pm Super Mario Bros., UK/US, 1993
dir. Annabel Jankel and Rocky Morton (104 mins., adventure/sci-fi, 35mm)
This peak-nineties adaptation by Rocky Morton and Annabel Jankel (co-creators of Max Headroom) follows our titular brothers (John Leguizamo and Bob Hoskins) into a parallel universe to rescue Princess Peach (Samantha Mathis) and save the world from the evil plans of King Koopa (Dennis Hopper). Narrated by Dan Castellaneta, this film is well worth the (re)visit.
Monday, May 6, 7 pm I Shot Andy Warhol, United Kingdom/United
States, 1996 dir. Mary Harron (103 mins., bio/drama, 35mm)
Mary Harron (American Psycho) directs this true story retelling of sixties radical feminist Valerie Solanas’ (Lili Taylor) life leading up to her attempted assassination of Andy Warhol.
Sunday, June 2, 7 pm Basket Case, United States, 1982
dir. Frank Henenlotter (91 mins., horror, DCP)
Darkman
In Frank Henenlotter’s 1982 cult horror classic, the formerly conjoined twin Duane Bradley (Kevin Van Hentenryck) arrives in NYC with a mysterious basket and a need for revenge. The Warhol film was preserved and restored in 2017 I Shot Andy by MoMA after an original 16mm print was found in Henenlotter’s mother’s attic. Content warning.
Super Mario Brothers APR/MAY 2019 NWFC
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Yellow is Forbidden
Case of the Mondays
This ongoing series of classic films and cutting-edge new work will get you moving into the week. Monday, April 15, 7pm The Juniper Tree, Iceland, 1990
Monday, April 29, 7pm The Color of Love, US, 1994
This wintry adaptation of the Brothers Grimm fairy tale follows two sisters (Björk and Bryndis Petra Bragadottir) on the run after their mother is burned at the stake for witchcraft.
Ahwesh re-works badly deteriorated (and bad) 70s porn into a playful experimental collage where nude bodies and the physicality of celluloid meet. Content Warning. and
dir. Nietzchka Keene (76 mins., drama, DCP)
Monday, April 22, 7pm Tomorrow Never Knows, US, 2018
dir. Adam Sekuler (93 mins., documentary, DCP)
In Sekuler’s powerful and intimate film, Shar and partner Cynthia face a difficult decision after Shar is diagnosed with early-onset Alzheimer’s: continue until the disease fully envelops her, or die with dignity and consciousness? Visiting Filmmaker.
dir. Peggy Ahwesh (10 mins., experimental, 16mm)
Nude on the Moon, US, 1961
dir. Doris Wishman (83 mins., nudie cutie, DCP)
Legendary sexploitation director Wishman delivers one of the most surreal “nudie cuties” of all time with this zonked slice of culture wherein two square-cut scientists visit a far-flung planet populated only by topless women. Content Warning. Co-presented with Light Industry
Monday, May 13, 7pm Yellow is Forbidden, New Zealand/China/
France/Italy/Switzerland/US, 2018 dir. Pietra Brettkelly (97 mins., documentary, DCP)
Famed Chinese fashion designer Guo Pei has risen mercurially to the top of international couture, most famously for Rihanna’s legendary yellow Met Gala dress. Brettkelly’s all-access portrait delves deep into Guo’s painstaking craft and worldview.
Monday, May 20, 7pm Bauhaus Spirit: 100 Years of Bauhaus,
Germany, 2018 dir. Niels Bolbrinker & Thomas Tielsch (95 mins., documentary, DCP)
Bauhaus Spirit: 100 Years of Bauhaus
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NWFC APR/MAY 2019
The Bauhaus is one of the most important holistic design movements in history—a utopian vision of life. Bolbrinker and Tielsch’s playful film takes stock of legendary Bauhaus design principles in the contemporary moment.
EQUIPMENT RENTAL SPECIAL 2019 Get the gear you need to make films this year!
Details at nwfilm.org/equipment
The Juniper Tree
MAY 1 7 pm Prospect (p.4)
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7 pm The Color of Love & Nude on the Moon (p.12)
4:30 pm Maya Deren’s Short Films(p.8)
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7 pm The Last Gospel of the Pagan Babies (p.4)
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THURSDAY
7 pm Karen Doesn’t Dream (p.4)
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7pm This Mountain Life (p.4)
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Tremble All You Want—April 5
Dirty Looks: 8 Years On- April 20
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4 pm Charade (p.8) 7 pm Tomorrow Never Knows 7 pm Super Mario Bros. (p.11) (p.12)
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7 pm The Juniper Tree (p.12)
4:30 pm Forgotten Planets (p.7) 7 pm Darkman (p.7)
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APRIL 1
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4:30 pm Mori, the Artist’s Habitat (p.6) 7pm Deep Red (p.10)
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WEDNESDAY
TUESDAY
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12 pm Sennan Asbestos Disaster (p.7) 4:30 Mirai (p.6) 7pm Cure (p.6)
SATURDAY 6
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6 pm A Bread Factory (p.8)
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7 pm Maya Deren Short Films (p.8)
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4 3:30 pm NWFC Student Screening (p.9) 6 pm A Bread Factory (p.8)
7pm Maya Deren’s Divine Horsemen + Two Shorts (p.8)
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7 pm Singin’ in the Rain (p.8) 2 pm Singin’ in the Rain (p.8) 4:30 pm Funny Face (p.8) 7 pm Dirty Looks: 8 Years On (p.8)
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7 pm We Make Antiques! (p.7) 3 pm Complicity (p.7) 5:30 pm Night is Short, Walk on Girl (p.7) 8 pm The Kamagasaki Cauldron War (p.7)
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7pm Tremble All You Want (p. 6)
FRIDAY 5
watch film all year round . join the silver screen club .
MONDAY
For tickets, schedule, and trailers, visit nwfilm.org
SUNDAY
APRIL/MAY 2019
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28
Singin InSingin’ the Rain—April In The Rain 27
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5 pm Trust (p.9) double feature with Amateur (p.9)
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4:30 pm Yours in Sisterhood (p.9) 7 pm Basket Case (p.11)
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4:30 pm Three Colors: Red (p.9) 7 pm Babylon (p.9)
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7 pm The Bauhaus Spirit (p.12)
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2 pm The Native Wisdom Documentary Film Series (p.5)
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$8 PAM Members, Students, Seniors
$5 Silver Screen Club Friends, New Wave & Children
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6 pm Three Colors: Blue (p.9) 4:30 pm Three Colors: White (p.9) 8:30 pm Babylon (p.9) 7 pm Babylon (p.9)
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7 pm Trust (p.9) double feature with Amateur (p.9)
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visiting artist
subtitles
7 pm Whitman at the Whitsell 7 pm Yours in Sisterhood (p.9) 7 pm Yours in Sisterhood (p.9) (p.5)
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7 pm The Owl’s Legacy - Parts 3 pm The Owl’s Legacy - Parts 1-7 (p.9) 1-13 (p.9)
Unless otherwise noted, all films screen at the Northwest Film Center—Whitsell Auditorium located inside the Portland Art Museum, 1219 SW Park Avenue
$10 General Admission
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7 pm Zulu Summer (p.5)
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12
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7 pm The Owl’s Legacy - Parts 7 pm The Owl’s Legacy - Parts 1-7 (p.9) 8-13 (p.9)
Portland Circuit See nwfilm.org for details
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1 pm A Bread Factory (p.8)
5 pm The Owl’s Legacy - Parts 7 pm Yellow is Forbidden 1-13 (p.9) (p.12)
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7 pm I Shot Andy Warhol (p.11)
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7 pm Maya Deren’s Divine Horsemen + Two Shorts (p.8)
HEAD CLEANER: CULT AND GENRE ODDITIES WEEKEND ENGAGEMENTS
WATCH. Through year-round exhibition programs surveying cinema past and present, audiences and filmmakers come together to explore our region and the world through the moving image arts.
The Northwest Film Center is funded in part by the James F. and Marion L. Miller Foundation, Henry H. Hillman Jr. Foundation, Regional Arts & Culture Council, Oregon Arts Commission, The Ted R. Gamble Film Fund, the Citizens of Portland through the Arts and Education Access Fund, and the support of numerous sponsors, members, and friends.
LEARN. Individuals find and cultivate their personal voices as storytellers through education programs and innovative collaborations which advance media literacy and engage the next generation.
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PORTLAND ART MUSEUM 1219 SW PARK AVE. PORTLAND, OR 97205
CASE OF THE MONDAYS
MISSION. The Northwest Film Center is a regional media arts resource and service organization founded to encourage the study, appreciation and utilization of the moving image arts; to foster their artistic and professional excellence; and to help build a climate in which they flourish.
NWFILM CENTER
NORTHWEST TRACKING
Unless otherwise noted, all films screen at the Northwest Film Center—Whitsell Auditorium located inside the Portland Art Museum, 1219 SW Park Avenue
NWFILM CENTER
PLUS...
$5 Silver Screen Club Friends, New Wave & Children
NWFILM CENTER
Spring Classes for Adults Summer Camps for kids & teens
$8 PAM Members, Students, Seniors
NWFILM CENTER
A Tribute to Stanley Donen
$10 General Admission
NWFILM CENTER
The Films of Maya Deren
TICKETS
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APRIL/MAY 2019
